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    <front>
        <titlepage>
            <doctitle>
                <titlepart type="main">The Horace's Villa Project 1997-2003</titlepart>
            </doctitle>
            <docauthor>Bernard Frischer, Jane Crawford, and Monica De Simone</docauthor>
            <docimprint>
                <publisher>Archaeopress</publisher>
                <pubplace>Oxford, England</pubplace>
            </docimprint>
        </titlepage>
        <div1 id="titlepage" type="div1_tpg">
            <head>
                <bibl type="title">Title Page</bibl>
            </head>
            <p>
                <hi1 rend="bold">The Horace's Villa Project 1997-2001</hi1>
            </p>
            <milestone rend="skipline"/>
            <p>Edited by</p>
            <p>Bernard Frischer</p>
            <p>Jane Crawford</p>
            <p>Monica De Simone</p>
            <milestone rend="skipline"/>
            <p>Archaeopress</p>
            <p>Oxford, England</p>
        </div1>
        <div1 id="div1_cpy" type="copyright">
            <head>
                <bibl type="title">Copyright and Permissions</bibl>
            </head>
            <p>Archaeopress</p>
            <p>Oxford, England</p>
            <p>&copy; Bernard Frischer, Jane Crawford, and Monica De Simone 2006</p>
            <milestone rend="skipline"/>
            <p>ACLS Humanities E-Book electronic edition 2007</p>
            <p>ISBN: xxx (E-Book)</p>
            <p>HEB Number: HEB90044</p>
            <p>This electronic book contains the following additional features not available in the
                print version:</p>
            <p>XXXXX</p>
            <milestone rend="skipline"/>
            <p>This book is also available in print. ISBN: 1 4073 0001 6 (softcover)</p>
            <p>The print edition was published as part of the <hi1 rend="italic">British
                    Archaeological Reports</hi1> series. The current BAR catalog is available from
                Hadrian Books or on-line from www.archaeopress.com.</p>
        </div1>
        <div1 id="div1_ded" type="dedication">
            <head>
                <bibl type="title">Dedication</bibl>
            </head>
            <p>
                <hi1 rend="italic">In Memoriam</hi1>
            </p>
            <p>
                <hi1 rend="italic">Mary Elizabeth Fort, 1949-2006</hi1>
            </p>
        </div1>
        <div1 id="div1_abb" type="abbreviations">
            <head>
                <bibl type="title">List of Abbreviations</bibl>
            </head>
            <p>
                <table border="0">
                    <row>
                        <cell>De Chaupy</cell>
                        <cell>B. C. De Chaupy, <hi1 rend="italic">Découverte de la maison de
                                campagne d’Horace</hi1>, 3 volumes (Rome 1767-1769).</cell>
                    </row>
                    <row>
                        <cell>De Sanctis<hi1 rend="sup">1</hi1>, De Sanctis<hi1 rend="sup">2</hi1>,
                            De Sanctis<hi1 rend="sup">3</hi1></cell>
                        <cell>D. De Sanctis, <hi1 rend="italic">Dissertazione sopra la villa di
                                Orazio Flacco</hi1> (Rome and Ravenna 1761; second edition 1768;
                            third edition 1784).</cell>
                    </row>
                    <row>
                        <cell>Frischer and Brown 2001</cell>
                        <cell>B. D. Frischer and I. G. Brown, eds., <hi1 rend="italic">Allan Ramsay
                                and the Search for Horace’s Villa (Aldershot 2001)</hi1>.</cell>
                    </row>
                    <row>
                        <cell>Frischer et al. 2000 </cell>
                        <cell>B. Frischer, K. Gleason, S. Camaiani, L. Cerri, I. Lekstutis, and L.
                            Passalacqua, “A Preliminary Report on New Studies and Excavations at
                            Horace’s Villa: The Campaigns of 1997 and 1998,” <hi1 rend="italic"
                                >Memoirs of the American Academy in Rome</hi1> 45 (2000)
                        247-276.</cell>
                    </row>
                    <row>
                        <cell>
                            <hi1 rend="italic">In Sabinis</hi1>
                        </cell>
                        <cell>[anon., ed.], <hi1 rend="italic">In Sabinis. Architettura e arredi
                                della Villa di Orazio</hi1> (Rome 1993).</cell>
                    </row>
                    <row>
                        <cell>Lugli 1926</cell>
                        <cell>G. Lugli, “La villa sabina di Orazio,” <hi1 rend="italic">Monumenti
                                Antichi</hi1> 31 (1926) columns 457-598.</cell>
                    </row>
                    <row>
                        <cell>Mari 1994</cell>
                        <cell>Z. Mari, “La valle del Licenza in età romana,” <hi1 rend="italic">Atti
                                del Convegno di Licenza, 19-23 aprile 1993</hi1> (Venosa 1994)
                            17-76. </cell>
                    </row>
                    <row>
                        <cell>Mazzoleni 1891</cell>
                        <cell>A. Mazzoleni, “La villa di Quinto Orazio Flacco,” <hi1 rend="italic"
                                >Rivista di Filologia e d’Istruzione Classica</hi1> 19 (1891)
                            175-241. </cell>
                    </row>
                    <row>
                        <cell>Pasqui 1916</cell>
                        <cell>A. Pasqui, “Licenza. Villa di Orazio,” <hi1 rend="italic">Cronaca
                                delle Belle Arti, Supplemento al Bollettino d’Arte</hi1>, 3.1-2
                            (1916) 11-13.</cell>
                    </row>
                    <row>
                        <cell>Price 1932</cell>
                        <cell>T. D. Price, “A Restoration of Horace’s Sabine Villa,” <hi1
                                rend="italic">Memoirs of the American Academy in Rome</hi1> 10
                            (1932) 135-142.</cell>
                    </row>

                </table>
            </p>
        </div1>
        <div1 id="div1_con" type="contributors">
            <head>
                <bibl type="title">Contributors</bibl>
            </head>
            <p>
                <hi1 rend="bold">Editors</hi1>
                <table>
                    <row>
                        <cell>Jane Crawford</cell>
                        <cell>University of Virginia</cell>
                    </row>
                    <row>
                        <cell>Monica De Simone</cell>
                        <cell>University of Virginia</cell>
                    </row>
                    <row>
                        <cell>Bernard Frischer</cell>
                        <cell>University of Virginia</cell>
                    </row>
                </table>
            </p>
            <p>
                <hi1 rend="bold">Authors</hi1>
                <table>
                    <row>
                        <cell>Franca Allegrezza</cell>
                        <cell>Istituto Storico Italiano per il medioevo</cell>
                    </row>
                    <row>
                        <cell>Claudia Angelelli</cell>
                        <cell>Istituto di Archeologia Cristiana</cell>
                    </row>
                    <row>
                        <cell>Christer Bruun</cell>
                        <cell>University of Toronto</cell>
                    </row>
                    <row>
                        <cell>Theodore Buttrey</cell>
                        <cell>Fitzwilliam Museum, Cambridge University</cell>
                    </row>
                    <row>
                        <cell>Stefano Camaiani</cell>
                        <cell>University of Siena</cell>
                    </row>
                    <row>
                        <cell>Laura Cerri</cell>
                        <cell>University of Siena</cell>
                    </row>
                    <row>
                        <cell>Francesca Colosi</cell>
                        <cell>National Research Council, Rome (Montelibretti)</cell>
                    </row>
                    <row>
                        <cell>Monica De Simone</cell>
                        <cell>University of Virginia</cell>
                    </row>
                    <row>
                        <cell>Luisa Del Giudice</cell>
                        <cell>Italian Oral History Institute</cell>
                    </row>
                    <row>
                        <cell>Michael E. Essington</cell>
                        <cell>University of Tennessee</cell>
                    </row>
                    <row>
                        <cell>Giorgio Filippi</cell>
                        <cell>Vatican Museums</cell>
                    </row>
                    <row>
                        <cell>John E. Foss</cell>
                        <cell>University of Tennessee</cell>
                    </row>
                    <row>
                        <cell>Bernard Frischer</cell>
                        <cell>University of Virginia</cell>
                    </row>
                    <row>
                        <cell>Roberto Gabrielli</cell>
                        <cell>National Research Council, Rome (Montelibretti)</cell>
                    </row>
                    <row>
                        <cell>Kathryn Gleason</cell>
                        <cell>Cornell University</cell>
                    </row>
                    <row>
                        <cell>Maximilian Goriany</cell>
                        <cell>Freelance conservator</cell>
                    </row>
                    <row>
                        <cell>Steven Lattimore</cell>
                        <cell>University of California, Los Angeles</cell>
                    </row>
                    <row>
                        <cell>Elizabeth R. Macaulay</cell>
                        <cell>Oxford University</cell>
                    </row>
                    <row>
                        <cell>Archer Martin</cell>
                        <cell>American Academy in Rome</cell>
                    </row>
                    <row>
                        <cell>Stephen T.A.M. Mols</cell>
                        <cell>Radboud Universiteit Nijmegen</cell>
                    </row>
                    <row>
                        <cell>Silvia Nerucci</cell>
                        <cell>University of Siena</cell>
                    </row>
                    <row>
                        <cell>Luca Passalacqua</cell>
                        <cell>University of Siena</cell>
                    </row>
                    <row>
                        <cell>Debra H. Philips</cell>
                        <cell>Queen’s University of Belfast</cell>
                    </row>
                    <row>
                        <cell>Jennifer Ramsay</cell>
                        <cell>Simon Fraser University</cell>
                    </row>
                    <row>
                        <cell>Yul Roh</cell>
                        <cell>Oak Ridge National Laboratory</cell>
                    </row>
                    <row>
                        <cell>Vasily Rudich</cell>
                        <cell>Independent scholar, New Haven, CT</cell>
                    </row>
                    <row>
                        <cell>James G. Schryver</cell>
                        <cell>University of Minnesota/Morris</cell>
                    </row>
                    <row>
                        <cell>Philip Stinson</cell>
                        <cell>Institute of Fine Arts, New York University </cell>
                    </row>
                    <row>
                        <cell>Maria Jose Strazzulla</cell>
                        <cell>University of Foggia</cell>
                    </row>
                    <row>
                        <cell>Klaus Werner</cell>
                        <cell>Soprintendenza Archeologica, Comune di Roma</cell>
                    </row>
                </table>
            </p>
        </div1>
    </front>
    <body>
        <div1 type="chapter" id="div1_c06" status="hidden">
            <head>
                <bibl type="title">Prefaces</bibl>
            </head>
            <div2 type="section" id="div2_c06.1">
                <head>
                    <bibl type="title">Anna Maria Reggiani</bibl>
                </head>
                <p n="1" id="p_1">In antiquity, the Sabina had settlements characterized by small
                    plots of land under family management according to the “Catonian” model.
                    Coexisting with such small farms were villas of greater size, an example of
                    which is the Roman villa at Licenza. In the second half of the eighteenth
                    century, this villa was identified with certainty as Horace’s famous Sabine
                    estate by the Tivoli lawyer Domenico De Sanctis and the French abbot Bertrand
                    Capmartin de Chaupy. Their efforts to find the actual location of the site
                    carried forward work in the previous century by Lucas Holstenius and Raffaele
                    Fabretti, who had recognized in the Licenza river Horace’s <hi1 rend="italic"
                        >Digentia</hi1>, in Mt. Gennaro his <hi1 rend="italic">Mons
                    Lucretilis</hi1>, and in Roccagiovine the Horatian <hi1 rend="italic">fanum
                        Vacunae</hi1>. Both De Sanctis and de Chaupy correctly considered their
                    discoveries of the remains to be extremely important, and in their respective
                    publications their claims for priority degenerated into a ridiculous quarrel
                    about who stole from whom. In the early years of the twentieth century, an
                    effective publicity campaign conducted by Vincenzo Ussani in the national press
                    of Italy persuaded the Ministry to undertake the task of investigating the site
                    from 1911-1914. The project was entrusted to Angelo Pasqui, Director of the
                    Superintendency which, at that time, was known as the Ufficio per gli Scavi del
                    Lazio Antico. </p>
                <p id="p_2" n="2">Pasqui excavated the site from 1911-1914, when his work was
                    interrupted by the outbreak of World War I, and he himself died in 1915, before
                    being able to publish a final report. In 1926, Giuseppe Lugli, at that time an
                    inspector in the Superintendency, wrote a long account of Pasqui’s results,
                    reconfirming the old identification of the villa as Horace’s. After other
                    explorations by Lugli in 1930-31 in partnership with Thomas D. Price of the
                    American Academy in Rome, and by the young Adriano La Regina in 1957, the ruins
                    at Licenza have been almost unanimously attributed to Horace. Even if the poems
                    of Horace contain no precise descriptions of the appearance of the house, the
                    poet does provide ample details about his villa’s location and geographical
                    features, which are unequivocably situated in this part of the Sabina: the <hi1
                        rend="italic">Lucretilis mons</hi1>, the river <hi1 rend="italic"
                    >Digentia</hi1>, which watered the village of <hi1 rend="italic">Mandela</hi1>,
                    and the nearby sanctuary of <hi1 rend="italic">Vacuna</hi1>. </p>
                <p id="p_3" n="3">The territory of the Monti Lucretili was assigned by Horace to the
                    Sabina insofar as it belonged to the <hi1 rend="italic">IV Regio Sabina et
                        Samnium</hi1>, according to the regional division of Italy made by Augustus
                    in 18 B.C., although the area, close to the Anio valley, can be more accurately
                    considered a hinge between the Sabina, Latium, and the Marsic hinterland. </p>
                <p id="p_4" n="4">The villa is described as situated halfway up the hill, on a
                    pleasant hillock. Horace’s desire to own a piece of land “not too large” (<hi1
                        rend="italic">modus agri non ita magnus</hi1>), with a garden, ever-flowing
                    spring near the house (the famous <hi1 rend="italic">fons Bandusiae</hi1>, which
                    has the same name as a spring in the area of Venosa, Horace’s home town), and a
                    small wood had become a delightful reality when the poet wrote the sixth satire
                    of the second book, which concludes with the famous fable of the city mouse and
                    the country mouse. In the wood populated by the oak and the ilex, Horace ate,
                    drank, and slept under the open sky. </p>
                <p id="p_5" n="5">The tradition of excavations at Licenza by the American Academy in
                    Rome was revived by the new investigations of Bernard Frischer, which brought
                    Horace’s Villa back into the limelight of the scientific world. </p>
                <p id="p_6" n="6">It is therefore with great pleasure that the Superintendency,
                    whose representative Maria Grazia Fiore supported the resumption of studies and
                    excavations of Horace’s Villa, helps to launch this important new publication. </p>
                <milestone rend="skipline"/>
                <p>Anna Maria Reggiani </p>
                <p>Superintendent </p>
                <p>Archaeological Superintendency for Lazio </p>
                <milestone rend="skipline"/>
                <p>
                    <hi1 rend="italic">Rome, October 2003</hi1>
                </p>
            </div2>
            <div2 type="section" id="div2_c06.2">
                <head>
                    <bibl type="title">Maria Grazia Fiore</bibl>
                </head>
                <p id="p_7" n="7">Many of us first encountered Horace’s <hi1 rend="italic"
                    >Sabinum</hi1> in our school days, when we read about his villa stretching along
                    the stream <hi1 rend="italic">Digentia</hi1> near the villages of <hi1
                        rend="italic">Ustica</hi1> and <hi1 rend="italic">Mandela</hi1>. Before it
                    was excavated in 1911, Horace’s Sabine villa owed its fame to the poet’s
                    sky-high reputation. Equally responsible was its splendid environmental context,
                    officially recognized in 1989 with the creation of the Natural Regional Park of
                    the Monti Lucretili, a name that itself is evocative of the Horatian toponym,
                        <hi1 rend="italic">Lucretilis</hi1>.</p>
                <p id="p_8" n="8">It is precisely this impalpable mixture of historical memory with
                    the natural environment that the contemporary visitor first of all perceives and
                    admires: in a certain sense, the archaeological remains come “afterwards” and
                    are primarily the object of admiration of students and scholars. A more romantic
                    impression is made by what were a few years ago felicitously called the
                    “Horatian places,” the <hi1 rend="italic">vallis</hi1>, <hi1 rend="italic"
                    >rivus</hi1>, <hi1 rend="italic">mons</hi1>, <hi1 rend="italic">silva</hi1>,
                    among which the poet took refuge when fleeing from the <hi1 rend="italic"
                        >negotia</hi1> of the city to write his poetry. Yet, the prosaic
                    archaeological remains also merit our careful attention since the villa is a
                    worthy example of the Italic <hi1 rend="italic">domus</hi1>, with rooms closely
                    arranged around an <hi1 rend="italic">atrium</hi1>, mosaic floors, and an
                    observation area furnished with a fountain and facing the splendid cliffs (<hi1
                        rend="italic">levia saxa</hi1>) of Licenza. </p>
                <p id="p_9" n="9">But—as has often been observed—the thing that strikes one the most
                    about the residence is the long porticated garden, highly suited to the exercise
                    of <hi1 rend="italic">otium litterarum</hi1>. It was perhaps requested by Horace
                    himself and thus commissioned by Maecenas for the villa when he donated it to
                    the poet in 32 B.C. Also interesting are the baths, which were gaudily added in
                    the first and second centuries A.D. to the western side of the complex, the
                    excavation of which is still far from being finished. </p>
                <p id="p_10" n="10">From an archaeological point of view, many features of the
                    monument were still obscure before the 1997-2001 campaigns, including, most
                    importantly, the use of some of its parts and its building history before and
                    after Horace. This is not only the result of the fact that the earliest
                    excavations (Pasqui, 1911-1914) were conducted with a methodology that was
                    scientifically deficient, but also from the massive restorations, which have
                    tended more to restore the planimetric lines of the villa than to permit a
                    philological reading of the ancient features still remaining today. </p>
                <p id="p_11" n="11">It was thus with enthusiasm that I received the proposal of
                    Bernard Frischer and his team to reopen the excavations with a series of
                    interventions and analyses aimed at throwing new light on the most problematic
                    issues. At the conclusion of the project, the results of which are here
                    splendidly presented, we can affirm that the villa today is much less enigmatic,
                    and it has reacquired the critical complexity that is its due, even if much
                    additional work still remains to be done. New pieces of evidence have been added
                    to permit a better interpretation of the historical data; the building phases
                    are clearer, as is the shape and design of the villa; its post-Augustan history
                    and uses are much better understood; and its contextualization within its
                    territory is better delineated. </p>
                <p id="p_12" n="12">Thus I feel obliged to express my deep gratitude to Prof.
                    Frischer and to the impressive international team that collaborated with him.
                    The new data they have brought to light furnish a solid foundation for the new
                    research, investigations, and site presentation that the Superintendency plans
                    to undertake in the future. We will have to study how to make best use of these
                    new results, not only by means of didactic tools, but also with new
                    archaeological work on the site itself. Mention here should also be made of the
                    new finds brought to light from 1997 to 2001. They will considerably enrich the
                    Museo Oraziano in the Orsini Castle of Licenza. Such finds, indeed, comprised
                    not only of artistic objects (like the decorative statuettes found in the
                    baths), but also the humble <hi1 rend="italic">instrumenta domestica</hi1>,
                    perfectly conform to the philosophy with which the small museum was reorganized
                    in 1993 on the occasion of the bimillennium of the death of the poet. </p>
                <p id="p_13" n="13">In applauding publication of the work that has been done, and,
                    moreover, the exemplary speed with which Frischer and his team have written up
                    their results and presented them to the scientific world, it is incumbent on us
                    to greet this publication as a significant example of re-reading and in-depth
                    study of a site that had previously been thought to be completely understood,
                    but which now, on the basis of new work, proves to have had many secrets still
                    to reveal. </p>
                <milestone rend="skipline"/>
                <p>Maria Grazia Fiore </p>
                <p>Official Archaeologist Responsible for </p>
                <p>Horace’s Villa </p>
                <p>Archaeological Superintendency for Lazio </p>
                <milestone rend="skipline"/>
                <p>
                    <hi1 rend="italic">Rome, October 2003</hi1>
                </p>
            </div2>
            <div2 type="section" id="div2_c06.3">
                <head>
                    <bibl type="title">Luciano Romanzi</bibl>
                </head>
                <p id="p_14" n="14">I am very happy to participate in the presentation of this
                    publication, which collects the scientific research carried out in recent years
                    at the archaeological site of Licenza, the Villa of Horace.</p>
                <p id="p_15" n="15">The archaeological site of which we speak is today one of the
                    most visited and important monuments of the Province of Rome; given by Maecenas
                    to Horace in the first century B.C., for this territory it has provided the
                    concrete and unique possibility of participating in the development of the
                    society of the Anio valley in the Province of Rome. </p>
                <p id="p_16" n="16">In 1997, this campaign of excavations began under the leadership
                    of Prof. Bernard Frischer, sponsored by the Romagnoli family and under the
                    scientific direction of the Ministero dei Beni e delle Attività Culturali,
                    Soprintendenza per i Beni Archeologici del Lazio, in the person of Dr. Anna
                    Maria Reggiani, Superintendent, and Dr. Maria Grazia Fiore, Archaeological
                    Inspector of the zone. Since then the Villa of Horace, and the town of Licenza
                    along with it, have lived a second era of archaeological excavations, and I have
                    been fortunate to be able to participate and collaborate in this fruitful
                    project. As Mayor, I worked hard, in conjunction with the Town Council, in order
                    that this great experience could happen, and that this important chance to
                    create development in the context that I believe is the most appropriate for
                    tourism and culture would come to pass, linking true economic benefit with the
                    offering of local products and services. </p>
                <p id="p_17" n="17">What happened then has shown that the results of this initiative
                    were as we hoped; in fact, the new discoveries and study season proved to be
                    very interesting, and both the Villa of Horace and Licenza are alive with
                    rediscovered tourism, due in large part to the capability of the town’s
                    administration in organizing initiatives and events, linked to our territory’s
                    great cultural heritage. </p>
                <p id="p_18" n="18">In this sense, we think that the experiences and the discoveries
                    collected in this volume are of great significance, and that this book
                    represents a personal reward for those who gave of themselves to bring about the
                    excavations. I refer not only to those responsible but to all the workers, and
                    to Licenza itself. Our town, although small in area and population, has shown
                    that it knows how to collaborate, not only to protect and make the most of the
                    precious inheritance of the Villa of Horace, of inestimable historic and
                    archaeological value, but also to construct an important presence in the tourist
                    life and culture of our times, whether on the national or international level. </p>
                <p id="p_19" n="19">I think that the work accomplished and collected in this
                    important volume represents a milestone from which to move forward initiatives
                    that give appropriate prominence to the territory of Licenza, so rich in
                    archaeological discoveries. </p>
                <p id="p_20" n="20">Our hope is that the territory will develop as a cultural park
                    in the near future. </p>
                <milestone rend="skipline"/>
                <p>Luciano Romanzi </p>
                <p>Mayor of Licenza (RM) during the Horace’s Villa Project</p>
            </div2>
            <div2 type="section" id="div2_c06.4">
                <head>
                    <bibl type="title">Bernard Frischer</bibl>
                </head>
                <p id="p_21" n="21">From 1997 to 2001 new fieldwork and excavations were undertaken
                    at the Roman villa site near Licenza (Rome) known since the eighteenth century
                    as “Horace’s Villa.”</p>
                <p id="p_22" n="22">The project had the institutional sponsorship of the American
                    Academy in Rome, UCLA, and the Archaeological Superintendency for Lazio
                    (formerly Soprintendenza per i Beni e le Attività Culturali del Lazio, now
                    Soprintendenza per i Beni Archeologici del Lazio). During that period and for
                    two years thereafter, related archival and archaeological research was conducted
                    to analyze our new finds and to put them into the larger context of previous
                    investigations of the site (for more details about the project, its aims,
                    methods, and organization, see <ptr target="div3_c09.1.1" type="txt" n="C.1"/>).
                    I was the Director and Principal Investigator of the project; Co-principal
                    Investigator was Kathryn Gleason. Members of the Scientific Advisory Committee
                    included Anna Maria Reggiani, Maria Grazia Fiore, and Bernard Frischer. Field
                    Directors were Gianni Ponti (1997-99) and Monica De Simone (2000-01). This
                    volume was assembled through the efforts of a small editorial committee
                    including myself as editor-in-chief, Jane Crawford, and Monica De Simone. That
                    this could be done efficiently and with dispatch is in no small part thanks to
                    the commitment, professionalism, and complementary talents of the latter two. </p>
                <p id="p_23" n="23">Major financial support was generously given to sustain various
                    aspects of the project by the Steinmetz Family of Los Angeles, the Vincenzo
                    Romagnoli Group, the Samuel H. Kress Foundation, the Comune di Licenza, and the
                    Creative Kids Education Foundation. Funds for the publication of this report
                    were generously given by Ann and Tony Tonkins, Elizabeth Macaulay, and John and
                    Hannah Krill. My own research on the site was made possible by fellowship and
                    research support from the American Council of Learned Societies, the Center for
                    Advanced Study in the Visual Arts (CASVA), the Loeb Classical Library
                    Foundation, the American Academy in Rome, and the Academic Senate of the
                    University of California (Los Angeles Division). The Western Regional Office of
                    Alitalia graciously offered free transportation between Los Angeles and Rome in
                    1997 and 1998. Gifts and services were kindly donated by Liliana and Francesco
                    De Angelis, Gianni Felice, Mary and John Fort, W. Edward Johansen, G. Franco and
                    Ester Macconi, and John Rae. Descendants of the earlier excavators and scholars
                    of the site were extremely responsive to our requests for information, and we
                    are very grateful to the following for their help: Vicomte Roger d’Ailhaud de
                    Brisis, Elisabeth Price Gorsuch, Henrique Price Grechi, Pier Maria Lugli, and
                    Giorgio Pasqui. </p>
                <p id="p_24" n="24">Helping us in a hundred ways on the site was the small staff of
                        <hi1 rend="italic">custodi</hi1>, ably led by Antonio Muzi. His wife,
                    Rosella, was equally helpful whenever we had to go up to the local museum in
                    Licenza to study the older finds from the site. Nearly one hundred volunteers
                    from twelve countries participated (for a list of names, please see <ptr
                        target="nt_c09.1.n2" type="txt" n="C.1"/>, n2). The countries represented
                    included: Algeria, Austria, Canada, Germany, Great Britain, Israel, Italy, The
                    Netherlands, Russia, Spain, Turkey, and the United States of America. In 1999,
                    the volunteers were recruited by the University of California Research
                    Expeditions Program. The UCLA Institute of Social Science Research (ISSR) and
                    the American Academy in Rome (AAR) ably provided administrative support
                    throughout the project. I would especially like to thank the following
                    individuals for their help: Caroline Bruzelius (AAR), Francesco Cagnizzi (AAR),
                    Adele Chatfield-Taylor (AAR), Madelyn De Maria (ISSR), Denise Gavio (AAR),
                    Christina He (ISSR), Christina Huemer (AAR), Lester Little (AAR), Wayne Linker
                    (AAR), Pina Pasquantonio (AAR), David Sears (ISSR), and Tana Wong (ISSR). </p>
                <p id="p_25" n="25">Many specialists have helped with this study and with the
                    analysis of our finds. They include: Dean Abernathy (architectural database);
                    Franca Allegrezza (the history of the Licenza valley); Claudia Angelelli
                    (ceramics and marbles); Christer Bruun (waterpipes); Theodore Buttrey (coins);
                    Stefano Camaiani (database creation and management; trench reports); Laura Cerri
                    (trench reports); Monica Cola (new state plan); Luisa Del Guidice (folklore);
                    Monica De Simone (building techniques, wall census, trench reports); Giorgio
                    Filippi (analysis of roof tiles and stamps); John Foss (soils and geology);
                    Roberto Gabrielli and Francesca Colosi, (accuracy of previous plans, new state
                    plan); Steven Lattimore (sculpture); Elizabeth R. Macaulay (flower pots);
                    Zaccaria Mari (topography of the Anio and Licenza Valleys); Stephen Mols (wall
                    painting); Archer Martin (metal objects); Luca Passalacqua (database creation
                    and management, trench reports); Jennifer Ramsay (plant materials); Phil Stinson
                    (architectural database); Maria José Strazzulla (terracotta plaques); Murat
                    Yashar (conservation); Sandro Veronese (geomagnetic and geoelectric
                    prospection); and Klaus Werner (mosaics). In 1998 we were assisted by a team of
                    archaeologists from the University of Sheffield, including Maureen Caroll, Colin
                    Merrony, and Michael Charles. In 2000 a team from Genius Loci (London, England),
                    including Peter Chowne and Bill McCann, provided valuable prospection services.
                    In 1998-1999, our Registrar was Linda Clougherty, and Jane Crawford was
                    Assistant Registrar. From 2000-2002 Jane Crawford served as Registrar. </p>
                <p id="p_26" n="26">In putting together this scholarly team and in producing this
                    report, crucial help and advice has been received from the following scholars,
                    who gave selflessly of their time and knowledge whenever asked to do so: Cairoli
                    Fulvio Giuliani, Elisabeth Fentress, Adriano La Regina, Paolo Liverani, Daniele
                    Manacorda, Giuseppe Pucci, Russell Scott and Mara Sternini. </p>
                <p id="p_27" n="27">I express my heartfelt gratitude to our sponsors, collaborators,
                    advisors, and—last and certainly not least!—our wonderful volunteers for making
                    the Horace’s Villa Project possible. </p>
                <p id="p_28" n="28">This has been an exciting journey of archaeological training and
                    intellectual discovery. We set off with a certain mental map of the terrain we
                    would traverse—a map provided by the findings of the classic monograph on the
                    site published by Giuseppe Lugli in 1926<ptr n="1" target="nt_c06.n1"/>—and with
                    the hope of making very specific progress in answering the age-old questions
                    about “Horace’s Villa.” As this volume attests, we learned that many of our
                    preconceptions about the villa, based on earlier research in the twentieth
                    century, had to be qualified and, in some cases, abandoned. A new story began to
                    emerge from our new finds in the ground, in the storage rooms of the
                    Archaeological Superintendency in Tivoli, and in the archives. </p>
                <p id="p_29" n="29">For me, personally, this shift in perspective has constituted no
                    less than a palinode—something very Horatian, as the readers of <hi1
                        rend="italic">Odes</hi1> 1.16 will attest. When, as a newly minted Ph.D. in
                    Golden Latin literature, I first visited “Horace’s Villa” as Assistant Professor
                    in the 1975 American Academy Summer School in Roman Topography, I vividly recall
                    that I came away with more questions than answers. Was this really Horace’s
                    Villa? Were the structures and decorations such as mosaics attributed to
                    Horace’s lifetime correctly dated? Was the site completely studied, or was there
                    still more fieldwork to be done here? In the 1970s, I had no time or (to confess
                    the truth) interest in pursuing these matters myself. I hoped that someone else
                    would take the bit between his teeth. In the meantime, I—like almost all other
                    scholars of the site—could only accept the results of the earlier excavators, at
                    least as a working hypothesis. </p>
                <p id="p_30" n="30">In the 1980s, I studied different aspects of Horace’s poetry and
                    was particularly concerned about the relationship of reality and imagination in
                    his works. In writing about the <hi1 rend="italic">Ars Poetica</hi1>, I pondered
                    the disconnect between the poetic theory professed in that poem and the poetic
                    practice actually encountered in Horace’s works. Why didn’t Horace practice what
                    he preached? Why did virtually no twentieth-century literary critics find the
                    precepts of the <hi1 rend="italic">Ars Poetica</hi1> useful points of entry into
                    Horace’s poetic creations? Could the <hi1 rend="italic">Ars</hi1> be not the
                    sincere statement of principle that it had almost always been taken to be, but
                    rather the send-up of an academic theory with which Horace himself did not, in
                    fact, agree? </p>
                <p id="p_31" n="31">Such a view cannot, of course, be proven in the way a theory is
                    tested in the natural sciences. At most, it can generate a new reading of the
                    poem that (like all interpretations of a work of art) needs to be judged on the
                    basis of its power to enhance our aesthetic appreciation and of its
                    compatibility with the features of the work itself and with what we know of its
                    immediate cultural context. These two criteria are, of course, interrelated. </p>
                <p id="p_32" n="32">An important part of the cultural context of the <hi1
                        rend="italic">Ars Poetica</hi1> was Horace himself. If I was positing an
                    interpretation based on the idea that the speaker of the poem was not Horace but
                    a mock-narrator, someone Mario Labate aptly calls an <hi1 rend="italic">ineptus
                        doctor</hi1>, then I was necessarily assuming some disjunction between the
                    aesthetics expressed in the <hi1 rend="italic">Ars Poetica</hi1> and those held
                    by Horace himself. Such a disjunction had, in fact, been noted by earlier
                    scholars, notably L. Ferrero;<ptr n="2" target="nt_c06.n2"/> but Ferrero limited
                    himself to comparisons among Horace’s poems. Since the Ars Poetica begins with
                    the speaker’s condemnation of the painting of a monster with the head of a
                    woman, the neck of a horse, the wings of a bird and the tail of a fish, I
                    thought that it might be useful to see what we knew about the taste in the
                    visual arts of Horace and his circle during the time when the Ars Poetica was
                    composed (i.e., the period between ca. 23 and 8 B.C.). This was, of course, the
                    period of the transition from Second to Third Style wall painting, and one of
                    the key discriminators between the two was precisely a shift from realistic
                    representation in the Second Style to fanciful representation in the Third. The
                    transition between the two styles is not surprisingly reflected in thematic
                    material: monsters are much more dominant in late Second Style and Third Style
                    painting. </p>
                <p id="p_33" n="33">In view of these facts and my interest in setting off the “real”
                    Horace from his fictional creation, the narrator of the Ars Poetica, who
                    condemns a painting of a monster in the very introduction to his harangue on
                    poetic theory, I thought that it would be interesting to see whether we had any
                    remains of wall painting from the Augustan Age at “Horace’s Villa” (in the 1980s
                    more commonly known simply as Horace’s Villa, reflecting the scholarly consensus
                    that the site probably really was owned by the poet). So, in the spring of 1989,
                    I arranged to visit the local museum in Licenza, where the finds from the Pasqui
                    excavations of 1911-14 were housed in a dimly lit series of dank rooms. I
                    quickly found what I was looking for: a series of fresco fragments that included
                    several figures of female monsters. But, upon returning to the libraries in
                    Rome, I also learned that the paintings from Horace’s Villa had hardly been
                    studied by the experts on Roman art; and that between the two who had given
                    brief comments on my monsters there was diametrical opposition about their date:
                    for Lugli, they were Augustan; for Borda, Flavian.<ptr n="3" target="nt_c06.n3"
                    /> I showed my slides of the fragments to two scholars who had not published
                    anything about the Licenza fragments, but who were highly qualified to give an
                    opinion: Irene Bragantini and Volker Strocka. They both agreed that the monsters
                    were Flavian. In retrospect, this was the first sign that the standard view
                    about “Horace’s Villa” was going to be revised as soon as the old finds could be
                    studied anew by experts. </p>
                <p id="p_34" n="34">Of course, I was hopeful that the monster paintings could still
                    be assigned to the Augustan period, and I therefore was happy to read the long
                    study by Rosanna Cappelli, who agreed with Lugli’s dating.<ptr n="4"
                        target="nt_c06.n4"/> That appeared too late to be cited in my own book on
                    the Ars Poetica, in which I mentioned the monster fragments but cautiously noted
                    the disagreement about their date and about the identification of the villa as
                    Horace’s. <ptr n="5" target="nt_c06.n5"/></p>
                <p id="p_35" n="35">Clearly, the monster paintings from “Horace’s Villa” had
                    potential importance for supporting my interpretation of the Ars Poetica, and
                    just as clearly there was disagreement among the experts about whether they
                    could properly be used to illustrate an Augustan poem. Progress would depend on
                    finding out more about the archaeological context of the fragments. If their
                    provenance on the site could be determined, then we could resolve the issue of
                    their date. It was in search of documentation for the fresco fragments that I
                    started to work in earnest on “Horace’s Villa” in the early 1990s (see <ptr
                        target="div2_c11.4" type="txt" n="E.4"/> for what I ultimately learned). </p>
                <p id="p_36" n="36">Out of this research came the realization that, in addition to
                    the potential discrepancy between the taste in painting of the <hi1
                        rend="italic">Ars Poetica</hi1> speaker and Horace himself, there were
                    contradictions between Horace’s description of his Sabine villa and the actual
                    remains on the ground at Licenza, at least as dated and interpreted by
                        Lugli.<ptr n="6" target="nt_c06.n6"/> Whereas in the poems, Horace
                    emphasized the modest size and décor of his property, the structure attributed
                    to the Augustan phase by Lugli was seignorial in scale: a two-story house of
                    over 20,000 square feet to which a large quadriporticus garden was annexed. Yet,
                    in <hi1 rend="italic">Odes</hi1> II.15, Horace had decried the degeneracy of his
                    age, when the rich spent their money not on public works but on sumptuous
                    private villas with long porticoes (<hi1 rend="italic">Odes</hi1> II.15.10-16).
                    Many floors of the house were covered with black and white mosaics—despite
                    Horace’s observation that grass is not inferior in fragrance or beauty to floors
                    paved with mosaics (<hi1 rend="italic">Epist</hi1>. 1.10.19). </p>
                <p id="p_37" n="37">In interpreting these and related contradictions, I took as my
                    point of departure the correctness of Lugli’s findings: Horace misled his
                    readers, but he did so for the understandable reason of contributing to the
                    moral renewal of Rome pushed by his friend, the Emperor Augustus. If the poet
                    was a bit hypocritical, it hardly made any difference—poetic license, and all
                    that. Of course, there were always two other (not mutually exclusive)
                    possibilities: the Roman villa at Licenza was never owned by Horace; or, Lugli
                    was wrong in his phasing of the remains, and what he thought belonged to
                    Horace’s period really should be assigned to a different date. </p>
                <p id="p_38" n="38">Only new fieldwork could move matters forward. That I was
                    privileged to direct the effort was owing to the kindness of Dott.ssa Maria
                    Grazia Fiore. I first met her in November of 1996, when I went to the
                    Archaeological Superintendency for Lazio in order to request permission to
                    publish a photograph of a reconstruction of the villa in the local museum in
                    Licenza (now splendidly remodeled on the occasion of the bimillennium of
                    Horace’s death in 1993). Dott.ssa Fiore replied to my request by inviting me to
                    follow her to the photographic archive of the Superintendency, where she showed
                    me all the documentation on the site and asked, “Why don’t you publish
                    everything…and reopen the excavations?” After I recovered from my shock at
                    receiving this unexpected proposal, we quickly came to an agreement about how
                    such a project might be undertaken as a partnership between the Superintendency
                    and two institutions with which I was associated, the American Academy in Rome
                    and UCLA. A major financial sponsor miraculously appeared several months later
                    in the person of Vincenzo Romagnoli, and fieldwork commenced in the summer of
                    1997. </p>
                <p id="p_39" n="39">As will become clear from the report that follows, it has turned
                    out that Lugli’s monograph was not a reliable point of departure. It is worth
                    pointing out here that this “unreliability” was not the result of deception or
                    incompetence. Giuseppe Lugli wrote his report ten years after the great
                    excavations of 1911-14, which were conducted by Angelo Pasqui. Pasqui died
                    before he had been able to write a final report. As Lugli himself states, his
                    report is an attempt to present the material as Pasqui would have done, had he
                    been able. The way Pasqui and Lugli interpreted the site reflected discoveries
                    and hypotheses that had been accumulating since the eighteenth century (see <ptr
                        target="div2_c08.2" type="txt" n="B.2"/> for details). For them to have
                    transcended the inherited <hi1 rend="italic">opinio communis</hi1> would have
                    required methods and <hi1 rend="italic">comparanda</hi1> that only appeared in
                    the last decades of the twentieth century. It is those methods and discoveries
                    that made a re-reading of “Horace’s Villa” worthwhile and timely. I think it
                    fair to state that the undertaking has not been without its surprises and
                    rewards. Without anticipating exactly what those are, I will say that we have
                    removed the contradiction between the Licenza villa and Horace’s description of
                    his <hi1 rend="italic">villula</hi1>; and we have resolved the controversy about
                    the dating of the monster fragments. </p>
                <p id="p_40" n="40">This publication is simply a final report on our seven-year
                    project, and it certainly does not claim to be the last word on the site. There
                    is still much fieldwork to be done here, and—in view of the prestige of the
                    site—it seems inevitable that research will resume after an interval that one
                    can only hope will not be too long. Looking forward to that day (and preparing
                    for the possibility that our team will not be involved), we have tried to make
                    this report a handy collection of materials and information that will make it
                    easier for our successors to pick up where we have left off. Some parts (e.g.,
                    the catalogue [<ptr target="div2_c13.0" type="txt" n="G"/>]) that might seem dry
                    to a reader will (I trust) be invaluable resources to an excavator. <hi1
                        rend="italic">Expertus scio</hi1>! </p>
                <p id="p_41" n="41">I conclude by expressing my thanks to the helpful comments and
                    suggestions of the anonymous readers who wrote reports solicited by a university
                    press that accepted our book for their list but which, in the end, we did not
                    choose to let publish it. Thanks also to John Fort for his help in translating
                    into English the contributions, originally written in Italian, of Franca
                    Allegrezza, Claudia Angelelli, and Monica De Simone. I would also like to thank
                    Sarah Wells at IATH for her assistance in transforming these volumes from
                    electronic files into physical form. I must also express my deep thanks, on
                    behalf of all the co-authors, to my two co-editors: Jane Crawford and Monica De
                    Simone. Certainly from my point of view, without them this volume—and indeed the
                    whole Horace’s Villa Project—would simply not have been possible. </p>
                <p id="p_42" n="42">They join me in dedicating this volume to the memory of Mary
                    Fort. Mary and her family owned some of the property adjacent to the villa. From
                    the start of our project, she helped in every way imaginable—providing housing
                    and meals to our volunteers, recruiting her teenage sons to help with the
                    digging, and helping us solve our quotidian and bureaucratic problems. But she
                    was much more than an incredibly competent Mrs. Fix-it. Mary’s love of the
                    archaeological site, of Horace, and of Italy was profound. She never flagged in
                    her enthusiasm for our project and was an endless source of comfort and support
                    to us all. We shall miss her. </p>
                <p id="p_43" n="43">This casebound edition contains corrections of the errors,
                    almost all minor, that have come to light since the paperbound version of the
                    report was published. The errata have been posted at <ref type="url"
                        url="http://www.iath.virginia.edu/horace/"
                        >http://www.iath.virginia.edu/horace/</ref>. We plan to update this list as
                    necessary and invite readers to submit errors that they find to
                    bernard.d.frischer@gmail.com. </p>
                <p>Bernard Frischer </p>
                <p>Director,“Horace’s Villa” Project, 1997-2003 </p>
                <p>Director, Institute for Advanced Technology in the Humanities, University of
                    Virginia </p>
                <milestone rend="skipline"/>
                <p>
                    <hi1 rend="italic">Rome, October 2006</hi1>
                </p>
            </div2>
        </div1>
        <div1 type="chapter" id="div1_c07">
            <head>
                <bibl type="title">A. Introduction: History and Goals of the “Horace’s Villa”
                    Project</bibl>
            </head>
            <p>
                <hi1 rend="bold">By Bernard Frischer</hi1>
            </p>
            <p id="p_44" n="44">“Horace’s Villa” is the name given to the site of a Roman country
                house near the hill town of ﻿Licenza (Roma),<ptr n="1" target="nt_c07.n1"/> which is
                located approximately thirty miles from the center of ﻿Rome (for a fuller
                description of the site, see Frischer, <ptr type="txt" target="div3_c08.1.1" n="B.1"
                />). We denote the site “﻿Horace’s Villa,” using quotation marks, because, as will
                be seen, the identification is traditional and possible, but by no means certain. </p>
            <p id="p_45" n="45">That a villa answering to the description Horace gave to his beloved
                country estate ought to be found here was implied in the seventeenth century by
                ﻿Holstenius (for details, see Frischer, <ptr type="txt" target="div2_c08.3" n="B.3"
                    />).<ptr n="2" target="nt_c07.n2"/> The first exposure of ancient remains below
                the modern surface level dates to the late eighteenth century, as do the earliest
                studies (see Frischer, <ptr type="txt" target="div2_c08.3" n="B.3"/>). A consensus
                was soon reached that the site did indeed correspond to Horace’s Sabine villa. In
                the mid-nineteenth century, some distinguished dissenting voices were heard (see
                Frischer, <ptr type="txt" target="div2_c08.3" n="B.3"/>), which was not surprising
                in view of the complete absence, even today, of unequivocal evidence proving
                Horatian ownership.Nevertheless, because of the villa’s traditional association with
                Horace, beginning in the 1890s the General Directorate of Archaeology and Fine Arts
                of the Italian Ministry of Education was pressured to undertake major excavations.
                Work commenced in May of 1911 under the direction of ﻿Angelo Pasqui, Director of the
                Ministry’s Office of Excavations for Rome, Ancient Latium, and the Province of
                Aquila, and continued with interruptions until October of 1914. Pasqui died in 1915
                before writing his final report. ﻿Giuseppe Lugli, who did not participate in the
                fieldwork, was given the task of writing a provisional report in the 1920s (see
                Lugli 1926). Later, Lugli teamed up with the American landscape architect, ﻿Thomas
                D. Price, to execute further excavations in 1930-31 (see Gleason, <ptr
                    target="div2_c08.5" type="txt" n="B.5"/> and <ptr target="div3_c09.3.1"
                    type="txt" n="C.3"/>). After 1931, the main activity on the site prior to the
                new fieldwork of 1997-2001 was conservation (for details on archaeological
                activities in the twentieth century, see Frischer, <ptr target="div3_c08.4.1"
                    type="txt" n="B.4"/>).</p>
            <p id="p_46" n="46">The ﻿Horace’s Villa Project 1997-2003 was initiated with the main
                goal of adding to our knowledge of the site in terms of time and space. The
                importance of the site, especially to students of Horace’s poetry but also to
                scholars of late-Republican villas in the Roman hinterland, was disproportionate to
                the amount of reliable information available about it when the project was
                conceived. Certainly the greatest contributions to the understanding of the site
                were those made by Pasqui, but the impact of his work was markedly reduced by the
                fact that no final report was ever produced. The publication by Lugli left many
                questions unanswered, especially about the context of many of the finds, which were
                simply listed, not described and analyzed in depth. In any case, the excavations
                were not—and for historical reasons could not have been—stratigraphic. For decades,
                Pasqui’s material barely merited mention in the archaeological, art-historical, and
                literary scholarship of the mid-twentieth century. This was undoubtedly a reflection
                of the limitations of Lugli’s 1926 publication and of the difficulty of viewing the
                material in the local museum in the ﻿Palazzo Orsini, which was overcrowded, poorly
                lit, and for many years accessible only by special appointment.<ptr n="4"
                    target="nt_c07.n4"/>
            </p>
            <p id="p_47" n="47">The situation changed in the early 1990s. Important studies emerged
                in connection with the celebration of the bimillennium of the death of Horace in
                1992 (cf. <hi1 rend="italic">Atti del convegno di Licenza</hi1> [Venosa 1994]; <hi1
                    rend="italic">In Sabinis. Architettura e arredi della Villa di Orazio</hi1>
                [Rome 1993]). Notable among these were the useful survey, in the manner of the <hi1
                    rend="italic">Forma Italiae</hi1>, of the Licenza valley by ﻿Z. Mari,<ptr n="5"
                    target="nt_c07.n5"/> and the new study of the fresco fragments by ﻿R. Cappelli.
                ﻿Veloccia Rinaldi noted the provisional character of the latter and called for a
                more profound comparison of the Licenza painting fragments with comparanda from Rome
                and the ﻿Bay of Naples. Other signs of renewed scholarly interest in the site were
                ﻿M. G. Fiore Cavaliere’s account of the history of the Licenza valley in late
                antiquity and the Middle Ages; and ﻿A. M. Reggiani Massarini’s short biographical
                study of Pasqui with special reference to his work at Licenza.<ptr n="6"
                    target="nt_c07.n6"/> Moreover, Pasqui’s finds were given a new display in
                remodelled and vastly upgraded rooms in the ﻿Palazzo Orsini, which was opened to the
                public on a regular basis. </p>
            <p id="p_48" n="48">The Horace’s Villa Project, 1997-2003 is the logical continuation of
                the new work on the site initiated by the bimillennium celebrations of 1993. There
                were two main areas to be investigated, which could be called the <hi1 rend="italic"
                    >meta-archaeological</hi1> and the <hi1 rend="italic">archaeological</hi1>. The
                meta-archaeological issues entailed looking afresh at the published work of Lugli on
                the 1911-14 Pasqui excavations and of Price on the 1930-31 Lugli-Price fieldwork
                (see Frischer, <ptr target="div3_c08.4.1" type="txt" n="B.4.1-5"/>). Here, the most
                pressing questions were clearly: <table border="0">
                    <row>
                        <cell>&bullet;</cell>
                        <cell>Was there still good stratigraphy to be found on the site?</cell>
                    </row>
                    <row>
                        <cell>&bullet;</cell>
                        <cell>How valid were the earlier twentieth-century restorations of the
                            structures on the site?</cell>
                    </row>
                    <row>
                        <cell>&bullet;</cell>
                        <cell>Could new, unpublished (or undiscovered) documents be found that might
                            throw light on Pasqui’s and the Price-Lugli excavations, which had never
                            been the subject of final reports?</cell>
                    </row>
                </table></p>
            <p id="p_49" n="49">These questions could only be addressed by searching the archives
                for documents and by re-examining the site to better understand not only the site
                itself, but also the methods and policies applied by the earlier twentieth-century
                archaeologists. </p>
            <p id="p_50" n="50">Beyond meta-archaeology, there were clearly new archaeological
                investigations that could be undertaken. In 1993, Mari had pointed out that <q1>
                    <p>It should be noted that the plan that emerged from the excavations is
                        incomplete: the baths are still partially buried; the entrance (<hi1
                            rend="italic">fauces</hi1>) to the villa is not clear; the <hi1
                            rend="italic">pars rustica</hi1> connected to the agricultural
                        plantation mentioned by Horace is completely lacking.<ptr n="7"
                            target="nt_c07.n7"/></p>
                </q1></p>
            <p id="p_51" n="51">Autopsy of the site and archival research revealed other issues
                worth investigating. For example, the fountain in the small peristyle (Area 8) was
                not centered symmetrically within the space of the peristyle, as one would expect,
                but abutted and even pierced slightly through the northern wall. An account of the
                site dating from 1834 reported a mosaic under the surface that was not found in the
                earlier twentieth-century excavations, raising the possibility that it was still to
                be found on or near the site (see Frischer, catalogue <ptr target="div4_c13.1.8.17"
                    type="txt" n="G.1.8.17"/>; cf. <ptr target="div4_c13.1.8.14" type="txt"
                    n="G.1.8.14"/>). In 1848-49 an official investigation was undertaken in response
                to a farmer’s accidental exposure of a mosaic on property to the north of the
                present archaeological park (see <ptr target="div4_c13.1.8.22" type="txt"
                    n="G.1.8.22"/>). This suggested that the residence might have extended farther
                to the north, beneath the modern public road and into the field beyond. </p>
            <p id="p_52" n="52">In 1996 the ﻿American Academy in Rome and the ﻿Archaeological
                Superintendency of Lazio agreed to reopen the excavations as a joint project. A
                Scientific Committee was established to oversee the work. The members were ﻿A. M.
                Reggiani (in the meantime promoted to Superintendent of the Archaeological
                Superintendency of Lazio), ﻿M.G. Fiore (Inspector for the valley of Licenza and
                other areas under the jurisdiction of the Superintendency), and ﻿B. Frischer
                (Professor of Classics, UCLA). Former and present Mellon Professors at the Academy,
                including ﻿Russell Scott, ﻿Elisabeth Fentress, and ﻿Archer Martin, served as
                consultants to the project. </p>
            <p id="p_53" n="53">The actual work began in August, 1997 under the directorship of
                Frischer, who had in the meantime found a financial sponsor in the ﻿Vincenzo
                Romagnoli Group, whose primary activity was as a general contractor for large-scale
                construction projects in Italy and elsewhere in the world. The Romagnoli Group
                signed a contract with the American Academy in Rome to provide funds for the
                project, which was originally expected to run for four years. The first three years
                (1997 to 1999) were to be devoted to fieldwork; the fourth year to a study season. </p>
            <p id="p_54" n="54">From the start, it was clear that the Horace’s Villa Project
                1997-2003 could not undertake a definitive study of all the problems connected with
                the villa: the funds and the time available simply did not suffice for anything that
                ambitious. The project therefore had more modest goals, all predicated on the
                assumption that the earlier work, as published by Lugli and Price, provided a fairly
                reliable point of departure; and that the purpose of new work would be, as Mari had
                already independently suggested in 1993, to fill in some of the most important
                remaining missing pieces of the puzzle. </p>
            <p id="p_55" n="55">The Scientific Committee therefore identified a limited number of
                new research topics as worth pursuing. These included: <table>
                    <row>
                        <cell>1. </cell>
                        <cell>Providing a close reading of the Licenza valley through the early
                            medieval period based on an archaeological survey and on archival
                            research</cell>
                    </row>
                    <row>
                        <cell>2. </cell>
                        <cell>Establishing the natural property lines of the Villa of Horace as well
                            as the ancient access road from the Via Licinese</cell>
                    </row>
                    <row>
                        <cell>3. </cell>
                        <cell>Looking for evidence of the <hi1 rend="italic">pars rustica</hi1> of
                            the villa</cell>
                    </row>
                    <row>
                        <cell>4. </cell>
                        <cell>Verifying the state plan of existing structures and reexamining the
                            different construction phases of the villa</cell>
                    </row>
                    <row>
                        <cell>5. </cell>
                        <cell>Exploring unexcavated areas of the complex, including the garden area
                            in the peristyle and the western hillside</cell>
                    </row>
                    <row>
                        <cell>6. </cell>
                        <cell>Publishing a final excavation report integrating the earlier studies
                            since the 18th century.</cell>
                    </row>
                </table></p>
            <p id="p_56" n="56">Fieldwork techniques and operations were to include: <table>
                    <row>
                        <cell>1. </cell>
                        <cell>Field survey and collection of surface finds</cell>
                    </row>
                    <row>
                        <cell>2. </cell>
                        <cell>Magnetic and electric prospections to identify new features below the
                            surface </cell>
                    </row>
                    <row>
                        <cell>3. </cell>
                        <cell>Borings, soundings, and excavations using the stratigraphic
                        technique</cell>
                    </row>
                    <row>
                        <cell>4. </cell>
                        <cell>Palaeobotanical studies.</cell>
                    </row>
                </table></p>
            <p id="p_57" n="57">By far the greatest share of our human and material resources went
                into achieving the fifth goal, that of new excavations of areas such as the garden
                and western hillside, as well as cleaning operations to verify the presence or
                absence of features recorded in the documentation (published and unpublished) of the
                earlier excavations. This report will amply document that as the project advanced,
                we discovered that the earlier studies of Lugli and Price did not, in fact, provide
                a solid basis on which we could build. Gradually, the project was transformed from
                one designed to fill the most important of the last remaining gaps in the
                archaeological record into a feasibility study about the possibility of recovering
                new information from the areas and material previously excavated. </p>
            <p id="p_58" n="58">Given the limitations of time and material resources, this shift in
                emphasis inevitably meant that some of our initial objectives came to have a lower
                priority and others were ultimately not met. These included a cluster of research
                topics that would have required fieldwork in the surrounding countryside outside the
                bounds of the Superintendency’s archaeological park: (1) survey of the Licenza
                valley; (2) determination of the natural property lines of the villa as well as the
                villa’s access road from the Via Licinese; and (3) finding the <hi1 rend="italic"
                    >pars rustica</hi1> of the villa. The sixth objective was met in part: many
                classes of earlier finds were studied anew and the results integrated with our new
                finds. These include architectural terracottas, architectonic elements, coins,
                fresco fragments, mosaics, and stamped bricks and roof-tiles, reports on which are
                found in this volume. Floor and wall marbles make up the bulk of the earlier finds
                now in storage in Tivoli; of these, only a small, random sample could be studied.
                Owing to limitations of time and resources as well as some practical considerations,
                earlier sculptural finds were not re-examined at all, nor were pottery, glass, and
                small metal objects. </p>
            <p id="p_59" n="59">As the project proceeded, several new investigations and activities
                were added to the initial list and successfully completed, including, for example, a
                complete wall census; a census of the principal textual and graphic documentation
                for the site from antiquity to 1990; study of lead in the soil of the site; study of
                the folklore and customs of the region that relate to the villa; creation of a
                Internet site for students and the general public; creation of video documentary
                about the project; installation of a “green” retaining wall to protect the western
                slope of the site in an environmentally friendly and aesthetically pleasing way; and
                installation of new signs and benches on the site to make visits to the villa more
                rewarding and enjoyable for tourists. </p>
            <p id="p_60" n="60">The most important departure from the original plan was the
                substantial enlargement of the workload dedicated to fieldwork. This was
                necessitated by the unexpectedly large scope of the investigations we undertook, and
                was made possible by the identification of additional material resources that could
                be brought to bear. Originally, 1080 man days of fieldwork were planned over three
                years (1997: 216; 1998: 432; 1999: 432). In the event, this was increased to 2450
                man days spread over five years (1997: 216; 1998: 432; 1999: 1440; 2000: 170; 2001:
                180). The study season was accordingly postponed from 2000, as originally planned,
                to 2003, when most of the reports that follow were given their final form by an
                Editorial Committee that consisted of B. Frischer (Editor-in-chief), ﻿J. Crawford,
                and ﻿M. De Simone (see Frischer, <ptr target="div3_c09.1.1" type="txt" n="C.1"/> for
                a fuller account of the organization, strategy, and history of the fieldwork). </p>
        </div1>
        <div1 type="chapter" id="div1_c08" status="hidden">
            <head>
                <bibl type="title">B. History of Archaeological Research on the Site</bibl>
            </head>
            <div2 type="section" id="div2_c08.1" status="hidden">
                <head>
                    <bibl type="title">B.1. General Introduction to the Area</bibl>
                </head>
                <p>
                    <hi1 rend="bold">By Bernard Frischer</hi1>
                </p>
                <div3 type="section" id="div3_c08.1.1">
                    <head>
                        <bibl type="title">[text]</bibl>
                    </head>
                    <p id="p_61" n="61">“Horace’s Villa” is situated in the small ﻿Licenza valley,
                        about 30 miles northeast of ﻿Rome, at ca. 400 meters above sea level. It
                        sits on a saddle of land between the limestone ﻿Colle Rotondo (984 meters)
                        and a tufaceous hillock called the ﻿Castagneto (the “Chestnut Wood,” 428
                        meters) to the east. Beyond the Castagneto to the east is the Licenza river,
                        which, after running ca. 8 km., debouches into the Anio river near the
                        present-day railroad station of ﻿Mandela (for a topographical map, see <hi1
                            rend="bold">fig. 1</hi1>). The Licenza river, which is a torrent, is fed
                        by springs on the slopes of the mountains on the west side of the valley. On
                        the east side of the valley run a series of hills and mountains, dominated
                        by ﻿Mt. Mandela. <figure entity="heb90044.0001" id="fg_heb90044.0001"
                            type="ic">
                            <head>
                                <bibl type="figno">Figure 1</bibl>
                                <bibl type="figcap">Topographical map of the Licenza valley (=Lugli
                                    1926, Tav. 1).</bibl>
                            </head>
                        </figure></p>
                    <p id="p_62" n="62">The valley, which is typical of the zone to the north and
                        northeast of ﻿Tivoli, is delimited on the north by ﻿Pizzo Pellecchia (1324
                        m), ﻿Colle Ara del Pero (1054 m), ﻿Civitella (735 m), and Licenza (510 m);
                        on the west by the Colle Rotondo, ﻿Monte Morico (1073 m), Colle Spogna (1147
                        m), and ﻿Monte Ariaoni (1059 m). Between the Colle Rotondo and the Monte
                        Ariaoni, 700 meters to the north of the villa site, is a ravine called the
                        ﻿Fosso delle Chiuse.<ptr n="1" target="nt_c08.1.n1"/> About 500 meters to
                        the south of the villa is a shallower ravine called the ﻿Fosso delle Mogli.
                        Today, and presumably throughout history, these <hi1 rend="italic"
                        >fossi</hi1> provide a natural boundary for the property (or properties) on
                        either side of them. </p>
                    <p id="p_63" n="63">On the east, the range of hills is less steep and much
                        dryer; running from north to south, they are called ﻿Montanello (736 m),
                        ﻿Collefranco (462 m), ﻿Marmore, ﻿Colle Prioni (595 m), ﻿Colle di Menichetta,
                        ﻿Colle dei Cerri (834 m), ﻿Colle Luccio (642 m), and Monte Mandela (681
                            m).<ptr n="2" target="nt_c08.1.n2"/>
                    </p>
                    <p id="p_64" n="64">The landscape of the Licenza valley consists primarily of
                        alluvial sediments in the valley floor, colluvial deposits at the base of
                        the slopes of the valley, and sedimentary rocks (especially shales and
                        limestone) forming the uplands. The Colle Rotondo is formed of marly
                        limestone. On the villa site, limestone-derived colluvial and alluvial soils
                        overlay older shale-derived soils. The bedrock on the site is shale, which
                        undulates across the site with sudden changes of quota. The overburden atop
                        the ancient Roman levels averages ca. 1.8 meters in depth (for details, see
                        Foss et al., <ptr target="div3_c11.1.1" type="txt" n="E.1"/>). </p>
                    <p id="p_65" n="65">Since 1989, the Licenza valley has been part of the 18,000
                        hectare-large regional park of the ﻿Monti Lucretili.<ptr n="3"
                            target="nt_c08.1.n3"/> This has limited growth in the valley and helped
                        to maintain its low-density and agricultural character. Crops are mainly
                        raised today on the well-watered western slopes of the valley; they include
                        grapes, olives, chestnuts, and fruit. Truck farming is a major activity on
                        the lower slopes of the valley, especially on the western side of the
                        valley. In the uplands there is good pasturage provided by wild broom (<hi1
                            rend="italic">Spartium junceum</hi1>), blackthorns (<hi1 rend="italic"
                            >Prunus spinosa</hi1>), bramble (<hi1 rend="italic">Rubus
                        ulmifolius</hi1>) and wild roses (<hi1 rend="italic">Rosa sp.</hi1>). The
                        herding of sheep and cattle on both sides of the valley has always been a
                        major economic activity, though it has tapered off since the end of the
                        Second World War. In the uplands, maple (<hi1 rend="italic">Acer
                        obtusatum</hi1>, <hi1 rend="italic">Acer pseudoplatanus</hi1>), turkey oak
                            (<hi1 rend="italic">Quercus cerris</hi1>), and the holm-oak (<hi1
                            rend="italic">Quercus ilex</hi1>) are the predominant trees, providing
                        little timber, but offering food (acorns) and habitats for wild boar,
                        martens (such as the weasel), squirrels, wolves, foxes, and, above 800
                        meters, large rodents such as the porcupine.</p>
                </div3>
                <div3 type="section" id="div3_c08.1.2">
                    <head>
                        <bibl type="title">B.1.1. Settlement of the ﻿Licenza valley in
                        antiquity</bibl>
                    </head>
                    <p id="p_66" n="66">The literary, epigraphical, and archaeological evidence on
                        which a history of the Licenza valley in antiquity could be written is very
                        scarce. Apart from the poet Horace and his scholiasts (see Frischer, <ptr
                            target="div2_8.2" type="txt" n="B.2"/> and <ptr target="div2_c08.3"
                            n="B.3"/>), the literary evidence is nonexistent. The epigraphical and
                        archaeological remains are mostly the result of sporadic finds, which have
                        been catalogued by Lugli and Mari.<ptr n="4" target="nt_c08.1.n4"/> The only
                        sites that have been excavated and published are the villa at Prato La Corte
                        (Vicovaro) and “Horace’s Villa” near Licenza.<ptr n="5" target="nt_c08.1.n5"
                        /> A third site is known to have been excavated in 1858, but the results
                        were never published.<ptr n="6" target="nt_c08.1.n6"/></p>
                    <p id="p_67" n="67">Settlement of the Licenza valley appears to have developed
                        along the ancient road corresponding to the modern Via Licinese, which runs
                        between San Cosimato, on the Via Valeria, and <hi1 rend="italic">Trebula
                            Mutuesca</hi1> (Monteleone Sabino) on the Via Salaria.<ptr n="7"
                            target="nt_c08.1.n7"/> The Licinese starts near the twenty-eighth mile
                        of the Via Valeria, which dates to the years 307/6 or 289/286 B.C;<ptr n="8"
                            target="nt_c08.1.n8"/> these roads were constructed on ancient tracks
                        long in use by travelers in the area.<ptr n="9" target="nt_c08.1.n9"/> The
                        Via Valeria runs through the Anio river valley and beyond to the Adriatic.
                        An important transportation corridor, it penetrated the barrier of the
                        Apennines and linked the Tivoli region to the area which in antiquity was
                        inhabited by the Sabines, Aequi, Marsi, and Samnites. </p>
                </div3>
                <div3 type="section" id="div3_c08.1.3">
                    <head>
                        <bibl type="title">B.1.2. Archaic period to the Roman conquest</bibl>
                    </head>
                    <p id="p_68" n="68"> Settlement in the area is attested from the Palaeolithic
                        and Neolithic through the Iron Age.<ptr n="10" target="nt_c08.1.n10"/> In
                        the archaic period, the valley delimited the territory of the Sabines (west
                        side of the valley) from that of the Aequi (east side).<ptr n="11"
                            target="nt_c08.1.n11"/> Ceramic remains from the historical period begin
                        to appear in the archaeological record in the Mandela area during the
                        sixth-fifth century B.C.<ptr n="12" target="nt_c08.1.n12"/> The site of
                        “Horace’s Villa” has also produced some residual gray bucchero dating from
                        the same period (see Angelelli, <ptr target="div3_c10.2.3" type="txt"
                            n="D.2.2"/>). It has also revealed evidence of cultivation datable to
                        2550 +/- 40 years BP (see Foss, et al., <ptr target="div4_c11.1.3.1"
                            type="txt" n="E.1.3.1"/>). </p>
                    <p id="p_69" n="69">With the Roman conquest of the Aequi and Sabines, the area
                        fell under Roman control by the early third century. A first result of Roman
                        rule was a partial reduction of the native population, in part attracted to
                        Rome and other Latin cities.<ptr n="13" target="nt_c08.1.n13"/> By 272 B.C.,
                        the area was pacified enough to permit construction of the<hi1 rend="italic"
                            > Anio Vetus</hi1> aqueduct, whose source was near Vicovaro. In this
                        period, before the development of the villa system,<ptr n="14"
                            target="nt_c08.1.n14"/> the form of social organization was
                        paganic-vicanic; this is characterized by a series of small villages (<hi1
                            rend="italic">vici</hi1>), normally located along the roads, grouped
                        together into larger administrative units (<hi1 rend="italic"
                            >pagi</hi1>).<ptr n="15" target="nt_c08.1.n15"/> The nearby town of
                        Vicovaro derives its name from <hi1 rend="italic">vicus Varia</hi1>; just to
                        the east of that was the <hi1 rend="italic">pagus Mandela</hi1>, mentioned
                        by Horace (<hi1 rend="italic">Epist</hi1>. 1.18.105). The uplands show
                        traces of huts, which were used as summer shelters by shepherds engaged in
                        transhumance on routes between the Apennines and the vias Licinese and
                            Valeria.<ptr n="16" target="nt_c08.1.n16"/> Villas begin to appear in
                        the second or first century B.C. At Vicovaro, a number of cults are known
                        from inscriptions (Ceres and Liber, Flora, Hercules);<ptr n="17"
                            target="nt_c08.1.n17"/> in the rest of the territory, the only religious
                        sanctuary of which we hear is a temple of Victoria, of uncertain antiquity
                        and location. It was restored by Vespasian and was probably situated in the
                        area of Roccagiovine, where the inscription mentioning it has been known
                        since the seventeenth century.<ptr n="18" target="nt_c08.1.n18"/>
                    </p>
                </div3>
                <div3 type="section" id="div3_c08.1.4">
                    <head>
                        <bibl type="title">B.1.3. Second and first centuries B.C.</bibl>
                    </head>
                    <p id="p_70" n="70"> In the zone between the Via Valeria near Mandela and
                        Vicovaro and the hilltown of Licenza, traces have been found of some twelve
                        to sixteen villas.<ptr n="19" target="nt_c08.1.n19"/> The earliest date to
                        the second or first century B.C. Of the twelve sites identified as villas
                        with certainty by Mari, eight are in the area of Mandela (Mari 1994,
                        catalogue nos. 3, 4, 11, 18, 19, 20, 26) and Vicovaro (no. 23); two are near
                        Roccagiovine (nos. 22, 30), and two are near Licenza (nos. 33, 34 =
                        “Horace’s Villa”). The clustering in the Vicovaro-Mandela area is plausibly
                        explained by Mari as a reflection of the fact that the fields are flatter
                        and lower-lying here than in the Licenza valley proper.<ptr n="20"
                            target="nt_c08.1.n20"/> Other factors may include proximity of the
                        Vicovaro-Mandela properties to the various aqueducts running through the
                        area, as such clustering has been noted elsewhere.<ptr n="21"
                            target="nt_c08.1.n21"/> Finally, there is the general tendency that
                        villas become fewer in number, the farther one goes from Rome<ptr n="22"
                            target="nt_c08.1.n22"/> and, one might speculate, from Tivoli. The
                        latter city was the dominant regional center and experienced a boom of civic
                        building throughout the first century B.C.<ptr n="23" target="nt_c08.1.n23"
                        /> The early villas were small <hi1 rend="italic">villae rusticae</hi1>
                        (“Catonian villas”)<ptr n="24" target="nt_c08.1.n24"/> with no pretensions
                        to elegance and presumably employing only a limited number of slaves. They
                        sit on terraces with retaining walls built of polygonal blocks or <hi1
                            rend="italic">opus incertum</hi1>. Mari listed two examples (Mari 1994,
                        catalogue nos. 20, 43<ptr n="25" target="nt_c08.1.n25"/>), to which we can
                        now add the first phase of “Horace’s Villa”, as a result of the excavations
                        of 1997-2001 (Mari 1994, catalogue no. 34). Here were found three structures
                        in <hi1 rend="italic">opus incertum</hi1><ptr n="26" target="nt_c08.1.n26"
                        />: an impluviate <hi1 rend="italic">atrium</hi1> in the future area of the
                        baths (rooms 38, 39, 40); the first phase of the wall running along the
                        western side of the future imperial quadriporticus; and the basin and
                        related structures beneath room 12 that may have had a utilitarian, rather
                        than decorative, function (see De Simone, <ptr target="div3_c09.2.1"
                            type="txt" n="C.2.1"/>). </p>
                    <p id="p_71" n="71">The Augustan age marks an increase in the prosperity of the
                        area, which was assigned to Region IV (<hi1 rend="italic"
                            >Samnium</hi1>).<ptr n="27" target="nt_c08.1.n27"/> Under Augustus, the
                        existing two aqueducts passing through the zone (the <hi1 rend="italic">Anio
                            Vetus</hi1> and <hi1 rend="italic">Aqua Marcia</hi1>) were restored. At
                        this time, too, the nearby town of <hi1 rend="italic">Trebula Suffenas</hi1>
                        was thriving, as is attested by inscriptions and monumental remains; the
                        same can be said of <hi1 rend="italic">Varia</hi1>.<ptr n="28"
                            target="nt_c08.1.n28"/> At Tivoli, the senatorial elite began to build
                        large villas of the <hi1 rend="italic">otium</hi1> type (see below); the
                        largest of these (the villa of Quintilius Varus) ended up as an imperial
                            property.<ptr n="29" target="nt_c08.1.n29"/> A trend for writers to own
                        property in the Tivoli area—perhaps attracted by the excellent library
                        housed in the Temple of Hercules Victor—began in the Augustan period and
                        continued for a century. Early examples include Quintilius Varus, Catullus,
                        Tibullus and, of course, Horace.<ptr n="30" target="nt_c08.1.n30"/>
                    </p>
                    <p id="p_72" n="72">The impression of regional prosperity is reinforced by the
                        appearance of a series of tombs in the area of the Doric type. As Torelli’s
                        classic study has shown, these date to the Augustan age (more precisely from
                        ca. 43 B.C. to the early first century A.D.) and are associated with local
                        elites supportive of the principate.<ptr n="31" target="nt_c08.1.n31"/>
                        Mari’s survey turned up two definite and several other possible examples
                        (catalogue nos. 42, 43 and possibly 21, 25, 29; spolia from such tombs are
                        also to be found out of context at Licenza [no. 38] and Vicovaro).<ptr
                            n="32" target="nt_c08.1.n32"/>
                    </p>
                </div3>
                <div3 type="section" id="div3_c08.1.5">
                    <head>
                        <bibl type="title">B.1.4. First and second centuries A.D.</bibl>
                    </head>
                    <p id="p_73" n="73"> By the first century A.D., several luxury villas had been
                        built, or rebuilt, on the site of earlier country houses. These include five
                        examples located between Roccagiovine and Mandela-Vicovaro (Mari 1994,
                        catalogue nos. 11, 18, 22, 26, 30) and the mid- to late first century A.D.
                        phase at “Horace’s Villa.” The latter site, then, is the northernmost
                        example of this class. It is separated from its neighbor, no. 33, by the
                        Fosso delle Mogli, suggesting that each was a separate property. If, in the
                        absence of other signs of villas or farmhouses in the area, we assign to
                        “Horace’s Villa” all the land from the base of the Colle Rotondo to the
                        Licenza river (500-600 meters) and from the Fosso delle Mogli to the Fosso
                        delle Chiuse (600-700 meters), it will have comprised an irregularly shaped
                        parcel, ca. 3.5-4.0 square kilometers in size (=ca. 80-100 acres).<ptr
                            n="33" target="nt_c08.1.n33"/>
                    </p>
                    <p id="p_74" n="74">The appearance of villas suggests that the Licenza valley
                        was now viewed as a suitable place of <hi1 rend="italic">villeggiatura</hi1>
                        by the elite residing in nearby towns (e.g., <hi1 rend="italic">Tibur</hi1>,
                            <hi1 rend="italic">Trebula Suffenas</hi1>, and <hi1 rend="italic"
                        >Varia</hi1>) and, as we will see, even in the capital itself (cf. Rudich,
                            <ptr target="div2_c11.2" type="txt" n="E.2"/>). The area had also become
                        an appropriate place of burial, as is attested by a circular tomb at km. 39
                        of the Via Valeria,<ptr n="34" target="nt_c08.1.n34"/> and by the altar-tomb
                        of C. Maenius Bassus, dating to the period 35-50 A.D., which is located on
                        the Via Valeria just west of <hi1 rend="italic">Varia</hi1> (km. 42.3).
                        Bassus was a local notable at Tivoli and also held two high military
                            offices.<ptr n="35" target="nt_c08.1.n35"/> Here it should be noted that
                        the prestige value of the valley should not be exaggerated: even the largest
                        of the known pleasure villas, “Horace’s Villa,” pales in comparison with the
                        large early imperial villas of the western zone of Tiburtine territory.<ptr
                            n="36" target="nt_c08.1.n36"/> So, how might it be characterized? </p>
                    <p id="p_75" n="75">In Mari’s terminology, there are three basic types of villas
                        in the countryside of Tivoli and the Anio valley: the humble <hi1
                            rend="italic">villa rustica</hi1> (or Catonian villa); the “large
                        residential villa” (or “otium villa”), and a <hi1 rend="italic">tertium
                        quid</hi1>, the “rustic-residential” type.<ptr n="37" target="nt_c08.1.n37"
                        /> The <hi1 rend="italic">villa rustica</hi1> consists of a small residence
                        with utilitarian installations such as wine and olive presses, millstones,
                        etc. The <hi1 rend="italic">otium</hi1> villa lacks such installations, has
                        a large residential block, usually sited on an artificial terrace, and is
                        adorned with high-quality decorations such as mosaics, marble wall
                        revetment, frescoes, and sculpture. In the late first or second century
                        A.D., <hi1 rend="italic">otium</hi1> villas often were improved with bath
                            complexes.<ptr n="38" target="nt_c08.1.n38"/> Such concern for refined
                        luxury and a lack of investment in economic exploitation of the property
                        also characterizes the grounds around the residence, where nymphaea are
                        common, as are topiary gardens. </p>
                    <p id="p_76" n="76">In its imperial phase of the first and second centuries
                        A.D., “Horace’s Villa” is not easy to classify, both because of a lack of
                        sufficient archaeological data and because of its apparent ambiguity. It is
                        not a platform villa, and its residence—though by no means small—is smaller
                        than what we generally find in the clearcut examples of the <hi1
                            rend="italic">otium</hi1> villa at Tivoli. Of course this statement is
                        based on the present archaeological record, which is incomplete and possibly
                        misleading. On the other hand, the architecture was decorated with fine
                        examples of <hi1 rend="italic">opus sectile</hi1> flooring and marble wall
                        revetment (see Angelelli, <ptr target="div2_c10.6.1.1" type="txt" n="D.6"
                        />), Fourth Style frescoes (see Mols, <ptr target="div3_c10.9.1" type="txt"
                            n="D.9"/>), and sculpture (see Lattimore, <ptr target="div3_c10.10.1"
                            type="txt" n="D.10"/>). There was a symmetrically arranged pleasure
                        garden (see Gleason, <ptr target="div_c09.3.4.3" type="txt" n="C.3.4.2"/>,
                        Period II), an impressive bath complex (see Camaiani et al., <ptr
                            target="div3_c09.5.1" type="txt" n="C.5"/>) and a feature near the
                        middle of the eastern arm of the quadriporticus that could be a nymphaeum
                        (see De Simone, <ptr target="div3_c09.4.5." type="txt" n="C.4.5"/> and <ptr
                            target="div3_c09.4.6." type="txt" n="C.4.6"/>). Up to now, excavations
                        at “Horace’s Villa” have not revealed practical installations such as wine
                        or olive presses, millstones, etc. dating to the first or second century
                        A.D. This may mean that, like an <hi1 rend="italic">otium</hi1> villa,<ptr
                            n="39" target="nt_c08.1.n39"/> the complex lacked a <hi1 rend="italic"
                            >villa rustica</hi1>, or else that the working farm area has simply not
                        yet been found and excavated. Taken together, then, “Horace’s Villa” in the
                        first and second centuries A.D. more nearly resembles an <hi1 rend="italic"
                            >otium</hi1> villa than a rustic or “rustic-residential” villa, with
                        some important qualifications. We might call it a “small <hi1 rend="italic"
                            >otium</hi1> villa,” adapting Mari’s terminology; or, if we wish, we can
                        follow a scholar like Neville Morley in questioning the utility of a rigid
                        villa typology such as Mari presents, stressing instead how each case is
                            unique.<ptr n="40" target="nt_c08.1.n40"/>
                    </p>
                    <p id="p_77" n="77">In the middle decades of the first century A.D., Claudius
                        commissioned the building of the <hi1 rend="italic">Aqua Claudia</hi1> and
                        the <hi1 rend="italic">Anio Novus</hi1>, both of which run through the
                        Mandela-Vicovaro area. When Nero built his enormous pleasure villa at
                        Subiaco, traffic through our area intensified and its importance
                            increased.<ptr n="41" target="nt_c08.1.n41"/> Vespasian, as noted,
                        restored the old temple of Victoria that was probably located in the
                        territory of Roccagiovine. Under Nerva, the Via Valeria was restored. As
                        will be seen (cf. Rudich, <ptr target="div2_c11.2" type="txt" n="E.2"/>), in
                        the mid- to late first century, the property of “Horace’s Villa” passed into
                        the possession of two close relatives of imperial freedmen. Ownership by
                        members of this class is well-known in the Tiburtine region.<ptr n="42"
                            target="nt_c08.1.n42"/> By the early years of the second century A.D.
                        “Horace’s Villa” had come into the hands of a controversial senator or of
                        one of his close relatives (see Bruun, <ptr target="div3_c10.13.1"
                            type="txt" n="D.13"/> and Rudich, <ptr target="div2_c11.2" type="txt"
                            n="E.2"/>). </p>
                    <p id="p_78" n="78">In the conclusion (see Frischer, <ptr target="div2_c12.4"
                            type="txt" n="F.3"/>), we will raise the question of why there was so
                        much interest in our valley on the part of the imperial court during the
                        mid- to late first century A.D. To anticipate, we may here signal a
                        geographical advantage that our area enjoyed, once Nero had built his
                        enormous pleasure villa at Subiaco<ptr n="43" target="nt_c08.1.n43"/> and
                        Vespasian had fallen into the habit of spending his holidays at <hi1
                            rend="italic">Aquae Cutiliae</hi1>, his boyhood home near <hi1
                            rend="italic">Reate</hi1>: the Licenza valley was at the center of a
                        triangle formed by Rome, Rieti, and Subiaco and, because of the preexisting
                        road system, was an easy day’s ride from each of the corners of the
                        triangle. </p>
                    <p id="p_79" n="79">In the second century A.D., the villas existing in the
                        valley continued in operation and were in some cases even remodelled or
                        enlarged, as Mari’s survey results indicate.<ptr n="44"
                            target="nt_c08.1.n44"/> Traffic on the Via Valeria dependent on the
                        imperial court’s use of Subiaco should not have diminished, since later
                        emperors continued to frequent and even restore Nero’s resort.<ptr n="45"
                            target="nt_c08.1.n45"/> Moreover, Trajan added another vast villa
                        complex at Arcinazzo.<ptr n="46" target="nt_c08.1.n46"/> Thus, as far as can
                        be inferred from the archaeological record, our area, like the nearby
                        Tiburtine region, did not participate in the alleged second-century crisis
                        of the villa economy that has been observed elsewhere in Italy,<ptr n="47"
                            target="nt_c08.1.n47"/> and we can, indeed, add support to Morley’s
                        thesis that the crisis, if it existed at all, was limited to specific
                        regions and products.<ptr n="48" target="nt_c08.1.n48"/> Perhaps the reason
                        the Tivoli-Licenza valley area was not affected is that its estates were
                        relatively small, useful more for <hi1 rend="italic">otium</hi1> than for
                        large-scale agricultural production. The results of the 1997-2001
                        excavations at “Horace’s Villa” conform to the general picture, as the
                        following reports show. </p>
                </div3>
                <div3 type="section" id="div3_c08.1.6">
                    <head>
                        <bibl type="title">B.1.5. Third to fifth centuries A.D. </bibl>
                    </head>
                    <p id="p_80" n="80"> The third and fourth centuries saw a general collapse of
                        the villa system in the Roman hinterland, and the Licenza valley was
                        apparently no exception: Mari notes the rarity in surface finds of late
                        African red slip ware, something also observed in the western part of
                        Tiburtine territory.<ptr n="49" target="nt_c08.1.n49"/> In the more densely
                        built-up <hi1 rend="italic">ager Tiburtinus</hi1>, Tomei counted 27 villas
                        of Republican date, 80 dating to the first century A.D., 72 to the second
                        century, 32 to the third, 24 to the fourth and fifth, and just 12 to the
                        sixth century or later.<ptr n="50" target="nt_c08.1.n50"/> She characterizes
                        the mid-fifth century as a time of “nearly complete abandonment of the
                        countryside, owning to the danger of invasions and sacks by the
                            barbarians.”<ptr n="51" target="nt_c08.1.n51"/>
                    </p>
                    <p id="p_81" n="81">At “Horace’s Villa,” burials were placed within the imperial
                        bath complex, indicating that this part of the villa was no longer in
                        service as a bath. Radiocarbon dating puts this activity to 318 A.D., with a
                        standard deviation of 58 years. Hence, we may be fairly confident that the
                        burials occurred between 260 and 376 A.D. Based on the picture of occupation
                        that emerges from the numismatic record, which is strong through the
                        mid-fourth century A.D., the later date is more probable (see Buttrey, <ptr
                            target="div4_c10.11.11" type="txt" n="D.11"/>). Whatever the exact date,
                        after this period evidence is lacking for the occupation of the “Horace’s
                        Villa” site for several centuries. </p>
                    <p id="p_82" n="82">With the general abandonment of individual villa sites in
                        central Italy there was a parallel consolidation of the properties into
                        larger estates called <hi1 rend="italic">massae</hi1>. A <hi1 rend="italic"
                            >massa</hi1> generally took its name from its owner or from a nearby
                            town.<ptr n="52" target="nt_c08.1.n52"/>
                        <hi1 rend="italic">CIL</hi1> XIV.3482, dating to the fourth or fifth
                        century, preserves the name of one <hi1 rend="italic">massa</hi1> in our
                        zone, the <hi1 rend="italic">Massa Mandelana</hi1>, and that of Valeria
                        Maxima, the owner of a <hi1 rend="italic">praedium</hi1> within it.<ptr
                            n="53" target="nt_c08.1.n53"/> Another, the <hi1 rend="italic">Massa
                            Laninas</hi1>, is known just to the east of our area; it was located
                        down the Via Valeria at the present-day turn-off for Cineto Romano and was
                        donated by Constantine to the Lateran Baptistery.<ptr n="54"
                            target="nt_c08.1.n54"/> Other fourth-century properties in the area are
                        recorded in the ninth-century <hi1 rend="italic">Liber Pontificalis</hi1>,
                        where they are reported to have been donated by Pope Sylvester (314-335
                        A.D.) to the Roman church of Equitius near the Baths of Domitian.<ptr n="55"
                            target="nt_c08.1.n55"/> These include the <hi1 rend="italic">fundus
                            Valerianus</hi1>, which has been associated with the <hi1 rend="italic"
                            >Massa Mandelana</hi1> because of the mention of Valeria Maxima in <hi1
                            rend="italic">CIL</hi1> XIV.3482;<ptr n="56" target="nt_c08.1.n56"/> the
                            <hi1 rend="italic">fundus Statianus</hi1>, which may refer to the
                        toponym Stazzano on the opposite side of the Lucretili mountains, about 2 km
                        north of Palombara Sabina<ptr n="57" target="nt_c08.1.n57"/> or to a now
                        vanished toponym, Lo Stazio, reported in the eighteenth century by Allan
                        Ramsay as the name of a place “about a mile” up the Licenza River from San
                            Cosimato;<ptr n="58" target="nt_c08.1.n58"/> the <hi1 rend="italic"
                            >fundus Duas Casas</hi1>, which could be related to the small church of
                        S. Maria delle Case near Roccagiovine;<ptr n="59" target="nt_c08.1.n59"/>
                        and the <hi1 rend="italic">fundus Percilianus</hi1>, which ought to have
                        been located near the modern town of Percile, just north of Licenza on the
                        Via Licinese.<ptr n="60" target="nt_c08.1.n60"/> The continuing importance
                        of the area, particularly to churches in Rome, and the parallel continuation
                        of urban vitality at Tivoli, helps to explain why the Via Valeria was
                        restored at least twice in the fourth century.<ptr n="61"
                            target="nt_c08.1.n61"/>
                    </p>
                </div3>
                <div3 type="section" id="div3_c08.1.7">
                    <head>
                        <bibl type="title">B.1.6. Sixth through ninth centuries A.D.</bibl>
                    </head>
                    <p id="p_83" n="83"> For several centuries, the documentary and archaeological
                        records of the area become quite scarce indeed. Local tradition links Saint
                        Benedict (ca. 480-547) to the grottoes of the cliff face on which the
                        monastery of San Cosimato sits, but this association is doubtful.<ptr n="62"
                            target="nt_c08.1.n62"/> The monastery itself is sited atop a Roman
                        habitation (Mari 1994, catalogue no. 12); since its archive has been lost,
                        the earliest extant documents that mention it date to the tenth century.<ptr
                            n="63" target="nt_c08.1.n63"/> Judging from its dedication to Saints
                        Cosmas and Damian, it could have existed as early as the second half of the
                        sixth century A.D., when the cult of Saints Cosmas and Damian spread thanks,
                        indirectly, to Justinian I (526-565), who believed that the saints cured him
                        of a fatal disease. The Goths under Totila in 545 raided our area, as did
                        the Longobards under Autari and Agilulf in 589-590 and perhaps again in 601.
                        Gregory the Great reported distress in the countryside and a large flood of
                        refugees into the city of Rome.<ptr n="64" target="nt_c08.1.n64"/> At
                        Tivoli, these developments were felt too: the remaining population abandoned
                        the suburbs and was settled inside the city walls.<ptr n="65"
                            target="nt_c08.1.n65"/>
                    </p>
                    <p id="p_84" n="84">For the long period, ca. 600-850, sources are lacking that
                        could throw light on developments in the Licenza valley and the territory
                        stretching to Subiaco.<ptr n="66" target="nt_c08.1.n66"/> Judging from
                        pottery, masonry, and human remains dating from Period IV of the bath
                        complex, “Horace’s Villa” was reoccupied in the eighth and ninth centuries
                        (see Camaiani et al., C.5), but we cannot say anything about the nature of
                        the settlement (e.g., whether it was lay or religious). The old theory that
                        there was a monastery here dedicated to Saint Peter (supported mainly on the
                        evidence of the toponym of the site, Vigne di San Pietro) has been debunked
                        by Fiore Cavaliere.<ptr n="67" target="nt_c08.1.n67"/> The sudden
                        efflorescence of life at Licenza in this period is consistent with (though,
                        of course, not necessarily directly related to) the upturn of urban life
                        attested by new archaeological finds from Carolingian Rome.<ptr n="68"
                            target="nt_c08.1.n68"/>
                    </p>
                </div3>
                <div3 type="section" id="div3_c08.1.8">
                    <head>
                        <bibl type="title">B.1.7. Tenth through fifteenth centuries A.D.</bibl>
                    </head>
                    <p id="p_85" n="85"> For at least thirty years from the late ninth to the early
                        tenth centuries, the territory was occupied by the Saracens, who were
                        defeated and driven out in crucial battles in 916, but only after years of
                        oppressive rule in which the population declined sharply and the churches
                        were desecrated.<ptr n="69" target="nt_c08.1.n69"/> After the expulsion of
                        the Saracens, the countryside had to be reoccupied and rechristianized. At
                        the instance of Alberic II, Patrician and Senator of Rome from 932-954, the
                        monasteries of San Cosimato, Farfa, and Subiaco were made bastions of the
                        new order. To that end, they were restored and enriched with landholdings
                        taken from the vast <hi1 rend="italic">massa Giovenzana</hi1>.<ptr n="70"
                            target="nt_c08.1.n70"/> That San Cosimato became a major regional
                        landowner at this time is clear from a papal brief by Pope Marinus II
                        (942-946) written in 945 to Uberto, Bishop of Tivoli. Among the properties
                        now owned by San Cosimato is the <hi1 rend="italic">fundus Lama</hi1>,
                        probably the old <hi1 rend="italic">Massa Laninas</hi1> (=<hi1 rend="italic"
                            >Statio ad Lamnas</hi1> on the Peutinger Table) and also many <hi1
                            rend="italic">fundi</hi1> and <hi1 rend="italic">massae</hi1> mentioned
                        for the first time. Many of these are impossible to localize, and those that
                        can be identified do not concern our immediate area.<ptr n="71"
                            target="nt_c08.1.n71"/> The monastery of Farfa was given land to the
                        north. The Licenza valley fell into the middle of the holdings of the two
                        monasteries and, before too long, became a possession of Farfa.<ptr n="72"
                            target="nt_c08.1.n72"/> By the late tenth century, San Cosimato was in
                        decline, ceding lands to its two rival monasteries.<ptr n="73"
                            target="nt_c08.1.n73"/> In 1081, it had been reduced to a possession of
                        the Roman monastery of San Paolo fuori le Mura.<ptr n="74"
                            target="nt_c08.1.n74"/>
                    </p>
                    <p id="p_86" n="86">By the late tenth century, San Cosimato’s old holdings at
                        Anticoli, Roviano, and Arsoli were given to Subiaco;<ptr n="75"
                            target="nt_c08.1.n75"/> by the mid-eleventh century, Farfa’s realm,
                        which included the <hi1 rend="italic">podium Burdella</hi1> in the old
                        territory of Mandela, reached right to the walls of San Cosimato.<ptr n="76"
                            target="nt_c08.1.n76"/> But the power vacuum left by the decline of San
                        Cosimato was not entirely filled by Farfa and Subiaco; lay families were
                        also coming into possession of the lands in and around the Licenza valley.
                        Here, the Crescenzi Ottaviani became the dominant group, owning the land
                        along the east side of the valley all the way from San Cosimato to Percile.
                        The first record of their presence in the general area comes from the
                        Regesto di Farfa, which tells of the Crescenzi’s donations in 1011 of two
                        parcels of land to the monastery.<ptr n="77" target="nt_c08.1.n77"/> One of
                        the parcels was located at a place called <hi1 rend="italic">Macla
                        Felcosa</hi1>, which might be equivalent to the modern toponym Ara della
                        Macchia located to the northwest of Percile.<ptr n="78"
                            target="nt_c08.1.n78"/> The donation of the <hi1 rend="italic">podium
                            Burdella</hi1> to Farfa was in fact also made by a member of the
                        Crescenzi family. In the deed of gift, permission was given to the abbot of
                        Farfa to build a castle on the hilltop of Burdella, if he wished. By 1130, a
                        castle had been constructed.<ptr n="79" target="nt_c08.1.n79"/>
                    </p>
                    <p id="p_87" n="87">In our area, this is the first documentation of <hi1
                            rend="italic">incastellamento</hi1>, a phenomenon familiar in central
                        Italy between the mid-tenth and twelfth centuries. <hi1 rend="italic"
                            >Incastellamento</hi1> refers to the construction of hilltop fortresses
                        by powerful local families or by monasteries.<ptr n="80"
                            target="nt_c08.1.n80"/> As Allegrezza recounts (<ptr target="div_c11.3"
                            type="txt" n="E.3"/>), the castles at Licenza, Civitella, and
                        Roccagiovine were built in the late twelfth and thirteenth centuries by
                        members of the Orsini family, which starting in 1191 were granted feuds in
                        the area of Vicovaro and Burdella by their illustrious and powerful family
                        member, Pope Celestine III (Giacinto Bobone, 1191-1198).<ptr n="81"
                            target="nt_c08.1.n81"/> By the late thirteenth century, after a second
                        Orsini pontificate (that of Nicholas III, 1277-1280), the Orsini feuds and
                        castles had been extended to Licenza and Civitella.<ptr n="82"
                            target="nt_c08.1.n82"/>
                    </p>
                    <p id="p_88" n="88">As Allegrezza notes, the process of <hi1 rend="italic"
                            >incastellamento</hi1> and laicization in the Roman hinterland during
                        the eleventh through thirteenth centuries brought an increase in population
                        and agricultural production. The Licenza valley was obviously a participant
                        in these related processes, but, as Allegrezza is quick to point out, the
                        castle at Licenza was a “modest” affair, and it would be surprising if the
                        cultivation needed to sustain its tiny population reached as far as the site
                        of “Horace’s Villa.” But there is some limited building activity on the
                        site, if we may assign the Period V (late Middle Ages) of Camaiani et al.
                            (<ptr target="div4_c09.5.6.1" type="txt" n="C.5.5"/>) to sometime in the
                        period 1200-1350. In general, the colorful description of Mari for the
                        Tiburtine region applies equally well to the Licenza valley: “of the ancient
                        villas, nothing more remained than mastodont ruins and toponymic
                            echoes.”<ptr n="83" target="nt_c08.1.n83"/>
                    </p>
                    <p id="p_89" n="89">The fourteenth century, especially the latter half, saw a
                        dramatic demographic decline all over Lazio, owing to factors such as the
                        removal of the papal court to Avignon, the Black Death and the papal schism
                        in the last decades of the century. The fifteenth through seventeenth
                        centuries saw continued neglect and abandonment, “with an increase in the
                        uncultivated land and the transformation of tilled land into pasture.”<ptr
                            n="84" target="nt_c08.1.n84"/> Not surprisingly, then, there are no
                        finds at all from these centuries at “Horace’s Villa.” </p>
                </div3>
                <div3 type="section" id="div3_c08.1.9">
                    <head>
                        <bibl type="title">B.1.8. Sixteenth through eighteenth centuries A.D.</bibl>
                    </head>
                    <p id="p_90" n="90"> The documents surviving in the Orsini Archive in the
                        Archivio Comunale di Roma permit us to follow in some detail the
                        transference of Orsini properties in the Licenza valley from generation to
                            generation.<ptr n="85" target="nt_c08.1.n85"/> But the documents do not
                        throw light on everyday living conditions, population, and economic
                        activities. To have attempted this, at least in a general way, is the merit
                        of Allegrezza (<ptr target="div2_c11.3" type="txt" n="E.3"/>). </p>
                    <p id="p_91" n="91">In the eighteenth century, the documents become more
                        informative about activities in and around the future archaeological site of
                        “Horace’s Villa,” on which this account will now more narrowly focus (for
                        its locations, see <hi1 rend="bold">figs. 3</hi1> and <hi1 rend="bold"
                        >4</hi1>). Some of the most interesting documentation grows out of legal
                        disputes between the Orsini and the Borghese family, to whom the Orsini had
                        gradually sold the bulk of their holdings in the Licenza area between 1612
                        and 1817. In a Borghese document dated to ca. 1788, the Orsini of Licenza
                        could be described in 1632 as “a noble but impoverished family.”<ptr n="86"
                            target="nt_c08.1.n86"/> In another document in the same series (see
                        Frischer, G.1.8.8), we read: <q1>
                            <p>….In that time [i.e., 1632], the Castle of Licenza had but few
                                residents, and consequently a small number of families, which did
                                not surpass ca. 50. Thus the territory was, for the most part,
                                uncultivated and filled with maquis. There were no plantings of
                                fruit trees, grapevines, pears, or olives. The number of homes was
                                small. But after ca. 1725 the number of families began to grow, and
                                the population and cultivation of the territory increased by a great
                                amount in such a way that today [i.e., ca. 1788] one sees the same
                                area covered with trees, grapevines, olives, pears, and other fruit
                                trees, and completely cultivated. There are also a great number of
                                houses that did not exist before. This account results from the
                                sworn deposition of two old men of Licenza, one who is eighty years
                                old, the other who is 73, who have heard it told by their ancestors
                                and who are certain that the increase of the population and of the
                                cultivation occurred when they were young….</p>
                        </q1><figure entity="heb90044.0003" id="fg_heb90044.0003"
                            type="ic">
                            <head>
                                <bibl type="figno">Figure 3</bibl>
                                <bibl type="figcap">Cadastral map, ca. 1900 (source: Archives of the Archaeological Superintendency of Lazio).</bibl>
                            </head>
                        </figure>
                        <figure entity="heb90044.0004" id="fg_heb90044.0004"
                            type="ic">
                            <head>
                                <bibl type="figno">Figure 4</bibl>
                                <bibl type="figcap">Cadastral map, ca. 1900, superimposed on the state plan of the villa (source: Bernard Frischer, using the Cadastral map of fig. 3 and the state plan published in this volume).</bibl>
                            </head>
                        </figure></p>
                    <p id="p_92" n="92">Other documents are less colorful but no less informative.
                        In 1782, the Papal States compiled the first cadaster of the area. The
                        original survives in three volumes preserved in the Archivio di Stato,
                            Rome.<ptr n="87" target="nt_c08.1.n87"/> The relevant section is the
                        Vigne di San Pietro (<hi1 rend="bold">fig. 2</hi1>), which is the area of
                        the future archaeological park. The records mention 37 individual
                        properties, which are briefly described in words (unfortunately, there is no
                        map) that relate the name of the owner; a description in terms of its
                        boundaries, its agricultural use, its size and its value. Twenty-one of the
                        parcels were owned by the Church; the rest were owned by the Borghese or
                            Orsini.<ptr n="88" target="nt_c08.1.n88"/> The plantings include olives,
                        grapes, walnuts, chestnuts, pear and various other fruit trees. <figure
                            entity="heb90044.0002" id="fg_heb90044.0002" type="ic">
                            <head>
                                <bibl type="figno">Figure 2</bibl>
                                <bibl type="figcap">Contemporary cadastral map showing the Vigne di
                                    San Pietro and the archaeological park of Horace's Villa
                                    (parcels 155-156) (source: Ufficio Tecnico Erariale Roma. Comune
                                    di Licenza, foglio 16).</bibl>
                            </head>
                        </figure></p>
                    <p id="p_93" n="93">By 1761, at the latest, this new agricultural activity had
                        turned up traces of the Roman remains on the site, as we know from the
                        reports of antiquarians. Since the ancient level is ca. 1.0 to 2.0 meters
                        below the modern level, it is likely that this happened in connection with
                        the digging of pits for planting fruit and nut trees. As noted below, an
                        example of just that is recorded for the year 1849. </p>
                    <p id="p_94" n="94">It was thanks to the antiquarians that artists started to
                        show an interest in the area, and by the late 1770s Jacob More had produced
                        a series of watercolors and drawings in pen and ink, based on sketches by
                        Allan Ramsay, that give us precious glimpses of the agricultural
                        exploitation of the Licenza valley (see Frischer, <ptr
                            target="div4_c13.2.2.3" type="txt" n="G.2.2.3"/> through <ptr
                            target="p_c13.2.2.5.17" type="txt" n="G.2.2.5.16"/>).<ptr n="89"
                            target="nt_c08.1.n89"/> A typical watercolor is <ptr
                            target="p_c13.2.2.5.6" type="txt" n="G.2.2.5.7"/>, which shows, in the
                        foreground, agricultural crops along the river floor and the river with the
                        town mill. In the middle ground can be seen the Via Licinese and the
                        chestnut trees of the Castagneto; beyond, on the hillsides, more fields
                        planted with crops can be seen. In the background are clearly illustrated
                        the Colle Rotondo, Fosso delle Chiuse, and Monte Araioni. At the foot of the
                        Colle Rotondo, More indicates the site of the Fonte Ratini by two cypress
                        trees. The vantage point, which is on the Colle Franchisi on the east side
                        of the valley, does not include the Vigne di S. Pietro in its viewshed. The
                        watercolor provides an apt illustration of the text quoted from the Borghese
                        Archive (see Frischer, <ptr target="div4_c13.1.8.8" type="txt" n="G.1.8.8"
                        />). </p>
                    <p id="p_95" n="95">Once the site had been published and had come to the
                        attention of the public and the authorities, it is reasonable to believe
                        that no large-scale undocumented excavations took place, since in the period
                        from 1761-1870, archaeological excavations in the Papal States could only be
                        undertaken with a proper permit. No such permits are recorded in the
                        archives for the Vigne di S. Pietro at Licenza. Whether any such activities
                        took place between ca. 1725, when the Licenza valley started to be
                        resettled, and 1760 is unknown. </p>
                    <p id="p_96" n="96">At any rate, thanks to the artist-antiquarian Allan Ramsay,
                        we know in some detail what could be seen on and below the surface of the
                        villa site at this time, which was very little. Ramsay writes (<ptr
                            target="p_c13.1.8.6.2" type="txt" n="G.1.8.6.1"/>): <q1>
                            <p>It is by this line [scil. <hi1 rend="italic">sat</hi1>. 2.6.2: et
                                tecto vicinus jugis aquae fons, “and a spring of never-failing water
                                near my house”) that we are enabled to discover very nearly the
                                precise station of Horace’s house, for it informs us that it was
                                close to a perpetual fountain. Of those indeed there are several in
                                the valley of Licenza but none in a place very proper for houses or
                                gardens except one. This is called by the country people ‘Fonte
                                Ratini.’... It rises in the side of Mons Lucretilis, now Monte
                                Gennaro, under the most southerly of the two summits called the <hi1
                                    rend="italic">Campanile</hi1>, and its situation is at present
                                pointed out from a distance, by the means of two cypress trees, the
                                only ones on the hill which grow very near it. Running down aslant
                                the hill it passes near the ruins of Horace’s house, and crossing
                                the Highway it falls into the Licenza about a stone’s throw to the
                                north of the Mill belonging to the village of Licenza, after being
                                rejoined by another stream, an artificial branch of the same
                                fountain, which issues from the hill a little to the northwest of
                                Horace’s house and of which the former Counts Orsini have made a
                                Cascade by cutting down part of the rock perpendicular. Besides the
                                general circumstances of the ground, what proves fully its being a
                                fit place for setting down a house or Villa is, that there are
                                actually still to be found there the ruins of two ancient dwellings
                                or of two parts of a large one…. The two remains of building stand
                                at the distance of about 100 yards from one another. That to the
                                east consists of a mosaic pavement of very elegant foliage, and
                                expensive workmanship beyond what was to be expected from the
                                simplicity profest by Horace….” </p>
                        </q1></p>
                    <p id="p_97" n="97">Ramsay’s words are nicely illustrated by a drawing in black
                        chalk that is in the National Gallery of Scotland (<ptr
                            target="div4_c13.2.2.23" type="txt" n="G.2.2.3"/>). In it we can see
                        that the site to which Ramsay refers is the same as the present-day
                        archaeological park, located behind (i.e., to the west) of the Castagneto.
                        The drawing shows the view from the Orsini Palace (i.e., from the north on
                        the crest of the hilltown of Licenza). Ramsay’s sketch indicates “[point] a.
                        the field in which is [<hi1 rend="italic">sic</hi1>.] the mosaic pavements;”
                        and “[point] b. the place where stands amongst the bushes the remains of
                        some old walls.” Linking these two features is a road lined with trees.
                        Additional detail is provided by Jacob More, who worked up Ramsay’s view in
                        a series of preserved watercolors and drawings in pen and ink (<ptr
                            target="p_c13.2.2.5.2" type="txt" n="G.2.2.5.1"/>, <ptr
                            target="p_c13.2.2.5.4" type="txt" n="G.2.2.5.3"/>). In More, we can see
                        that the fields around the site on either side of the road are planted by
                        low-lying crops, but unfortunately, we are not given any glimpses of the
                        “old walls” at point <hi1 rend="italic">b</hi1>. If Ramsay’s measurement of
                        “about 100 yards” is accurate, and if (as is likely) point <hi1
                            rend="italic">a</hi1> corresponds to room 1 or, more likely, 4 (a
                        fragment of whose mosaic Ramsay illustrated in his text),<ptr n="90"
                            target="nt_c08.1.n90"/> then we can say that the walls observed by
                        Ramsay at <hi1 rend="italic">b</hi1> no longer exist. In general it should
                        be noted that the distance from room 1 to room 27 (the two most distant
                        east/west remains on the site along the general line of the road seen in the
                        eighteenth-century illustrations) is only about 50 meters. </p>
                </div3>
                <div3 type="section" id="div3_c08.1.10">
                    <head>
                        <bibl type="title">B.1.9. 1780-1910</bibl>
                    </head>
                    <p id="p_98" n="98"> The fact that the site was not excavated between the late
                        eighteenth century and 1911 does not mean that it was completely protected.
                        To the contrary, in the late eighteenth and nineteenth centuries we have
                        records of degradation of the ruins in the Vigne di S. Pietro which, however
                        minor in each episode, doubtless caused some serious damage in the
                        aggregate. </p>
                    <p id="p_99" n="99">Nibby in 1837 reported the destruction of some ancient walls
                        on the site by a resident of Licenza named Valentino De Angelis (see
                        Frischer, <ptr target="div4_c13.1.8.17" type="txt" n="G.1.8.18"/>). From the
                        1859 cadaster (ASR 3714), we know that Bernardo De Angelis, fu Valentino De
                        Angelis, owned the parcel that used to be denoted as 1213. This corresponds
                        to a modern parcel in the southern half of the modern archaeological park
                        (cf. <hi1 rend="bold">figs. 3</hi1>, <hi1 rend="bold">4</hi1>). Since the
                        only structure above ground in modern times here was the so-called Church of
                        St. Peter, which de Chaupy reported was made of <hi1 rend="italic"
                        >spolia</hi1> of ancient building materials (see Frischer, G.1.8.4), and
                        since no other building was ever reported on the site, we may infer that it
                        was this structure that De Angelis demolished. If so, the demolition was
                        only partial. We have two photographs of how the area appeared in the early
                        twentieth century: the first, a view in 1910, before Pasqui’s excavations
                        (cf. C. Loomis Dana and J. Cotton Dana in Frischer, <ptr
                            target="div4_c13.2.3.2" type="txt" n="G.2.3.2"/>; <hi1 rend="bold">fig.
                            5</hi1>); secondly, an early photograph from the Pasqui excavations of
                        1911-14 (cf. SAL E 661=<hi1 rend="bold">fig. 6</hi1>). <figure entity="heb90044.0005" id="fg_heb90044.0005"
                            type="ic">
                            <head>
                                <bibl type="figno">Figure 5</bibl>
                                <bibl type="figcap">View of Area 53 in 1910, prior to Pasqui's excavations (source: C. Loomis Dana and J. Cotton Dana, 1911). The cross marks the spot where walls could be seen.</bibl>
                            </head>
                        </figure>
                        <figure entity="heb90044.0006" id="fg_heb90044.0006"
                            type="ic">
                            <head>
                                <bibl type="figno">Figure 6</bibl>
                                <bibl type="figcap">Photograph of the remains of the medieval structure in Area 53 (source: Archive SAL, E 661, 1911-14).</bibl>
                            </head>
                        </figure></p>
                    <p id="p_100" n="100">The worst intervention known to us occurred in the 1840s
                        and 50s when a new parish church was built in Licenza. The local priest,
                        Marco Tulli, dug up building material on the site and made lime out of the
                        marble fragments he found.<ptr n="91" target="nt_c08.1.n91"/> In principle,
                        he ought to have had an excavation permit from the Papal government, but, if
                        he did, no record of it survives in the Archivio di Stato di Roma, the
                        appropriate archive in Rome.<ptr n="92" target="nt_c08.1.n92"/> Efforts to
                        enforce the law are, however, attested at other times. In 1849 an official
                        inquiry into a possible illegal archaeological excavation turned out to be a
                        false alarm: the owner of the property, Vincenzo Onorati, had simply been
                        digging pits to plant trees when he happened upon a mosaic pavement (<ptr
                            target="div4_c13.1.8.22" type="txt" n="G.1.8.22"/>), which he
                        immediately reburied. A similar inquest occurred in 1885 when the Ministry
                        of Public Instruction investigated a report that the civil engineer Tito
                        Berti (cf. <ptr target="div4_c13.1.8.26" type="txt" n="G.1.8.26"/>, <ptr
                            target="div4_c13.1.8.27" type="txt" n="G.1.8.27"/>) had illegally
                        excavated the site. After a flurry of activity, the case was dropped (<ptr
                            target="div4_c13.1.9.2" type="txt" n="G.1.9.1.1-6"/>). </p>
                    <p id="p_101" n="101">The most common risk to the site came from visitors who
                        started to come in small numbers as word of the discoveries of De Sanctis,
                        Saint’Odile and Ramsay spread. Because in the latter decades of the period
                        the railroad was built from Rome to Tivoli and Vicovaro, and the main roads
                        in the Roman Campagna were paved (including the Via Licinese in the 1880s),
                        tourism began to develop, as witnessed by the inclusion of Horace’s Villa in
                        Baedeker’s guidebook (<ptr target="div4_c13.1.8.32" type="txt" n="G.1.8.32"
                        />). </p>
                    <p id="p_102" n="102">As always, tourism brought advantages—e.g., increased
                        attention paid to the site, ultimately leading to the large-scale
                        excavations of Angelo Pasqui; and an occasional opportunity for the
                        inhabitants to earn some extra money from tourist services—as well as
                        disadvantages. Foremost among the latter was the damage that tourists could
                        willy-nilly cause to the site, especially by encouraging the farmers to
                        uncover the mosaics of rooms 1 and 4. The latter was first seen in 1777 by
                        Ramsay (<ptr target="p_c13.1.8.6.4" type="txt" n="G.1.8.6.3"/>) and then
                        again by Ramsay’s son, John, in 1783 (<ptr target="div4_c13.1.8.7"
                            type="txt" n="G.1.8.7"/>). A measured drawing of a fragment of the
                        mosaic in room 4 was included on the map published in the 1780s by Jakob
                        Philipp Hackert (<ptr target="div4_c13.2.1.24" type="txt" n="G.2.1.23"/>).
                        Other visitors who reported seeing a mosaic in room 1 and/or 4 include: J.
                        Landucci, 1792 (<ptr target="div4_c13.1.8.9" type="txt" n="G.1.8.9"/>); A.
                        Manazzale, 1796 and 1817 (<ptr target="div4_c13.1.8.10" type="txt"
                            n="G.1.8.10"/>; <ptr target="div4_c13.1.8.12" type="txt" n="G.1.8.12"
                        />); R. Bradstreet, 1810 (<ptr target="div4_c13.1.8.11" type="txt"
                            n="G.1.8.11"/>); G.A. Guattani, 1827-30 (<ptr target="div4_c13.1.8.13"
                            type="txt" n="G.1.8.13"/>); W. Gell, 1834 (<ptr target="div4_c13.1.8.17"
                            type="txt" n="G.1.8.17"/>); A. Nibby, 1837 (<ptr
                            target="div4_c13.1.8.1.8" type="txt" n="G.1.8.18"/>); R. Frezzini, 1840
                            (<ptr target="div4_c13.1.8.19" type="txt" n="G.1.8.19"/>); G. Dennis,
                        1842 (<ptr target="div4_c13.1.8.20" type="txt" n="G.1.8.20"/>); J. Donovan,
                        1844 (<ptr target="div4_c13.1.8.21" type="txt" n="G.1.8.21"/>); F. Gori,
                        1855 (<ptr target="div4_c13.1.8.23" type="txt" n="G.1.8.23"/>); T. Berti,
                        1885 (<ptr target="div4_c13.1.8.26" type="txt" n="G.1.8.26"/>; <ptr
                            target="div4_c13.1.8.27" type="txt" n="G.1.8.27"/>); the Bishop of
                        Clifton, 1888 (<ptr target="div4_c13.1.8.28" type="txt" n="G.1.8.28"/>); A.
                        Mazzoleni, 1891 (<ptr target="div4_c13.1.8.29" type="txt" n="G.1.8.29"/>);
                        [anon.], 1899 (<ptr target="div4_c13.1.8.31" type="txt" n="G.1.8.31"/>); R.
                        Lanciani, 1909 (<ptr target="div4_c13.1.8.35" type="txt" n="G.1.8.35"/>); W.
                        Merrifield, 1909 (<ptr target="div4_c13.1.8.36" type="txt" n="G.1.8.36"/>);
                        C. L. Dana and J. C. Dana, 1910 (<ptr target="p_c13.2.3.2.1" type="txt"
                            n="G.2.3.2.1"/>). The Dana’s publication includes the first photograph
                        of a part of the mosaic in room 4, which gives a nice illustration of what
                        tourists had been seeing during the preceding 130 years (<hi1 rend="bold"
                            >fig. 7</hi1>). <figure entity="heb90044.0007" id="fg_heb90044.0007"
                            type="ic">
                            <head>
                                <bibl type="figno">Figure 7</bibl>
                                <bibl type="figcap">Photograph of the mosaic in room 4 taken by C.
                                    Loomis Dana and J. Cotton Dana, 1910.</bibl>
                            </head>
                        </figure></p>
                    <p id="p_103" n="103">The published reports hint at the presence of mosaics in
                        rooms other than rooms 1 and 4, where they still survive and can be seen
                        today. Sebastiani reported that Gell had seen a mosaic with small griffins
                        (cf. <ptr target="div4_c13.1.8.14" type="txt" n="G.1.8.14"/>). In 1842
                        Dennis reported that the owner of the property with rooms 1 and 4—Giuseppe
                        Onorati—stated that, about fifty years earlier, he witnessed the uncovering
                        of mosaics in a total of six rooms. They were covered up again “as nothing
                        was found to tempt to further excavation” (<ptr target="div4_c13.1.8.20"
                            type="txt" n="G.1.8.20"/>). This report is also valuable because it
                        records an otherwise unknown excavation of the residential part of the site.
                        Where could the other four rooms with mosaics have been located and, hence,
                        where can the excavation have taken place? The following rooms have mosaics,
                        or fragments of mosaics: 1, 4, 11, 16, 17, 26, 27, 37, 40, 42. Other mosaics
                        may have been located in rooms 14-15, and there is a fragment in the
                        Superintendency’s storehouse in Tivoli of unknown provenance (on all these
                        mosaics, see Werner, <ptr target="div3_c10.8.1" type="txt" n="D.8"/>). </p>
                    <p id="p_104" n="104">Of course, most visitors never published an account of
                        their visit, but we can safely assume that the viewing of the mosaics was a
                        standard feature of a visit to the site in the long period from ca. 1780 to
                            1911.<ptr n="93" target="nt_c08.1.n93"/> Sometimes they were even
                        offered <hi1 rend="italic">tesserae</hi1> as souvenirs (cf. <ptr
                            target="div4_c13.1.8.31" type="txt" n="G.1.8.31"/>) or gathered them
                        themselves (cf. Webster Merrifield’s published account of a visit in 1909
                            [<ptr target="div4_c13.1.8.36" type="txt" n="G.1.8.36"/>], in which he
                        admits to gathering “a handful of the little peg-shaped tesserae”). </p>
                    <p id="p_105" n="105">Not surprisingly, by the late nineteenth century, we begin
                        to read complaints about the damage to the site caused by the tourists and
                        farmers (cf. <ptr target="div4_c13.1.8.27" type="txt" n="G.1.8.27"/>). In
                        the edition of the newspaper <hi1 rend="italic">Fanfulla</hi1>, published on
                        22-23 September 1885, an article exhorted the local farmers to protect the
                        ruins (<ptr target="div4_c13.1.8.26" type="txt" n="G.1.8.26"/>). In another
                        newspaper, the <hi1 rend="italic">Cronaca di Roma</hi1> of 23 September
                        1899, the local inhabitants are criticized for reusing bricks and
                        architectonic elements in new buildings (<ptr target="div4_c13.1.8.31"
                            type="txt" n="G.1.8.31"/>). In 1908 Latinist Vincenzo Ussani published a
                        letter to the editor of <hi1 rend="italic">Il Giornale D’Italia</hi1> in
                        which he called upon Corrado Ricci, the Director of Archaeology and Fine
                        Arts of the Ministry of Education, to initiate the excavation of the site in
                        order to prevent more losses caused by tourists and farmers (<ptr
                            target="div4_c13.1.9.13" type="txt" n="G.1.9.13"/>). Shortly thereafter,
                        Ricci initiated a series of actions that in a few years led to the
                        excavations of Angelo Pasqui (cf. <ptr target="div4_c13.1.9.14" type="txt"
                            n="G.1.9.14"/>ff.). </p>
                    <p id="p_106" n="106">Of course, while any damage to an ancient monument is to
                        be regretted, we should not lose our sense of perspective: the mosaics in
                        rooms 1 and 4 survived fairly well intact, and perhaps visitors’ attention
                        to this area of the villa spared the rest of the ruins, which remained
                        safely underground until exposed by Pasqui’s state-sponsored excavations
                        that were begun in 1911. </p>
                </div3>
            </div2>
            <div2 type="section" id="div2_c08.2">
                <head>
                    <bibl type="title">B.2. Identification of the Vigne di S. Pietro as Horace’s
                        Villa: the Ancient Evidence </bibl>
                </head>
                <p id="p_107" n="107">Interest in the site, culminating in its excavation, resulted
                    from the mid-eighteenth century identification of the Vigne di San Pietro as the
                    location of the Sabine villa of the poet Horace. This identification was, and
                    remains, speculative: it relies not on indisputable evidence such as the poet’s
                    name inscribed on a tile or waterpipe found on the site, but from a combination
                    of circumstantial evidence. While it would have been welcome to find important
                    new evidence in favor of or opposed to this identification, the new fieldwork of
                    1997-2001 turned up nothing that could be so described. </p>
                <p id="p_108" n="108">Because the name of Horace is so closely associated with the
                    Roman villa in the Vigne di San Pietro, we lay out here what is known about the
                    place from the ancient sources as well as some considerations in favor of and
                    against the identification of the villa as Horace’s. In the next two sections,
                    we give an account of the scholarship on the problem from the Renaissance until
                    Pasqui’s excavations in 1911-14. </p>
                <p id="p_109" n="109">The best source that Horace owned a villa in Sabine territory
                    is the poet himself. In a number of works written in the middle of his poetic
                    career, he gives us information about the nature and location of the place (see
                    Frischer, <ptr target="div4_c13.1.1.1" type="txt" n="G.1.1.1-G.1.1.16"/>). These
                    can help us to understand where the villa was located, how it was furnished, and
                    what Horace did while staying there—always, of course, assuming that we take the
                    material in the poems as factual information and not as poetic invention. Of
                    course, the scholars who from the fifteenth to the twentieth century have
                    attempted to match up elements in Horace’s descriptions of his estate with
                    observable features on the ground have perforce assumed that Horace’s
                    information is reliable. </p>
                <p id="p_110" n="110">If, for the sake of argument, we grant that this is a valid
                    assumption, then what picture emerges of the villa? In <hi1 rend="italic"
                    >Odes</hi1> 1.17, we learn that it was located near <hi1 rend="italic">Mons
                        Lucretilis</hi1> (<ptr target="div4_c13.1.1.1" type="txt" n="G.1.1.1"/>) and
                    a valley called <hi1 rend="italic">Ustica</hi1> (<ptr target="div4_c13.1.1.2"
                        type="txt" n="G.1.1.2"/>; this is presumably the “opaca valle” mentioned in
                        <ptr target="div4_c13.1.1.15" type="txt" n="G.1.1.15"/>). Unfortunately,
                    neither is identifiable with certainty on the map of modern Italy. In <hi1
                        rend="italic">Odes</hi1> 1.22 we are told that the villa is bounded by a
                    forest (<ptr target="div4_c13.1.1.3" type="txt" n="G.1.1.3"/>), and in another
                    poem we are told that Horace had a neighbor (“vicinus”) named Cervius (<ptr
                        target="div4_c13.1.1.10" type="txt" n="G.1.1.10"/>). Once again, this does
                    not help us to localize the site, since forests are common; nor do we know who
                    this Cervius was or where his country house was located.<ptr n="94"
                        target="nt_c08.2.n94"/> If anything, Horace’s reference to Cervius is a
                    negative factor in identifying his property, since it means that if we find a
                    site dating to Horace’s lifetime but with no remains that would permit us to
                    attribute it to a specific owner in the Augustan age, then we must always bear
                    in mind the possibility that we have to do with Cervius’ villa, not Horace’s. </p>
                <p id="p_111" n="111">Other toponyms mentioned by Horace in the area of his property
                    are <hi1 rend="italic">fanum Vacunae</hi1> (<ptr target="div4_c13.1.1.12"
                        type="txt" n="G.1.1.12"/>), <hi1 rend="italic">Varia</hi1> (<ptr
                        target="div4_c13.1.1.13" type="txt" n="G.1.1.13"/>), Mandela and the <hi1
                        rend="italic">Digentia</hi1> river (<ptr target="div4_c13.1.1.16" type="txt"
                        n="G.1.1.16"/>). They are rather more promising, and the latter three have
                    been convincingly identified as equivalent to the early modern place names
                    Vicovaro, Burdella-Cantalupo, and the Licenza river. Vicovaro is at the eighth
                    milestone on the Via Valeria from Tivoli, just where Acro states that <hi1
                        rend="italic">Varia</hi1> was situated in his gloss on Horace <hi1
                        rend="italic">Epist</hi1>. 1.14.3 (see <ptr target="div4_c13.1.4.13"
                        type="txt" n="G.1.4.13"/>).<ptr n="95" target="nt_c08.2.n95"/> In the poem,
                    Horace tells us that <hi1 rend="italic">Varia</hi1> was the place to which five
                    heads-of-household who made their homes on his land were wont to go—presumably
                    to take the produce of their fields to market.<ptr n="96" target="nt_c08.2.n96"
                    /> From this we can infer that <hi1 rend="italic">Varia</hi1> was the closest
                    market town to Horace’s Villa. </p>
                <p id="p_112" n="112">In a late-antique funerary inscription discovered in 1757 just
                    north of the monastery of San Cosimato, the area is called <hi1 rend="italic"
                        >Massa Mandelana</hi1>. <hi1 rend="italic">Massae</hi1> were collections of
                    properties in a single territory, and their name often included reference to the
                    territory or nearby town. <hi1 rend="italic">Massa Mandelana</hi1> thus implies
                    the existence of a town near San Cosimato called Mandela. Horace further states
                    that Mandela “drinks from the icy <hi1 rend="italic">Digentia</hi1> river” (<ptr
                        target="div4_c13.1.1.16" type="txt" n="G.1.1.16"/>). In the area of Mandela
                    there are two rivers, whose modern names are Aniene (or, alternatively, the
                    Teverone) and Licenza. Since the Aniene was the ancient Anio, and Horace would
                    have referred to it as such had he intended to mention it, he must have been
                    referring to the Licenza river when speaking of Mandela’s water supply, and <hi1
                        rend="italic">Licenza</hi1> is an easy linguistic shift from <hi1
                        rend="italic">Digentia</hi1>. </p>
                <p id="p_113" n="113">We are thus able to place onto the modern map of central Italy
                    two towns and a river that Horace tells us were in the immediate vicinity of his
                    villa. Of course, this still leaves a large territory where the property might
                    have been located in the 7-kilometer long valley through which the Licenza river
                    flows from San Cosimato to the hilltown of Licenza. </p>
                <p id="p_114" n="114">To narrow down the search, localization of the <hi1
                        rend="italic">fanum Vacunae</hi1> would be helpful, since Horace closes a
                    poetic letter (<ptr target="div4_c13.1.1.12" type="txt" n="G.1.1.12"/>) with the
                    information that he was dictating it “post fanum putre Vacunae,” presumably on
                    the grounds of his nearby villa. But, in contrast to <hi1 rend="italic"
                    >Varia</hi1> and Mandela, the <hi1 rend="italic">fanum Vacunae</hi1> (<ptr
                        target="div4_c13.1.1.12" type="txt" n="G.1.1.12"/>) has never been
                    identified on the basis of solid evidence. Vacuna was a common Sabine goddess
                    and presumably was worshipped in several places <hi1 rend="italic">in
                        Sabinis</hi1>.<ptr n="97" target="nt_c08.2.n97"/> But her cult has been
                    archaeologically attested only by inscriptions found in the area around Rieti,
                    which is far away from <hi1 rend="italic">Varia</hi1> and Mandela.<ptr n="98"
                        target="nt_c08.2.n98"/> Since the seventeenth century, scholars have
                    suspected a connection between the <hi1 rend="italic">aedes Victoriae vetustate
                        dilapsa</hi1> restored by Vespasian (<hi1 rend="italic">CIL</hi1> 14.3479)
                    and the <hi1 rend="italic">fanum Vacunae</hi1>, which the poet called “putre.”
                    The two sanctuaries have been thought to be identical because of Varro’s <hi1
                        rend="italic">interpretatio romana</hi1> of Vacuna as Victoria.<ptr n="99"
                        target="nt_c08.2.n99"/> As the passages from the ancient scholiasts on <ptr
                        target="div4_c13.1.1.12" type="txt" n="G.1.1.12"/> indicate, the
                    assimilation of Vacuna to Victoria was but one of several <hi1 rend="italic"
                        >interpretationes romanae</hi1>, which also included Bellona, Ceres, Diana
                    and Minerva (<ptr target="div4_c13.1.3.11" type="txt" n="G.1.3.11"/>, <ptr
                        target="div4_c13.1.4.11" type="txt" n="G.1.4.11"/>). The identification of
                    Vespasian’s <hi1 rend="italic">aedes Victoriae vetustate dilapsa</hi1> with
                    Horace’s <hi1 rend="italic">fanum putre Vacunae</hi1> is thus not convincing,
                    and it would be risky to assert anything definite about the location of Horace’s
                    Villa from such an identification, not least because the find spot of <hi1
                        rend="italic">CIL</hi1> 14.3479 is not known.<ptr n="100"
                        target="nt_c08.2.n100"/> It is now located on an exterior wall of the
                    Castello Orsini at Roccagiovine, but in the eighteenth century it was seen over
                    the door of a house in Roccagiovine, so we are not entitled to guess from the
                    inscription’s present location that the <hi1 rend="italic">fanum</hi1> was
                    located atop the hill now occupied by the medieval castle.<ptr n="101"
                        target="nt_c08.2.n101"/>
                </p>
                <p id="p_115" n="115">In conclusion, if we take the testimony of the poetry
                    seriously as reflective of the circumstances of the poet’s life, then the Sabine
                    villa of Horace must have been somewhere in the area of the Licenza river
                    valley. But we have no compelling reason to pinpoint its location as the Roman
                    villa we excavated in the Vigne di San Pietro. </p>
            </div2>
            <div2 type="section" id="div2_c08.3">
                <head>
                    <bibl type="title">B.3. Knowledge about Horace’s Villa from the Imperial Period
                        to 1911</bibl>
                </head>
                <p id="p_116" n="116"> That at a distance of two millennia we cannot be more precise
                    is not surprising if we look at the ancient scholarly tradition on Horace as
                    reflected in the Suetonian biography of Horace and in the Horatian scholia.
                    Study of the topographical notes in these sources shows that knowledge of
                    Horatian toponyms became quite vague within two centuries of his death. In the
                    second-century Suetonian life of Horace we have the intriguing report that
                    Horace “usually lived on his Sabine, or Tiburtine estate,” and that his house
                        (<hi1 rend="italic">domus</hi1>) was shown “near the small grove of
                    Tiburnus” (see Frischer, <ptr target="div4_c13.1.2.1" type="txt" n="G.1.2.1"/>).
                    This passage has been interpreted in two ways. The first is that Horace lived at
                    one time <hi1 rend="italic">in Sabinis</hi1> and at another in the area of
                    Tivoli. Opposed to this is the view that Horace’s estate was far enough away
                    from Tivoli toward Sabine territory to be called “Sabine or Tiburtine” (cf.
                    Catullus 44). The latter view seems to be confirmed by the following clause,
                    since the writer goes on to state that Horace’s house was shown at one spot, not
                    two. Unfortunately, we cannot identify the spot referred to as “the small grove
                    of Tiburnus.” Most likely we have to do with a typical biographer’s
                    back-formation: an apparent fact about a poet’s life is inferred from his
                        works.<ptr n="102" target="nt_c08.3.n102"/> In <hi1 rend="italic">Odes</hi1>
                    1.7, Horace praises Tivoli in a priamel, and he introduces the city with several
                    toponyms, including the “Tiburni lucus” (<hi1 rend="italic">Odes</hi1> 1.7.13). </p>
                <p id="p_117" n="117">It is surprising that Suetonius’ precise identification left
                    no traces among the later ancient and early medieval commentators on Horace’s
                    works, since the biography was quite frequently included in late-antique
                    editions of the poet’s works. Nevertheless, Porphyrio can only write that
                    Horace’s <hi1 rend="italic">fundus</hi1> was “in Sabinis” (<ptr
                        target="div4_c13.1.3.1" type="txt" n="G.1.3.1"/>; <ptr
                        target="div4_c13.1.3.4" type="txt" n="G.1.3.4"/>); the <hi1 rend="italic"
                        >Mons Lucretilis</hi1> and <hi1 rend="italic">Ustica are</hi1> “in Sabinis”
                        (<ptr target="div4_c13.1.3.2" type="txt" n="G.1.3.2"/>, <ptr
                        target="div4_c13.13.3" type="txt" n="G.1.3.3"/>; cf. Pseudo-Acro, G.1.4);
                        <hi1 rend="italic">Varia</hi1> is a “locus in Sabinis celeberrimus” (<ptr
                        target="div4_c13.1.3.13" type="txt" n="G.1.3.13"/>); and Mandela is a
                    “pagus…in Sabinis” (<ptr target="div4_c13.1.3.14" type="txt" n="G.1.3.14"/>; cf.
                    Pseudo-Acro, <ptr target="div4_c13.1.4.18" type="txt" n="G.1.4.18"/>). In at
                    least one instance, when he attempts to be more precise, Porphyrio’s geography
                    is demonstrably incorrect: he calls <hi1 rend="italic">Gabii</hi1> a “vicus in
                    Sabinis iuxta Lucretilem montem” (<ptr target="div4_c13.1.3.12" type="txt"
                        n="G.1.3.12"/>).<ptr n="103" target="nt_c08.3.n103"/> The omnium-gatherum
                    collection now known as “Pseudo-Acro” fares only a little better. According to
                    it, <hi1 rend="italic">Gabii</hi1> is also <hi1 rend="italic">in Sabinis</hi1>
                        (<ptr target="div4_c13.1.4.12" type="txt" n="G.1.4.12"/>), and it is not
                    certain whether <hi1 rend="italic">Ustica</hi1> is the name of a mountain or an
                    island (<ptr target="div4_c13.1.4.2" type="txt" n="G.1.4.2"/>). It mistakenly
                    situates the <hi1 rend="italic">Fons Bandusiae</hi1> of <hi1 rend="italic"
                    >Odes</hi1> 3.13 on the grounds of Horace’s Villa (<ptr target="div4_c13.1.4.6"
                        type="txt" n="G.1.4.6"/>), whereas we know that it was located near <hi1
                        rend="italic">Venusia</hi1>, where Horace was born.<ptr n="104"
                        target="nt_c08.3.n104"/> On the other hand, it does give more precise
                    information about the location of <hi1 rend="italic">Varia</hi1> as “rising over
                    the Anio” and places it, correctly, at the eighth milestone on the Via Valeria
                    beyond Tivoli (<ptr target="div4_c13.1.4.13" type="txt" n="G.1.4.13"/>). </p>
                <p id="p_118" n="118">Not surprisingly, the medieval commentators mark no progress
                    toward greater topographical precision (cf. <ptr target="div4_c13.1.5.1"
                        type="txt" n="G.1.5"/> and <ptr target="div4_c13.1.6.1" type="txt" n="G.1.6"
                    />). For that, we must await the Renaissance. As early as Petrarch we find a new
                    appreciation for the landscape as a place of natural beauty and for Rome as a
                    place of historical memory.<ptr n="105" target="nt_c08.3.n105"/> In the first
                    half of the fifteenth century, Cyriacus of Ancona approached the landscape more
                    objectively as a place where ancient monuments could be sought out and
                        described.<ptr n="106" target="nt_c08.3.n106"/> By the middle of the
                    century, the field of Italian historical geography had been founded by the Papal
                    secretary Flavio Biondo, who wrote <hi1 rend="italic">Roma Instaurata</hi1> and
                        <hi1 rend="italic">Italia Illustrata</hi1> from 1446 to 1453.<ptr n="107"
                        target="nt_c08.3.n107"/> In the latter, he showed some interest in the
                    location of Roman villas, attempting to locate the villa of Cicero at <hi1
                        rend="italic">Puteoli</hi1>, the villa of Lucullus near Naples, Hadrian’s
                    villa near Tivoli, and Horace’s Sabine villa.<ptr n="108" target="nt_c08.3.n108"
                    /> Without argumentation, Biondo placed the <hi1 rend="italic">fanum
                    Vacunae</hi1> near Monte S. Giovanni and Montenero (<ptr target="div4_c13.1.7.2"
                        type="txt" n="G.1.7.2"/>; for the locations, see <hi1 rend="bold">fig.
                    9</hi1>, middle), and in commenting on the cult of Vacuna, he quotes Pseudo-Acro
                        (<ptr target="div4_c13.1.3.11" type="txt" n="G.1.3.11"/>). He identifies the
                        <hi1 rend="italic">Digentia</hi1> river as the torrent known as the <hi1
                        rend="italic">Rivus Solis</hi1> near Poggio Mirteto. There is no torrent
                    today with this name.<ptr n="109" target="nt_c08.3.n109"/> Finally, again with
                    no argumentation, he places Horace’s villa in the Farfa river valley, in the
                    area of modern Monte S. Maria, Frasso, Poggio Moiano, etc. (see <hi1 rend="bold"
                        >fig. 8</hi1>). Biondo also knew of an identification of a second Horatian
                    villa in the Praenestine Mountains (<ptr target="div4_c13.1.7.1" type="txt"
                        n="G.1.7.1"/>). <figure entity="heb90044.0008" id="fg_heb90044.0008"
                        type="ic">
                        <head>
                            <bibl type="figno">Figure 8</bibl>
                            <bibl type="figcap">Farfa River valley (map of Lazio, <hi1 rend="italic">TCI</hi1> [Milan 1997],
                                1:200.00 — not to scale).</bibl>
                        </head>
                    </figure></p>
                <p id="p_119" n="119">In 1550, Leandro Alberti wrote that Horace had villas in the
                    hills near <hi1 rend="italic">Tusculum</hi1> and near the <hi1 rend="italic"
                        >fanum Vacunae</hi1>, which he thought was located at Vacone (<ptr
                        target="div4_c13.1.7.5" type="txt" n="G.1.7.5"/>; <hi1 rend="bold">fig.
                    9</hi1>, top left). In the 1570s, the Dutch commentator on Horace, Jacob
                    Cruquius, followed Biondo’s identification of Horace’s Sabine villa (<ptr
                        target="div4_c13.1.7.9" type="txt" n="G.1.7.9"/>, <ptr
                        target="div4_c13.1.7.10" type="txt" n="G.1.7.10"/>, <ptr
                        target="div4_c13.1.7.12" type="txt" n="G.1.7.12"/>) and also tried to
                    identify Horace’s <hi1 rend="italic">Mons Lucretilis</hi1> (cf. <ptr
                        target="div4_c13.1.1.1" type="txt" n="G.1.1.1"/> and <ptr
                        target="div4_c13.1.7.6" type="txt" n="G.1.7.6"/>) as the mountain from which
                    the Farfa river took its source (the modern-day Mt. Ode, 932 meters; see <hi1
                        rend="bold">fig. 9</hi1>, center). He followed Biondo in locating Mandela at
                    Montopoli (<ptr target="div4_c13.1.7.14" type="txt" n="G.1.7.14"/>; <hi1
                        rend="bold">fig. 9</hi1>, left of center). He furthermore realized that
                    Horace’s reference to <hi1 rend="italic">Varia</hi1> (<ptr
                        target="div4_c13.11.13." type="txt" n="G.1.1.13"/>) implies that a town with
                    this name was the nearest market to the villa. Not finding any town near the
                    Farfa valley with this name, he emended the text from <hi1 rend="italic">Variam
                        dimittere</hi1> to <hi1 rend="italic">Vatiam dimittere</hi1> (<ptr
                        target="div4_c13.1.7.11" type="txt" n="G.1.7.11"/>), noting that Dionysius
                    of Halicarnassus, in his <hi1 rend="italic">Roman Antiquities</hi1>, recorded a
                    town named <hi1 rend="italic">Vatia</hi1> near <hi1 rend="italic">Reate</hi1>
                    (modern-day Vazia, 5.8 kilometers to the east of Rieti, just past
                    Rieti-Cittaducale; cf. <hi1 rend="bold">fig. 9</hi1>, upper right).<ptr n="110"
                        target="nt_c08.3.n110"/> Of course, the conjecture is wrong: the distance
                    from the Farfa valley, where Cruquius puts Horace’s Villa, to Vazia is over 35
                        kilometers.<ptr n="111" target="nt_c08.3.n111"/> There are several market
                    towns closer to the alleged site of Horace’s Villa than is Vazia. Nevertheless,
                    despite the absurdity of his conjecture, Cruquius is right to prefer <hi1
                        rend="italic">Varia</hi1> to the <hi1 rend="italic">Baria</hi1> mistakenly
                    transmitted in some Horatian manuscripts. That <hi1 rend="italic">Varia</hi1> is
                    equivalent to Vicovaro is something that was not yet known when Cruquius wrote,
                    since the identification was first made by Laevinus Torrentius (1608; <ptr
                        target="div4_c13.1.7.16" type="txt" n="G.1.7.16"/>). And Cruquius’ concern
                    with putting together pieces of the topographical puzzle created by various
                    off-hand geographical references in Horace’s poetry is something not seen in
                    Biondo and marks a definite methodological advance. With Cruquius, there is
                    clearly an understanding that Horatian place names cannot be arbitrarily equated
                    with places on the modern map of Italy, but they form a system of relationships
                    that can provide a mechanism of control for a scholar trying to make
                    identifications. <figure entity="heb90044.0009" id="fg_heb90044.0009" type="ic">
                        <head>
                            <bibl type="figno">Figure 9</bibl>
                            <bibl type="figcap">Map of Northern Sabine territory (Map of Lazio, TCI
                                [Milan 1997], 1:200.00 — not to scale).</bibl>
                        </head>
                    </figure></p>
                <p id="p_120" n="120">In 1580 we have the first attempt to place Horace’s Villa at
                    Tivoli. In a brief passage about the ancient villas at Tivoli, Giovanni Maria
                    Zappi mentions Horace’s Villa, in addition to those of Augustus, Cassius,
                    Quintilius Varus, and Manlius Vopiscus (<ptr target="div4_c13.1.7.15" type="txt"
                        n="G.1.7.15"/>). In 1608, Laevinus Torrentius, in his commentary on Horace’s
                    works, claimed that the villa was located at a place called Camporazio near
                    Vicovaro (<ptr target="div4_c13.1.7.16" type="txt" n="G.1.7.16"/>). He was to be
                    followed by Fridericus Rappoltus, in his commentary on Horace’s works published
                    in 1675 (<ptr target="div4_c13.1.7.25" type="txt" n="G.1.7.25"/>). </p>
                <p id="p_121" n="121">Zappi’s claim about Tivoli was accepted by Marzi (<ptr
                        target="div4_c13.1.7.20" type="txt" n="G.1.7.20"/>), and it was elaborated
                    in 1611 by Del Re (<ptr target="div4_c13.1.7.17" type="txt" n="G.1.7.17"/>). He
                    thought that Horace had a number of villas in Tivoli, <hi1 rend="italic"
                        >Praeneste</hi1> (cf. Biondo in <ptr target="div4_c13.1.7.1" type="txt"
                        n="G.1.7.1"/>), and <hi1 rend="italic">in Sabinis</hi1>. The Tiburtine villa
                    he identifies as the monastery of San Antonio where, as Del Re noted, ruins of a
                    Roman construction were visible (and still can be seen today).<ptr n="112"
                        target="nt_c08.3.n112"/> Two years later, Ianus Rutgersius, in his notes on
                    Horace (<ptr target="div4_c13.1.7.18" type="txt" n="G.1.7.18"/>), disputed the
                    idea that Horace had both a Tiburtine and Sabine villa. Instead, he argued for a
                    single villa near the boundary between Sabine and Tiburtine territory, quoting
                    Horace’s words <hi1 rend="italic">unicis Sabinis</hi1> (<ptr
                        target="div4_c13.1.1.5" type="txt" n="G.1.1.5"/>) and comparing Catullus 44:
                        <hi1 rend="italic">O funde noster, seu Sabine, seu Tiburs, / (nam te esse
                        Tiburtem autumant, quibus non est / cordi Catullum laedere: at, quibus cordi
                        est, / quovis Sabinum pignore esse contendunt) / sed seu Sabine, sive verus
                        Tiburs…</hi1>. </p>
                <p id="p_122" n="122">The last major scholar to favor Del Re’s thesis that Horace
                    had two villas—one at Tivoli, the other in Sabine territory—was Athanasius
                    Kircher (<ptr target="div4_c13.1.7.22" type="txt" n="G.1.7.22"/> and <ptr
                        target="div4_c13.1.7.23" type="txt" n="G.1.7.23"/>). Writing in 1669,
                    Kircher put the Sabine villa on the slopes of Montelibretti because of an
                    alleged linguistic shift from <hi1 rend="italic">Mons Lucretilis</hi1> (<ptr
                        target="div4_c13.1.1.1" type="txt" n="G.1.1.1"/>) to Montelibretti (<hi1
                        rend="bold">fig. 9</hi1>, lower center). In 1744, Volpius refined Del Re’s
                    analysis of the remains at San Antonio by distinguishing two building phases: an
                    earlier, Horatian phase, of which no traces survive; and a second, more
                    luxurious phase in the time of Manlius Vopiscus (<ptr target="div4_c13.17.27."
                        type="txt" n="G.1.7.27"/>). Finally, the candidacy of <hi1 rend="italic"
                        >Praeneste</hi1>, which Del Re advocated following Biondo, was supported by
                    Cecconi in 1756 (<ptr target="div4_c13.17.30." type="txt" n="G.1.7.30"/>) and
                    was last discussed in 1795. In that year, Pietro Antonio Pietrini made the
                    cogent point that just because Horace says in <hi1 rend="italic">Odes</hi1>
                    3.4.23 that he visits <hi1 rend="italic">Praeneste</hi1> does not require us to
                    think that he had a villa there.<ptr n="113" target="nt_c08.3.n113"/>
                </p>
                <p id="p_123" n="123">In his Italian geography published in 1624, the Leiden
                    geographer Philippus Cluverius put Horace’s Villa on the slopes of
                    Montelibretti, which he equated to Horace’s <hi1 rend="italic">Mons
                    Lucretilis</hi1> (<ptr target="div4_c13.1.7.19" type="txt" n="G.1.7.19"/>). This
                    identification was challenged by one of his students, Lucas Holstenius, in his
                    annotations on Cluverius (<ptr target="div4_c13.1.7.21" type="txt" n="G.1.7.21"
                    />). Published posthumously in 1661, Holstenius’ work was to be a turning-point
                    for the history of the Licenza site, for in it Holstenius—who after studying
                    with Cluverius went on to become the Vatican Librarian and a very distinguished
                    geographer—was the first to equate the <hi1 rend="italic">aedes Victoriae</hi1>
                    of <hi1 rend="italic">CIL</hi1> XIV.3479 with Horace’s <hi1 rend="italic">fanum
                        Vacunae</hi1> (<ptr target="div4_c13.1.1.12" type="txt" n="G.1.1.12"/>).
                    Noting the location of the inscription at Roccagiovine, Holstenius also
                    identified Horace’s <hi1 rend="italic">Digentia</hi1> (<ptr
                        target="div4_c13.1.1.16" type="txt" n="G.1.1.16"/>) with the modern toponym
                    Licenza. </p>
                <p id="p_124" n="124">Holstenius’ ideas were to reemerge in the second half of the
                    eighteenth century and lead to the discovery of the site in the Vigne di San
                    Pietro. But at the very beginning of the century we encounter an amusing
                    alternative identification of Horace’s Villa that involved the concoction of
                    fraudulent inscriptions. The perpetrator of the fraud was Bartolomeo Carlo
                    Piazza, who in a book published in 1703 tacitly agreed with Leandro Alberti
                        (<ptr target="div4_c13.1.7.5" type="txt" n="G.1.7.5"/>) in placing the <hi1
                        rend="italic">fanum Vacunae</hi1> near Vacone (<ptr target="div4_c13.1.7.26"
                        type="txt" n="G.1.7.26"/>). To strengthen the association of the place with
                    Horace, Piazza quoted two inscriptions mentioning Maecenas and Augustus that he
                    reportedly saw in the parish church of Vacone. Piazza’s arguments in favour of
                    the identification were refuted by De Sanctis (<ptr target="div4_c13.1.8.1"
                        type="txt" n="G.1.8.1"/>), and the fraud was exposed in the 1760s when the
                    Abbé Bertrand Capmartin de Chaupy (<ptr target="div4_c13.1.8.4" type="txt"
                        n="G.1.8.4"/>) visited the church and could find no sign of the
                    inscriptions. </p>
                <p id="p_125" n="125">Holstenius’ work put the Licenza valley into the spotlight,
                    and starting from the 1750s tourists and antiquarians began visiting the area to
                    search for actual remains that could be associated with Horace’s Villa and the
                    nearby places mentioned in his poems. In their efforts, they were aided by the
                    publication of two new maps that showed the area in higher scale and with
                    greater reliability. The first was published in 1739 by Diego de Revillas (<ptr
                        target="div4_c13.2.1.16" type="txt" n="G.2.1.15"/>); it was based on
                    trigonometry and included a scale, and was the first map of the Tivoli area with
                    these important features. The second was published in 1755 by the Jesuits Maire
                    and Boscovich (<ptr target="div4_c13.2.1.19" type="txt" n="G.2.1.18"/>). Theirs
                    was the first map of the entire province of Lazio to be based on scientific
                    principles of surveying.<ptr n="114" target="nt_c08.3.n114"/>
                </p>
                <p id="p_126" n="126">The earliest visitor on record to study the area was the
                    Scottish painter, Allan Ramsay. He came in September of 1755 “to go in search of
                    Horace’s farm in the Sabinia” (<ptr target="div4_c13.1.7.29" type="txt"
                        n="G.1.7.29"/>). Using de Revillas’ map, Ramsay found and made a sketch of a
                    spring (<ptr target="div4_c13.2.1.18" type="txt" n="G.2.1.17"/>) that a farmer
                    showed him and which he identified as the <hi1 rend="italic">Fons
                    Blandusiae</hi1>. Ramsay’s short initial visit was to result in a thirty-year
                    project to identify and comment on the villa, which the painter-writer pursued
                    in fits and starts during his trips to Italy in the 1770s and 80s. His work on
                    the villa took the form of a short treatise,<hi1 rend="italic"> An Enquiry into
                        the Situation and Circumstances of Horace’s Sabine Villa</hi1>, which was
                    finished in 1784 but that he did not live to see published. The text was finally
                    published in 2001 (cf. <ptr target="div4_c13.1.8.6" type="txt" n="G.1.8.6"
                        />).<ptr n="115" target="nt_c08.3.n115"/>
                </p>
                <p id="p_127" n="127">In the last years of the pontificate of Benedict XIV (†1758),
                    George Nicolaus Heerkens, a Dutch physician and poet, went to Licenza to look
                    for the site of Horace’s Villa, about which he gave a lecture to the Accademia
                    degli Arcadi in Rome (<ptr target="div4_c13.1.7.31" type="txt" n="G.1.7.31"
                        />).<ptr n="116" target="nt_c08.3.n116"/> The lecture, in which Heerkens
                    argued in favor of situating Horace’s Sabine villa in the Licenza valley, met
                    with some opposition from people who pressed the claims of Tivoli, <hi1
                        rend="italic">Praeneste</hi1> and even <hi1 rend="italic">Baiae</hi1>.
                    Heerkens countered that, although Horace writes quite often about his Sabine
                    villa, he never mentions a villa elsewhere. </p>
                <p id="p_128" n="128">In his account of the lecture, Heerkens stressed that even
                    though some Arcadians objected to his theory, others seem to have been
                    persuaded. De Revillas, who was a member of the academy, prepared a second
                    edition of his map of the Tivoli area, and on it he placed the ruins of Horace’s
                    Villa (labeled “Rudera Villae Horatii”) approximately in the Vigne di San Pietro
                    near the hilltown of Licenza. In 1761, the abbot Domenico De Sanctis, another
                    Arcadian, published his <hi1 rend="italic">Dissertazione sopra la villa di
                        Orazio Flacco</hi1> (<ptr target="div4_c13.1.8.1" type="txt" n="G.1.8.1"/>),
                    in which he echoed Heerkens’ thesis without citing Heerkens. </p>
                <p id="p_129" n="129">The thrust of De Sanctis’ short book is an examination of the
                    passages in Horace’s poetry where the poet mentioned his Sabine villa. He gives
                    only a very brief description of the site at the end of his book, but the
                    information that he reports is precious, since he gives us our only account of
                    the excavation (<hi1 rend="italic">scavamento</hi1>) of the Baron de
                    Saint’Odile, the Tuscan ambassador to the Holy See (cf. <ptr
                        target="div4_c13.1.8.1" type="txt" n="G.1.8.1"/>).<ptr n="117"
                        target="nt_c08.3.n117"/> De Sanctis states that Saint’Odile found the
                    remains of a “comfortable dwelling,” and that near it was found “a conduit for
                    bringing water to the house from the nearby spring.” De Sanctis’ work was
                    reprinted in 1768 and 1784. The reprints contain no new information about the
                    site but the last edition does report that “well-known events have prevented
                    [Saint’Odile] from completing the undertaking he began.” This is a reference to
                    Saint’Odile’s dismissal from his post in Rome under scandalous circumstances in
                    1774. The later editions also provide evidence of a bitter quarrel that broke
                    out in 1767 between De Sanctis and the Abbot Bertrand Capmartin de Chaupy when
                    de Chaupy published the first of his three volumes on Horace’s Villa. Each abbot
                    claimed priority in identifying the site in the Vigne di S. Pietro. Neither
                    mentioned Heerkens, the true discoverer of the site. </p>
                <p id="p_130" n="130">The Abbot Bertrand Capmartin de Chaupy was a religious living
                    in Italy after being exiled from France in the mid 1750s. De Chaupy published
                    his three-volume work on Horace’s Villa—and a host of unrelated and tangential
                    matters—in the period 1767-1769 (<ptr target="div4_c13.1.8.4" type="txt"
                        n="G.1.8.4"/>). The work was the subject of a satirical engraving by
                    Piranesi in 1769 (<ptr target="div4_c13.2.1.22" type="txt" n="G.2.1.22"/>), who
                    felt that de Chaupy’s work was defective because it was too long-winded and too
                    little based on survey, measurement, and illustration.<ptr n="118"
                        target="nt_c08.3.n118"/> It appears likely that de Chaupy’s work, besides
                    being inspired by Heerkens (who reported meeting the abbot and explaining his
                    theory about Horace’s Villa to him; cf. <ptr target="div4_c13.1.7.31" type="txt"
                        n="G.1.7.31"/>), was also supported for a certain time by the Tuscan
                    ambassador to Rome, the Baron de Saint’Odile (cf. <ptr target="div4_c13.1.8.1"
                        type="txt" n="G.1.8.1"/>) but that the relationship between the two had
                    broken down by 1767, when de Chaupy published his first volume.<ptr n="119"
                        target="nt_c08.3.n119"/> In that volume and elsewhere de Chaupy suppresses
                    the name of Saint’Odile, who never himself published anything about his project
                    at Licenza. </p>
                <p id="p_131" n="131">Visitors to the Vigne di S. Pietro in this period report that
                    very few ancient remains were visible on the site. Ramsay reserved a verbal and
                    graphic description of the site for a later treatment (<ptr
                        target="div4_c13.1.7.29" type="txt" n="G.1.7.29"/>). Heerkens mentioned
                    seeing only ruins identified by the locals as the <hi1 rend="italic">fanum
                        Vacunae</hi1> and a spring they called the <hi1 rend="italic">Fons
                        Blandusiae</hi1>; he says nothing about remains of the villa proper (<ptr
                        target="div4_c13.1.7.31" type="txt" n="G.1.7.31"/>). </p>
                <p id="p_132" n="132">We have summarized De Sanctis’ description above (<ptr
                        target="div4_c13.1.8.1" type="txt" n="G.1.8.1"/>). De Chaupy gives a longer
                    and first-hand description, stressing how few were the remains that could be
                    seen on the site (see <ptr target="div4_c13.1.8.4" type="txt" n="G.1.8.4"/>).
                    The most impressive structure was a ruined building that de Chaupy interpreted
                    as a church built out of <hi1 rend="italic">spolia</hi1> of ancient building
                    materials. He thought that the church must have been called “St. Pierre” and had
                    given its name to the Vigne di S. Pietro. He explained the dedication to St.
                    Peter as resulting from Constantine’s donation of land in this area to the
                    church of Saints Peter and Marcellinus in Rome, and was perhaps correct to do
                        so.<ptr n="120" target="nt_c08.3.n120"/> Covering the surface of the site
                    were many <hi1 rend="italic">cubilia</hi1>, or <hi1 rend="italic"
                    >tesserae</hi1>, the wedge-shaped building blocks of <hi1 rend="italic">opus
                        reticulatum</hi1>. From Vitruvius (<hi1 rend="italic">Arch</hi1>. 2.8), de
                    Chaupy concluded that a structure built with this construction technique must
                    date from the Augustan age. Closer inspection allowed him to distinguish two
                    separate structures: a large dwelling just “above” the church; and another,
                    smaller building that he thought must have been a bath building since there were
                    lead waterpipes leading to it. Especially because of his recognition of the
                    presence of <hi1 rend="italic">opus reticulatum</hi1>, de Chaupy claimed to be
                    the first to prove that the site dated to the Augustan period and hence was
                    almost certainly Horace’s Villa. Be that as it may, a major problem with his
                    work was the lack of any illustrations, and the map he included had a flawed
                    orientation (<hi1 rend="bold">fig. 10</hi1>).<ptr n="121" target="nt_c08.3.n121"
                    /> It had other errors as well, as a comparison of it with Folio 144 of the
                    Carta d’Italia makes clear (<hi1 rend="bold">fig. 11</hi1>). If we adjust the
                    scale of both such that Licenza and Roccagiovine line up, and then put the
                    features indicated with numbers by de Chaupy onto the IGM map, we can see that
                    de Chaupy has more or less correctly positioned the church of S. Maria delle
                    Case of Roccagiovine (his Fanum Vacunae=6) and the Mola of Licenza (his 7). But
                    de Chaupy put the Fonte Ratini (2) too far to the north, thereby making it
                    impossible to know where we are to imagine his site of the Villa of Horace. It
                    is not even clear whether the structure he records on his plan corresponds to
                    any still visible in the archaeological park today. If we compare a highly
                    accurate map such as that published in 1887 by Mazzoleni (<hi1 rend="bold">fig.
                        12</hi1>), showing the brook running down toward the Licenza river from the
                    Fonte Ratini, we can see that the remains visible on the site today (not
                    excavated, of course, in 1887 when Mazzoleni’s map was made, but clustering in
                    the area about his Roman number VIII, where he was able to see the mosaics in
                    rooms 1 and 4) are not as near to the brook as the ancient remains identified as
                    Horace’s Villa by de Chaupy. Moreover, the brook runs on the other side of the
                    ruins seen today (i.e, to the north, as on Mazzoleni’s plan, not to the south,
                    as on de Chaupy’s). </p>
                <p id="p_133" n="133">The situation improved somewhat with the next antiquarian
                    student of the Vigne di S. Pietro site: Allan Ramsay. Ramsay was the Principal
                    Painter in Ordinary to George III and son of the famous Scottish poet, Allan
                    Ramsay the Elder, who was a great admirer of Horace. When the painter retired to
                    Rome in the mid-1770, he devoted himself as much to writing as to art, and
                    Ramsay’s short treatise on Horace’s Villa (doubtless inspired by his visit to
                    the Licenza valley in 1755; see <ptr target="div4_c13.1.7.29" type="txt"
                        n="G.1.7.29"/>) was a major focus of his interests in this period.<ptr
                        n="122" target="nt_c08.3.n122"/> His verbal description of what he saw on
                    the site (see <ptr target="div4_c13.1.8.6" type="txt" n="G.1.8.6"/>) was
                    supplemented by a series of drawings, some of which he had Jacob More convert
                    into watercolors for eventual use by the engraver who would help to bring out
                    his treatise.<ptr n="123" target="nt_c08.3.n123"/> He also encouraged Jakob
                    Philip Hackert to publish a relief map of the Licenza valley (<hi1 rend="bold"
                        >fig. 13</hi1>), which was published separately in the 1780s.<ptr n="124"
                        target="nt_c08.3.n124"/> In the event, Ramsay died before he could publish
                    his treatise, which (despite the interest it aroused at the time—most notably,
                    in the circle that included Samuel Johnson, James Boswell, Joshua Reynolds, and
                    Edward Gibbon)<ptr n="125" target="nt_c08.3.n125"/> had to wait until 2001 to
                    find its way into print. <figure entity="heb90044.0013" id="fg_heb90044.0013"
                        type="ic">
                        <head>
                            <bibl type="figno">Figure 13</bibl>
                            <bibl type="figcap">J. P. Hackert, relief map of the Licenza valley
                                (detail, showing the area from Roccagiovine to Licenza).</bibl>
                        </head>
                    </figure></p>
                <p id="p_134" n="134">Ramsay represents a modest advance over de Chaupy because he
                    recognized that, in documenting a site, it was important to combine text,
                    illustrations, and a map. He dispensed with making his own map of the general
                    area because he felt he could rely on Hackert. His illustrations are mostly
                    general and, however helpful as evidence of the agricultural development of the
                    Licenza valley in the eighteenth century, are useless for understanding what
                    archaeological features he was describing in his text. There is one exception, a
                    drawing in the National Gallery of Scotland (RSA 509; <hi1 rend="bold">fig.
                    14</hi1>) that Ramsay made to show the site as it appeared from a window in the
                    Orsini Palace in Licenza. In letters with associated notes, he specified where
                    key features of the landscape were located. The drawing is laid out on a grid
                    and is very accurate. Ramsay’s note at the top of the drawing states, it was
                    “drawn exactly by me, A.R. by the help of pack thread squares, June 21,
                        1777.”<ptr n="126" target="nt_c08.3.n126"/> Here, then, we have a very
                    precise illustration of the site, the first we are to have before the
                    state-sponsored excavations of Pasqui in the early twentieth century. <figure
                        entity="heb90044.0014" id="fg_heb90044.0014" type="ic">
                        <head>
                            <bibl type="figno">Figure 14</bibl>
                            <bibl type="figcap">Ramay's sketch of the site (National Gallery of
                                Scotland, RSA 509).</bibl>
                        </head>
                    </figure></p>
                <p id="p_135" n="135">Ramsay’s sketch includes the following features (his letters
                    are used): (<hi1 rend="italic">a</hi1>) a field with a mosaic pavement; (<hi1
                        rend="italic">b</hi1>) the remains of some old walls; (<hi1 rend="italic"
                    >c</hi1>) the Fonte Ratini (whose location is indicated by a cypress); (<hi1
                        rend="italic">d</hi1>) the Mill of Licenza; (<hi1 rend="italic">e</hi1>)
                    Roccagiovine; (<hi1 rend="italic">f</hi1>) the spot where a farmer reported to
                    Ramsay that he had dug up remains of an ancient gatehouse in <hi1 rend="italic"
                        >opus reticulatum</hi1> in the recent past; (<hi1 rend="italic">g</hi1>)
                    Colle Franchisi; and (<hi1 rend="italic">h</hi1>) the monastery of San Cosimato.
                    In the <hi1 rend="italic">Enquiry</hi1>, Ramsay discusses all these features, of
                    which <hi1 rend="italic">d</hi1>, <hi1 rend="italic">e</hi1>, <hi1 rend="italic"
                        >g</hi1>, and <hi1 rend="italic">h</hi1> are given as reference points only.
                    Since Ramsay illustrated the mosaic in field (<hi1 rend="italic">a</hi1>), from
                    which we can see that it is a mosaic that is well-known and still exists in the
                    archaeological park (it is located in room 4) and his reference points are also
                    known, we can use this information to get a good general idea about where his
                    other two points of archaeological interest (<hi1 rend="italic">b</hi1> and <hi1
                        rend="italic">f</hi1>) were located. He gives a verbal description of these
                    features on pages 46-47 of the <hi1 rend="italic">Enquiry</hi1> (<ptr
                        target="p_c13.1.8.6.1" type="txt" n="G.1.8.6.1"/>). </p>
                <p id="p_136" n="136">It should be stressed that Ramsay’s language is not as precise
                    as was his drawing; he was operating with vague terms such as “a field in which
                    is the mosaic pavements” or “the Mill,” and since he did not specifically refer
                    to the location of the mosaic in room 4 or a certain part of the Mill complex,
                    any measurements based on Ramsay’s sketch necessarily have a large margin of
                    error. This cannot be calculated precisely but 10% would be a reasonable
                    estimate. Thus, the distance, as the crow flies, from the remaining basin of the
                    Mill to room 4 is approximately 262 meters. The distance from Ramsay’s point
                        <hi1 rend="italic">a</hi1> to point <hi1 rend="italic">d</hi1> might
                    therefore be expressed as 262 m +/- 26 m. The distance from point <hi1
                        rend="italic">a</hi1> to point <hi1 rend="italic">b</hi1> is 94 m +/- 9.4 m,
                    and <hi1 rend="italic">b</hi1> lies to the west of <hi1 rend="italic">a</hi1>.
                    Since the precise heading of <hi1 rend="italic">a</hi1>-<hi1 rend="italic"
                    >b</hi1> cannot be determined from the drawing, it is safest to represent <hi1
                        rend="italic">b</hi1> on the modern map not as a single point, but as an
                    arc. The area ca. 85 to 105 meters west of room 4 falls into modern cadastral
                    parcels 109, 111, 153, and 150 (see <hi1 rend="bold">fig. 15</hi1>). Survey of
                    this area in 1997 did not reveal the walls recorded by Ramsay. It is unfortunate
                    that he did not give us the name of the property owner, since in 1780, the first
                    cadaster of Licenza was compiled (ASR 3704, 3705, 3706), and we could have
                    narrowed down the position of the walls even more, at which point it would have
                    been worthwhile to search for foundations below the surface. Without autopsy of
                    at least the foundations (which, one might hope, still preserve good ancient
                    stratigraphy and some dating elements), we cannot be certain from Ramsay’s brief
                    description that the walls in question were Roman or later. <figure
                        entity="heb90044.0015" id="fg_heb90044.0015" type="ic">
                        <head>
                            <bibl type="figno">Figure 15</bibl>
                            <bibl type="figcap">Modern cadastral plan with Ramsay's points A, B, and
                                D.</bibl>
                        </head>
                    </figure></p>
                <p id="p_137" n="137">Ramsay’s point <hi1 rend="italic">f</hi1> cannot be
                    immediately measured from the drawing, since, unlike <hi1 rend="italic">a</hi1>,
                        <hi1 rend="italic">b</hi1>, and <hi1 rend="italic">d</hi1>, the point does
                    not lie on the same plane with any of our known points. However, if we use the
                    drawing in combination with Ramsay’s verbal description of the area on pages
                    46-47 of the Enquiry, we can get a good idea of where <hi1 rend="italic">f</hi1>
                    was located (cf. <ptr target="p_c13.1.8.6.2" type="txt" n="G.1.8.6.2"/>). </p>
                <p id="p_138" n="138">The Colle Franchisi is located south of the parcel of land
                    known as Le Mogli, as folio 16 of the contemporary cadaster of Licenza makes
                    clear (<hi1 rend="bold">fig. 16</hi1>). Entering the spot mentioned by Ramsay as
                    point <hi1 rend="italic">f</hi1> onto the cadastral map, we can see the area
                    where Ramsay saw the <hi1 rend="italic">tesserae</hi1> of <hi1 rend="italic"
                        >opus reticulatum</hi1>. Survey of the area in 1997 uncovered evidence of
                    additional <hi1 rend="italic">tesserae</hi1> on the surface. Where Ramsay errs
                    is in the distance from this area to Horace’s Villa. He states that it was about
                    three quarters of a mile (or ca. 1207 meters). In fact, as the crow flies, the
                    distance is only about half that (ca. 606 meters). Of course, Ramsay may not
                    have been measuring as the crow flies. In any case, a bigger problem with
                    Ramsay’s report is that he blithely assumes that the ruined structure found by
                    Bernardo Pomfili was part of the same property as “Horace’s Villa,” over 600
                    meters away to the north. This is possible, but other theories are equally
                    conceivable. For example, we know that there was a villa in the locality called
                    “I Sainesi” (G on <hi1 rend="bold">fig. 16</hi1>), which is less than 200 meters
                    away from area F.<ptr n="127" target="nt_c08.3.n127"/>
                    <figure entity="heb90044.0016" id="fg_heb90044.0016" type="ic">
                        <head>
                            <bibl type="figno">Figure 16</bibl>
                            <bibl type="figcap">Modern cadastral plan with the villa at "I Sainesi"
                                (G) and Ramsay's points A (Villa of Horace) and F (Colle
                            Franchisi).</bibl>
                        </head>
                    </figure></p>
                <p id="p_139" n="139">In Ramsay’s text, the most interesting report is that of the
                    mosaic in room 4, of which Ramsay illustrated details, and of an otherwise
                    unknown mosaic (<ptr target="p_c13.1.8.6.3" type="txt" n="G.1.8.6.3"/>). About
                    the latter, Ramsay writes: “I had, at other times been shown parts of this
                    mosaic composed of flowering foliages.” Since no such mosaic is preserved,
                    Ramsay’s report could be evidence of a lost floor in a room other than 4. Ramsay
                    himself thought that all the pieces of mosaic he saw belonged to one and the
                    same room—something he could not judge as well as we can, after Pasqui’s 1911-14
                    excavations. </p>
                <p id="p_140" n="140">After Ramsay, the Vigne di San Pietro site was generally
                    accepted as the location of Horace’s villa until the mid-nineteenth century,
                    when the attention of scholars shifted to Roccagiovine. In Noël Des Vergers’
                        <hi1 rend="italic">Étude biographique sur Horace</hi1>, published in 1855,
                    Horace’s Villa was located at a villa site in the territory of Roccagiovine
                    called the Colle del Poetello in the locality Capo Le Volte. This book contained
                    a photograph of the site, which is considered one of the earliest photographs
                    ever published in a printed book. Des Vergers was very influenced by the
                    Rome-based archaeologist, Pietro Rosa, who provided two maps used in the book.
                    Rosa and G. Henzen published articles in 1857 arguing the case for locating the
                    poet’s villa on the Colle del Poetello.<ptr n="128" target="nt_c08.3.n128"/> The
                    argument was based on the following: (1) they thought that the word “poetello”
                    derived from the Latin word <hi1 rend="italic">poeta</hi1>; (2) that the site of
                    Horace’s Villa should be higher up a mountainside than is the Vigne di S. Pietro
                    site because in <hi1 rend="italic">Satires</hi1> 2.6, Horace called his country
                    house an <hi1 rend="italic">arx</hi1> (G.1.1.9); (3) that the Fonte Ratini was
                    too unimpressive a spring to be recorded in Horace’s poetry; and (4) that the
                    Vigne di San Pietro site was too far (allegedly four miles) from the site of the
                        <hi1 rend="italic">fanum Vacunae</hi1> at Roccagiovine to be described by
                    Horace as <hi1 rend="italic">post fanum Vacunae</hi1>. Their arguments were
                    accepted by M. Beulé in 1875.<ptr n="129" target="nt_c08.3.n129"/> In his
                    popular book, <hi1 rend="italic">Nouvelle promenades archéologiques</hi1>,
                    published in Paris in 1880 and translated into English in 1896, Gaston Boissier
                    agreed with Henzen and Rosa. </p>
                <p id="p_141" n="141">The villa at Colle del Poetello is site number 30 in Mari’s
                    survey of the Licenza valley.<ptr n="130" target="nt_c08.3.n130"/> In 1886, Tito
                    Berti studied the Colle del Poetello and considered the merits of its candidacy
                    as Horace’s Villa. He rejected it in favor of the Vigne di San Pietro, citing a
                    number of reasons, including most importantly the facts that: (1) <hi1
                        rend="italic">poetello</hi1> derives from the Italian word for <hi1
                        rend="italic">poggerello</hi1> (i.e., hillock), not from Latin <hi1
                        rend="italic">poeta</hi1>; (2) there is no spring near the site of the Colle
                    del Poetello (cf. Horace’s description of his villa in G.1.1.8), whereas the
                    Vigne di San Pietro is near the Fonte Ratini; and (3) the Vigne di San Pietro is
                    one mile, not four miles from Roccagiovine.<ptr n="131" target="nt_c08.3.n131"/>
                    Berti’s views were accepted by Achille Mazzoleni, the author of the best
                    scholarly treatment of the site in the nineteenth century,<ptr n="132"
                        target="nt_c08.3.n132"/> and by such distinguished scholars as Eugen
                    Petersen, the director of the German Archaeological Institute in 1904, and
                    Rodolfo Lanciani, the Professor of Roman Topography at the University of Rome in
                    1909. Zaccaria Mari in his late-twentieth-century archaeological survey of the
                    Licenza valley published in 1994 also rejected the identification of the villa
                    at Colle del Poetello as Horace’s estate. </p>
                <p id="p_142" n="142">With the candidacy of the Colle del Poetello failing by the
                    end of the nineteenth century, and with increasing concern being expressed about
                    the state of preservation of archaeological remains on the Vigne di San Pietro
                    site, the idea slowly but relentlessly grew for the Italian State, through its
                    Ministry of Public Instruction (MPI), to mount excavations of “Horace’s Villa.”
                    Excavations ultimately were initiated by MPI in May of 1911. </p>
                <p id="p_143" n="143">There were several forces at work in exerting pressure on the
                    ministry. First and foremost was the village of Licenza. Had the Town Council of
                    Licenza not passed a resolution on 28 May 1896 urging the government in Rome to
                    sponsor the project (<ptr target="div4_c13.1.9.2" type="txt" n="G.1.9.2"/>), and
                    had it not followed up with occasional letters to MPI pressing the case (cf.
                        <ptr target="div4_c13.1.9.5" type="txt" n="G.1.9.4"/>, <ptr
                        target="div4_c13.1.9.10" type="txt" n="G.1.9.9"/>), it is unlikely that the
                    State-sponsored excavations would ever have taken place. From time to time,
                    others made important contributions. Two Parliamentarians, Augusto Scaramella
                    Manetti (<ptr target="div4_c13.1.9.8" type="txt" n="G.1.9.7"/>) and Giulio Venzi
                        (<ptr target="div4_c13.1.9.16" type="txt" n="G.1.9.15"/>), took a strong
                    interest in the matter. Vincenzo Ussani, a young Latinist who was later to rise
                    to fame as a Professor of Latin in several universities, made effective use of
                    the press in building public support for the excavations (<ptr
                        target="div4_c13.1.9.14" type="txt" n="G.1.9.13"/>=<ptr
                        target="div4_c13.1.8.34" type="txt" n="G.1.8.34"/>, and see also <ptr
                        target="div4_c13.1.8.31" type="txt" n="G.1.8.31"/>). </p>
                <p id="p_144" n="144">MPI handled archaeological excavations through its Directorate
                    of Archaeology and Fine Arts (ABA). Operations for ABA were handled by various
                    regional Offices of Excavations. Licenza, as part of the Province of Rome, fell
                    under the supervision of the Office of Excavations for Rome, Lazio Antico, and
                    the Province of Aquila (USRLA). At first, USRLA resisted these pressures. On 16
                    July 1903 Luigi Borsari, the Director of the Office, wrote to the Minister of
                    MPI raising a series of questions and expressing doubts about the identification
                    of the Vigne di San Pietro site (<ptr target="div4_c13.1.9.11" type="txt"
                        n="G.1.9.10"/>). The letter is by no means simply “bureaucratic” in the
                    negative sense. Instead of acceding to the request of the Town Council of
                    Licenza and starting an expensive project of excavation and related land
                    expropriation, Borsari noted that it was by no means clear that the site was
                    really Horace’s; that it was necessary to do soundings to determine whether the
                    eighteenth century excavations had been limited to the mosaics in rooms 1 and 4
                    or, on the contrary, had already dug up a large part of the site leaving little
                    new to uncover; and, in general, that one should approach any project in Licenza
                    with a careful, scientific methodology. A few months later, Borsari wrote again
                    stating that work could not begin for lack of funds, and also noting that the
                    project should not be limited to the Vigne di San Pietro site but should include
                    other features of interest in the general area of Roccagiovine and Licenza (<ptr
                        target="div4_c13.1.9.13" type="txt" n="G.1.9.12"/>). </p>
                <p id="p_145" n="145">The attitude of the ministry and USRLA shifted under new
                    leadership. Corrado Ricci was appointed in 1906 to serve as Director of ABA in
                    the ministry.<ptr n="133" target="nt_c08.3.n133"/> Angelo Pasqui was named the
                    Director of USRLA in 1908. Ricci (b. Ravenna, 1858-d. Rome, 1934) came to his
                    position after a distinguished career as Superintendent of Monuments in Ravenna,
                    Director of the Brera, and Director of the Galleries of Florence.<ptr n="134"
                        target="nt_c08.3.n134"/> Pasqui (b. Arezzo, 1857-d. Rome, 1915) was a
                    prolific scholar, specializing in the archaeology and topography of Italy from
                    Campania to Etruria. He worked with Gamurrini and Cozza on the creation of the
                        <hi1 rend="italic">Carta archeologica dell’Italia</hi1> and the related <hi1
                        rend="italic">Forma Italiae</hi1> monograph series, and later with Felice
                    Barnabei in the creation and organization of the Villa Giulia Museum. Among his
                    many excavations was that of the Ara Pacis in 1903.<ptr n="135"
                        target="nt_c08.3.n135"/>
                </p>
                <p id="p_146" n="146">Ricci took Ussani’s article of September 24, 1908 very
                    seriously (<ptr target="div4_c13.1.9.14" type="txt" n="G.1.9.13"/>, <ptr
                        target="div4_c13.1.9.15" type="txt" n="G.1.9.14"/>). We have his copy of the
                    article in the files of MPI, and it is annotated, in Ricci’s hand, as follows:
                    “For Horace’s Villa from Prof. Vincenzo Ussani of the University of Messina,
                    known for his perceptive and loving studies of the Latin poets...”. On October
                    10, 1908, Ricci wrote to Pasqui, asking for a report estimating the cost of an
                    excavation of the property in the Vigne di San Pietro (<ptr
                        target="div4_c13.1.9.15" type="txt" n="G.1.9.14"/>). By July 28, 1909, Ricci
                    still had not received an answer, and at this point a member of Parliament,
                    Giulio Venzi, intervened to ask what, if anything, was happening in relation to
                    the excavations of Horace’s Villa (<ptr target="div4_c13.1.9.16" type="txt"
                        n="G.1.9.15"/>, which contains Ricci’s reply to Venzi’s lost letter). Ricci
                    wrote to Pasqui the next day, asking him to send the report requested the
                    previous October as soon as possible (<ptr target="div4_c13.1.9.17" type="txt"
                        n="G.1.9.16"/>). Pasqui finally sent Ricci a letter on the subject on
                    September 3, 1909 (<ptr target="div4_c13.1.9.18" type="txt" n="G.1.9.17"/>). He
                    began by stating that he visited the site and studied the scholarship about it.
                    The area where the villa might be located was not very big, and hence “the
                    excavation is not very expensive, and one can estimate the sum of Lire
                    3,500...”. He then states that the area in question was owned by various
                    individuals, including the heirs of Vincenzo Onorati, Emilio Caponetti, Rocco
                    Foschi, Maria Assunta Foschi (the wife of Domenico Ricciotti), and Antonio
                    Angeletti; and he produced a map showing the area in question (<hi1 rend="bold"
                        >fig. 17</hi1>). Pasqui proposed not to expropriate the land, but simply to
                    rent it and compensate the owners for their loss of agricultural production.
                    Ricci replied a few days later in a letter approving the excavation and
                    expenditure of Lire 3,500, with the stipulation that the funds should come out
                    of the budget of the USRLA (<ptr target="div4_c13.19.19." type="txt"
                        n="G.1.9.18"/>). But at the end of November, Ricci was forced to hold up
                    start of the project for lack of funds (<ptr target="div4_c13.1.9.21" type="txt"
                        n="G.1.9.20"/>), postponing it “for a more opportune time”—practically the
                    same reply that MPI had given to the Town Council of Licenza after the passage
                    of its resolution of 1896 calling upon the ministry to undertake the excavation
                    of the site in the Vigne di San Pietro. <figure entity="heb90044.0017"
                        id="fg_heb90044.0017" type="ic">
                        <head>
                            <bibl type="figno">Figure 17</bibl>
                            <bibl type="figcap">Pasqui's sketch of the approximate location of the
                                villa with respect to the cadastral land parcels, ca. 1911.</bibl>
                        </head>
                    </figure></p>
                <p id="p_147" n="147">This time, however, the ministry was serious, and on February
                    21, 1910, the minister of MPI approved the use of state funds for the project
                        (<ptr target="div4_c13.19.22." type="txt" n="G.1.9.21"/>). After a series of
                    further delays and preparations, the excavations commenced on May 8, 1911, as
                    Pasqui informed Ricci by letter (<ptr target="div4_c13.1.9.25" type="txt"
                        n="G.1.9.24"/>). </p>
            </div2>
            <div2 type="section" id="div2_c08.4" status="hidden">
                <head>
                    <bibl type="title">B.4. Interventions in the 20th century</bibl>
                </head>
                <div3 type="section" id="div3_c08.4.1">
                    <head>
                        <bibl type="title"> B.4.1. Pasqui’s excavations, 1911-1914</bibl>
                    </head>
                    <p id="p_148" n="148"> The excavations ran from May, 1911<ptr n="136"
                            target="nt_c08.4.n136"/> through October, 1914. Pasqui died on October
                        15, 1915 before he could publish his final report. As noted, the report on
                        Pasqui’s work was published in 1926 by Giuseppe Lugli, who was at that time
                        an inspector in the Superintendency for Rome and the Province of Rome. Lugli
                        was ultimately to rise, in 1929, to be the head of the Superintendency and
                        then, in 1934, to be the Professor of Roman topography at the University of
                        Rome, following in the footsteps of his teacher, Rodolfo Lanciani (see <hi1
                            rend="bold">fig. 25</hi1> for a photograph of Lugli on the site in the
                            1930s).<ptr n="137" target="nt_c08.4.n137"/> These circumstances are
                        unfortunate since, despite Lugli’s indisputable merit as a scholar, they
                        mean that what we have known about Pasqui’s finds has been filtered through
                        a secondary source. Fortunately, some contemporary documentation of Pasqui’s
                        excavations survives and permits us to follow their progress at each major
                        phase and to reconstruct, at least in general terms, how he understood the
                        main features that he had uncovered. The most important pieces of this
                        documentation have been listed in the catalogue (<ptr target="div2_c13.0"
                            n="G"/>) and include these classes of material: <table border="0">
                            <row>
                                <cell>1.9.14-1.9.24:</cell>
                                <cell>official documents dating to the period October 10, 1908 to
                                    April 29, 1911 in the files of ABA and USRLA prior to the
                                    commencement of the excavations in May, 1911. These mainly
                                    concern legal and financial matters. </cell>
                            </row>
                            <row>
                                <cell>1.10: </cell>
                                <cell>official correspondence between Corrado Ricci and Angelo
                                    Pasqui dating to the period May 22, 1911 to October 23, 1914 in
                                    the files of ABA and USRLA during the excavations. These mainly
                                    concern legal and financial matters. </cell>
                            </row>
                            <row>
                                <cell>1.11:</cell>
                                <cell>Pasqui’s private correspondence in the period of the
                                    excavations. Very little of this has been found. The Pasqui
                                    family of Arezzo and San Sepolcro reports that they are not in
                                    possession of any private papers of Angelo Pasqui. </cell>
                            </row>
                            <row>
                                <cell>1.12:</cell>
                                <cell>the surviving documents illustrating the operational aspects
                                    of the excavations. These include letters to and from Angelo
                                    Pasqui; Nicola De Rossi (b. July 26, 1869; d. June 27, 1951; for
                                    his portrait, see <hi1 rend="bold">fig. 18</hi1>), the foreman
                                    of the workers in Licenza; Giuseppe Verduchi, a restorer in
                                    Pasqui’s office assigned to Licenza as supervisor of the
                                    fieldwork and restorer of the finds; G. Rufini, the Mayor of
                                    Licenza; and others directly involved in the fieldwork. These
                                    letters covered the period January 21, 1912 to November 25,
                                    1913. This part of the catalogue (G) also contains the surviving
                                    portion of the <hi1 rend="italic">Giornale di Scavo</hi1> kept
                                    by Nicola De Rossi. The surviving pages cover some, but not all,
                                    of the period March 26, 1912 to November 30, 1916, viz.: <table>
                                        <row>
                                            <cell>&nbsp;&nbsp;&nbsp;</cell>
                                            <cell>March 26, 1912 to July 30, 1912</cell>
                                        </row>
                                        <row>
                                            <cell>&nbsp;&nbsp;&nbsp;</cell>
                                            <cell>May 1, 1913 to June 25, 1913</cell>
                                        </row>
                                        <row>
                                            <cell>&nbsp;&nbsp;&nbsp;</cell>
                                            <cell>July 4, 1915 to August 30, 1915 (random surface
                                                finds)</cell>
                                        </row>
                                        <row>
                                            <cell>&nbsp;&nbsp;&nbsp;</cell>
                                            <cell>November 1916 (random surface finds). </cell>
                                        </row>
                                    </table> De Rossi was a local resident with no archaeological
                                    training. His fieldnotes are better than nothing but leave much
                                    to be desired. In addition to serving as an official
                                    aide-mémoire of the fieldwork, the <hi1 rend="italic"
                                    >Giornale</hi1> also served as a record of the provenance of
                                    small finds. These were additionally cross-referenced in two
                                    catalogues, one organized by class of material, the other by
                                    property owner. These survive intact, and excerpts are included
                                    in this part of the catalogue. </cell>
                            </row>
                            <row>
                                <cell>1.13:</cell>
                                <cell>early published accounts of Pasqui’s excavations in the
                                    popular press, as well as Pasqui’s own report in the <hi1
                                        rend="italic">Bollettino d’Arte</hi1>. As will be seen,
                                    these accounts give us a fairly consistent view of how Pasqui
                                    interpreted his finds. </cell>
                            </row>
                            <row>
                                <cell>2.4:</cell>
                                <cell>graphic documentation of Pasqui’s excavations, including
                                    plans, sections, elevations and sketches. This collection is
                                    housed in the archive of the Archaeological Superintendency of
                                    Rome in Palazzo Altemps (AS Pal. Altemps, b. 18 fasc. 10). It
                                    ought to be in the archive of the Archaeological Superintendency
                                    for Lazio. Evidently, a mistake was made in the division of the
                                    unified archive of the superintendencies when they were
                                    administratively separated in 1970. The existence of this
                                    dossier was not known prior to its discovery in 2000 by Dr.
                                    Klaus Werner, who thought that the source was Rodolfo Lanciani.
                                    Closer study by the present author proved that the source was
                                    Pasqui and his staff at Licenza. Much of the work was done by
                                    Edoardo Gatti, a surveyor in USRLA assigned to “Horace’s
                                Villa.”</cell>
                            </row>
                            <row>
                                <cell>2.5:</cell>
                                <cell>the photographic documentation of Pasqui’s excavations, which
                                    is in the archive of the Archaeological Superintendency for
                                    Lazio. Unfortunately, no photographic documentation was made of
                                    the site prior to excavation, nor was the documentation taken on
                                    any regular basis during the fieldwork. Most of the shots show
                                    the site as it appeared when work ceased in October of 1914 and
                                    may date to late 1914 or 1915.</cell>
                            </row>
                            </table>
                        <figure entity="heb90044.0018" id="fg_heb90044.0018" type="ic">
                            <head>
                                <bibl type="figno">Figure 18</bibl>
                                <bibl type="figcap">Photograph of Nicola De Rossi from his tomb in Licenza.</bibl>
                            </head>
                        </figure></p>
                    <p id="p_149" n="149">For the purposes of this report, a full study of Pasqui’s
                        excavations of “Horace’s Villa” is neither necessary nor desirable; it is
                        reserved for treatment elsewhere. In what follows, we focus instead on some
                        matters of immediate concern to the understanding of the site, including: <table>
                            <row>
                                <cell>1. </cell>
                                <cell>Pasqui’s methods and main archaeological finds </cell>
                            </row>
                            <row>
                                <cell>2. </cell>
                                <cell>The extent to which unpublished information survives
                                    permitting us to supplement or correct the record of Pasqui’s
                                    excavation as reported in Lugli 1926 </cell>
                            </row>
                            <row>
                                <cell>3. </cell>
                                <cell>The constraints of time and space that limited Pasqui’s
                                    excavation and which, after his death, had a strong influence on
                                    later scholars’ interpretation of the site </cell>
                            </row>
                            <row>
                                <cell>4. </cell>
                                <cell>The nature, extent and legibility of Pasqui’s restorations on
                                    the site</cell>
                            </row>
                            <row>
                                <cell>5. </cell>
                                <cell>The extent to which Pasqui’s interpretation of the site
                                    corresponds with that found in Lugli 1926</cell>
                            </row>
                        </table></p>
                    <p id="p_150" n="150">By the end of Pasqui’s excavations in October 1914, a
                        number of features had emerged that can be seen on the plan drawn by E.
                        Gatti, Pasqui’s surveyor (see <hi1 rend="bold">fig. 19</hi1>). From the
                        plan, it is clear that Pasqui had uncovered the features now visible on the
                        site with the exception of Areas 35, 37, 38, 40, 50 and 55, which were
                        uncovered later in the twentieth century, as we will see. <figure entity="heb90044.0019"
                            id="fg_heb90044.0019" type="ic">
                            <head>
                                <bibl type="figno">Figure 19</bibl>
                                <bibl type="figcap">Plan showing the state of the site at the end of Pasqui's excavations (E. Gatti in Lugli 1926).</bibl>
                            </head>
                        </figure></p>
                    <p id="p_151" n="151">As for method, Pasqui used the approach of “wall-chasing”
                        and <hi1 rend="italic">sterro</hi1> (“digging out”) so typical of his period
                        in Italy and elsewhere. The excavations started at two known points:
                        structure 53, where some remains could still be seen above the ground; and,
                        a bit later, at rooms 1 and 4, where fragments of mosaic had been shown to
                        tourists and antiquarians for the preceding century and a half. Structures
                        were dated on the basis of building technique, and Pasqui assumed that <hi1
                            rend="italic">opus reticulatum</hi1> implied an Augustan date, whereas
                            <hi1 rend="italic">opus testaceum</hi1> pointed to the period from the
                        Flavians to the Antonines. He had no notion of a stratigraphic excavation
                        and never used materials found in association with foundations or walls to
                        date them. He showed little appreciation for the medieval period, which he
                        dug through and destroyed without leaving a record. Moreover, since he was
                        operating with the preconceived idea that this was Horace’s Villa and the
                        site had been unoccupied before Horace’s time, he did not excavate down to
                        virgin soil, but stopped wherever he found <hi1 rend="italic">opus
                            reticulatum</hi1> because he assumed that this building technique had to
                        date to the Augustan age. All of these assumptions are open to doubt, and
                        the failure to reach virgin soil is inexcusable (although it fortunately
                        spared many ancient levels from Pasqui’s destructive methods). There is the
                        accidental fact—for which Pasqui cannot presumably be blamed—that the
                        documentation survived only in small part and then was scattered to various
                        archives without a composite record facilitating its retrieval. But he can
                        be criticized for the fact that the documentation was not very full or
                        professional, judging from the surviving bits. Photographic documentation is
                        practically nil; drawings are few and poorly marked as to date, author, and
                        subject. Moreover, as Director of the USRLA Pasqui had many duties in Rome
                        and elsewhere. He was only occasionally present on the site, as his
                        correspondence makes clear (cf. the letter to Barnabei in <ptr
                            target="div4_c13.1.1.1" type="txt" n="G.1.11.1"/> and to De Rossi and
                        Verduchi, on which see De Simone, <ptr target="div4_c10.1.2.2" type="txt"
                            n="D.1.2.1"/>), and in his absence the day-to-day work was entrusted to
                        subordinates whose previous records or future careers do not suggest that
                        they were archaeologists of distinction. The actual work of digging and
                        restoration was done by local workers in Licenza, all of whom were farmers,
                        not archaeologists, by trade.<ptr n="138" target="nt_c08.4.n138"/>
                    </p>
                    <p id="p_152" n="152">Pasqui described the site as follows (cf. <ptr
                            target="div4_c13.1.13.3" type="txt" n="G.1.13.3"/>): <q1>
                            <p>…a little work of excavation sufficed to make it apparent that the
                                entire upper part of the small valley hid under a layer of
                                cultivated soil the remains of ancient structures, and it was easy
                                to ascertain immediately that a part of these remains comprised a
                                vast construction made exclusively of <hi1 rend="italic">opus
                                    reticulatum</hi1>, and another part comprised a later
                                construction in <hi1 rend="italic">opus incertum</hi1> revetted by a
                                nice covering of brick…. Moreover, as the systematic excavations
                                proceeded it became clear that the first reticulate structure
                                belonged to a villa…. The other building without doubt belonged to a
                                public bath supplied by pipes with the health-giving waters of the
                                    Digentia.<ptr n="139" target="nt_c08.4.n139"/>
                            </p>
                        </q1></p>
                    <p id="p_153" n="153">Pasqui published no plan with his report, but,
                        fortunately, a plan survives that is consistent with his description. It was
                        published by the journalist Robert Vaucher in May, 1913 and can be used to
                        give precise locations for most of the features Pasqui tried to identify
                        (see <hi1 rend="bold">fig. 20</hi1>). Much of what Pasqui writes in his
                        short report is echoed in the popular accounts by two journalists who
                        interviewed him in 1913: Robert Vaucher in May (<ptr
                            target="div4_c13.1.13.1" type="txt" n="G.1.13.1"/>), and Paolo Giordani
                        in September (<ptr target="div4_c13.1.13.2" type="txt" n="G.1.13.2"/>). <figure entity="heb90044.0020"
                            id="fg_heb90044.0020" type="ic">
                            <head>
                                <bibl type="figno">Figure 20</bibl>
                                <bibl type="figcap">Plan of Pasqui's excavations, May 1913 (R. Vaucher, <hi1 rend="italic">L'Illustation</hi1>, May 17, 1913). 1. Entrée de la villa (détruit par des glissements de terrains). — 2. Le cryptoportique. — 3. Jardin. — 4. Piscine. — 5. Triclinium. — 6. Partie habitée par les maîtres. — 7. Partie réservée aux serviteurs — 8. Caldarium. — 9. Égouts. —10. Conduite emmenant l'eau de la piscine. — 11. Collecteur des eaux. — 12. Bains vespasiens. — 13. Frigidarium. — Porte de l'église constriute sur le frigidarium. — 15. Crypte creusée dans la piscine. — 16. Terrains restant à fouiller.</bibl>
                            </head>
                        </figure></p>
                    <p id="p_154" n="154">Pasqui described the structure he considered the villa as
                        consisting of a garden, rectangular in plan and 34 m wide x 76 m long,
                        enclosed by a “cryptoporticus”. The entrance (no. 1 on <hi1 rend="bold">fig.
                            20</hi1>) was on the short, south side of the “cryptoporticus” (cf. no.
                        2 on <hi1 rend="bold">fig. 20</hi1>). In the middle of the garden was a
                        pool, rectangular in shape and 22 m long, 11 m wide, and two meters deep
                        (no. 4 on <hi1 rend="bold">fig. 20</hi1>). Five steps led up to the
                        residence from the two arms of the “cryptoporticus” on the east and west
                        long sides. A corridor ran along the façade of the residence, in the middle
                        of which was a third staircase leading down to the garden proper. The garden
                        façade of the “cryptoporticus” was formed of pillars and panels decorated
                        with precious marbles, including <hi1 rend="italic">rosso antico</hi1> and
                            <hi1 rend="italic">giallo antico</hi1>. The interior of the
                        “cryptoporticus” was decorated with frescoes. The exterior wall of the
                        “cryptoporticus” continued along the residence and then made a 90-degree
                        turn along the back of the residence. Hence, in plan, the villa was a large
                        rectangle, 41 m wide x 108 m long. In the residence, the rooms on the east
                        were paved with fine mosaics, indicating that they were for the masters (no.
                        6 on <hi1 rend="bold">fig. 20</hi1>), whereas those on the west had a more
                        utilitarian floor in brick, implying that they were used by the slaves (<hi1
                            rend="bold">fig. 20</hi1>, no. 7). Pasqui dated the villa to the
                        Augustan age and attributed it to Horace.<ptr n="140" target="nt_c08.4.n140"
                        />
                    </p>
                    <p id="p_155" n="155">In contrast, Pasqui compared the bath complex to the
                        structures visible at Hadrian’s Villa and dated it to the Trajanic period.
                        He also posited an earlier, Flavian phase at a “much lower level and
                        decorated with stuccoes and frescoes. This structure, ca. 3 meters lower,
                        was leveled and its large rooms served, without further modification, as the
                        room for the personnel in charge of the bath.”<ptr n="141"
                            target="nt_c08.4.n141"/> On <hi1 rend="bold">fig. 20</hi1>, this is the
                        area of no. 12, which corresponds to room 33 on our plan of the site. Pasqui
                        described the bath as having the canonical <hi1 rend="italic"
                        >apodyterium</hi1>, <hi1 rend="italic">calidarium</hi1>, and <hi1
                            rend="italic">frigidarium</hi1>. The windows of the rooms were closed
                        with glass, of which large fragments were found in the drains. Study of the
                        fragments showed that they all measured 40 cm x 30 cm with a thickness
                        varying from 2 to 6 mm. Number 8 on <hi1 rend="bold">fig. 20</hi1> is the
                        apsidal <hi1 rend="italic">calidarium</hi1> with a <hi1 rend="italic"
                            >suspensura</hi1> floor. Painted fresco fragments, decorated with
                        patterns and figures, were found here. Pasqui interpreted room 53 on our
                        plan (=no. 13 on <hi1 rend="bold">fig. 20</hi1>) as the <hi1 rend="italic"
                            >frigidarium</hi1> of the bath. At the center of it was a swimming pool
                        (cf. <ptr target="div4_c13.1.13.2" type="txt" n="G.1.13.2"/>). Here, in the
                        Middle Ages, was built a small church, whose doorway was made of <hi1
                            rend="italic">spolia</hi1> of the ancient building. It stood on a
                        roadway leading from <hi1 rend="italic">Varia</hi1> to the <hi1
                            rend="italic">fanum Vacunae</hi1>. Inside the church, which (as de
                        Chaupy had suggested) was perhaps called San Pietro, many burials were
                            found.<ptr n="142" target="nt_c08.4.n142"/>
                    </p>
                    <p id="p_156" n="156">From his brief report, we can see that Pasqui believed
                        that the site consisted of a residence and a separate bath building
                        stretching from our Area 53 to 32/33 and including room 21 and possibly the
                        adjacent rooms 19 and 20. Since 19, 20, and 21 are part of the residence, it
                        is not entirely clear how Pasqui could write about the alleged public bath
                        that it “did not communicate in any point with the villa itself.”<ptr
                            n="143" target="nt_c08.4.n143"/> As for what Pasqui called “the villa
                        proper,” he appears to have formed the idea that the residential structure
                        on the site had the shape of a regular rectangle, as can be seen in the
                        interview dated May 11, 1913, which was published in a popular magazine by
                        Robert Vaucher (<ptr target="div4_c13.1.13.1" type="txt" n="G.1.13.1"/>) and
                        later in Pasqui’s own brief report on the excavations (<ptr
                            target="div4_c13.1.13.3" type="txt" n="G.1.13.3"/>). As the work
                        proceeded, features were placed within this preconceived plan, and where the
                        actual remains failed to materialize, they were hypothetically indicated by
                        a broken line, as can clearly be seen with a large tract of the expected,
                        but missing, northern closure wall (cf. <hi1 rend="bold">fig. 21</hi1>). A
                        photograph taken in 1912 or 1913 shows that the presence of a tree, which
                        could apparently not be removed for budgetary reasons, hindered work in this
                        area (cf. <hi1 rend="bold">fig. 24</hi1>). <figure entity="heb90044.0021"
                            id="fg_heb90044.0021" type="ic">
                            <head>
                                <bibl type="figno">Figure 21</bibl>
                                <bibl type="figcap">Plan of Pasqui's excavations, ca. 1912-13, showing reburied structure made of bricks in Area 6 (Archive of the Archaeological Superintendency for Rome, Palazzo Altemps).</bibl>
                            </head>
                        </figure>
                        <figure entity="heb90044.0024"
                            id="fg_heb90044.0024" type="ic">
                            <head>
                                <bibl type="figno">Figure 24</bibl>
                                <bibl type="figcap">Photograph taken in 1912/13 during work at Horace's Villa. Arrow indicates tree in Area 8 (source: Archive SAL, E 730).</bibl>
                            </head>
                        </figure>
                    </p>
                    <p id="p_157" n="157">By the time Gatti’s plan was published in Lugli 1926—by
                        far the most important twentieth-century publication on “Horace’s Villa”—the
                        hypothetical features were no longer indicated by a broken line but by a
                        solid line, and the fact that they were mere hypotheses was quickly
                        forgotten, especially since, as De Simone makes clear (<ptr
                            target="div3_c10.1.1" type="txt" n="D.1"/>), the missing features were
                        built by the modern restorer, Giuseppe Verduchi. </p>
                    <p id="p_158" n="158">Gatti’s plan exerted a strong, and therefore misleading,
                        influence on scholars, including on Lugli himself. It is important to
                        recognize that the plan not only mixes hypothetical with actual features
                        indiscriminately; but it also does not include all the features uncovered by
                        Pasqui. Evidence of this comes from the graphic documentation collected in
                            <ptr target="div3_c13.2.4" type="txt" n="G.2.4"/>. One sheet shows a
                        rectangular feature made of bricks in the northwest corner of room 6 (<hi1
                            rend="bold">fig. 21</hi1>). It is annotated “reinterrato” (“reburied”),
                        and, indeed, this feature cannot be seen on the surface of the site today.
                        Other features are found in rooms 11 and 12 (see <hi1 rend="bold">figs.
                        22</hi1>, <hi1 rend="bold">23</hi1>). To verify the accuracy and reliability
                        of these documents, we excavated room 12 in 2001 and found that the features
                        recorded on the document of <hi1 rend="bold">fig. 22</hi1> are indeed still
                        to be found <hi1 rend="italic">in situ</hi1> (see De Simone, <ptr
                            target="div3_c09.2.1" type="txt" n="C.2.1"/>). Future investigators will
                        want to see if the walls reburied in room 6 are still to be found. <figure entity="heb90044.0022"
                            id="fg_heb90044.0022" type="ic">
                            <head>
                                <bibl type="figno">Figure 22</bibl>
                                <bibl type="figcap">Plan of remains found in rooms 10, 11, 12 (Archive of the Archaeological Superintendency for Rome, Palazzo Altemps).</bibl>
                            </head>
                        </figure>
                        <figure entity="heb90044.0023"
                            id="fg_heb90044.0023" type="ic">
                            <head>
                                <bibl type="figno">Figure 23</bibl>
                                <bibl type="figcap">Section through points C-D on fig. 22 (Archive of the Archaeological Superintendency for Rome, Palazzo Altemps).</bibl>
                            </head>
                        </figure></p>
                    <p id="p_159" n="159">We know that Ricci summarily ordered Pasqui to cease the
                        excavations on October 1, 1914 (<ptr target="div4_c13.1.10.9" type="txt"
                            n="G.1.10.9"/>). On October 23, Pasqui responded with a letter reviewing
                        the history of the project in bold strokes, reiterating his recommendation
                        that the land be expropriated by the State from the property owners, and
                        stating that “the entire plan of the building, which was preserved with its
                        walls to a height of 60 cm. on average, has been uncovered” (<ptr
                            target="div4_c13.1.10.10" type="txt" n="G.1.10.10"/>). Whether Pasqui
                        really believed this, or whether he was exaggerating, is unclear. What is
                        certain is that in following Ricci’s orders to prepare the site for the
                        public, Pasqui simplified the archaeological record by reburying some
                        features he had found in the residence and by inventing out of whole cloth
                        others that never existed (for details, see De Simone <ptr
                            target="div4_c10.1.2.1" type="txt" n="D.1.2"/>). </p>
                </div3>
                <div3 type="section" id="div3_c08.4.2">
                    <head>
                        <bibl type="title">B.4.2. Lugli’s 1926 account of the Pasqui
                        excavations</bibl>
                    </head>
                    <p id="p_160" n="160"> At this point, we should contrast what Pasqui actually
                        found with Lugli’s lengthy report of 1926, which was published in the
                        prestigious <hi1 rend="italic">Monumenti Antichi</hi1> series of the
                        Accademia dei Lincei. From the outset, it should be recognized that Lugli
                        was laboring under two disadvantages: he had not participated in Pasqui’s
                        excavation but had only been present for a short time during the latter part
                        of it,<ptr n="144" target="nt_c08.4.n144"/> and he did not have access to
                        all the documentation still to be found in the archives of the
                        Archaeological Superintendency and of ABA.<ptr n="145"
                            target="nt_c08.4.n145"/> These disadvantages meant that Lugli had no
                        idea of how some features had been reburied and how others had been heavily
                        and, at times, fancifully restored—something that would have been clear to
                        him only if he had been able to read Pasqui’s correspondence with De Rossi
                        and Verduchi (see De Simone, <ptr target="div4_c10.1.2.2" type="txt"
                            n="D.1.2.1"/>). Indeed, near the beginning of his report, Lugli stressed
                        how reliable were the restorations that Pasqui had commissioned, writing
                        “some have reproved Prof. Pasqui for having restored a bit too heavily the
                        ruined walls and for having brought them all to the same level. But this was
                        the only way to preserving these remains, without doubt worthy of respect,
                        from bad weather and animals which even today get onto the site for lack of
                        a fence, owing to the delay in expropriating the land. It is, however, easy
                        to distinguish the genuine wall from the restored wall—and practically
                        everything with the same ancient material—because the new material has been
                        set back by a few centimeters and has a rougher surface. Only several
                        doorways have not been well considered, but this is a small thing in
                        comparison with the notable merit earned by Pasqui in his excavation.”<ptr
                            n="146" target="nt_c08.4.n146"/>
                    </p>
                    <p id="p_161" n="161">Balancing the disadvantages was the great advantage that
                        Lugli had over Pasqui: time. He wrote over ten years after the cessation of
                        excavation and so could reflect on the finds for a long time before writing
                        about them; moreover, in writing up his ideas, he could take as long as he
                        needed to give a very detailed and fine-grained analysis. He was also able
                        to interview Nicola De Rossi, the head of Pasqui’s work crew and, after the
                        end of digging, the guard on the site.<ptr n="147" target="nt_c08.4.n147"/></p>
                    <p id="p_162" n="162">On the basic interpretation of the site, Lugli agreed with
                        Pasqui on some points but disagreed on others. He accepted Pasqui’s view
                        that the residence and quadriporticus constituted the earliest phase of
                        construction on the site, and Lugli, too, dated this phase to the Augustan
                            age.<ptr n="148" target="nt_c08.4.n148"/> He, too, thought that the site
                        had three major phases—Augustan, second century A.D., and medieval. He
                        accepted Pasqui’s claim that the entrance to the villa was through a doorway
                        in the middle of the southern arm of the quadriporticus (Area 54 on our
                            plan).<ptr n="149" target="nt_c08.4.n149"/> He disagreed with Pasqui
                        about the nature of the bath complex: for Lugli, it was an integral part of
                        the villa and hence private. It was not a public structure that happened to
                        be built next to a private residence, as Pasqui had thought. Much of the
                        bath complex Lugli dated to the mid-second century A.D., at which time he
                        speculated that the property, in imperial hands since Horace died after
                        having bequeathed the villa to Augustus, was sold by the imperial <hi1
                            rend="italic">fiscus</hi1>.<ptr n="150" target="nt_c08.4.n150"/> This
                        dating was slightly later than Pasqui’s, which, as we have seen, was to the
                        Trajanic period. Like Pasqui, Lugli accepted the old thesis that the
                        property was eventually given to the church of Saints Peter and Marcellinus
                        in Rome, and that a monastery was constructed here in structure 53 in the
                        Middle Ages.<ptr n="151" target="nt_c08.4.n151"/>
                    </p>
                    <p id="p_163" n="163">But, as noted, Lugli was able to go far beyond Pasqui in
                        his analysis of the site. Since Pasqui’s finds were mainly communicated by
                        Lugli, a summary of Lugli’s views is necessary here. Lugli hypothesized that
                        some new features were later added to this original core in a second phase,
                        including the fountain in courtyard 8, which he thought was contemporaneous
                        with the bath complex in Areas 32-53.<ptr n="152" target="nt_c08.4.n152"/>
                        In a third phase, rooms 16 and 17 were damaged; they had originally
                        comprised the <hi1 rend="italic">tablinum</hi1> and <hi1 rend="italic"
                        >alae</hi1> of the residence.<ptr n="153" target="nt_c08.4.n153"/> Opposite
                        them was the summer <hi1 rend="italic">triclinium</hi1> (7) and the winter
                            <hi1 rend="italic">triclinium</hi1> (6). The <hi1 rend="italic"
                        >atrium</hi1> was located in room 12. Rooms 1, 4, 11, 14 and 15 were <hi1
                            rend="italic">cubicula</hi1>. Traces of red plaster were still <hi1
                            rend="italic">in situ</hi1> in room 4 and the northern end of corridor
                            23.<ptr n="154" target="nt_c08.4.n154"/> According to Lugli, the rest of
                        the fresco fragments were found scattered over the site and had no specific
                            provenance.<ptr n="155" target="nt_c08.4.n155"/> On the other hand, as
                        mentioned above, Pasqui had noted that a great many fresco fragments came
                        from room 33. </p>
                    <p id="p_164" n="164">Lugli paid special attention to features of the villa that
                        Pasqui did not have an opportunity to address. The mosaics in the villa,
                        which he considered to reflect especially fine craftsmanship, came in for
                        extended treatment. Several (especially the one in room 1) he dated to the
                        Augustan period.<ptr n="156" target="nt_c08.4.n156"/> Others (especially
                        those in rooms 11 and 16) he thought were later. The mosaic of 16 he even
                        dated to the medieval period of the hypothetical monastery of Saint
                            Peter.<ptr n="157" target="nt_c08.4.n157"/> At various points in his
                        report, Lugli returns to the matter of water supply and drainage, laying a
                        valuable foundation for future work.<ptr n="158" target="nt_c08.4.n158"/>
                        Water from the <hi1 rend="italic">impluvium</hi1> in 12 went by pipe to the
                        main drain of the villa (see De Simone <ptr target="div4_c10.1.3.7"
                            type="txt" n="D.1.3.6"/>), as did the outflow from the fountain the
                        middle of courtyard 8. The main drain also received the runoff from the
                        baths. </p>
                    <p id="p_165" n="165">Lugli agreed with Pasqui that structure 33 had two phases,
                        but he dated 33 and 34 (which he considered a pool [34] and <hi1
                            rend="italic">frigidarium</hi1> [33]) to the Augustan, not Flavian,
                            period.<ptr n="159" target="nt_c08.4.n159"/> As mentioned, he considered
                        the rest of the bath complex to date to the mid-second century A.D. Like
                        Pasqui, he thought that 33 was remodeled in this second phase, being
                        transformed into a <hi1 rend="italic">calidarium</hi1>.<ptr n="160"
                            target="nt_c08.4.n160"/> Contemporary with this change was a
                        modification of rooms 19, 20 and 21. According to Lugli, we do not know the
                        original function of this area, but in the second phase they became
                        additional hot rooms. The portico (35) was also built to adorn the baths, as
                        were rooms 38-53. Here, too, there were hot rooms (43-49).<ptr n="161"
                            target="nt_c08.4.n161"/> Pasqui had not excavated rooms 38-41, so Lugli
                        was not able to discuss them. He did, however, spend a great deal of space
                        on room 53, which Pasqui had identified as the <hi1 rend="italic"
                            >frigidarium</hi1>. Lugli considered it “the most interesting of this
                            period.”<ptr n="162" target="nt_c08.4.n162"/> Noting that the form of
                        the structure might suggest that it was a nymphaeum, Lugli went on to
                        propose that it was a <hi1 rend="italic">vivarium</hi1>, or an artificial
                        construction for raising fish, although he grants that it might originally
                        have been built as a nymphaeum or fountain. Lugli speculated that from the
                        upper windows visitors to the villa could look down on “the spectacle of
                        fish darting about between jets of water.”<ptr n="163"
                            target="nt_c08.4.n163"/>
                    </p>
                    <p id="p_166" n="166">In the third and final phase, which Lugli characterized
                        vaguely as “medieval,” without assigning even an approximate date (as had
                            Pasqui),<ptr n="164" target="nt_c08.4.n164"/> the main changes were the
                        conversion of structure 53 into a church with a crypt on the lower level
                        where monks were buried; the construction of bedrooms and living quarters
                        for the monks in the area of 33-52; and the reuse of the quadriporticus as
                        the cloister of the monastery. </p>
                    <p id="p_167" n="167">For all his virtues, Lugli can be criticized for missing
                        some precious information in the published sources of Pasqui’s excavations.
                        This criticism applies especially to the provenance of various small finds,
                        which Lugli treats at length in columns 565-590. At col. 564, he explains
                        that his treatment is derivative of Pasqui’s detailed catalogues, but he
                        fails to note that those catalogues relate information about provenance that
                        he does not include. Even though Pasqui’s information relates only to the
                        parcels of land on which the objects were found, and not to the exact
                        position and depth at which they were found, it is still useful since the
                        parcels of land correspond so well to the main parts of the villa
                        (residence, quadriporticus-garden, baths). It is not at all clear why Lugli
                        thought it desirable to omit this information. Moreover, as various reports
                        in this volume make clear (cf. Buttrey, <ptr target="div4_c10.11.1.1"
                            type="txt" n="D.11"/>; Filippi, <ptr target="div3_c10.4.1" type="txt"
                            n="D.4"/>; Werner, <ptr target="div3_c10.8.1" type="txt" n="D.8"/>),
                        Lugli made various errors in transcribing the manuscripts of Pasqui’s
                        catalogues. Finally, Lugli did not make any progress beyond Pasqui’s simple
                        listing of objects in a catalogue that was created mainly with the
                        administrative goal of reimbursing the landowners for the finds from their
                        properties. There is no attempt to date, analyze or interpret the objects,
                        only a few of which are illustrated with photographs. </p>
                </div3>
                <div3 type="section" id="div3_c08.4.3">
                    <head>
                        <bibl type="title">B.4.3. Condition of the site in the 1920s</bibl>
                    </head>
                    <p id="p_168" n="168"> The only documentation about the site from the 1920s that
                        survives in the archives of the Archaeological Superintendency concerns
                        rental of the land on which the ruins stood and of the rooms in the Palazzo
                        Orsini where the finds were stored. Twenty photographs of the site were
                        published by Lugli in his 1926 monograph (<ptr target="div4_c13.2.8.2"
                            type="txt" n="G.2.8.2"/>); several others, taken by Thomas Ashby in
                        1927, are in the photographic collection of the British School in Rome (<ptr
                            target="div4_c13.2.8.3" type="txt" n="G.2.8.3"/>). </p>
                    <p id="p_169" n="169">From the photographs, we can see that some work must have
                        continued on the site after Pasqui was ordered to close the excavations in
                        October, 1914. In a photograph in the Gabinetto Fotografico Nazionale (<ptr
                            target="div4_c13.2.7.4" type="txt" n="G.2.7.3"/> [undated, but ca.
                        1915?]), and in two others published by Lugli (<ptr target="p_c13.2.8.2.3"
                            type="txt" n="G.2.8.2.3"/>) and taken by Ashby (<ptr
                            target="p_c13.2.8.3.2" type="txt" n="G.2.8.3.1"/>), we can see that the
                        fountain in Area 8 has been reconstructed, although the tree blocking work
                        just to the north of the fountain is still seen standing (<hi1 rend="bold"
                            >fig. 24</hi1>). From Lugli (<ptr target="p_c13.2.8.212" type="txt"
                            n="G.2.8.2.12"/>) we can see that the zone from 25 to the residence had
                        not yet been replanted (see Gleason, <ptr target="div4_c09.3.2.3" type="txt"
                            n="C.3.2.2"/> on the tree planting here in the 1950s). </p>
                </div3>
                <div3 type="section" id="div3_c08.4.4">
                    <head>
                        <bibl type="title">B.4.4. Lugli-Price excavation of 1930-31</bibl>
                    </head>
                    <p id="p_170" n="170">A small excavation was undertaken in 1930-31 by Giuseppe
                        Lugli of the Archaeological Superintendency for Rome and the Province of
                        Rome (for a photograph of Lugli on the site in 1935, see <hi1 rend="bold"
                            >fig. 25</hi1>). The only documentation of it that survives is a short
                        article published by Thomas Drees Price in the <hi1 rend="italic">Memoirs of
                            the American Academy in Rome</hi1>, which was mainly devoted to Price’s
                        reconstruction of the villa (see Gleason, <ptr target="div2_c08.5"
                            type="txt" n="B.5"/>).<ptr n="165" target="nt_c08.4.n165"/> The
                        excavations focused on the eastern branch of the quadriporticus (55) and the
                        pool (25). They were doubtless inspired by Lugli’s comments in his report of
                        1926 about how Pasqui’s incomplete excavation in the eastern branch of the
                        quadriporticus left some matters to be clarified, particularly about
                        circulation through this part of the quadriporticus and about the function
                        of the cross wall at the south end of Area 55.<ptr n="166"
                            target="nt_c08.4.n166"/> Again, the technique of wall-chasing was used
                        (cf. <hi1 rend="bold">fig. 26</hi1>, which shows workers digging a trench
                        behind the eastern wall of 55), documentation was even more sporadic than in
                        Pasqui’s time, and Lugli never published his results. <figure entity="heb90044.0025"
                            id="fg_heb90044.0025" type="ic">
                            <head>
                                <bibl type="figno">Figure 25</bibl>
                                <bibl type="figcap">Lugli's 1935 tour of the Villa of Horace (source: Lugli Family of Rome).</bibl>
                            </head>
                        </figure>
                        <figure entity="heb90044.0026"
                            id="fg_heb90044.0026" type="ic">
                            <head>
                                <bibl type="figno">Figure 26</bibl>
                                <bibl type="figcap">Work in progress in the Lugli excavation of 1930-31 (source: Price Family of Denver, Colorado).</bibl>
                            </head>
                        </figure></p>
                </div3>
                <div3 type="section" id="div3_c08.4.5">
                    <head>
                        <bibl type="title">B.4.5. Restorations of 1930-31</bibl>
                    </head>
                    <p id="p_171" n="171"> Thanks to the generosity of the Vicomte Roger d’Ailhaud
                        de Brisis of Tivoli, we are able to publish some hitherto unknown letters
                        between Lugli and Mrs. George Hallam that concern restorations at the villa
                        in 1930-31 (see <ptr target="div4_c13.1.14.1" type="txt" n="G.1.14"/>). The
                        restorations were sponsored by Mr. and Mrs. Hallam, relatives of Vicomte De
                        Brisis and the owners of the ex-monastery of S. Antonio at Tivoli in the
                        early decades of the last century (see <hi1 rend="bold">fig. 27</hi1>).
                        George Hallam had published several works on the monastery, which he, along
                        with a long tradition of local antiquarians, thought was Horace’s Tiburtine
                        villa. His support of this old identification did not prevent Hallam from
                        also agreeing with Pasqui in attributing the Vigne di S. Pietro site to
                        Horace, and Hallam was indeed a frequent visitor to Licenza, who liked to
                        bring family, friends, and distinguished scholars to see the ruins of what
                        he considered Horace’s “other” villa.<ptr n="167" target="nt_c08.4.n167"/>
                        <figure entity="heb90044.0027" id="fg_heb90044.0027"
                            type="ic">
                            <head>
                                <bibl type="figno">Figure 27</bibl>
                                <bibl type="figcap">Mr. and Mrs. George Hallam at the front door of their home, the Monastery of S. Antonio, Tivoli; no date, but ca. 1930 (courtesy of the De Brises Family of Tivoli).</bibl>
                            </head>
                        </figure></p>
                    <p id="p_172" n="172">Hallam and his wife donated to the Superintendency Lire
                        1000 in 1930 and Lire 500 in 1931. As Lugli’s letters to Mrs. Hallam make
                        clear, the purpose of the gift was to permit the Superintendency to restore
                        walls at the villa as well as to co-sponsor the Lugli-Price excavation (<ptr
                            target="div4_c13.1.14.1" type="txt" n="G.1.14.1"/>). It is not
                        surprising, given George Hallam’s longstanding interest in Horace’s villas,
                        that the Hallams appear to have asked that their gifts be spent on restoring
                        the “Horatian part” of the villa (see <ptr target="div4_c13.1.14.3"
                            type="txt" n="G.1.14.3"/>), i.e., the walls in <hi1 rend="italic">opus
                            reticulatum</hi1> (see <ptr target="div4_c13.1.14.2" type="txt"
                            n="G.1.14.2"/>). The work was done by Nicola De Rossi and his son,
                        Rocco, who was otherwise unemployed (<ptr target="div4_c13.1.14.3"
                            type="txt" n="G.1.14.3"/>, <ptr target="div4_c13.1.14.4" type="txt"
                            n="G.1.14.4"/>). The letters do not indicate exactly which walls needed
                        restoration, but in view of the fact that the Lugli-Price excavation had
                        laid bare extensive new remains in Area 55 that were largely in <hi1
                            rend="italic">opus reticulatum</hi1>, this may well have been the focus
                        of the efforts of Nicola and Rocco De Rossi. </p>
                </div3>
                <div3 type="section" id="div3_c08.4.6">
                    <head>
                        <bibl type="title">B.4.6. World War II</bibl>
                    </head>
                    <p id="p_173" n="173"> During the long years of World War II, the number of the
                        visitors to the site fell to a handful.<ptr n="168" target="nt_c08.4.n168"/>
                        After Italy joined the Allies on October 13, 1944, the German Army occupied
                        central Italy, including Licenza. On March 13, 1944, Rocco De Rossi<ptr
                            n="169" target="nt_c08.4.n169"/> wrote to Salvatore Aurigemma, the
                        Superintendent of the Archaeological Superintendency, that German soldiers
                        had taken possession of the local museum, without removing the objects for
                        safekeeping. He asked Aurigemma to intervene with the German commander in
                        Rome to secure the withdrawal of the soldiers (<ptr target="div4_c13.1.15.1"
                            type="txt" n="G.1.15.1"/>). We have a draft of the reply to De Rossi and
                        the German Commander in Licenza, which Aurigemma wrote on March 24, the day
                        after the Resistance’s attack that killed 33 German soldiers marching
                        through the Via Rasella and the very day of the harsh German response: the
                        massacre of 335 Italian citizens at the Fosse Ardeatine. Not surprisingly,
                        Aurigemma did not think the moment opportune to speak to the German
                        Commander in Rome. Rather, he decided to send to Licenza a staff member
                        named Guglielmo Di Pietro. Di Pietro was to have the responsibility of
                        reporting on the state of the site and of storing objects in the museum
                            (<ptr target="div4_c13.1.15.2" type="txt" n="G.1.15.2"/>). Di Pietro
                        reported on his mission on March 27, writing to Aurigemma that the situation
                        was normal at the site and at the museum. The German commander had acceded
                        to De Rossi’s request to vacate the premises, agreeing with De Rossi that
                        there was no reason for his soldiers to be utilizing the museum. Hence, Di
                        Pietro did not have to see to the packing and storage of the objects in the
                        collection (<ptr target="div4_c13.1.15.3" type="txt" n="G.1.15.3"/>; cf.
                        also <ptr target="div4_c13.1.15.4" type="txt" n="G.1.15.4"/>, De Rossi’s
                        letter to Aurigemma several weeks later, confirming that the museum was
                        still unoccupied by German troops). In the confusion of the German retreat,
                        some soldiers broke all the glass in the guard’s hut on the site, but
                        otherwise German behavior was exemplary, as De Rossi reported to two
                        investigators sent to Licenza later in the year by the victorious Allied
                        army (<ptr target="div4_c13.1.15.6" type="txt" n="G.1.15.6"/>). </p>
                </div3>
                <div3 type="section" id="div3_c08.4.7">
                    <head>
                        <bibl type="title">B.4.7. Activities from 1946-1996</bibl>
                    </head>
                    <p id="p_174" n="174"> By the late 1940s, the Archaeological Superintendency’s
                        main concern with the Licenza site was to bring to a conclusion Pasqui’s
                        project to expropriate the land of the archaeological park, on which the
                        State had been paying rent since 1911 (cf. <ptr target="div4_c13.1.10.10"
                            type="txt" n="G.1.10.10"/>).<ptr n="170" target="nt_c08.4.n170"/>
                        Pasqui’s dream was not to be realized for many decades. In the meantime,
                        conditions on the site were slowly worsening, in part from normal wear and
                        tear, and in part from the absence of a fence protecting the ruins. </p>
                    <p id="p_175" n="175">In 1951, Rocco De Rossi, the son of Nicola and his
                        father’s successor as guard of the archaeological site, wrote to the
                        Superintendent reporting damage to the mosaic in room 1 (<ptr
                            target="div4_c13.1.16.2" type="txt" n="G.1.16.2"/>). The Superintendency
                        applied for funds to repair the damage in 1952, and the work was carried out
                        in 1953 (<ptr target="div4_c13.1.16.3" type="txt" n="G.1.16.3"/>, <ptr
                            target="div4_c13.1.16.4" type="txt" n="G.1.16.4"/>). Apparently, at the
                        same time or a little later, minor damage to the walls on the site was
                        repaired (cf. <ptr target="p_c13.1.16.7.3" type="txt" n="G.1.16.7.2"/>,
                        dated May 11, 1957: “…i muri erano stati restaurati da 3 anni….”). In a
                        series of photographs taken in 1955 by Ernest Nash for the Fototeca Unione,
                        we see chickens grazing contentedly on the site; and we also see the first
                        small signs of damage to the restored walls (cf. <ptr
                            target="div4_c13.2.8.7" type="txt" n="G.2.8.7"/>). For example, in
                        photograph no. 2719, we see <hi1 rend="italic">tesserae</hi1> of <hi1
                            rend="italic">opus reticulatum</hi1> that have fallen off the facing
                        wall and are lying on the ground or atop the walls (<hi1 rend="bold">fig.
                        29</hi1>). In 1956, inspection of the site revealed that the wood covering
                        the mosaics had to be repaired to prevent a recurrence of the problem. The
                        work was carried out the next year (<ptr target="div4_c13.1.16.5" type="txt"
                            n="G.1.16.5"/>, <ptr target="div4_c13.1.16.6" type="txt" n="G.1.16.6"
                            />). <figure entity="heb90044.0029" id="fg_heb90044.0029"
                                type="ic">
                                <head>
                                    <bibl type="figno">Figure 29</bibl>
                                    <bibl type="figcap">Photograph of Area 12 taken in 1955 by Ernest Nash (source: Fototeca Unione, American Academy in Rome, no. 2719). Note loose <hi1 rend="italic">tesserae</hi1> atop walls and degraded state of the topping of the walls.</bibl>
                                </head>
                            </figure></p>
                    <p id="p_176" n="176">At the instance of the Archaeological Superintedency, a
                        training school for the unemployed in the Licenza area was established in
                        1957-58 with funding from the Ministry of Labor. The goal of the school was
                        to provide work to improve the archaeological site, which was described as
                        “being partially in a state of abandonment” and in need of cleaning and
                        reorganization (<ptr target="p_c13.1.16.7.2" type="txt" n="G.1.16.7.1"/>).
                        The walls, too, had recently suffered damage in a severe frost that winter
                            (<ptr target="p_c13.1.16.7.3" type="txt" n="G.1.16.7.2"/>). Adriano La
                        Regina, described as a student of archaeology at the University of Rome, was
                        hired to supervise the work of restoration and, apparently, also to
                        undertake some new excavations (<ptr target="p_c13.1.16.7.6" type="txt"
                            n="G.1.16.7.5"/>). La Regina—later to rise to the prestigious post of
                        Superintendent of the Archaeological Superintendency of Rome—did not publish
                        an account of his fieldwork, and no documents survive in the archive of the
                        Superintendency to throw light on exactly where he dug and what he found. </p>
                    <p id="p_177" n="177">Despite the interventions of 1957-58, conditions on the
                        site continued to deteriorate. In 1964, the Superintendency commissioned a
                        series of photographs (SAL negative nos. 20650-51, 20652-53, 20673-75), “to
                        document the dilapidation of the walls,” as the title of the series of
                        photographs states. A report dated September 10, 1965 called for a series of
                        steps to improve the site, including protecting the site with a fence,
                        rebuilding the guardhouse, and restoring the mosaics (<ptr
                            target="div4_c13.1.16.8" type="txt" n="G.1.16.8"/>). In the same year,
                        there was another photographic campaign (SAL negative nos. 22794-97,
                        28985-28996, 30660-30664). Some of the pictures are aptly labeled “muri
                        fatiscenti” (“dilapidated walls”), others “muri in disfacimento” (“walls in
                        a state of decay”; cf. <hi1 rend="bold">fig. 30</hi1>). Apparently, the
                        recommendations of the report were carried out, and the site was fenced in
                        for the first time. In late October of 1968, the Superintendent, Pietro
                        Griffo, wrote a report calling for an intense campaign of restoration of the
                        walls on the site (<ptr target="div4_c13.1.16.10" type="txt" n="G.1.16.10"
                        />), and the work can be seen being carried out in a series of pictures (SAL
                        negative nos. I.1614-1634). These are entitled “lavori di manutenzione e
                        restauro,” and, though undated, appear to document Griffo’s project, which
                        presumably started in 1969 and continued for one or more years. In the
                        mid-1970s, a short note about the project was published by Maria Santangelo,
                        an employee of the Archaeological Superintendency.<ptr n="171"
                            target="nt_c08.4.n171"/> The photographs confirm the activities reported
                        by Santangelo. She speaks of how “everything brought to light by Pasqui was
                        restored,” including the walls and mosaics, both in the residence and the
                        baths. The mosaics were taken apart and reassembled; missing parts were
                        supplemented with marble chips inserted into concrete. In the photographs,
                        we see workers repairing the buttresses of 36 (<hi1 rend="bold">fig.
                        28</hi1>), restoring the southern area of the baths (photograph I.1614
                            [=<ptr target="p_c13.2.8.8.32" type="txt" n="G.2.8.8.31"/>]), and
                        removing vegetation and humus around the tops of the walls of the pool (25;
                        photographs I.1628-30 [=<ptr target="p_c13.2.8.8.46" type="txt"
                            n="G.2.8.8.45-47"/>]). In others we see the finished work, including the
                        residence, where the mosaics have been protected with sand, and where the
                        walls look repointed and recapped (photograph I.1623 [=<ptr
                            target="p_c13.2.8.8.41" type="txt" n="G.2.8.8.40"/>]). But, despite
                        these efforts and Santangelo’s claims in her published report, funds ran out
                        before the work was completed. In 1975, a British magazine published an
                        article lamenting the sad state of the site and surrounding area. The actor
                        Spike Milligan sent a copy of the article to Giovanni Leone, the President
                        of Italy (<ptr target="div4_c13.1.16.14" type="txt" n="G.1.16.14"/>).
                        Leone’s office then must have contacted the Superintendency, which sent
                        Maria Santangelo, still its inspector for Licenza, to the site. She reported
                        that the work initiated in the 1960s under Superintendent Griffo was never
                        finished and that her annual request for funds to recap the walls had never
                        been favorably received (<ptr target="div4_c13.1.1615" type="txt"
                            n="G.1.16.15"/>). <figure entity="heb90044.0030" id="fg_heb90044.0030" type="ic">
                                <head>
                                    <bibl type="figno">Figure 30</bibl>
                                    <bibl type="figcap">Photograph of dilapidated wall in Area 33 taken in 1960s - 1970s by the Archaeological Superintendency of Lazio (source: Archive SAL, I 1624).</bibl>
                                </head>
                            </figure>
                        
                        <figure entity="heb90044.0028" id="fg_heb90044.0028" type="ic">
                            <head>
                                <bibl type="figno">Figure 28</bibl>
                                <bibl type="figcap">Restorations of Area 36, ca. 1965-1974 (source: Archive SAL, I 1626).</bibl>
                            </head>
                        </figure></p>
                    <p id="p_178" n="178">As for excavation, this is attested only by Santangelo’s
                        vague concluding comment that “in the southern zone and toward the slopes of
                        Lucretilis a new exploration was conducted to the extreme limit of the state
                        property. From these works it has become clear that access to the villa, up
                        to now unknown, was from the south.” </p>
                    <p id="p_179" n="179">If, by the mid-1960s, the state of the archaeological site
                        was less than ideal, the state of the Museo Oraziano in the Palazzo Orsini
                        was positively ruinous, and the competent authorities started campaigning
                        for state funds to remedy the situation (cf. <ptr target="div4_c13.1.16.9"
                            type="txt" n="G.1.16.9"/>, <ptr target="div4_c13.1.16.11" type="txt"
                            n="G.1.16.11"/>, <ptr target="div4_c13.1.16.12" type="txt" n="G.1.16.12"
                        />). In 1977 the Antiquarium in the Palazzo Orsini was restored, as is
                        documented by a series of photographs (photographic archive of the
                        Archaeological Superintendency for Lazio, negative nos. A.77.482-492).<ptr
                            n="172" target="nt_c08.4.n172"/> There is no written record of this
                        work, which, judging from the pictures, seems to have involved repairs to
                        the ceiling and windows. But in the next year, the situation worsened when,
                        in early January, 1978, the Antiquarium was twice burgled. In crimes that
                        have never been solved, numerous coins were stolen (<ptr
                            target="p_c13.1.16.17.1" type="txt" n="G.1.16.17.1"/>, <ptr
                            target="p_c13.1.16.17.2" type="txt" n="G.1.16.17.2"/>, and cf. Buttrey,
                            <ptr target="div4_c10.11.1.1" type="txt" n="D.11"/>) as well as the
                        following items from Lugli’s catalogue: the sculpted fountain mask of a
                        satyr (F1); the female head identified by Lugli as Isis (F2); the statuette
                        of a rabbit with a bunch of grapes (F11); the similar statuette with a
                        rabbit eating a flower or something similiar (F12); and a fragmentary
                        inscription (L2).<ptr n="173" target="nt_c08.4.n173"/> According to the
                        records in the Archaeological Superintendency for Lazio, a small bust of a
                        young male that has no Lugli catalogue number was also stolen. This was the
                        head found in 1958, not in “Horace’s Villa,” but in the locality known as I
                        Sainesi (<ptr target="div4_c13.1.17.3" type="txt" n="G.1.17.3"/>). </p>
                    <p id="p_180" n="180">Lugli F2 was identified by Helga Herdejürgen as a piece
                        sold to a private party on the German art market, in “Kopien und Serien. Ein
                        archaistischer Kopftypus neu befragt,” unpublished manuscript, pp. 4-5. Dr.
                        Herdejürgen kindly gave me a copy of her article and was working on a
                        contribution to this volume about all the sculpture from Licenza in Lugli’s
                        catalogue, when she unexpectedly died. According to Dr. Herdejürgen, Lugli
                        F2 does not represent the goddess Isis but is a copy of an archaistic type,
                        datable to the Roman period and known from nineteen other examples. The
                        version of the type corresponding to the example from Licenza is
                        characterized by a diadem decorated with rosettes, the upper part of which
                        is composed of lotus buds and palmettes. Most of the versions date to the
                        period of Claudius, but Herdejürgen dates the Licenza example to 30 B.C.,
                        influenced undoubtedly by the identification of the villa as Horace’s and by
                        Lugli’s dating of the phase with <hi1 rend="italic">opus reticulatum</hi1>
                        to this period. About our piece, Dr. Herdejürgen wrote: <q1>
                            <p>A copy came to light in 1911 in Horace’s Villa. Stolen in 1978 from
                                the Orsini Palace in Licenza, it reemerged on the Göttingen art
                                market and was published without an indication of its true identity
                                (F. Rumscheid, <hi1 rend="italic">Archäologischer Anzeiger</hi1>
                                1992, 83ff, Abb. 1-6). The provenance that was cited (“purchased by
                                a private collector on Rhodes in about the 1830s”) misled scholars.
                                The posterior of the head is cut away, the side surfaces are lightly
                                finished—a sign that the sculpture may once have stood in front of a
                                wall or a column.<ptr n="174" target="nt_c08.4.n174"/>
                            </p>
                        </q1></p>
                    <p id="p_181" n="181">In 1981 extensive restorations and some excavations were
                        undertaken on the site. In contrast to La Regina’s and Santangelo’s
                        excavations, this time the written and photographic documentation is
                        relatively full, though nothing was ever published (<ptr
                            target="div4_c13.1.16.19" type="txt" n="G.1.16.19"/>). The person in
                        charge was Margherita Bedello, assisted by Adriano D’Offizi. </p>
                    <p id="p_182" n="182">The notes (<ptr target="p_c13_1.16.19.5" type="txt"
                            n="G.1.16.19.4"/>) and the final report (<ptr target="p_c13_1.16.19.6"
                            type="txt" n="G.1.16.19.5"/>) tell us that the work stretched from June
                        5 to 26, 1981 and from October 12 to November 3, 1981. The site was
                        protected with a fence. Bedello found traces of white and red fresco from
                        the wall at the last stair from the residence in Area 55, where she was
                        working (see De Simone, <ptr target="div3_c09.4.6" type="txt" n="C.4.6"/>).
                        She also restored rooms 19 and 20 in the residence. The pool (25) was
                        cleared of weeds and damage to the walls was documented. The western section
                        was restored; on the north, Bedello noted that some of the wall had fallen
                        into the structure, which she documented. On the interior of the walls of 25
                        she noted no evidence of plaster, and this led her to wonder about the use
                        of the structure. </p>
                    <p id="p_183" n="183">Other photographs show additional restorations not
                        mentioned in Bedello’s surviving fieldnotes (photographic archive of SAL,
                        “Licenza. Villa d’Orazio, Scavi 1981,” negative nos. 441-451 “visita
                        preliminare agli scavi” [Febbraio 1981; <ptr target="p_c13.2.8.8.78"
                            type="txt" n="G.2.8.8.77-87"/>]; a-81-656-665, “lavori di restauro e
                        consolidamento di strutture murarie,” [no date; <ptr target="p_c13.2.88.89"
                            type="txt" n="G.2.8.8.88-96"/>]; a-81-676-679, “restauri dei muri
                        disfacenti,” [no date; <ptr target="p_c13.2.8.8.98" type="txt"
                            n="G.2.8.8.97-100"/>]; 2141-2161, “scavi 1981,” [July; <ptr
                            target="p_c13.2.8.8.102" type="txt" n="G.2.8.8.101-121"/>]). The date of
                        the fourth series appears to contradict the written record of Bedello,
                        unless it can be taken as evidence that her fieldnotes are incomplete or
                        partially missing, or else that the photographs are wrongly dated. The first
                        three series simply document the condition of the walls before restoration.
                        The areas photographed are in the general vicinity of 5, 21, 33, 35, 53, and
                        55. The fourth series starts with the area at the bottom of the stairs from
                        the residence into the east corridor of the quadriporticus, where Bedello’s
                        notes record the find of fresco fragments (SAL, negative nos. 2141-2144;
                            <ptr target="p_c13.2.8.8.102" type="txt" n="G.2.8.8.101-104"/>). It
                        continues with some shots of the structure crossing the corridor at the
                        north end of Area 55 (SAL, negative nos. 2145-2146; <ptr
                            target="p_c13.2.8.8.106" type="txt" n="G.2.8.8.105-106"/>), and then
                        with shots showing the results of digging farther south in the same corridor
                        (SAL, negative nos. 2147-2152; <ptr target="p_c13.2.8.8.108" type="txt"
                            n="G.2.8.8.107-112"/>). Finally, there is a series of pictures of work
                        in the area of the pool, particularly (as far as one can make out) around
                        the fallen north wall (structure 25; SAL, negative nos. 2153-2161; <ptr
                            target="p_c13.2.8.8.114" type="txt" n="G.2.8.8.113-121"/>). </p>
                    <p id="p_184" n="184">Another intervention in 1983 of cleaning, restoration, and
                        modest excavation is documented only by photographs (SAL, negative nos.
                        a83-243 to a83-257, dated January 28, 1983 [=<ptr target="p_c13.2.8.8.133"
                            type="txt" n="G.2.8.8.132-146"/>]; a83-275 to a83-281, dated January 24,
                        1983 [=<ptr target="p_c13.2.8.8.148" type="txt" n="G.2.8.8.147-153"/>];
                        a83-408 to a83-410, dated February 22, 1983 [=<ptr target="p_c13.2.8.8.155"
                            type="txt" n="G.2.8.8.154-156"/>]; a83-411 to a83-419, dated February
                        22, 1983 [=<ptr target="p_c13.2.8.8.158" type="txt" n="G.2.8.8.157-165"/>];
                        a83-612 to a83-629, some of which are dated February 28, 1983 [=<ptr
                            target="p_c13.2.8.8.167" type="txt" n="G.2.8.8.166-183"/>]; a83-818 to
                        a83-839, dated April 1, 1983 [=<ptr target="p_c13.2.8.8.185" type="txt"
                            n="G.2.8.8.184-198"/>]). </p>
                    <p id="p_185" n="185">These pictures attest a campaign of cleaning in Areas 35,
                        37-40 (<hi1 rend="bold">fig. 31</hi1>), and 50, with removal of the surface
                        soil to expose the top level of ruins, now visible for the first time on
                        record at the site (SAL, negative nos. a83-243 to a83-257 [=<ptr
                            target="p_c13.2.8.8.133" type="txt" n="G.2.8.8.132-146"/>]). A number of
                        photographs (SAL, negative nos. a83-409 to a83-419 [=<ptr
                            target="p_c13.2.8.8.156" type="txt" n="G.2.8.8.155-165"/>]); a83-1107 to
                        a83-1113 [=<ptr target="p_c13.2.8.8.200" type="txt" n="G.2.8.8.199-205"/>])
                        clearly show the <hi1 rend="italic">fistula</hi1> in Area 50 that was
                        studied more intensively in 1997-1999 (see Camaiani et al., C.5.4, activity
                        34). This was the one, modest excavation undertaken in 1983, as far as can
                        be judged from the photographs. The main effort seems to have gone into
                        capping (or, in the case of the walls uncovered earlier in the century,
                        recapping) the walls exposed in these areas and throughout the bath complex
                        to its southern limit at 53 (cf. SAL, negative nos. a83-612 to a83-620
                            [=<ptr target="p_c13.2.8.8.167" type="txt" n="G.2.8.8.166-174"/>];
                        a83-622 to a83-629 [=<ptr target="p_c13.2.8.8.177" type="txt"
                            n="G.2.8.8.176-183"/>]; a83-818 to a83-839 [=<ptr
                            target="p_c13.2.8.8.185" type="txt" n="G.2.8.8.184-198"/>], which show
                        the walls with cleanly capped tops). <figure entity="heb90044.0031" id="fg_heb90044.0031"
                            type="ic">
                            <head>
                                <bibl type="figno">Figure 31</bibl>
                                <bibl type="figcap">Photograph of cleaning by the Archaeological Superintendency of Lazio in Areas 35, 37-40 in January, 1983 (source: Archive SAL, a-83-245).</bibl>
                            </head>
                        </figure></p>
                    <p id="p_186" n="186">In 1987, a fire swept the area to the southwest of the
                        site, destroying a section of the fence protecting the archaeological park,
                        but otherwise causing no damage to the ruins themselves (<ptr
                            target="p_c13.1.16.20" type="txt" n="G.1.16.20"/>). </p>
                    <p id="p_187" n="187">In the late 1980s, the situation changed dramatically as
                        the authorities began to prepare for the celebration of the bimillennium of
                        the death of Horace in 1993. The old Antiquarium, dating back to Pasqui’s
                        day and, as we have seen, largely neglected since then, was completely
                        renovated and enlarged. The first step in the project occurred in 1988 when
                        the town of Licenza purchased rooms in the Orsini Palace for the museum
                            (<ptr target="p_c13.1.16.21" type="txt" n="G.1.16.21"/>). Additional
                        funding was contributed by the Superintendency (documentation is lacking in
                        the archive of SAL), and the project was successfully completed in time for
                        the bimillennial celebrations in 1993. The new Antiquarium opened to the
                        public on April 19 of that year. Two series of photographs in the archive of
                        the Archaeological Superintendency record the work in progress inside and
                        outside the Palazzo Orsini (SAL, negative nos. a90-286 to a90-305 and
                        a93-278 to a93-302).<ptr n="175" target="nt_c08.4.n175"/> The first room
                        contains maps of the territory reflecting the various periods of ancient
                        occupation. In the next room are displayed <hi1 rend="italic"
                        >fistulae</hi1>, pottery, and <hi1 rend="italic">instrumenta
                        domestica</hi1>. In the third room are fragments of sculpture and
                        architectonic elements in marble. The fourth room contains the fresco
                        fragments. Well illuminated, open to the public six days of the week, the
                        new museum represents a notable improvement over the old, especially since
                        the objects are clearly labeled and the site with its surrounding territory
                        is well described. </p>
                    <p id="p_188" n="188">On the occasion of the opening of the museum, the
                        Superintendency published a volume of new studies on the site;<ptr n="176"
                            target="nt_c08.4.n176"/> and a scholarly conference was held, whose acts
                        were published shortly thereafter.<ptr n="177" target="nt_c08.4.n177"/> By
                        1993, then, there were encouraging signs that the remains of “Horace’s
                        Villa” were finally receiving the care and attention they deserved. </p>
                    <p id="p_189" n="189">As this book is being prepared for publication, a new
                        project to restore the remains on the site is in progress under the
                        technical leadership of Alessandra Centroni and the scientific supervision
                        of Maria Grazia Fiore. Work commenced in 2005 and is extending into 2006.
                        Thus far, the focus has been on recapping and repointing the walls as well
                        as repaving the floors. </p>
                </div3>
            </div2>
            <div2 type="section" id="div2_c08.5">
                <head>
                    <bibl type="title">B.5. Biographical Sketch of Thomas Drees Price</bibl>
                </head>
                <p>
                    <hi1 rend="bold">By Kathryn Gleason</hi1>
                </p>
                <p id="p_190" n="190">In 1929, the Director of the American Academy in Rome, Gorham
                    P. Stevens, reported that the Italian authorities had offered the Academy and
                    other foreign schools “the opportunity of excavating in ancient Roman lands,
                    including the Kingdom of Italy, and the possibility of apprenticing our Fellows
                    in the classics to Italian archaeologists engaged in the work of actual
                        excavations.”<ptr target="nt_c08.5.n1" n="1"/> The news was welcome but the
                    Fellows in archaeology were committed to other projects, and so it was the
                    Fellows in the School of Fine Arts who first responded to the opportunity. In
                    1930, Thomas Price, a landscape architect, collaborated with Giuseppe Lugli on a
                    small excavation at “Horace’s Villa,” while architect Walter R. Reichardt worked
                    with Prof. Gioacchino Mancini, Director of the excavations at Hadrian’s
                        Villa.<ptr target="nt_c08.5.n2" n="2"/> Price’s publication of his work in
                    the <hi1 rend="italic">Memoirs of the American Academy in Rome</hi1>, while not
                    an excavation report per se, provides the only published report on the joint
                    project, with photographs, a revised plan, and a reconstruction of the
                        villa.<ptr target="nt_c08.5.n3" n="3"/> After publishing this report and a
                    reconstruction of the House of Loreius Tiburtinus at Pompeii, Price seems to
                    have vanished from notice; his name is not among the more familiar ones of the
                    Academy nor is his portrait on the wall of the Bar. Yet he went on to create
                    notable works of landscape architectural design in the 1930s, drawing on his
                    experiences at the American Academy, and perhaps on his work at “Horace’s Villa”
                    as well. </p>
                <p id="p_191" n="191">The following biography offers a sketch of the career of this
                    talented designer, and of the education and skills that lie behind his published
                    work in archaeology. His “disappearance” was simply into the little celebrated
                    profession of landscape architecture. Yet there is much we may note in his work.
                    Price was a participant, if not a leader, in the fascinating transitional years
                    between the École des Beaux Arts training and Modernism at the Academy and in
                    the profession of landscape architecture. His professional work included designs
                    in both the classical and modern traditions, usually collaborative efforts,
                    including the Conservatory Garden in Central Park (with M. Betty Sprout and
                    Gilmore Clarke) and the gardens of the Brazil Pavilion for the 1939 World’s Fair
                    (with architects Oscar Neimeyer and Lucio Costa). He had a long career with the
                    architectural firm of Vorhees, Walker, Smith, Smith and Haines in New York. He
                    retired in 1972 and died in Denver, Colorado in 1989. </p>
                <p id="p_192" n="192">Thomas Drees Price was born May 18, 1901 in Porto Alegre,
                        Brazil.<ptr target="nt_c08.5.n4" n="4"/> His parents, John W. and Elisabeth
                    Wittmann Price, were American Methodist missionaries teaching school in the
                    region of Rio Grande do Sul. Price and his two sisters and brother were all born
                    and raised there; Thomas, the second eldest, left at age sixteen to stay with
                    his grandparents in Denver, where, in the spring of 1918, he attempted to enlist
                    in the Army. Too young for the draft in that year, Price fell victim to the
                    great influenza epidemic of 1918. After recovering, he went to Columbus, Ohio to
                    work at his maternal uncle’s brass foundry and to attend Ohio State University
                    for study in animal husbandry. According to his sister, he hoped to return to
                    Brazil and start a ranch. </p>
                <p id="p_193" n="193">Once at university, however, his drawing talents proved
                    greater than his aptitude for scientific study, and by the end of his first year
                    his transcripts note that he had transferred into the landscape architecture
                    program. We have very little information on his college years, except that he
                    belonged to the Tau Sigma Alpha fraternity and worked at his uncle’s foundry.
                    His uncle was to be a great support to him in the following years. Price’s
                    knowledge and appreciation of metal work gained from his uncle is evident later
                    in his travel sketchbooks and his interest in ironwork trellis and balustrade
                    designs. In 1923, just short of graduation, Price moved to Cambridge,
                    Massachusetts, and completed the course work for his degree at the Harvard
                    Graduate School of Design. He transferred the credits to receive the degree from
                    OSU, and then stayed on to complete the Master of Landscape Architecture Degree
                    from Harvard, graduating in 1926.<ptr target="nt_c08.5.n5" n="5"/>
                </p>
                <p id="p_194" n="194">Price’s education in the profession of landscape architecture
                    fell during the waning years of the “Country Place Era.”<ptr
                        target="nt_c08.5.n6" n="6"/> His academic training was founded upon a
                    classical education and instruction in the method of the École des Beaux Arts in
                    Paris, where many designers had received their training prior to the founding of
                    schools of architecture in the United States during the late nineteenth and
                    early twentieth centuries.<ptr target="nt_c08.5.n7" n="7"/> At Harvard, Price
                    was hard working and skillful, entering and winning the major student
                    competitions of the day. The Charles Eliot Traveling Fellowship, for example,
                    was awarded to him by competition on the basis of a history examination and a
                    design project. He received two honorable mentions in the Rome Prize
                    Competitions, and, in 1929, he was awarded the Prize for his solution to that
                    year’s design problem, “An Estate on a Private Island” (<hi1 rend="bold">fig.
                    1</hi1>). These competitions tested the students on their knowledge of history
                    as well as for their ability to produce excellent designs in the classical
                    manner. <figure entity="heb90044.0032" id="fg_heb90044.0032"
                        type="ic">
                        <head>
                            <bibl type="figno">Figure 1</bibl>
                            <bibl type="figcap">Rome's Prize Award for Price's solution to the design problem, "An Estate on a Private Island".</bibl>
                        </head>
                    </figure></p>
                <p id="p_195" n="195">By the time of his Rome Prize Award, Price had graduated from
                    Harvard and was working for the preeminent firm of Olmsted Brothers in
                    Brookline, Massachusetts. The firm’s records indicate that he worked primarily
                    on campuses and private residences. The firm was noted for its attention to
                    detail, an aspect that also characterized the educational program at Harvard
                    (much shaped by members of the Olmsted Office), and, ultimately, Price’s own
                    work and focus as a member of collaborative teams. Price appears to have brought
                    to the American Academy a considerable professional knowledge of site grading
                    and construction detailing, as well as an interest in classical design for
                    private residences, public parks, and campuses.<ptr target="nt_c08.5.n8" n="8"/>
                    The interest in private residential design is also clearly evident in his travel
                    itineraries, sketchbooks, and choice of projects at the American Academy.<ptr
                        target="nt_c08.5.n9" n="9"/>
                </p>
                <p id="p_196" n="196">In September of 1929, Price arrived in Rome as the first Kate
                    Lancaster Brewster Fellow in Landscape Architecture<ptr target="nt_c08.5.n10"
                        n="10"/> (<hi1 rend="bold">fig. 2</hi1>). Like most Fellows, he spent a
                    great deal of the first year traveling. The fall tours with the Professor of
                    Classical Studies included “Horace’s Villa,” which may have led Price to select
                    this site for his required second year project. This, however, did not begin
                    immediately. His first measured drawing project was the Villa Aldobrandini, and
                    the winter months of that year were devoted the notorious Collaborative Project,
                    “A Monument to Mechanical Progress.” This was a highly contentious exercise in
                    which the fellows sought to explore modern ideas of design, only to find
                    themselves in conflict with the Trustees, who insisted upon classical solutions,
                    despite the nature of the design problem.<ptr target="nt_c08.5.n11" n="11"/>
                    <figure entity="heb90044.0033" id="fg_heb90044.0033"
                        type="ic">
                        <head>
                            <bibl type="figno">Figure 2</bibl>
                            <bibl type="figcap">Thomas Drees Price in his studio during the winter of 1931 at the American Academy in Rome preparing his model of Horace's Villa (Price Archive, Album of the Horace's Villa Excavation).</bibl>
                        </head>
                    </figure></p>
                <p id="p_197" n="197">In October 1930, Price set out to measure the ruins of
                    “Horace’s Villa” as one of the measured drawings required by his fellowship.
                    Encountering difficulty in drawing the remains of the unexcavated northeast
                    corner of the villa, Price joined forces with Giuseppe Lugli.<ptr
                        target="nt_c08.5.n12" n="12"/> The project was conducted in cooperation with
                    the Italian authorities under the sponsorship of the American Academy in Rome
                    with funding from the Bethlehem, Pennsylvania chapter of the Archaeological
                    Institute of America.<ptr target="nt_c08.5.n13" n="13"/> The Soprintendenza
                    provided excavation equipment and engaged, supervised, and paid the workmen. The
                    Academy provided the funds for hiring the workers, at 56 cents for an eight hour
                    day. </p>
                <p id="p_198" n="198">On November 17, 1930 they began excavations, which continued
                    until poor weather forced them to stop in the last week of December. When the
                    weather halted the work, Price returned to the Academy and prepared drawings and
                    a model of the existing conditions at the site.<ptr target="nt_c08.5.n14" n="14"
                    /> He also participated in the second collaborative problem, “A Small Museum for
                    Classical Renaissance Sculpture on the Estate of a Wealthy Collector.” While the
                    result of the overall Collaborative Exercise was dismal, Price’s team appears to
                    have been close-knit; indeed, his teammate David Mattison painted Price’s
                    portrait with the ruins of “Horace’s Villa” and Licenza in the background (<hi1
                        rend="bold">fig. 3</hi1>). Excavations resumed in late February and
                    continued through mid-March of 1931. In photographs taken during the work, we
                    see Price, in his suit and tie, observing the excavation work and showing the
                    excavations to visiting Fellows from the Academy (<hi1 rend="bold">fig.
                        4</hi1>). <figure entity="heb90044.0034" id="fg_heb90044.0034"
                            type="ic">
                            <head>
                                <bibl type="figno">Figure 3</bibl>
                                <bibl type="figcap">Portrait of Thomas Price at Horace's Villa, by David Mattison. Painting is in the collection of J. Gorsuch.</bibl>
                            </head>
                        </figure>
                    <figure entity="heb90044.0035" id="fg_heb90044.0035"
                        type="ic">
                        <head>
                            <bibl type="figno">Figure 4</bibl>
                            <bibl type="figcap">Thomas Price with other fellows of the American Academy in Rome at Horace's Villa (Price Archive, Album of the Horace's Villa Excavation).</bibl>
                        </head>
                    </figure></p>
                <p id="p_199" n="199">The “Horace’s Villa” team consisted of eleven workers under
                    the supervision of Nicola De Rossi, who had worked on the Pasqui excavations of
                        1911-14.<ptr target="nt_c08.5.n15" n="15"/> Areas totaling 570 square yards
                    were staked out and the men were divided into two squads to excavate.<ptr
                        target="nt_c08.5.n16" n="16"/> The photographs and plans provide additional
                    details (<hi1 rend="bold">fig. 10</hi1>). It appears from these documents that
                    all areas of interest were opened at once. The foreman and eight workers
                    excavated the northeast quadriporticus, but their number diminished to six as
                    they reached the center of the east range of the quadriporticus. Five men
                    excavated the north side of the pool and various workers opened small test areas
                    around the quadriporticus. On their return in March, the squads simply resumed
                    excavation in those areas. Restoration of walls appears to have taken place
                    sometime during 1932. </p>
                <p id="p_200" n="200">The photographs of the excavations are the primary record of
                    what was accomplished in the two phases of work, which, as Price notes, focused
                    on the northeast area of the quadriporticus and the northern side and northeast
                    corner of the central pool.<ptr target="nt_c08.5.n17" n="17"/> Test soundings
                    were carried out throughout the site, either to check theories or to take
                    measurements. It appears that the team did the initial work on the first areas
                    of interest in the fall, returning in the spring to resume work in areas that
                    had proven promising in the first season, or to answer questions that were
                    raised. In the photographs we can see that the northeast quadriporticus was
                    cleared in the drier months of early fall. The soils of the baulk and on the
                    paths are dry (<hi1 rend="bold">fig. 5</hi1>). As work moved south, the weather
                    clearly worsened. The small niched pool in the center of the east range of the
                    quadriporticus appears to have been found after the rains, either later in the
                    first campaign or during the second. It is photographed with standing water and
                    wet soils (<hi1 rend="bold">fig. 6</hi1>). All four piers of the pool appear in
                    Price’s initial sketches, which were prepared during the winter, so we must
                    conclude that some work was carried out in the pool area during the autumn as
                    well. It appears that this was done after some rain, but it is difficult to
                    judge from the black and white photos—there was apparently enough sun to dry the
                    paths out. <figure entity="heb90044.0036" id="fg_heb90044.0036"
                        type="ic">
                        <head>
                            <bibl type="figno">Figure 5</bibl>
                            <bibl type="figcap">East range of the quadriporticus during Price's excavation (Price Archive, Album of the Horace's Villa Excavation).</bibl>
                        </head>
                    </figure>
                    <figure entity="heb90044.0037" id="fg_heb90044.0037"
                        type="ic">
                        <head>
                            <bibl type="figno">Figure 6</bibl>
                            <bibl type="figcap">The small niched feature in the center of the east range of the quadriporticus during Price's excavation (Price Archive, Album of the Horace's Villa Excavation).</bibl>
                        </head>
                    </figure></p>
                <p id="p_201" n="201">Price does not offer details of the excavation, referring the
                    reader to the photographic plates. The specific discoveries in the
                    quadriporticus and around the pool are discussed elsewhere in this volume (see
                    Gleason et al., <ptr target="div3_c09.3.1" type="txt" n="C.3"/>). Price
                    summarizes the results of the work as 1) providing new evidence for the manner
                    in which the quadriporticus meets the residence at the northeast corner,
                    although the steps appear to have been located earlier by Pasqui; 2) locating
                    the two piers on the north side of the pool, predicted by Lugli; and 3) gleaning
                    more information about the facades of the quadriporticus facing the garden (<hi1
                        rend="bold">fig. 10</hi1>). Price writes: <q1>
                        <p>This enterprise has amply repaid our efforts by its results since...it
                            unexpectedly furnished a clue to the treatment of the facades of the
                            porticus that faced the garden. The uncovering of an opening, n, in the
                            northeast corner of the porticus, another opening, o, and the beginning
                            of a third opening, p, established the presumption that such openings
                            were repeated around the porticus. The corresponding wall on the
                            opposite side of the garden did not at first sight confirm this, since
                            this wall as restored by the former excavator is continuous....But since
                            the size and position of the small pilasters which decorated the walls
                            on either side of the garden are symmetrical, the architectural
                            treatment of the two walls must, one would presume, have been identical;
                            this is an alternating treatment of door and solid wall, both between
                            pilasters. And in fact confirmation was forthcoming when we looked below
                            the restored portion. At a level just above the substructure, the
                            cornerstones of most of the openings were found in situ at g, h, and i.
                            This evidence, supported by that furnished by a portion of the wall at
                            f, not only conclusively reveals the principal architectural elements of
                            the facade of the porticus, but also demonstrates that the restored wall
                            in the northwest corner of the garden is not in accordance with the
                            original layout.<ptr target="nt_c08.5.n18" n="18"/>
                        </p>
                        </q1>
                    <figure entity="heb90044.0010" id="fg_heb90044.0010"
                        type="ic">
                        <head>
                            <bibl type="figno">Figure 10</bibl>
                            <bibl type="figcap">Price's plan of "Horace's Villa," after his excavations of 1930-31 (photo courtesy of Henrique Price Grechi).</bibl>
                        </head>
                    </figure></p>
                <p id="p_202" n="202">Price’s reconstruction drawings (<hi1 rend="bold">figs.
                    11</hi1> and <hi1 rend="bold">12</hi1>), though fanciful in their depiction of
                    the garden, presents the team’s conclusions about the architectural façade as
                    described above, based both on their findings and on digging around the restored
                    walls of Pasqui’s 1911-14 excavations. Their work, a new reading of the
                    evidence, thus revised and corrected earlier conceptions about the
                    quadriporticus. <figure entity="heb90044.0042" id="fg_heb90044.0042"
                        type="ic">
                        <head>
                            <bibl type="figno">Figure 11</bibl>
                            <bibl type="figcap">Price's reconstructive plan of "Horace's Villa" (photo courtesy of Henrique Price Grechi).</bibl>
                        </head>
                    </figure>
                    <figure entity="heb90044.0043" id="fg_heb90044.0043"
                        type="ic">
                        <head>
                            <bibl type="figno">Figure 12</bibl>
                            <bibl type="figcap">Price's reconstructive longitudal section of "Horace's Villa" (photo courtesy of Henrique Price Grechi).</bibl>
                        </head>
                    </figure></p>
                <p id="p_203" n="203">The project concluded with restoration of the walls exposed.
                    This was apparently carried out in 1932 with support from the Director’s Fund of
                    the American Academy, under the direction of Lugli and Nicola De Rossi.<ptr
                        target="nt_c08.5.n19" n="19"/>
                </p>
                <p id="p_204" n="204">The American Academy viewed the project as a promising
                    beginning to collaborative projects “… in Italy and Italian provinces but also
                    in practically the entire Mediterranean basin,” according to Stevens’ glowing
                    conclusion to the Annual Report of 1931-32. Price himself was granted another
                    year on his fellowship based upon the success of the “Horace’s Villa” project
                    and drawings, which were displayed at the Exhibition of Italian Gardens at the
                    Palazzo Vecchio, Florence.<ptr target="nt_c08.5.n20" n="20"/> Amedeo Maiuri, the
                    Archaeological Superintendent of Pompeii, granted him a permesso to prepare
                    drawings and a brief publication of the House of Loreius Tiburtinus at Pompeii
                    for the American Academy in Rome.<ptr target="nt_c08.5.n21" n="21"/>
                </p>
                <p id="p_205" n="205">On his return to the United States, Price’s connections to the
                    American Academy served him well. After a brief stay in Cambridge, Massachusetts
                    and work at a CCC Camp, Price went to the New York Parks Department, working
                    under Gilmore Clarke, who had become a Trustee of the American Academy during
                    Price’s second year. Clarke may have also nominated him for membership in the
                    American Society of Landscape Architects and the Architectural League of New
                    York, societies in which he would be active all of his years in practice. </p>
                <p id="p_206" n="206">At the Arsenal, Price joined a huge team of designers creating
                    simple, formal designs and redesigns for Robert Moses’ new vision of New York’s
                    park system. He appears to have worked closely with Gilmore Clarke, first on the
                    Central Park Zoo, then on Madison Square Park. The latter was a redesign of the
                    earlier informal layout in a formal geometric design that caused considerable
                    concern in the community, as the artist’s rendering appeared to suggest the
                    removal of many mature trees. Newspapers indicated that the general design was
                    made by Gilmore Clarke, while Price worked out the detailed plan.<ptr
                        target="nt_c08.5.n22" n="22"/>
                </p>
                <p id="p_207" n="207">In 1934, Price, again with Gilmore Clarke representing the
                    project publicly, worked on the design team for the Conservatory Gardens in
                    Central Park, one of the few geometric spaces in the Park, built on the site of
                    the demolished conservatory. Plans indicate that M. Betty Sprout designed the
                    lovely and extensive planting scheme which was the main theme of this part of
                    the park; Price is credited with the “design” in later years, when the gardens
                    were restored.<ptr target="nt_c08.5.n23" n="23"/> Price was not a planting
                    designer, so it is likely that he designed the garden’s terraces and structures,
                    the formal stage for the display of plants and art. It is not clear whether
                    Clarke, Sprout or Price did the conceptual design individually, or if it was a
                    collaboration. In the trellis work, fences and balustrades, one sees Price’s
                    skills with metal work, while his attention to the design of wellheads for the
                    fountain base reflects his interest in such features, as seen in his sketchbooks
                    and in an article written for <hi1 rend="italic">Landscape Architecture
                    Magazine</hi1> (<hi1 rend="bold">figs. 7</hi1> and <hi1 rend="bold">8</hi1>).
                    <figure entity="heb90044.0038" id="fg_heb90044.0038"
                            type="ic">
                            <head>
                                <bibl type="figno">Figure 7</bibl>
                                <bibl type="figcap">Trellis at Conservatory Garden, Central Park, New York City (photo by K. Gleason).</bibl>
                            </head>
                        </figure>
                    <figure entity="heb90044.0039" id="fg_heb90044.0039"
                        type="ic">
                        <head>
                            <bibl type="figno">Figure 8</bibl>
                            <bibl type="figcap">Wellhead base for fountain in Conservatory Garden (photo by K. Gleason).</bibl>
                        </head>
                    </figure></p>
                <p id="p_208" n="208">According to Price’s family, the pinnacle of his design career
                    was the 1939 World’s Fair. As a member of the staff of the 1939 World’s Fair
                    Commission, Price was responsible for bringing Lucio Costa’s conceptual sketch
                    for the Brazil Pavilion into detailed design and implementation.<ptr
                        target="nt_c08.5.n24" n="24"/> This is one of the great early Modern
                    designs. While it was certainly a departure from anything Price had designed
                    himself, and Roberto Burle Marx appears to have played a role that is yet to be
                    documented, it is clear that Price’s fluency in Portuguese, his exposure to
                    Modern design, and his talent gave him the role of translating the concept
                    sketches into the beautifully crafted built piece. The American Academy in Rome,
                    in a brochure celebrating the role of the Academy’s Fellows at the Fair, credits
                    Price with the landscape of the Brazil Pavilion, but the brochure does not
                    provides details (<hi1 rend="bold">fig. 9</hi1>). <figure entity="heb90044.0040" id="fg_heb90044.0040"
                        type="ic">
                        <head>
                            <bibl type="figno">Figure 9</bibl>
                            <bibl type="figcap">Brazil Pavilion at 1939 New York World's Fair (American Academy in Rome Brochure, Price Archives).</bibl>
                        </head>
                    </figure></p>
                <p id="p_209" n="209">After the World’s Fair, interrupted only by service as a
                    translator during World War II, Price spent the rest of his career in New York
                    working for the Fair’s main architects (Vorhees, Walker, Smith, Smith and
                    Haines), creating clean, simple, well-detailed Modern landscapes for the firm’s
                    building projects in the United States and Central America.<ptr
                        target="nt_c08.5.n25" n="25"/> In 1960, he returned to the American Academy
                    and to visit Licenza. It was his first and only trip to Europe after his
                    Fellowship. In 1972, he retired to Denver. </p>
                <p id="p_210" n="210">Price’s career had been marked by skill and hard work, good
                    fortune in his youth, and a kind of solid Welsh work ethic through his later
                    years. Price, says Domenico Anese, who worked for Gilmore Clarke and knew Price
                    over the course of their careers, was “a designer’s designer.” Price was a
                    talented designer of the “bones” of a project—the three dimensional, built
                    aspects of landscape architecture—and very fine with details. He was an amiable
                    man who worked well with other designers, but he never made an effort to promote
                    his own career or design approach. </p>
                <p id="p_211" n="211">Clearly, his career in an architecture firm never brought the
                    acclaim that his youthful projects had, nor the satisfaction. His home was
                    decorated with his portrait at Licenza, a spectacular engraving of St. Peter’s
                    by Cecil Briggs, his diplomas from Harvard and the American Academy (together
                    with his framed medallion and sash), a <hi1 rend="italic">Cave Canem</hi1> tile
                    from Pompeii, ironwork pieces from various countries, and other mementos of his
                    days at Harvard, in Rome, and at Licenza. His huge drawings done at the American
                    Academy were kept, carefully rolled up. All had been published in black and
                    white in the <hi1 rend="italic">Memoirs of the American Academy in Rome</hi1>,
                    although they were originally in color. The drawings were left to his
                    great-nephew, Henrique Price Grecchi, an architect in Rio de Janiero, who has
                    kindly provided the images published here (<hi1 rend="bold">figs. 10-12</hi1>).
                    Thomas Drees Price died in 1989 and is buried facing the mountains in Fort Logan
                    National Cemetery in Denver.</p>
            </div2>
        </div1>
        <div1 id="div1_c09" type="chapter" status="hidden">
            <head>
                <bibl type="title">C. New Fieldwork</bibl>
            </head>
            <div2 id="div2_c09.1" type="section" status="hidden">
                <head>
                    <bibl type="title">C.1. The “Horace’s Villa” Project, 1997-2003: Organization,
                        Strategy, and Objectives</bibl>
                </head>
                <p>
                    <hi1 rend="bold">By Bernard Frischer, Stefano Camaiani, Monica De Simone</hi1>
                </p>
                <div3 type="section" id="div3_c09.1.1">
                    <head>
                        <bibl type="title">[text]</bibl>
                    </head>
                    <p id="p_212" n="212">The new research project at “Horace’s Villa” took place
                        between 1997 and 2003 thanks to the fruitful collaboration between the
                        Soprintendenza Archeologica del Lazio, the American Academy in Rome, the
                        University of California Los Angeles (UCLA), and the Comune of Licenza.<ptr
                            target="nt_c09.1.n1" n="1"/> The goals of the project are discussed
                        elsewhere in this volume (see Frischer, <ptr target="div1_c07" type="txt"
                            n="A"/>). </p>
                </div3>
                <div3 type="section" id="div3_c09.1.2">
                    <head>
                        <bibl type="title">C.1.1. Organization</bibl>
                    </head>
                    <p id="p_213" n="213"> The Scientific Committee overseeing the project was
                        composed of Dr. Anna Maria Reggiani (SAL), Dr. Maria Grazia Fiore (SAL), and
                        Prof. Bernard Frischer (UCLA). The principal investigator of the project was
                        Prof. Bernard Frischer, who conceived the project, found institutional
                        sponsorship and financial support, set the research agenda, recruited the
                        staff and volunteers, and administered the project both during the fieldwork
                        and study phases. Co-principal investigator was Prof. Kathryn Gleason, who
                        was responsible for the excavation of the garden. Field directors were Dr.
                        Gianni Ponti (1997-1999) and Dr. Monica De Simone (2000-2001). </p>
                </div3>
                <div3 type="section" id="div3_c09.1.3">
                    <head>
                        <bibl type="title">C.1.2. Sponsors</bibl>
                    </head>
                    <p id="p_214" n="214"> The project was originally to be sponsored from 1997 to
                        its expected completion date in 2000 by the Vincenzo Romagnoli Group (Milan
                        and Rome, Italy). With the death on November 4, 1999 of Vincenzo Romagnoli,
                        the owner of the company, this sponsorship had to be terminated early. In
                        February and March of 2000, the Steinmetz Family of Los Angeles and the
                        Samuel H. Kress Foundation agreed to replace the Romagnoli Group as the
                        project’s prime sponsors. In 1997-1998, Alitalia kindly provided
                        transportation for senior staff from Los Angeles to Rome. The Comune of
                        Licenza co-sponsored the new site presentation scheme that was implemented
                        in 2001. The Creative Kids Education Foundation of Los Angeles donated funds
                        to create a Web site and a documentary about the project. </p>
                    <p id="p_215" n="215">Institutional sponsors included the Archaeological
                        Superintendency for Lazio (1997-2003); the American Academy in Rome
                        (1997-2003); the University of California, Los Angeles (2000-2003);
                        University of California Research Expeditions Program (1999); and the
                        Institute for Advanced Technology in the Humanities at the University of
                        Virginia (2004-2006). </p>
                </div3>
                <div3 type="section" id="div3_c09.1.4">
                    <head>
                        <bibl type="title">C.1.3. Staff and volunteers</bibl>
                    </head>
                    <p id="p_216" n="216"> An international team of archaeologists was responsible
                        for the various excavations, coordination of the graphic and photographic
                        documentation, running of the laboratory, management of the data processing
                        workshop, and analysis of the finds.<ptr target="nt_c09.1.n2" n="2"/> Over
                        seventy volunteers from twelve countries came to the site from 1997 to 2001;
                        without their generosity, effort, and talent, the project would not have
                        been possible (<hi1 rend="bold">figs. 1-2</hi1>).<ptr target="nt_c09.1.n3"
                        n="3"/>
                        <figure entity="heb90044.0044" id="fg_heb90044.0044"
                            type="ic">
                            <head>
                                <bibl type="figno">Figure 1</bibl>
                                <bibl type="figcap">Archaeologists and volunteers are the American Academy in Rome, summer of 1998.</bibl>
                            </head>
                        </figure>
                        <figure entity="heb90044.0045" id="fg_heb90044.0045"
                            type="ic">
                            <head>
                                <bibl type="figno">Figure 2</bibl>
                                <bibl type="figcap">Archaeologists and volunteers at the site, summer 1999.</bibl>
                            </head>
                        </figure>
                    </p>
                    <p id="p_217" n="217">Special thanks should be given to the following scholars,
                        who visited the site and made gave advice helpful in interpretation of the
                        finds: Susan Downey, Elisabeth Fentress, Cairoli Fulvio Giuliani, Daniele
                        Manacorda, Giuseppe Pucci, Peter Rockwell, and Russell Scott. </p>
                    <p id="p_218" n="218">The professional staff had the following responsibilities: </p>
                    <p><hi1 rend="bold">1997</hi1> (3-week season) <list>
                            <item><hi1 rend="italic">Architectural Analysis</hi1>: J. Burden</item>
                            <item><hi1 rend="italic">Ceramic Analysis</hi1>: S. Serra</item>
                            <item><hi1 rend="italic">Excavation</hi1>: S. Nerucci, S. Camaiani, Z.
                                Mari (Areas 50, 51); L. Cerri, A. A. Kaci (rooms 37-40); L.
                                Passalacqua (Area 54)</item>
                            <item><hi1 rend="italic">Information Management:</hi1> L. Passalacqua,
                                S. Camaiani</item>
                            <item><hi1 rend="italic">Photographic Documentation:</hi1> Z. Mari</item>
                            <item><hi1 rend="italic">Prospection (resistivity and
                                magnetometry)</hi1>: S. Veronese</item>
                            <item><hi1 rend="italic">Registration</hi1>: L. Clougherty</item>
                            <item><hi1 rend="italic">Web site authoring</hi1>: B. Frischer, M.
                            Brown</item>
                        </list></p>
                    <p><hi1 rend="bold">1998</hi1> (6-week season) <list>
                            <item><hi1 rend="italic">Ceramic Analysis</hi1>: S. Serra</item>
                            <item><hi1 rend="italic">Conservation</hi1>: Murat Yasar</item>
                            <item><hi1 rend="italic">Excavation</hi1>: S. Camaiani, A. A. Kaci
                                (rooms 37-40); L. Cerri (Areas 24, 50); S. Nerucci, M. De Simone
                                (Area 23); K. Gleason (Area 24); L. Passalacqua (Areas 25, 55)</item>
                            <item><hi1 rend="italic">Information Management</hi1>: L. Passalacqua,
                                S. Camaiani</item>
                            <item><hi1 rend="italic">Photographic Documentation</hi1>: S. Camaiani,
                                L. Cerri, S. Nerucci, M. De Simone, K. Gleason, L. Passalacqua</item>
                            <item><hi1 rend="italic">Registration</hi1>: L. Clougherty, J. Crawford</item>
                            <item><hi1 rend="italic">Soil and Geological Analysis</hi1>: J. Foss</item>
                            <item><hi1 rend="italic">Territorial Survey</hi1>: M. Carroll, C.
                                Merrony, M. Charles</item>
                            <item><hi1 rend="italic">Tree Inventory and Evaluation</hi1>: I.
                                Lekstutis</item>
                            <item><hi1 rend="italic">Web site authoring</hi1>: B. Frischer</item>
                        </list></p>
                    <p><hi1 rend="bold">1999</hi1> (10-week season) <list>
                            <item><hi1 rend="italic">Architectural Analysis</hi1>: D. Abernathy, P.
                                Stinson</item>
                            <item><hi1 rend="italic">Ceramic Analysis</hi1>: C. Angelelli</item>
                            <item><hi1 rend="italic">Conservation</hi1>: M. Yasar</item>
                            <item><hi1 rend="italic">Excavation</hi1>: K. Gleason (Areas 24, 25) ;
                                S. Camaiani, L. Cerri, L. Passalacqua (Areas 35, 37-40, 50) ; M. De
                                Simone (Area 23) ; L. Passalacqua (Area 55)</item>
                            <item><hi1 rend="italic">Information Management</hi1>: L. Passalacqua,
                                S. Camaiani</item>
                            <item><hi1 rend="italic">Marble Analysis</hi1>: C. Angelelli</item>
                            <item><hi1 rend="italic">Mosaic Analysis</hi1>: K. Werner</item>
                            <item><hi1 rend="italic">Numismatic Analysis</hi1>: T. Buttrey</item>
                            <item><hi1 rend="italic">Photographic Documentation</hi1>: P. Armenian,
                                S. Camiani, L. Cerri, M. De Simone, K. Gleason, S. Nerucci, L.
                                Passalacqua, K. Volkmer</item>
                            <item><hi1 rend="italic">Registration</hi1>: L. Clougherty, J. Crawford</item>
                            <item><hi1 rend="italic">Site Presentation Studies</hi1>: M. Goalen, D.
                                Fortenberry</item>
                            <item><hi1 rend="italic">Soil and Geological Analysis</hi1>: J. Foss</item>
                            <item><hi1 rend="italic">Wall Census</hi1>: M. De Simone</item>
                            <item><hi1 rend="italic">Wall Painting Analysis</hi1>: S. Mols</item>
                            <item><hi1 rend="italic">Water Pipe Analysis</hi1>: C. Bruun</item>
                            <item><hi1 rend="italic">Web site authorin</hi1>g: B. Frischer</item>
                        </list></p>
                    <p><hi1 rend="bold">2000</hi1> (3-week season) <list>
                            <item><hi1 rend="italic">Architectural Analysis</hi1>: D. Abernathy, P.
                                Stinson</item>
                            <item><hi1 rend="italic">Architectural Terracotta Studies</hi1>: M. J.
                                Strazzulla </item>
                            <item><hi1 rend="italic">Archival Research</hi1>: K. Werner </item>
                            <item><hi1 rend="italic">Ceramic Analysis</hi1>: C. Angelelli </item>
                            <item><hi1 rend="italic">Conservation</hi1>: H. Leshem
                                (PRS-Mediterranean) </item>
                            <item><hi1 rend="italic">Excavation</hi1>: K. Gleason (Area 24), J.
                                Schryver (Area 25), M. De Simone (Area 50) </item>
                            <item><hi1 rend="italic">Folklore Studies</hi1>: L. Del Giudice</item>
                            <item><hi1 rend="italic">Geomagnetic Prospection</hi1>: P. Chowne, W.
                                McCann (Genius Loci) </item>
                            <item><hi1 rend="italic">GPS Mapping</hi1>: F. Colosi, R. Gabrieli</item>
                            <item>
                                <hi1 rend="italic">Historical Consulting</hi1>: V. Rudich </item>
                            <item><hi1 rend="italic">Information Management</hi1>: S. Camaiani</item>
                            <item><hi1 rend="italic">Marble Analysis</hi1>: C. Angelelli </item>
                            <item><hi1 rend="italic">Metallic Object Analysis</hi1>: A. Martin</item>
                            <item><hi1 rend="italic">Mosaic Analysis</hi1>: K. Werner </item>
                            <item><hi1 rend="italic">Numismatic Analysis</hi1>: T. Buttrey </item>
                            <item><hi1 rend="italic">Palaeobotanical Studies</hi1>: J. Ramsay </item>
                            <item><hi1 rend="italic">Photographic Documentation</hi1>: M. De Simone,
                                A. Ortolan</item>
                            <item><hi1 rend="italic">Registration</hi1>: J. Crawford</item>
                            <item><hi1 rend="italic">Sculptural Studies</hi1>: S. Lattimore</item>
                            <item><hi1 rend="italic">Site Presentation Studies</hi1>: M. Goalen, D.
                                Fortenberry </item>
                            <item><hi1 rend="italic">Soil and Geological Analysis</hi1>: J. Foss</item>
                            <item><hi1 rend="italic">Stamps on Bricks and Roof-tiles</hi1>: G.
                                Filippi</item>
                            <item><hi1 rend="italic">Wall Census</hi1>: M. De Simone</item>
                            <item><hi1 rend="italic">Web site authoring</hi1>: B. Frischer</item>
                        </list>
                    </p>
                    <p><hi1 rend="bold">2001</hi1> (3-week season) <list>
                            <item><hi1 rend="italic">Archival Research</hi1>: K. Werner</item>
                            <item><hi1 rend="italic">Ceramic Analysis</hi1>: C. Angelelli </item>
                            <item><hi1 rend="italic">Conservation</hi1>: M. De Simone</item>
                            <item><hi1 rend="italic">Excavation</hi1>: M. De Simone (Area 12)</item>
                            <item><hi1 rend="italic">Folklore Studies</hi1>: L. Del Giudice </item>
                            <item><hi1 rend="italic">Historical Consulting</hi1>: V. Rudich</item>
                            <item><hi1 rend="italic">Information Management</hi1>: S. Camaiani (data
                                processing workshop)</item>
                            <item><hi1 rend="italic">Metallic Object Analysis</hi1>: A. Martin</item>
                            <item><hi1 rend="italic">Registration</hi1>: J. Crawford </item>
                            <item><hi1 rend="italic">Site Presentation Plan and
                                Implementation</hi1>: M. De Simone, C. Angelelli</item>
                            <item><hi1 rend="italic">Soil and Geological Analysis</hi1>: J. Foss</item>
                            <item><hi1 rend="italic">Stamps on Bricks and Roof-tiles</hi1>: G.
                                Filippi </item>
                            <item><hi1 rend="italic">Wall Census</hi1>: M. De Simone </item>
                            <item><hi1 rend="italic">Web site authoring</hi1>: B. Frischer</item>
                        </list>
                    </p>
                    <p><hi1 rend="bold">2002-2003</hi1> (Study seasons totaling 24 weeks) <list>
                            <item><hi1 rend="italic">Editor-in-chief</hi1>: B. Frischer</item>
                            <item><hi1 rend="italic">Editorial Board</hi1>: J. Crawford, M. De
                                Simone </item>
                        </list>
                    </p>
                </div3>
                <div3 type="section" id="div3_c09.1.5">
                    <head>
                        <bibl type="title">C.1.4. Research issues, methods and strategy</bibl>
                    </head>
                    <p id="p_219" n="219"> From the first, this project was conceived as an
                        interdisciplinary research project with many facets. The prime focus was, of
                        course, on archaeological investigation, in which the method of
                        stratigraphic excavation, increasingly common in Italy and elsewhere,<ptr
                            target="nt_c09.1.n4" n="4"/> was to be used on the site for the first
                            time.<ptr target="nt_c09.1.n5" n="5"/> In applying the method, we wished
                        to give pride of place to no particular period (as had been done earlier,
                        with the privileging of the late Republican and mid-imperial phases) but to
                        pay equal attention to all remains coming to light from virgin soil to
                        surface humus. An important second focus was on the previous interventions
                        and excavations, particularly those of Pasqui (1911-14) and Lugli-Price
                        (1930-31), to see if more information could be collected than is available
                        from published sources. We also wished to integrate the new finds of
                        1997-2001 with the older discoveries, and we wanted to subject the finds,
                        old and new, to the first expert analysis ever performed on material from
                        the site. We were interested in a number of questions that inevitably arise
                        for a site such as this: the history of its ownership (including, of course,
                        the matter of Horace’s connection to the property); the history of its
                        occupation, abandonment and reuse through the centuries; and the degree to
                        which features of this particular site reflect broader regional trends in
                        the Anio valley and the Roman hinterland generally. Finally, we wished to
                        determine the extent to which new discoveries could still be made on the
                        site. We hoped to lay the foundation for new fieldwork by other excavators
                        in the future, and to provide raw materials for further analytical studies
                        (for example, about the design, decoration, and use of the villa in the
                        various phases of its existence), which might be more readily undertaken by
                        other scholars after all the disparate materials of earlier excavations and
                        our own were organized, synthesized, and presented in a coherent and
                        manageable fashion. </p>
                </div3>
                <div3 type="section" id="div3_c09.1.6">
                    <head>
                        <bibl type="title">C.1.5. Archaeological strategy</bibl>
                    </head>
                    <p id="p_220" n="220"> The original plan was to excavate for three seasons
                        (1997-1999) and to study the results in two seasons (2000-2001). In the
                        event, the need and opportunity arose for two additional short seasons of
                        fieldwork in 2000-2001, and so the study seasons were postponed until
                        2002-2003. </p>
                    <p id="p_221" n="221">In the course of 25 weeks spread out over the five
                        seasons, an overall surface area of almost 600 square meters was studied
                        with the help of teams composed of 10-15 people, generally a mix of
                        professional archaeologists and volunteers with little or no previous field
                        experience (<hi1 rend="bold">fig. 3</hi1>).<ptr target="nt_c09.1.n6" n="6"/>
                        Considering both the scientific and didactic aspects of the excavation, the
                        ratio of time devoted to excavation and the area studied is extremely
                        favorable, taking into account not only the stratigraphic complexity of a
                        site characterized by a long succession of settlements, but also the
                        thickness of the deposits, which varied between 40-50 centimeters and 1.5-2
                        meters.
                        <figure entity="heb90044.0046" id="fg_heb90044.0046"
                            type="ic">
                            <head>
                                <bibl type="figno">Figure 3</bibl>
                                <bibl type="figcap">The first step of the excavation in 1997.</bibl>
                            </head>
                        </figure></p>
                    <p id="p_222" n="222">While excavations were underway, the process of
                        documenting, analyzing, and restoring the finds through laboratory work was
                        carried out (<hi1 rend="bold">fig. 4</hi1>). An information management
                        system capable of handling all the excavation data was created, and this
                        greatly facilitated the cataloguing of the considerable quantity of data
                        accumulated in the course of the fieldwork.
                        <figure entity="heb90044.0047" id="fg_heb90044.0047"
                            type="ic">
                            <head>
                                <bibl type="figno">Figure 4</bibl>
                                <bibl type="figcap">Activity at the conservation lab, summer 1998.</bibl>
                            </head>
                        </figure></p>
                    <p id="p_223" n="223">The first season lasted only three weeks and had the goals
                        of orienting the team to the site, testing the hypothesis that good ancient
                        stratigraphy was still to be found there, and providing the kind of graphic
                        documentation that would be useful as the project continued. The
                        Superintendency’s state plan of 1993 was scrutinized and determined to have
                        some significant flaws (see Colosi et al., <ptr target="div2_c11.5.1"
                            type="txt" n="E.5"/>). A new zero point was established, and a survey
                        was made, based on the use of a laser theodolite, preparatory to the
                        creation of a new, more accurate state plan. Close study of the site
                        revealed that the most promising area for undisturbed ancient stratigraphy
                        lay on the western side of the site in the area of the baths (Areas 35,
                        37-40, 50). The hillside abutting this area was cleaned and studied.
                        Excavation was concentrated in an area we denominated Sector I (=Areas 37,
                        50; for Sectors see <hi1 rend="bold">fig. 5</hi1>; for Sector I, see also
                            <hi1 rend="bold">figs. 6-7</hi1>). Here there had already been some
                        excavation and restoration carried out in the early 1980s, which had,
                        however, left out an area approximately rectangular in shape (see Frischer,
                            <ptr target="div3_c08.4.7" type="txt" n="B.4.7"/>). </p>
                    <p id="p_224" n="224">The objective of this trial excavation was to understand
                        not only the nature and purpose of the rooms along the western limit of the
                        baths, but to add to our knowledge of the whole bath complex. We hoped to
                        understand the relationship between these rooms, where previous work had
                        resulted only in surface cleaning, and those already excavated in previous
                        interventions (32, 33, 34, 36, 41, 42, 43, 45, 46, etc.). Because the area
                        had been only superficially altered by the previous interventions, it
                        promised to present intact stratigraphy that could be used to establish the
                        transformations that had occurred here and perhaps elsewhere during the
                        various phases of the villa’s existence. </p>
                    <p id="p_225" n="225">In addition to this trial excavation, another excavation
                        was undertaken next to the south wall of the villa in Area 54, which
                        corresponds to the short side of the quadriporticus. Our goal was to
                        understand the break in the enclosing wall of the villa and to verify the
                        standard interpretation of this area as the main entrance to the villa. </p>
                    <p id="p_226" n="226">Geomagnetic and geoelectric prospection (<hi1 rend="bold"
                            >fig. 8</hi1>) was undertaken on the grounds of the archaeological park
                        and just beyond in order to find evidence of structures beneath the surface
                        that might be investigated in the next two seasons. Promising results were
                        found in various places, but, in the event, for practical reasons only those
                        on the grounds of the archaeological park could be examined. Nevertheless,
                        we note here the desirability of undertaking new excavations just across the
                        street from the park (land parcels 109 and 111 in the most recent cadaster)
                        and on the terrace above the site (land parcels 152, 153, 179, 180, 693, and
                        694 in the most recent cadaster).
                        <figure entity="heb90044.0051" id="fg_heb90044.0051"
                            type="ic">
                            <head>
                                <bibl type="figno">Figure 8</bibl>
                                <bibl type="figcap">Results of geomagnetic and geoelectric prospection in sector III.</bibl>
                            </head>
                        </figure></p>
                    <p id="p_227" n="227">In 1998, a second archaeological study was organized with
                        a larger team and more time at our disposal. Sector I was enlarged to
                        include two additional rooms (38 and 40), which had been excavated in the
                        past by the Superintendency, but not to virgin soil. These previous
                        excavations had not been published and, given their incomplete nature, did
                        not permit any conclusions to be drawn about the date or function of this
                        part of the villa. </p>
                    <p id="p_228" n="228">A new excavation sector (Sector V=Area 25) was opened in
                        the north-west corner of the big rectangular pool in the garden of the
                        villa. The goals were to describe the stratigraphy, which turned out to be
                        still intact, and at the same time to determine the type of the flooring and
                        wall covering of the structure. </p>
                    <p id="p_229" n="229">Prof. Kathryn Gleason of Cornell University directed
                        second trial excavation inside the garden (Sector VII=Area 24, <hi1
                            rend="bold">fig. 9</hi1>). The Cornell team excavated close to the
                        access staircase between the residential area and the garden itself, in
                        order to determine the ancient levels and their dating, to see if there were
                        any remains of the garden that could still be found, and, if so, to better
                        understand the garden itself. 
                        <figure entity="heb90044.0052" id="fg_heb90044.0052"
                            type="ic">
                            <head>
                                <bibl type="figno">Figure 9</bibl>
                                <bibl type="figcap">Sector VII, in 1998.</bibl>
                            </head>
                        </figure></p>
                    <p id="p_230" n="230">Prof. John Foss of the University of Tennesee, a soil
                        engineer, worked closely with the Cornell team. Foss’s involvement was aimed
                        at clarifying nature of the geology and soils of the villa and surrounding
                        territory. He also pursued a specific study of the leaching of lead from the
                        water pipes on the site, something he had earlier done at Hadrian’s Villa.
                        Foss’s main technique was boring with a bucket-type auger to determine the
                        stratigraphy; then various laboratory methods were used to measure the
                        amount of lead in the soil in and around water pipes and in randomly chosen
                        other locations (see Foss et al., <ptr target="div4_c11.1.2.3" type="txt"
                            n="E.1.2.2"/> for details). Foss did fieldwork on the site in 1998,
                        1999, and 2000. </p>
                    <p id="p_231" n="231">Another trial excavation (Sector IV=Area 23, <hi1
                            rend="bold">fig. 10</hi1>) was opened on the inside of the western
                        branch of the quadriporticus, in front of the access staircase to the
                        residence. The purpose was to establish the relationship between the outside
                        and the inside of the portico and to identify a probable floor level
                        relating to the earliest phase. 
                        <figure entity="heb90044.0053" id="fg_heb90044.0053"
                            type="ic">
                            <head>
                                <bibl type="figno">Figure 10</bibl>
                                <bibl type="figcap">Sector IV. 1, in 1998.</bibl>
                            </head>
                        </figure></p>
                    <p id="p_232" n="232">The fifth excavation area (Sector VIII=Area 55, <hi1
                            rend="bold">fig. 11</hi1>) was opened about halfway along the eastern
                        branch of the quadriporticus. The goals were to establish the purpose of
                        several structures that encroached upon the east corridor of the
                        quadriporticus, to verify the consistency and the nature of the stratigraphy
                        in this area, and to study a fragment of a circular structure positioned in
                        the middle of the quadriporticus and located on the line of the main axis of
                        the pool (25). The date and function of the latter had been much debated,
                        and we hoped to shed further light on this matter. 
                        <figure entity="heb90044.0054" id="fg_heb90044.0054"
                            type="ic">
                            <head>
                                <bibl type="figno">Figure 11</bibl>
                                <bibl type="figcap">Sector VIII: remains of a fountain (?) in the east wing of the quadriporticus.</bibl>
                            </head>
                        </figure></p>
                    <p id="p_233" n="233">The last trial excavation (Sector IX), to the east of the
                        residential area of the villa, was carried out to verify some anomalies
                        observed in the course of the previous year’s electrical and magnetic
                        prospecting, but it produced no results worthy of note. </p>
                    <p id="p_234" n="234">The 1999 season saw the most archaeological activity. The
                        excavations were completed in Sector I, with work extending into the new
                        Areas 35 and 39. The goals were to understand the original dimensions and
                        function of Areas 38-39-40, to study their connection to Area 35, and to
                        shed light on the nature and phases of Area 35. At the end of the season,
                        these areas were backfilled, with the exception of Area 39, where the newly
                        found remains were conserved and left exposed for public viewing.<ptr
                            target="nt_c09.1.n7" n="7"/> A small stratigraphic excavation was
                        undertaken at the southern limit of Area 23 in the western corridor of the
                        quadriporticus. The purpose was to pursue the previous year’s studies in
                        this area with respect to phasing, occupation levels, and building
                        techniques as well as to examine the masonry stratigraphy of this part of
                        the residential complex. The area just to the north of the residence was
                        cleaned, with the goal of determining whether the villa structures continued
                        beyond the point where Pasqui’s excavations had stopped. Finally, several
                        studies were pursued in the garden, including Areas 24 and 25. In Area 25
                        the southern face of the southeast pier was excavated in an attempt to find
                        dating elements for the pool and to better understand the stratigraphy in
                        this part of the garden. Meanwhile, work continued in Area 24. </p>
                    <p id="p_235" n="235">In 1999, the wall census project was initiated to create a
                        detailed and accurate catalogue of all the walls on the site. This was
                        advisable because the heavy restorations made by Pasqui had, in the
                        intervening 80 years, weathered or been degraded in other ways, making it
                        difficult in many places to distinguish ancient from modern material and
                        thereby complicating the interpretation of the site. In connection with this
                        project, an extensive collection of mortars was made. </p>
                    <p id="p_236" n="236">Finally, in 1999 (and in some cases, in subsequent years)
                        a number of experts visited the site, local museum, and storehouse of the
                        Archaeological Superitendency at Tivoli in order to autopsy the material
                        they had agreed to publish. The classes of material studied included
                        architectonic elements, architectural terracottas, bricks and rooftiles,
                        ceramic pottery, coins, inscriptions, marble flooring and wall revetment,
                        mosaics, sculpture, wall paintings, and water pipes. </p>
                    <p id="p_237" n="237">In 2000 and 2001 (originally planned as study seasons)
                        modest additional archaeological studies were undertaken to finish some work
                        in progress and to fill in some gaps in the new picture of the villa that
                        was gradually emerging. In March, 2000 the work in Area 24 was brought to a
                        conclusion and the trench was backfilled. In June 2000, the area just to the
                        west of 37 and 50, which had been cleaned in 1997 and protected from slides
                        and erosion by a temporary wooden wall (<hi1 rend="bold">fig. 12</hi1>), was
                        landscaped and secured with a permanent green wall (<hi1 rend="bold">figs.
                            13-14</hi1>) by the Israeli firm, PRS Mediterranean. In the preparatory
                        work carried out in June, 2000, the opportunity of further cleaning in this
                        area was utilized to record the ancient remains, which turned out to add
                        important new information about the hydraulic system supplying the baths. </p>
                    <p id="p_238" n="238">In July 2001, a three-week excavation was undertaken in
                        Area 12. Archival research had turned up some previously unknown drawings of
                        plans showing hitherto unrecorded features from the time of Pasqui’s
                        excavations in Areas 6, 11, and 12. If accurate, the plans would provide
                        important, yet previously unknown, evidence of several structures in the
                        area of the residence that Pasqui had found and reburied, but never
                        mentioned in his reports or interviews. Ideally, all three areas would have
                        been excavated to test the reliability of the documents and to record, date,
                        and interpret any features found, but a variety of practical considerations
                        made it possible to do only a limited test excavation in one area. The
                        modern surface of Area 11 has a significant fragment of an ancient mosaic,
                        and work in this area might have put the mosaic at risk. The ancient
                        structure drawn in Area 6 was smaller than that in Area 12; and Area 12 (and
                        the adjacent Area 11) were documented with a section as well as a plan, so
                        that it provided an opportunity to test the validity of the documentation in
                        two dimensions. For these reasons, the test excavation took place in Area
                        12. </p>
                </div3>
                <div3 type="section" id="div3_c09.1.7">
                    <head>
                        <bibl type="title">C.1.6. Resources utilized in archival research</bibl>
                    </head>
                    <p id="p_239" n="239"> As mentioned, a second goal of the project was to collect
                        information about the history of the site from antiquity to the present day,
                        with a special emphasis on previous archaeological interventions and
                        excavations. </p>
                    <p id="p_240" n="240">Archaeological materials from the twentieth century
                        excavations were found on the site, in the Licenza Museum, formerly the
                        Antiquarium (including its small storage room), and at the storehouse of the
                        Archaeological Superintendency of Lazio at Ercole Vincitore. The major gap
                        in the collection of archaeological finds comes from the theft in the
                        Licenza Antiquarium in 1978 (see Frischer, <ptr target="div3_c08.4.7"
                            type="txt" n="B.4.7"/>). For the objects stolen, we attempted to use
                        photographs in the Archaeological Superintendency that were taken before the
                        theft, and, except for the coins, they provided an acceptable makeshift.
                        Unfortunately, the coins were photographed many decades ago at small scale
                        and so could not be interpreted at all from the images (see Buttrey, <ptr
                            target="div4_c10.11.1.1" type="txt" n="D.11"/>). </p>
                    <p id="p_241" n="241">For published sources on the site, good bibliographical
                        information existed, starting with Lugli’s bibliography<ptr
                            target="nt_c09.1.n8" n="8"/>but also including the unpublished
                        comprehensive bibliography of Prof. Charles Henderson, which contains
                        materials printed through 1993 and which the author kindly put at our
                        disposal. </p>
                    <p id="p_242" n="242">For unpublished, archival materials (including photographs
                        as well as documents), there was no previous research to rely on, and, as
                        with any archival research, the search required persistence and luck. The
                        biggest gap in the archival record is the working papers of Angelo Pasqui,
                        which are still missing, as Lugli noted with regret in 1926.<ptr
                            target="nt_c09.1.n9" n="9"/> Another gap are the professional papers of
                        Lugli himself; upon his death, these were donated by his family to the
                        Archivio Capitolino, but have gone missing.<ptr target="nt_c09.1.n10" n="10"
                        /> They might have shed a great deal of light on a number of matters,
                        including Lugli’s 1926 article, his excavation with Thomas Price in 1930-31,
                        and his restorations of the site in the early 1930s. </p>
                    <p id="p_243" n="243">The fact that the Pasqui and Lugli letters are missing was
                        ascertained through helpful interviews with Pasqui’s grandson, Giorgio
                        Pasqui of Bibbiena, and with Lugli’s son, Pier Maria Lugli of Rome. In
                        general, such interviews with persons connected to the site in the past
                        proved useful. In addition to Mssrs. Lugli and Pasqui, we interviewed
                        several present or former employees of the Archaeological Superintendency
                        responsible for Licenza, including Domenico Facenna,<ptr
                            target="nt_c09.1.n11" n="11"/> Adriano La Regina,<ptr
                            target="nt_c09.1.n12" n="12"/> and Antonio Muzi.<ptr
                            target="nt_c09.1.n13" n="13"/>
                    </p>
                    <p id="p_244" n="244">The following archives were consulted for documentation
                        illustrating the history of the site: <table border="0">
                            <row>
                                <cell>&bullet;</cell>
                                <cell>Archivio Capitolino,<ptr target="nt_c09.1.n14" n="14"/>Comune
                                    di Roma, Fondo Orsini. Here are to be found several medieval
                                    documents for the history of Orsini holdings in the Licenza
                                        Valley.<ptr target="nt_c09.1.n15" n="15"/> See also below,
                                    UCLA. </cell>
                            </row>
                            <row>
                                <cell>&bullet;</cell>
                                <cell>Archivio Centrale dello Stato (EUR/Rome).<ptr
                                        target="nt_c09.1.n16" n="16"/> This archive contains the
                                    documents from the Direzione Generale delle Antichità e Belle
                                    Arti. Here can be found documentation pertaining to Pasqui’s
                                    excavations of 1911-14, including the Pasqui-Ricci
                                    correspondence (Ricci’s letters are usually drafts).</cell>
                            </row>
                            <row>
                                <cell>&bullet;</cell>
                                <cell> Archivio della Soprintendenza Archeologica per il Lazio. This
                                    archive contains adminstrative documents pertaining to “Horace’s
                                    Villa” from the early twentieth century until the present day.
                                    It includes messages sent to Pasqui by his staff from Licenza
                                    during the 1911-14 excavations as well as the Pasqui-Ricci
                                    correspondence (Pasqui’s letters are often drafts). </cell>
                            </row>
                            <row>
                                <cell>&bullet;</cell>
                                <cell>Archivio della Soprintendenza Archeologica di Roma (Palazzo
                                    Altemps). This archive contains one file of the graphic
                                    documentation of Pasqui’s excavations of “Horace’s Villa”.<ptr
                                        target="nt_c09.1.n17" n="17"/>
                                </cell>
                            </row>
                            <row>
                                <cell>&bullet;</cell>
                                <cell>Archivio di Stato, Roma. This collection contains the archive
                                    of the Ministero per Lavori Pubblici of the Papal States, which
                                    in the nineteenth century had to give permissions for private
                                    archaeological excavations. Excavators were required to file
                                    regular reports on their finds. It also has copies of the
                                    cadasters of property in Licenza under the Papal government.
                                </cell>
                            </row>
                            <row>
                                <cell>&bullet;</cell>
                                <cell>Archivio Segreto Vaticano, Archivio Borghese. Here may be
                                    found documents pertaining to ownership of land in Licenza by
                                    the Borghese family from the seventeenth through nineteenth
                                        centuries.<ptr target="nt_c09.1.n18" n="18"/>
                                </cell>
                            </row>
                            <row>
                                <cell>&bullet;</cell>
                                <cell>Archivio Storico, Comune di Licenza. This archive contains
                                    municipal documents, including the minutes of meetings of the
                                    city council, from the Risorgimento until the present day.
                                </cell>
                            </row>
                            <row>
                                <cell>&bullet;</cell>
                                <cell>Biblioteca Angelica, Rome. This library holds the
                                    correspondence of Felice Barnabei, a friend of Angelo Pasqui, in
                                    the Archivio Barnabei.<ptr target="nt_c09.1.n19" n="19"/> Its
                                    holdings also include the Archivio Academia degli Arcadi.<ptr
                                        target="nt_c09.1.n20" n="20"/>
                                </cell>
                            </row>
                            <row>
                                <cell>&bullet;</cell>
                                <cell>Biblioteca Classense, Comune di Ravenna. Here may be found the
                                    Carteggio Corrado Ricci,<ptr target="nt_c09.1.n21" n="21"/> the
                                    archive of Ricci’s extensive correspondence. </cell>
                            </row>
                            <row>
                                <cell>&bullet;</cell>
                                <cell>National Library of Scotland, Special Collections. The
                                    earliest known version of Allan Ramsay’s treatise on Horace’s
                                        villa<ptr target="nt_c09.1.n22" n="22"/>may be found here,
                                    as well as the diary of his son, John,<ptr target="nt_c09.1.n23"
                                        n="23"/> from the trip father and son took to Italy in 1783,
                                    when Ramsay was putting the final touches on his treatise.
                                </cell>
                            </row>
                            <row>
                                <cell>&bullet;</cell>
                                <cell>UCLA Young Research Library, Special Collections. Here are to
                                    be found the parts of the Orsini Archive not in the Archivio
                                        Capitolino<ptr target="nt_c09.1.n24" n="24"/> and the fair
                                    copy of Allan Ramsay’s treatise on Horace’s Villa.<ptr
                                        target="nt_c09.1.n25" n="25"/>
                                </cell>
                            </row>
                            <row>
                                <cell>&bullet;</cell>
                                <cell>University of Edinburgh Library, Special Collections. The
                                    library owns a copy of Allan Ramsay’s treatise on Horace’s Villa
                                    that dates to a time between the copies in the National Library
                                    of Scotland and UCLA.<ptr target="nt_c09.1.n26" n="26"/>
                                </cell>
                            </row>
                        </table></p>
                    <p id="p_245" n="245">The following photographic archives were also consulted:
                            <table border="0">
                            <row>
                                <cell>&bullet;</cell>
                                <cell>Archive, British School at Rome. The archive contains the
                                    Thomas Ashby photographic collection, including 14 shots of the
                                    Licenza Valley taken in 1927.</cell>
                            </row>
                            <row>
                                <cell>&bullet;</cell>
                                <cell> Archivio Fotografico, <hi1 rend="italic">Corriere della
                                    Sera</hi1>. The archive kindly made available to us copies of
                                    the photographs in its files that were made in 1913 to
                                    illustrate the article in <hi1 rend="italic">La Lettura</hi1>
                                    written by Paolo Giordani about the Pasqui excavations. </cell>
                            </row>
                            <row>
                                <cell>&bullet;</cell>
                                <cell>Archivio Fotografico, Soprintendenza Archeologica per il
                                    Lazio. The collection contains all the official photographic
                                    documentation for Licenza taken by the Superintendency (or, its
                                    predecessor, the Ufficio Scavi per Roma e la Provincia di Roma e
                                    Aquila) from 1911 to the present day. </cell>
                            </row>
                            <row>
                                <cell>&bullet;</cell>
                                <cell>Fototeca Unione. The collection includes 13 photographs taken
                                    by Ernest Nash on the site of “Horace’s Villa” in 1955. </cell>
                            </row>
                            <row>
                                <cell>&bullet;</cell>
                                <cell>Gabinetto Fotografico Nazionale. The collection holds five
                                    photographs of “Horace’s Villa” taken in ca. 1914/15 at the
                                    conclusion of Pasqui’s excavations. </cell>
                            </row>
                            <row>
                                <cell>&bullet;</cell>
                                <cell>Photo Archives, German Archaeological Institute (Rome). The
                                    collection was searched for useful photographs of the remains or
                                    finds of “Horace’s Villa,” but nothing of interest was found.
                                </cell>
                            </row>
                            <row>
                                <cell>&bullet;</cell>
                                <cell>Aerofototeca, Istituto Centrale per il Catalogo e la
                                    Documentazione (Rome-EUR).<ptr target="nt_c09.1.n27" n="27"/>
                                    The holdings include four aerial photographs of “Horace’s Villa”
                                    taken in 1970. </cell>
                            </row>
                        </table></p>
                </div3>
                <div3 type="section" id="div3_c09.1.8" status="hidden">
                    <head>
                        <bibl type="title">C.1.7. Documentation and database</bibl>
                    </head>
                    <div4 type="section" id="div3_c09.1.8.1">
                        <head>
                            <bibl type="title">[text]</bibl>
                        </head>
                        <p id="p_246" n="246"> During fieldwork, trench supervisors were responsible
                            for recording data. Given the fact that excavation is destructive, it is
                            necessary to provide for careful and effective documentation so that the
                            greatest amount of information can be captured and saved. The greater
                            the amount of this information, the more complex becomes its management
                            and synthesis. But the act of documenting an excavation is not limited
                            to collecting data in the field; it also concerns the digitization of
                            data in the field or, as in our case, immediately afterwards in the
                            laboratory, with the aid of an appropriate relational database. </p>
                    </div4>
                    <div4 type="section" id="div3_c09.1.8.2">
                        <head>
                            <bibl type="title">C.1.7.1. Data collection</bibl>
                        </head>
                        <p id="p_247" n="247"> The <hi1 rend="italic">Excavation Notes</hi1> were
                            filled out every day by each trenchmaster (<hi1 rend="bold">fig.
                            15</hi1>). Here the archaeologist’s first impressions were recorded,
                            along with all the activities carried out in the work area and including
                            the finding of any noteworthy objects. The <hi1 rend="italic">Excavation
                                Notes</hi1> form also included room for sketches and measured
                            drawings. This kind of documentation, written in a discursive style,
                            might seem old-fashioned, but it has proven to be a tool that retains
                            its usefulness today, both for the interpretation of data recorded
                            elsewhere in the information system (generally by various experts), and
                            as an aide-memoire to the trenchmaster for the doubts, second thoughts,
                            and the day-to-day unfolding of the excavation—all of which becomes
                            important to review when the time comes to write a final report. 
                            <figure entity="heb90044.0058" id="fg_heb90044.0058"
                                type="ic">
                                <head>
                                    <bibl type="figno">Figure 15</bibl>
                                    <bibl type="figcap">Excavation note.</bibl>
                                </head>
                            </figure></p>
                        <p id="p_248" n="248">To register the data pertaining to the stratigraphic
                            units (SU), we used as a model the forms developed by the Italian
                            Ministero per i Beni e le Attività Culturali and approved by the ICCD
                            (Istituto Centrale per il Catalogo e la Documentazione, a unit of the
                            Ministry; <hi1 rend="bold">figs. 16-17</hi1>).<ptr target="nt_c09.1.n28"
                                n="28"/> A similar form was used for registering walls (Mural
                            Stratigraphic Unit, or MSU). For the numbering system used to identify
                            each SU or MSU, we decided to build into the code an indication of the
                            excavation sector from which the SU or MSU came. The archaeological site
                            was divided into the following sectors: I, bath complex; II, southern
                            branch of the quadriporticus; III, residence; IV, western branch of the
                            quadriporticus; V, pool; VI, central area of the garden; VII, northern
                            area of the garden; VIII, eastern branch of the quadriporticus; IX, zone
                            to the northeast behind the structures currently visible on the site and
                            near the entrance from the parking lot; X, sector used to denote studies
                            of the walls (see <hi1 rend="bold">fig. 5</hi1>). Each SU or MSU is
                            identified by a number of four figures (five for Sector X) composed of
                            the sector number at the head and then by a progressive numeration of
                            the SU found in it. For example, if the sector is IV, the numeric series
                            will run from 4,000 to 4,999; if VII, from 7,000 to 7,999; if X, from
                            10,000 to 10,999. Sector I has available all the numbers from 0 to
                            1,999. 
                            <figure entity="heb90044.0059" id="fg_heb90044.0059"
                                type="ic">
                                <head>
                                    <bibl type="figno">Figure 16</bibl>
                                    <bibl type="figcap">Stratigraphic unit form (front).</bibl>
                                </head>
                            </figure>
                            <figure entity="heb90044.0060" id="fg_heb90044.0060"
                                type="ic">
                                <head>
                                    <bibl type="figno">Figure 17</bibl>
                                    <bibl type="figcap">Stratigraphic unit form (back).</bibl>
                                </head>
                            </figure></p>
                        <p id="p_249" n="249">By SU we mean every recognizable action changing the
                            surface of the earth, whether human or natural.<ptr
                                target="nt_c09.1.n29" n="29"/>The registration of all the elements
                            useful for identifying a SU is an indispensable means for being able to
                            reach a comprehensive interpretation of a site, by means of—wherever
                            possible—the recognition of activities. Thus, both in the moment of
                            excavating and in the act of recording the data, particular attention
                            must be paid to the characteristics and stratigraphic relationships so
                            that the sequence of individual actions or activities can be
                            reconstructed in the matrix.<ptr target="nt_c09.1.n30" n="30"/> The
                            design of the forms we utilized satisfies these requirements, obligating
                            the person responsible to fill out all the fields on the records. In
                            this way, next to the discursive and sometimes rather informal comments
                            appropriate to the <hi1 rend="italic">Excavation Notes</hi1>, the
                            trenchmaster also must record the data in a precise and concise way. </p>
                        <p id="p_250" n="250">As the excavation proceeded, the trenchmaster had the
                            responsibility of creating a catalogue of all the individual SU he or
                            she found, giving the reference number and position for each. </p>
                        <p id="p_251" n="251">During the excavation, once a SU had been identified,
                            the trenchmaster prepared an overlay (or single-context plan)<ptr
                                target="nt_c09.1.n31" n="31"/> and documented it photographically.
                            Survey was done by a hybrid method utilizing a total station and
                            traditional surveying tools (measuring tape, plumb line, drawing
                            frames). Each photograph was entered into the photo list and annotated
                            when shot. The photo lists were then matched with the photographs once
                            they were developed and contact sheets printed, and an inventory of the
                            photographs was created. </p>
                        <p id="p_252" n="252">Photography was both chemical and digital. Black and
                            white 35 mm chemical photographs were taken of all stratigraphic units
                            and small finds (Kodak 5052 TMX was the preferred product). Important
                            stratigraphic units and all small finds were also photographed with 35
                            mm slide film (Kodak Ektachrome was the preferred product). Small finds
                            were also recorded on 35 mm color print film (Kodak Gold 200-6 was the
                            preferred product). During the course of the project, consumer digital
                            photography made great strides. In 1997 and 1998, digital photography
                            was only used for informal shots to be used on the project’s Internet
                            site. By 1999 and thereafter, a Nikon Coolpix 2.1 megapixel camera was
                            purchased and used for supplementary documentation of stratigraphic
                            units and finds. All non-digital photographs were digitized at high
                            resolution and included in the photographic database described below. </p>
                        <p id="p_253" n="253">In 1999, an aerial photographic survey of the site was
                            carried out by a small radio-controlled helicopter, under the
                            supervision of Robert Ajtai of VE.DO. </p>
                        <p id="p_254" n="254">At the end of each season, reports were produced by
                            each trenchmaster, synthesizing the results for his sector and
                            including, as an appendix, the filled-out forms (<hi1 rend="italic"
                                >Excavation Notes</hi1>, SU and MSU forms, photo lists, etc.). </p>
                        <p id="p_255" n="255">Once archaeological material left the site, it was
                            taken to the project’s nearby laboratory in the Mulino of Licenza for
                            inventory and study. All the material taken to the laboratory was
                            cleaned and classified and entered into a related catalogue. For the
                            noteworthy materials, a special form was developed (<hi1 rend="bold"
                                >fig. 18</hi1>), which reflects the main fields of the so-called
                            “pre-catalogue.” The noteworthy material, after being photographed, was
                            then inventoried according to the rules and procedures of the
                            Archaeological Superintendency for Lazio.
                            <figure entity="heb90044.0061" id="fg_heb90044.0061"
                                type="ic">
                                <head>
                                    <bibl type="figno">Figure 18</bibl>
                                    <bibl type="figcap">Noteworthy materials form.</bibl>
                                </head>
                            </figure></p>
                    </div4>
                    <div4 type="section" id="div3_c09.1.8.3">
                        <head>
                            <bibl type="title">C.1.7.2. Data management</bibl>
                        </head>
                        <p id="p_256" n="256"> Throughout the project, written forms were digitized
                            and included in the project’s information management system. The
                            processing of information from the catalogues, inventories, and forms
                            was carried out with the aid of commercial software such as Microsoft
                            Word, Access, and Excel. In addition, all the slides taken of excavated
                            material were digitalized with the Epson GT7000 scanner at a resolution
                            of 1200 DPI (dots per inch). The scans were saved in JPEG (Joint
                            Photographic Experts Group) format at the medium level of quality. In
                            this phase of the work, our priority was to maximize efficiency in
                            managing data and not to prepare publication-quality images. We knew
                            that, in the end, few of our thousands of images would be published, and
                            those could be digitalized anew in uncompressed format at the highest
                            level of quality in the production phase of publication. All of the
                            overlays were digitalized and then vectorialized with AutoCad. </p>
                        <p id="p_257" n="257">Luca Passalacqua and Stefano Camaiani, then two <hi1
                                rend="italic">laureandi</hi1> in the Department of Archaeology at
                            the University of Siena, were responsible for our data management and
                            for designing an information system that allows the user to make queries
                            across most of the data categories (<hi1 rend="bold">fig. 19</hi1>). 
                            <figure entity="heb90044.0062" id="fg_heb90044.0062"
                                type="ic">
                                <head>
                                    <bibl type="figno">Figure 19</bibl>
                                    <bibl type="figcap">Horace's Villa Project database.</bibl>
                                </head>
                            </figure></p>
                        <p id="p_258" n="258">Initial plans called for all the individual databases
                            to be combined in a composite Geographic Information System (GIS)
                            utilizing ArcView. In the event, this part of the data management
                            project was not implemented for lack of personnel and funds. On the
                            other hand, the lack of a GIS interface, while regrettable, did not
                            materially compromise the usefulness of the system, which greatly
                            facilitated analysis and interpretation during our study seasons and,
                            afterward, during the production of this volume (<hi1 rend="bold">fig.
                            20</hi1>).
                            <figure entity="heb90044.0063" id="fg_heb90044.0063"
                                type="ic">
                                <head>
                                    <bibl type="figno">Figure 20</bibl>
                                    <bibl type="figcap">Meeting of the working group of the Horace's Villa Project, December, 2000.</bibl>
                                </head>
                            </figure></p>
                    </div4>
                </div3>
                <div3 type="section" id="div3_c09.1.9">
                    <head>
                        <bibl>C.1.8. Disposition of finds and documentation</bibl>
                    </head>
                    <p id="p_259" n="259"> The small finds were taken to the Archaeology Laboratory
                        of the American Academy in Rome, where they were studied by various experts.
                        At the conclusion of the 2002 study season, all objects were inventoried
                        according to the system of the Archaeological Superintendency for Lazio and
                        transported to the storehouse of the Superintendency at Ercole Vincitore
                        (Tivoli). There, they were stored in the same general area as the older
                        finds from Licenza. </p>
                    <p id="p_260" n="260">Upon publication of this report, all original versions of
                        the written, photographic, and digital documentation will be deposited for
                        long-term storage with the Archaeological Superintendency for Lazio. </p>
                </div3>
            </div2>
            <div2 id="div2_c09.2" type="section" status="hidden">
                <head>
                    <bibl type="title">C.2. The Residence</bibl>
                </head>
                <p>
                    <hi1 rend="bold">By Monica De Simone and Laura Cerri</hi1>
                </p>
                <div3 id="div3_c09.2.1" type="section">
                    <head>
                        <bibl type="title">C.2.1. Excavation in Area 12</bibl>
                    </head>
                    <p id="p_261" n="261">This excavation (Sector III.12) was conducted in July,
                        2001, following the discovery of a document (<hi1 rend="bold">fig. 1</hi1>),
                        which was identified by Bernard Frischer shortly after it had been found in
                        2000 by Klaus Werner in the Archive of the Archaeological Superintendency
                        for Rome in Palazzo Altemps (see the contribution of Frischer, <ptr
                            target="div3_c08.4.1" type="txt" n="B.4.1"/>). Recognizing that the
                        document was extremely important because it contained a plan of the Pasqui
                        excavations showing features never before published and no longer visible on
                        the surface, Frischer immediately requested permission to conduct the
                        excavation, which was kindly granted by the Archaeological Superintendency
                        for Lazio. The present writer was the field director of the project. 
                        <figure entity="heb90044.0064" id="fg_heb90044.0064"
                            type="ic">
                            <head>
                                <bibl type="figno">Figure 1</bibl>
                                <bibl type="figcap">Document from the SAR Archives in Palazzo Altemps (Rome); it is related to rooms 11 and 12 during the excavations 1911-1914: above, plan (a); below, section (b).</bibl>
                            </head>
                        </figure></p>
                    <p id="p_262" n="262">The plan, datable to the period between 1911 and 1914,
                        shows a situation not otherwise known within Areas 11 and 12 of our plan.
                        Area 12 is commonly identified as the <hi1 rend="italic">atrium</hi1> with
                            <hi1 rend="italic">impluvium</hi1>; room 11, bordering Area 12 on the
                        east but not communicating with it, currently presents a pavement with a
                        restoration of a portion of the mosaic preserved in the northeast corner of
                        the space. The archival document, in addition to indicating some
                        measurements, shows the following features: in Area 12, a sort of
                        horseshoe-shaped structure running parallel to the walls on the east, north,
                        and west to a distance of about 50 cm; near the southwest corner, a
                        structure with a right angle, which may indicate the presence of another
                        room; and in room 11, a staircase with five steps. To the plan is attached
                        an east-west section (cf. <hi1 rend="bold">fig. 1b</hi1>; see letters C and
                        D of <hi1 rend="bold">fig. 1a</hi1>), which shows how the features of the
                        plan should be understood to relate to structures below the present surface
                        level (corresponding to the footing of the walls in <hi1 rend="italic">opus
                            reticulatum</hi1>) and not, as could be hypothesized by the lack of
                        quotas, to walls demolished during Pasqui’s excavations. A note in the
                        margin of the section indicates that these structures pertain to a
                        not-further-defined “medieval house” (“casa medievale”). </p>
                    <p id="p_263" n="263">The photographs of the period do not clearly show this
                        stage of the Pasqui intervention, but it is possible to verify in them the
                        level reached by the excavations, as well as the condition of the
                        structures, which were almost entirely limited to the foundations (<hi1
                            rend="bold">fig. 2</hi1>). Particularly striking is the complete
                        absence, at least at the time the photographs were taken, of the present
                        northern wall of Area 12.
                        <figure entity="heb90044.0065" id="fg_heb90044.0065"
                            type="ic">
                            <head>
                                <bibl type="figno">Figure 2</bibl>
                                <bibl type="figcap">Room 12 from south-west, during the excavations 1911-1914 (Archive SAL, A96-949).</bibl>
                            </head>
                        </figure></p>
                    <p id="p_264" n="264">Cleaning and stratigraphic excavation in the eastern half
                        of Area 12 (<hi1 rend="bold">fig. 3</hi1>) was undertaken in order to verify
                        the document and to clarify the nature and function of the area in question
                        in its various phases. <figure entity="heb90044.0066" id="fg_heb90044.0066"
                            type="ic">
                            <head>
                                <bibl type="figno">Figure 3</bibl>
                                <bibl type="figcap">Plan of Area 12 at the end of the excavation 2001.</bibl>
                            </head>
                        </figure></p>
                    <p id="p_265" n="265">The excavations of 1911-1914 removed or at least disturbed
                        almost all the ancient archaeological stratigraphy, with the notable
                        exception of SU 3144 (see below). As a result, there were practically no
                        elements that could furnish an absolute date. However, it was possible to
                        find and analyze the features summarily indicated in the archival document,
                        and also to verify the presence of heavy restoration. </p>
                    <p id="p_266" n="266">The only original portion in <hi1 rend="italic">opus
                            reticulatum</hi1> (SU 3117) was identified on the face of the eastern
                        wall in the northern zone of the area. Exactly corresponding to it was
                        revealed SU 3102, belonging to a fragment of the preparation of the floor.
                        That was certainly consistent with the reticulate structure covering the
                        footing of its foundation (SU 3136) and abutting the wall. In contrast, its
                        relationship with another foundation we identified (SU 3103) is more
                        complex. This foundation runs in a north-south direction and is almost
                        parallel to wall 3117. The foundation should be the east arm of the
                        horseshoe-shaped structure of the archival document. But no northern arm was
                        found, and SU 3103 clearly abuts the ancient foundation (SU 3121) of the
                        northern wall (3122, a restoration) of the area. The foundation 3103,
                        consisting of lime and a loose, yellowish mortar, was made in a vertical cut
                        (SU 3115), penetrating through the ancient soil (SU 3110=SU 3114), which was
                        almost completely sterile. In the southern zone of the area, SU 3103 is
                        either partially preserved at a lower level or is almost completely razed.
                        However, SU 3132, 3137, 3141, 3142, and 3143, which are small traces, must
                        relate to its construction. They provide evidence that clearly attests the
                        continuation of the wall toward the south (<hi1 rend="bold">fig. 4</hi1>).
                        Obviously, one can say nothing about the elevation of this wall, nor can one
                        completely exclude the possibility that it was coeval with SU 3117, creating
                        a very narrow service corridor, even if the dimensions of this space would
                        lead one to think otherwise. <figure entity="heb90044.0067" id="fg_heb90044.0067"
                            type="ic">
                            <head>
                                <bibl type="figno">Figure 4</bibl>
                                <bibl type="figcap">Room 12, from the south: visible in the trace of SMU 3103 that was built on the basin.</bibl>
                            </head>
                        </figure></p>
                    <p id="p_267" n="267">The part of greatest interest comprises the structures
                        attested near the southeast corner of the area, identified in Pasqui’s
                        excavations and indicated in the archival document but apparently neglected
                        by the restorers. </p>
                    <p id="p_268" n="268">No feature that can be related to a “medieval house” was
                        discovered, but what can be recognized is a hydraulic installation, whose
                        use cannot be determined with certainty. Obviously, we are in a phase in
                        which the foundations 3113 and 3125-3127 had not yet been built, nor the
                        wall related to structure 3103. All these features need to be set aside in
                        considering the nature and function of the earlier water system. What
                        remains of the system is part of a basin, presumably square, delimited to
                        the north by SU 3107 and to the west by SU 3123. Its wall structures are
                        covered, on the interior wall of the basin, with a thin layer of <hi1
                            rend="italic">cocciopesto</hi1> (SU 3108 and 3124). The basin was built
                        after the cutting of SU 3110 and the deposit of virgin clay (SU 3145). One
                        wall, 3107, in <hi1 rend="italic">opus caementicium</hi1> (grayish mortar
                        and lime), was constructed against earth (<hi1 rend="italic"
                        >controterra</hi1>); the other wall, 3123, was not. The latter does not,
                        however, show a regular face on the western side. Parallel to the wall 3123
                        runs a small water channel, made of a thick pavement of <hi1 rend="italic"
                            >cocciopesto</hi1>. The water, which ran in from a pipe housed in 3107
                        near the corner with 3123, flowed out only a short distance, thanks to the
                        drain made from SU 3140. </p>
                    <p id="p_269" n="269">The basin lacks its southern and eastern sides, but two
                        other features may help to clarify the function of the installation. Inside
                        the basin, near the eastern limit of the presently visible part of 3107,
                        there is a column (3111; <hi1 rend="bold">fig. 5</hi1>). The column is not
                        completely circular and was made with fragments of roof-tiles and mortar,
                        partially covered with a thin layer of <hi1 rend="italic">cocciopesto</hi1>
                        (SU 3112). The column was made after pavement 3131 became operational and
                        was built with a mixture of mortar different from that found in walls 3107
                        and 3123. The <hi1 rend="italic">cocciopesto</hi1>, however, is rather
                        similar. The column could thus represent a later addition or an ancient
                        repair, although we cannot completely exclude a unique construction phase.
                        It is only 20 cm distant from the wall of 3107 and presents, toward the
                        wall, a face that is flat rather than circular, and with no revetment. <figure entity="heb90044.0068" id="fg_heb90044.0068"
                            type="ic">
                            <head>
                                <bibl type="figno">Figure 5</bibl>
                                <bibl type="figcap">Room 12: detail of the top of the column (MSU 3111).</bibl>
                            </head>
                        </figure></p>
                    <p id="p_270" n="270">Corresponding to it, on the wall of 3107 (revetment 3108),
                        two irregular holes, which were made by puncturing the <hi1 rend="italic"
                            >cocciopesto</hi1>, are present at a different height. These suggest the
                        existence of a vertical feature, presumably in a perishable material
                        (perhaps a wooden beam?) secured to the basin by nails, which caused the
                        puncture holes observed in the <hi1 rend="italic">cocciopesto</hi1> against
                        which the column would have been erected. On the top of the column, as it
                        now exists, a small irregularly-shaped bronze feature, sunk into the mortar,
                        is still visible. The interpretation of the function of this installation
                        must also take into account another interesting feature, namely, SU 3139
                            (<hi1 rend="bold">fig. 6</hi1>). This is a portion of the imprint of
                        what appears to have been another column analogous to 3111, positioned in
                        front of 3123 near the drainage channel 3140. It seems plausible to
                        hypothesize that the arrangement was similar on the two missing sides of the
                        basin, which would also have had vertical elements that stood a little bit
                        in front of the walls, approximately half way (?) down their length. <figure entity="heb90044.0069" id="fg_heb90044.0069"
                            type="ic">
                            <head>
                                <bibl type="figno">Figure 6</bibl>
                                <bibl type="figcap">Room 12: detail of SU3139, probably the imprint of a column.</bibl>
                            </head>
                        </figure></p>
                    <p id="p_271" n="271">As noted, the basin was created by a cut (SU 3146) that
                        penetrated the clay deposit (3145), which was partially shaped in relation
                        to wall 3123. Cut 3146 was obviously visible only outside the basin. The
                        regularization continues to the west of the basin, perhaps because,
                        initially, the construction of a second similar basin was planned. This
                        zone, however, was impacted by fill (SU 3144), which was dumped into 3146.
                        It yielded fragments of roof-tiles and cover-tiles (some with traces of
                        exposure to high temperature), small amounts of charcoal, and practically no
                        pottery. </p>
                    <p id="p_272" n="272">The relative chronology of the southern zone of the trench
                        is fairly clear. After the creation of the basin, which necessitated a
                        regularization of the natural slope (running downwards from north to south),
                        the fill 3144 was made. In the absence of stratigraphy, we can hypothesize a
                        succeeding phase of abandonment or of additional filling that put the
                        hydraulic installation out of use. The foundations that were constructed in
                        the next phase were partially built in the “vertical cut” manner up to the
                        point where they reached the part of the basin that is still preserved. This
                        new building phase (MSU 3113, 3127-3125) includes a general raising of the
                        level, now indicated by the restored structures, that is fortunately
                        verifiable thanks to the survival of an original portion of wall 3117. </p>
                    <p id="p_273" n="273">The relationship between this new phase and the
                        construction of SU 3103 (and related traces of that activity: SU 3132, 3137,
                        3141, 3142, and 3143) remains uncertain. However, it appears that the
                        discontinuity of wall 3127 must relate to the continuation of 3103 toward
                        the south. </p>
                    <p id="p_274" n="274">The northern part of the excavation was less thoroughly
                        studied. Here the first excavators did not dig as extensively, touching only
                        the surface layers and the probable residuum of a floor bedding (SU 3134).
                        Once SU 3134 was removed, it was ascertained that the ancient stratum SU
                        3110 (=3114=3130) was still preserved in this area. The stratum was
                        partially removed in the central zone of the excavation and turned out to be
                        completely sterile. Only a small part of SU 3102 was removed, in order to
                        investigate SU 3114. </p>
                    <p id="p_275" n="275">Near the western limit of the trench, another structure
                        (SU 3133, <hi1 rend="bold">fig. 7</hi1>) was identified. It was probably a
                        foundation and was built of small, medium, and large stones bonded by clay,
                        not mortar. It is hard to establish its relationship with SU 3121 (the
                        ancient foundation of the northern wall of the room), since only the top was
                        investigated. The structure runs south for a short distance, where it was
                        probably partly demolished when the brick wall 3119 was erected. Wall 3119
                        constitutes the eastern side of the small rectangular basin (the so-called
                            <hi1 rend="italic">impluvium</hi1>), which is slightly off-center within
                        Area 12. It lacks a foundation and was built directly on SU 3110. The wall
                        seen during the excavation has modern mortar, and one may entertain strong
                        doubts about its antiquity, at least at this point. <figure entity="heb90044.0070" id="fg_heb90044.0070"
                            type="ic">
                            <head>
                                <bibl type="figno">Figure 7</bibl>
                                <bibl type="figcap">Room 12, from the north: structure 3133.</bibl>
                            </head>
                        </figure></p>
                    <p id="p_276" n="276">Despite the practical limits of this excavation, the
                        project brought to light new data and has furnished new evidence of the
                        drastic nature of the restorations made from 1911-1914. We can now exclude
                        the existence of a wall running parallel to the northern limit of the space,
                        as was indicated on the archival document. The foundations 3103 and 3133
                        show a further phase, in which the complex presented a different
                        arrangement, although it had almost exactly the same orientation. It is
                        clear, however, that the structures indicated on the document near the
                        southwest corner are not related to the medieval period but to a phase
                        earlier than that represented by the structures in <hi1 rend="italic">opus
                            reticulatum</hi1>. </p>
                    <p id="p_277" n="277">Besides attesting a previous phase than what is presently
                        seen on the site, the basin offers various points of interest (<hi1
                            rend="bold">fig. 8</hi1>). If it can be established that its function
                        was practical, it would be the only feature heretofore found of the <hi1
                            rend="italic">pars rustica</hi1> of the villa in any phase. This it
                        would mean that the villa had a far different functional design in the early
                        period than it came to have in the phase exposed to view since the time of
                        Pasqui. But even if its function turns out to have been ornamental, the fact
                        that the structures of the next phase obliterated it attests a complete
                        reworking of the layout of the villa in this part. <figure entity="heb90044.0071" id="fg_heb90044.0071"
                            type="ic">
                            <head>
                                <bibl type="figno">Figure 8</bibl>
                                <bibl type="figcap">Room 12, from the east: the visible portion of the basin at the end of the excavation of 2001.</bibl>
                            </head>
                        </figure></p>
                </div3>
                <div3 id="div3_c09.2.2" type="title">
                    <head>
                        <bibl type="title">C.2.2. Soundings north of Areas 6, 17, and 26</bibl>
                    </head>
                    <p id="p_278" n="278"> In the course of the archaeological investigations
                        undertaken in 1999, three soundings were executed in the northern zone of
                        the villa (Sector III) between the wrought-iron security wall delimiting the
                        archaeological park on the north and the wall running east-west that, today,
                        appears to close off the residence on its northern side (cf. <ptr
                            target="div3_09.1.1" type="txt" n="C.1"/>. fig. 5). These explorations
                        were made to determine the correctness of the plan of the residence
                        published by Lugli and later scholars, which, for a variety of reasons, can
                        be doubted. First of all, there is a disproportion between the size of the
                        garden and quadriporticus, on the one hand, and of the residence, on the
                        other: the residence ought to have been larger. Moreover, the brick fountain
                        situated in Area 8 oddly juts out beyond the alleged northern closure wall
                        of the residence. Equally unexpected is the fact that, if the alleged
                        closure wall is ancient, then the fountain was not placed symmetrically in
                        the middle of Area 8, as might have been expected in the case of so
                        monumental a structure. </p>
                    <p id="p_279" n="279">The soundings we undertook confirmed our suspicions. The
                        removal of the surface level of humus in three soundings brought to light
                        wall remains that supported our hypothesis that the residence ought to have
                        continued beyond the alleged closure wall to the north. </p>
                    <p id="p_280" n="280"><hi1 rend="italic">Sounding adjacent to Area 26</hi1>:
                        Sounding 1 was opened near the northwest corner of the residence. The
                        removal of the surface level of humus permitted us to identify the
                        foundation of a wall with a north-south orientation. The limited scope of
                        our investigation did not allow us to determine either the width of the wall
                        or whether the presence of stones mixed with mortar to the east of it should
                        be attributed to the presence of another structure, oriented east-west, or
                        to the collapse of the wall we found. </p>
                    <p id="p_281" n="281"><hi1 rend="italic">Sounding adjacent to Area 17</hi1>:
                        Sounding 2 also allowed us to identify the continuation northwards of the
                        north-south wall of the villa, perpendicular to the alleged closure wall. In
                        this trench two walls came to light: one to which we have already referred,
                        oriented north-south (<hi1 rend="bold">fig. 9</hi1>), which constitutes the
                        prolungation of the wall already identified and restored by the
                        Archaeological Superintendency; and a second wall, oriented east-west, which
                        is perhaps related to the presence of the stones and mortar discovered in
                        Sounding 1. Both walls were preserved only at the foundation level; they
                        were made of stones and tufa, bonded with a yellowish mortar of a crude
                        quality and friable consistency. Noteworthy is the fact that a stone <hi1
                            rend="italic">cubile</hi1> was found in the north-south wall, which is
                        probably to be attributed to the elevation. <figure entity="heb90044.0072" id="fg_heb90044.0072"
                            type="ic">
                            <head>
                                <bibl type="figno">Figure 9</bibl>
                                <bibl type="figcap">Sector III, surrounding 2.</bibl>
                            </head>
                        </figure></p>
                    <p id="p_282" n="282"><hi1 rend="italic">Sounding adjacent to Area 6</hi1>:
                        Sounding 3 was made at the northeast corner of the residence, adjacent to
                        Area 6. A pavement in <hi1 rend="italic">cocciopesto</hi1> was revealed that
                        was only partially preserved. It extended north of the northern wall of Area
                        6 and represents another confirmation of our hypothesis of additional
                        structures north of the alleged northern closure wall. </p>
                    <p id="p_283" n="283">The data obtained in these three soundings, even if
                        limited and not stratigraphic, provide an important point of departure for
                        further investigations of this part of the villa. This could lead to
                        discoveries in an area not affected by preceding archaeological and
                        conservation interventions. In this connection it should be noted that the
                        road immediately behind the metal fence has not yet been paved, and thus the
                        levels underneath it could be fairly easily revealed. Since, as Bernard
                        Frischer has informed me in a personal communication, the road was built
                        immediately after Pasqui’s excavations on land that had, up to that time,
                        been used for farming, its subsurface should contain intact ancient
                        stratigraphy. The same may be true of the field immediately to the north
                        across the street, which is presently a small truck farm with no deep
                        ploughing. </p>
                    <p id="p_284" n="284">The limited space within which the interventions were
                        carried out constrained us to undertake only small sondages. Moreover, the
                        presence of a newly installed electrical cable running just inside the wall
                        along the northern limit of the archaeological park prevented us from
                        extending the work right up to the wall. Research in this part of the villa
                        was restricted to removing the surface level of humus and to the
                        identification of the tops of structures below the surface. Time did not
                        permit a stratigraphic investigation, which, it is hoped, a future campaign
                        will be able to undertake. </p>
                    <p><hi1 rend="italic">Editor’s Note: Monica De Simone wrote section C.2.1; Laura
                            Cerri wrote section C.2.2</hi1>. </p>
                </div3>
            </div2>
            <div2 id="div2_c09.3" type="section" status="hidden">
                <head>
                    <bibl type="title">C.3. The Garden</bibl>
                </head>
                <p>
                    <hi1 rend="bold">By Kathryn Gleason, James G. Schryver, Luca Passalacqua</hi1>
                </p>
                <div3 id="div3_c09.3.1" type="section">
                    <head>
                        <bibl type="title">C.3.1. Introduction</bibl>
                    </head>
                    <p id="p_285" n="285">The excavation of the gardens at “Horace’s Villa” has
                        produced some of the most successful results of the AAR/SAL excavations.<ptr
                            n="1" target="nt_c09.3.n1"/> Preserved, systematically excavated ancient
                        gardens outside of the region of Mt. Vesuvius are rare, but include the
                        excavations of E. Salsa Prina Ricotti and W. Jashemski of the gardens at
                        Hadrian’s Villa in nearby Tivoli and the joint Italian-Danish project on the
                        gardens of Livia at Prima Porta.<ptr n="2" target="nt_c09.3.n2"/> Given the
                        importance of Horace’s poetry about the Sabine landscape and his villa,
                        Frischer consulted Jashemski on the feasibility of undertaking a garden
                        archaeology project, and she recommended a small team of specialists to do
                        the work. He assembled the group for a feasibility study in August 1998. All
                        participants were encouraged by the results of their investigations that
                            year.<ptr n="3" target="nt_c09.3.n3"/>
                    </p>
                    <p id="p_286" n="286">Gardens and designed landscapes are excavated for a number
                        of reasons, and, contrary to expectation, the goal is not the discovery of
                        the species of plants that grew there. This is not possible in most
                            instances.<ptr n="4" target="nt_c09.3.n4"/>Rather, the objective of
                        archaeological exploration is to recover the basic physical layout of the
                        garden (the boundaries, the paths, the edges, and the features that
                        structure the space and the experience of the visitor), as well as to
                        understand the garden within the context of the overall property and
                        landscape, both built and natural. Evidence is derived from the built
                        architectural features of the garden, located through geophysical survey and
                        excavation, and from the location of the plants, detected through
                        excavation. The small holes, pits, and sometimes even flower pots indicate
                        the presence of plants of different sizes, even though we usually cannot
                        provide botanical identification without other records.<ptr n="5"
                            target="nt_c09.3.n5"/> For this project, Horace’s poems constitute such
                        a record. Although he does not specify the plants in his garden, he mentions
                        many of the plants of his estate, which illuminate the broader context of
                        our study. The “external” landscape setting of a Roman garden is as
                        essential to the garden design as the internal features. Whether or not we
                        are speaking of Horace’s Sabine Villa, we gain much from the record his
                        writings provide on the landscape of a farm in the Sabine hills. For
                        instance, during the recent excavations, our archaeological botanist
                        reported sorrell among the carbonized seeds from SU 7044, where it was
                        deposited in antiquity in the fertilizer of the Flavian garden (see Ramsay,
                            <ptr target="div3_c10.14.1" type="txt" n="D.14"/>). A common weed in wet
                        areas, Horace suggests it was gathered from his land for medicinal purposes
                            (<hi1 rend="italic">Ep</hi1>. 2.51-58). </p>
                    <p id="p_287" n="287">Taken together, the archaeological evidence gives us the
                        basic infrastructure of the garden: its water system, its planting beds and
                        patterns, its paths; from these we can extrapolate the overall framework for
                        the visual experience of the garden. Onto this structure we may drape such
                        evidence for art and daily life as the remaining archaeological and textual
                        records provide. It is also possible to judge other, often ephemeral,
                        qualities of the garden from the evidence of the habitats it produced for
                        other forms of life: for example, snails, insects, amphibians, and rodents
                        that prefer sun to shade, moist to dry, high vegetation to low. Even without
                        the details, this basic infrastructure of visual space allows us to glimpse
                        the ways in which visitors saw the garden as they moved around it, sought
                        cool as opposed to sunny places, or looked at the garden while they dined.
                        The painstaking observation and recording of fine soil changes, as well as
                        the recovery bits of bone and plant remains, are but the raw data leading to
                        the larger understanding of the experience of seeing and being in the
                        garden, or in the larger landscape of the villa. </p>
                    <p id="p_288" n="288">This report presents a garden of the first century A.D.,
                        whose features we may interpret. We located a cultivated soil layer of the
                        late first century B.C., but not its features. We begin with a brief review
                        of the elements of the designed landscape already known at the beginning of
                        the project: the elements that make this villa such an important
                        contribution to garden history. We then present the methodology employed
                        before turning to the full report on the excavation of the quadriporticus
                        garden, which was the focus of three brief seasons of work between
                        1998-2000. Although this excavation is only a series of small test sites
                        within the larger area of the garden, some of the preliminary results of the
                        work allow us to present theories about the visual structure of the garden.
                        Some conclusions are already quite evident, while other, more speculative,
                        observations may guide future work at the site. The report concludes with
                        questions and suggestions for such an effort, which is certainly warranted.
                    </p>
                </div3>
                <div3 id="div3_c09.3.2" type="section" status="hidden">
                    <head>
                        <bibl type="title">C.3.2. Landscape setting and description of the Villa’s
                            gardens</bibl>
                    </head>
                    <div4 id="div4_c09.3.2.1" type="section">
                        <head>
                            <bibl type="title">[text]</bibl>
                        </head>
                        <p id="p_289" n="289"> From a landscape architectural perspective, the
                            overall siting and design of the villa take advantage of a variety of
                            topographic features to create the architectural settings popular in
                            gardens of the first centuries B.C. and A.D.: terraces, cryptoporticoes,
                            and viewing pavilions (<hi1 rend="italic">diaetae</hi1>). Although
                            Horace does not describe the contents and layout of the gardens of his
                            villa, his poetry is set in the steep natural topography and such
                            cultivated landscape as the rugged hills permitted (<hi1 rend="bold"
                                >fig. 1</hi1>). This is the landscape celebrated in the remarkable
                            siting of the villa. The response of the achitecture to the spectacular
                            vistas marks the villa as a type of “view villa,” popular in the first
                            century B.C. and highly developed a century later.<ptr n="6"
                                target="nt_c09.3.n6"/> The original building must have been sited,
                            at least in part, for the views, though we have few certain
                            architectural remains from which to judge how the scenes were
                            experienced. For the Flavian period, the peak of “view mania,” the
                            siting and the archaeological discoveries at Licenza suggest that the
                            architecture was designed to engage the surrounding landscape. <figure entity="heb90044.0073" id="fg_heb90044.0073"
                                type="ic">
                                <head>
                                    <bibl type="figno">Figure 1</bibl>
                                    <bibl type="figcap">View north from the villa to Civitella. The stone picnic table in the farmer's plot recalls the ancient practice of placing <hi1 rend="italic">triclinia</hi1> in orchards and vineyards (photo by K. Gleason).</bibl>
                                </head>
                            </figure></p>
                        <p id="p_290" n="290">The siting of the villa’s residential and bath complex
                            is unusual. The land was terraced to form a saddle between a small knoll
                            to the east, known today as the Castagneto, and the lower slopes of
                            Monte Rotondo to the west. As observers have noted, the setting was
                            quite strategic both for views and for pleasant climatic conditions.
                            Horace describes it as an <hi1 rend="italic">arx</hi1> enclosed by <hi1
                                rend="italic">montes</hi1> (<hi1 rend="italic">Sat</hi1>. 2.6.16),
                            phrasing that well describes the site of current excavations. By
                            terracing the saddle, the designer created broad level surfaces for
                            gardens and working areas connected to the architecture, while providing
                            extraordinary views from these terraced gardens to the north and south
                                (<hi1 rend="bold">fig. 2</hi1>).<ptr n="7" target="nt_c09.3.n7"/>
                            <figure entity="heb90044.0074" id="fg_heb90044.0074"
                                type="ic">
                                <head>
                                    <bibl type="figno">Figure 2</bibl>
                                    <bibl type="figcap">View from the road to Licenza, looking south to the villa site, March 2000 (photo by K. Gleason).</bibl>
                                </head>
                            </figure></p>
                        <p id="p_291" n="291">The Castagneto is a knoll rising about 50 m above the
                            villa. At the summit, the 1998 survey team noted a remarkably level
                            surface with a clearing in the woods. Today, the overgrown spools of
                            coppiced chestnuts obscure the view, but in winter it is possible to
                            appreciate a 360° view of the countryside surrounding the villa from
                            this clearing (<hi1 rend="bold">fig. 3</hi1>). The knoll’s lower slope
                            has now eroded over the east wall of the villa, and the overburden has
                            prevented excavations of buried walls off the east portico. There can be
                            little doubt that the architecture of the east side of the villa was
                            carefully planned in relationship to this topographic feature, as the
                            slope would have required retention. A retaining wall and a means of
                            egress to the knoll could have been combined with either interior
                            architectural features or exterior ones. <figure entity="heb90044.0075" id="fg_heb90044.0075"
                                type="ic">
                                <head>
                                    <bibl type="figno">Figure 3</bibl>
                                    <bibl type="figcap">View from the Castagneto through coppiced trees in March 2000. A 360-degree view is possible (photo by K. Gleason).</bibl>
                                </head>
                            </figure></p>
                        <p id="p_292" n="292">Villas of the first centuries B.C. and A.D. around the
                            Mediterranean often featured such viewing knolls. For example, Herod the
                            Great’s palace at Jericho had an artificial knoll with a pavilion at its
                            summit (<hi1 rend="bold">fig. 4</hi1>). The pavilion provided views of
                            the estate with its famous palm and balsam plantations. Closer to home,
                            the Villa dei Papyri at <hi1 rend="italic">Herculaneum</hi1> and the
                            Villa Iovis on Capri had viewing pavilions. It is difficult to believe
                            that this knoll at Licenza was not incorporated into the villa’s
                            architectural scheme; remains of a pavilion, however, have yet to be
                            detected. Cores in the area demonstrated that the soil layers there have
                            been very stable for tens of thousands of years (see Foss et al., <ptr
                                target="div3_c11.1.1" type="txt" n="E.1"/>). This preliminary
                            evidence suggests that the knoll may have had a gently rounded crest
                            naturally, rather than a constructed terrace. It is likely that any
                            disturbance for an architectural structure may thus be represented
                            archaeologically as a minimal intrusion into the natural soil horizons,
                            as with posthole construction. In March 2000, a ground penetrating radar
                            survey was conducted on the knoll’s summit, but lack of time prevented a
                            sufficient number of transects to be run. Further survey is warranted in
                            this area to determine if there are archaeological remains of a <hi1
                                rend="italic">diaeta</hi1> or other structures associated with the
                                villa.<ptr n="8" target="nt_c09.3.n8"/>
                            <figure entity="heb90044.0076" id="fg_heb90044.0076"
                                type="ic">
                                <head>
                                    <bibl type="figno">Figure 4</bibl>
                                    <bibl type="figcap">The Winter Palace of Herod the Great at Jericho. The artificial viewing knoll and <hi1 rend="italic">dieta</hi1> provided views of the palace and the surrounding estate. Late first-century B.C. (after Netzer/Salzberg).</bibl>
                                </head>
                            </figure></p>
                        <p id="p_293" n="293">On the north and south, the saddle, with its terraced
                            platform for the villa, drops away about 50 m, quite steeply to the
                            north, more gradually to the south. The view to the north, of the
                            prominent hill at Civitella, is almost directly on axis with the villa.
                            This view will be explored in more detail below, but it is worth
                            suggesting here that when the as yet unexcavated northern side of the
                            villa is investigated, archaeologists may consider the possibility of a
                            garden, an <hi1 rend="italic">ambulatio</hi1>, and/or <hi1 rend="italic"
                                >diaetae</hi1> that address not only this hill, but the
                            extraordinary panorama of the valley. The view to the south is no less
                            impressive, though less visible now. Today the panorama begins with the
                            view of S. Maria Delle Case on the slope below Roccagiovine, where the
                            Temple of Vacuna may have been visible in Horace’s day (<hi1
                                rend="italic">Epist</hi1>. 1.10.49). </p>
                        <p id="p_294" n="294">On the west, the long slope rising 530 m to the summit
                            of the Colle Rotondo has also eroded, burying this side of the villa.
                            How this slope was integrated into the villa is a more complex issue. It
                            is possible that a peristyle at the northwest opened onto a courtyard
                            that is now substantially buried under the eroded slope. Coring of the
                            accessible portion of this courtyard has not produced garden soils;
                            however, too little of the overall area is available for study to be
                            sure that it was not planted, if only with shade trees. Also on this
                            side of the villa, the recent excavations identified an <hi1
                                rend="italic">atrium</hi1> of the late Republican period (See
                            Camaiani et al., <ptr target="div3_c09.5.1" type="txt" n="C.5"/>). </p>
                    </div4>
                    <div4 id="div4_c09.3.2.2" type="section">
                        <head>
                            <bibl type="title">C.3.2.1. Gardens within the building: small courtyard
                                garden (Area 8, Lugli’s cortile A) </bibl>
                        </head>
                        <p id="p_295" n="295">Lugli describes the garden at the northern end of the
                            villa as one of two courts that furnished light and air to the rooms
                            around it; the second is the so-called <hi1 rend="italic">atrium</hi1>
                            roughly on axis to the south. Lugli regards Area 8 (his cortile A) as
                            opening onto the countryside to the north;<ptr n="9"
                                target="nt_c09.3.n9"/> room 12 (Lugli’s cortile B) was an interior
                            court with a water feature, but recent excavations revealed an earlier
                            phase beneath it (<hi1 rend="bold">fig. 5</hi1>; and see De Simone, <ptr
                                target="div3_c09.2.1" type="txt" n="C.2.1"/>) <figure entity="heb90044.0077" id="fg_heb90044.0077"
                                    type="ic">
                                    <head>
                                        <bibl type="figno">Figure 5</bibl>
                                        <bibl type="figcap">Small garden in Area 8, April 1986 (photo by K. Gleason).</bibl>
                                    </head>
                                </figure></p>
                        <p id="p_296" n="296">Lugli reports that the original appearance of Area 8
                            is not known, but that changes were made to the courtyard itself in the
                            imperial period.<ptr n="10" target="nt_c09.3.n10"/> Within the courtyard
                            space is a low, rectangular construction, with small semicircular niches
                            in the middle of each side. The construction consisted of a channel
                            surrounding the central space, which was evidently occupied by a garden.
                            This highly architectonic form of garden bed or planter was popular by
                            the mid-first century A.D., as seen in the Domus Augustana in Rome, the
                            Templum Pacis in Rome, and further afield, at Conimbriga in Portugal. </p>
                        <p id="p_297" n="297">Recent investigations have shown that the north
                            enclosure wall of the building was reconstructed incorrectly by Pasqui’s
                            team: the boundary wall visible today should not be regarded as the
                            north wall of the villa and the complex clearly continues northward (see
                            Frischer, <ptr target="div3_c12.2.1" type="txt" n="F.1"/>). The
                            implication of this discovery is that Area 8 was an introverted space,
                            not facing the north view as indicated by Lugli, although the doors onto
                            it along the north-south central axis may have formed part of a series
                            of frames through it to the vista of the valley beyond. </p>
                        <p id="p_298" n="298">Lugli also suggests that the entire area around this
                            feature was a garden (<hi1 rend="italic">un cortile fiorito</hi1>) that
                            surrounded one of the rooms (room 7) projecting onto it, which he
                            interprets as the summer <hi1 rend="italic">triclinium</hi1>.<ptr n="11"
                                target="nt_c09.3.n11"/> The present ground surface of the area
                            disguises any hint of a garden, and cores of the central feature
                            revealed that the early excavators had removed all of the original soil
                            before refilling and replanting it.<ptr n="12" target="nt_c09.3.n12"/>
                            While the area clearly bears further examination, we did not make it a
                            priority for the feasibility study. </p>
                    </div4>
                    <div4 id="div4_c09.3.2.3" type="section">
                        <head>
                            <bibl type="title">C.3.2.2. The quadriporticus garden (Sectors V, VI,
                                VII)</bibl>
                        </head>
                        <p id="p_299" n="299"> The garden excavations focused entirely on the area
                            within the large quadriporticus, discovered during the 1911-1914
                            excavations by Pasqui and further investigated by Lugli and Price during
                            the American Academy in Rome excavations of 1930-1931 (<hi1 rend="bold"
                                >fig. 6</hi1>). The architecture of the quadriporticus itself was
                            the focus of further work during the 1997-1999 seasons and is reported
                            separately (see De Simone et al., <ptr target="div3_c09.4.1" type="txt"
                                n="C.4"/>). Lugli reports the dimensions of the quadriporticus
                            garden as 34 x 76 m. It is comparable in size to the peristyle of the
                            Villa dei Papyri (28 x 94 m), the House of Octavius Quartius at Pompeii
                            (30 x 86 m) or the central peristyle of the Villa at Sirmione (50 x 80
                            m). Lugli thought that the garden was at the front of the building, with
                            the entrance to the villa at the south end of the quadriporticus.<ptr
                                n="13" target="nt_c09.3.n13"/> Excavations in 1997 showed the south
                            wall to be buttressed in such a way as to make an entrance here unlikely
                            (see Passalacqua, <ptr target="div3_c09.4.2" type="txt" n="C.4.2"/>). <figure entity="heb90044.0078" id="fg_heb90044.0078"
                                type="ic">
                                <head>
                                    <bibl type="figno">Figure 6</bibl>
                                    <bibl type="figcap">Plan of the villa with garden excavation areas shaded in grey (plan: M. De Simone; modified by K. Gleason).</bibl>
                                </head>
                            </figure></p>
                        <p id="p_300" n="300">Within the quadriporticus was a spacious garden
                            focusing on a large <hi1 rend="italic">piscina</hi1> in the center.
                            Lugli describes it as follows: <q1>
                                <p>“[The garden was] surrounded on all four sides by a crytoporticus
                                    or corridor with large windows opening on the garden. In the
                                    center is a large tank with two pilasters on the southern side,
                                    which perhaps supported statues, and with a drain for the
                                    outflow. Edible fish were probably kept in this tank, while the
                                        <hi1 rend="italic">xystus</hi1> or garden was laid out with
                                    avenues of box and borders of flowers, and rustic benches were
                                    conveniently placed in the shade of the fruit trees.”<ptr n="14"
                                        target="nt_c09.3.n14"/></p>
                            </q1></p>
                        <p id="p_301" n="301"> This is the image that guided Thomas Drees Price’s
                            1932 reconstruction and has influenced the plantings installed at the
                            site since the 1950s, as well as the reconstructions shown at the Museum
                            in Licenza today.<ptr n="15" target="nt_c09.3.n15"/> No actual
                            archaeological evidence, however, was reported for fish-raising features
                            in the pool, for walks, planting patterns, or benches. A flower pot was
                            found during the Pasqui excavations and exhibited in the Museum, but its
                            findspot is not known, nor is it clear if its function was recognized.
                            Lugli and Price undertook excavations primarily in the northeastern area
                            of the quadriporticus, where they discovered a niched basin within the
                            portico. It was placed, apparently in a later phase, to terminate the
                            east-west axis through the <hi1 rend="italic">piscina</hi1>. It is
                            possible that the basin was visible from the garden, and its
                            construction compromised the passage through the porticus at that point.
                            This suggests that the facade was opened up to the garden. The
                            Lugli-Price team also excavated the northeastern corner of the <hi1
                                rend="italic">piscina</hi1> wall and along the north edge, revealing
                            that it had four piers rather than two as described above. No other
                            results from their excavation in the area are known. </p>
                        <p id="p_302" n="302">In summary, the features of the quadriporticus garden
                            securely known archaeologically at the start of our project were: <table>
                                <row>
                                    <cell>&bullet;</cell>
                                    <cell>the central <hi1 rend="italic">piscina</hi1> with its four
                                        piers, a tank and conduit leading to the drain in the
                                        southwest area of the quadriporticus;</cell>
                                </row>
                                <row>
                                    <cell>&bullet;</cell>
                                    <cell>a set of steps leading into the garden on the central N/S
                                        axis;</cell>
                                </row>
                                <row>
                                    <cell>&bullet;</cell>
                                    <cell>a flower pot from the Pasqui excavations; </cell>
                                </row>
                                <row>
                                    <cell>&bullet;</cell>
                                    <cell>the surrounding porticus with the articulation of its
                                        facade, seen to be a series of alternating doors and panels
                                        separated by pilasters. Within the porticus was a fountain
                                        feature on the east side of the E/W cross-axis through the
                                        pool; </cell>
                                </row>
                                <row>
                                    <cell>&bullet;</cell>
                                    <cell>an understanding of the slope of the garden (Price
                                        calculated a slope of 0.9% east-west, 1.2%
                                    north-south).</cell>
                                </row>
                            </table></p>
                        <p id="p_303" n="303">The challenge for the new excavations was to locate
                            features within the garden soil itself, under the unexcavated central
                            area of the quadriporticus. </p>
                    </div4>
                </div3>
                <div3 id="div3_c09.3.3" type="section" status="hidden">
                    <head>
                        <bibl type="title">C.3.3. Methodology</bibl>
                    </head>
                    <div4 id="div4_c09.3.3.1" type="section">
                        <head>
                            <bibl type="title">[text]</bibl>
                        </head>
                        <p id="p_304" n="304"> To detect the fine features of a relict garden, as
                            well as to reconstruct as much as possible the plantings, decoration,
                            activities and habitats of ancient garden areas, we planned an
                            integrated and coordinated series of specialist activities. </p>
                    </div4>
                    <div4 id="div4_c09.3.3.2" type="section">
                        <head>
                            <bibl type="title">C.3.3.1. Preliminary survey and assessment techniques
                                within the residence and quadriporticus</bibl>
                        </head>
                        <p id="p_305" n="305"> A geophysical surveying (remote sensing) team, a
                            pedologist, and an archaeologist began the study of the quadriporticus
                            garden and other gardens within the building complex. First, the remote
                            sensing team located possible subsurface features. In 1997, a
                            geophysical survey was conducted using a magnetometer.<ptr n="16"
                                target="nt_c09.3.n16"/> Further studies with resistivity and
                            magnetometer equipment were conducted in 1998, <ptr n="17"
                                target="nt_c09.3.n17"/> and the area was checked with soil cores to
                            test the readings (see Foss et al., <ptr target="div3_c11.1.1"
                                type="txt" n="E.1"/>). By and large, debris blocked the cores taken
                            for this purpose. Studies were also done of the larger area of the villa
                            to describe the geological, geomorphological and pedological conditions
                            at the site (see Foss et al., <ptr target="div3_c11.1.1" type="txt"
                                n="E.1"/>). </p>
                        <p id="p_306" n="306">Ideally, field work on the larger landscape of the
                            villa estate goes hand in hand with garden excavations, especially with
                            this type of villa. A team from Sheffield University worked at the site
                            in 1998, conducted some promising preliminary field work, and proposed a
                            feasibility study that would have integrated the environmental retrieval
                            studies with an assessment of habitat and resources in the area. The
                            project would also have identified, through systematic field walking,
                            any archaeological remains of outlying features of the villa, such as
                            other gardens, roads, and outbuildings, providing important information
                            for the interpretation of the garden, villa views, and environmental
                            evidence from the excavations. Unfortunately, the funding for this study
                            was not available. Neverthless, this is an important dimension for
                            future work at the site. </p>
                    </div4>
                    <div4 id="div4_c09.3.3.3" type="section">
                        <head>
                            <bibl type="title">C.3.3.2. Assessing the presence of cultivated
                            soils</bibl>
                        </head>
                        <p id="p_307" n="307"> Cores are key tools for the early detection of garden
                            soils, revealing which levels were formed through erosion, redeposition
                            of fill, cultivation or natural processes of soil formation. Many of J.
                            Foss’ initial cores were blocked by debris, but, after stratigraphic
                            excavation through rubble, new cores “periscoped” down, permitting more
                            accurate removal and readings of the fine soil layers and features of
                            the garden by the archaeologists. This coordinated effort is worth
                            planning into any garden or landscape project from the onset. In 1998,
                            it permitted us to determine the presence of two levels of ancient
                            cultivated soils, although only one could be reached by the
                            archaeologists in the time available that season. Without the cores, the
                            feasibility of a garden excavation project at the site would have
                            appeared less promising. </p>
                        <p id="p_308" n="308">Garden soils are identified on the basis on several
                            characteristics. Roman soils were typically cultivated with fertilizer,
                            which consisted of debris gathered from kitchens, barns, and even
                            privies (if Virgil is to be believed). This material was gathered into
                            large piles, in order to be used later and worked into garden soils and
                            fields. As a result of this deposition process and continued
                            cultivation, the artifacts from cultivated layers are highly abraded,
                            often preventing identification. Finds within the soil include
                            potsherds, bones, carbonized plant and wood remains, and other
                            artifacts, all randomly scattered. </p>
                    </div4>
                </div3>
                <div3 id="div3_c09.3.4" type="section" status="hidden">
                    <head>
                        <bibl type="title">C.3.4. Excavation of the quadriporticus garden (Area 24,
                            Sectors VI.1, VI.2, VII; Area 25, Sector V)</bibl>
                    </head>
                    <div4 id="div4_c09.3.4.1" type="section">
                        <head>
                            <bibl type="title">[text]</bibl>
                        </head>
                        <p id="p_309" n="309"> A team dedicated to the excavation of the garden
                            soils is typically needed on Mediterranean sites. K. Gleason planned and
                            carried out the strategy, coordinating the work with B. Frischer and G.
                            Ponti. J. Schryver supervised the excavation and interpretation of the
                            medieval levels. After various stratigraphic units in the garden had
                            been identified, flotation and wet-sieving of soil samples were
                            undertaken in 1999 and 2000. Recovery of plant remains was successful,
                            despite rather poor conditions for preservation and sieving (see Ramsay,
                                <ptr target="div3_c10.14.1" type="txt" n="D.14"/>). Animal bones,
                            eggshells and land snails were also retrieved. No feasibility studies
                            were carried out for insects, pollen or phytoliths. </p>
                        <p id="p_310" n="310">Excavation focused first on the identification of the
                            nature of the strata. It is evident from the levels of the 1911-1914
                            excavations that the quadriporticus lay under two meters of later
                            deposits. The first meter consists of almost continuously cultivated
                            soils. Around the perimeter of the courtyard, these preserve a rubble
                            layer, dated to medieval times (<hi1 rend="bold">fig. 7</hi1>).<ptr
                                n="18" target="nt_c09.3.n18"/> As has been observed at other sites,
                            a layer of rubble debris is often ideal for preserving garden features,
                            and this proved to be the case in the quadriporticus. The best
                            preservation occurred under the thickest portions of this layer, and,
                            during excavation, we paid particular attention to the identification of
                            cultivated surfaces. Once these were established, and the surfaces
                            exposed, excavators turned to the identification and documentation of
                            every small feature and change in soil color. Due to the short work
                            seasons, we exposed small areas at the time (<hi1 rend="bold">fig.
                            14</hi1>). Only at the end of the three seasons was it possible to put
                            the plans together and observe a distinct pattern to the finds. That
                            said, the discovery of three planting pots and several pits in 1999, all
                            parallel to the central N/S axis, gave us some immediate clues as to the
                            design of the garden.<ptr n="19" target="nt_c09.3.n19"/>
                            <figure entity="heb90044.0079" id="fg_heb90044.0079"
                                type="ic">
                                <head>
                                    <bibl type="figno">Figure 7</bibl>
                                    <bibl type="figcap">East baulk of the 1998 trench in Sector VII.1, showing the general sequence of upper cultivated soils, medieval debris piles, and lower garden levels (photo by J. Schryver).</bibl>
                                </head>
                            </figure>
                            <figure entity="heb90044.0086" id="fg_heb90044.0086" type="ic">
                                <head>
                                    <bibl type="figno">Figure 14</bibl>
                                    <bibl type="figcap">Schematic plan of the excavation trenches of Sector VII.1 (1998-2000) with excavators initials (K. Gleason).</bibl>
                                </head>
                            </figure>
                        </p>
                        <p id="p_311" n="311">The archaeological stratigraphy is sufficiently clear
                            and data-rich to reconstruct the general chronology, with the main
                            periods of use dated by coins and pottery. The following discussion
                            presents the garden excavation in two groups: Sectors V and VI, the
                            central area of the garden with its pool; and Sector VII, a single large
                            trench at the north end of the garden, at the base of the central steps.
                            The excavation of Sectors V and VI is first discussed trench by trench;
                            thereafter the activities they represent are related to each other. The
                            various activities of each period are initially described with
                            stratigraphic unit numbers, artifact descriptions, and soil context;
                            then they are interpreted, within the limits possible for a feasibility
                            study. </p>
                    </div4>
                    <div4 id="div4_c09.3.4.2" type="section">
                        <head>
                            <bibl type="title">C.3.4.1. Sectors V and VI: the central part of the
                                garden (Sector VI) and the <hi1 rend="bolditalic">piscina</hi1>
                                (Area 25, Sector V)</bibl>
                        </head>
                        <p id="p_312" n="312"> The Pasqui team first excavated the central <hi1
                                rend="italic">piscina</hi1> and its water pipe and small tank on the
                            western side. They also identified two large piers along the south side
                            of the pool. Lugli and Price pursued the pool’s outlines further on the
                            north and east sides and located the northern two piers.<ptr n="20"
                                target="nt_c09.3.n20"/> In the published study of the excavations,
                            Lugli describes the pool as having a spurting central jet (<hi1
                                rend="italic">fontana zampillante</hi1>) that provided an attractive
                            focus within the well-tended gardens for those strolling in the
                                porticoes.<ptr n="21" target="nt_c09.3.n21"/> This jet is purely
                            speculative: neither campaign fully excavated the bottom of the pool. </p>
                        <p id="p_313" n="313">To clarify aspects of the construction of the pool and
                            the contents of its fill, teams conducted remote sensing surveys over
                            the pool and excavations were undertaken inside it (northwest corner,
                            Sector V) and outside it (east side and near the southeast pier, Sectors
                            VI.1 and VI.2, respectively). The pool walls seen today are heavily
                            consolidated with a cement cap. No mortar or clamps survive inside the
                            pool to hint as to the nature of the original coating, nor is there any
                            indication of hydraulic mortar or <hi1 rend="italic">cocciopesto</hi1>
                            to suggest that the pool was lined with waterproof material. Lugli and
                            Ponti assumed that the walls visible today are foundations, the former
                            on the basis of the materials of construction, the latter on the basis
                            of garden levels to the north of the pool, and both on the assumption
                            that the original garden surface was a short step down from the
                            thresholds between the portico and the garden. The garden levels in
                            cores and trench VI.2, however, place this hypothesis in some question.
                            It may simply be the case that the limestone chip and cement walls seen
                            today are but the core of walls once finished in finer materials. This
                            issue is linked to phasing: the core suggests garden levels well below
                            the top of the walls. The results of the 1999 excavation in Sector VI.2
                            address this relationship inconclusively (see below). The excavations to
                            date do not establish the original date of the pool’s construction; nor
                            do they clarify the interpretative issues discussed above. If anything,
                            our studies have suggested new possibilities and raised more questions
                            to guide future excavation strategy. </p>
                        <p>
                            <hi1 rend="bold">Sounding in the</hi1>
                            <hi1 rend="bolditalic">piscina</hi1>
                            <hi1 rend="bold">(Area 25, Sector V)</hi1>
                            <ptr n="22" target="nt_c09.3.n22"/>
                        </p>
                        <p id="p_314" n="314"> Area 25, the 12.5 x 25 m rectangular structure
                            located in the center of the garden, is interpreted as a pool (<hi1
                                rend="bold">fig. 8</hi1>). The excavation was undertaken to
                            understand the chronology of its destruction, to verify the quota of the
                            floor, and to re-examine its function. The original plan was to
                            undertake several stratigraphic explorations and then to expose the
                            entire pool with the help of a backhoe. Because of structural problems
                            with the perimeter walls of the pool, however, the project had to be
                            reduced in scope and was limited to a single trench in the northwest
                            corner (<hi1 rend="bold">fig. 6</hi1>). <figure entity="heb90044.0080" id="fg_heb90044.0080"
                                type="ic">
                                <head>
                                    <bibl type="figno">Figure 8</bibl>
                                    <bibl type="figcap">Central pool (Sector V) in April 1986 (photo by K. Gleason).</bibl>
                                </head>
                            </figure></p>
                        <p id="p_315" n="315">Study of the fill (SU 5001) in this trench revealed a
                            surprisingly large amount of marble rubble, which probably resulted from
                            the stripping of the pool’s revetment panels. Ceramic finds, however,
                            were sparse, and no statuary or decorative elements were encountered.
                            Thus it is difficult to date the destruction of the pool, beyond noting
                            that in late antiquity we often find cisterns or large basins used as
                            dumps for rubbish and debris. That the structure was a pool seems beyond
                            doubt, even if in the area investigated no traces of decorative surface
                            treatment of the walls or floor were preserved. </p>
                        <p id="p_316" n="316">In this sounding, all that remained was the
                            preparatory bedding for the floor of the pool, at a quota 2 m below the
                            top of the perimeter walls. The bedding consisted of a thick stratum of
                                <hi1 rend="italic">opus caementicium</hi1> (SU 5002). No hydraulic
                            mortar or cramps were found on the walls. </p>
                        <p>
                            <hi1 rend="bold">Sounding in Sector VI.1</hi1>
                        </p>
                        <p id="p_317" n="317">In 1998, a small trench was set out that extended from
                            just inside the pool across the pool wall and into a baulk remaining
                            from the earlier excavations. The aim of the trench was to reveal the
                            nature of the soil layers above the Roman levels and to ascertain the
                            preservation of the stratigraphy along the pool wall. The earlier
                            excavators had “chased” the pool walls, but they did not dig deeply
                            enough in this area to sever the connection between the original garden
                            levels and the pool wall. The stratigraphy of this trench is correlated
                            with that of Sector VI.2 (see the following discussion). Although no
                            garden soils were encountered during the brief excavation, a core taken
                            a few meters southeast of the pool indicated that they were at a lower
                            level than anticipated (<hi1 rend="bold">figs. 9</hi1> and <hi1
                                rend="bold">10</hi1>). <figure entity="heb90044.0081" id="fg_heb90044.0081"
                                    type="ic">
                                    <head>
                                        <bibl type="figno">Figure 9</bibl>
                                        <bibl type="figcap">Section of Sector VI.1 looking north (K. Gleason after G. Ponti's sketch).</bibl>
                                    </head>
                                </figure>
                            <figure entity="heb90044.0082" id="fg_heb90044.0082"
                                type="ic">
                                <head>
                                    <bibl type="figno">Figure 10</bibl>
                                    <bibl type="figcap">Harris Matrix for Sector VI (J. Schryver).</bibl>
                                </head>
                            </figure></p>
                        <p>
                            <hi1 rend="bold">Sounding in Sector VI.2</hi1>
                        </p>
                        <p id="p_318" n="318"> In 1999, a 4 x 6 m trench was laid out just east of
                            the southeast pier of the pool with the following objectives: <table>
                                <row>
                                    <cell>&bullet;</cell>
                                    <cell>to locate and examine the garden soils identified by cores
                                        taken in 1998;</cell>
                                </row>
                                <row>
                                    <cell>&bullet;</cell>
                                    <cell>to ascertain the relationship of the cultivated levels to
                                        the pool walls;</cell>
                                </row>
                                <row>
                                    <cell>&bullet;</cell>
                                    <cell>to examine the stratigraphy associated with the pool and
                                        perhaps date the construction of the pool;</cell>
                                </row>
                                <row>
                                    <cell>&bullet;</cell>
                                    <cell>to determine if the piers of the pool were original to the
                                        construction or added as support in a later phase.</cell>
                                </row>
                            </table></p>
                        <p id="p_319" n="319"> The phases for Sector VI generally correlate with the
                            phases given for Sector VII below. </p>
                        <p>
                            <hi1 rend="bold">Period I (Activities 1-5)</hi1>
                        </p>
                        <p id="p_320" n="320"> This Period cannot yet be correlated with other
                            Periods at the site, as no datable pottery has been found, there are no
                            trenches that link the pool area to stratigraphy from the enclosing
                            porticoes, and we were not able to reach the natural soil in either
                            trench. While we have information on phasing and construction
                            techniques, we cannot yet offer a date for the original construction of
                            the pool. For the present, the assignation of the pool to the “original
                                building”<ptr n="23" target="nt_c09.3.n23"/> is neither proven nor
                            disproven, pending further excavation. </p>
                        <p id="p_321" n="321">While this first Period has no confirmed date, later
                            Periods and activities around the pool do correlate with other areas of
                            the garden and villa. <table border="0">
                                <row>
                                    <cell><hi1 rend="italic">Activity 1</hi1>:</cell>
                                    <cell>The first activity at the site is identified by soil
                                        cores, which attest to a redeposition of subsoil (See Foss
                                        et al., <ptr target="div3_c11.1.1" type="txt" n="E.1"
                                            />).<ptr n="24" target="nt_c09.3.n24"/> The redeposition
                                        suggests a probable leveling or raising of the ground. Such
                                        grooming of the surface may represent the leveling of the
                                        entire terrace for the construction of the villa as a whole,
                                        or a more specific preparation for the construction of the
                                        pool. There is no ceramic material to date this
                                    activity.</cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 2</hi1>:</cell>
                                    <cell>A cut (SU 6024 in VI.2) just outside the outer pool wall
                                        is seen in both VI.1 and VI.2. This cut may be evidence of a
                                        construction trench, in which the walls are built up against
                                        standing soil. If, however, the site was graded as a terrace
                                        before construction of the portico and courtyard, an
                                        interpretation of a construction set against earth (<hi1
                                            rend="italic">controterra</hi1>) suggests that the pool
                                        was built once the garden soils had already been deposited.
                                        This would imply that the pool was part of the imperial
                                        phase of the villa. If the pool was original to the
                                        platform, however, it would have typically been constructed
                                        first into the subsoils, and then the fills and garden soils
                                        would have been brought in and spread around the pool. There
                                        simply is not enough stratigraphic information to further
                                        inform us on this issue.<ptr n="25" target="nt_c09.3.n25"
                                    /></cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 3</hi1>:</cell>
                                    <cell>The wall of the pool (SU 6026) is 6m thick and constructed
                                        of concrete and limestone chips. The excavation showed that
                                        the four 2m<hi1 rend="sup">2</hi1> piers are integrated into
                                        the walls of the pool (<hi1 rend="bold">fig. 11</hi1>). It
                                        is notable that a mortar coating (SU 6025) was found in a
                                        highly decayed state on the outside of the pool wall, as it
                                        has been difficult to detect such material elsewhere.
                                            <p>Activity 3 is the construction of the pool wall. It
                                            is likely that the walls seen today are but the cores of
                                            walls with a finer original finish. It is difficult to
                                            conclude from the mortar found in the excavations that
                                            the walls were simply plastered, and no cramps or other
                                            evidence guide us further in interpreting the treatment
                                            of the walls. It is also possible, though speculative,
                                            that the walls are foundations for a structure at a
                                            higher level, or for a reused feature, such as a
                                            cistern, associated with an earlier period at the
                                        villa.</p></cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 4</hi1>:</cell>
                                    <cell>Immediately outside the pool walls, set within the cut,
                                        are fills SU 6006 and 6023. SU 6006, in Sector VI.1, is
                                        within the cut (SU 6009) of the earlier excavations of
                                        Pasqui and Lugli. SU 6008 is at the base of this cut. SU
                                        6023, in Sector VI.2, is of a lighter color than the
                                        surrounding fill of SU 6022. No diagnostic material was
                                        recovered to date the fills of these cuts, nor were plant
                                        remains or other evidence of fertilizer recovered from the
                                        soil samples. <p>Activity 4 is problematic to interpret from
                                            test trenches. The clearest explanation is that the cuts
                                            are for the construction of the pool. This may suggest a
                                            construction set against earth. If so, the stratigraphy
                                            of VI.2 indicates that the earth cut into to create the
                                            pool was already layered with cultivated soil levels of
                                            earlier periods. This would indicate that the pool was
                                            installed later in the history of the villa.</p>
                                        <p>The difference in soil color suggesting a cut might
                                            indicate the presence of decayed plaster.</p></cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 5</hi1>:</cell>
                                    <cell>SU 6019 and SU 6022, in Sector VI. 2, are redeposited
                                        fills around the pool. The placement of this activity in the
                                        chronology is speculative, as there has not been enough
                                        excavation to determine if the pool was cut into these soils
                                        or if the soils were laid down after the construction of the
                                        pool, as indicated above. SU 6022 should be examinated
                                        further as a possible cultivated soil. <p>We cannot rule out
                                            the possibility that a garden surface began at the pool
                                            edge, as no pavement or substrate for a pavement was
                                            seen. However, organic soil, amended with debris, was
                                            seen in a core sample just over one meter beneath this
                                            surface (the level at which the Pasqui and Lugli/Price
                                            excavations stopped, south east of the corner of the
                                            pool). This activity is placed in Period I. Either a
                                            garden was laid out at the same time as the pool
                                            construction, or there was already a garden in place,
                                            and the construction trench was cut into it.</p></cell>
                                </row>
                            </table></p>
                        <p>
                            <hi1 rend="bold"> Period II (Activities 6-10)</hi1>
                        </p>
                        <p id="p_322" n="322"> This correlates with a period of remodeling or
                            alteration throughout the villa. The stratigraphy of the soils to the
                            southeast of the pool is intact. It is clear from this trench and
                            related cores that cultivated soils surrounded the pool, though no
                            particular design could be ascertained in the small area of the trench,
                            nor were any soil discolorations or fine features observed. No pots or
                            garden artifacts were discovered, but limited ceramic evidence indicates
                            a date in the second century A.D. SU 6013 overlies another fill level
                            (SU 6017), with pottery dated to the first century A.D. <table
                                border="0">
                                <row>
                                    <cell><hi1 rend="italic">Activity 6</hi1>:</cell>
                                    <cell>This is the deposition of SU 6017. This fill is a clayey
                                        loam with visible amendments in the form of pottery
                                        fragments and occasional carbonized plant material. No
                                        identifiable plant remains were recovered from this level,
                                        but the soil has all the attributes of a cultivated soil.
                                        Depending upon the following interpretation of the
                                        structures, the deposition of this soil may have preceded
                                        the construction of the piers as a second cultivated soil
                                        layer. SU 6107 is dated by its scant ceramic remains to a
                                        time from the end of the first century B.C. to the end of
                                        the first century A.D.; the later date is more likely (see
                                        Angelelli, <ptr target="div3_c10.2.4" type="txt" n="D.2.3"
                                        />). If the footings (activity 7) are associated with this
                                        level, they would have projected above the garden
                                    surface.</cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 7</hi1>:</cell>
                                    <cell>This is the construction of two crude brick rubble-core
                                        footings (<hi1 rend="bold">fig. 12</hi1>). The two features,
                                        made of loosely compacted, degraded brick fragments, may be
                                        foundation supports for columns or trellis posts. They are
                                        spaced ca. 0.9 m apart, and a core taken to the east at the
                                        same interval produced more such brick fragments. The line
                                        of these features is parallel to a wall extending westward
                                        off the east portico into the garden. Further excavation is
                                        needed to reveal their extent to the west, as cores were
                                        inconclusive. If the footings are associated with SU 6017,
                                        they date to the first century A.D., while if they are
                                        associated with SU 6013, they may be dated to the end of the
                                        first century or in the second century A.D. <p>It is
                                            conceivable that these footings are associated with the
                                            surface of garden level SU 6019, as their bases are at
                                            the surface. It seems more likely, however, that they
                                            are either substructures for SU 6017 or for a feature
                                            associated with SU 6013 (activities 6 and 8). Further
                                            archaeological exploration, either by geophysical survey
                                            or excavation, should investigate the possibility that
                                            they are supports for a trellis or other light
                                            architectural feature associated with the extension of
                                            the aforementioned wall, as hypothetically reconstructed
                                            in <hi1 rend="bold">fig. 13</hi1>.</p>
                                        <p>This is the level into which it seems most likely that
                                            the brick footings were set; however, the composition of
                                            this layer would not have presented a useful or pleasing
                                            surface to a garden or courtyard.</p>
                                    </cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 8</hi1>:</cell>
                                    <cell>This is the deposition of SU 6013, a layer ca. 26 cm
                                        thick. It is a redeposited yellowish clay fill, lacking
                                        organic inclusions but with occasional pottery, bits of
                                        brick, tufa, and pockets of sand. We interpret this layer as
                                        fill brought onto the site, but not apparently for
                                        cultivation, as it does not have the necessary organic
                                        content. Ceramic remains date this level to the end of the
                                        first century or beginning of the second century A.D.</cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 9</hi1>:</cell>
                                    <cell>This is the deposition of SU 6012, a clay-rich layer below
                                        the root zone, barely distinguishable from SU 6010 in color.
                                        Its presence was marked by the absence of tree roots and
                                        other recent organic material. The fill contained roof-tile
                                        fragments, a slab of pavement, and large <hi1 rend="italic"
                                            >tesserae</hi1>. Environmental retrieval produced
                                        carbonized wheat grains, culm nodes, chenopodium, buttercup,
                                        primrose, and allium. Ceramics in the fill are dated to the
                                        end of the first century/beginning of the second century
                                        A.D. This appears to be a fill taken from the immediately
                                        surrounding area to level the ground around the pool, and it
                                        is strikingly similar to the eroded soils that buried the
                                        nymphaeum in the east portico. It seems unlikely that the
                                        plant remains represent cultivation in the garden, although
                                        it is premature to rule out this possibility. It is more
                                        probable that this is soil originating from the nearby
                                        slopes.</cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 10</hi1>:</cell>
                                    <cell>This is the deposition of SU 6010, dated by a single
                                        potsherd to the first or second century A.D. It is the
                                        ancient level at which the early excavators stopped, and it
                                        has been infiltrated by roots of the modern sod grass and
                                        other organic surface materials. A soil sample from the
                                        lower levels of SU 6010 produced a carbonized seed of <hi1
                                            rend="italic">Galium</hi1> (bedstraw), a local weed
                                        associated with cultivated areas. <p>This may be the ancient
                                            garden level of the area around the pool; the early
                                            excavators evidently thought so. If so, it may be
                                            related to SU 6008 from Sector VI.1. It is not possible
                                            to offer a definitive intepretation from the evidence—it
                                            will be necessary to correlate this test trench with
                                            excavation of areas protected by unexcavated
                                        overburden.</p></cell>
                                </row>
                            </table></p>
                        <p>
                            <hi1 rend="bold">Period III (Activity 11)</hi1>
                        </p>
                        <p id="p_323" n="323">This is a general designation for the period that
                            represents the decline of the garden, and probably of the adjacent
                            quadriporticus. Much of the area of Sector VI was excavated during the
                            Pasqui excavations. This period is clearly preserved in the upper levels
                            of Sector VI.1 (excavation conducted by G. Ponti). </p>
                        <p>
                            <hi1 rend="bold">Period IV</hi1>
                        </p>
                        <p id="p_324" n="324"> This Period has no activities preserved in Sector
                            VI.2, as the levels were removed during the Pasqui excavations. It is
                            represented in Sector VI.1 as the layer of rubble excavated as SU 6005.
                            The rubble is made up of construction materials that seem to represent
                            either neglect or active dumping. It appears that the materials were
                            sifted through to remove pieces suitable for reuse. </p>
                        <p id="p_325" n="325">This Period correlates with the corresponding Period
                            in Sector VII.1, as well as with the test pits excavated for soil cores
                            along the western edge of the quadriporticus. It is defined for the
                            garden as a whole by the intentional dumping of debris in the northern
                            and western areas of the garden, probably indicating the medieval
                            reoccupation of the adjacent buildings. The excavated trenches of Sector
                            VI show that the early excavations severed any relationship of this
                            layer with the eastern wall of the pool (SU 6002). </p>
                        <p>
                            <hi1 rend="bold">Period V (Activity 12)</hi1>
                        </p>
                        <p id="p_326" n="326"> This Period, too, is represented mainly in Sector
                            VI.1. It correlates well with the northern area of the garden, as a
                            long, continuous period of cultivation on the site, with pottery from
                            the seventeenth to the twentieth centuries. SU 6001 in Sector VI.1 is
                            comparable in depth to the cultivated soils described in Sector VII.1.
                            It is notable that these soils have considerably fewer potsherds and
                            other inclusions than Sector VII. This may be due to a more sporadic
                            cultivation history, and/or to the difference in the agricultural
                            practices of the parcel owner, as Sector VI.1 lies on different property
                            from both Sector VI.2 and the northern area of the garden.<ptr n="26"
                                target="nt_c09.3.n26"/> In Sector VI.2, the archaeological
                            excavations removed most of the cultivated soils of Period V. </p>
                        <p>
                            <hi1 rend="bold">Period VI (Activities 13-16).</hi1>
                        </p>
                        <p id="p_327" n="327">This includes the twentieth-century excavations and
                            activities associated with the archaeological park. In the garden areas,
                            generally, this is seen in photographs and records as excavation
                            activity, as restoration activity and as cultivation taking place on the
                            unrented portions of the site during the excavations. The pool itself
                            was excavated in this period (see the previous discussion). Extensive
                            restoration is seen around the quadriporticus. Regarding the pool
                            itself, restoration efforts focused on the southwestern portions of the
                            pool, while less restoration is seen on the northern and eastern
                            portions. Photographs from the Lugli/Price excavations show that the
                            earth removed in 1931 and 1932 was used to groom the slopes between the
                            excavated and unexcavated areas to give the effect seen in Price’s model
                            of 1932. The following discussion addresses only those activities
                            encountered in Sectors VI.1 and VI.2 <table border="0">
                                <row>
                                    <cell><hi1 rend="italic">Activity 13</hi1>:</cell>
                                    <cell>In Sector VI.1 this activity is represented by cut SU 6009
                                        and the redeposition of possible garden soils SU 6006 and
                                        6007 as one layer, which was later cut again (SU 6004) by
                                        the Lugli/Price’s excavation, as seen in the photographic
                                        record. <p>The cut SU 6015 and subsequent fills SU 6014 and
                                            6016 in Sector VI.2 are commonly referred to as a “wall
                                            chasing” trench with subsequent fill.</p>
                                    </cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 14</hi1>:</cell>
                                    <cell>Removal of soil down to the upper surface of SU 6010, the
                                        surface level of the 1999 excavation of Sector VI.2, after
                                        leaf removal. This fill is loam with occasional pottery
                                        fragments.</cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 15</hi1>:</cell>
                                    <cell>In Sector VI.1, SU 6004 is the cut made through any eroded
                                        debris from the Pasqui excavation into presumably
                                        unexcavated fills in the narrow area between the pool and
                                        the quadriporticus. In Sector VI.2, SU 6011 is a linear
                                        compacted surface on top of SU 6010. <p>Activity 15 is the
                                            Lugli/Price excavation. There are no notes on the
                                            material removed in 1931, but the excavation of this cut
                                            is seen clearly in progress in a photograph.<ptr n="27"
                                                target="nt_c09.3.n27"/> Sector VI.1 showed that the
                                            Lugli/Price excavation cleared the line of the pool wall
                                            (SU 6002) along its east and north sides, but did not
                                            excavate deeply into the stratigraphy. Careful study of
                                            various photographs taken during restoration of the pool
                                            over the years suggests that the Pasqui and then the
                                            Lugli/Price baulks were trimmed back on other occasions
                                            as well.</p>
                                        <p>SU 6011 in Sector VI.2 appears to represent the
                                            compaction and deposition of mud on the wheelbarrow
                                            paths seen in the photographs of the Lugli/Price
                                            excavation.</p>
                                    </cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 16</hi1>:</cell>
                                    <cell>Activity 16 is represented in Sector VI.1, where SU 6003
                                        is the erosion of the soil (SU 6001) cut by SU 6004 into the
                                        “wall chasing” trench of the Lugli/Price excavation.</cell>
                                </row>
                            </table></p>
                    </div4>
                    <div4 id="div4_c09.3.4.3" type="section">
                        <head>
                            <bibl type="title"> C.3.4.2. The northern part of the garden (Area 24,
                                Sector VII) </bibl>
                        </head>
                        <p id="p_328" n="328"> Sector VII was laid out as a 4 x 5 m trench in 1998,
                            first by K. Gleason, who was able to excavate only the western half and
                            a small area along the steps. Later in the season, the trench was
                            brought down to bedrock on the eastern side under the supervision of L.
                            Cerri. In 1999, the western side was completed and a backhoe was used to
                            open a 5 x 4 m area, expanding the dig to the south and west. This was
                            excavated as a series of steps, for safety reasons, and was not taken
                            down to bedrock. It remains excavated only to the ancient garden level
                            (Period II), with the southern steps remaining unexcavated entirely. In
                            March 2000, a short excavation season of two weeks completed work on the
                            trench prior to backfilling in June 2000.<ptr n="28"
                                target="nt_c09.3.n28"/> The trench was expanded by a meter to the
                            east, by a meter to the west, and into the lowest of the terraced baulks
                            to the south (<hi1 rend="bold">fig. 14</hi1>). <figure entity="heb90044.0086" id="fg_heb90044.0086"
                                type="ic">
                                <head>
                                    <bibl type="figno">Figure 14</bibl>
                                    <bibl type="figcap">Schematic plan of the excavation trenches of Sector VII.1 (1998-2000) with excavators initials (K. Gleason).</bibl>
                                </head>
                            </figure></p>
                        <p id="p_329" n="329">During the excavations we identified six distinct
                            periods in this area of the garden. These are presented on the Harris
                            Matrix (<hi1 rend="bold">fig. 15</hi1>), and described as follows. <figure entity="heb90044.0087" id="fg_heb90044.0087"
                                type="ic">
                                <head>
                                    <bibl type="figno">Figure 15</bibl>
                                    <bibl type="figcap">Harris matrix of Sector VII.1 (J. Schryver).</bibl>
                                </head>
                            </figure></p>
                        <p>
                            <hi1 rend="bold">Period I. The Early Garden (second century B.C. - first
                                century A.D.)</hi1>
                        </p>
                        <p id="p_330" n="330">This Period (Activities 1-2) can be dated to the late
                            first century B.C. It is characterized by a cultivated soil layer,
                            organically rich, but with few finds or features. Very little of this
                            level has been exposed, but it may be interpreted as the garden
                            associated with Period I of the villa (see Camaiani et al., <ptr
                                target="div3_c09.5.1" type="txt" n="C.5"/>, and De Simone, <ptr
                                target="div4_c10.1.3.8" type="txt" n="D.1.3.7"/>). <table border="0">
                                <row>
                                    <cell><hi1 rend="italic">Activity 1</hi1>:</cell>
                                    <cell>SU 7023, 7024, 7028. The earliest activity identified was
                                        a north-south cut in the yellow shale, just to the east of
                                        the current north-south axis of the central steps to the
                                        garden. No diagnostic artifacts or plant remains were
                                        recovered. <p>This activity is the shaping of the shale
                                            bedrock for the garden or terrace (see Foss et al., <ptr
                                                target="div4_c11.1.3.1" type="txt" n="E.1.3.1"
                                        />).</p></cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 2:</hi1></cell>
                                    <cell>SU 7042. The fill of this cut in the bedrock is a layer of
                                        redeposited brown shale-derived soil with characteristics of
                                        cultivation, erratic distribution of potsherds, carbonized
                                        plant material, and bone fragments. No discolorations or
                                        other features were observed in this soil, but the area
                                        exposed was limited. No plant remains were found in the soil
                                        sample processed (<hi1 rend="bold">fig. 16</hi1>).
                                        Diagnostic ceramics recovered date to the late Republican
                                        period. <p>The layer was exposed at the base of the trench
                                            excavated in 1998 and 1999, but only in the western part
                                            of it; to the east is the bedrock, reached in 1998 and
                                            in 2000. It continues to the south in the area excavated
                                            in 2000. In 1998, we observed that the garden soil
                                            appeared to run north under the steps. When we attempted
                                            to check the relationship in 1999, however, electrical
                                            wiring for new lighting in the archaeological park had
                                            been placed under the steps, destroying the stratigraphy
                                            and thus preventing confirmation of the continuation of
                                            SU 7042.</p>
                                        <p>SU 7043 is a cultivated soil of the late Republican age.
                                            It is likely to be a garden of the first phase of the
                                            villa, but this cannot be confirmed without the
                                            discovery of further features or architectural
                                            associations. The cut of the bedrock is man-made, but
                                            not enough area is exposed to understand the intention.
                                            The line of this cut should be related to the Republican
                                                <hi1 rend="italic">atrium</hi1> identified beneath
                                            the bath complex and to other first century B.C.
                                            remains, as the interface between the soil level and the
                                            bedrock is along a clean north-south line. No specific
                                            relationships of this feature to the adjacent
                                            architecture are obvious at present; however, if this
                                            garden soil in fact continues for any distance under the
                                            steps or under the portico itself, it may suggest the
                                            phasing of those architectural features, possibly dating
                                            them to the Flavian period. This could be clarified with
                                            trenches anywhere along the wall, as the Pasqui
                                            excavations did not reach this level.</p></cell>
                                </row>
                            </table>
                        </p>
                        <p>
                            <hi1 rend="bold">Period II. The Garden of the Flavian Age</hi1>
                        </p>
                        <p id="p_331" n="331"> Period II (Activities 3-8) represents a time of
                            remodeling or alteration and is characterized by yellow, clayey,
                            shale-derived fill, with inclusions of small quadrangular pieces of
                            brick pavers, stones, and occasional pottery of the first century A.D.
                            This fill was deposited to raise the level of the courtyard to form the
                            feature that dominates this period, i.e. the Flavian garden. The
                            cultivated soil contains pottery, coins, and other artifacts, as well as
                            carbonized plants, bone and mollusc remains. The most exciting discovery
                            was of a flower pot (VH 148, SAL inv. no. 114428, from SU 7040) and an
                            amphora (VH 160, SAL inv. no. 114550, from SU 7040), reused as a flower
                            pot. These, together with remarkably well-preserved pits, stake holes
                            and post holes, indicate the design of the garden. The finer soil
                            features are preserved only under the medieval rubble layer (see Period
                            IV). It is clear from the remains in this small area that the potted
                            plants date to at least the mid- to late first century A.D., but there
                            are hints of alterations to the design during and after this time. <table>
                                <row>
                                    <cell><hi1 rend="italic">Activity 3</hi1>:</cell>
                                    <cell>SU 7021, 7022, 7027. This activity represents the burial
                                        of the original garden surface SU 7042 with 30 cm of
                                        redeposited shale-derived clay soils, perhaps from building
                                        activity elsewhere in the garden or villa, mixed with stones
                                        and fragments of small quadrangular pieces of brick for
                                        paving, found erratically distributed in the matrix of the
                                        fill. SU 7027 was sampled for plant remains, and a cereal
                                        grain fragment of indeterminate identity was retrieved.
                                            <p>Ceramics from this level contain identifiable types,
                                            but their chronology is uncertain (see Angelelli, <ptr
                                                target="div3_c10.2.4" type="txt" n="D.2.3"/>). A
                                            single rim fragment from the late second century/early
                                            first century B.C. is present, but this may be residual.</p>
                                        <p>The original cultivated surface was buried to raise the
                                            level of the garden 30 cm, presumably as part of the
                                            Flavian renovation represented in the next activity. The
                                            contents of the fill may include elements of an earlier
                                            garden (the pavers, for example), but we cannot conclude
                                            this from the test trench.</p>
                                        <p>Various small postholes and soil discolorations are
                                            evident as inclusions of grey clay or organic soil in
                                            the matrix of SU 7021, 7022 and 7027 (see below, and
                                                <hi1 rend="bold">fig. 24</hi1>). These are postholes
                                            and planting pits from the cultivated level above.
                                            Preservation conditions in the soil above made it
                                            difficult or impossible to see these features in the
                                            surface, so they are best recorded at this level. As
                                            yet, we cannot assign a chronology to the phasing of
                                            each act of setting a posthole or pit.</p></cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 4</hi1>:</cell>
                                    <cell>No SU was assigned—feature not removed. A line of chipped
                                        limestone was laid out just west of the north-south central
                                        axis. As the feature was uncovered in the southern area of
                                        the trench, it began to curve out slightly to the east. No
                                        significant pottery is associated with this stratum (<hi1
                                            rend="bold">figs. 17</hi1> and <hi1 rend="bold"
                                        >19</hi1>). <p>As this feature was first observed only under
                                            the bases of the flower pots, we initially interpreted
                                            it as gravel laid to aid in draining the plantings in
                                            this clay-rich soil. We were not able to excavate along
                                            the sides of this feature to find its bottom. The size
                                            and density of the stone chips look similar to the
                                            images of the pool walls prior to restoration; this may
                                            not be a level of loose gravel, but the disintegrated
                                            top of a masonry feature that separated the beds of the
                                            lower garden, or a phase of the upper garden, that we
                                            have too little evidence to identify. We simply do not
                                            know how substantial a feature it is.</p></cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 5</hi1>:</cell>
                                    <cell>SU 7019, 7026, 7029, 7040, 7041, 7043, 7047, 7063, 7070,
                                        7081. This activity involved the deposition of cultivatable
                                        soil. Another layer of brown clay loam, richer in artifact
                                        content than the lower garden soil, was laid out and
                                        cultivated over the yellow clay fill. The horizon between
                                        the yellow clay fill and the cultivated soil is typically
                                        sharp in the sections. However, along the baulk in the
                                        southeast area of the trench dug in 2000, the upper
                                        cultivated soil formed a sharp, but furrowed, interface. Not
                                        enough evidence of such furrowing was seen in other baulks
                                        to allow a full interpretation. Ceramics from this level
                                        include residual Republican wares (second-first century
                                        B.C.) and fragments dating throughout the first century
                                        A.D., with the major finds centering on the Flavian era.
                                            <p>Remains of cultivated crop plants and related weeds
                                            were retrieved: an unidentifiable fragment of nut, <hi1
                                                rend="italic">Pisum sativum</hi1> (common pea), milk
                                            vetch, <hi1 rend="italic">Lolium sp</hi1>., crane bill,
                                                <hi1 rend="italic">Allium sp</hi1>., and bulrush, a
                                            plant found in wet conditions. A flotation sample
                                            produced a range of cereal, cereal processing debris,
                                            and cultivated herbs and weeds (see Ramsay, <ptr
                                                target="div3_c10.14.14" type="txt" n="D.14"/>).</p>
                                        <p>This is a cultivated soil layer from a Flavian era
                                            garden. Residual pottery fragments are typical of
                                            amended soils, and the soil of this level has clearly
                                            been amended, or fertilized with food processing
                                            remains, hearth sweepings, and other burnt debris from
                                            kitchens thrown in a compost pile. The features of this
                                            cultivated area that lead us to conclude it is a garden
                                            soil rather than a field are discussed below.</p></cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 6</hi1>:</cell>
                                    <cell>SU 7067. A line of pots is set into the amended soil.
                                        These may be separate activities over time (i.e., different
                                        seasons, different years), but the dating of the pottery
                                        puts all of the vessels into the same time frame, that of
                                        the mid- to late first century A.D. (<hi1 rend="bold">fig.
                                            18</hi1>). The northernmost feature is the bottom
                                        portion of a small, purpose-made <hi1 rend="italic">olla
                                            perforata</hi1> (flower pot, VH 203, SAL inv. no.
                                        114529) found bottomside up at the margin of the garden
                                        level and the layer of debris above. It is not <hi1
                                            rend="italic">in situ</hi1>, but was located along the
                                        line of the other features and may be very near its original
                                        location. Also found at this margin was a large fragment of
                                        a well-preserved glass plate (VH 194, SAL inv. no. 114534,
                                        from SU 7061). Approximately one meter to the south, a
                                        complete perforated <hi1 rend="italic">olla</hi1> (VH 148,
                                        SAL inv. no. 114428, from SU 7040) was found set into the
                                        garden soil, its rim approximately 3 cm below the surface
                                        level (<hi1 rend="bold">fig. 20</hi1>; see Macaulay, <ptr
                                            target="div4_c10.3.1" type="txt" n="D.3.1"/>). <p>Soil
                                            retrieved from inside the pot (SU 7044) produced remains
                                            of horse bean, elderberry, an indeterminate fruit or nut
                                            and several plants that grow in wet places: cranebill,
                                            sorrell, and sedge. Clearly, the process by which the
                                            soil came to be in the pot was a separate and earlier
                                            activity that took place away from the garden itself,
                                            but it is most appropriate to mention it here.</p>
                                        <p>Emanating from the complete pot is a series of seven
                                            small circular holes, 4-7 cm in diameter, appearing as
                                            dark soil discolorations on and just below the surface
                                            of SU 7040 (<hi1 rend="bold">fig. 17</hi1>). These were
                                            not excavated and thus have no SU number.</p>
                                        <p>Parallel to the central axis, 0.94 m to the south, a
                                            small pit was identified by the looser consistency of
                                            the soil. A narrow amphora had been removed from the
                                            layer immediately above this location, and it may have
                                            caused the pit to form, or it may have been embedded in
                                            this location originally.</p>
                                        <p>Finally, 1.1 m further south along the same line, the
                                            upper third of a cylindrical-ovoid amphora was found,
                                            placed upside down in reuse (VH 160, SAL inv. no.
                                            114550, from SU 7040). It had been shattered, possibly
                                            before deposition (<hi1 rend="bold">fig. 22</hi1>; see
                                            Angelelli, <ptr target="div3_c10.2.4" type="txt"
                                                n="D.2.3"/>). The soil from inside the amphora (SU
                                            7048)—again to be regarded as an earlier, off-site
                                            activity—contained a single grain of cultivated barley. </p>
                                        <p>This line of features represents a series of planting
                                            pots, embedded in the garden soil of SU 7040 (<hi1
                                                rend="bold">figs. 17</hi1> and <hi1 rend="bold"
                                            >21</hi1>). The <hi1 rend="italic">olla perforata</hi1>
                                            is a type of purpose-made planting pot (see Macaulay,
                                                <ptr target="div4_c10.3.1.1" type="txt" n="D.3.1"
                                            />). The cylindrical-ovoid amphora is almost certainly a
                                            planting pot in reuse, a practice commonly seen at
                                            Pompeii, Hadrian’s Villa, and other Roman garden sites
                                            in Italy.<ptr n="29" target="nt_c09.3.n29"/> The
                                            breaking of pots prior to planting is suggested in the
                                            ancient literature. The plant remains found in the fill
                                            of these pots are characteristic of the fertilizer
                                            rather than plants that may have grown in the pots
                                            themselves. The other feature in the line is a planting
                                            pit without a pot.</p></cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 7</hi1>:</cell>
                                    <cell>This represents a series of activities indicated by small
                                        dark pits and dark circular holes surrounded by cemented
                                        stone (<hi1 rend="bold">fig. 23</hi1>). It is not possible
                                        to determine a sequence or chronology of these features in
                                        relationship with those described in activity 6. The
                                        features were not excavated, so there are no associated SU
                                        numbers. No datable material was recovered. <p>On the north
                                            side of the garden, two small holes (ca. 7 cm in
                                            diameter) of brown, organic soil surrounded with mortar
                                            and small stones (20 cm in diameter) were found, one on
                                            either side of the north-south axis, though not paired
                                            (“stake holes,” in <hi1 rend="bold">fig. 17</hi1>).</p>
                                        <p>Round postholes, 5-7 cm in diameter, filled with brown
                                            soil, were noted during the excavation of the yellow
                                            fill of activity 6 in a number of locations. These are
                                            noted on the plan and tentatively appear to conform to a
                                            pattern symmetrical to that of the west side of the
                                            garden’s central axis. </p>
                                        <p>On the east side of the central axis, where the overlying
                                            cultivated soil becomes very thin (7-9 cm) in the areas
                                            where it overlies higher bedrock, excavation of the fill
                                            below revealed various pits, up to 30 cm in diameter
                                                (<hi1 rend="bold">fig. 24</hi1>). Further
                                            exploration is required to determine if the shallowness
                                            of the soil is due to erosion or to some feature of the
                                            garden requiring little depth to the soil. </p><p>The
                                            small holes surrounded by mortared stone may be stake
                                            holes for a light reed or wooden garden feature, as the
                                            diameter of the hole is appropriate. The support
                                            provided by the stones and mortar is slight (we did not
                                            excavate the features), and the purpose may have been to
                                            protect the base of the feature from rot.</p>
                                        <p>The 5- to 7-cm postholes without supports are more
                                            difficult to analyze at this point. They are almost
                                            perfectly round, which suggests the interpretation of a
                                            posthole rather than a plant hole. These posts have been
                                            pressed or hammered directly into the ground; there is
                                            no evidence of pits dug first then backfilled around the
                                            posts. As the posts are found in the layer below the
                                            cultivated soil, they appear to be sturdy supports,
                                            perhaps for a lightweight fence, such as the type of
                                            reed fence seen in garden paintings. They would not
                                            provide sufficient support for an architectural feature,
                                            such as a trellis.</p>
                                        <p>The larger irregular pits seen in the yellow fill below
                                            the garden level are most easily interpreted as pits for
                                            small shrubs or plants. They are not carefully made, and
                                            it is not possible to ascertain from the pits themselves
                                            if the plants grew intentionally or wild; however,
                                            preliminary studies of their location suggest a place in
                                            a coherent design pattern.</p></cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 8</hi1>:</cell>
                                    <cell>SU 7005. Traces of a plaster surface were identified along
                                        the northernmost edge of the trench. It consisted of a layer
                                        of lime mortar only partially revealed and not removed. No
                                        datable ceramics or artifacts were recovered. This activity
                                        represents the poorly preserved remains of a walk, landing
                                        or other feature, probably associated with the lowest
                                        unrestored step on the central axis (activity 9).<ptr n="30"
                                            target="nt_c09.3.n30"/></cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 9</hi1>:</cell>
                                    <cell>SU 7006. This activity represents a constructed ledge of
                                        mortar, corresponding with the dimensions of the
                                        reconstructed stairs above, although this step has a higher
                                        riser than the restored ones above in the series (<hi1
                                            rend="bold">fig. 25</hi1>). Disturbed soil (SU 7002)
                                        above this step makes it unclear whether or not the step had
                                        been discovered by Pasqui and deliberately left unrestored,
                                        or if it was first discovered in 1998. In the center of this
                                        feature is an opening framed with brick tile (SU 7007). No
                                        significant pottery was identified from the stratigraphic
                                        units in this activity. <p>The most obvious interpretation
                                            is that this one step represents the construction of
                                            central steps into the garden, more or less as seen
                                            restored. It is unclear, however, why the steps were
                                            furnished with a channel (SU 7007) set above the lowest
                                            step. This feature may be contemporary with or earlier
                                            than the activities above, as it is not possible to
                                            discern the phasing from the evidence exposed within the
                                            sounding. Considering the presence of this drain and the
                                            absence of any paving or definitively compacted surface
                                            at the base of the stairs, we should keep open the
                                            possibility that the reconstructed stairs were
                                            incorrectly interpreted. It is worth considering whether
                                            the steps were intended to provide access, or were part
                                            of a stepped water fountain, popular in the first and
                                            second centuries A.D. Further excavation is needed to
                                            explore this feature; as noted above, however, after our
                                            1998 season, electricians dug a narrow trench and laid
                                            in wiring for lighting at each side of the central
                                            stair.</p></cell>
                                </row>
                            </table></p>
                        <p>
                            <hi1 rend="bold">Period III: Decline of the Garden</hi1>
                        </p>
                        <p id="p_332" n="332">Period III (Activity 10) represents the decline of the
                            garden, and probably of the adjacent quadriporticus. </p>
                        <p id="p_333" n="333">We have poor stratigraphy for this Period, which is
                            broadly dated by coins and artifacts from the third to the fifth century
                            A.D. Any phasing information that might have come from the association
                            with the surrounding architecture was destroyed when Pasqui’s team
                            severed the relationship with the architecture in pursuit of the line of
                            the walls. <table>
                                <row>
                                    <cell><hi1 rend="italic">Activity 10</hi1>:</cell>
                                    <cell>SU 7020, 7037, 7038, 7039. The mixed fills of material
                                        from this period seal portions of the cultivated layer
                                        discussed above. Lenses of wall painting fragments
                                        (primarily red, yellow, and white, most without decoration),
                                        eroded plaster, patches of debris, irregular surfaces, and
                                        finely eroded materials cover the cultivated surfaces
                                        between 10-23 cm in the northern part of the trench, closest
                                        to the building. In the southern part of the trench, as one
                                        moves out into the courtyard, there is hardly any
                                        distinction between the Flavian cultivated surface and those
                                        above. Plant remains from SU 7038 consisted of wild grasses.
                                            <p>Ceramics from this stratum range in date from
                                            residual material of the mid-first century A.D. to more
                                            significant material dating from the third century, with
                                            types in use until the fifth. Coin evidence also offers
                                            a <hi1 rend="italic">terminus post quem</hi1> of the
                                            fifth century A.D., although the types found were in use
                                            from the late third through the fifth (see Buttrey, <ptr
                                                target="div4_c10.11.1.1" type="txt" n="D.11"/>). </p>
                                        <p>The lowest fills over the cultivated surface of the
                                            garden can be interpreted as the decay, collapse and
                                            erosion of the plasters of the surrounding porticos onto
                                            the garden surface immediately nearby (<hi1 rend="bold"
                                                >fig. 18</hi1>). This process did not apparently
                                            extend far out into the courtyard, and if it did, later
                                            agricultural processes obliterated the traces. The layer
                                            is best preserved where protected by later fills.</p>
                                        <p>Within the limited area of the trench, we did not
                                            identify any deliberate destruction in this phase. We
                                            need to see more of this layer to interpret the role of
                                            the artifacts. If they are residual, this suggests
                                            activity in the third to the fifth centuries prior to
                                            the deposition of this layer, or activity occurring at
                                            the villa during a period of neglect of the stucco
                                            decoration of the building exterior around the
                                            courtyard.</p>
                                        <p>The preservation of carbonized seeds of wild grasses may
                                            be consistent with some burning off of wild grasses
                                            growing over the site, or they could have been blown in
                                            from burning in the greater vicinity.</p></cell>
                                </row>
                            </table></p>
                        <p>
                            <hi1 rend="bold">Period IV: Medieval Occupation</hi1>
                        </p>
                        <p id="p_334" n="334"> Period IV (Activities 11-12) is characterized by the
                            intentional dumping of debris, probably indicating the medieval
                            occupation of the adjacent building. Some three meters from the building
                            wall into the garden, the debris piles taper off and the ground is
                            marked by cultivated soils that merge with cultivated levels above and
                            below (<hi1 rend="bold">fig. 18</hi1>). </p>
                        <p id="p_335" n="335">This Period is distinguished by deliberate human
                            activities taking place after the main occupation phases of the first
                            century B.C. to the second century A.D. Judging from the garden trenches
                            alone, the activities appear to be a clearing of debris from the villa,
                            and probably cultivation of the courtyard beyond the zone of dumping.
                            The Pasqui excavations severed the stratigraphy of these later
                            activities from the stratigraphy of the architecture by trenching along
                            the outer wall of the building, so it is difficult to make specific
                            associations between activities in the building and those seen in the
                            garden. One has the impression from the nature of the materials that the
                            building was cleared out for reoccupation and usable pieces of
                            construction material were removed. <table>
                                <row>
                                    <cell><hi1 rend="italic">Activity 11</hi1>:</cell>
                                    <cell>SU 7004, 7010, 7011, 7016, 7025, 7035, 7036, 7052, 7055,
                                        7058, 7059, 7062, 7064, 7074, 7079, 7082. A clear margin
                                        distinguished the soils of activity 10, which had little
                                        evidence of human effort in the deposition of the fill, from
                                        a complex area of apparently intentional deposition above
                                        it. This level consists of adjacent deposits of debris, too
                                        numerous to define and number individually during the
                                        feasibility study (<hi1 rend="bold">fig. 26</hi1>). These
                                        deposits contained construction material and artifacts from
                                        the building: fragments of slate, <hi1 rend="italic"
                                        >tegulae</hi1>, <hi1 rend="italic">imbrices</hi1>, bricks,
                                        triangular column bricks, marble, painted plaster from the
                                        columns and walls; rough volcanic rocks (of the type often
                                        employed for grotto effects); blue glass <hi1 rend="italic"
                                            >tesserae</hi1>, black, white, and red <hi1
                                            rend="italic">tesserae</hi1> of varying sizes; and a
                                        range of artifacts, shells, molluscs, and carbonized plant
                                        remains. Among the artifacts were pottery, coins, various
                                        metal fragments, and extraordinarily well-preserved
                                        fragments of window glass and other glass artifacts. Plant
                                        remains retrieved from two separate dumps indicate varied
                                        uses: sample 13, for example, contained cultivated wheat,
                                        barley, and olive, while sample 16 simply contained wild
                                        grasses. <p>Ceramic remains are largely residual fragments
                                            from the late Republican period through the imperial
                                            age, with types dating from the fourth to the sixth
                                            century A.D. Two coins are datable to the fourth
                                            century. The <hi1 rend="italic">terminus post quem</hi1>
                                            is thus the sixth century A.D., although an earlier date
                                            may be more likely.</p>
                                        <p>The size of each rubble unit suggests individual dumping
                                            episodes. Two impressions stand out when assessing the
                                            artifacts recovered from the deposits. First, among the
                                            roof-tiles and bricks, nothing was whole. The
                                            composition of the piles strongly indicates that the
                                            debris was first sorted, then dumped in the courtyard.
                                            Similarly, with the artifact assemblage, we have an
                                            impression of sweepings that contained things either not
                                            noticeable or not worth collecting, as opposed to a
                                            habitation dump or artifacts lost accidentally in an
                                            inhabited area. Most of the pottery, glass plates and
                                            glasses, metal objects, even coins, are of Roman date,
                                            but the occasional fourth to sixth century potsherds
                                            provide a <hi1 rend="italic">terminus post quem</hi1>.
                                            </p><p>Overall, we interpret activity 11 as an effort to
                                            clear out the building for reuse, dumping the material
                                            into the garden. We cannot rule out the possibility that
                                            the dumps only represent a kind of sorting through or
                                            pillaging of the ruins for building materials, although
                                            if so, the pillagers were doing some fine sweeping as
                                            they went along. The lay of the dumps, sloping down
                                            towards the courtyard, suggests that the debris may have
                                            been dumped “out” of a relatively intact building into
                                            the courtyard. The debris apron appears primarily on the
                                            north and west sides of the courtyard where substantial
                                            buildings remained behind the porticoes. It does not
                                            appear that anyone made the effort to dump more than 2-3
                                            meters into the courtyard. Beyond the edge of the dump
                                            area is cultivated soil, and it is possible that the
                                            process of later cultivation disturbed earlier debris,
                                            at least at the edges. Pasqui’s excavators cut a trench
                                            along the building wall, which prevents us from
                                            determining if the material was simply dumped off the
                                            retaining wall at the north. The piles taper off on the
                                            south side, and there is some directionality to the lay
                                            of the fragments in some piles, but not others (<hi1
                                                rend="bold">fig. 18</hi1>).</p>
                                    </cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 12</hi1>:</cell>
                                    <cell>SU 7033, 7034, 7051, 7053, 7054, 7056, 7073. South of the
                                        debris piles, the soil is disturbed by cultivation from the
                                        surface to levels lower than we were able to reach. Units
                                        merged and were assigned new numbers based on the most
                                        subtle of features. Essentially, where there were no rubble
                                        piles from late antiquity, no clear traces of activities 6
                                        to 8 could be found. From the surface downwards excavators
                                        encountered a series of merging layers, all characteristic
                                        of cultivated soils, whose distinctions in content were more
                                        evident in the sections than in the horizontal surfaces of
                                        the trench. In general, we can observe different ceramic
                                        content in different broad stratigraphic zones, and the soil
                                        is more calcareous in the more recently cultivated soils
                                        than in the clayey shale-derived ancient ones. There are no
                                        structures or even particularly evident soil features, such
                                        as tree pits, although in the upper levels we searched for
                                        some indication of the trees evident in the 1911 and 1930
                                        photographs of the site (<hi1 rend="bold">fig. 27</hi1>).
                                            <p>Ceramic evidence and soil structure suggest that
                                            cultivation took place regularly, if not continuously,
                                            from the early through the late medieval period. The
                                            level of the cultivated surfaces has built up nearly two
                                            meters since the earliest detected cultivated soil of
                                            the late Republican period. This can be attributed to
                                            the combination of material brought in for soil
                                            amendment and alluvial deposition of soils from
                                            cultivated slopes east and west of the site.</p>
                                        <p>It is notable, however, that the ceramic content in the
                                            cultivated areas of Sector VII is much greater than that
                                            seen in Sector VI. This may be due to the proximity of
                                            Sector VII to the building complex. Moreover, Sector VII
                                            lies in historically different property (parcel 1215,
                                            owned by Foschi) than Sector VI.1 (parcel 1214, owned by
                                            Angeletti) or VI.2 (parcel 1213, owned by Caponetti).
                                            Depending upon the longevity of these holdings,
                                            agricultural practices may have varied between
                                            properties. It would make an interesting contribution to
                                            the cultural landscape history of the area to examine
                                            this possibility in the baulks as excavations continue.</p>
                                        <p>It is not possible to judge from these excavations,
                                            therefore, at what point any medieval inhabitation of
                                            the site ended. A July entry in the <hi1 rend="italic"
                                                >Regesto Farfense</hi1> from 1011 points to local
                                            initiatives towards <hi1 rend="italic"
                                            >incastellamento</hi1>. This may be a plausible <hi1
                                                rend="italic">terminus post quem</hi1>, as the
                                            cultivated levels directly above this rubble layer
                                            contained pottery later than the thirteenth century
                                            reoccupation of the site.<ptr n="31"
                                                target="nt_c09.3.n31"/> The presence of potsherds in
                                            the soil is not in itself an indication of inhabitation
                                            on the property, as it remained a customary practice to
                                            fertilize soils with kitchen debris, including broken
                                            pottery from various periods.</p>
                                    </cell>
                                </row>
                            </table></p>
                        <p>
                            <hi1 rend="bold">Period V: Surface Levels of the Courtyard</hi1>
                        </p>
                        <p id="p_336" n="336"> Period V (Activity 13) is a continuation of the
                            agricultural phases of Period IV. We identify this level as the
                            agricultural activities that can be seen in the photographs of the
                            Pasqui excavations—orchards and gardens still under cultivation as
                            excavations progressed. The absence of well-formed surfaces in the upper
                            two meters suggests that continuous cultivation begins between the
                            thirteenth and fifteenth centuries. <table border="0">
                                <row>
                                    <cell><hi1 rend="italic">Activity 13</hi1>:</cell>
                                    <cell>SU 7001. Agriculture appears to have been fairly
                                        continuous, with pottery gently gradating from the twentieth
                                        century to medieval times as one progresses down through the
                                        mixed levels. Horizons are merged, as one might expect in
                                        plowed soils. No distinct soil features were seen when these
                                        surface levels were manually excavated in 1998 and 2000. In
                                        the expansion of the trench, these levels were removed
                                        mechanically.</cell>
                                </row>
                            </table></p>
                        <p>
                            <hi1 rend="bold">Period VI: The Twentieth Century</hi1>
                        </p>
                        <p id="p_337" n="337">Period VI (Activities 14-16) is the pre-excavation
                            surface level. It represents the surface seen in the 1911 and 1931
                            photographs of the Pasqui and Lugli/Price excavations. Cultivation is
                            active in photographs of the Pasqui excavations. During the Lugli/Price
                            excavation, the orchards remain, but without evidence of activity.
                            Rather, the site begins to be groomed for presentation as an
                            archaeological park. The excavators’ trenches within the garden date to
                            this Period as well. This Period represents the excavation, restoration,
                            and planting that created the site as it was encountered at the
                            beginning of the current project. <table border="0">
                                <row>
                                    <cell><hi1 rend="italic">Activity 14</hi1>:</cell>
                                    <cell>SU 7002, 7012, 7013, 7017. A trench, ca. 3 m wide, cut
                                        along the building wall on the north side of the garden
                                        through the ancient levels. <p>Photographs from the
                                            Lugli/Price excavation of the 1930s show the garden side
                                            of the trench to be quite irregular (<hi1 rend="bold"
                                                >fig. 28</hi1>), although without comparative
                                            photographs from the earlier excavations, it is
                                            difficult to tell if this was the weathering of two
                                            decades or if vertical baulks were simply never created
                                            by the excavators. During the course of Pasqui’s work,
                                            cultivation continued above the trench to the south. The
                                            cut of the excavation trench was readily identified, as
                                            were the later fills of it.</p>
                                        <p>In 1998, we were initially unable to date the garden
                                            level and the rubble piles, as both contained small bits
                                            of a grey rock that at first sight looked like the bits
                                            of Portland Cement used in the restoration of the steps
                                            at the time of the Pasqui excavation, but it was soon
                                            identified by Foss (see Foss et al., <ptr
                                                target="div3_c11.1.1" type="txt" n="E.1"/>) as a
                                            type of local tufa. For the most part, Pasqui’s team had
                                            excavated down to the level of activity 3 and not lower.
                                            A half-meter of erosion and fill from the later
                                            landscaping had added 25 cm to the bottom of the
                                            original excavator’s trench, but it was never completely
                                            backfilled (<hi1 rend="bold">fig. 18</hi1>).</p></cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 15</hi1>:</cell>
                                    <cell>SU 7009, 7032, 7050, 7069. Sloping fills extending from
                                        the unexcavated upper surface at the south to the area of
                                        the lowest step of the restored stairs. <p>During the
                                            Lugli/Price excavation, the site was altered, and a
                                            small archaeological park was created using the
                                            excavated earth to groom the slopes. The baulks left
                                            standing in the area of the quadriporticus were graded
                                            to produce sloping banks leading from the unexcavated
                                            surfaces down to the ancient level. Stratigraphically,
                                            this appears to have been primarily a process of cut and
                                            fill; some material was taken off the top of the baulk
                                            and deposited at the base, creating a slope. This would
                                            have happened through erosion to a certain degree, but
                                            the photographs and Price’s model indicate that the
                                            slopes were intentionally regraded (<hi1 rend="bold"
                                                >fig. 29</hi1>). Price shows the sloping banks in
                                            his model, which he created either in the winter or late
                                            spring of 1932.</p></cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 16</hi1>:</cell>
                                    <cell>Surface activity—no SU were assigned. The surface level of
                                        the site reflects the last phase of cultivation, seen today
                                        as grass, spirea, rose, and rosemary, removed for the
                                        excavation, and cypress and other trees left in place.<ptr
                                            n="32" target="nt_c09.3.n32"/>
                                        <p>The area surrounded by the quadriporticus was also
                                            planted with ornamental trees and shrubs, perhaps as the
                                            old orchard trees died. The cypress trees were planted
                                            around the perimeter, and other trees appear to have
                                            been selected in accordance with Lugli and Price’s
                                            interpretation of the area as a combination of
                                            ornamental and fruit-producing trees and shrubs.<ptr
                                                n="33" target="nt_c09.3.n33"/></p></cell>
                                </row>
                            </table></p>
                    </div4>
                </div3>
                <div3 id="div3_c09.3.5" type="section">
                    <head>
                        <bibl type="title">C.3.5. Evaluation of the garden design</bibl>
                    </head>
                    <p id="p_338" n="338"> Analysis of the features found in the garden area during
                        the feasibility study provide a tantalizing glimpse of a cultivated surface
                        of the first century B.C. We cannot say more about it at this time. The
                        later cultivated surface, however, contains some of the best preserved
                        garden features outside of the area of Vesuvius. The finds from this
                        feasibility study are already sufficient to offer the interpretation of an
                        axially-organized garden of the Flavian period, one that perhaps continued
                        somewhat later into the Hadrianic period. </p>
                    <p id="p_339" n="339">The axiality of the garden design is striking, even from
                        the fragmentary evidence discovered to date (cf. <hi1 rend="bold">fig.
                        17</hi1>). The purpose-made planting pot, the small pit, and the reused
                        amphora lie parallel to the central axis of the garden on the west side.
                        This linearity appears to be supported under the surface in the line of a
                        gravel feature, also running parallel to the central axis, underlying the
                        pots. The possibility of bilateral symmetry guided the excavations in 2000,
                        and the pattern of soil markings offers some evidence for a balanced
                        arrangement between the two sides of the axis, but such bilateral effect—if
                        it is confirmed by further work—appears to be in the layout rather than the
                        materials of the garden. On the east side of the axis, the evidence rests on
                        the arrangement of soil discolorations, some of which are well-defined
                        circular stake holes, while others are more amorphous pits or possibly
                        inclusions in the underlying fill layer. Only further excavation will verify
                        the preliminary outlines of the plan proposed in <hi1 rend="bold">fig.
                        17</hi1>. </p>
                    <p id="p_340" n="340">During the excavations, it was striking how present the
                        hill at Civitella was to those of us working in Sector VII. Any time one
                        looked up the steps on the central axis, the hill formed a backdrop. This
                        view adds additional weight to the visual strength of the axis in the
                        garden. How this view was handled in the design of doorways and windows of
                        the residence, which stood between that view and the garden, is a critical
                        part of the overall architectural scheme. </p>
                    <p id="p_341" n="341">Today, the visual relationships within the garden are
                        blocked by the large raised areas of unexcavated overburden. To facilitate
                        an understanding of the relationship of the architecture to the excavated
                        remains along the axis and the features of the central pool, we created both
                        manually drawn single-point perspectives and computer images in Form Z (<hi1
                            rend="bold">figs. 30</hi1> and <hi1 rend="bold">31</hi1>).<ptr n="34"
                            target="nt_c09.3.n34"/> The manual drawings were made in single-point
                        perspective to approximate the kind of perspective employed by Roman
                        designers. Form Z was used to enable one to roam through the architecture
                        and garden and “see” what visual relationships might have escaped the notice
                        of the archaeologists, given the site conditions. These computer renderings
                        are only in sketch form; more elaborate images will be generated as further
                        assessment of the evidence proceeds. What both types of drawing indicate,
                        however, is that doorways and openings in the building would have permitted
                        a framed view of the hill at Civitella from the garden through the
                        residence. <figure entity="heb90044.0102" id="fg_heb90044.0102"
                            type="ic">
                            <head>
                                <bibl type="figno">Figure 30</bibl>
                                <bibl type="figcap">Perspective sketch showing the view from the pool to the residential area. Urns are conjectural (K. Gleason after Clemence's sketch; architectural details from Price 1932).</bibl>
                            </head>
                        </figure>
                        <figure entity="heb90044.0103" id="fg_heb90044.0103"
                            type="ic">
                            <head>
                                <bibl type="figno">Figure 31</bibl>
                                <bibl type="figcap">View of the garden area of the villa, created using Form Z rendering program (Murata Costura).</bibl>
                            </head>
                        </figure></p>
                    <p id="p_342" n="342">The reconstruction drawings also demonstrate how little we
                        know of the garden. The perspective views looking north along the axis
                        between the pool and the central steps appear inadequate, vacant. Looking
                        south along the axis provides even less information. The focal points are
                        evident, but the layers of framing that are so pronounced and delightful in
                        the gardens around Vesuvius await discovery at “Horace’s Villa.” </p>
                </div3>
                <div3 id="div3_c09.3.6" type="section">
                    <head>
                        <bibl type="title">C.3.6. Notes on artifacts </bibl>
                    </head>
                    <p>
                        <hi1 rend="bolditalic">Ollae perforatae</hi1>
                    </p>
                    <p id="p_343" n="343"> The small planting pots found <hi1 rend="italic">in
                        situ</hi1>, in the Flavian garden soil and in Pasqui’s excavations, are the
                        most obviously diagnostic elements of the garden; they provide both dating
                        material and a certain identification of the site as a garden. The pots are
                        discussed by Macaulay (<ptr target="div4_c10.3.1.1" type="txt" n="D.3.1"/>). </p>
                    <p>
                        <hi1 rend="bold">Sundial fragment</hi1>
                    </p>
                    <p id="p_344" n="344">An intriguing twist on the importance of the central axis
                        was provided by a simple study to determine the possible sites within the
                        gardens for a small fragment of sundial discovered during the Pasqui
                        excavations, now in the SAL storehouse at Santuario di Ercole Vincitore, in
                        Tivoli (on the fragment see Macaulay, <ptr target="div3_c10.3.2" type="txt"
                            n="D.3.2"/>). The find-spot is unknown and the piece is not mentioned in
                        existing records. </p>
                    <p id="p_345" n="345">To explore possible locations for the sundial, a three
                        dimensional study model was prepared, using Form Z software (<hi1
                            rend="bold">fig. 32</hi1>).<ptr n="35" target="nt_c09.3.n35"/> This
                        software has a program for determining sun/shade patterns at any specified
                        time of the day, year, and latitude. Plans were prepared that showed the
                        areas of the courtyard that received light all day on each solstice and
                        equinox of the year. Assuming a one-story <hi1 rend="italic">porticus</hi1>
                        around the garden, Gleason anticipated that there would be a limited number
                        of sunny locations within the four quadrants of the garden, but did not
                        express her assumptions until the model was completed. The results were
                        surprising. Continuous sun is not available in any of the quadrants, but
                        only along the central axis of the garden, between June and September, the
                        months when one might be most inclined to reside at the villa. </p>
                    <p id="p_346" n="346">Clearly the entire villa was not laid out to provide
                        continuous sun for a small ornamental sundial. In antiquity, prior to the
                        development of magnetic north, gnomons were used by Roman surveyors to
                        establish the initial layout of a building or property line in relation to
                            north.<ptr n="36" target="nt_c09.3.n36"/> We may be picking up on the
                        evidence for the original establishment of the central axis that guided the
                        design and construction of the architecture as well as the garden. This is
                        an hypothesis that can be tested further on the computer. <figure entity="heb90044.0104" id="fg_heb90044.0104"
                            type="ic">
                            <head>
                                <bibl type="figno">Figure 32</bibl>
                                <bibl type="figcap">Sun and shade study of the villa garden, using Form Z calculations. Only the central axis remains in sun for the full day, suggesting the placement of a sundial on this axis (Murata).</bibl>
                            </head>
                        </figure></p>
                    <p>
                        <hi1 rend="bold">Components of a grotto feature</hi1>
                    </p>
                    <p id="p_347" n="347">Throughout the rubble level, a number of elements came to
                        light that may indicate the presence of a grotto or rustic fountain feature.
                        These include rough, deeply pitted calcareous stone, tufa, blue and green
                        glass <hi1 rend="italic">tesserae</hi1>, and scallop shells with mortar
                            (<hi1 rend="bold">fig. 33</hi1>), as well as fine bands and fragments of
                            marble.<ptr n="37" target="nt_c09.3.n37"/> While no one of these
                        elements, apart from the shell, is particularly indicative of a nymphaeum or
                        a similar feature, taken together, they raise the possibility that the
                        restored central steps into the garden, with the drain at the base, may have
                        been an ornamental water feature, rather than a means of access and regress.
                        Similar features are seen at Hadrian’s Villa and at Pompeii. <figure entity="heb90044.0105" id="fg_heb90044.0105"
                            type="ic">
                            <head>
                                <bibl type="figno">Figure 33</bibl>
                                <bibl type="figcap">Mortared scallop shells found during the Pasqui excavations (Museum of Licenza) and grotto-type stones from Sector VII.1 excavations (photos by K. Gleason).</bibl>
                            </head>
                        </figure></p>
                </div3>
                <div3 id="div3_c09.3.7" type="section">
                    <head>
                        <bibl type="title">C.3.7. Conclusions of the feasibility study and notes for
                            future work at the site</bibl>
                    </head>
                    <p id="p_348" n="348"> The feasibility study has offered an exciting first look
                        at an imperial garden of the mid- to late-first century A.D., as well as a
                        glimpse of a first century B.C. cultivated surface probably associated with
                        the early phases of the villa encountered elsewhere in the excavations. The
                        site clearly warrants further investigation, as the preservation of the
                        imperial garden is among the best in the Roman world outside of the vicinity
                        of Vesuvius. The preservation of planting features appears to be only in
                        specific areas of the garden; it might be, however, that other more
                        substantial architectural features and divisions of the garden are
                        preserved. The current interpretation is of an open garden with a pool in
                        the middle and plantings in the open area. The evidence here—and comparative
                        examples of Flavian gardens—suggests that we should be looking for masonry
                        and other architectural subdivisions of the space. This conclusion offers
                        specific recommendations for future work in the garden that will reveal
                        these features. </p>
                    <p id="p_349" n="349">The feasibility study has already offered enough physical
                        evidence of axes and three-dimensional organization to suggest the
                        importance of vision and views in the architecture of the garden and villa,
                        as indicated at the beginning of this report.<ptr n="38"
                            target="nt_c09.3.n38"/> We are proceeding with an interpretative article
                        that will set out visual and architectural relationships to help shape
                        future work at the site. The images presented in this section raised more
                        visual issues than they could clarify, and thus they should be taken as
                        study images, not as final interpretations of the garden.<ptr n="39"
                            target="nt_c09.3.n39"/>
                    </p>
                    <p>
                        <hi1 rend="bold">Location of well preserved areas</hi1>
                    </p>
                    <p id="p_350" n="350">The preservation of fine soil discolorations in the
                        imperial cultivated surface level is only found under the medieval debris
                        (activity 11) and probably only under the earlier deposition of material
                        from the deterioration of the building (activity 10). In our study area, the
                        finest soil discolorations in the garden surface itself were found only
                        under the layer of plaster-rich debris from activity 10. From surface
                        examination and observations made during the coring efforts around the
                        garden as a whole, we believe that the finest preservation will only be on
                        the perimeter, and quite possibly only on the north and west sides. </p>
                    <p id="p_351" n="351">That said, two other types of garden features were
                        successfully located, and these survived in more difficult preservation
                        conditions. The planting pots were found both within and beyond the area of
                        fine preservation, although all were found within the area covered by the
                        medieval debris piles. To the south of the medieval debris piles, we
                        encountered merging layers of cultivated soils. It is difficult to judge the
                        extent of disturbance of the early garden levels caused by agricultural
                        activity in later periods. We were not able to locate any pots, pits or
                        other features in this area. Only the chipped limestone feature (activity 4)
                        continued south beyond the line of protective overlying medieval rubble
                        piles. </p>
                    <p id="p_352" n="352">Below the garden soils of the imperial garden lies the
                        distinctive yellow clay fill of activity 3. This layer records stakeholes
                        and pits dug into it from the garden layer above. Although we did not
                        excavate this lower level out beyond the protected area of the medieval
                        rubble piles, we had preservation of features where none had been seen
                        above. It is quite possible that if this levelling surface continues to the
                        south into the courtyard, it will offer a record of features of the
                        overlying garden area. </p>
                    <p id="p_353" n="353">Given these conditions, future work should proceed as
                        follows. The whole garden and the Castagneto should be studied with ground
                        penetrating radar under the direction of a operator experienced in
                        processing the data to detect garden features. It is unlikely, however, that
                        the site will produce a record of garden surfaces through the use of GPR.
                        Rather, investigation should focus on the location of more substantial
                        remains: 1) any structures or irregularities on the slopes above the villa;
                        2) within the quadriporticus garden, the limestone chip feature found in
                        Sector VII; 3) the location of internal garden walls seen entering the
                        garden area on the east side of the portico; 4) the location of more of the
                        brick footings detected in Sector VI.1, as well as water channels and pipes
                        associated with the pools, fountains, and features of the little explored
                        southern part of the garden. </p>
                    <p id="p_354" n="354">The results of the geophysical survey can assist in
                        prioritizing further excavation. With promising results, a full open area
                        excavation may prove to be the most exciting way to reveal this garden. A
                        more conservation-oriented approach, however, is also possible: use
                        nondestructive methods to detect remains around the portico, then focus on
                        small trenches to confirm the finds and to answer additional questions about
                        the pool and the portico in already excavated areas. The parts of the garden
                        under the medieval rubble piles will yield the most detail on the nature of
                        the plantings and may most fruitfully be fully excavated once the
                        geophysical survey is complete. </p>
                    <p id="p_355" n="355">Specifically, future strategy for excavation should give
                        high priority to those particular areas protected by the early deterioration
                        of the surrounding architecture, followed by protection of that surface by
                        later piles of medieval rubble. These conditions are clearly observable on
                        the north and west sides of the quadriporticus, and the ancient surfaces
                        appear to lie at or below the base of the trenches of the early excavators.
                        These protected areas should be excavated, rather than studied with
                        geophysical equipment, due to the rubble component, although GPR may be used
                        to excellent effect for detecting subsurface infrastructures, such as pipes
                        and walls above the layer of yellow clay (which may disturb the GPR
                        readings). </p>
                    <p id="p_356" n="356">The results of excavation also suggest using GPR to locate
                        planting pots along the axes established in Sector VII, and wherever a
                        pattern of small disturbances might be detected elsewhere in the garden. We
                        would only note that the planting pots in Sector VII were located directly
                        above the chipped limestone features, and if this is a construction
                        technique used elsewhere, pots may be difficult to locate geophysically. </p>
                    <p id="p_357" n="357">In sum, future excavation strategy should begin with full
                        GPR survey of the garden area, laying out a closely spaced series of
                        transects to detect patterns of small features, such as planting pots, as
                        well as walls. For unexcavated surfaces, the length of the waves should be
                        calibrated to detect features more than two meters below, while in excavated
                        surfaces the calibration should be within a meter. Other types of
                        geophysical survey may need to be considered for small features within
                        centimeters of the excavated surfaces. Excavations should then be
                        strategized to reveal elements seen in the nondestructive survey, to explore
                        already excavated features (the pool, steps, edges of the porticoes), and to
                        excavate below the rubble apron to check preservation conditions. Excellent
                        results from this phase of work may well lead to the decision to conduct a
                        full open-area excavation of half or all of the garden. We would suggest the
                        northern half, as there are fewer trees, and the relationships between the
                        architecture and the garden would be much clarified by removing the
                        unexcavated area of the garden. All preliminary indications are that, while
                        the upper garden is Flavian, and clearly not Horace’s, it is a rare example
                        of a Roman garden and a worthy complement to the display of the villa
                        architecture. </p>
                    <p id="p_358" n="358">Destruction of this garden to reach the cultivated surface
                        of the first-century-B.C. garden needs to be considered carefully and only
                        after thorough documentation of the imperial garden. From our feasibility
                        study, it is clear that the lower level is in a limited area, not under the
                        entire portico courtyard. Study of this lower level, therefore, should begin
                        with test trenches to locate preserved areas. Coring through the revealed
                        imperial levels may be the most effective and least destructive method of
                        locating this early surface. If the lower surface is promising as a garden,
                        it should be revealed according to a strategy interwoven with the excavation
                        of the upper levels. That is, if the upper garden surface contains no
                        features, the subsoil of that garden—the yellow clay fill of Sector VII, for
                        example—should be checked for features. If coring reveals a cultivated level
                        beneath the fill, excavation may be appropriate. </p>
                    <p id="p_359" n="359">This garden is structurally more complicated than we have
                        been able to reveal in this project to date. Excavators need to be wary of
                        expecting simple lines of plants in neat beds of fertilized soil, but here
                        we have all the hints of garden features popular at the time—nymphaea,
                        masonry features, trellises, pools, statue bases, planting vessels of all
                        sorts, and sundials. In their fragmentary state, these features will present
                        an interpretative challenge to future archaeologists. </p>
                    <p>
                        <hi1 rend="bold">Contextual studies</hi1>
                    </p>
                    <p id="p_360" n="360">Environmental retrieval at the site was labor-intensive
                        due to the clay content of the soils, but the results are well worth the
                        effort. The preservation of molluscs is notable, and study of the molluscs,
                        such as that conducted by M. Pinto-Guillaume Ezequiel at the Villa of Livia
                        at Prima Porta, is clearly possible.<ptr target="nt_c09.3.n40" n="40"/> We
                        were not able to assess the preservation of insects. Carbonized plant
                        remains and faunal remains speak to the surrounding landscape, rather than
                        to the plants or animals of the garden, but given Horace’s writings about
                        that landscape, it is fascinating to see the relationship between the
                        archaeological finds and Horace’s commentary. We have already found plants
                        and uses he mentions (see Ramsay, <ptr target="div3_c10.14.1" type="txt"
                            n="D.14"/>). </p>
                    <p id="p_361" n="361">This brings us to the importance of field survey of the
                        surrounding landscape, as initially planned for the project. The villa’s
                        architecture clearly engages the views of this landscape in intentional and
                        meaningful ways. The economy of the villa has a complex relationship with
                        the landscape, illuminating matters of local production versus luxury for
                        the residents of this villa over time. State-of-the-art garden archaeology
                        places field survey ahead of excavation as the means of addressing these
                        questions, and no other site warrants this attention more than Horace’s
                        Sabine slopes and valleys. </p>
                </div3>
            </div2>
            <div2 id="div2_c09.4" status="hidden" type="section">
                <head>
                    <bibl type="title">C.4. Quadriporticus </bibl>
                </head>
                <p>
                    <hi1 rend="bold">By Monica De Simone, Silvia Nerucci, Luca Passalacqua</hi1>
                </p>
                <div3 id="div3_c09.4.1" type="section">
                    <head>
                        <bibl type="title">C.4.1. Introduction</bibl>
                    </head>
                    <p id="p_362" n="362"> Unifying and distinguishing the plan of the complex is
                        the large quadriporticus, whose northern side, the so-called porch (<hi1
                            rend="italic">veranda</hi1>) of the residence, is set at a higher level
                        with respect to the other three arms. From the northern side one approached
                        the two long sides to the east and west by means of two side staircases,
                        while a central staircase led to the open area, which was in antiquity
                        presumably maintained as a garden (see Gleason <hi1 rend="italic">et
                        al</hi1>, <ptr target="div3_c09.3.1" type="txt" n="C.3"/>). The two long
                        sides follow the natural slope from north to south. At the present time, the
                        elevations of the walls have a facing in <hi1 rend="italic">opus
                        reticulatum</hi1>, but these structures, in their upper sections, are the
                        result of extensive reconstructive restorations carried out in the course of
                        Pasqui’s excavations (see De Simone, <ptr target="div3_c10.1.1" type="txt"
                            n="D.1"/>). In the southern part of the eastern and western arms and for
                        the entire length of the southern side, the structures are presumably
                        preserved only at the foundation level, sealed by a restoration cap.<ptr
                            n="1" target="nt_c09.4.n1"/> The reconstruction of the elevation, albeit
                        not completely certain,<ptr n="2" target="nt_c09.4.n2"/> appears indirectly
                        confirmed by the various interventions of 1911-1914 and of the 1930s, which
                        have affected the internal perimeter wall of the quadriporticus. </p>
                    <p id="p_363" n="363">In the first phase of restoration, both the photographic
                        documentation and the interpretation proposed by Lugli<ptr n="3"
                            target="nt_c09.4.n3"/> present a continuous wall (<hi1 rend="bold">fig.
                            1</hi1>), probably reconstructed on the basis of the evidence of the
                        foundation remains.<ptr n="4" target="nt_c09.4.n4"/> Regarding the
                        articulation of the internal wall of the quadriporticus, the excavation of
                        Price and Lugli in the 1930s led to a new interpretation; consequently,
                        portions of masonry that Pasqui had reconstructed were demolished (<hi1
                            rend="bold">fig. 2</hi1>). This resulted in the current spacing of
                        openings toward the central open area. In the photographic documentation of
                        the first interventions, we can see that the facing of the wall—both in the
                        portions still presently <hi1 rend="italic">in situ</hi1> and in the tracts
                        later demolished in the 1930s—does not present openings, showing instead a
                        homogeneous and uniform surface. Hence we may suspect that the first
                        reconstruction was practically total, especially since it is impossible to
                        identify a setback of the edge of the wall that would reveal the point of
                        separation between the original structure and the restoration. <figure entity="heb90044.0106" id="fg_heb90044.0106"
                            type="ic">
                            <head>
                                <bibl type="figno">Figure 1</bibl>
                                <bibl type="figcap">Western arm of the quadriporticus after the earliest restoration (Archive SAL, F 338).</bibl>
                            </head>
                        </figure>
                        <figure entity="heb90044.0107" id="fg_heb90044.0107"
                            type="ic">
                            <head>
                                <bibl type="figno">Figure 2</bibl>
                                <bibl type="figcap">Price's plan after excavation 1930-31 (Price 1932).</bibl>
                            </head>
                        </figure></p>
                    <p id="p_364" n="364">Outside of the western and southern arms of the
                        quadriporticus is a series of small buttresses made of rectangular blocks of
                        limestone arranged at regular intervals. On the western wall, the buttresses
                        are preserved for some courses of the elevation (at least in the northern
                        part), abutting the western face of the perimeter wall. In the southern part
                        they are preserved only at the foundation level, as is the southern wall
                        itself. The fact that the parts of the buttresses that are definitely
                        ancient never reach a quota higher than the level of the <hi1 rend="italic"
                            >opus reticulatum</hi1> considered original suggests that much of the
                        elevation in <hi1 rend="italic">opus reticulatum</hi1> is the result of
                        reconstructive restoration. Moreover, the ancient buttresses seem to stop at
                        the same quota as the top of the structure in <hi1 rend="italic">opus
                            incertum</hi1>, from which the wall in <hi1 rend="italic">opus
                            reticulatum</hi1> rises (<hi1 rend="bold">fig. 3</hi1>). This poses the
                        problem of whether this quota should be associated with an ancient leveling
                        or with the level of preservation when the structures were first discovered.
                        If the second hypothesis is correct, we must conclude that the upper part of
                        the structure in <hi1 rend="italic">opus reticulatum</hi1> is the result of
                        reconstructive restoration. 
                        <figure entity="heb90044.0108" id="fg_heb90044.0108"
                            type="ic">
                            <head>
                                <bibl type="figno">Figure 3</bibl>
                                <bibl type="figcap">1970s restoration on the outside of the western perimeter wall (Archive SAL, I 1627).</bibl>
                            </head>
                        </figure></p>
                    <p id="p_365" n="365">The quota of preservation of the small buttresses
                        diminishes as one goes away from the wall that they join. This is apparently
                        due to the construction of the covering for the sewer, which either reduced
                        their height or partially incorporated them. </p>
                    <p id="p_366" n="366">The original wall in <hi1 rend="italic">opus
                        reticulatum</hi1> near the stairs (Sector IV.1) is, exceptionally, preserved
                        because of the nature of the massive structures standing behind and
                        protecting it (i.e., MSU 10048, 10049, and 10051 of rooms 33 and 34). </p>
                    <p id="p_367" n="367">The eastern arm, which deviates slightly toward the
                        southwest, also presents a series of interpretative problems, which are
                        partly connected to the previous restorations and are complicated by the
                        presence of other structures in the same area. </p>
                </div3>
                <div3 id="div3_c09.4.2" type="section">
                    <head>
                        <bibl type="title">C.4.2. Sector II.1, Area 54</bibl>
                    </head>
                    <p id="p_368" n="368"> The excavation of Area 54 was undertaken in order to
                        understand the published plans of the villa, which show a break in the wall
                        delimiting its southern end. This break has been interpreted as signaling
                        the entrance to the villa.<ptr n="5" target="nt_c09.4.n5"/>
                    </p>
                    <p id="p_369" n="369">The removal of the surface humus (SU 2000) immediately
                        revealed a wall (MSU 2004) preserved to its foundation and running
                        east-west. This wall continued the southern back wall of the quadriporticus
                        and provided closure to the supposed opening recorded on the earlier
                        published plans. Because the wall was covered only by humus, it must have
                        been seen by earlier excavators but for some reason not recorded, at least
                        in the published plans. </p>
                    <p id="p_370" n="370">In a personal communication, Bernard Frischer notes that
                        in fact the wall is recorded in some unpublished drawings from the Pasqui
                        excavations, now located in the archive of the Archaeological
                        Superintendency of Rome in Palazzo Altemps (see Frischer, <ptr
                            target="div3_c13.2.4" type="txt" n="G.2.4"/>). </p>
                    <p id="p_371" n="371">Perpendicular to wall MSU 2004 were found three small
                        walls oriented north-south (MSU 2005, 2006, 2007), which may be interpreted
                        as buttresses (<hi1 rend="bold">figs. 4</hi1> and <hi1 rend="bold">5</hi1>).
                        They are very similar to the buttresses located on the exterior wall of the
                        western arm of the quadriporticus. 
                        <figure entity="heb90044.0109" id="fg_heb90044.0109"
                            type="ic">
                            <head>
                                <bibl type="figno">Figure 4</bibl>
                                <bibl type="figcap">Plan of Sector II.1 (Area 54). Drawing by L. Passalacqua, modified by M. De Simone.</bibl>
                            </head>
                        </figure>
                        <figure entity="heb90044.0110" id="fg_heb90044.0110"
                            type="ic">
                            <head>
                                <bibl type="figno">Figure 5</bibl>
                                <bibl type="figcap">Sector II.1 at the end of the excavation 1997, from the east (Area 54).</bibl>
                            </head>
                        </figure></p>
                    <p id="p_372" n="372">Evidence of activity was found immediately to the south of
                        wall MSU 2004, but the interventions concerned were quite limited. Bricks
                        and stones (SU 2003) were found piled up in the central part of the trench.
                        These most likely derive from a small structure whose purpose and design can
                        no longer be determined, given its location immediately below the level of
                        the modern surface, which was probably disturbed during Pasqui’s
                        excavations. Completely absent are the strata pertaining to the walls MSU
                        2004, 2005, 2006, and 2007. This absence probably results from their removal
                        during previous archaeological interventions or during stripping of the site
                        prior to the twentieth century. </p>
                    <p id="p_373" n="373">Definitive conclusions about Area 54 are difficult to draw
                        at this time. We cannot exclude an entrance here, but we can exclude the
                        possibility that this was the main way into the villa: the buttresses are
                        spaced only 1.2 m apart, leaving too little space in between them for a
                        monumental entrance. A more likely hypothesis is that there was a modest
                        doorway here, intended simply to permit communication between the garden and
                        the area south of the quadriporticus. The location of the main entrance to
                        the villa remains an issue for future investigations to clarify. </p>
                </div3>
                <div3 id="div3_c09.4.3" type="section">
                    <head>
                        <bibl type="title">C.4.3. Sector IV.1, Area 23</bibl>
                    </head>
                    <p id="p_374" n="374"> The sounding was conducted during late August and the
                        first three weeks of September 1998 (<hi1 rend="bold">figs. 6</hi1> and <hi1
                            rend="bold">7</hi1>). The area is located in the northern part of the
                        western arm of the quadriporticus, close to the staircase leading to the
                        residence, which is at a higher level. The trench originally measured 4.0 m
                        x 1.85 m and was subsequently widened to 3.15 m (east-west). The principal
                        aim of the investigation was to identify the pavement level or, eventually,
                        the various surface levels associated with the quadriporticus. The area was
                        affected by the presence of a sewer in masonry, which was known before the
                        sounding was begun, thanks to the photographic documentation of the
                        1911-1914 excavations. <figure entity="heb90044.0111" id="fg_heb90044.0111"
                            type="ic">
                            <head>
                                <bibl type="figno">Figure 6</bibl>
                                <bibl type="figcap">Sector IV.1 (Area 23). Drawing by S. Nerucci, modified by M. De Simone.</bibl>
                            </head>
                        </figure>
                        <figure entity="heb90044.0112" id="fg_heb90044.0112"
                            type="ic">
                            <head>
                                <bibl type="figno">Figure 7</bibl>
                                <bibl type="figcap">Sector IV.1 from the south-west (Area 23) in 1998.</bibl>
                            </head>
                        </figure></p>
                    <p id="p_375" n="375">Because of Pasqui’s interventions, the stratigraphy in the
                        area was considerably disturbed and consequently is compromised. In fact, a
                        large modern ditch (SU 4001; fill 4002) occupies about half the space in a
                        north-south direction, probably created to identify the sewer (MSU 4015),
                        whose eastern side it grazes. Visible for the entire length of the sounding,
                        the sewer runs along the perimeter wall of the quadriporticus; it is
                        constructed of mortar, blocks of <hi1 rend="italic">cardellino</hi1>, and
                        fragments of roof-tiles. The vaulted structure of the sewer took advantage
                        of the foundation of the wall in <hi1 rend="italic">opus incertum</hi1> (MSU
                        4007) on the west side of the quadriporticus. The foundation served as an
                        embrasure for the sewer, whereas the eastern side of the sewer was built
                        against earth (<hi1 rend="italic">controterra</hi1>). Atop the vault a
                        fracture running east-west is clearly visible. It probably represents the
                        point at which a temporary support structure for building one section of the
                        sewer vault caused damage because it did not join perfectly with its
                        neighbor. Particularly interesting is the stratigraphic relationship between
                        the sewer and the wall in <hi1 rend="italic">opus incertum</hi1>, which was
                        in turn used as the foundation of a wall in <hi1 rend="italic">opus
                            reticulatum</hi1> (MSU 4005). This circumstance attests a sequence of
                        phases not otherwise known on the site. MSU 4005 was heavily restored, but
                        this is one of the few places in the quadriporticus where the ancient
                        structure can still be clearly seen. Another important observation can be
                        made in this connection: at this point of MSU 4007 we can see three small
                        fragments of painted wall plaster still <hi1 rend="italic">in
                            situ</hi1>.<ptr n="6" target="nt_c09.4.n6"/> They revet the eastern
                        surface of the wall. </p>
                    <p id="p_376" n="376">In widening the excavation trench toward the east, our
                        primary motivation was to verify the structure that comprises the perimeter
                        wall on the interior of the quadriporticus. The elevation of the wall in
                        limestone <hi1 rend="italic">opus reticulatum</hi1> (MSU 4026) proved to
                        have been completely built during the restoration phase. Its foundation (MSU
                        4027) was made of a fairly incoherent conglomerate of very thick mortar and
                        fragments of limestone. The impossibility of analyzing the elevation of the
                        structure increases the difficulty of reading the various phases that are
                        firmly attested in this area. Although the first course of the wall that was
                        erected atop foundation MSU 4027 cannot be identified with certainty, it is
                        clear that, in any case, it lay at a higher quota than the level of the
                        first course of the <hi1 rend="italic">incertum</hi1> structure in front of
                        it. If the foundation MSU 4027 truly belonged to a wall in <hi1
                            rend="italic">opus reticulatum</hi1>, we would have to attribute the
                        presently visible quadriporticus to a phase that followed the construction
                        in <hi1 rend="italic">opus incertum</hi1>. </p>
                    <p id="p_377" n="377">As the excavation trench was deepened to a quota of -3.00
                        m, a structure emerged that is difficult to interpret (SU 4032); to build
                        it, more ancient strata had been cut by SU 4038. This structure is oriented
                        north-south and can be seen for a length of 2.16 m. It is 0.50 m wide, and
                        it is made of stones that have not been squared, which are smaller at the
                        top and bigger in the core. One peculiarity associated with it was the fill
                        of two recticulate facing blocks inside SU 4032, which ran toward the north,
                        cutting the foundation MSU 4027. It was possible to clarify the
                        stratigraphic relationship after the partial removal of MSU 4032, which
                        permitted us to confirm that MSU 4027 continued to a depth lower than MSU
                        4032. </p>
                    <p id="p_378" n="378">The stone structure has a different orientation from that
                        of the other features on the site. It probably served as a drainage
                        structure for the garden, although other hypotheses are possible. </p>
                </div3>
                <div3 id="div3_c09.4.4" type="section">
                    <head>
                        <bibl type="title">C.4.4. Sector IV.2, Area 23</bibl>
                    </head>
                    <p id="p_379" n="379"> This excavation was conducted in August, 1999 in the
                        western arm of the quadriporticus, about 13 m to the south of the staircase
                        leading to the residence of the villa (<hi1 rend="bold">figs. 8</hi1> and
                            <hi1 rend="bold">9</hi1>). The zone was selected for investigation for
                        two reasons. In the course of the preceding campaign a small sounding had
                        been conducted behind the eastern side of the perimeter wall; this brought
                        to light part of a wall, with facing in <hi1 rend="italic">opus
                        incertum</hi1> that definitely had finished mortar joints. This wall
                        probably belonged to a more ancient phase than the structure in <hi1
                            rend="italic">opus reticulatum</hi1> that rests on top of it. At the
                        same time, in Sector IV.1 we found not only the wall facing in <hi1
                            rend="italic">opus incertum</hi1> but also its revetment with red
                        plaster. This meant that we had to completely exclude the possibility that
                        it could have been a foundation structure built with a facing, but the
                        presence of the sewer in Sector IV.1 impeded the investigation of its
                        foundation. Moreover, the small sounding had also identified a stratum
                        composed of stones and a very degraded mortar attached to the wall.
                        Additionally, to the south of the area identified as Sector IV.2, the
                        perimeter wall of the villa, as Pasqui reconstructed it, is abruptly
                        interrupted exactly at the same point where the structures immediately to
                        the west seem to stop. The course of the wall is maintained by a kind of
                        foundation trace, whose thickness increases toward the internal arm of the
                        quadriporticus; this gives the impression that it is a “double wall” similar
                        to that encountered in the eastern arm. Pasqui’s restoration, as elsewhere
                        in the villa, has completely obscured this situation, so that it is no
                        longer possible to verify at this point what structures existed and what
                        were their stratigraphic relationships. The restoration cap, which emerges
                        for several centimeters above the present surface level, suggests that this
                        was a single, thick foundation structure. But in fact we have to do with two
                        different structures. Where the earlier excavations reached a lower level in
                        revealing the course of the sewer running just outside and parallel to the
                        perimeter wall, we can see the part in <hi1 rend="italic">opus
                        incertum</hi1> on the western side of the perimeter wall. 
                        <figure entity="heb90044.0113" id="fg_heb90044.0113"
                            type="ic">
                            <head>
                                <bibl type="figno">Figure 8</bibl>
                                <bibl type="figcap">Sector IV.2 (Area 23). Drawing by M. De Simone.</bibl>
                            </head>
                        </figure>
                        <figure entity="heb90044.0114" id="fg_heb90044.0114"
                            type="ic">
                            <head>
                                <bibl type="figno">Figure 9</bibl>
                                <bibl type="figcap">Sector IV.2 from the east (Area 23).</bibl>
                            </head>
                        </figure></p>
                    <p id="p_380" n="380">To clarify these matters we decided to open a small
                        excavation trench (ca. 3.10 m x 3.00 m)<ptr n="7" target="nt_c09.4.n7"/>
                        where the course of the facing in <hi1 rend="italic">opus incertum</hi1> was
                        no longer visible at the present surface level. The wall turned out to be
                        preserved just a few centimeters beneath the surface. </p>
                    <p id="p_381" n="381">First, the surface stratum (SU 4201) was removed and a
                        very recent cut was identified running along its eastern side (SU 4205)
                        carrying an electric cable. The course of the eastern side of the perimeter
                        wall of the quadriporticus was quickly found. Its facing was in <hi1
                            rend="italic">opus incertum</hi1> (MSU 4202), which is visible for a few
                        centimeters because a structure (MSU 4203) abuts it. This structure was
                        built with limestone rocks that were not worked and a very thin mortar.
                        Probably after an activity of leveling (SU 4204) to regularize its top, the
                        wall in <hi1 rend="italic">opus incertum</hi1> was next exploited as the
                        foundation of the wall in <hi1 rend="italic">opus reticulatum </hi1>(MSU
                        4211). The original structure of the latter is recognizable only from the
                        western wall, while the eastern wall, which comprises the limit of the
                        trench, was completely obliterated by Pasqui’s restorations. </p>
                    <p id="p_382" n="382">In the northern portion of the trench, a stratum of rubble
                        (SU 4204) appears that is characterized by the presence of mortar, also very
                        poor and degraded, bricks (fragments of roof-tiles and cover-tiles, i.e.
                            <hi1 rend="italic">tegulae</hi1> and <hi1 rend="italic">imbrices</hi1>),
                        stones, and fragments of plaster. This stratum does not cover MSU 4203, but
                        rather seems to abut it. In view of the thinness of the stratum, however,
                        one has the impression that this unit was cut into during Pasqui’s
                        excavations, which seem to have removed its upper part. This stratum was
                        absent in the southern part of the trench, having been affected by a cut (SU
                        4207) associated with the activity of digging in 1911-1914.<ptr n="8"
                            target="nt_c09.4.n8"/>
                    </p>
                    <p id="p_383" n="383">The identification of one relatively coherent stratum of
                        plaster rubble (SU 4208),<ptr n="9" target="nt_c09.4.n9"/> located on a
                        horizontal plane and with the painted face almost always turned downward,
                        led us to believe that once this stratum had been removed, we could
                        recognize the ancient floor. This hope was unfulfilled, and we are unable to
                        explain the absence of a floor surface, even if, as seems likely, we
                        postulate a beaten-earth floor in the quadriporticus. Equally puzzling is
                        the fact that SU 4208 is at a quota somewhat lower than the top of MSU 4203,
                        which presumably must have been a foundation structure and therefore below
                        the pavement level. </p>
                    <p id="p_384" n="384">A stratum (SU 4209), which was poor in material, was
                        identified below SU 4208; it may be interpreted as an activity of raising
                        the surface level. The construction of the foundation structures MSU 4203
                        and 4212, which were certainly built against earth, ought to have
                        necessarily affected this stratum. The two foundations seem to be very
                        similar, probably created in the same phase or one shortly after the other,
                        with fragments of local limestone and a very thin mortar that is practically
                        pure sand and has very little binding power. Structure 4203, which abuts the
                        eastern side of the wall in <hi1 rend="italic">opus incertum</hi1> (4202),
                        rests on the foundation (4215) of the latter, perfectly maintaining its
                        course. Deepening the trench and partially demolishing structure 4203
                        brought to light the surface of the wall in <hi1 rend="italic">opus
                        incertum</hi1>, as well as its foundation, for its entire depth (1.70 m).
                        Excavation continued with the removal of several strata until virgin soil
                        was reached. The foundation 4215, constructed with good mortar and limestone
                        rocks, protrudes from the course of the <hi1 rend="italic">incertum</hi1>
                        wall by about 0.35 m, thereby offering a solid footing for the structure.
                        The foundation, built against the baulks of the contruction trench, cuts
                        strata 4213, 4217, and 4222, generally datable to the first century B.C.
                        (with the presence of residual materials going back at least to the third
                        century B.C.), and reaches the virgin stratum 4223 as well. The structure
                        was certainly created following the direction of the natural slope, as it
                        shows a north-south inclination. The offset of the foundation is highlighted
                        by a finish that has a subtle stratum of lime, which seals the limestone
                        fragments lodged in the horizontal plane. </p>
                    <p id="p_385" n="385">SU 4222 is noteworthy, even though it was investigated
                        only in a small part and somewhat mechanically. But it yielded a great deal
                        of ceramic material that attests, through residual finds, early human
                        habitation of this area, at least from the third century B.C. </p>
                    <p id="p_386" n="386">The excavation data presented thus far lead us to conclude
                        that after an initial period of habitation of the site, wall 4202 was built
                        in <hi1 rend="italic">opus incertum</hi1><ptr n="10" target="nt_c09.4.n10"/>
                        and later—but perhaps only slightly later—was the quadriporticus in <hi1
                            rend="italic">opus reticulatum</hi1> built. At this time, the surface
                        level was raised with a stratum of fill, the internal wall (MSU 4220 and
                        4221 on foundation 4212) was constructed <hi1 rend="italic">ex novo</hi1>,
                        and the wall in <hi1 rend="italic">opus incertum</hi1> was used as the
                        foundation of structure 4211. To this phase we can also ascribe the
                        construction of foundation 4203, the structural function of which remains
                        unclear. In regard to this we may offer two hypotheses. The first reads this
                        intervention as leading to the creation of a no-longer extant structural
                        reinforcement of the wall in <hi1 rend="italic">opus reticulatum</hi1>. The
                        second interprets it as the widening of the foot of the foundation for the
                        creation of a wall with a greater section than that which is currently seen,
                        whose eastern surface is a complete restoration. </p>
                    <p id="p_387" n="387">Completely lacking occupation strata, the phase of
                        destruction in this area follows with the collapse of the plaster and of the
                        wall structures (SU 4208 and 4204). The plaster strata pertaining to this
                        activity must be associated with the collapse of the walls, with the plaster
                        still adhering, or of the ceiling. </p>
                    <p id="p_388" n="388">The identification of the pavement levels remains a major
                        unsolved problem. We did not find any surface level associated with the
                        quadriporticus (phase MSU 4211, 4220, and 4221) and what is even more
                        surprising is the fact that none was found associated with the first phase
                        of wall 4202. Moreover, the scarcity of pottery finds requires us to be
                        cautious about assigning a precise chronology to the various building
                        phases. </p>
                </div3>
                <div3 id="div3_c09.4.5" type="section">
                    <head>
                        <bibl type="title">C.4.5. Sector VIII.1-6, Area 55</bibl>
                    </head>
                    <p id="p_389" n="389"> During the 1998 and 1999 seasons, some time was spent
                        cleaning in the central zone in the east wing of the quadriporticus (<hi1
                            rend="bold">fig. 10</hi1>). The structures in this part were first
                        brought to light by Price.<ptr n="11" target="nt_c09.4.n11"/> Today, the
                        walls, much restored, form elongated spaces (caissons or basins?), aligned
                        along the east perimeter wall. This wall, in <hi1 rend="italic">opus
                            reticulatum</hi1>, is interrupted at the point where there is a little
                        ovoid structure. The cleaning revealed two features: the remaining part of
                        the perimeter wall, razed in antiquity in order to build these structures
                        that partially intruded into east wing of the quadriporticus, about halfway
                        down its length; and brick walls, presumably part of a structure with oval
                        and rectangular niches, which in part occupied the area immediately to the
                        east of the perimeter wall, “opening” the arm of the quadriporticus toward
                        the outside. <figure entity="heb90044.0115" id="fg_heb90044.0115"
                            type="ic">
                            <head>
                                <bibl type="figno">Figure 10</bibl>
                                <bibl type="figcap">Sector VIII, detail of the probable fountain, from the north (Area 55).</bibl>
                            </head>
                        </figure></p>
                    <p id="p_390" n="390">Based on the probable plan, the brick structure ought to
                        be interpreted as a fountain, but we must note that during the cleaning, no
                        traces of any water system were found. The little wall of this fountain (or
                        perhaps a kind of flower bed?), with one side in <hi1 rend="italic">opus
                            testaceum</hi1>, might have been used to provide an architectonic
                        feature to conceal a functional element. These long and narrow spaces, in
                        fact, may be identified as retaining structures, to counteract the pressure
                        of the earth of the hillside, rather than as decorative fountain basins. To
                        understand the complex in this phase, one must note that these structures
                        blocked, at least in this part, the ambulatory of this wing. We may also
                        emphasize that the east-west central axis of this feature coincides with
                        that of the <hi1 rend="italic">piscina</hi1>. </p>
                    <p id="p_391" n="391">The overburden, very heavy on this side, prevented the
                        expansion of the excavation to the east, where the ancient stratigraphy
                        ought to be preserved. </p>
                </div3>
                <div3 id="div3_c09.4.6" type="section">
                    <head>
                        <bibl type="title">C.4.6. Sector VIII.7, Area 55</bibl>
                    </head>
                    <p id="p_392" n="392"> In the eastern arm of the quadriporticus we cleaned and
                        investigated an area that had already been excavated during the
                        interventions of the first half of the twentieth century and again in 1981
                            (<hi1 rend="bold">fig. 11</hi1>)<ptr n="12" target="nt_c09.4.n12"/>
                        Today this area is not easy to study, and so it had to be cleaned in order
                        to verify the presence of structures and to ascertain their
                        interrelationships. The area is located in the northern zone, immediately to
                        the south of the wall that obstructs the quadriporticus, at the point where
                        the eastern perimeter wall in <hi1 rend="italic">opus reticulatum</hi1> is
                        interrupted. <figure entity="heb90044.0116" id="fg_heb90044.0116"
                            type="ic">
                            <head>
                                <bibl type="figno">Figure 11</bibl>
                                <bibl type="figcap">Sector VIII.7, from the west (Area 55).</bibl>
                            </head>
                        </figure></p>
                    <p id="p_393" n="393">The intervention entailed the removal of the humus and of
                        the <hi1 rend="italic">pozzolana</hi1> laid following the earlier
                        excavations. The structures were cleaned and the strata were identified and
                        documented both graphically and photographically. No records of the
                        stratigraphic units were compiled because no archaeological strata were
                        removed and the structures identified did not, in any case, permit a perfect
                        reading. The data that resulted are the following. </p>
                    <p id="p_394" n="394">The structure with an east-west orientation (first visible
                        only in the tract protected by the restoration cap) continues toward the
                        east, penetrating into the area of the garden. Apparently constructed of
                        recycled materials (<hi1 rend="italic">tesserae</hi1> of <hi1 rend="italic"
                            >opus reticulatum</hi1>, limestone blocks, bricks, roof-tiles), it rests
                        directly on the foundation of the internal perimeter wall of the eastern arm
                        of the quadriporticus. The continuation of this foundation toward the south
                        was found; it was made of a very thin, yellow mortar and of fragments and
                        rocks of limestone. Beneath the western section of the excavation, we
                        identified a rubble layer south of the east-west wall. This stratum, made of
                        bricks and stones, was certainly cut by the previous excavations. On the two
                        sides of the east-west wall we identified a layer that was probably
                        associated with an ancient floor level, found at a quota located between
                        -1.74 m and -1.90 m. </p>
                    <p id="p_395" n="395">The reading of the eastern part of the area was more
                        complex. Here the recent installation of an electric cable has made it
                        impossible, at this quota, to read the stratigraphic relationships between
                        the structures. Nevertheless, a discovery was made that is relevant for the
                        analysis of the complex in its entirety and which also verified the
                        continuation of the foundation of the external perimeter wall in <hi1
                            rend="italic">opus reticulatum</hi1> toward the south. This is shown by
                        the fact that the wall, where it is preserved, abuts a foundation that is
                        completely analogous to that of the opposite wall in <hi1 rend="italic">opus
                            reticulatum</hi1>. Therefore, we do not find here the situation that was
                        seen in the western arm of the quadriporticus (Sectors IV.1 and IV.2), where
                        the entire length of the perimeter wall stands on a structure in <hi1
                            rend="italic">opus incertum</hi1>. </p>
                </div3>
                <div3 id="div3_c09.4.7" type="section">
                    <head>
                        <bibl type="title">C.4.7. Conclusions</bibl>
                    </head>
                    <p id="p_396" n="396"> Even if, in the absence of abundant dating materials, the
                        chronology of the quadriporticus remains uncertain, we may emphasize the
                        fact that a number of distinct building phases have been recognized, which
                        suggests different designs and functions of the area at various points in
                        time. This new observation<ptr n="13" target="nt_c09.4.n13"/> results from
                        the discovery of the wall in <hi1 rend="italic">opus incertum</hi1>
                        identified in both our excavations in the western arm of the quadriporticus,
                        whose western face is visible for its entire length. After our recent
                        excavations, this structure cannot be considered as simply a foundation
                        faced with <hi1 rend="italic">incertum</hi1> built above ground. The eastern
                        side was carefully finished and at one point still preserves painted plaster
                            <hi1 rend="italic">in situ</hi1> (<hi1 rend="bold">fig. 12</hi1>). This
                        revetment does not seem to be dated to the occupation phase of the
                        quadriporticus because the quota associated with the plaster is incompatible
                        with that of the opposite wall in <hi1 rend="italic">opus reticulatum</hi1>.
                        Even if its function and its relationships with other buildings that may
                        have existed within the complex remain unclear, the structure in <hi1
                            rend="italic">opus incertum</hi1> presents evidence of a phase prior to
                        the construction of the quadriporticus in the form we currently observe on
                        the site. However, the problem of the surface level(s) and the use of the
                        area in this phase remain unsolved. <figure entity="heb90044.0117" id="fg_heb90044.0117"
                            type="ic">
                            <head>
                                <bibl type="figno">Figure 12</bibl>
                                <bibl type="figcap">Sector IV.1 (Area 23): detail of the palster on <hi1 rend="italic">opus incertum</hi1> wall (4007) and detail of the sewer abutting the foundation of the same wall.</bibl>
                            </head>
                        </figure></p>
                    <p id="p_397" n="397">Even though it was restricted, the investigation in the
                        eastern arm of the quadriporticus, when taken in conjunction with the data
                        that emerged from the excavation of Sector VIII, excludes an analogous
                        pre-reticulate phase in the eastern zone of the complex. </p>
                    <p>
                        <hi1 rend="italic">Editor’s Note: Monica De Simone and Silvia Nerucci
                            contributed to sections C.4.1 and C.4.7; Luca Passalacqua wrote section
                            C.4.2; Silvia Nerucci wrote section C.4.3; Monica De Simone wrote
                            sections C.4.4-6. </hi1>
                    </p>
                </div3>
            </div2>
            <div2 id="div2_c09.5" type="section" status="hidden">
                <head>
                    <bibl type="title">C.5. The Bath Complex </bibl>
                </head>
                <p>
                    <hi1 rend="bold">By Stefano Camaiani, Laura Cerri, Luca Passalacqua</hi1>
                </p>
                <div3 id="div3_c09.5.1" type="section">
                    <head>
                        <bibl type="title">[text]</bibl>
                    </head>
                    <p id="p_398" n="398">The bath complex in the western part of the so-called
                        Villa of Horace was subject to archaeological investigation in three
                        separate campaigns in 1997, 1998, and 1999, and is denoted as Sector I.<ptr
                            n="1" target="nt_c09.5.n1"/>
                    </p>
                    <p id="p_399" n="399">It had been largely explored in a non-stratigraphic
                        excavation from 1911 to 1914 conducted by Angelo Pasqui.<ptr n="2"
                            target="nt_c09.5.n2"/> Our excavations focused on the central and
                        northern part of the complex in the Areas denoted on the plan as 35, 38, 39,
                        40, 50, and 51 (<hi1 rend="bold">fig. 1</hi1>). Evidence came to light that
                        permitted us to understand more fully several building and occupation phases
                        extending from the late Republic to late antiquity and the early Middle
                        Ages. 
                        <figure entity="heb90044.0118" id="fg_heb90044.0118" type="ic">
                            <head>
                                <bibl type="figno">Figure 1</bibl>
                                <bibl type="figcap">Aerial view of the bath complex (1999); dark line indicates the excavation areas (photo by VE.DO).</bibl>
                            </head>
                        </figure></p>
                    <p id="p_400" n="400">The decision to focus great attention and resources on the
                        bath complex was dictated by two considerations. First, it was necessary to
                        understand the function of the northern zone (previously interpreted as
                        later additions to the buildings of the imperial period).<ptr n="3"
                            target="nt_c09.5.n3"/> Second, the stratigraphy in this part of the
                        complex was better preserved and more substantial than in other areas, since
                        significant portions of it had not been touched by the earlier excavations.
                        A final motivation was to understand the western boundary of the bath
                        complex and the relationship of the bath complex to the modern terrace
                        adjacent to the west. </p>
                    <p id="p_401" n="401">For these reasons, in August and September of 1997 rooms
                        37, 50, and 51 were partially excavated. In 1998, the excavation was
                        enlarged to include rooms 38 and 40; in 1999, Areas 35 and 39 were included
                        as well. </p>
                    <p id="p_402" n="402">As expected, in practically all the areas that we
                        investigated, the Pasqui excavations were found to have caused great
                        disturbance to the late antique and early medieval contexts in the top meter
                        or so. But the situation was much better below this level, where our
                        stratigraphic excavations brought to light a great deal of new information
                        pertaining to the late Republican and imperial periods. </p>
                    <p id="p_403" n="403">The excavation has permitted us to identify six distinct
                        building phases (<hi1 rend="bold">Table 1</hi1>): <figure entity="heb90044.0143" id="fg_heb90044.0143" type="ic">
                            <head>
                                <bibl type="figno">Table 1</bibl>
                                <bibl type="figcap">Harris Matrix of the Bath Complex.</bibl>
                            </head>
                        </figure><table>
                            <row>
                                <cell>&bullet;</cell>
                                <cell>Period I can be dated to the late Republic and saw the
                                    construction of an <hi1 rend="italic">atrium</hi1> with an <hi1
                                        rend="italic">impluvium</hi1> during the first phase of the
                                    villa (<hi1 rend="bold">fig. 2</hi1>).<figure entity="heb90044.0119" id="fg_heb90044.0119" type="ic">
                                        <head>
                                            <bibl type="figno">Figure 2</bibl>
                                            <bibl type="figcap">Bath Complex Matrix.</bibl>
                                        </head>
                                    </figure></cell>
                                </row>
                            <row>
                                <cell>&bullet;</cell>
                                <cell>Period II corresponds to a remodeling of the entire villa
                                    sometime in the period of ca. 80-150 A.D., and included the
                                    addition of the bath complex and of related service areas (<hi1
                                        rend="bold">fig. 3</hi1>). <figure entity="heb90044.0120" id="fg_heb90044.0120" type="ic">
                                            <head>
                                                <bibl type="figno">Figure 3</bibl>
                                                <bibl type="figcap">Period II: The Bath Complex, second half of the first century A.D. to the second century A.D.</bibl>
                                            </head>
                                        </figure></cell>
                                </row>
                            <row>
                                <cell>&bullet;</cell>
                                <cell>Period III probably dates to the fourth or fifth century A.D.
                                    and represents the first stage in the abandonment of the bath
                                    complex, with the partial collapse of some walls in room 50 and
                                    of the <hi1 rend="italic">frigidarium</hi1> (the room consisting
                                    of Areas 37, 38, 39, and 40). Also dating to this period is the
                                    reuse of Area 40 as a burial ground in the fourth century, and
                                    the construction of the new walls that created rooms there,
                                    sometime during the fifth century (<hi1 rend="bold">fig.
                                        4</hi1>).<figure entity="heb90044.0121" id="fg_heb90044.0121" type="ic">
                                            <head>
                                                <bibl type="figno">Figure 4</bibl>
                                                <bibl type="figcap">Period III: fourth-fifth century A.D. (?)</bibl>
                                            </head>
                                        </figure></cell>
                                </row>
                            <row>
                                <cell>&bullet;</cell>
                                <cell>Period IV can be dated to the sixth through ninth centuries.
                                    During this time, the thermal complex lost its original function
                                    entirely, undergoing substantial reorganization including, for
                                    example, the creation of new rooms and the raising of the floor
                                    levels. We also see numerous examples of theft and plundering
                                    for building material, perhaps motivated by the construction of
                                    a monastic community whose existence has been hypothesized, but
                                    not proven, since the eighteenth century.<ptr n="4"
                                        target="nt_c09.5.n4"/> To this period also perhaps belong
                                    some other burials found in the complex (<hi1 rend="bold">fig.
                                        5</hi1>). <figure entity="heb90044.0122" id="fg_heb90044.0122" type="ic">
                                            <head>
                                                <bibl type="figno">Figure 5</bibl>
                                                <bibl type="figcap">Period IV: fifth-ninth century A.D.</bibl>
                                            </head>
                                        </figure></cell>
                                </row>
                            <row>
                                <cell>&bullet;</cell>
                                <cell>Periods V (<hi1 rend="bold">fig. 6</hi1>) and VI cover the
                                    very long period between the Middle Ages and the present and,
                                    among other activities, include the modern excavations and
                                    restorations.  <figure entity="heb90044.0123" id="fg_heb90044.0123" type="ic">
                                        <head>
                                            <bibl type="figno">Figure 6</bibl>
                                            <bibl type="figcap">Period V: Late Middle Ages.</bibl>
                                        </head>
                                    </figure></cell>
                               </row>
                        </table></p>
                    <p id="p_404" n="404"> To facilitate the consultation of the following sections,
                        in which the data and individual activities that emerged from the new
                        stratigraphic investigations are presented in detail,<ptr n="5"
                            target="nt_c09.5.n5"/> we briefly introduce each part in order to
                        clarify the occupation sequence of the bath complex. </p>
                </div3>
                <div3 id="div3_c09.5.2" type="section" status="hidden">
                    <head>
                        <bibl type="title">C.5.1. Period I (Second Century B.C. to First Century
                            A.D.)</bibl>
                    </head>
                    <div4 id="div4_c09.5.2.1" type="section">
                        <head>
                            <bibl type="title">[text]</bibl>
                        </head>
                        <p id="p_405" n="405"> The earliest construction that we discovered here
                            occurred between the second half of the second century B.C. and the
                            first half of the first century B.C. The area was transformed by the
                            creation of a large quadrangular space (10.40 m x 10.40 m, corresponding
                            to 35 Roman feet), in the center of which was found a square <hi1
                                rend="italic">impluvium</hi1> surrounded by four columns (<hi1
                                rend="bold">figs. 7-10</hi1>). </p>
                        <p id="p_406" n="406">The only stratigraphic sequence pertaining to this
                            period came to light during the excavation of the interior of room 38.
                            Here the natural clay had been cut by the insertion of a drain or
                            channel (activity 3) that had already been identified during the
                            excavations of Pasqui.<ptr n="6" target="nt_c09.5.n6"/> The drain was
                            made of two small walls in stone, a bed formed of <hi1 rend="italic"
                                >tegulae</hi1> and a pitched cover of roof-tiles. The structure was
                            sealed by stones bonded by a yellowish-gray mortar. A very compact
                            stratum of clay rich in carbon covered the drain. Then the walls of the
                            room were built in <hi1 rend="italic">opus incertum</hi1> with the first
                            course composed of uniformly shaped <hi1 rend="italic">cubilia</hi1>
                            (activity 2). The floor of the room consisted of stones mixed with earth
                            (activity 4), on which was created a square <hi1 rend="italic"
                            >impluvium</hi1> connected to the sewer below by means of a conduit
                            covered by mortar. Four piers, which probably carried the <hi1
                                rend="italic">compluvium</hi1> roof, were raised directly on the
                            stone surface, at the four corners of the <hi1 rend="italic"
                            >impluvium</hi1>. The complete absence in the room of a proper floor, as
                            well as the absence of an internal revetment of the <hi1 rend="italic"
                                >impluvium</hi1>, leads to the conclusion that the room was never
                            completed and that its structures were completely obliterated and reused
                            as foundations in a later building phase. Given the poor state of
                            preservation of the room it can be very cautiously hypothesized that it
                            was an <hi1 rend="italic">atrium</hi1> (Corinthian?) perhaps associated
                            with the <hi1 rend="italic">opus incertum</hi1> wall that would later
                            become part of the quadriporticus (see De Simone, <ptr
                                target="div4_c09.5.7" type="txt" n="D.1.3.7"/>). </p>
                    </div4>
                    <div4 id="div4_c09.5.2.2" type="section">
                        <head>
                            <bibl type="title">C.5.1.1. Activities 1-4: The Republican <hi1
                                    rend="bolditalic">Atrium</hi1></bibl>
                        </head>
                        <p id="p_407" n="407">
                            <table border="0">
                                <row>
                                    <cell><hi1 rend="italic">Activity 1</hi1>:</cell>
                                    <cell>Deposit of late Republican strata inside room 38 (SU 874,
                                        875, 877) <p>In the zone excavated inside room 38—and
                                            probably also in the other areas not investigated to
                                            this depth in the location of the future <hi1
                                                rend="italic">frigidarium</hi1>—the space was filled
                                            by three firm strata of clayey earth that raised the
                                            original level of the terrain in order to fill in the
                                            difference in level existing between the plateau of the
                                            villa and the hill above. The composition of the various
                                            strata (rocks, bricks, and charcoal), mixed with a few
                                            potsherds, is analogous, and their temporal relation is
                                            very close: the division into three separate
                                            stratigraphic units is only intended to highlight the
                                            different levels of the fill. </p></cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 2</hi1>:</cell>
                                    <cell>Construction of the square room (SU 291, 292, 310, 311,
                                        420, 464, 465, 612, 614, 620, 637, 644, 652, 653, 802, 810,
                                        833, 837, 838, 845, 871, 876, 879, 880, 1001, 1014) <p>In
                                            the western zone of the villa a large square room was
                                            built. The perimeter walls of the space have foundations
                                            set against earth (<hi1 rend="italic">controterra</hi1>)
                                            and composed of chips of limestone mixed with earth; the
                                            walls show a first course of <hi1 rend="italic"
                                            >cubilia</hi1> laid horizontally and an elevation in
                                                <hi1 rend="italic">opus incertum</hi1>. At the
                                            center of the room four plinths or piers were built,
                                            composed of stones and tile fragments laid in horizontal
                                            courses. </p>
                                        <p>The eastern pier of room 40 (MSU 653) was covered by a
                                            squared stone of good workmanship (MSU 612), on which
                                            perhaps was supported the base of a column. The western
                                            pier (MSU 614) was preserved only to a low level, as was
                                            also the case for the pier inside room 39 (MSU 1001), of
                                            which only two courses remain. </p>
                                        <p>In contrast, the pier now inside room 38 (MSU 810) is
                                            much better preserved. In it the building technique is
                                            clearly visible, characterized by a first horizontal
                                            course in bricks on which are laid courses of small
                                            blocks of the local limestone, known as <hi1
                                                rend="italic">cardellino</hi1> (<hi1 rend="bold"
                                                >fig. 11</hi1>). The core of the wall was comprised
                                            of brick fragments and small stones. The very impressive
                                            foundation of this pier (MSU 876, related trench SU 879)
                                            is made of chips of stone arranged without pattern and
                                            mortared together. <figure entity="heb90044.0128" id="fg_heb90044.0128" type="ic">
                                                <head>
                                                    <bibl type="figno">Figure 11</bibl>
                                                    <bibl type="figcap">Pier now inside room 38 (MSU 810=10042).</bibl>
                                                </head>
                                            </figure></p>
                                        <p>In the space between the piers was built the <hi1
                                                rend="italic">impluvium</hi1>, of which remains only
                                            a floor paved in stones laid horizontally. Only in the
                                            later room 39 does the floor tend to rise in proximity
                                            to the pier. A central opening led directly to the drain
                                            below (cf. activity 3).</p></cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 3</hi1>:</cell>
                                    <cell>Construction of a drain (SU 808, 809, 817, 824, 825, 826,
                                        827, 872, 1017)<p> At the same time that the square room was
                                            built, a drain with an east-west orientation was
                                            constructed along the main axis of the room. The drain
                                            was covered by roof-tiles (78 x 42 cm), pitched and
                                            resting on two simple walls built against earth, with a
                                            thin layer of mortar on the lower part. Two meters below
                                            the ancient surface was the bottom of the drain, on
                                            which the waste water ran. It was made of tiles laid out
                                            flat and set close together. Only a small section of the
                                            original channel remains, so it is impossible to
                                            determine where the drain discharged its water. It
                                            cannot be excluded that it had a relationship to the
                                            principal sewer of the villa, which runs parallel to the
                                            quadriporticus.</p></cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 4</hi1>:</cell>
                                    <cell>Installation of the surface level of the <hi1
                                            rend="italic">atrium</hi1> (SU 632, 651, 869, 873,
                                            1015)<p> Over the entire surface of the new room a
                                            uniform stratum was laid down, consisting of stones of
                                            small and medium size mixed with a little earth (SU 651,
                                            873, 1015). Above this was placed a further layer of
                                            earth with a sandy and very compact matrix, evidently
                                            laid down to even out the irregularities of the surface
                                            below, which was characterized by many dips and
                                            subsidences. No traces of a proper pavement were found.
                                            It seems quite probable that, until the reconstruction
                                            of Period II (see the following discussion), this
                                            earthen floor served as the surface level for the entire
                                            room.</p></cell>
                                </row>
                            </table>
                        </p>
                    </div4>
                </div3>
                <div3 id="div3_c09.5.3" type="section" status="hidden">
                    <head>
                        <bibl type="title">C.5.2. Period II (Second Half of the First Century A.D.
                            to the Second Century A.D.)</bibl>
                    </head>
                    <div4 id="div4_c09.5.3.1" type="section">
                        <head>
                            <bibl type="title">[text]</bibl>
                        </head>
                        <p id="p_408" n="408"> As a result of the construction of the bath complex,
                            which significantly modified the aspect of the western part of the
                            villa, the entire area underwent a dramatic transformation in a period
                            that can be dated to ca. 80-150 A.D. </p>
                        <p id="p_409" n="409">Stratigraphic data concerning the construction of
                            these rooms come from all the areas investigated and have permitted us
                            to clarify the chronology and the building sequence of the new
                            structures. </p>
                        <p id="p_410" n="410">The floor of the square room (Period I) was raised by
                            dumping earth (activity 5) containing very little pottery but a great
                            quantity of fresco fragments datable to the second half of the first
                            century A.D. (see Mols, <ptr type="txt" n="D.9" target="div3_c10.9.1"
                            />). This intervention saw the destruction of the four piers of the <hi1
                                rend="italic">atrium</hi1> and the obliteration of the <hi1
                                rend="italic">impluvium</hi1>. On these strata a uniform surface of
                            rocks was later laid, which functioned as a loose stone foundation, and
                            then a concrete layer was added. Atop this was placed a very simple
                            black ground mosaic with a double frame along the sides and decorated
                            internally, at least in the part that is preserved, by triangular <hi1
                                rend="italic">crustae</hi1> of marble (activity 6; see Werner, <ptr
                                target="div3_c10.8.1" type="txt" n="D.8"/>). </p>
                        <p id="p_411" n="411">To the west of this room was built a new space with a
                            semicircular shape (room 37; activity 9). It was designed with a central
                            niche having three steps, and two other niches, smaller in size, which
                            allowed access to the square room (<hi1 rend="bold">fig. 12</hi1>). The
                            floor, set about one meter lower than that of the adjacent room, was
                            covered with a mosaic made of white <hi1 rend="italic">tesserae</hi1> in
                            the parts preserved (see Werner, <ptr target="div3_c10.8.1" type="txt"
                                n="D.8"/>). The walls were reveted with slabs of white marble set on
                            a thick layer of <hi1 rend="italic">cocciopesto</hi1>. At the same time,
                            a narrow trench was dug in the western zone of room 37 on line with the
                            central niche. It was cut out of the natural clay and was intended as
                            the bedding for a lead <hi1 rend="italic">fistula</hi1> to bring water
                            into the space (activity 11). The presence of the layer of <hi1
                                rend="italic">cocciopesto</hi1>, of the <hi1 rend="italic"
                            >fistula</hi1>, and of a bench covered with marble along the perimeter
                            of the room allows us to identify the use to which the space was put. It
                            was a plunge pool connected directly to what appears to have been the
                            great <hi1 rend="italic">frigidarium</hi1> of villa’s new thermal
                            complex. 
                            <figure entity="heb90044.0129" id="fg_heb90044.0129" type="ic">
                                <head>
                                    <bibl type="figno">Figure 12</bibl>
                                    <bibl type="figcap">Room 37, from the west.</bibl>
                                </head>
                            </figure></p>
                        <p id="p_412" n="412">To the south of the pool a series of strata (activity
                            7) that is related to the construction activities in the area was
                            intentionally laid down. Above these were superimposed, at a slightly
                            later time, some strata of dumping (activity 8), which raised the level
                            of the surface by about 50 cm. The <hi1 rend="italic">terminus post
                            quem</hi1> for this action is set by several pottery fragments
                            assignable to the Flavian period. A lead <hi1 rend="italic"
                            >fistula</hi1> was set into a cut made into this fill (activity 12). The
                            pipe, connected to that of the <hi1 rend="italic">frigidarium</hi1>,
                            carried water into room 43. The presence of the stamp of the
                            manufacturer, C. Iulius Priscus, does not help to establish a date,
                            since the name is quite common (see Bruun, <ptr target="div3_c10.13.1"
                                type="txt" n="D.13"/>). Above the pipe was built a new room that was
                            rectangular in shape (room 50; activity 13) abutting the <hi1
                                rend="italic">frigidarium</hi1>, with walls made of small blocks of
                                <hi1 rend="italic">cardellino</hi1> with soil used as a binder. The
                            room had a beaten earth floor—very compact and uniform—consisting of
                            irregularly shaped small stones and tile fragments (activity 15). It is
                            difficult to interpret the purpose of this space, but the presence of an
                            earthen floor makes it likely that it was a service area. </p>
                        <p id="p_413" n="413">In this phase, on the upper plateau of the villa, a
                            series of very compact clayey strata (activity 16) was laid down, on
                            which was created a floor in beaten rubble. On this surface a colonnade
                            in limestone was erected, of which only one column remains. The
                            colonnade probably ran along the western side of the villa in the area
                            of the bath complex (activity 17). </p>
                        <p id="p_414" n="414">To the south of room 50 a new space (room 51) was
                            built, with two shallow apses opposite each other, whose walls were made
                            of <hi1 rend="italic">cardellino</hi1> (<hi1 rend="bold">fig. 13</hi1>).
                            Partially excavated, the room may be topographically related to the
                            southern zone of the baths and may have functioned in tandem with Areas
                            43-49. <figure entity="heb90044.0130" id="fg_heb90044.0130" type="ic">
                                <head>
                                    <bibl type="figno">Figure 13</bibl>
                                    <bibl type="figcap">Northern apse of room 51 (MSU 214, 215, 216=MSU 10009), from the north.</bibl>
                                </head>
                            </figure></p>
                        <p id="p_415" n="415">At the same time, to the north of the <hi1
                                rend="italic">frigidarium</hi1>, seven columns were erected with a
                            north-south alignment. They were probably elements of a colonnade
                            overlooking a garden (Area 35). In the same zone a new room with a
                            rectangular shape was built in the bath complex (room 34); it was
                            completely explored and heavily restored by Pasqui. The recent
                            excavations brought to light the foundations of the western wall of this
                            room, which abutted the northern wall of the late Republican square room
                                (<hi1 rend="italic">atrium</hi1>). Below the floor level of the
                            colonnade ran a channel, oriented east-west, which carried water into
                            room 34. </p>
                    </div4>
                    <div4 id="div4_c09.5.3.2" type="section">
                        <head>
                            <bibl type="title">C.5.2.1. Activities 5-21: Construction of the Bath
                                Complex (ca. 80-150 A.D.)</bibl>
                        </head>
                        <p id="p_416" n="416">
                            <table border="0">
                                <row>
                                    <cell><hi1 rend="italic">Activity 5</hi1>:</cell>
                                    <cell>Fill strata of the rectangular room (SU 613, 615, 629,
                                        630, 631, 645, 819, 854, 858, 860, 865, 868, 870, 1006,
                                            1013)<p> In this period, the surface level of the square
                                            room was raised quite substantially (on average 50 cm)
                                            through the accumulation of a series of strata of clayey
                                            earth that definitely eliminated the loose stone floor,
                                            the <hi1 rend="italic">impluvium</hi1>, and, probably,
                                            the four piers. Some of these strata are characterized
                                            by the presence of numerous fragments of plaster,
                                            datable to the second half of the first century
                                    A.D.</p></cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 6</hi1>:</cell>
                                    <cell>Creation of the mosaic of the <hi1 rend="italic"
                                            >frigidarium</hi1> (SU 602, 603, 604, 621, 624, 626,
                                        813, 823, 830, 840, 857, 1002)<p>The complete remodelling of
                                            the northern area of the baths is attested by the
                                            building of a new mosaic pavement in the zone previously
                                            occupied by the <hi1 rend="italic">atrium</hi1> and <hi1
                                                rend="italic">impluvium</hi1>. </p><p>A uniform
                                            layer of stones (SU 604, 830, 1002), ca. 30 cm thick,
                                            was laid out directly upon the strata of clay
                                            accumulated above the Republican floor (activity 5).
                                            Atop this was set a nicely leveled layer of conglomerate
                                            made of lime and tile fragments, ca. 3 cm thick (SU 603,
                                            621, 823, 840, 857). Above this a top bed of mortar was
                                            laid to support a pavement mosaic of black <hi1
                                                rend="italic">tesserae</hi1> framed by two white
                                            bands and decorated with triangular marble inserts (SU
                                            602, 624). The decoration of the room was completed with
                                            the revetment of the walls with white marble slabs (SU
                                            626). </p><p>The function of the room is not completely
                                            certain, although in view of the plan of the baths and
                                            the room’s connection to the adjacent pool for cold
                                            plunges (cf. activity 9), one may speculate that it
                                            served as a <hi1 rend="italic"
                                    >frigidarium</hi1>.</p></cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 7</hi1>:</cell>
                                    <cell>Construction activity inside room 50 (SU 339, 340, 341,
                                            342)<p> Evidence of construction work in room 50
                                            connected to the building of the <hi1 rend="italic"
                                                >frigidarium</hi1> consists of two rectangular
                                            trenches oriented northwest-southeast (SU 339 and 341).
                                            The respective fills (SU 340 and 342) are composed of
                                            clayey earth of compact consistency with an admixture of
                                            charcoal and small tile fragments.</p></cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 8</hi1>:</cell>
                                    <cell>Raising of the surface level of room 50 (SU 288, 316, 319,
                                        326, 327, 328, 334, 336, 337)<p> This activity relates to a
                                            series of strata that indicate a raising of the entire
                                            area occupied by room 50. It is of a piece with what is
                                            observed elsewhere in the baths at the same time
                                            (activity 21). The rise in quota of the surface level of
                                            the room was achieved by spreading a layer of stones (SU
                                            334, 336), which served as a loose foundation and lifted
                                            the level of the floor by ca. 50 cm above the previous
                                            floor. The analysis of the pottery in these strata
                                            indicates a date late in the Flavian period or just
                                            afterward, a dating confirmed by the analysis of the
                                            stratigraphic sequence.</p></cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 9</hi1>:</cell>
                                    <cell>Construction of the pool (SU 248, 280, 296, 343, 344, 409,
                                        423, 432, 437, 438, 439, 441, 445, 446, 456, 459, 460, 462,
                                        463, 803, 849)<p> A new room (37) was built behind the
                                            western walls of the late Republican <hi1 rend="italic"
                                                >atrium</hi1>. It consisted of a semicircular pool
                                            with three niches (a central niche on the axis of the
                                            room and two side niches), furnished with a bench (50 cm
                                            wide) along the walls. The central niche, 1.80 m wide
                                            with three steps at the base, was used for the flow of
                                            water carried by a lead <hi1 rend="italic">fistula</hi1>
                                            (activity 16) that was identified behind the west wall
                                            of the pool. The lateral stairs, which also had three
                                            steps that were smaller in size, provided a passage from
                                            the pool to the <hi1 rend="italic">frigidarium</hi1>
                                                (<hi1 rend="bold">fig. 14</hi1>). The pool abutted
                                            the <hi1 rend="italic">frigidarium</hi1> on its western
                                            wall (MSU 420=802). The elevation of the inner core of
                                            the perimeter walls was made of brick, while the
                                            exterior face was <hi1 rend="italic">opus mixtum</hi1>
                                            with regular bands of <hi1 rend="italic">cubilia</hi1>
                                            alternating with <hi1 rend="italic">cardellino</hi1>
                                            blocks. On the basis of the existing remains and design,
                                            it is possible to hypothesize that this room was covered
                                            by a groin vault open toward the east. <figure entity="heb90044.0131" id="fg_heb90044.0131" type="ic">
                                                <head>
                                                    <bibl type="figno">Figure 14</bibl>
                                                    <bibl type="figcap">Room 37, northern lateral steps.</bibl>
                                                </head>
                                            </figure></p></cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 10</hi1>:</cell>
                                    <cell>Construction of the apse of room 51 (SU 214, 215, 216,
                                        281, 299, 300, 301, 302, 308, 312, 313)<p> In the course of
                                            this activity room 51 was built. During the excavation
                                            of room 50, however, it was possible to reveal only the
                                            northern apsidal wall of room 51. This structure (MSU
                                            214=299, 215=300, 216=301, 302=MSU 10009) consists of
                                            horizontal bands of <hi1 rend="italic">cardellino</hi1>
                                            alternating with brick courses. Room 51 was excavated
                                            only superficially, but on the basis of its plan and
                                            owing to the presence of a <hi1 rend="italic"
                                                >praefurnium</hi1> located in the eastern wall of
                                            the room, it was probably one of the heated rooms in the
                                            bath complex. The foundation of the apsidal wall (MSU
                                            308=281) is composed of small blocks of <hi1
                                                rend="italic">cardellino</hi1> and is characterized
                                            by a change in level from west to east following the
                                            natural surface, which in this part of the villa appears
                                            to have a slight slope. With the foundation trench of
                                            the wall (SU 312), the fill layer (SU 313) contains
                                            ceramic material dating to the Flavian period, which
                                            permits us to date the construction of the wall and
                                            hence the entire room 51 to a period stretching from ca.
                                            80 A.D. to the middle of the second century. Regarding
                                            the function of room 50, we may deduce that it was a
                                            service area connected to the use of thermal rooms 51
                                            and 37 located to its sides. Access was most probably
                                            from the east, although the complete restoration of wall
                                            MSU 298, undertaken in modern times, prevents
                                            verification of this hypothesis. It also seems barely
                                            possible that there was an entrance on the south side;
                                            moreover, one cannot completely reject the hypothesis
                                            that there was also access available from the terrace
                                            above, situated to the west of room 50.</p></cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 11</hi1>:</cell>
                                    <cell>Installation of a <hi1 rend="italic">fistula</hi1> inside
                                        room 37 (SU 410, 411, 457, 458)<p> A channel (SU 410) was
                                            dug immediately behind the western wall of room 37. It
                                            runs in a north-south direction and is the bed for a
                                            lead <hi1 rend="italic">fistula</hi1> (SU 457). The pipe
                                            was almost certainly intended to carry water into the
                                            pool of the <hi1 rend="italic">frigidarium</hi1>. A
                                            preparatory layer (SU 458), related to the housing of
                                            the <hi1 rend="italic">fistula</hi1>, was laid on the
                                            bottom of the ditch. It was composed of mortar, marble
                                            chips, and fragments of roof-tiles and bricks. </p>
                                        <p>The poor state of conservation of the <hi1 rend="italic"
                                                >fistula</hi1>, of which only a short section (ca.
                                            30 cm long) remains, does not allow us to understand its
                                            relationship with the ridge of the hill immediately
                                            behind. It is nevertheless likely that this pipe was
                                            connected to the <hi1 rend="italic">fistula</hi1> found
                                            in room 50 (cf. activity 12; on the hydraulic system in
                                            this part of the villa, see De Simone, <ptr
                                                target="div4_c10.1.3.7" type="txt" n="D.1.3.6"
                                        />).</p></cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 12</hi1>:</cell>
                                    <cell>Placement of a lead <hi1 rend="italic">fistula</hi1> in
                                        room 50 (SU 232, 240, 243, 317, 318, 331, 333, 335) <p>In
                                            the center of room 50 a cut (SU 232 and 317) was made in
                                            order to set a lead pipe (SU 331) running northwest to
                                            southeast on a diagonal through the room (<hi1
                                                rend="bold">fig. 15</hi1>). The pipe was found
                                            covered by a stratum of earth (SU 243 and 318), which
                                            also filled in the empty areas of the cut made for the
                                                <hi1 rend="italic">fistula</hi1> after it had been
                                            installed. The water pipe—which probably belongs to the
                                            same system of plumbing as the pipe fragment found in
                                            the western area of the excavation (SU 240)—was
                                            protected by two side walls made of brick and stone (SU
                                            333), found beneath wall MSU 266. To facilitate the
                                            passage of the pipe through the wall toward the square
                                            room 43, situated to the southwest of room 50, a small
                                            square opening was created in wall MSU 302. The pipe was
                                            inscribed with the name of the manufacturer, C. Iulius
                                            Priscus (see Bruun, <ptr target="div3_c10.13.1"
                                                type="txt" n="D.13"/>). <figure entity="heb90044.0132" id="fg_heb90044.0132" type="ic">
                                                    <head>
                                                        <bibl type="figno">Figure 15</bibl>
                                                        <bibl type="figcap">Lead pipe 331 in Area 50, from the north-west.</bibl>
                                                    </head>
                                                </figure></p><p>The pottery found in
                                            the fill of the channel dates this activity to the
                                            second half of the first century A.D. Thus, although the
                                            name of C. Iulius Priscus is too common to serve as a
                                            dating element, the activity can be dated to the end of
                                            the first century A.D. or somewhat later on the basis of
                                            the ceramic finds.</p></cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 13</hi1>:</cell>
                                    <cell>Construction of the walls of <hi1 rend="italic"
                                        >cardellino</hi1> in room 50 (SU 245, 246, 266, 307, 314,
                                            315)<p>The walls MSU 246=245, 266, and 307 were built
                                            during this activity. They delimit a room with an
                                            irregular shape abutting the southern wall of room 37.
                                            The walls were made of small blocks of <hi1
                                                rend="italic">cardellino</hi1> disposed in
                                            horizontal courses and mortared with earth. At the time
                                            of their discovery, the walls were in a very poor state
                                            of conservation. The cut (SU 314) made for the
                                            foundation of these walls was filled with a layer of
                                            soil that did not produce any ceramic material.
                                            Nevertheless, the dating of these structures can be
                                            hypothesized on the basis of stratigraphic data alone,
                                            which appear to indicate a relative chronology in the
                                            late Flavian period or afterward; this can be deduced
                                            from the close relationship of these walls to the <hi1
                                                rend="italic">fistula</hi1> described in the
                                            preceding activity. The space delimited by the
                                            construction of these walls can be interpreted as a
                                            service area connected to the use of the pool (room 37).
                                        </p></cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 14</hi1>:</cell>
                                    <cell>Laying of the mosaic and revetment of the walls of the
                                        pool of the <hi1 rend="italic">frigidarium</hi1> (SU 412,
                                        413, 419, 421, 442, 443, 453, 454, 455, 814, 815, 816, 828,
                                        834, 835)<p>The whole space used as the pool of the <hi1
                                                rend="italic">frigidarium</hi1> was waterproofed by
                                            means of a thick layer of <hi1 rend="italic"
                                            >cocciopesto</hi1> (SU 413, 419, 421, 814), which was
                                            covered by a marble revetment with slabs of regular
                                            dimensions (SU 412, 455, 828). These plaques were
                                            attached to the walls by means of “L”-shaped bronze
                                            cramps (<hi1 rend="bold">fig. 16</hi1>; on the cramps,
                                            see Martin, <ptr target="div3_c10.12.6" type="txt"
                                                n="D.12.5"/>). The cramps had square housings from 2
                                            to 4 cm on a side and were secured by means of mortar
                                            and small marble shims. In the hollow space between the
                                            slabs and the wall, a mortar composed of a <hi1
                                                rend="italic">pozzolana</hi1> base mixed with brick
                                            chips (SU 442, 443) was spread to bind the entire
                                            surface of the plaques to the wall. The pavement of the
                                            pool was covered with a mosaic of white <hi1
                                                rend="italic">tesserae</hi1> (SU 453, 835) set on a
                                            very thick layer of sandy mortar mixed with rubble and
                                            brick fragments (SU 454, 823). <figure entity="heb90044.0133" id="fg_heb90044.0133" type="ic">
                                                <head>
                                                    <bibl type="figno">Figure 16</bibl>
                                                    <bibl type="figcap">Detail of the marble revetment in room 37: slab and bronze clip.</bibl>
                                                </head>
                                            </figure></p></cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 15</hi1>:</cell>
                                    <cell>Paving the surface of room 50 (SU 261, 274, 276, 321,
                                            322)<p> After being filled with two preparatory layers
                                            of soil (SU 276, 321), the room was completely covered
                                            with a pavement of rather second-rate <hi1 rend="italic"
                                                >cocciopesto</hi1> (SU 261, 274, 322), which is not
                                            very well preserved. The pottery remains date this
                                            pavement to sometime between ca. 80-150 A.D., that is,
                                            contemporaneous with the walls described in activities
                                            12 and 13. The find of a coin of Hadrian in the layer SU
                                            261 (on the coin, see Buttrey, <ptr
                                                target="div4_c10.11.1.1" type="txt" n="D.11"/>) may
                                            serve to narrow the dating parameters, but its context
                                            needs further discussion.</p></cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 16</hi1>:</cell>
                                    <cell>Rise in the level of room 50 (SU 211, 229)<p>The surface
                                            level of the area situated in the plateau to the west of
                                            room 50 was raised by the dumping of clayey strata mixed
                                            with brick and stone fragments. Such characteristics
                                            permit us to relate them to the strata described in
                                            activity 8, where the chronology has already been
                                            discussed.</p></cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 17</hi1>:</cell>
                                    <cell>Pavement levels atop the upper surface of room 50 (SU 218,
                                        221, 230)<p>Soon after activity 16, a series of strata of
                                            very compact soil was laid down in room 50 to serve as
                                            floor levels in this area. This intervention,
                                            contemporaneous with the remodelling of room 50
                                            (activity 15), also included the installation of a
                                            limestone column with a diameter of 34 cm (SU 230), of
                                            which a fragment 50 cm long is preserved.</p></cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 18</hi1>:</cell>
                                    <cell>Construction floors in the northern zone of the baths (SU
                                        1219, 1227, 1229, 1230, 1232, 1239, 1242)<p>In the northern
                                            zone of the bath complex, behind the large square space
                                            of the late Republican period, a series of strata of
                                            various compositions and matrices was laid in order to
                                            raise the surface level. The intervention,
                                            contemporaneous with the activities of levelling
                                            identified in the other rooms of the bath complex
                                            (activities 5, 7, 8, 16) is datable, on the basis of
                                            pottery finds, to a period after the last quarter of the
                                            first century A.D. Noteworthy is the presence within SU
                                            1229, 1230, 1239, and 1242 of numerous marble chips and
                                            mosaic <hi1 rend="italic">tesserae</hi1>, some of which
                                            were not completely worked. It is likely that this
                                            material results from the working <hi1 rend="italic">in
                                                situ</hi1> of the numerous marble slabs that
                                            decorated the walls and, perhaps, some of the pavements
                                            of the thermal rooms. </p><p>In addition to this
                                            material, the excavation brought to light some fragments
                                            of terracotta architectonic plaques that probably
                                            belonged to the first decorative phase of the villa (see
                                            Strazzulla, <ptr target="div3_c10.5.1" type="txt"
                                                n="D.5"/>).</p></cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 19</hi1>:</cell>
                                    <cell>Construction of a channel in the central zone of Area 35
                                        (SU 1236, 1237, 1238, 1250)<p> A channel for water drainage,
                                            oriented east-west and connected to room 34, was built
                                            directly atop the strata of soil laid down to level the
                                            surface of Area 35 (activity 18; <hi1 rend="bold">fig.
                                                17</hi1>). The side walls of the drainage channel,
                                            built against earth, were made of tufa <hi1
                                                rend="italic">cubilia</hi1>, probably reused from an
                                            earlier structure, and of roughly worked blocks of small
                                            and medium size. The bottom of the channel, sloping
                                            downward toward the east, consisted of roof-tiles laid
                                            horizontally and close together. The use of this channel
                                            can be related to the lead pipes found inside rooms 37
                                            and 50. The drainage channel was probably connected at
                                            its western end to a <hi1 rend="italic">fistula</hi1>
                                            that was part of the general hydraulic system of the
                                            villa (cf. activities 11 and 12).<figure entity="heb90044.0134" id="fg_heb90044.0134" type="ic">
                                                <head>
                                                    <bibl type="figno">Figure 17</bibl>
                                                    <bibl type="figcap">Channel for the drainage of water in Area 35, from the east.</bibl>
                                                </head>
                                            </figure></p></cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 20</hi1>:</cell>
                                    <cell>Construction of the perimeter wall of rooms 32 and 34 (SU
                                        1226, 1243, 1246, 1248, 1249) <p>In order to construct rooms
                                            32, 33, and 34, a wall running north-south along the
                                            eastern side of Area 35 was built. The foundation was
                                            made of irregularly shaped stones and pebbles of small
                                            and medium size, not worked, which were arranged in
                                            fairly regular courses and bound with a sandy, rough
                                            mortar. The elevation of the structure, preserved in
                                            part only in the southeast corner, was built in <hi1
                                                rend="italic">opus reticulatum</hi1> with <hi1
                                                rend="italic">cubilia</hi1> of tufa and limestone.
                                            Only the relative chronology of the structure can be
                                            determined; it is later than the walls of the square
                                            room, which gives us a <hi1 rend="italic">terminus post
                                                quem</hi1>. </p></cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 21</hi1>:</cell>
                                    <cell>Construction of a colonnade inside Area 35 (SU 1233, 1235,
                                        1244, 1245, 1251, 1252)<p> Seven columns were erected at
                                            regular intervals in the central space of Area 35. These
                                            were aligned north-south and perhaps formed part of a
                                            porticus outside the bath complex. The colonnade, which
                                            connected the residential part of the villa with the
                                            baths, was probably delimited by a perimeter wall
                                            situated in the part of the western hill still not
                                            excavated, while the entrance was perhaps situated on
                                            the eastern side. The columns were made of bricks that
                                            were cut to have the shape of a quarter circle (see
                                            below, activity 28). </p><p>In contrast to the piers
                                            belonging to the <hi1 rend="italic">atrium</hi1> and
                                                <hi1 rend="italic">impluvium</hi1> (Period I,
                                            activity 2), these were made entirely of bricks of
                                            regular dimensions, bonded by a friable mortar, rather
                                            similar to the mortar used in the construction of room
                                            37.</p></cell>
                                </row>
                            </table>
                        </p>
                    </div4>
                </div3>
                <div3 id="div3_c09.5.4" type="section" status="hidden">
                    <head>
                        <bibl type="title">C.5.3. Period III (Fourth-Fifth Centuries A.D. [?])
                        </bibl>
                    </head>
                    <div4 id="div4_c09.5.4.1" type="section">
                        <head>
                            <bibl type="title">[text]</bibl>
                        </head>
                        <p id="p_417" n="417">In the bath complex in this period are attested the
                            first activities of destruction and spoliation or, at any rate, some
                            significant transformations in use. The mosaic floor of the square room
                            was partly dismantled and replaced by a simple floor of beaten earth.
                            Inside room 50 several strata of debris accumulated, partly resulting
                            from the collapse of the perimeter walls (activities 25 and 26). An
                            analogous situation is encountered within the pool (room 37), where
                            strata consisting mainly of building materials were found near the
                            walls. At the same time, in the central zone of room 40, a trench tomb
                            was dug (<hi1 rend="bold">figs. 18-19</hi1>). It was oriented
                            northwest-southeast and had a pitched covering of roof-tiles (<hi1
                                rend="italic">a cappuccina</hi1>). On the basis of C14 dating of the
                            bones, this burial can be dated to the fourth century A.D. In the same
                            period, but perhaps somewhat later than the previously described
                            activities, the plan of this sector began to be partially modified
                            through the building of some walls in the large square room. These walls
                            defined a new space within the old <hi1 rend="italic">frigidarium</hi1>
                            (activity 23). <figure entity="heb90044.0135" id="fg_heb90044.0135" type="ic">
                                <head>
                                    <bibl type="figno">Figure 18</bibl>
                                    <bibl type="figcap">Tomb <hi1 rend="italic">a cappuccina</hi1>, in room 40.</bibl>
                                </head>
                            </figure>
                            <figure entity="heb90044.0136" id="fg_heb90044.0136" type="ic">
                                <head>
                                    <bibl type="figno">Figure 19</bibl>
                                    <bibl type="figcap">Tomb <hi1 rend="italic">a cappuccina</hi1>, in room 40.</bibl>
                                </head>
                            </figure></p>
                        <p id="p_418" n="418">The northern zone of the baths was affected by a
                            demolition activity, which is attested by a series of rubble strata
                            originating from the destruction and/or spoliation of the porticus
                            (activity 28). To this activity can also be added the excavation of a
                            large trench, oriented east-west, which was filled up with building
                            material (activity 27). </p>
                    </div4>
                    <div4 id="div4_c09.5.4.2" type="section">
                        <head>
                            <bibl type="title">C.5.3.1. Activities 22-29: Abandonment in Late
                                Antiquity</bibl>
                        </head>
                        <p id="p_419" n="419">
                            <table border="0">
                                <row>
                                    <cell><hi1 rend="italic">Activity 22</hi1>:</cell>
                                    <cell>Spoliation of the wall structures and pavement of the <hi1
                                            rend="italic">frigidarium</hi1> (SU 622, 820, 861)<p>
                                            The partial abandonment of this part of the villa is
                                            stratigraphically attested by the destruction and
                                            cutting back, practically to the foundations, of some
                                            wall structures. The northern end of the western
                                            perimeter wall of the square room was completely
                                            destroyed (SU 820), probably to recover building
                                            material. A similar situation was found inside the pool,
                                            where the walls were partially demolished and where all
                                            the marbles, the pavement, and also the statues
                                            decorating it (if there were any) were completely
                                            removed. To be added to these actions of stripping is
                                            the systematic removal of the mosaic of the square room,
                                            which for this reason is preserved only in small areas
                                            along the southern wall of the space. </p>
                                        <p>Unfortunately, there are no dating elements that can
                                            provide an absolute chronology for these activities, but
                                            it is quite plausible that they occurred shortly before
                                            the excavation of a trench tomb identified in the center
                                            of room 40 and assignable to the fourth century A.D.
                                            (see below, activity 24).</p></cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 23</hi1>:</cell>
                                    <cell>Construction of a series of walls inside room 40 (SU 634,
                                        642, 643, 647, 648)<p>Three walls were built inside this
                                            room. Their poor state of preservation does not permit
                                            us to understand their function nor to define the spaces
                                            that they delimited. The foundations of these
                                            structures, which have heavily cut into the earlier
                                            pavement levels, were made of medium-size stones bonded
                                            with clay and sand.</p></cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 24</hi1>:</cell>
                                    <cell>Tomb <hi1 rend="italic">a cappuccina</hi1> in room 40 (SU
                                        635, 636, 649, 650)<p>Near the northwest corner of room 40 a
                                            rectangular ditch (SU 635) with a northwest-southeast
                                            orientation was dug; its purpose was to house a burial
                                                <hi1 rend="italic">a cappuccina</hi1>. This presents
                                            the characteristic pitched cover made of roof-tiles with
                                            cover-tiles arranged above the upturned rims of the
                                            roof-tiles (SU 649). The top of the cover consists of
                                                <hi1 rend="italic">imbrices</hi1>. Two roof-tiles
                                            set on their sides and abutting the sloping tiles were
                                            arranged along the short sides of the burial (on the
                                            east and west); this arrangement constituted the closure
                                            of the short sides of the tomb. On the western side, a
                                            reused marble slab (25 cm x 55 cm) was placed in contact
                                            with the roof-tile of closure and in contact with the
                                            cranium of the skeleton. Inside the trench the inhumed
                                            corpse (SU 650) was deposited, orientated east-west,
                                            with the cranium toward the east. The bones of the upper
                                            part of the skeleton, down to the pelvis, were in
                                            complete disarray, owing to the collapse of the tomb
                                            cover (SU 649). In contrast, the lower half (legs and
                                            feet) was better preserved, especially the feet, thanks
                                            to the resistence of the tomb cover at this point. The
                                            tomb itself was in good condition, especially on the
                                            west, but the eastern section had collapsed inward.
                                            </p><p>The radiocarbon dating of the bones of the
                                            skeleton (performed by the NSF-Arizona AMS Laboratory)
                                            permits a dating of this burial to 1,682 years BP (i.e.,
                                            ca. 318 A.D.) with a standard deviation of +/- 58 years.
                                        </p></cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 25</hi1>:</cell>
                                    <cell>Strata of rubble inside room 50 (SU 255, 262, 271, 273,
                                        275, 283, 285)<p>The numerous strata identified inside room
                                            50 relate to a single intervention. As already noted,
                                            this event was the dumping of soils, pottery, and
                                            building and organic materials in an area long since
                                            abandoned. The distinct contexts noted during excavation
                                            did not correspond to any chronological sequence in
                                            terms of the different deposits, which produced pottery
                                            that was largely residual (mostly dating to the
                                            mid-imperial period). There was a small amount of
                                            pottery found that dated to the fifth century. This
                                            provides a <hi1 rend="italic">terminus post quem</hi1>
                                            for dating this activity.</p></cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 26</hi1>:</cell>
                                    <cell>Abandonment of the upper surface of Area 50 (SU 209,
                                            229)<p>The entire upper surface of Area 50, occupied in
                                            the imperial period by a porticus that faced the baths,
                                            was raised in level by the accumulation of several
                                            strata rich in building materials, in large part
                                            originating from the collapse of adjacent structures.
                                            The deposit of these strata signified the definitive
                                            obliteration of the porticus and of the floor belonging
                                            to it at a time subsequent to its destruction (see
                                            below, activity 29).</p></cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 27</hi1>:</cell>
                                    <cell>Excavation and fill of a ditch in the central zone of Area
                                        35 (SU 1228, 1231)<p>The various dumps of soil presumably
                                            laid during the course of the first half of the second
                                            century (Period II) to raise the surface level of the
                                            northern colonnade of the baths were cut by a ditch (SU
                                            1228), roughly rectangular in shape (1.70 m x 0.70 m),
                                            oriented east-west. </p><p>The fill (SU 1231) consists
                                            primarily of soil mixed with fragments of marble and
                                            pottery, as well as building materials. Nothing in the
                                            fill allows us to date the intervention with precision
                                            or to shed light on the purpose of the cut.</p></cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 28</hi1>:</cell>
                                    <cell> Abandonment of Area 35 (SU 1222)<p>The center part of the
                                            southern zone of Area 35 was partially occupied by a
                                            stratum rich in building materials that mainly
                                            originated from the collapse of adjacent structures. In
                                            particular, conspicuous among the elements making up the
                                            stratum were regularly shaped bricks still adhering to
                                            the core of the wall, as well as bricks in the shape of
                                            a quarter circle. The latter were elements of columns
                                            and can be assigned with certainty to the demolished
                                            colonnade.</p></cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 29</hi1>:</cell>
                                    <cell>Construction of late-antique walls in room 50 (SU 237,
                                        250, 251, 289, 290, 303, 305)<p> In a phase shortly after
                                            the first abandonment of the bath complex and after the
                                            formation of rubble strata in all its rooms, several
                                            small walls with uncertain function were built within
                                            room 50. Wall 289 was built in the central part of the
                                            space, completely closing the room on its west side.
                                            This wall, whose construction necessitated the partial
                                            destruction of the northern wall of room 51 (MSU 248)
                                            was crudely constructed of small and medium sized stones
                                            arranged in an irregular way. The foundation of the wall
                                            (SU 237, 290, 303) was also made of irregularly placed
                                            rough-hewn stones. At the point at which the wall abuts
                                            MSU 246-266, a cornice fragment (SU 250) was added,
                                            reused as a buttress to support the corner of the wall.
                                            It was not possible to establish the construction date
                                            of the wall with any precision, but on the basis of its
                                            building technique and an analysis of the stratigraphic
                                            sequence, we can hypothesize a late-antique
                                    date.</p></cell>
                                </row>
                            </table>
                        </p>
                    </div4>
                </div3>
                <div3 id="div3_c09.5.5" type="section" status="hidden">
                    <head>
                        <bibl type="title">C.5.4. Period IV (Fifth-Ninth Centuries A.D.) </bibl>
                    </head>
                    <div4 id="div4_c09.5.5.1" type="section">
                        <head>
                            <bibl type="title">[text]</bibl>
                        </head>
                        <p id="p_420" n="420">In the northern zone of the baths, a new flurry of
                            building activity can be detected in the early medieval period. The
                            resumed activity was certainly due to the visible presence of a
                            considerable portion of the ancient structures. The buildings must have
                            been preserved to some height, at least in the western and northern
                            zones, and it was indeed precisely in this area that three new rooms
                            were constructed. To the south, a large room with a rectangular shape
                            (room 40) was created when a wall was built in an east-west direction.
                            The pre-existing <hi1 rend="italic">opus incertum</hi1> walls of the
                                <hi1 rend="italic">frigidarium</hi1> to the south, east, and west
                            were reused in order to form the other three sides of the room. In the
                            northwest part, a new space was made (room 38) whose west wall was built
                            on the pavement of the pool of the <hi1 rend="italic">frigidarium</hi1>;
                            this necessitated the partial destruction of the earlier imperial
                            structure. To the northeast, another room was built, smaller than the
                            others, which reused the Republican walls still in existence to the east
                            and north (room 39). </p>
                        <p id="p_421" n="421">The southwestern part was not affected by substantial
                            modifications, if one excepts the reuse of a lead pipe, which brought
                            water into the new room 40 (activity 34). </p>
                    </div4>
                    <div4 id="div4_c09.5.5.2" type="section">
                        <head>
                            <bibl type="title">C.5.4.1. Activities 30-40: The Medieval Reoccupation
                            </bibl>
                        </head>
                        <p id="p_422" n="422">
                            <table border="0">
                                <row>
                                    <cell>
                                        <hi1 rend="italic">Activity 30:</hi1>
                                    </cell>
                                    <cell>Excavation and fill of a ditch in room 39 (SU 1004,
                                            1005)<p>A trench oriented north-south was dug just
                                            behind wall SU 843. The fill of the ditch, added soon
                                            after, consisted of earth with a clayey matrix, blackish
                                            in color and including building material relating to
                                            imperial structures. It also contained numerous pottery
                                            fragments that permitted a dating of the activity to a
                                            time later than the seventh to eighth century
                                    A.D.</p></cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 31</hi1>:</cell>
                                    <cell>Spoliation ditch in the center of Area 35 (SU 1220,
                                            1221)<p>Another deep cut, oriented north-south, was made
                                            in the central zone of Area 35. The pit was located
                                            behind the second column and the fill consists almost
                                            exclusively of building material (stones, bricks, and
                                            blocks of <hi1 rend="italic">cardellino</hi1>) that
                                            probably derived from the imperial colonnade. Noteworthy
                                            among the material found are bricks cut in a quarter
                                            circle; these are associated with the demolished
                                            colonnade (cf. activity 28). Similar bricks were found
                                            in the garden (see Gleason, <ptr target="div4_c09.3.4.3"
                                                type="txt" n="C.3.4.2"/>, activity 11). </p>
                                        <p>The function of the pit could not be determined, although
                                            it is probably related to the stripping of the bath
                                            complex. Thanks to the presence of numerous pottery
                                            fragments found in the fill, the date can clearly be
                                            assigned to the eighth and ninth centuries
                                    A.D.</p></cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 32</hi1>:</cell>
                                    <cell>Circular cut in Area 35 (SU 1240, 1241)<p> Beside the
                                            perimeter wall of rooms 32, 33, and 34 (activity 20) a
                                            small circular pit was dug, the walls of which were
                                            covered with stones and brick fragments. The
                                            interpretation of this intervention is uncertain; it may
                                            be connected to the construction activities of this
                                            period.</p></cell>
                                </row>

                                <row>
                                    <cell><hi1 rend="italic">Activity 33</hi1>:</cell>
                                    <cell>Construction of rooms 38, 39, and 40 (SU 422, 435, 461,
                                        466, 467, 633, 804, 807, 829, 831, 832, 843, 846, 847, 850,
                                        864, 1003, 1016)<p> The remodeling of this zone in the early
                                            medieval period resulted in the laying out of three new
                                            rooms inside the old <hi1 rend="italic"
                                            >frigidarium</hi1> of the imperial age. The walls of
                                            late date that had invaded the ancient area (activity
                                            29) and the wall in <hi1 rend="italic">opus
                                            incertum</hi1> 420=802 were razed to their foundations;
                                            three new walls were built in their place. Stones, brick
                                            fragments and earth composed the inner core. The facings
                                            were made of rough-hewn stones of various sizes, which
                                            were laid in horizontal courses with staggered joints.
                                            In the elevation of the walls, limestone, blocks of <hi1
                                                rend="italic">cardellino</hi1>, and brick fragments
                                            were used indiscriminately. One wall (SU
                                            435-846-847-850), which runs in an east-west direction,
                                            is partly seated on one of the previous structures (MSU
                                            634) and partly on the preparatory layer (<hi1
                                                rend="italic">statumen</hi1>) of the mosaic,
                                            destroying part of the wall in <hi1 rend="italic">opus
                                                incertum</hi1> that delimited the earlier room on
                                            its west side. A second wall (461), oriented north-south
                                            and bonded to the preceding wall, was built inside the
                                            pool of the <hi1 rend="italic">frigidarium</hi1>. Its
                                            deep foundation partially destroyed the mosaic and the
                                            northern niche, implying thereby that this room was no
                                            longer in use as part of a bath complex. A third wall
                                            (843), of small dimensions, was erected approximately in
                                            the middle of the square room in order to divide it into
                                            two separate rooms (38 and 39).</p></cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 34</hi1>:</cell>
                                    <cell>Reuse and modification of the ancient drainage system (SU
                                        293, 294, 295, 297)<p> The creation of three new rooms was
                                            accompanied by equally significant changes to the
                                            hydraulic system of the area, which underwent radical
                                            modification. A cut (SU 293) was made under the central
                                            area of the <hi1 rend="italic">opus incertum</hi1> wall
                                            291 in order to allow the passage of a waterpipe (SU
                                            241; the waterpipe had been uncovered during earlier
                                            excavations, see activity 48) situated along the
                                            northern wall of room 50. A stratum of mortar (SU 294)
                                            was laid down inside the opening of the passageway for
                                            securing the pipe, while the embankment that supported
                                            the channel was created by reusing a fragment of
                                            pavement in <hi1 rend="italic">cocciopesto</hi1> (SU
                                            295). The recent archaeological interventions and
                                            restorations by the Superintendency made it impossible
                                            to completely understand the development and course of
                                            the new channel. Nevertheless, it is worth noting that
                                            the ancient plumbing system, with repairs and
                                            modifications, was still operational in the early Middle
                                            Ages.</p></cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 35</hi1>:</cell>
                                    <cell>Collapse of the walls of the pool of the frigidarium (SU
                                        403, 433, 444)<p>During the early medieval period several
                                            perimeter walls of the <hi1 rend="italic"
                                            >frigidarium</hi1> collapsed, causing the accumulation
                                            of a substantial quantity of rubble (bricks, mortar, and
                                            marble chips) near the western wall of the basin (SU
                                            403), on the central step (SU 444), and above the
                                            southern step (SU 433).</p></cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 36</hi1>:</cell>
                                    <cell>Abandonment layer in Area 35 (SU 1213)<p>While the central
                                            part of the bath complex was reused as a habitation, the
                                            entire surface of room 35 was covered with a stratum of
                                            uniform soil that definitively obliterated the remains
                                            of the imperial colonnade. The layer, composed of a very
                                            compact soil mixed with fragments of building material,
                                            has yielded a notable quantity of residual material from
                                            the early and middle imperial ages, while later periods
                                            are barely represented. Noteworthy, among the latter, is
                                            a fragment of white majolica datable to the seventeenth
                                            or eighteenth century, probably the result of
                                            agricultural activity in modern times.</p></cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 37</hi1>:</cell>
                                    <cell>Interventions of spoliation and destruction (SU 258, 259,
                                        265, 268, 277, 278, 279, 286, 287, 309, 414, 434, 447, 448,
                                        449, 450, 451, 452, 821, 822) <p>Toward the end of the early
                                            medieval period the entire northern area of the imperial
                                            baths was affected by a series of interventions of
                                            destruction and spoliation. In room 50, a series of
                                            irregularly shaped holes were dug (SU 258, 259, 265,
                                            268, 277, 278, 279, 286, 287, 309), which were later
                                            filled with rubble derived from the demolition of the
                                            walls and mixed with clayey soil. The material contained
                                            in the trenches was of modest quantity and mainly
                                            represents residual pottery fragments of the classical
                                            and late antique periods. </p><p>Inside the pool of the
                                                <hi1 rend="italic">frigidarium</hi1> a large
                                            circular pit (452) was dug. The excavation work probably
                                            lasted for a relatively long period of time, as is
                                            attested by the superimposition of cuts, perhaps due to
                                            later adjustments and levelings. The pit was most likely
                                            created to search for reusable building material. During
                                            this activity, part of the mosaic on the floor of the
                                            pool and all the marble slabs from the walls of the pool
                                            were stripped away. The recent excavation revealed that
                                            the filling of the ditch occurred in distinct phases,
                                            each linkable to a specific stratum (SU 414, 434, 447,
                                            448, 450, 451, 822) but as part of a single general
                                            dumping activity. The fill contained a great deal of
                                            residual material, mainly of imperial date. Noteworthy
                                            in this fill were three fragmentary marble statuettes
                                            (see Lattimore, <ptr target="div3_c10.10.1" type="txt"
                                                n="D.10"/>). Also found was material contemporaneous
                                            with this activity, including a great deal of unpainted
                                            (achromatic) pottery with a wave decoration, pottery
                                            with heavy glaze, and African red slip “D” ware (see
                                            Angelelli, <ptr target="div4_c10.2.2.4" type="txt"
                                                n="D.2.1.4"/>). Analysis of this ceramic material
                                            suggests a date of ca. 700-800 A.D., or perhaps a little
                                            later, for this activity. </p></cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 38</hi1>:</cell>
                                    <cell>Burial west of room 50 (SU 223, 224, 225, 226, 227, 228)
                                            <p>A rectangular ditch was dug on the plateau west of
                                            room 50, ca. 60 cm deep and oriented east-west. Its
                                            purpose was to receive an inhumation burial (<hi1 rend="bold">fig. 20</hi1>).
                                            The ditch (SU 223) was reinforced on its sides by two
                                            banked walls (226, 227) made of limestone and brick
                                            fragments bonded with soil. Because the burial was
                                            discovered during a cleaning operation on a steep slope
                                            just below the edge of the plateau, only the eastern end
                                            of the tomb was explored. The bones of the legs (femurs,
                                            tibias, and fibulas, SU 225) were found in their
                                            original position. On the basis of stratigraphic data,
                                            this burial can be related to the two burials found in
                                            Area 35, which were given radiocarbon dates of ca. 1,194
                                            and 1,118 years BP (see below, activities 39 and
                                            40).<figure entity="heb90044.0137" id="fg_heb90044.0137" type="ic">
                                                <head>
                                                    <bibl type="figno">Figure 20</bibl>
                                                    <bibl type="figcap">Tomb on plateau west of room 5.</bibl>
                                                </head>
                                            </figure></p></cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 39</hi1>:</cell>
                                    <cell>Burial in the western zone of Area 35 (SU 1214, 1215,
                                            1216)<p>To the east of the pier SU 1207, a ditch (1214),
                                            more or less rectangular and oriented east-west, was dug
                                            for an inhumation burial. Inside the ditch, the skeleton
                                            was buried with the cranium turned to the west and
                                            resting on a sort of raised earthen level. This factor
                                            determined the position of the shoulders as well as the
                                            head, which was found angled forward and resting on the
                                            right shoulder. The arms were arranged with the elbows
                                            resting on the sides of the ditch, while the hands were
                                            placed over the pelvis. The spinal column was perfectly
                                            straight, and the legs were extended. The right foot
                                            abutted a stone placed at the bottom of the ditch. The
                                            burial had no grave gift, so an absolute date was sought
                                            by means of C14 analysis of a bone sample. The results
                                            indicated a date of 1,118 BP (i.e., ca. 882 A.D.) with a
                                            standard deviation of +/- 40 years.</p></cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 40</hi1>:</cell>
                                    <cell>Tomb in the western zone of Area 35 (SU 1201, 1202,
                                            1203)<p> In the central western zone of Area 35, near
                                            the burial just described, a second ditch (1201) was dug
                                            for an inhumation burial (<hi1 rend="bold">fig.
                                            21</hi1>). It, too, had an east-west orientation. All of
                                            the upper part of the ditch had been destroyed by modern
                                            interventions in the area; only the lower part remained.
                                            The skeleton was buried with its cranium turned toward
                                            the west. Unfortunately, the bones were found in a poor
                                            state of preservation. The cranium was caved in, the
                                            right arm was folded above the thoracic cavity, and the
                                            wrist was placed near the right scapula. No grave goods
                                            were found, so once again an absolute date was sought
                                            through radiocarbon dating. The results indicated a date
                                            that is 1,194 BP (i.e., ca. 806 A.D.) with a standard
                                            deviation of +/- 40 years.<figure entity="heb90044.0138" id="fg_heb90044.0138" type="ic">
                                                <head>
                                                    <bibl type="figno">Figure 21</bibl>
                                                    <bibl type="figcap">Tomb in the western zone of Area 35.</bibl>
                                                </head>
                                            </figure></p></cell>
                                </row>
                            </table>
                        </p>
                    </div4>
                </div3>
                <div3 id="div3_c09.5.6" type="section" status="hidden">
                    <head>
                        <bibl type="title">C.5.5. Period V (Late Middle Ages)</bibl>
                    </head>
                    <div4 id="div4_c09.5.6.1" type="section">
                        <head>
                            <bibl type="title">[text]</bibl>
                        </head>
                        <p id="p_423" n="423"> In this period, the structures of the bath complex of
                            “Horace’s Villa” were demolished and definitively despoiled. In the
                            various areas investigated we found that strata of earth had
                            accumulated, which obliterated whatever still remained of the imperial
                            and early medieval structures. Only in the southern zone of the upper
                            plateau of the villa was a new structure erected. It was composed of a
                            large wall running north-south, plastered along its western face. The
                            purpose of this structure remains uncertain. </p>
                        <p id="p_424" n="424">In the southern part of room 40 a small circular ditch
                            was dug (activity 41) for the burial of two skeletons found in a
                            secondary deposit and perhaps to be connected to the two burials of the
                            preceding period (see activities 39 and 40). </p>
                    </div4>
                    <div4 id="div4_c09.5.6.2" type="section">
                        <head>
                            <bibl type="title">C.5.5.1. Activities 41-46: The Last Interventions of
                                the Medieval Period</bibl>
                        </head>
                        <p id="p_425" n="425">
                            <table border="0">
                                <row>
                                    <cell><hi1 rend="italic">Activity 41</hi1>:</cell>
                                    <cell>Pit for the deposit of two skeletons in room 40 (SU 611,
                                        639=610, 640, 641) <p>In the southern part of room 40,
                                            beside the wall in <hi1 rend="italic">opus
                                            incertum</hi1> (SU 620) a pit (639=610) was dug, roughly
                                            circular in shape, to a depth of ca. 30 cm. Into this
                                            pit numerous fragments of human bones belonging to two
                                            individuals were placed; this was clearly a secondary
                                            deposit (<hi1 rend="bold">fig. 22</hi1>). The burials
                                            are probably to be linked to the small late-antique
                                            cemetery attested by the tomb <hi1 rend="italic">a
                                                cappuccina</hi1> identified in room 40. It is
                                            probable that the skeletons were removed from their
                                            original place of burial as a result of later activities
                                            of building or spoliation. 
                                            <figure entity="heb90044.0139" id="fg_heb90044.0139" type="ic">
                                                <head>
                                                    <bibl type="figno">Figure 22</bibl>
                                                    <bibl type="figcap">Room 40: circular pit (SU 639=610) with human bones belonging to two individuals.</bibl>
                                                </head>
                                            </figure></p></cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 42</hi1>:</cell>
                                    <cell>Strata of the rubble of Roman and early medieval
                                        structures (SU 428, 440, 818)<p> The abandonment of the
                                            early medieval rooms as well as those dating from the
                                            Roman period resulted in the creation of a series of
                                            small strata consisting of stones, bricks, and mortar,
                                            located within the pool of the <hi1 rend="italic"
                                                >frigidarium</hi1> and in room 38. The presence in
                                            these strata of marble fragments—including some of large
                                            size—leads us to conclude that part of the rubble
                                            relates to Roman imperial structures reused down to the
                                            abandonment of the site.</p></cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 43</hi1>:</cell>
                                    <cell>Medieval wall in room 50 (SU 212, 217, 238)<p> In the
                                            southwest zone of room 50 a large wall (SU 212) was
                                            built, which encroached on part of room 51. The wall was
                                            only partially investigated and only its western face
                                            was exposed. It was built of irregularly shaped stones
                                            and reused building materials (including various <hi1
                                                rend="italic">cubilia</hi1>) and was covered with a
                                            layer of plaster (SU 238). The structure SU 217 abutted
                                            the wall. It was made with the same building technique
                                            and served as a buttress of the wall.</p></cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 44</hi1>:</cell>
                                    <cell>Strata from the collapse of the medieval structure in room
                                        50 (SU 244, 247, 269)<p> At an undefined time, the medieval
                                            structure just described (activity 43) collapsed. This
                                            was probably connected to the abandonment of the entire
                                            thermal zone. The strata formed by this activity were
                                            entirely composed of stones and fragments of brick and
                                            mortar. There was a complete absence of post-classical
                                            ceramic material.</p></cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 45</hi1>:</cell>
                                    <cell>Ditch on the upper plateau of Area 50 (SU 235, 236) <p>A
                                            deep ditch (SU 235) was dug beside the medieval wall
                                            built along the southern limit of Area 50. Oriented
                                            east-west, it was about 1 meter deep. The fill in the
                                            trench yielded a small amount of finds, all of which
                                            relate to the classical period. Thus it is impossible to
                                            establish an absolute chronology for this intervention,
                                            which clearly must have happened after the definitive
                                            collapse of the large medieval wall.</p></cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 46</hi1>:</cell>
                                    <cell>Strata of abandonment and collapse on the plateau of Area
                                        50 (SU 202, 206, 213, 219)<p> On the plateau west of Area
                                            50, the complete abandonment of the site led to the
                                            accumulation of a series of strata attributable in part
                                            to the collapse of the medieval structure (activity 43)
                                            and in part to the natural erosion of the hillside
                                            above. The materials found indicate a chronological time
                                            frame extending from the medieval to the modern
                                        period.</p></cell>
                                </row>
                            </table>
                        </p>
                    </div4>
                </div3>
                <div3 id="div3_c09.5.7" type="section" status="hidden">
                    <head>
                        <bibl type="title">C.5.6. Period VI (Twentieth Century A.D.) </bibl>
                    </head>
                    <div4 id="div4_c09.5.7.1" type="section">
                        <head>
                            <bibl type="title">[text]</bibl>
                        </head>
                        <p id="p_426" n="426">After the abandonment of the buildings, most of the
                            remains were completely covered by earth; only bits of them were still
                            partially preserved above ground. The modern interventions to the site
                            made from 1911 to 1914 by Angelo Pasqui and later in the twentieth
                            century by the Archaeological Superintendency for Lazio represent the
                            last activities that we identified. Our excavation allowed us to bring
                            to light numerous excavation trenches, particularly along the walls of
                            the bath complex, the purpose of which was to permit the earlier
                            excavators to reconstruct the plan of the complex in order to understand
                            the function of its various parts. In addition to these activities,
                            there were numerous interventions of conservation and restoration (in
                            whole or in part) of the walls and pavements beginning in the time of
                            Pasqui and extending throughout the twentieth century. </p>
                    </div4>
                    <div4 id="div4_c09.5.7.2" type="section">
                        <head>
                            <bibl type="title">C.5.6.1. Activities 47-49: Twentieth-century
                                archaeological soundings </bibl>
                        </head>
                        <p id="p_427" n="427">
                            <table border="0">
                                <row>
                                    <cell><hi1 rend="italic">Activity 47</hi1>:</cell>
                                    <cell>Modern restorations (SU 203, 204, 401, 402, 404, 405, 406,
                                        601, 605, 623, 625, 627, 811, 812) <p>This activity relates
                                            to a series of restorations that were begun on the site
                                            with Pasqui’s excavations in 1911-1914. This activity
                                            affected the tops of the visible walls, which were
                                            protected by a layer of cement. The restorations also
                                            affected the external faces of the walls, sometimes
                                            making it difficult to distinguish the ancient from the
                                            modern (see De Simone, <ptr target="div3_c10.1.1"
                                                type="txt" n="D.1"/>). Other conservation
                                            interventions concerned one of the two mosaic fragments
                                            located in room 40, which appears to have been removed,
                                            restored, and reinstalled in its original position.
                                    </p></cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 48</hi1>:</cell>
                                    <cell>Modern archaeological interventions (SU 205, 207, 208,
                                        210, 231, 233, 234, 241, 249, 252, 254, 256, 257, 263, 264,
                                        267, 270, 282, 320, 323, 324, 415, 416, 417, 418, 424, 425,
                                        426, 427, 429, 430, 431, 436, 605, 606, 607, 608, 609, 616,
                                        617, 618, 619, 638, 805, 806, 836, 841, 842, 848, 852, 853,
                                        855, 856, 862, 863, 866, 867, 1007, 1008, 1009, 1010, 1011,
                                        1012, 1218) <p>The excavation interventions executed during
                                            the last century affected a great part of the bath
                                            complex, causing serious damage to the ancient
                                            stratigraphy and significantly compromising our ability
                                            to understand the relationships between the various
                                            structures and the strata around them. </p>
                                        <p>As can be reconstructed from the course of the trenches
                                            dug prior to our campaigns of 1997-1999, the principal
                                            objective of the earlier excavations was to identify the
                                            plan of the site, including the course of the walls and
                                            the location of related floors. The principal method
                                            used was wall chasing. Particularly noteworthy are the
                                            deep ditch (SU 256), which was dug along the eastern
                                            wall of room 40 in order to restore the wall and the
                                            pavement of room 42, and the deep trench (SU 415 and
                                            417) that follows exactly the apsidal structure of room
                                            35, onto the bottom of which was set a crude channel
                                            composed of bricks and used to carry the runoff of water
                                            from the hillside toward room 34.</p></cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 49</hi1>:</cell>
                                    <cell>Formation of strata of humus (SU 200, 254, 400, 600, 800,
                                        1000, 1200) <p> A rather thick layer of humus with dense
                                            vegetation formed atop the structures identified as a
                                            result of the extensive excavations and restorations
                                            undertaken in the twentieth century.</p></cell>
                                </row>
                            </table>
                        </p>
                    </div4>
                </div3>
                <div3 id="div3_c09.5.8" type="section">
                    <head>
                        <bibl type="title">C.5.7. Appendix: Recent Work in Sector I.2, Area 50<ptr
                                n="7" target="nt_c09.5.n7"/>
                        </bibl>
                    </head>
                    <p id="p_428" n="428">In June 2000 a small rescue excavation was undertaken
                        prior to the building of the “green wall” that was to retain the slope along
                        the western side of Area 50 (<hi1 rend="bold">figs. 23</hi1> and <hi1
                            rend="bold">24</hi1>). The archaeological stratigraphy was inevitably
                        affected by the construction of the wall, but all the evidence was
                        documented (SU 345-366). 
                        <figure entity="heb90044.0140" id="fg_heb90044.0140" type="ic">
                            <head>
                                <bibl type="figno">Figure 23</bibl>
                                <bibl type="figcap">Western side of room 50, excavation 2000.</bibl>
                            </head>
                        </figure>
                        <figure entity="heb90044.0141" id="fg_heb90044.0141" type="ic">
                            <head>
                                <bibl type="figno">Figure 24</bibl>
                                <bibl type="figcap">"Green wall," built for retaining the slope along the west side of Area 50.</bibl>
                            </head>
                        </figure></p>
                    <p id="p_429" n="429">The area, already partially excavated, was difficult to
                        handle because of the steepness of the slope, but noteworthy data emerged. </p>
                    <p id="p_430" n="430">The natural clay bank (SU 346) seems to have been
                        regulated in antiquity by means of one or two vertical cuts (SU 358 and
                        359), oriented north-south. The cut 358 was filled with a structure of earth
                        and stone, which functioned both as a foundation and protection for the
                        niched apse of room 37. Cut 359 was filled by various stratigraphical units;
                        these were not excavated, however, because they were located to the east of
                        the area affected by the building of the green wall. The ancient
                        regularization seems to have had two principal goals: to expand the
                        buildable area to the west and to provide space for the water supply system.
                        This was accomplished by cutting the clay bank almost vertically, and the
                        excavated material may have been used to raise the level of the Republican
                            <hi1 rend="italic">atrium</hi1> (see activities 5 and 8 above) in order
                        to create the floor of the <hi1 rend="italic">frigidarium</hi1>. </p>
                    <p id="p_431" n="431">At the same time, this work was useful for the
                        construction of the water supply system that became necessary for the new
                        buildings there, which clearly needed a lot of water. During the excavation
                        two different conduits were brought to light (SU 347 and 355). The lead pipe
                        355 (<hi1 rend="bold">fig. 25</hi1>) is the western part of the conduit 331
                        (activity 12), situated at a point where the ground level shifts abruptly
                        because of the deep ancient cut of the clay bank (SU 358). Furthermore, at
                        the western end of SU 355, a junction of pipes for water distribution,
                        although fragmentary, may be recognized. From this junction, at least one
                        other branch went off. As did the <hi1 rend="italic">fistula</hi1> 331, this
                        stretch of the pipe (SU 355) also preserved the inscription C IVLIVS PRISCVS
                        F, repeated on both sides (see Bruun, D.13). <figure entity="heb90044.0142" id="fg_heb90044.0142" type="ic">
                            <head>
                                <bibl type="figno">Figure 25</bibl>
                                <bibl type="figcap">Lead pipe 355 in Area 50, from the north.</bibl>
                            </head>
                        </figure></p>
                    <p id="p_432" n="432">An activity related to a later arrangement of this area
                        seems to have been the positioning of the big molded architrave (SU 250),
                        reused as a pier; consequently, both SU 363 (the cut in which the pier is
                        placed) and SU 364 (shims that fill the cut 363) must be connected to
                        activity 29. </p>
                    <p id="p_433" n="433">This rescue excavation, althought limited, reinforced the
                        hypothesis that the slope had been regularized in antiquity. If the villa at
                        some point had been extended to the west, we would expect to find the
                        associated structures at a higher level. If this were the case the problem
                        of the connecting of the different levels would still have remained. </p>
                </div3>
            </div2>
        </div1>
        <div1 id="div1_c10" type="chapter" status="hidden">
            <head>
                <bibl type="title">D. Analysis of Structures and Materials</bibl>
            </head>
            <div2 id="div2_c10.1" type="section" status="hidden">
                <head>
                    <bibl type="title">D.1. The Masonry Structures </bibl>
                </head>
                <p>
                    <hi1 rend="bold">By Monica De Simone</hi1>
                </p>
                <div3 id="div3_c10.1.1" type="section">
                    <head>
                        <bibl type="title">D.1.1. Introduction </bibl>
                    </head>
                    <p id="p_434" n="434">When faced with a complex archaeological site such as the
                        so-called “Villa of Horace” at Licenza, it is tempting to forego new
                        fieldwork, relying instead on data previously acquired and accepted on the
                        basis of ostensibly reliable authority. In doing so, we would blindly follow
                        the <hi1 rend="italic">opinio communis</hi1>, which holds that the villa is
                        mainly of Augustan date, the <hi1 rend="italic">opus reticulatum</hi1> is of
                        a certain character, and so on. On the other hand, if we do not take this
                        shortcut to understanding the site, we can experience the excitement that
                        comes from accepting the challenge of deciphering the traces still to be
                        found of the various building phases and activities that have occurred on
                        the site. Only by taking this untrodden path can we re-read the site with
                        new eyes. </p>
                    <p id="p_435" n="435">This chapter presents the results of a fieldwork project
                        undertaken from 1998 to 2001 aimed at providing this new reading of the
                        evidence. A new comprehensive study was deemed necessary by the following
                        realization: first, even a cursory inspection showed that the site was
                        heavily restored, and a glance at the secondary literature quickly revealed
                        that the first excavator—Angelo Pasqui—was indeed criticized for being too
                        liberal in his reconstructions; second, in several striking cases one had to
                        wonder whether the modern walls were as much reconstructions as fanciful
                        re-creations. These and other considerations led to the decision that a
                        full-scale study of the walls was a <hi1 rend="italic">desideratum</hi1>. As
                        will be seen, the effort, though time consuming, turned out to be
                        worthwhile. </p>
                    <p id="p_436" n="436">One must begin by analyzing the masonry structures that,
                        in the case of the Villa of Horace at Licenza, have undergone various
                        restorations. In doing this, we soon find that there are almost total
                        reconstructions, new elevations, refacings and insertions of modern mortar
                        or cement that complicate and often compromise the legibility of useful
                        interpretative traces. Furthermore, the original walls are often preserved
                        only to the level of the first courses or, in some cases, only as
                        foundations. It is clear that the earliest restorations under Angelo Pasqui
                        (1911-1914) were intended to be a substantial reconstruction of these faint
                        remains. This was partly motivated by the spirit of the times (one might
                        compare, <hi1 rend="italic">sic parvis componere magna</hi1>, the
                        reconstructions of Evans at Knossos), and partly by a desire to make the
                        remains more comprehensible.<ptr n="1" target="nt_c10.1.n1"/> Criticism was
                        aimed at Pasqui regarding the massive reconstructions that were undertaken,
                        as recorded by Lugli<ptr n="2" target="nt_c10.1.n2"/> and Blake.<ptr n="3"
                            target="nt_c10.1.n3"/> The latter, following Van Deman, who attributed
                        the <hi1 rend="italic">opus reticulatum</hi1> of “Horace’s Villa” to a
                        period later than that of the poet, highlighted this by noting that,
                        “although the <hi1 rend="italic">tesserae</hi1> are all ancient, most of the
                        walls now visible were re-laid by the modern excavator in order to make a
                        monument more satisfactory to the casual visitor.” </p>
                    <p id="p_437" n="437">In fact, the monument is undeniably fascinating. A large,
                        long rectangle (ca. 43 x 113 m) includes a residential area on a higher
                        level to the north and, to the south, a garden area, surrounded by a
                        quadriporticus, which is joined to the residence on its northern side by the
                        so-called veranda. Today, nearly all of the remains within the rectangle
                        consist of limestone <hi1 rend="italic">opus reticulatum</hi1>. The complex
                        is situated on the saddle between two hills and only partly conforms to the
                        natural gradient, which falls away to the south; the residence is situated
                        on a partially artificial terrace that levels out the grade. Outside this
                        rectangle, along its western side, is a series of other structures built in
                        different construction techniques and traditionally interpreted as later
                        than the first complex. Today, because of Pasqui’s restorations, the villa
                        appears to terminate on the north with an east-west wall running across the
                        northern part of the residence. </p>
                    <p id="p_438" n="438">This study is primarily intended to establish what is
                        actually ancient, identifying the restorations and creating a precise
                        documentation of the structures, in order to be able to base the
                        interpretation of the phases and the functions of the rooms on reliable
                        data. What might at first glance appear to be a relatively simple task has
                        proved not always to be so; in visiting the villa today, one cannot easily
                        perceive the difference between what is ancient and what is modern. Our
                        analysis has led to the development of a new site plan, which makes clear
                        the sometimes-fanciful reconstructions that have altered the appearance of
                        the complex and its layout. In fact, sometimes the restorations make it
                        impossible to understand precisely the functions of the various rooms, since
                        the only way that we can do this is to identify structural traces within the
                        skeleton of the building, such as holes, imprints, plugging of holes,
                        cracks, and so forth. Building technique, too, even if not sufficient to
                        give a precise chronology <hi1 rend="italic">per se</hi1>, can help in
                        understanding the various phases of enlargement of the building. This is why
                        it is imperative to identify the modern restorations. This project,
                        therefore, has concerned itself with documenting every single masonry
                        structure and identifying the work that has been carried out since 1911,
                        from which a complete re-reading of the phases, functions and circulation
                        routes can be obtained. </p>
                    <p id="p_439" n="439">Furthermore, a typology of masonry techniques attested at
                        the site has been created in order to verify or disconfirm specific
                        functions and construction phases. This work also included the sampling of
                        mortar because the ancient material is not always easily distinguishable
                        from the modern, and is often made with exactly the same techniques. The
                        study was further complicated by the fact that the early restorers used
                        ancient materials. This practice has been verified both directly, by
                        analysis of the structure itself, and indirectly through documents found by
                        Bernard Frischer in the archive of the Archaeological Superintendency of
                        Lazio (see below and Frischer, <ptr target="div4_c13.1.10.1" type="txt"
                            n="G.1.10-12"/>). </p>
                </div3>
                <div3 id="div3_c10.1.2" type="section" status="hidden">
                    <head>
                        <bibl type="title">D.1.2. The Restorations </bibl>
                    </head>
                    <div4 id="div4_c10.1.2.1" type="section">
                        <head>
                            <bibl type="title">[text]</bibl>
                        </head>
                        <p id="p_440" n="440">The first step was to distinguish the restorations
                            from the original structures, through non-destructive direct observation
                            and by comparison with archival photographs illustrating the various
                            phases of excavation and other interventions (cleaning, restoration,
                            etc.), beginning with those of 1911-1914 and including those in
                                1930-1931<ptr n="4" target="nt_c10.1.n4"/> and in the 1970s.<ptr
                                target="nt_c10.1.n5" n="5"/>Besides Lugli’s fundamental publication,
                            we have also had at our disposal some of Pasqui’s documents, which
                            mainly consist of an inventory of finds, as well as the excavation
                            diaries written by De Rossi, the site foreman. In addition, Bernard
                            Frischer also found the correspondence between De Rossi and Pasqui,
                            along with some letters from the restorer, Verduchi, to Pasqui, which
                            were intended to keep Pasqui apprised of work at the villa. These
                            letters have also been taken into account in what follows, and have
                            furnished a great deal of surprising information.<ptr
                                target="nt_c10.1.n6" n="6"/>
                        </p>
                    </div4>
                    <div4 id="div4_c10.1.2.2" type="section">
                        <head>
                            <bibl type="title">D.1.2.1. Analysis of the archival documents </bibl>
                        </head>
                        <p id="p_441" n="441">In general, the letters are administrative in nature
                            (numbers of workers in attendance, weather, storage arrangements for the
                            finds, etc.), but information pertinent to our purposes can be found
                            regarding management of the work on the site, purchases made and
                            procedures followed (<hi1 rend="bold">fig. 1</hi1>). The passages below
                            have been selected because they refer to the masonry structures. They
                            document the phases of excavation, including some structures that are no
                            longer visible, and the phases of restoration. These passages, which
                            have been translated into English (for the original Italian version see
                            Frischer, <ptr target="div4_c13.1.12.1" type="txt" n="G.1.12"/>), are
                            quoted <hi1 rend="italic">in extenso</hi1>, except in those places where
                            italics indicate that a summary is given. In several instances, the
                            telegraphic style has been supplemented to facilitate the reader’s
                            understanding, with the additions put inside square brackets ([ ]). A
                            brief commentary follows in italics, explaining the importance of a
                            passage, or group of related passages, for the present investigation. </p>
                        <p id="p_442" n="442">
                            <table border="0">
                                <row>
                                    <cell>
                                        <hi1 rend="bold">1.</hi1>
                                    </cell>
                                    <cell>
                                        <hi1 rend="bold">Nicola De Rossi to Pasqui, 28 March 1912</hi1>
                                        <p> In the cryptoporticus,<ptr target="nt_c10.1.n7" n="7"/>
                                            work on the right-hand side has brought to light about
                                            two meters of plaster to a height of about 25 cm, red in
                                            color like that found before.</p>
                                    </cell>
                                </row>

                                <row>
                                    <cell>
                                        <hi1 rend="bold">2.</hi1>
                                    </cell>
                                    <cell>
                                        <hi1 rend="bold">Nicola De Rossi to Pasqui, 30 March 1912</hi1>
                                        <p> The excavation proceeds well. The cryptoporticus will be
                                            completed by Monday evening up to the boundary with
                                            Rocco Foschi[’s property = parcel 1215; see Frischer
                                                <ptr target="div2_c08.3" type="txt" n="B.3"/> and
                                            cadastral map, fig. 17]. The reticulate walls follow on
                                            both sides, where plaster painted red was found to a
                                            height of about 25 cm. </p>
                                    </cell>
                                </row>
                                <row>
                                    <cell colspan="2"><hi1 rend="italic">It seems correct to
                                            interpret the right-hand side as the western wing. The
                                            plaster must necessarily have covered a still intact
                                            wall surface. Unfortunately, no unequivocal indication
                                            is given about the construction technique of the wall in
                                            question (</hi1>opus reticulatum <hi1 rend="italic"
                                        >or</hi1> opus incertum<hi1 rend="italic">?). A section of
                                            red plaster is still preserved, a facing on the wall (in
                                        </hi1>opus incertum<hi1 rend="italic">) next to the stairs
                                            that lead to the residential area (see De Simone et al.,</hi1>
                                        <ptr target="div3_c09.4.1" type="txt" n="C.4"/><hi1
                                            rend="italic">). The boundary with Rocco Foschi’s
                                            property, in fact, ran through the flight of stairs (see
                                            Frischer, </hi1><ptr target="div3_c08.1.10" type="txt"
                                            n="B.1.9"/><hi1 rend="italic">, fig. 4, where the modern
                                            plan is superimposed over the property lines, and
                                            </hi1><ptr target="div2_c11.4" type="txt" n="E.4"/><hi1
                                            rend="italic">, table 2).</hi1></cell>
                                </row>

                                <row>
                                    <cell>
                                        <hi1 rend="bold">3.</hi1>
                                    </cell>
                                    <cell>
                                        <hi1 rend="bold">Nicola De Rossi to Pasqui, 27 April 1912</hi1>
                                        <p> The excavation on Foschi’s land is almost entirely
                                            completed; only foundations were found.</p>
                                    </cell>
                                </row>
                                <row>
                                    <cell colspan="2">
                                        <hi1 rend="italic">The area in question is located in the
                                            southern part of the residential area. The observation
                                            that only foundations had been discovered is
                                            interesting, since the reconstructed walls were
                                            apparently built on these.</hi1>
                                    </cell>
                                </row>

                                <row>
                                    <cell>
                                        <hi1 rend=" bold">4.</hi1>
                                    </cell>
                                    <cell>
                                        <hi1 rend=" bold">Giuseppe Verduchi to Pasqui, 29 May 1912</hi1>
                                        <p> The reticulate wall adjacent to the stairs has been
                                            completed for a length of about 7 m. The work continues
                                            well, both the excavation work and the wall
                                        building.</p>
                                    </cell>
                                </row>
                                <row>
                                    <cell colspan="2"><hi1 rend="italic">From this passage it is not
                                            clear if the completion refers to excavation or
                                            restoration work; since the person in charge of the
                                            restoration/reconstruction of the masonry (</hi1>“lavoro
                                        di muratura”<hi1 rend="italic">) was in fact Signor
                                            Verduchi, it is likely that he means the
                                    latter.</hi1></cell>
                                </row>

                                <row>
                                    <cell>
                                        <hi1 rend="bold">5.</hi1>
                                    </cell>
                                    <cell>
                                        <hi1 rend="bold">Nicola De Rossi to Pasqui, 1 June 1912</hi1>
                                        <p> Transport of bricks and 1860 kg of lime from
                                            Roccagiovine to Licenza, because the limekiln owner has
                                            no more of lime to sell. On Monday we will get another
                                            shipment of lime. </p>
                                    </cell>
                                </row>

                                <row>
                                    <cell>
                                        <hi1 rend="bold">6.</hi1>
                                    </cell>
                                    <cell>
                                        <hi1 rend="bold">Nicola De Rossi to Pasqui, 4 June 1912</hi1>
                                        <p><hi1 rend="italic">Expense note for lime: 20
                                            quintals.</hi1> The masonry work continues as planned
                                            since Signor Verduchi is not worried by the sun. The
                                            investigation ordered by Your Most Illustrious Lordship
                                            in the center of the pool has been carried out by Signor
                                            Verduchi, but without any sign of a source being found,
                                            only a lining of stones and <hi1 rend="italic"
                                            >pozzolana</hi1>. […] [The small room] shows the end
                                            [top?] of the wall facing, because the wall is
                                            terminated and is made of reticulate with edges of
                                            roof-tiles. […] transport of <hi1 rend="italic"
                                            >gesso</hi1> [plaster?].</p>
                                    </cell>
                                </row>
                                <row>
                                    <cell colspan="2"><hi1 rend="italic">The masonry activity, as is
                                            evident from the expense note, required a constant and
                                            abundant supply of building materials, which were
                                            immediately put to use by the industrious Verduchi. The
                                            “pool” he is referring to is, in reality, room 33
                                            (interpreted, evidently together with room 32, first by
                                            Pasqui and then by Lugli, as a swimming pool). However,
                                            it is impossible to identify the precise location of the
                                            test-pit. For the south wall of room 33, the northern
                                            face of which is of terracotta </hi1>opus reticulatum
                                            <hi1 rend="italic">, see the section on construction
                                            typologies (appendix I, </hi1><ptr target="div3_c10.1.4"
                                            type="txt" n="D.1.4"/><hi1 rend="italic">, type
                                        5.3.3).</hi1></cell>
                                </row>

                                <row>
                                    <cell>
                                        <hi1 rend="bold"> 7.</hi1>
                                    </cell>
                                    <cell>
                                        <hi1 rend="bold">Nicola De Rossi to Pasqui, 8 June 1912</hi1>
                                        <p>
                                            <hi1 rend="italic">Expense note for sand and 1000
                                                bricks.</hi1> The masonry work continues on the
                                            reticulate wall adjacent to the stairs; more than half
                                            is now done. In the digging, new walls are being
                                            continuously discovered. Just today a reticulate wall
                                            was found with fine red-colored <hi1 rend="italic"
                                                >cocciopesto</hi1> plaster, 3.2 m in length, with
                                            two stairs at the top and two at the foot (of <hi1
                                                rend="italic">guide</hi1> also covered by plaster),
                                            [which have] a length of 1.00 m and a height of 30 cm.
                                        </p>
                                    </cell>
                                </row>
                                <row>
                                    <cell colspan="2"><hi1 rend="italic">In this case the
                                            (reconstructive) restoration can be identified with
                                            certainty, even if the precise location of the work
                                            remains to be determined. The new area mentioned is the
                                            northern part of room 34. Two points are of interest
                                            here: the indications of the waterproof coating of
                                        </hi1>cocciopesto <hi1 rend="italic">and the note about the
                                            stairs “of </hi1>guide<hi1 rend="italic"> also covered
                                            by plaster.” I will return to the meaning of the term
                                            “</hi1>guide<hi1 rend="italic">” below (cf. the letter
                                            from Nicola De Rossi to Pasqui, 27 December 1912 = no.
                                            20). The reference to the “two stairs at the top and two
                                            at the foot” actually indicates the two steps discovered
                                            at that time for each of the two staircases;
                                            consequently, the height must refer to a single
                                        step.</hi1></cell>
                                </row>

                                <row>
                                    <cell>
                                        <hi1 rend="bold">8.</hi1>
                                    </cell>
                                    <cell>
                                        <hi1 rend="bold">Nicola De Rossi to Pasqui, 15 June 1912</hi1>
                                        <p>
                                            <hi1 rend="italic">Purchase of </hi1>pozzolana<hi1
                                                rend="italic"> and sand</hi1>. The basin is
                                            completely cleaned and glued, even on the bottom. It has
                                            a drainage hole that must lead into the main sewer. </p>
                                    </cell>
                                </row>
                                <row>
                                    <cell colspan="2"><hi1 rend="italic">The room in question is
                                            number 34. By “glued” (Italian: </hi1>incollata<hi1
                                            rend="italic">) De Rossi doubtless means “coated
                                            throughout with </hi1>cocciopesto<hi1 rend="italic"
                                        >.”</hi1></cell>
                                </row>

                                <row>
                                    <cell>
                                        <hi1 rend="bold">9.</hi1>
                                    </cell>
                                    <cell>
                                        <hi1 rend="bold">Nicola De Rossi to Pasqui, 21 June 1912</hi1>
                                        <p> Investigating the perimeter wall on the Onorati’s land,
                                            it was found to be truncated by a lime pit.</p>
                                    </cell>
                                </row>

                                <row>
                                    <cell>
                                        <hi1 rend="bold">10. </hi1>
                                    </cell>
                                    <cell>
                                        <hi1 rend="bold">Nicola De Rossi to Pasqui, 29 June 1912</hi1>
                                        <p> On the land of the Onorati heirs, work proceeds with
                                            some laborers to expose the perimeter wall. The wall is
                                            cut off by a lime pit, but it comes up close to a large
                                            foundation that continues toward the waterfall. </p>
                                    </cell>
                                </row>
                                <row>
                                    <cell colspan="2">
                                        <hi1 rend="italic">The area in question is north of the
                                            gravel road that crosses the remains of the villa (see
                                            Frischer, </hi1>
                                        <ptr target="div2_c08.3" type="txt" n="B.3"/>
                                        <hi1 rend="italic">, fig. 17), i.e. the area north and
                                            northeast of the excavated residential section. The
                                            perimeter wall is the northern wall, interpreted then as
                                            the limit of the villa. The foundation structure noted
                                            as going toward the waterfall (i.e. toward the west) is
                                            probably outside the rectangle of the residence block
                                            visible today. This hypothesis is supported by evidence
                                            gathered from the testimony of various custodians at the
                                            site. The lime pit indirectly attests to a later
                                            spoliation and reuse of building materials. Bernard
                                            Frischer, in a personal communication, notes that such
                                            activity is definitely known in connection with the
                                            construction of the local church in the 1840s and 1850s
                                            (see Frischer </hi1>
                                        <ptr target="div3_c08.1.10" type="txt" n="B.1.9"/>
                                        <hi1 rend="italic">).</hi1>
                                    </cell>
                                </row>

                                <row>
                                    <cell>
                                        <hi1 rend="bold"> 11.</hi1>
                                    </cell>
                                    <cell>
                                        <hi1 rend="bold">Giuseppe Verduchi to Pasqui, undated</hi1>
                                        <p> The masonry work in the cryptoporticus is almost
                                            finished. On Monday I will begin work on the masonry of
                                            the stairs in the garden.</p>
                                    </cell>
                                </row>

                                <row>
                                    <cell>
                                        <hi1 rend="bold"> 12.</hi1>
                                    </cell>
                                    <cell>
                                        <hi1 rend="bold">Nicola De Rossi to Pasqui, 10 August
                                        1912</hi1>
                                    </cell>
                                </row>
                                <row>
                                    <cell colspan="2">
                                        <hi1 rend="italic">Expense note for the stonemason’s working
                                            days (De Rossi says “for eight linear meters”) and for
                                            the transport of sand.</hi1>
                                    </cell>
                                </row>

                                <row>
                                    <cell>
                                        <hi1 rend="bold">13.</hi1>
                                    </cell>
                                    <cell>
                                        <hi1 rend="bold">Nicola De Rossi to Pasqui, 24 August
                                        1912</hi1>
                                    </cell>
                                </row>
                                <row>
                                    <cell colspan="2"><hi1 rend="italic">Expense note for
                                            </hi1>pozzolana<hi1 rend="italic">; the masonry work
                                            continues.</hi1></cell>
                                </row>

                                <row>
                                    <cell>
                                        <hi1 rend="bold">14.</hi1>
                                    </cell>
                                    <cell>
                                        <hi1 rend="bold">Nicola De Rossi to Pasqui, 28 August 1912</hi1>
                                        <p> The stones that were in the vicinity of the
                                            cryptoporticus have been transported away from the
                                            excavation. The others serve for the construction of the
                                            restored walls. A good part of the walls has been
                                            aligned; if he wishes, Signor Gatti may come.</p>
                                    </cell>
                                </row>
                                <row>
                                    <cell colspan="2">
                                        <hi1 rend="italic">The substantial masonry reconstructions
                                            are clearly attested by this letter. It is obvious that
                                            these are not only repairs, but also actual
                                            constructions. The draftsman, Signor Gatti, was invited
                                            to carry out the survey for the plan after the walls had
                                            been “aligned.”</hi1>
                                    </cell>
                                </row>

                                <row>
                                    <cell>
                                        <hi1 rend="bold">15.</hi1>
                                    </cell>
                                    <cell>
                                        <hi1 rend="bold">Nicola De Rossi to Pasqui, 31 August 1912</hi1>
                                        <p><hi1 rend="italic">New order for sand.</hi1> A [mosaic] 2
                                            m x 90 [cm], nearby, fragments of another one without
                                            any surrounding wall [have been found]. <hi1
                                                rend="italic">Suspension of excavation and De Rossi
                                                asks</hi1> if the masonry work will continue.</p>
                                    </cell>
                                </row>
                                <row>
                                    <cell colspan="2"><hi1 rend="italic">The restoration work
                                            continued non-stop. Sometimes parts of mosaics were
                                            found </hi1>in situ<hi1 rend="italic">, but the walls of
                                            the rooms in which they were located had been reduced to
                                            nothing. The note here concerns room 11, as may be
                                            deduced from the schematic drawing of the mosaic that De
                                            Rossi attached to the letter. It is not possible to
                                            identify the second room.</hi1></cell>
                                </row>

                                <row>
                                    <cell>
                                        <hi1 rend="bold">16.</hi1>
                                    </cell>
                                    <cell>
                                        <hi1 rend="bold">Giuseppe Verduchi to Pasqui, 16 September
                                            1912</hi1>
                                        <p> The masonry work continues very well; about the work on
                                            the basin of the bath, the arch and the wall facing,
                                            what was left from last year was finished. The
                                            cryptoporticus was finished equally on both sides, and
                                            now I am working on the heating system on Ricciotti’s
                                            land, to restore the small pillars […]; small repairs
                                            with cement around the mosaics on the land of the
                                            Onorati. </p>
                                    </cell>
                                </row>

                                <row>
                                    <cell>
                                        <hi1 rend="bold">17.</hi1>
                                    </cell>
                                    <cell>
                                        <hi1 rend="bold">Nicola De Rossi to Pasqui, 28 September
                                            1912</hi1>
                                        <p>There are 12 quintals of lime still to slake […]. Various
                                            materials are still to be removed from the cemetery
                                            corridor of the bath basin, precisely where the masonry
                                            has been done and the hole has been closed, which leads
                                            to the sewer. […] The old stock of lime is quite
                                            diminished; it would be useful if Your Most Illustrious
                                            Lordship could make a larger acquisition of that,
                                            because it is lime of good quality and well baked, and
                                            not too far to transport, because there are still many
                                            walls to restore and they take a lot of material,
                                            especially the wall of the cryptoporticus near the gate,
                                            which must be urgently done. The mosaics have had all
                                            the broken parts repaired (with cement) by Signor
                                            Verduchi. The masonry work has proceeded in good order,
                                            so that when you arrive on site you will be satisfied.
                                        </p>
                                    </cell>
                                </row>
                                <row>
                                    <cell colspan="2"><hi1 rend="italic">It is impossible to
                                            identify with certainty the room that is referred to as
                                            the “bath.”</hi1><ptr target="nt_c10.1.n8" n="8"/><hi1
                                            rend="italic"> It could refer either to the large
                                            apsidal hall (room 33) or to the so-called vivarium
                                            (room 53). The fact that De Rossi, in the letter of 17
                                            September 1912, mentions a single arch and refers to the
                                            remainder of work from the year before points to the
                                            latter hypothesis. The excavation seems to have started
                                            from the building that had the most substantial remains
                                            left above ground. The reference to a “cemetery corridor
                                            of the bath” could create a misunderstanding. We know
                                            with certainty that the so-called vivarium was used at
                                            some point as a burial place, but one cannot exclude an
                                            analogous use for the apsidal hall 33, especially since
                                            the 1997-2001 excavations have found burials in nearby
                                            Areas 40 and 35. The reference to “the hole which leads
                                            to the sewer” is the decisive point. Lugli records at
                                            least two holes (one for a water jet and one for an
                                            outflow) in the floor (in reality, the sub-floor) of the
                                            so-called</hi1> vivarium<hi1 rend="italic">. These holes
                                            are no longer visible.</hi1>
                                        <p>
                                            <hi1 rend="italic">The use of cement, in place of the
                                                usual mortar, is also remarkable in a period in
                                                which there was still a cautious attitude toward the
                                                use of this material. This detail, however,
                                                testifies to a differentiation in the use of the
                                                various materials: cement only for the mosaics,
                                                mortar and traditional inert materials, necessary in
                                                large amounts, for the walls.</hi1>
                                        </p>
                                    </cell>
                                </row>

                                <row>
                                    <cell>
                                        <hi1 rend="bold">18.</hi1>
                                    </cell>
                                    <cell>
                                        <hi1 rend="bold">Giuseppe Verduchi to Pasqui, 10 November
                                            1912</hi1>
                                        <p>Regarding the work that I oversee, I have taken the
                                            greatest care to find the first course of the doors
                                                [“<hi1 rend="italic">spiccato</hi1>,” i.e., the
                                            level from which the wall starts atop the foundations]
                                            and, indeed, in the rooms of the mosaics, excavating
                                            below the level of the mosaics, I have found the <hi1
                                                rend="italic">spiccati</hi1> for three doors, one in
                                            the direction of the stairs of the cryptoporticus, and
                                            two passageways, one from the first room and another
                                            from the second room (that is, the [room with the]
                                            mosaic that has always been known). […] Signor Gatti can
                                            come at his convenience, for we will attempt, as far as
                                            possible, to have it all organized for him. </p>
                                    </cell>
                                </row>
                                <row>
                                    <cell colspan="2"><hi1 rend="italic">The rooms discussed seem to
                                            be 1, 2 and 4. It is interesting to note that for the
                                            first time, after almost two years of excavations, there
                                            is sudden talk about finding doorways; no mention of
                                            them had been made in the previous series of letters.
                                            This is probably in response to an explicit request by
                                            Pasqui, who, while not present during most of the
                                            excavations, had perhaps just visited the villa and
                                            noted this illogical absence from the record (cf. the
                                            next letter). Of course, it is hard to find a doorway
                                            when the wall is not standing at all. At best, De Rossi
                                            could be on the lookout for an area in which a
                                            doorway-sized opening of the bare foundation was flanked
                                            by at least one course of elevation of the wall (i.e.,
                                            </hi1>spiccato<hi1 rend="italic"> [singular],
                                        </hi1>spiccati <hi1 rend="italic">[plural]), which could be
                                            interpreted as the remains of the doorjambs delimiting a
                                            threshold.</hi1></cell>
                                </row>

                                <row>
                                    <cell>
                                        <hi1 rend="bold">19.</hi1>
                                    </cell>
                                    <cell>
                                        <hi1 rend="bold">Giuseppe Verduchi to Pasqui, 23 November
                                            1912</hi1>
                                        <p>The masonry work continues to proceed well with further
                                                <hi1 rend="italic">spiccati</hi1> for doorways.
                                            While working last Monday, De Rossi found <hi1
                                                rend="italic">spiccati</hi1> of two other doorways
                                            near the mosaic on the land of the Onorati heirs. He is
                                            now carrying out the work on the aforementioned <hi1
                                                rend="italic">spiccati</hi1> and on the extension of
                                            the reticulate walls. It is an important job. At the
                                            moment there seem to be six doors. I will do my utmost
                                            to see to it that when Your Most Illustrious Lordship
                                            visits the excavations, you will be pleased. </p>
                                    </cell>
                                </row>
                                <row>
                                    <cell colspan="2"><hi1 rend="italic">See the comment on the
                                            preceding letter (also for the meaning of </hi1>
                                            spiccati<hi1 rend="italic">)</hi1>. </cell>
                                </row>

                                <row>
                                    <cell>
                                        <hi1 rend="bold">20.</hi1>
                                    </cell>
                                    <cell>
                                        <hi1 rend="bold">Nicola De Rossi to Pasqui, 27 December 1912</hi1>
                                        <p>I will do as Your Most Illustrious Lordship has ordered,
                                            that is, to put the <hi1 rend="italic">chiodi</hi1> and
                                                <hi1 rend="italic">guide</hi1> around the Ricciotti
                                            mosaic. Or rather, I propose that since there are not
                                            any <hi1 rend="italic">chiodi</hi1> and <hi1
                                                rend="italic">guide</hi1> in the area of the villa,
                                            if Signor Verduchi is late, I can choose from the spoil
                                            heap near the bath basin; those [<hi1 rend="italic"
                                                >chiodi</hi1> and <hi1 rend="italic">guide</hi1>]
                                            are mixed, good and bad, and stones. Then I can move
                                            them to the area of the villa and keep them ready for
                                            when the restorations are being done. The other
                                            extremely important work is that of covering both the
                                            restored walls and those still to be restored with
                                            earth, especially in that part of the cryptoporticus
                                            near the gate that was cleaned for restoration in
                                            September, but which was not done. The same should be
                                            done for the most recently restored walls, which are
                                            still covered with planks, since every clear night
                                            brings a lighter or heavier frost, and the walls are
                                            being damaged. </p>
                                    </cell>
                                </row>
                                <row>
                                    <cell colspan="2"><hi1 rend="italic">The Ricciotti mosaic is
                                            probably to be identified with the floor in room 16.
                                            Most interesting here is the meaning that can be
                                            attributed to the words </hi1>guide <hi1 rend="italic"
                                            >(cf. the letter from Nicola De Rossi to Pasqui, 8 June
                                            1912 = no. 7) and </hi1>chiodi <hi1 rend="italic">(cf.
                                            the letter from Giuseppe Verduchi to Pasqui, 17 November
                                            1913 = no. 24). We may deduce from these passages that
                                            the discussion concerns construction materials.
                                            </hi1>Chiodi<hi1 rend="italic">, in my opinion, are the
                                        </hi1>opus reticulatum<hi1 rend="italic"> building blocks,
                                            which may be informally defined that way because of
                                            their long and narrow form, reminiscent of a nail (even
                                            if the shape more closely resembles a truncated
                                            pyramid). </hi1>Guide<hi1 rend="italic">, on the other
                                            hand, may be the little rectangular parallelepiped
                                            blocks that are used for the edging of walls in
                                        </hi1>opus reticulatum<hi1 rend="italic">. The stairs of
                                            room 34 were, in fact, made of </hi1>guide <hi1
                                            rend="italic">and</hi1> chiodi<hi1 rend="italic">, and
                                            the</hi1> guide <hi1 rend="italic">to be reused must
                                            have been chosen from the heap of stones near the “bath
                                            basin.” As we have seen, this must be identified with
                                            the so-called</hi1> vivarium <hi1 rend="italic">(room
                                            53; on the characteristics and actual function of this
                                            building see </hi1><ptr target="div4_c10.1.3.6"
                                            type="txt" n="D.1.3.5"/><hi1 rend="italic">).</hi1><ptr
                                            target="nt_c10.1.n9" n="9"/><hi1 rend="italic"> Building
                                            materials must have been present in great abundance,
                                            although we do not know the percentage of </hi1>chiodi
                                            <hi1 rend="italic">with respect to “stones that were not
                                            good” (evidently the stones might well have come
                                        from</hi1> opus incertum <hi1 rend="italic">structures).
                                            This confirms once again that falsifications could
                                            easily have occurred when walls were restored in</hi1>
                                        opus reticulatum <hi1 rend="italic">when only foundations
                                            were preserved.</hi1></cell>
                                </row>

                                <row>
                                    <cell>
                                        <hi1 rend="bold">21.</hi1>
                                    </cell>
                                    <cell>
                                        <hi1 rend="bold">Giuseppe Verduchi to Pasqui, 12 December
                                            1912</hi1>
                                        <p>The masonry work continues in the vicinity of the
                                            mosaics. </p>
                                    </cell>
                                </row>

                                <row>
                                    <cell>
                                        <hi1 rend="bold">22.</hi1>
                                    </cell>
                                    <cell>
                                        <hi1 rend="bold">Giuseppe Verduchi to Pasqui, 27 August 1913</hi1>
                                        <p>The two olive trees, one on the Onorati land and the
                                            other on the Foschi land, have been felled. The latter
                                            was the tree that is close to the stairs that are to be
                                            restored. The sand is being extracted and tomorrow the
                                            transportation of it will begin. […] The stonemason has
                                            started the arrangement of the corners that will be used
                                            for the small piers of the stairs. […] The masonry work
                                            continues very well, mainly concentrating on the doors
                                            and the perimeter wall. </p>
                                    </cell>
                                </row>

                                <row>
                                    <cell>
                                        <hi1 rend="bold">23.</hi1>
                                    </cell>
                                    <cell>
                                        <hi1 rend="bold">Giuseppe Verduchi to Pasqui, 25 September
                                            1913</hi1>
                                        <p> As soon as I arrived at Licenza I went to the
                                            excavations at the Villa of Horace, where I found the
                                            masonry work proceeding regularly […]. Meanwhile, in my
                                            absence, I will leave work for the coming week; this is
                                            work on the foundations that can be done easily. In
                                            addition there is the work of shaping the bricks.</p>
                                    </cell>
                                </row>

                                <row>
                                    <cell>
                                        <hi1 rend="bold">24.</hi1>
                                    </cell>
                                    <cell>
                                        <hi1 rend="bold">Nicola De Rossi to Pasqui, 17 November 1913</hi1>
                                        <p>The shaping of the small bricks, 500 in number, was
                                            finished by the tenth of this month. Also, a stretch of
                                            reticulate wall has been completed that runs from the
                                            room of the rough mosaic and joins the boundary wall of
                                            the villa [...]. This section being finished, work has
                                            started on another small stretch of the perimeter wall
                                            that joins the remaining corner that is still to be
                                            done. Today, work was also carried out on the
                                            above-mentioned wall because the lime was ready;
                                            tomorrow we will begin to gather the <hi1 rend="italic"
                                                >chiodi</hi1> scattered throughout the excavation
                                            and to reduce them to the size of those already put back
                                            into use, as Your Most Illustrious Lordship has ordered
                                            me. I would like to know, please, if the <hi1
                                                rend="italic">chiodi</hi1> now at the end of the
                                            Caponnetti cryptoporticus, that is, at the entrance to
                                            the garden of the villa, are to be taken back and
                                            reduced as well. </p>
                                    </cell>
                                </row>
                                <row>
                                    <cell colspan="2"><hi1 rend="italic">The passages in question
                                            testify to the intense activity of reconstruction, even
                                            at the level of the foundations. The building materials,
                                            whether modern (bricks) or ancient (</hi1>chiodi <hi1
                                            rend="italic">= building blocks of reticulate facing;
                                            cf. comment on no. 20) were shaped (“reduced”) as
                                            needed.</hi1></cell>
                                </row>
                            </table>
                        </p>
                    </div4>
                    <div4 id="div4_c10.1.2.3" type="section">
                        <head>
                            <bibl type="title">D.1.2.2. Analysis of the photographs</bibl>
                        </head>
                        <p id="p_443" n="443">A database of photographs was assembled from items in
                            the photographic archive of the Archaeological Superintendency of Lazio,
                            the Fototeca Unione housed in the American Academy in Rome, and the
                            personal archive of Thomas D. Price, now in the possession of his
                            sister. The photos were mainly found by Bernard Frischer, while Kathryn
                            Gleason found the Price archive. The photographs of the Superintendency
                            and of Price lack captions, dates and other details; like the other
                            photos, they are casual and panoramic in nature. But even if they were
                            not taken with the intent to provide scientific documentation, they
                            nonetheless testify to the various phases of work and allow us a glimpse
                            of the conditions prior to restoration interventions. They have been
                            taken into account in compilation of the individual masonry
                            stratigraphic units (MSU, for which see <ptr target="div4_c10.1.3.1"
                                type="txt" n="D.1.3.1"/>); the information on these gathered from
                            the photographs has been annotated there. A selection of the most
                            representative photographs is given here, listed in approximate
                            chronological order and accompanied by brief comments.<ptr
                                target="nt_c10.1.n10" n="10"/>
                        </p>
                        <p>
                            <hi1 rend="bold">1. SAL E 661 – SAL E 662 (figs. 2 and 3)</hi1>
                        </p>
                        <p id="p_444" n="444">Taken in 1911-1914. Room 53. The so-called <hi1
                                rend="italic">vivarium</hi1> is almost unrecognizable (for the
                            function of this room, cf. <ptr target="div4_c10.1.3.6" type="txt"
                                n="D.1.3.5"/>). The photograph shows a series of walls, no longer
                            visible today. These walls, which had been made of reused materials,
                            were demolished at the time of the excavation because they were ascribed
                            to the medieval period. The demolition, besides having abolished a phase
                            in the life of the building (thus making it impossible to formulate
                            hypotheses for its later use), has also undoubtedly altered the evidence
                            for its original functions. In this case, the reconstruction work was
                            particularly invasive, as may be inferred from the state of the monument
                            at the time of the excavation, as well as by direct analysis of the
                            remains on the site. Extremely interesting is the relief of a flower
                            with a central button that was inserted into the later masonry. The
                            demolished dividing walls are only indicated by broken lines on the plan
                            published by Lugli. Neither Lugli’s plan nor his text, however,
                            indicates the presence of stairs (visible in the photograph), nor do
                            they clearly describe the structure in its last phase (i.e., the actual
                            state of the hypogeum space, which exploited the vaulted passage). </p>
                        <p>
                            <hi1 rend="bold">2. SAL E 729 (fig. 4)</hi1>
                        </p>
                        <p id="p_445" n="445">Taken in 1911-1914. Views of many rooms, including 34
                            (foreground) and 21 (mid-ground), from the south. The condition of the
                            site at the time of discovery, also affirmed by the letters addressed to
                            Pasqui and by Lugli’s publication, is easily recognizable. Room 34 is
                            entirely covered by a layer of <hi1 rend="italic">cocciopesto</hi1>,
                            which is now preserved only on the floor, with a <hi1 rend="italic"
                                >cordolo</hi1> (i.e., a rounded base molding). Traces of the <hi1
                                rend="italic">cocciopesto</hi1> can still be observed on the
                            reticulate stones (but never on the mortar, which is completely modern).
                            The visible section of <hi1 rend="italic">opus reticulatum</hi1> (wall
                            MSU 10001) is a modern restoration, except for four or five blocks near
                            the second step on the east. The iron nails mentioned by Lugli are not
                            identifiable in the photograph, but are still present on site, in wall
                            10048. This wall has, however, undergone substantial restoration. The
                            photograph also shows evidence of an opening in the (reconstructed)
                            southern wall of room 21, which was later restored as a continuous
                            stretch, as indicated by Lugli on the plan and still seen today. </p>
                        <p>
                            <hi1 rend="bold">3. SAL E 730 (fig. 5)</hi1>
                        </p>
                        <p id="p_446" n="446">Taken in 1911-1914. We see the residential block, from
                            the west, with workers during the construction of the walls. Clearly
                            visible are the planks keeping the strings taut. Many of the rooms have
                            already been restored. In the foreground, the ancient section of wall
                            10056 in <hi1 rend="italic">opus reticulatum</hi1> and apse 10055 can be
                            seen; the exterior of apse 10054 appears almost completely without
                            facing. In room 21 the small piers of the <hi1 rend="italic"
                            >suspensurae</hi1> are evident. Some stretches of walls that are present
                            today do not appear at all. Judging from the darker color of the surface
                            of the edging (the mortar not yet being dry), the passage between rooms
                            14 and 15 seems to be a “correction” in progress,<ptr
                                target="nt_c10.1.n11" n="11"/> as is the unhappy compromise for the
                            door of room 20. In the background the small sections of <hi1
                                rend="italic">opus reticulatum</hi1> in the eastern perimeter wall
                            are recognizable, as are the huge piles of building material to be
                            reused in the restoration. </p>
                        <p>
                            <hi1 rend="bold">4. SAL F 368 (fig. 6)</hi1>
                        </p>
                        <p id="p_447" n="447">Taken in 1911-1914. The residential block is seen from
                            the east, showing phases of excavation and restoration. The absence of
                            currently existing walls is rather clear from the picture, as is the
                            regularity of the restorations already completed at the time of the
                            photograph. Furthermore, two mounds—probably divided according to the
                            shape of the stones—may be distinguished at the edge of the excavation
                            area for use in the restorations (cf. the letter of 27 December 1912 =
                            no. 20). For the situation of room 12, cf. De Simone, <ptr
                                target="div3_c09.2.1" type="txt" n="C.2.1"/>. </p>
                        <p>
                            <hi1 rend="bold">5. SAL F 372 (fig. 7)</hi1>
                        </p>
                        <p id="p_448" n="448">Taken in 1911-1914. Western rooms, from the south. The
                            presence of masonry remains in <hi1 rend="italic">opus reticulatum</hi1>
                            in Area 36 (west of the quadriporticus) is noteworthy. The antiquity of
                            this material cannot be ascertained, and it is difficult to imagine it
                            as the collapse of a section of the wall of the quadriporticus, but
                            perhaps it may be identified as the wall indicated in Lugli’s plan as
                                <hi1 rend="italic">opus vittatum mixtum</hi1>. In any case, the
                            presence of this wall, which is no longer visible, further complicates
                            matters. In the quadriporticus the internal wall still appears
                            continuous in the photograph; later, as a result of Price’s excavation,
                            it was re-restored with windows and doors. This detail clearly
                            illustrates the scanty remains from which the walls were reconstructed.
                            We can also see the relationship of the modern level to the ancient, and
                            how the trees planted have disturbed the ancient strata and structures.
                            Moreover, the deep trench that has been dug into the garden to a width
                            of about 2 to 3 meters along the eastern side of the western arm of the
                            quadriporticus has completely destroyed the ancient stratigraphy. </p>
                        <p>
                            <hi1 rend="bold">6. SAL A 96 – 1070 (fig. 8)</hi1>
                        </p>
                        <p id="p_449" n="449">Taken in 1911-1914. Rooms 36, 52 and 53, from the
                            east. In this photograph we can easily identify the first restoration
                            work on structure 53, which was delineated by the removal of later
                            walls. Most of the brick facing is shown to be an addition; this is
                            verifiable on the monument itself. Successive work further changed the
                            profile of the structure to its appearance today. The view of the two
                            projecting walls (MSU 10035 and 10038) is equally interesting. They are
                            located near the southeast corner of the western rooms, between these
                            and the external wall of the quadriporticus (Area 36). From the
                            photograph, it appears that one was empty, while the other could have
                            housed stairs (the profile suggests two steps). One cannot but note how
                            substantial the reconstructions are for all the visible structures and
                            not just the wall facings. </p>
                        <p>
                            <hi1 rend="bold">7. Price Family Archive (fig. 9)</hi1>
                        </p>
                        <p id="p_450" n="450">Taken in 1931. The eastern wing of the quadriporticus,
                            Area 55, during the excavation. Three niches, two oval and one
                            rectangular, are perfectly visible. These were made in antiquity by
                            cutting back the eastern perimeter wall of the quadriporticus. Now
                            almost completely obliterated by restoration, these suggest the presence
                            of a fountain structure, as has been demonstrated by recent excavation
                            (cf. De Simone et al., <ptr target="div3_c09.4.5" type="txt" n="C.4.5"
                            />). </p>
                        <p>
                            <hi1 rend="bold">8. AAR 2721 (fig. 10)</hi1>
                        </p>
                        <p id="p_451" n="451">Taken in 1955. Room 33 from the southwest. An arched
                            lintel inside wall MSU 10056 can be seen, which is no longer visible. It
                            cannot be established if wall 10002, which abuts wall 10056, had a
                            similar passage at that point, or if the construction of the wall
                            obliterated it. Depending on the hypothesis, it can be connected either
                            to a hypocaust system that will have existed between rooms 21 and 33 or
                            (and this is more probable) to the passage of the sewer, which will
                            later have been redirected with the construction of room 33). The arched
                            lintel seems to be constructed in brick or roof-tiles. Moreover, we
                            cannot tell from the photograph whether it was made at the same time as
                            wall 10056 or by cutting through the wall during a later phase. Above
                            and on both sides of the arched lintel the original stretch of wall in
                                <hi1 rend="italic">opus reticulatum</hi1> is easily identifiable.
                            The eastern side of the arch is visible in photograph SAL L2 30659, but
                            the walls seem to have undergone considerable restoration, a fact that
                            prevents further speculations on this subject. </p>
                        <p>
                            <hi1 rend="bold">9. SAL L 20650 (fig. 11)</hi1>
                        </p>
                        <p id="p_452" n="452">Taken in the 1960s or 1970s. The state of decay of the
                            walls in room 34 is evident from the reticulate facing that has fallen.
                            The surviving section is almost certainly attributable to the
                            restorations of 1911-1914. We are therefore faced with the paradoxical
                            situation that the wall had been restored twice, once in the period
                            1911-1914 and again in the 1960s or 1970s. The wall facing of the second
                            intervention is offset with respect to the first restoration, as if it
                            were the ancient original. </p>
                        <p>
                            <hi1 rend="bold">10. SAL I 1625 (fig. 12)</hi1>
                        </p>
                        <p id="p_453" n="453">Taken in the 1960s or 1970s. Restoration work in Area
                            36, from the north. The previously reconstructed sections of masonry are
                            easily distinguishable. First and foremost, it is important to note the
                            remnants of structure MSU 10046. These include a tract of wall made of
                            complete bricks for the first two courses and fragments of bricks (or
                            roof-tiles?) for the remainder of the section. Despite the poor state of
                            conservation, no limestone blocks can be distinguished, but these are
                            seen today and were evidently inserted during subsequent restorations.
                            However, the most noteworthy fact is that this tract of wall rests on
                            another, which is now no longer visible on the site; it has been covered
                            by the stone floor being laid at the time the photograph was taken. The
                            demolished structure may be associated with the northern side of the
                            drainage conduit leading into the main drainage channel. While it is
                            impossible to determine whether the facing of this wall was <hi1
                                rend="italic">opus incertum</hi1> or <hi1 rend="italic"
                            >reticulatum</hi1>, the fact that it had a facing, according to this
                            photograph, is noteworthy considering its level. Wall 10017, which
                            delimits the west rooms, has a facing, albeit ruined, of <hi1
                                rend="italic">opus incertum</hi1>. </p>
                        <p id="p_454" n="454">The small buttresses that abut the outside of the
                            western wall of the quadriporticus (MSU 10056/10068), which are still
                            visible at the site, have never been preserved above the level of the
                                <hi1 rend="italic">opus incertum</hi1> section (10068). Furthermore,
                            their original profile suggests that they are to be associated with the
                            cover of the main drainage conduit, subsequently ruined and collapsed.
                            Such indications may support the hypothesis that the buttresses were
                            intended to be buried. </p>
                    </div4>
                    <div4 id="div4_c10.1.2.4" type="section">
                        <head>
                            <bibl type="title">D.1.2.3. Conclusions </bibl>
                        </head>
                        <p id="p_455" n="455">The extent of the reconstruction work carried out on
                            the site from 1911 to 1914 and later in the twentieth century is now
                            well documented. To some extent these early efforts were forgotten or
                            were accepted at face value as a reconstruction that was faithful to the
                            original. </p>
                        <p id="p_456" n="456">These restorations aimed not only at reconstructing
                            some walls, but also at the demolition or obliteration of others,
                            particularly those thought to be of the medieval period.<ptr
                                target="nt_c10.1.n12" n="12"/> Because the work was carried out
                            without first having come to an adequate understanding of the structures
                            and without having made a thorough documentation of the original
                            remains, it has caused irreversible damage. The sudden interruption of
                            work in 1914 (see Frischer, <ptr target="div3_c08.4.1" type="txt"
                                n="B.4.1"/>) created a further unevenness in the complex. In Area
                            17, for example, the structures partially preserved at the level of the
                            foundations were not rebuilt, as they were in other areas, and, as a
                            result, we obtain an image of the monument that has been falsified yet
                            again—this time precisely by a reconstruction that is inconsistent and
                            hence (in the total absence of a sign on the site or at least a
                            scientific publication explaining what was done, not done, and why)
                            confusing and misleading. The most recent restorations, sometimes
                            employing modern materials, have in turn created further ambiguity,
                            because the vertical line of the facing was set back in relation to the
                            1911-1914 restoration, carried out primarily using ancient materials.
                            The unfortunate result is that, at first glance, the 1911-1914
                            restorations appear to be original walls. </p>
                        <p id="p_457" n="457">The various superimpositions and demolitions of
                            stratigraphic relationships make the interpretation of very partially
                            preserved structures even more complicated and have consequently given
                            rise to a series of new questions that have not all been resolved. </p>
                    </div4>
                </div3>
                <div3 id="div3_c10.1.3" type="section" status="hidden">
                    <head>
                        <bibl type="title">D.1.3. Direct Analysis </bibl>
                    </head>
                    <div4 id="div4_c10.1.3.1" type="title">
                        <head>
                            <bibl type="title">[text]</bibl>
                        </head>
                        <p id="p_458" n="458">Parallel to the collection and analysis of archival
                            documents and photographs, the arduous task of analyzing the wall
                            structures on site was undertaken. This work included measured drawings,
                            creation of a database of wall features, and a sampling of mortars (cf.
                            Appendix II, <ptr target="div3_c10.1.5" type="txt" n="D.1.5"/>). The
                            collection and collation of data was not enough on its own, but it was a
                            convenient way to approach the study, and it provided the starting-point
                            for the reflections that follow. </p>
                    </div4>
                    <div4 id="div4_c10.1.3.2" type="section">
                        <head>
                            <bibl type="title">D.1.3.1. The cataloguing </bibl>
                        </head>
                        <p id="p_459" n="459">To document the individual structures, a Masonry
                            Stratigraphic Unit (MSU; see also Frischer et al. <ptr
                                target="div4_c09.1.8.2" type="txt" n="C.1.7.1"/>) catalogue form was
                            used. It was modeled on the MSU form recommended by the University of
                                Siena.<ptr target="nt_c10.1.n13" n="13"/>
                        </p>
                        <p id="p_460" n="460">Granted that it is impossible to create a form that
                            could contain all the terms and fields useful for the study of the
                            monument and that a database alone is not sufficient for understanding
                            it, the creation of a catalogue is still a useful procedure, since it
                            helps to keep our critical faculties constantly alert as we confront the
                                monument.<ptr target="nt_c10.1.n14" n="14"/> The study must
                            therefore be based upon direct knowledge of the structure, whose data
                            can be only partially captured on a catalogue form, which for this
                            reason is only a means, not an end. These kinds of documentation are not
                            exhaustive by themselves and a greater effort needs to be focused on
                            precisely the personal choice of the data that ought to be entered. But
                            the documentation phase has its undeniable importance, especially with
                            respect to the lack of understanding that can arise from excessively
                            fanciful restorations. Of course, every intervention on an ancient
                            monument ought to be rigorously documented, within the limits imposed by
                            subjectivity, in order to avoid misunderstanding or loss of information.
                            This is a policy to which assent is very readily given and that can also
                            be considered completely obvious, yet it has often not been applied
                            and—what is worse—is even today not always observed. </p>
                        <p id="p_461" n="461">As noted, some of the data we have gathered were drawn
                            from materials not originally intended to furnish exact documentation,
                            such as letters, notes about expenses, and casual photographs. In the
                            present case, we have attempted to proceed in the opposite direction,
                            reconstructing the modern interventions that have affected the walls,
                            isolating the parts that are clearly original and seeking, insofar as is
                            still possible, to identify remains that are helpful to the
                            interpretation of the phases and function of the various rooms and
                            spaces of the villa. </p>
                        <p id="p_462" n="462">In the residence (rooms 1-21), the walls that have
                            been restored or entirely reconstructed have been examined, but only a
                            sample of them has been catalogued, whereas in the rest of the monument
                            we have documented not only the walls identified in the new excavations
                            but also the walls that were excavated earlier and subsequently
                            restored. </p>
                        <p id="p_463" n="463">Another limitation of this study should be mentioned.
                            We have restricted our investigations, in the areas previously
                            excavated, to the features presently visible on the surface. We have not
                            been able to undertake new excavations or cleaning beneath the currently
                            visible remains. It is thus probable that portions of a wall indicated
                            in the catalogue as “completely restored” still preserve an original
                            course below the surface. On the other hand, we also know that some
                            structures have certainly been completely reconstructed atop the
                            foundations or even from the foundations up. </p>
                        <p id="p_464" n="464">Because it was merely the means of the study (not the
                            end), the catalogue form has been used with a certain flexibility, which
                            admittedly runs the risk of subjectivity.<ptr target="nt_c10.1.n15"
                                n="15"/> Where it has been impossible to decide if we are confronted
                            with one or more masonry stratigraphic units, a single form has been
                            filled out treating the wall as it currently appears (e.g., MSU 10004)
                            and putting the various issues into a note. Where there are various
                            ancient wall segments that can be clearly identified as belonging to a
                            single structure, only one catalogue form has been used (e.g., MSU
                            10061, fountain). For the building with an internal oval plan furnished
                            with niches (building 53) no catalogue entry was made since it would
                            have been impossible to do justice to its complexity in a short entry.
                            The structure has been treated in a separate paragraph (<ptr
                                target="div4_c10.1.3.6" type="txt" n="D.1.3.5"/>). This activity of
                            “wall census” has been identified by its own operational sector (Sector
                            X) and the pertinent MSU belong to group 10000 (see <hi1 rend="bold"
                                >fig. 13</hi1> for MSU numbers).<ptr target="nt_c10.1.n16" n="16"/>
                            Given the fact that so many stratigraphic relationships are no longer
                            legible, the construction of a stratigraphic matrix for the wall
                            structures unfortunately has not been possible. </p>
                        <p id="p_465" n="465">The direct analysis of the monument, corroborated by
                            archival documentation, enables us to establish some fixed points from
                            which a new reading of the complex could proceed. On the basis of
                            various observations, we have therefore created a plan showing those
                            features, currently visible on the site, that have at least one
                            genuinely ancient course of elevation. A two-dimensional plan could not,
                            of course, handle the situation in which walls are preserved one atop
                            the other, when the upper wall is entirely or partially restored. </p>
                        <p id="p_466" n="466">It appears clear that, at the Licenza villa, the
                            portions of ancient masonry that can be analyzed are quite small,
                            sometimes limited to just one course. As noted, however, there may be
                            additional ancient masonry preserved under the surface (including, as
                            the 1997-2001 excavations showed, entirely new building phases hidden
                            beneath the levels where the previous excavations stopped and where
                            restorations were consequently made). It should not be forgotten,
                            furthermore, that the medieval period is under-represented because the
                            excavations of 1911-1914 intentionally removed much of what remained
                            from this period in order to reach the classical levels. Sometimes what
                            seemed to the previous excavators to be medieval could also have
                            belonged to other phases, thereby further complicating any precise
                            reading of the site. </p>
                        <p id="p_467" n="467">The information derived from the plan should be
                            combined with the MSU catalogue entries. The numeration of the rooms or
                            areas is, of course, purely arbitrary and was made for the sake of
                            convenience. It was often not possible to take account of distinct units
                            nor, obviously, of distinct phases in the life of the villa. </p>
                    </div4>
                    <div4 id="div4_c10.1.3.3" type="section">
                        <head>
                            <bibl type="title">D.1.3.2. The Residence </bibl>
                        </head>
                        <p id="p_468" n="468">It is evident that the walls in <hi1 rend="italic"
                                >opus reticulatum</hi1> in the residential part of the villa (rooms
                            1-21) were heavily restored and sometimes even completely rebuilt. A
                            country road passed through this area (cf. Frischer, <ptr
                                target="div2_c08.3" type="txt" n="B.3"/>, fig. 17) and the
                            structures were preserved for only a few courses or simply at the
                            foundation level. Moreover, some walls were re-erected that probably had
                            already been razed to the ground in antiquity. The reconstruction of
                            many of the structures down to the foundation level reduces everything
                            to a single phase, while it is quite possible that in several places
                            earlier structures affected, or were in part exploited for, the
                            terracing of the residence. These pre-existing structures have been
                            verified in at least one case (see De Simone, <ptr target="div3_c09.2.1"
                                type="txt" n="C.2.1"/>). </p>
                        <p id="p_469" n="469">Some of the problems encountered concern the whole
                            area in general, while others refer to individual <hi1 rend="italic"
                                >loci</hi1>. Among the general problems the following may be noted:
                            the masonry work; the true dimensions of the complex; the doorways and
                            the complete absence of evidence that the doorways were walled up; the
                            floor levels; the circulation routes; and the main entrance. Among the
                            specific problems one can list: the organization of Areas 8, 12, and 17;
                            the opening in the foundation between rooms 24 and 33; and the access to
                            room 33. Many of the definitely original tracts of walls in <hi1
                                rend="italic">opus reticulatum</hi1> present tufa facing-blocks,
                            while the reconstruction exclusively used limestone. This situation does
                            not necessarily offer a dating criterion or an indication of phase, but
                            can simply reflect the use of a mixture of materials readily available
                            in the area. </p>
                        <p id="p_470" n="470">The <hi1 rend="italic">pars urbana</hi1> must
                            undoubtedly have been more extensive. Evidence of this, at least with
                            reference to later phases, is the strange situation of Area 8 and the
                            relationship between the structure identifiable as a fountain and the
                            northern wall, which has always been interpreted as the limit of the
                            building. In particular, the northern wall, of which only the foundation
                            level was found for nearly its entire length, now appears as continuous,
                            but it probably had openings that connected it to the zone farther
                            north. In Area 8, it is likely that part of that wall was cut and razed
                            to the ground when the fountain was built in order to permit the
                            fountain to be used.<ptr target="nt_c10.1.n17" n="17"/>
                        </p>
                        <p id="p_471" n="471">The square structure of the brick fountain was
                            inserted into an area that was presumably not covered at the time, but
                            which must have had a completely different arrangement. The fact that
                            the intervention was later has not been proved by a difference in wall
                            type, but is based on other considerations. Traces of a wall in <hi1
                                rend="italic">opus reticulatum</hi1>, certainly razed in antiquity,
                            are still visible in the southwest corner of Area 8. The wall, which
                            cannot be considered a foundation, is disposed at a 90-degree angle with
                            respect to the south wall, and is interrupted at the point where there
                            is a manhole giving access to the drain below. In a first phase the wall
                            might have delimited a small room—perhaps a <hi1 rend="italic"
                            >cubiculum</hi1>—and there might have been an analogous wall on the
                            north side (now occupied by the fountain), of which no visible trace
                            remains. Later, the open area—perhaps originally furnished with a small
                            peristyle—had been enlarged, by way of leveling off the structures of
                            the west side. It was paved with limestone slabs. Traces of this
                            arrangement survive in the southwest corner, where we also find, cut
                            into a big slab, a small drain that leads to the sewer below.<ptr
                                target="nt_c10.1.n18" n="18"/> These changes were probably
                            undertaken to make space for the insertion of the monumental fountain.
                            Its present arrangement seems somewhat anomalous because it does not
                            occupy the geometric center of the area, and it is difficult to
                            recognize any axial relationship that may have existed within the space
                            as restored. Moreover, to the north it pierces through the perimeter
                            wall, thereby being surrounded on its other three sides by an irregular
                            U-shaped space. </p>
                        <p id="p_472" n="472">There are hardly any legible remains of the structure
                            of the fountain, which has also been greatly affected by modern
                            restorations, and no hypothesis can be made about the revetment that
                            protected the walls. Almost square in shape, the fountain is equipped
                            with an outer channel as well as a smaller inner one, which is
                            essentially a hollow space (<hi1 rend="italic">intercapedo</hi1>). The
                            latter communicates with four semicircular niches, each set in the
                            center of one side. In creating the two channels, the builders of the
                            fountain dug down to a level lower than that of the pavement, except for
                            the center of the fountain, which was left at the original height. The
                            exterior side of the outer wall of the fountain was built directly
                            against the baulk of the construction trench. One side of the interior
                            wall with its niches lined the center of the fountain, which means that
                            it was built against the opposite side of the construction trench. The
                            center of the fountain does not present evidence of basins, and, in the
                            absence of a small pond, we have to imagine that it was kept as a
                            garden, perhaps with one or two ornamental statues. Water gushed from
                            the niches, probably emerging from protomes.<ptr target="nt_c10.1.n19"
                                n="19"/> The water flowed within the narrow <hi1 rend="italic"
                                >intercapedo</hi1>, thereby forming waterworks of the “cascading”
                            type, flowing finally into the external channel.<ptr
                                target="nt_c10.1.n20" n="20"/>
                        </p>
                        <p id="p_473" n="473">It has already been noted that the addition of the
                            fountain changed the original layout of the first phase of this zone.
                            The most striking aspect of this modification was precisely the
                            demolition of the north wall, a feature that presupposes the opening on
                            that side. The form of the structure, furnished with niches on all four
                            sides, identifies it precisely as a fountain to be centered (<hi1
                                rend="italic">da centro</hi1>), and this brings up yet again the
                            problem of how it could have been enjoyed from the north. In this
                            connection one should recall what Lavagne said about analogous
                            structures: “The crucial phase in which the fountain begins to be
                            treated as an autonomous subject, to be placed in the middle of a room
                            or a courtyard, and no longer as a decorative motif within a niche,
                            seems to be in the first years of the second century A.D.”<ptr
                                target="nt_c10.1.n21" n="21"/> It should be emphasized that in
                            reality there are already precursors of this trend attested in the late
                            first century A.D. (cf., for example, the “pelta-shield” fountain on the
                            Palatine from the late Flavian period). </p>
                        <p id="p_474" n="474">The wall that functions as a partition and comprises
                            the north side of corridor 5 ought, most likely, to have had an opening
                            that permitted Area 8, where the fountain was inserted, to communicate
                            with it and thus with room 12 as well. Because of these walls, as
                            reinterpreted by restoration, we lose the ability to see the circulation
                            routes and the various phases. In discussing the documents, we have
                            already noted how the doorways have been sometimes ignored, rethought,
                            or arbitrarily reconstructed, not to mention the fact that there is no
                            recorded evidence that doorways were ever walled up, generally a fairly
                            frequent occurrence in any building complex. In several cases the
                            openings, in their present condition, do not show any original features.
                            One will have to take into account these observations before hazarding a
                            formal appraisal of the residence that emphasizes its symmetry,
                            functionality, and the axiality of circulation routes visible today. </p>
                        <p id="p_475" n="475">It has been practically impossible to identify the
                            ancient pavement levels. For the most part, the foundations were rebuilt
                            to a uniform level, as were the first courses of a large part of the
                            reconstructed walls. After the removal of the mosaics, carried out in
                            the 1970s, the pavements were reset at a different level. Moreover, no
                            data are known about the subfloors of the mosaics, which could also
                            belong to a different phase with respect to the surrounding walls. Some
                            walls appear arbitrarily aligned at the edge of one of the two sides of
                            the foundation, while others are set (as is usually the case in Roman
                            architecture) on the middle of the foundations; consequently, the
                            reconstructions falsify the original wall thickness. </p>
                        <p id="p_476" n="476">The arrangement of Areas 12 and 17, for different
                            reasons, betrays the subjectivity of the first excavators. Area 12,
                            generally identified as an <hi1 rend="italic">atrium</hi1>, today
                            consists of a rectangular space ca. 9.75 m x 8.20 m, with a small square
                            brick basin,<ptr target="nt_c10.1.n22" n="22"/> which, however, is not
                            located in the geometric center of the room. The excavation has shown
                            that not all the foundation remains were taken into account equally at
                            the time of the restorations, and other structures were identified that
                            attest to different phases and different arrangements of the space (see
                            De Simone, <ptr target="div3_c09.2.1" type="txt" n="C.2.1"/>). Accepting
                            for the sake of argument that the space was used as an <hi1
                                rend="italic">atrium</hi1>, at least at a specific moment in the
                            life of the building, then such a space, the purpose of which is so
                            intimately connected to the circulation of people, light, and air, ought
                            to have been equipped with further openings, but the current state of
                            the evidence shows no trace of them. </p>
                        <p id="p_477" n="477">In Area 17, tracts of walls also have been identified
                            that were not taken into account at the time of the modern
                                restorations.<ptr target="nt_c10.1.n23" n="23"/> Together with the
                            neighboring rooms 18, 26, and 27, for which no ancient segments of wall
                            have been recognized, it constitutes an area that is difficult to
                            understand. Some walls now appear to be made of small blocks of
                            limestone and <hi1 rend="italic">cardellino</hi1> (cf. D.1.4 for the
                            definition of <hi1 rend="italic">cardellino</hi1>) and respect the
                            surviving mosaic flooring. The latter disrupts the continuity of the
                            wall in <hi1 rend="italic">opus reticulatum</hi1> traditionally
                            considered as the west limit of the villa in its original design.<ptr
                                target="nt_c10.1.n24" n="24"/>
                        </p>
                        <p id="p_478" n="478">Although in the case of rooms 19-21 the portions of
                            ancient masonry are also very scarce, it is clear that this zone
                            underwent an ancient intervention intended to change its function. The
                            insertion of the small piers of a <hi1 rend="italic">suspensurae</hi1>
                            system left the foundation of the pre-existing wall uncovered. The new
                            use necessitated a different arrangement of the spaces, with the
                            creation of two walls to bound room 20, which was also furnished with an
                            apse. The latter feature seems to be in phase with room 33 behind, while
                            the two partition walls do not provide dating elements, except inasmuch
                            as they are later than the so-called perimeter wall (west side). The
                            partial closing of the apse—this also restored—may be associated with
                            the division into rooms at a later date. What is most interesting in
                            this area, however, is the existence of an arch in that part of the
                            foundation of the so-called perimeter wall which corresponds to room 21,
                            an arch that is now no longer visible (cf. the commentary on photograph
                            AAR 2721, <ptr target="div3_c10.1.2.3" type="txt" n="D.1.2.2"/>, no. 8,
                            and see also the discussion of the sewer system, <ptr
                                target="div4_c10.1.3.7" type="txt" n="D.1.3.6"/>). </p>
                        <p id="p_479" n="479">It seems plausible that at the time room 33 was built
                            there could have been access to it on the east side, even though there
                            is no trace of any opening, in that the so-called perimeter wall in <hi1
                                rend="italic">opus reticulatum</hi1> has been completely restored
                            and follows the course of the foundation without a break. </p>
                    </div4>
                    <div4 id="div4_c10.1.3.4" type="section">
                        <head>
                            <bibl type="title">D.1.3.3. The quadriporticus and the garden </bibl>
                        </head>
                        <p id="p_480" n="480">At present, most of the archaeological site is
                            occupied by the area of the garden and the quadriporticus that surrounds
                            it (ca. 42 m x 85 m). Since it is at the same level as the residence,
                            the northern side of the quadriporticus serves as a joining structure
                            with it and produces a sort of veranda. This, in turn, gives onto the
                            garden and must have had windows to provide the rooms with light and
                            air. The connection between the different levels was provided by three
                            ramps, two lateral ones for the long porticoed wings and a central one
                            for the uncovered area. Except for the veranda, which rises on a small
                            terrace, the other sides of the quadriporticus were constructed
                            following the natural slope. </p>
                        <p id="p_481" n="481">As we have seen, in this zone the massive restorations
                            have also resulted in situations that are difficult to understand.<ptr
                                target="nt_c10.1.n25" n="25"/> The masonry remains must have been
                            minimal. In fact, at first, an almost complete reconstruction of the
                            raised part of the walls in <hi1 rend="italic">opus reticulatum</hi1>
                            (at least in the northern half of the quadriporticus) was proposed by
                            the restorers, thus creating a continuous internal wall.<ptr
                                target="nt_c10.1.n26" n="26"/> The subsequent excavation of Price,
                            however, showed that at least at one point in the internal wall there
                            were openings that communicated with the garden.<ptr
                                target="nt_c10.1.n27" n="27"/> Therefore, a new restoration was
                            undertaken, which fixed the arrangement visible today. </p>
                        <p id="p_482" n="482">If such a question has found a reasonable solution,
                            the same cannot be said of the problems posed by the external walls,
                            particularly on the west wing, nor of the structures that impinge on the
                            east wing. </p>
                        <p id="p_483" n="483">On the west wing, the structure in <hi1 rend="italic"
                                >opus incertum</hi1> faced with plaster, brought to light in the
                            recent excavations, attests to a distinct phase; at present, this
                            structure is visible for the whole of the western face of the perimeter
                            wall and in part on the outside of the south wing (<hi1 rend="bold">fig.
                                14</hi1>). It was previously interpreted as being a simple
                            foundation offset for the support of the plastering on the <hi1
                                rend="italic">opus reticulatum</hi1> wall.<ptr target="nt_c10.1.n28"
                                n="28"/> In the documents, there is never any mention of a structure
                            in <hi1 rend="italic">opus incertum</hi1>, although stretches of
                            plastering are noted (cf. <ptr target="div4_c10.1.2.2" type="txt"
                                n="D.1.2.1"/>, nos. 1 and 2).<ptr target="nt_c10.1.n29" n="29"/> The
                            wall in <hi1 rend="italic">opus reticulatum</hi1> therefore belongs to a
                            later phase, when the quadriporticus was constructed, after the ground
                            level was raised. The erection of structure 4203, which lines the
                            portion of the wall in <hi1 rend="italic">opus incertum</hi1> on its
                            eastern face, must be connected to this work. The correct interpretation
                            of this activity cannot be separated from the question of the modern
                            reconstructive restorations. The external perimeter wall of the
                            quadriporticus (MSU 10056=4211=4005) has on its west side a long stretch
                            of a structure in <hi1 rend="italic">opus reticulatum</hi1> that is
                            undoubtedly original. There remains reasonable doubt concerning the
                            antiquity of the uppermost part, however, because it seems that the
                            first excavations reached the very level indicated by that portion of
                                <hi1 rend="italic">opus reticulatum</hi1> that is certainly
                            original. Did they dig until they uncovered the top of the remaining
                            structure, stop excavating at that level, and then reconstruct the wall
                            to its present height? Or had they already found the wall at the current
                            height and therefore it is only the upper part that is sealed with
                            modern mortar set onto the surface of the facing? In the 1970s the
                            excavators went deeper, bringing to light the portion of <hi1
                                rend="italic">opus reticulatum</hi1> that was certainly original.
                            They did not reconstruct it at all for the rest of its length and
                            instead uncovered the wall in <hi1 rend="italic">opus incertum</hi1>
                            beneath it. </p>
                        <p id="p_484" n="484">We have three elements, of varying importance, which
                            lead us to hypothesize the almost complete reconstruction of the upper
                            part. First, in Sector IV.1, the original wall in <hi1 rend="italic"
                                >opus reticulatum</hi1> juts out in relation to the line of the
                            southward continuation, which is set back and evidently restored.
                            Second, the external buttresses survive to a height that never reaches
                            the level of the structure in <hi1 rend="italic">opus reticulatum</hi1>
                            that we believe was completely reconstructed in the process of
                            restoration. Third, the internal wall of the quadriporticus is also
                            poorly preserved, and after the first reconstruction there was a
                            subsequent restoration, which altered the arrangement of the full and
                            empty spaces. This modification would not have been possible if it had
                            been necessary to demolish the original wall. The practice followed by
                            the excavators of 1911-1914 seems to have been consistent:
                            identification of the top of the wall and the reconstruction of it, set
                            back in relation to the line of the facing. It is also possible that the
                            excavators identified the structure simply as a more or less coherent
                            nucleus, which was preserved up to a greater height than that
                            hypothesized here as being original. They therefore unified it by means
                            of refacing, as seems to have happened in other parts of the villa. It
                            is thus shown that the east side of the external wall is wholly the
                            result of reconstruction in the early 1900s, except for the undoubtedly
                            original portion of Sector IV.1. But what was the purpose of structure
                            4203? I maintain that, together with the structure in <hi1 rend="italic"
                                >opus incertum</hi1>, it constituted the foundation of the wall in
                                <hi1 rend="italic">opus reticulatum</hi1>, which was almost twice as
                            thick as that proposed in the restoration (ca. 45 cm).<ptr
                                target="nt_c10.1.n30" n="30"/> If we accept, on the other hand, the
                            restored wall of 45 cm, it is necessary to hypothesize a structure, now
                            completely lost, which was founded on 4203, evidently with the purpose
                            of reinforcing the perimeter wall. An analogous situation presents
                            itself on the east wing, which has either two parallel walls built up
                            next to each other (according to the restorations), or conversely a
                            single thick wall; it is impossible to identify, however, those parts
                            that are certainly original. </p>
                        <p id="p_485" n="485">The perimeter wall of the quadriporticus, on the south
                            and west sides, is furnished with a series of limestone <hi1
                                rend="italic">opus vittatum</hi1> buttresses set at right angles
                                (<hi1 rend="italic">a pettine</hi1>) and backing onto the wall.<ptr
                                target="nt_c10.1.n31" n="31"/> The structural reasons for this
                            intervention are multiple. First, the buttresses countered the pressure
                            of the soil caused by the difference in ground level. Second, they
                            served to evenly distribute the forces pushing against the continuous
                            wall, which, because it is so long, is exposed both to a high risk of
                            rotating, due to its own weight and that of the roof, and to cracks
                            caused by thermal fluctuations. In addition, the conduit of the
                            principal drain runs parallel to the outside face of the wall of the
                            quadriporticus; this further indicates that the lowest point of the
                            original ground level must have been precisely in this area, that is,
                            the meeting-point (<hi1 rend="italic">compluvium</hi1>) of two slopes on
                            the east-west axis, which created a natural channel. This originally
                            gathered and drained away the surface water naturally, and then later
                            was reorganized, regulated and used as the sewer system. We must still
                            consider the original height of the buttresses, which could not have
                            been very high, even at the moment of construction, given their limited
                                length.<ptr target="nt_c10.1.n32" n="32"/> The height of the wall of
                            the quadriporticus can be partially worked out, albeit indirectly, from
                            the spacing of the buttresses on the west side; in fact, this type of
                            buttressing performs its static function only if the distance between
                            each element is less than the height of the wall. Since the distance
                            between the buttresses is ca. 2.96 m (= 10 Roman feet), we can deduce
                            that the wall supported by them was certainly higher than that. On the
                            outside of the south wing, the buttresses found at the level of the
                            foundations are spaced more closely together, evidently on account of
                            the natural slope of the site, which slants from north to south. </p>
                        <p id="p_486" n="486"> The east wing, which bends slightly to the southwest,
                            includes a series of structures that modify its original appearance and
                            function (cf. De Simone et al., <ptr target="div3_c09.4.5" type="txt"
                                n="C.4.5"/>and <ptr target="div3_c09.4.6" type="txt" n="C.4.6"/>).
                            These works partly eliminated the wall in <hi1 rend="italic">opus
                                reticulatum</hi1> and modified both the circulation routes and the
                            visual axes. It is possible that these were necessitated by a partial
                            structural failure of the perimeter wall; caissons would then have been
                            built, filled with earth and stones, to counter the pressure from
                                uphill.<ptr target="nt_c10.1.n33" n="33"/> Perhaps in order to mask
                            these structures and to render the rest of the portico usable, a
                            construction with oval and rectangular niches was added, presumably a
                                fountain<ptr target="nt_c10.1.n34" n="34"/>; since the portico at
                            this point was no longer usable, it is possible that a sort of detour
                            was created through the garden in order to bypass the obstacle (cf.
                            Gleason, <ptr target="div3_c09.3.1" type="txt" n="C.3"/>, fig. 13). In
                            this part of the quadriporticus, then, they had to destroy the original
                            roof, which was almost certainly one with an inward slope. Neither a
                            flat roof nor one sloping outward is possible here. A flat roof, which
                            is not particularly common in this type of structure, would have been
                            avoided in this geographical area due to the amount of snow and heavy
                            rainfall. An outward-sloping roof was not normally used for covering a
                            quadriporticus, because it makes the joining of the slopes of the roof
                            for the <hi1 rend="italic">compluvium</hi1> difficult. Furthermore, the
                            roof of the veranda certainly sloped outward toward the garden. In order
                            to cover a span of only 3.00 to 3.20 m, there was no need for a pitched
                            roof, which in this case would have created problems for the watershed. </p>
                        <p id="p_487" n="487">A problem unresolved on account of the scarcity of
                            remains concerns the openings that must have linked the quadriporticus
                            with the area to the west. Nor can we be certain, although it is
                            plausible, that there was access from the outside to the south wing, as
                            Lugli hypothesized (col. 541), but it certainly cannot have been the
                            only entrance to the villa, nor even the main one. </p>
                        <p id="p_488" n="488">The area of the garden has only partially been
                            examined and the sole structure found is a large pool in limestone <hi1
                                rend="italic">opus signinum</hi1>. This should be considered as an
                            open-air water reservoir, which occupies a large space (24.50 m x 12.90
                            m), almost at the center of the garden.<ptr target="nt_c10.1.n35" n="35"
                            /> The fact that the villa received water from a small aqueduct coming
                            from the west and that no traces of any piping leading from the
                            reservoir have been discovered, lead us to believe that this is not a
                            real cistern. The only link with the water system of the villa seems to
                            have been the outflow conduit, which starts from about the middle of the
                            west side and flows into the main drain; it follows an oblique course,
                            in order to take advantage of the natural slope. The outflow is
                            regulated by a small sump with footholds consisting of two cover-tiles
                                (<hi1 rend="italic">imbrices</hi1>). The sump abuts the west wall of
                            the pool, and serves as a manhole for regulating the level of the water.
                            The excavations carried out in the first half of the twentieth century
                            followed the line of the walls and removed the earth only from the
                            inside of the tank, creating a situation similar to that of antiquity,
                            but compromising the static equilibrium of the structure; in fact, with
                            no water on the inside, there is no counterthrust for the earth, which
                            puts greater pressure on the long sides. The same problem existed in
                            antiquity, when the structure no longer held water and began to be
                            buried. In fact, the north side has a <hi1 rend="italic">tranche</hi1>,
                            which is broken and has slipped southward, while the south side is
                            missing in the middle, and on the west has been forced out of plane,
                            with damage at the corner. The structure has two external bodies on each
                            of the long sides. A calculation of a depth of about 2 m gives a volume
                            of more than 600 cubic meters (more than 600 tons of water). To
                            understand the forces working on the masonry, it is necessary on one
                            hand to calculate the weight of the water and the incidental load (due,
                            for example, to wind) and on the other hand, the weight of the earth; in
                            addition, the difference in level between north and south as visible
                            from the longitudinal section of the whole villa should also be
                            considered. </p>
                        <p id="p_489" n="489">Price<ptr target="nt_c10.1.n36" n="36"/> had already
                            questioned whether the four <hi1 rend="italic">avant-corps</hi1> served
                            a static function as buttresses, or as foundation-bases for other
                            superstructures, perhaps of an ornamental nature (such as statuary
                            groups). In considering this issue, we must remember that the two pairs
                            of buttresses are of different sizes. Those to the south are built to
                            counter the lack of static equilibrium of the pool when it is full; they
                            are bigger, because the slope necessitates more support on this side.
                            Furthermore, it is probable that this area was partially levelled with
                            less compacted soil brought from elsewhere and thus requiring more
                            powerful and deeply sunk structures in order to achieve the maximum
                            anchorage possible. In order to understand correctly the function of the
                            structure, we must remember that the southwest buttress, the only one
                            today not completely buried, has a cavity opening towards the inside of
                            the <hi1 rend="italic">piscina</hi1>. This is not enough to support a
                            hypothesis that the whole buttress was hollow; if it had been, it could
                            not have performed its static purpose. It is possible that such a recess
                            may have been a refuge for fish; although the documentation provides no
                            information for the other three buttresses, we cannot exclude the same
                            function for them as well. We can, therefore, visualize the <hi1
                                rend="italic">piscina</hi1> as a fish-pond. Unfortunately, this
                            structure, which is entirely attributed to the same building phase as
                            the quadriporticus, does not have the elements for a certain and
                            absolute dating. </p>
                    </div4>
                    <div4 id="div4_c10.1.3.5" type="section">
                        <head>
                            <bibl type="title">D.1.3.4. The thermal zone </bibl>
                        </head>
                        <p id="p_490" n="490">The constructions on the west side of the site consist
                            of a series of rooms that can be generally attributed as the baths of
                            the villa.<ptr target="nt_c10.1.n37" n="37"/> The excavations of
                            1911-1914 did not completely uncover these buildings, but they did
                            compromise any interpretation, in that, in addition to the restorations
                            previously discussed, some walls were demolished (cf. <hi1 rend="bold"
                                >figs. 2-8</hi1>), while others were reconstructed on minimal
                            evidence. The last intervention, in the 1980s, affected the upper strata
                            of rooms 37-40 and 50-51. Based on the documentation and what is still
                            visible on the site, it is possible to deduce the primary
                            characteristics of the complex. </p>
                        <p id="p_491" n="491">In this area, too, which was previously occupied by
                            other structures, work was carried out to counter the incline of the
                            natural slope (at this point slanting from west to east). Thus, the
                            floor levels are more or less at the same level as those of the dwelling
                            area, thereby creating a kind of terrace in relation to the
                            quadriporticus. </p>
                        <p id="p_492" n="492"> The space occupied by the thermal rooms gives the
                            impression of being excessively large in relation to the size of the
                            residential block.<ptr target="nt_c10.1.n38" n="38"/> This disproportion
                            diminishes if we remember that the living quarters must undoubtedly have
                            been more extensive, stretching to the north and probably to the
                            northwest. The thermal buildings are the result of two distinct
                            construction phases, the second of which affects the southern part, with
                            the addition of a series of heated rooms and the construction of a
                            building of considerable architectural importance, the <hi1
                                rend="italic">laconicum</hi1> (room 53). The two different
                            construction phases can be deduced not only from the different building
                            techniques, but also from an apparent irrationality in the layout of the
                            service rooms, which denotes two completely distinct heated areas.<ptr
                                target="nt_c10.1.n39" n="39"/> Having ascertained the difference in
                            the building phases, we cannot exclude the possibility that all the
                            rooms functioned at the same time. Another equally plausible hypothesis,
                            however, is that the earlier buildings were modified wholly or partially
                            and adapted to different uses. </p>
                        <p id="p_493" n="493">The first thermal rooms to be built were undoubtedly
                            rooms 32-34, which abut both the west perimeter wall of the villa and
                            the north wall of the Republican <hi1 rend="italic">atrium</hi1> (a
                            space subsequently subdivided into rooms 38, 39, 40) and which were
                            modified through the incorporation of later structures.<ptr
                                target="nt_c10.1.n40" n="40"/> Lugli saw in these constructions a
                            variety of phases, which cannot be detected in the masonry; his reading
                            is not convincing from the point of view of their presumed
                                functions.<ptr target="nt_c10.1.n41" n="41"/> We have in fact a
                            homogeneous group of rooms, composed of a large hall with an apse (33),
                            flanked by a service corridor (32) and linked to a single room that
                            contained a stairway (34) (<hi1 rend="bold">figs. 15</hi1> and <hi1
                                rend="bold">16</hi1>). In order to construct this complex it must
                            have been necessary to go far below the floor level of the residential
                            block in order to have a height sufficient for the functioning of the
                            hypocaust system. Room 32 consists of a long, narrow corridor (ca. 13 m
                            x 1.30 m) in <hi1 rend="italic">opus reticulatum</hi1> and coigning in
                            limestone blocks, at present accessible from room 31 by way of a series
                            of steps which are most likely products of the restoration. The presumed
                            floor level is at ca. 2.80 m below ground level. The west wall (MSU
                            10053) and the south wall (MSU 10062) are wholly constructed against the
                            regularized slope, with only the exposed side provided with facing;
                            about halfway along, the west wall turns into a very shallow apse, with
                            a span of ca. 4.40 m. In the east wall (MSU 10057) there are two small
                            arches for the <hi1 rend="italic">praefurnia</hi1>, with similar
                            characteristics (height at the keystone 1.70 m, width 0.80 m, radius of
                            the arch 0.35 m), at the level of the apse. The <hi1 rend="italic"
                                >praefurnia</hi1> connect the corridor with room 33, which is a
                            large rectangular hall, with an apse on the north side (ca. 12 m x 5 m,
                            excluding the apse; the span of the apse is 4.36 m, the radius 2.10 m).
                            The hall, which survives only at the subfloor level, has internal wall
                            facings in <hi1 rend="italic">cotto</hi1> (cf. MSU 10001, 10002, 10051,
                            10052, 10053, 10054). Rather than bricks, broken and trimmed roof-tiles
                            are used, which sometimes are put in courses with the unbroken rim
                            showing (creating a string-course, e.g., for the installation of the
                            suspended floor, cf. <ptr target="div3_c10.1.4" type="txt" n="D.1.4"/>,
                            types 4.1, 5.3.1, and 5.3.2). The partially preserved subfloor level
                            consists of roof-tiles and is raised in relation to the service
                            corridor. No trace remains of the suspended floor, but its level is
                            indirectly discernable from the line of the string-course roof-tiles and
                            the height of the arches of the <hi1 rend="italic">praefurnia</hi1>.<ptr
                                target="nt_c10.1.n41" n="42"/> An offset along the east wall most
                            probably served to support a <hi1 rend="italic">fistula</hi1> (cf. <ptr
                                target="div4_c10.1.3.7" type="txt" n="D.1.3.6"/>). The south end,
                            unique for its construction technique (MSU 10001; cf. <ptr
                                target="div3_c10.1.4" type="txt" n="D.1.4"/>, type 5.3.3), is
                            articulated by two quadrangular brick <hi1 rend="italic"
                            >avant-corps</hi1> (MSU 10051 and 10052), which form a small recessed
                            area. The passages to room 34 should be identified as corresponding with
                            the two <hi1 rend="italic">avant-corps</hi1>. This room (ca. 3.80 m x 6
                            m) is not an ordinary space. Against the north wall is built a narrow
                            platform-like structure, approached by two small lateral ramps next to
                            the <hi1 rend="italic">avant-corps</hi1> of room 33; the floor level of
                            the room, which is accessed by way of another ramp situated against the
                            east wall, is essentially at the same level as that of corridor 32,
                            while the top of the platform is about 1.50 m higher. A small
                            rectangular <hi1 rend="italic">avant-corps</hi1> is located between the
                            stairway and the south wall. At the time of Pasqui’s excavations, the
                            walls in <hi1 rend="italic">opus reticulatum</hi1> and the steps in
                            limestone blocks were found to be completely coated with a layer of <hi1
                                rend="italic">cocciopesto</hi1>, of which only some small patches,
                            belonging to the watertight edging of the floor, are now visible.<ptr
                                target="nt_c10.1.n43" n="43"/> A hole with a lead outflow fistula is
                            visible. The west wall is constructed against the regularized slope
                                (<hi1 rend="italic">controterra</hi1>) only up to ground level, and
                            has a small <hi1 rend="italic">specus</hi1> linked to a small channel;
                            part of the south wall partially abuts the north wall (MSU 10045) of the
                            Republican <hi1 rend="italic">atrium</hi1>.<ptr target="nt_c10.1.n44"
                                n="44"/> The room has an outflow hole, with the related <hi1
                                rend="italic">fistula</hi1> and lead protection sheet. Lugli also
                            mentions another outflow (or overflow?) at the level of the platform
                            (col. 537), of which no trace has been found. </p>
                        <p id="p_494" n="494">These rooms formed the first thermal nucleus of the
                            villa. Room 33 is certainly to be identified as a <hi1 rend="italic"
                                >calidarium</hi1>, but it is difficult to locate where its tanks may
                            have been, in that there are no traces of furnaces or water pipes. Due
                            to lack of space, it would have been nearly impossible to place the
                            tanks close to the <hi1 rend="italic">praefurnia</hi1>, as usual
                            practice would dictate. We could hypothesize the existence of a basin in
                            the rectangular niche of Room 33, although this would have resulted in
                            considerable heat loss. Lugli mentions a fountain, of which there is no
                            trace, in the apse of the same room. It is probable, however, that
                            within the apse there was a <hi1 rend="italic">labrum</hi1> attached to
                            a water supply. The <hi1 rend="italic">calidarium</hi1>, which was
                            certainly of notable proportions for a private complex, was accessed
                            from the east, probably from room 21, which served as a changing room.
                            It is impossible, however, to specify the chronological sequence of
                            rooms 19-21, which occupy the southwest corner of the rectangle of the
                            living quarters; this part was evidently remodeled in order to be used
                            as <hi1 rend="italic">thermae</hi1>. It is fairly clear that the apse of
                            room 20 (MSU 10055), which was created by cutting an opening in the
                            perimeter wall of the villa, is perfectly in phase with the apse of the
                                <hi1 rend="italic">calidarium</hi1> lying behind. Little can be
                            said, however, about the internal arrangement and the purpose of rooms
                            19-21 at that time. Inasmuch as it is visible today, room 20 was
                            subsequently turned into a heated room; in the course of this work the
                            foundation of the perimeter wall was uncovered to give enough space for
                            the hypocaust. This was probably heated independently of <hi1
                                rend="italic">calidarium</hi1> 33, by way of a furnace in room 19.
                            It is probable, however, that this last room was in direct communication
                            with service corridor 32, if we hypothesize a continuation of the
                            oblique wall. </p>
                        <p id="p_495" n="495">Room 33 also allowed passage to the south, into room
                            34, and to the west directly to the porticoed area (35). Corridor 32 in
                            fact was completely hypogean,<ptr target="nt_c10.1.n45" n="45"/> and the
                            portico was constructed with a series of masonry columns, aligned
                            parallel to wall 10003/10057 (the west side of rooms 33 and 34), upon
                            which rested the ridge of the roof slope. The covering of the corridor
                            may have consisted of simple planking or of a proper concrete ceiling
                            laid on a wooden framework. No trace remains of these structures. The
                            shallow apse that characterizes the corridor certainly did not have an
                            aesthetic purpose. Rather, it served a structural need, countering the
                            thrust of the earth behind, and at the same time it fulfilled a
                            functional requirement by providing as much space as possible for
                            working at the mouths of the <hi1 rend="italic">praefurnia</hi1>. It is
                            not possible to verify the existence of supports for hot-water tanks on
                            the inside of the corridor, which appears too narrow, but we may
                            hypothesize that the blind end of the corridor, south of the furnaces,
                            was used to store wood. </p>
                        <p id="p_496" n="496">The interpretation of room 34 is more difficult.
                            Evidently, this room was intended to hold water, but it is not possible
                            that its level reached the top of the platform, which must have been
                            used as a narrow passage, while the central stairs led down to the
                            immersion pool. The south <hi1 rend="italic">avant-corps</hi1>, which
                            skirts the stairs, must have served as a passage to the area even
                            further south, previously occupied by the quadrangular room of the
                            so-called Republican <hi1 rend="italic">atrium</hi1> (rooms 38-40). Both
                            for functional reasons and because of the difference in level, I
                            maintain that there was no communication between the quadriporticus and
                            room 34. This room may be identified as a small <hi1 rend="italic"
                                >frigidarium/natatio</hi1>, rather unusual for its layout as well as
                            for its size.<ptr target="nt_c10.1.n46" n="46"/> This small thermal
                            complex (<hi1 rend="italic">calidarium</hi1> 33, <hi1 rend="italic"
                                >frigidarium/natatio</hi1> 34, service corridor 32, group of rooms
                            19-21) was protected on the west side by a portico (Area 35). The
                            remains of this portico consist of the foundations and, sometimes, the
                            first course of six brick columns and one brick pilaster.<ptr
                                target="nt_c10.1.n47" n="47"/> As we have noted, the portico was
                            partly placed over the hypogean corridor (32) and made use of the west
                            wall of rooms 33 and 34; it was therefore ca. 3.80 m wide (ca. 13 Roman
                            feet, calculating from the center of the column). The interaxis between
                            the columns, approximated by reconstruction, is about 10 Roman feet,
                            except for the last one on the south, between the column and the
                            pilaster (ca. 11 Roman feet). It is difficult to establish when this
                            work was carried out. The fact is that the portico is perfectly aligned
                            with the two west piers of the Republican <hi1 rend="italic"
                            >atrium</hi1>; this can hardly be by chance. It is possible, therefore,
                            that the colonnade was constructed with the intention of harmonizing the
                            new structures with the earlier ones, by providing an element of
                            continuity. Nothing is known about the arrangement of the area to the
                            west of the portico, which may have been used as a <hi1 rend="italic"
                                >palaestra</hi1>. </p>
                        <p id="p_497" n="497">The incorporation of these structures may have partly
                            altered the disposition of the roofs of the residential block. The
                            sloped roof of the residence must have been at a higher level than the
                            roof of the small thermal complex. The conjectured covering for room 33
                            is a barrel vault, rectangular in plan, protected by a single-sloped
                            roof, inclined to the west, and overhanging the slope of the roof of the
                            portico. </p>
                        <p id="p_498" n="498">Immediately to the south of these first thermal
                            buildings an extension was built. An apsidal basin (room 37) was
                            constructed, with a platform and lateral steps, and arranged with
                            rectangular niches (two lateral ones, for access to the basin, and a
                            wider, central one). The structure was built next to the west wall (MSU
                            10016) of rooms 38-40, and, in order to reach the depth necessary for
                            the basin, the foundations of the earlier wall 10016 were partially
                            exposed. In this way the Republican <hi1 rend="italic">atrium</hi1> was
                            adapted into a <hi1 rend="italic">frigidarium</hi1>. The floor level of
                            38-40 was raised and a mosaic floor with triangular marble inlay was
                                laid.<ptr target="nt_c10.1.n48" n="48"/> In order that the apsidal
                            basin (MSU 10010) might be used, the west wall of the old <hi1
                                rend="italic">atrium</hi1> (MSU 10016) was demolished; it is
                            possible, however, that the upper part was retained, or rather
                            remodeled, in such a way as to create an arch over the entrance opening
                            toward the basin. In this case, if the four central piers continued to
                            be in use, it would not have been necessary to alter the layout of the
                            roof, and the <hi1 rend="italic">compluvium</hi1> structure could have
                            been retained. Obviously, the basin must have had its own cover, with an
                            apsidal semi-dome, itself protected by a semicircular roof. </p>
                        <p id="p_499" n="499">Unfortunately, the excavation data are not sufficient
                            to resolve this question, both on account of the earlier work and
                            because of the poor state of preservation of the remains, which were
                            subsequently transformed over the centuries. In fact, we do not know
                            with certainty whether the piers were in use at the same time as the
                            mosaic floor. Indirect support of such a hypothesis, however, can be
                            detected by the intentional alignment of portico 35, which as noted
                            harmonized the pre-existing structures in view of their renewed use.<ptr
                                target="nt_c10.1.n49" n="49"/> Further indication for the process of
                            homogenization is provided by the very dimensions of the basin, whose
                            apsidal platform has nearly the same radius as the apse of <hi1
                                rend="italic">calidarium</hi1> 33. </p>
                        <p id="p_500" n="500">Access to the <hi1 rend="italic">frigidarium</hi1>
                            could have been from the east, perhaps directly from the quadriporticus,
                            by way of several steps that linked the different levels.<ptr
                                target="nt_c10.1.n50" n="50"/>Traces of a small ramp may perhaps be
                            seen in the two masonry fragments that are equidistant from the median
                            axis of the <hi1 rend="italic">frigidarium</hi1> and which might
                            indicate a possible access to the room. South of the stairs, at a level
                            slightly lower than the terracing on which the <hi1 rend="italic"
                                >frigidarium</hi1> lies, the latrine would have been built in an
                            unused space. Its walls have in part disappeared but are recorded in
                            Lugli’s plan and in an archival photograph (SAL F 372, <hi1 rend="bold"
                                >fig. 7</hi1>). At the moment, the typically shaped slabs have been
                            repositioned, perhaps at an arbitrary level, but the drain conduits
                            underneath guarantee their planimetric layout. </p>
                        <p id="p_501" n="501">If we analyze the rooms to the south of the <hi1
                                rend="italic">frigidarium</hi1> 37-40, it is immediately evident how
                            a new thermal complex, which was completely distinct from the original
                            nucleus 32-34, was created. It is not possible to establish whether this
                            work was carried out simultaneously with the new <hi1 rend="italic"
                                >frigidarium</hi1> or later. The building technique provides no
                            clues, as it is linked in this case to purely functional
                                requirements.<ptr target="nt_c10.1.n51" n="51"/> The south buildings
                            (43-49, 51, 53) are all heated<ptr target="nt_c10.1.n52" n="52"/> and
                            separated from the <hi1 rend="italic">frigidarium</hi1> 37-40 by a
                            screen of rooms (41-42). Room 41, from its narrow and elongated shape,
                            seems to have been part of the circulation plan of the <hi1
                                rend="italic">thermae</hi1>, and/or a changing room separating the
                            heated areas from the others. Its connection with the small rectangular
                            basin 42 is not entirely clear, as there are some anomalous steps set at
                            its corner. Moreover, for this phase, we do not know the arrangement of
                            the area immediately east of room 41. The floor levels of the heated
                            rooms are similar to those of the <hi1 rend="italic">frigidarium</hi1>
                            37-40. Indirect evidence for reconstructing floor levels is provided by
                            the identification of the door that gives access between room 49 and
                            building 53. </p>
                        <p id="p_502" n="502">The corridor that served these rooms is to be found to
                            the east of room 47, which, on account of its proximity to the furnace,
                            should be interpreted as a <hi1 rend="italic">calidarium</hi1>. To the
                            west is a series of spaces, heated indirectly, whose arrangement into
                            distinct rooms is difficult to determine, with the sole exception of
                            room 51. This room, even though it is not completely visible today,
                            presents a rectangular plan, with very shallow apses on the short sides;
                            it is equipped with an arch for the passage of hot air. The disposition
                            of the rooms and the actual levels that can be seen imply that the
                            domestic staff would not have had direct access to this <hi1
                                rend="italic">praefurnium</hi1>. It is unlikely, too, that a system
                            of <hi1 rend="italic">praefurnia</hi1> existed to the west, since on
                            that side the slope rises steeply. It is possible to hypothesize an
                            extension of the complex to the west, but only at a higher level.<ptr
                                target="nt_c10.1.n53" n="53"/>
                        </p>
                        <p id="p_503" n="503">Room 52 may possibly have been a staircase, but there
                            is no data enabling us to relate its construction directly to the use of
                            the thermal buildings. The scant remains available do not allow us to
                            hazard hypotheses about the roofing in this area. </p>
                        <p id="p_504" n="504">Directly linked to this group of heated rooms, but
                            with an extremely unusual appearance, is the most famous building of the
                            site, which Lugli had identified as an ornamental fishpond. </p>
                    </div4>
                    <div4 id="div4_c10.1.3.6" type="section">
                        <head>
                            <bibl type="title">D.1.3.5. The <hi1 rend="bolditalic">laconicum</hi1>
                                of the Villa of Horace: is it an <hi1 rend="bolditalic"
                                >unicum</hi1>? </bibl>
                        </head>
                        <p id="p_505" n="505">Building 53 is without doubt the most attractive and
                            monumental structure of the entire archaeological site; this is partly
                            due to its relatively well-preserved state,<ptr target="nt_c10.1.n54"
                                n="54"/> at least when compared to the other surviving masonry
                            structures, and partly to Lugli’s fascinating interpretation of it, in
                            which he visualized a nymphaeum that was subsequently converted into a
                                <hi1 rend="italic">vivarium</hi1> (col. 559). </p>
                        <p id="p_506" n="506">The building is elliptical in plan, incorporated into
                            a trapezoidal form (<hi1 rend="bold">fig. 17</hi1>). The ellipse is
                            further arranged into four semicircular niches that correspond to the
                            four corners of the trapezoid. Apart from the alterations, which reflect
                            the addition of masonry now partly demolished, and the construction of a
                            longitudinal trench at the bottom, three different internal levels are
                            visible today. These can be described as follows, from top to bottom:
                                <hi1 rend="italic">a</hi1>) corresponding to the elliptical ring
                            that is joined to the niches—residues of brick flooring; <hi1
                                rend="italic">b</hi1>) level of the floor bed that marks out the
                            smaller ellipse––residues of brick flooring; and <hi1 rend="italic"
                            >c</hi1>) floor level of the hypogean corridor—brick flooring. The
                            structure itself is entirely built of brick, with the exception of some
                            peripheral parts, which are faced in <hi1 rend="italic">cardellino</hi1>
                            blocks. In the wall that marks the change in level between the present
                            upper and lower ellipses, there are some small rectangular niches (51 cm
                            x 49 cm, ca. 79 cm in height), with a slope at the bottom and covered
                                <hi1 rend="italic">a cappuccina</hi1> (<hi1 rend="bold">fig.
                            18</hi1>). Each of these communicates with the floor of the ellipse
                            above by way of a chimney-like feature. There are four niches on the
                            east side, into which the arch of the hypogean corridor opens, and five
                            on the west side. The distance between them is not consistent. In
                            addition, next to the elliptical internal wall to the north and south,
                            there are two solid <hi1 rend="italic">avant-corps</hi1> that jut out
                            toward the center of the building. In the northern one, it is still
                            possible to see a hint of a curved wall. In the southern one there is a
                            small conduit, triangular in cross-section and connected to the outflow
                                system.<ptr target="nt_c10.1.n55" n="55"/> The building still has
                            two openings, which are at different levels; the higher one is in the
                            northwest niche, and the lower one is in the curved section between the
                            two northern niches. In addition to these openings, there is, as
                            previously noted, a hypogean corridor that goes off at an angle,
                            penetrating the building from the east through an arch faced with bricks
                                <hi1 rend="italic">sesquipedales</hi1>. Just by the arch, at the
                            level of the lower ellipse (level <hi1 rend="italic">b</hi1>), there are
                            two small walls in brick, which extend the lines of this corridor into
                            the building. </p>
                        <p id="p_507" n="507">Upon analyzing the various data, we see that there is
                            no shortage of evidence that contradicts Lugli’s hypothesis, and which
                            can be summarized as follows: location, orientation and functional
                                characteristics.<ptr target="nt_c10.1.n56" n="56"/>
                        </p>
                        <p id="p_508" n="508">The first is the simplest and may also be the least
                            binding of the three arguments; nonetheless its implications must be
                            carefully considered. The building, which belongs to the same
                            construction phase as those immediately to the north, is an essential
                            component of them. Building 53 was accessed by means of a door
                            communicating with room 49, which was probably a room for passage. This
                            door has been interpreted by some observers as a window because of its
                            current level, which is effectively above the present floor. This
                            misunderstanding has been caused by the fact that in all the heated
                            rooms the suspended floors no longer survive, as mentioned earlier.
                            Therefore, the present floor level corresponds to the subfloor upon
                            which stood the small piers that supported the use-level floor. The
                            users of the <hi1 rend="italic">thermae</hi1> would walk on this level,
                            which coincides with the floor of the north opening of building 53 and
                            is therefore undoubtedly a door. In this way, the first of Lugli’s
                            arguments is refuted, as he did not recognize any access other than
                            through the hypogean corridor. </p>
                        <p id="p_509" n="509">Furthermore, we should consider why the builder would
                            have created such an intentional difficulty in the construction of this
                            building by rotating it slightly and thereby putting it out of alignment
                            with the rest of the complex. If he did not do it by mistake (which is
                            the only logical conclusion), the orientation must have been of critical
                            importance. This is comprehensible only in connection with the purpose
                            of the building. We can immediately deduce from the plan that the axis
                            of the building is aligned to the north and that it was constructed in
                            relation to the cardinal points. It is protected to the north (the
                            coldest side) by the presence of other buildings, but completely open on
                            the other three sides, in order to exploit the maximum exposure to the
                            sun. To the fish the orientation of the building certainly would have
                            been inconsequential, but to an architect intent on obtaining the
                            optimal results from a special construction, this aspect would have been
                            paramount. </p>
                        <p id="p_510" n="510">The functional element is the most evident, however,
                            and it is truly surprising that it was not recognized earlier.<ptr
                                target="nt_c10.1.n57" n="57"/> First of all, the hypogean corridor,
                            which goes directly into the center of the room, is nothing other than
                            the service area for heating the building itself, in accordance with the
                            usual hypocaust system. The extant levels indicated by <hi1
                                rend="italic">a</hi1> and <hi1 rend="italic">b</hi1> (<hi1
                                rend="bold">fig. 19</hi1>) correspond respectively to the subfloors,
                            paved in brick, on which stood the small piers for the suspended floors.
                            These are at two separate levels because inside the building there was a
                            high step of the type commonly found in both <hi1 rend="italic"
                            >laconica</hi1> and <hi1 rend="italic">frigidaria</hi1> of circular
                                plan.<ptr target="nt_c10.1.n58" n="58"/> The internal elliptical
                            wall supported the upper floor, positioned at the same level as the
                            north door. The rectangular niches, with their sloping floors and their
                            flues, served to circulate the hot air at the upper level, and to
                            transmit it into the walls, which were probably originally equipped with
                            a hollow space (<hi1 rend="italic">intercapedo</hi1>). The niches were
                            the unifying part of the system, which otherwise could not have
                            functioned. The two projecting <hi1 rend="italic">avant-corps</hi1>,
                            placed to the north and south, supported the steps that gave easy access
                            to the lower level; at the same time, the southern <hi1 rend="italic"
                                >avant-corps</hi1> contained conduits, as it is likely for the
                            northern one, although no decisive evidence is visible at present (see
                                <ptr target="div4_c10.1.3.7" type="txt" n="D.1.3.6"/>). The two
                            small walls flanking the portion of the corridor that entered the
                            building had the double function of supporting the floor more solidly
                            than the small piers could have done at that point, and of preventing
                            the loss of heat. The only remaining question is why an oblique corridor
                            was created. It is possible that this, too, was a device designed to
                            maximize heat retention as much as possible, since the temperature
                            within the building had to be maintained at a constant level, avoiding
                            unexpected drafts and sharp changes in temperature. </p>
                        <p id="p_511" n="511">It is now clear why such a building required a
                            completely autonomous service system, although this does not mean that
                            we must postulate different phases in relation to the rooms immediately
                            to the north. The semicircular niches, of which the northwest one
                            certainly had a window, were covered by an apsidal semi-dome. This
                            semi-dome did not form an <hi1 rend="italic">extrados</hi1>, but was
                            buried inside the masonry of the corner.<ptr target="nt_c10.1.n59"
                                n="59"/> The geometrical unity of the original ellipse, on which an
                            elliptical vault rested, was thus reconstituted at the upper level. The
                            vault, in turn, could have supported a false dome, which allowed the hot
                            air to rise to the top. The vault itself may have been sunk inside a
                            compact block, protected by a pitched roof, but a lighter and cleaner
                            solution would have been a vault with <hi1 rend="italic">extrados</hi1>,
                            reinforced up to a certain point with a stepped feature and possibly
                            equipped with a central <hi1 rend="italic">oculus</hi1>. This second
                            hypothesis would affect the dating, however, putting it back to at least
                            the time of Hadrian.<ptr target="nt_c10.1.n60" n="60"/>
                        </p>
                        <p id="p_512" n="512"> The room was undoubtedly very well heated and
                            possibly supplied with water, although not furnished with a true <hi1
                                rend="italic">alveus</hi1>.<ptr target="nt_c10.1.n61" n="61"/> The
                            lower level may have constituted a pool, presumably lined with marble
                            panels, as was the upper step. In fact, an outflow hole has been
                            identified in the south <hi1 rend="italic">avant-corps</hi1>, but since
                            no fragment of this floor has survived, it is absolutely impossible to
                            make a definitive statement. It is probable that the building’s primary
                            purpose was for <hi1 rend="italic">sudationes</hi1>, but it is also
                            possible that the lower floor was flooded occasionally to create a
                            heated swimming pool. In this case, however, we have no traces of the
                            possible methods used for direct heating of the water. Usually, in fact,
                            these intensely heated buildings were supplied with cold water in very
                            small quantities, as it was only used to produce steam. </p>
                        <p id="p_513" n="513">Although such buildings are fairly common in the Roman
                            architecture of the imperial period, the originality of the planning in
                            the Licenza example is extraordinary. The only comparanda, based on
                            geometrical shapes similar to the ellipse or the oval, are the <hi1
                                rend="italic">laconicum</hi1> in the Forum Baths at Ostia, also
                            sited for the best possible exposure to the sun’s rays, but without the
                            corner niches, and the irregular room, almost octagonal and also
                            supplied with a high-temperature heating system, in the so-called
                            Heliocaminus Baths at Hadrian’s Villa. On quite a different scale, but
                            vaguely similar in their basic schemes, are the twin rooms that have
                            also been identified as <hi1 rend="italic">laconica</hi1> in the Baths
                            of Caracalla and the Baths of Diocletian in Rome. One might object that
                            among these three are public buildings and one of them is part of the
                            villa of the emperor Hadrian, who is known for his experimental
                            architecture. Furthermore, the earliest of the four examples cited dates
                            to the period of Hadrian. Although it may seem anomalous, the building
                            at Licenza has every right to be included in this innovative series, and
                            its inclusion could have an impact on the question of the identity of
                            the owner of this villa at the time when building 53 was constructed. </p>
                        <p id="p_514" n="514">In the complete absence of accurate dating, it must be
                            remembered that circular buildings of this type were quite common from
                            the first century A.D. on, and that they continued to be widely used,
                            with ever-changing variations, through the third and fourth centuries,
                            although they were different in size and purpose. We would not be far
                            from the truth in proposing a date between the end of the first century
                            and the middle of the second century A.D., with a preference, however,
                            for the later limit, that is to say, the age of Hadrian and Antoninus
                            Pius, for the reasons previously stated. </p>
                        <p id="p_515" n="515">The building was subsequently reused, with the
                            creation of walls at various levels; a hypogean room that was accessible
                            from the former service corridor was also built, in which were found
                            many human bones. </p>
                    </div4>
                    <div4 id="div4_c10.1.3.7" type="section">
                        <head>
                            <bibl type="title">D.1.3.6. Systems for the supply and drainage of water
                            </bibl>
                        </head>
                        <p id="p_516" n="516">The whole complex must have received water from a
                            small aqueduct coming from the west, of which no trace has been
                                found.<ptr target="nt_c10.1.n62" n="62"/>
                        </p>
                        <p id="p_517" n="517">During the recent excavation, it was discovered that
                            several lead conduits reached the building near Area 50. Together with
                            those still <hi1 rend="italic">in situ</hi1> and with others that were
                            found and removed during the 1911-1914 excavations, it is possible to
                            reconstruct the principal outline of the water system. The drainage
                            system is better preserved, for reasons linked chiefly to questions of
                            level. In <hi1 rend="bold">figure 20</hi1>, the two systems are shown in
                            different colors. When there is uncertainty about to which system a
                            conduit belongs, it is marked in a third color, while a dotted line
                            indicates a conjecture. </p>
                        <p id="p_518" n="518">The natural topography of the site conditioned the
                            positioning of the original drain. Its principal axis (<hi1
                                rend="italic">i</hi1>) runs north-south on the outside of the west
                            side of the quadriporticus, precisely at the point where the two slopes
                            naturally meet. Clearly, the existing topography was exploited and
                            regularized, imitating the path of the surface drainage. The conduit, at
                            present open to the air for a considerable length, averages 60-70 cm in
                            width and must have had a covering that was ogival in cross-section, as
                            is visible further south in the unexcavated portion. There, two channels
                            join from the east. The first (<hi1 rend="italic">d-f-h</hi1>), which
                            links the zone of the impluvium and that of the fountain, flows at an
                            angle into the principal system near the southeast external corner of
                            room 34, clearly respecting this construction in the course of its
                            alteration. The second channel (<hi1 rend="italic">o</hi1>), following
                            an oblique line in order to exploit better the natural slope of the
                            terrain, starts at the sump of the pool (25) in the center of the garden
                            and, going in a southwest direction, joins the large drain about halfway
                            along its length.<ptr target="nt_c10.1.n63" n="63"/> Channel <hi1
                                rend="italic">d-f-h</hi1>, which crosses the western part of the
                            residential block obliquely, and then aligns itself on the inside of the
                            perimeter wall, is in fact the product of several distinct building
                            phases. Before the incorporation of the group of rooms 32-34, the
                            conduit left the outside of the buildings at exactly the point (<hi1
                                rend="italic">g</hi1>) where it shows a change of direction, which
                            was necessitated by the construction of subsequent buildings (cf. <hi1
                                rend="bold">fig. 10</hi1> and comment on photograph AAR 2721, <ptr
                                target="div4_c10.1.2.3" type="txt" n="D.1.2.2"/> no. 8). The drain
                            was thus forced to follow the inside of the perimeter wall closely for
                            the stretch (<hi1 rend="italic">h</hi1>) to the east of room 34. Since
                            the covering of the conduit at this point obliterates the portion in
                                <hi1 rend="italic">opus incertum</hi1> of the west perimeter wall,
                            it is clear that at this time, or perhaps earlier, the level of the
                            quadriporticus and of the garden was raised. On the other hand, the
                            segments <hi1 rend="italic">h-f</hi1> seem to have been restored, since
                            they are rather different in shape from the length <hi1 rend="italic"
                            >i</hi1>. A water drainage system for the residence must have been
                            planned from the beginning of the construction, but the channel visible
                            today is different from conduit <hi1 rend="italic">i</hi1>, which we
                            know with certainty was the principal one and the most ancient. Drain
                                <hi1 rend="italic">f-h</hi1>, in fact, has a wider cavity and a
                            vaulted ceiling, ribbed with a series of brick arches, and part of its
                            lining is preserved. Also, on account of the direction of this conduit,
                            which was linked to the construction of the fountain, we can suggest
                            that it was built in the same period, or rather adapted from the
                            pre-existing system and restructured. The sewer <hi1 rend="italic"
                            >f-h</hi1> received water from at least three drains: conduit <hi1
                                rend="italic">d</hi1>, of which a length of lead <hi1 rend="italic"
                                >fistula</hi1> was found in the 1911-1914 excavations (Lugli 1926,
                            col. 582); the drain of the fountain in Area 8, through outflow hole
                                <hi1 rend="italic">k</hi1>; and probably rainwater also, through the
                            outflow <hi1 rend="italic">j</hi1> carved in a limestone paving block.
                            The channels from the west (<hi1 rend="italic">l</hi1> and <hi1
                                rend="italic">m</hi1> with covering <hi1 rend="italic">a
                            cappuccina</hi1>), which were linked to the thermal buildings and
                            inexplicably considered to be water pipes by Lugli (col. 549), and the
                            outflow for the latrine (<hi1 rend="italic">n</hi1>), also joined the
                            principal outflow conduit (<hi1 rend="italic">i</hi1>). In <hi1
                                rend="italic">l</hi1> was found a large lead fragment of a tank
                                (<hi1 rend="italic">a</hi1>). By <hi1 rend="italic">l</hi1>, near
                            the southwest corner of room 41, there is an outflow hole in a marble
                            paver (<hi1 rend="italic">w</hi1>) and, connected to the conduit, is
                            also a rectangular manhole. Unfortunately, it is impossible to
                            understand how much of this structure is due to restoration.<ptr n="64"
                                target="nt_c10.1.n64"/>
                        </p>
                        <p id="p_519" n="519">We can also hypothesize that conduit <hi1
                                rend="italic">q</hi1>, which in its turn took the sewage of <hi1
                                rend="italic">p1</hi1> and <hi1 rend="italic">p2</hi1>, joined the
                            main system further south. We do not know the route taken by <hi1
                                rend="italic">r</hi1>. </p>
                        <p id="p_520" n="520">Exactly at the point where the last stretch (<hi1
                                rend="italic">h</hi1>) of the conduit of the residence flows into
                            the main system (<hi1 rend="italic">i</hi1>), the drainage channels
                            relating to the hydraulic equipment of rooms 33 and 34 (<hi1
                                rend="italic">x</hi1> and <hi1 rend="italic">α</hi1>) must have also
                            joined. On the southeast corner of 34, there is still <hi1 rend="italic"
                                >in situ</hi1> a length of lead <hi1 rend="italic">fistula</hi1>
                                (<hi1 rend="italic">α</hi1>), at the point where there is also
                            preserved a lead facing panel, inserted between the wall and the <hi1
                                rend="italic">cocciopesto</hi1> coating.<ptr target="nt_c10.1.n65"
                                n="65"/>
                        </p>
                        <p id="p_521" n="521">The arrangements for supplying water are less well
                            preserved; there are some lead <hi1 rend="italic">fistulae</hi1>, of
                            which at least four series are known, with inscriptions. In one case, it
                            appears that the water pipe simply consisted of a small channel, with a
                            brick bottom (<hi1 rend="italic">s</hi1>), which flowed from the west
                            into room 34. We do not have sufficient traces, however, to reconstruct
                            the path of the water required for <hi1 rend="italic">calidarium</hi1>
                            33. An offset along the east wall (MSU 10002) of this room joins two
                            lodging holes created respectively in the lateral shoulder of the apse
                            (MSU 10054) on the north and in the <hi1 rend="italic">avant-corps</hi1>
                            (MSU 10051) to the south. It can be hypothesized that the offset partly
                            supported a <hi1 rend="italic">fistula</hi1>, most likely belonging to
                            the drainage system. </p>
                        <p id="p_522" n="522">Water must have arrived at the fountain of Area 8 by
                            way of the lead conduit (<hi1 rend="italic">y</hi1>) still <hi1
                                rend="italic">in situ</hi1> under the mosaic of room 16. Fragments
                            of <hi1 rend="italic">fistulae</hi1> are recorded by Lugli; one of these
                                (<hi1 rend="italic">e</hi1>), probably not <hi1 rend="italic">in
                                situ</hi1>, was found at the west end of the so-called veranda 13. </p>
                        <p id="p_523" n="523">There is more documentation on the thermal areas
                            further to the south. The recent excavation, in fact, brought to light
                            three distinct conduits (<hi1 rend="italic">t</hi1>, <hi1 rend="italic"
                                >u</hi1>, <hi1 rend="italic">v</hi1>); the first (<hi1 rend="italic"
                                >t</hi1>) served the <hi1 rend="italic">frigidarium</hi1>, while the
                            other two led to the heated rooms, crossing the structures by way of
                            specific recesses (as in MSU 10058). It is very likely that conduit <hi1
                                rend="italic">u</hi1> was linked to fragment <hi1 rend="italic"
                            >z</hi1>, which was set into a limestone threshold slab.<ptr
                                target="nt_c10.1.n66" n="66"/>
                        </p>
                        <p id="p_524" n="524">For the <hi1 rend="italic">laconicum</hi1>, there is
                            no evidence for the water supply, if we exclude the <hi1 rend="italic"
                                >fistula</hi1> (<hi1 rend="italic">c</hi1>) that Lugli mentions was
                            incorporated into the curved wall (attributed by him to the drainage
                            system), and hole (<hi1 rend="italic">p3</hi1>), no longer visible, in
                            front of the north <hi1 rend="italic">avant-corps</hi1>. </p>
                        <p id="p_525" n="525">A <hi1 rend="italic">fistula</hi1> was found on the
                            site by the Baron de Saint’Odile and another one by some peasants, in
                            the period when de Chaupy took interest in this area. Unfortunately
                            there are not sufficient data to locate exactly their find-spots. The
                            first carried the inscription M BURRUS and the other TI CLAUDI
                                BURRI.<ptr target="nt_c10.1.n67" n="67"/> It is probable that the
                            first of the two, however, if not both, came from the area of the <hi1
                                rend="italic">laconicum</hi1>, which at that time was the only
                            building partially visible. Baron de Saint’Odile had also discovered
                            underground chambers, which may well be identified as the service
                            corridor of the <hi1 rend="italic">laconicum</hi1>.<ptr
                                target="nt_c10.1.n68" n="68"/>
                        </p>
                        <p id="p_526" n="526">No hydraulic system is known for Area 55, where there
                            may have been a fountain. </p>
                        <p id="p_527" n="527">To help with consultation and to aid in understanding
                            the plan, a list of the individual elements marked on the plan follows:
                                <table border="0">
                                <row>
                                    <cell>
                                        <hi1 rend="italic">a)</hi1>
                                    </cell>
                                    <cell>Wall of furnace or other type of reservoir, found (not
                                            <hi1 rend="italic">in situ</hi1>) during the excavations
                                        of 1911-1914 near the drain <hi1 rend="italic">l</hi1>;
                                        inscription CAESERNIUS–LUCERNIO FEC (Lugli, col. 581).
                                    </cell>
                                </row>
                                <row>
                                    <cell>
                                        <hi1 rend="italic">b)</hi1>
                                    </cell>
                                    <cell>Length of lead <hi1 rend="italic">fistula</hi1> (1.70 m
                                        long) consisting of two tubes joined together, which Lugli
                                        reports was the drain for room 34, emptying into i; one tube
                                        carries the inscription P OSTILI FIRMINI (Lugli, col. 581);
                                        at the Museum of Licenza two fragments are preserved (inv.
                                        SAL 00403242 and 00403243), both of which also carry the
                                        same inscription (cf. Bruun, <ptr target="div3_c10.13.1"
                                            type="txt" n="D.13"/>). Frischer, in a personal
                                        communcation, notes that Lugli is in error (see Pasqui’s
                                        Catalogue G, no. 2 and no. 4, in Frischer <ptr
                                            target="div4_c13.1.12.1" type="txt" n="G.1.12"/>) and
                                        that this pipe was found somewhere in rooms 44, 47, 48, 49,
                                        or 51. For the drain of room 34 see <hi1 rend="italic"
                                        >α</hi1>. </cell>
                                </row>
                                <row>
                                    <cell>
                                        <hi1 rend="italic">c)</hi1>
                                    </cell>
                                    <cell>Three fragments of the same <hi1 rend="italic"
                                        >fistula</hi1>, one of which has the inscription C IULIUS
                                        PRISCUS FEC, found inside the east wall of building 53,
                                        connected to the drain <hi1 rend="italic">p2</hi1> (Lugli,
                                        cols. 581-582; inv. SAL 00403241). </cell>
                                </row>
                                <row>
                                    <cell>
                                        <hi1 rend="italic">d)</hi1>
                                    </cell>
                                    <cell>Fragment of small <hi1 rend="italic">fistula</hi1>, which
                                        formed the last part of the drainage conduit of the
                                        so-called <hi1 rend="italic">impluvium</hi1> (Lugli, col.
                                        582). </cell>
                                </row>
                                <row>
                                    <cell>
                                        <hi1 rend="italic">e)</hi1>
                                    </cell>
                                    <cell>Fragment of <hi1 rend="italic">fistula</hi1> (diameter 7.5
                                        cm), at the end of which is fastened another <hi1
                                            rend="italic">fistula</hi1> (diameter 3 cm), found
                                        probably not <hi1 rend="italic">in situ</hi1> (Lugli, col.
                                        582). </cell>
                                </row>
                                <row>
                                    <cell>
                                        <hi1 rend="italic">f)</hi1>
                                    </cell>
                                    <cell>Drain conduit, in masonry of unworked rough limestone; the
                                        covering is ribbed with a series of brick arches; most
                                        likely it was rebuilt during the life of the villa. </cell>
                                </row>
                                <row>
                                    <cell>
                                        <hi1 rend="italic">g)</hi1>
                                    </cell>
                                    <cell>Arch on the inside of the wall; corresponds to the exit
                                        point of conduit <hi1 rend="italic">f</hi1> in phase I (cf.
                                            <hi1 rend="bold">fig. 10</hi1> and <ptr
                                            target="div4_c10.1.2.3" type="txt" n="D.1.2.2"/>, no.
                                        8). </cell>
                                </row>
                                <row>
                                    <cell>
                                        <hi1 rend="italic">h)</hi1>
                                    </cell>
                                    <cell>Drain conduit in masonry; constitutes the connecting
                                        stretch between <hi1 rend="italic">f </hi1>and <hi1
                                            rend="italic">i</hi1>, constructed when <hi1
                                            rend="italic">f</hi1> could no longer issue forth via
                                            <hi1 rend="italic">g</hi1>. </cell>
                                </row>
                                <row>
                                    <cell>
                                        <hi1 rend="italic">i)</hi1>
                                    </cell>
                                    <cell>Drain conduit in masonry; constitutes the main axis on the
                                        line of the natural <hi1 rend="italic">compluvium</hi1>, on
                                        the outside of the so-called perimeter wall. In the first
                                        phase, it probably extended northward and joined tract <hi1
                                            rend="italic">f</hi1> at the point <hi1 rend="italic"
                                        >g</hi1>. </cell>
                                </row>
                                <row>
                                    <cell>
                                        <hi1 rend="italic">j)</hi1>
                                    </cell>
                                    <cell>Limestone paver with outflow hole for draining water into
                                        drain <hi1 rend="italic">f</hi1>; perhaps gathered the
                                        discharge from a downpipe. </cell>
                                </row>
                                <row>
                                    <cell>
                                        <hi1 rend="italic">k)</hi1>
                                    </cell>
                                    <cell>Outflow hole of the brick fountain of Area 8, for
                                        discharging into the sewer <hi1 rend="italic">f</hi1>.
                                    </cell>
                                </row>
                                <row>
                                    <cell>
                                        <hi1 rend="italic">l)</hi1>
                                    </cell>
                                    <cell>Drain conduit in masonry, covered <hi1 rend="italic">a
                                            cappuccina</hi1>; constitutes the outflow for basin 42;
                                        probably received also the discharge from room 41 (of a <hi1
                                            rend="italic">labrum</hi1>?, cf. <hi1 rend="italic"
                                        >w</hi1>) and also perhaps of those rooms directly to the
                                        south, to then discharge itself into the main conduit <hi1
                                            rend="italic">i</hi1>. </cell>
                                </row>
                                <row>
                                    <cell>
                                        <hi1 rend="italic">m)</hi1>
                                    </cell>
                                    <cell>Drain conduit in masonry, covered <hi1 rend="italic">a
                                            cappuccina</hi1>; used as outflow pipe for tank 37; it
                                        originally served the so-called Republican <hi1
                                            rend="italic">atrium</hi1> (see Camaiani et al., <ptr
                                            target="div4_c09.5.2.2" type="txt" n="C.5.1.1"/>,
                                        activity 3). </cell>
                                </row>
                                <row>
                                    <cell>
                                        <hi1 rend="italic">n)</hi1>
                                    </cell>
                                    <cell>L-shaped drain conduit in masonry, relating to the outflow
                                        system of the latrine. Heavily restored. </cell>
                                </row>
                                <row>
                                    <cell>
                                        <hi1 rend="italic">o)</hi1>
                                    </cell>
                                    <cell>Drain conduit in masonry; constitutes the outflow for the
                                        pool 25, with which it is connected by way of a drainage
                                        sump. It follows the natural slope of the terrain, thereby
                                        reaching the main conduit <hi1 rend="italic">i</hi1>
                                        obliquely, into which it flows. </cell>
                                </row>
                                <row>
                                    <cell>
                                        <hi1 rend="italic">p)</hi1>
                                    </cell>
                                    <cell>
                                        <table border="0">
                                            <row>
                                                <cell>1. </cell>
                                                <cell>Small conduit, triangular in cross-section,
                                                  incorporated into the south <hi1 rend="italic"
                                                  >avant-corps</hi1> of building 53. It is
                                                  possible that it held a small <hi1 rend="italic"
                                                  >fistula</hi1>. It presumably emptied into
                                                  drain <hi1 rend="italic">q</hi1>.</cell>
                                            </row>
                                            <row>
                                                <cell>2. </cell>
                                                <cell>Lugli refers to a rectangular hole for the
                                                  outflow, positioned lower down than <hi1
                                                  rend="italic">p1</hi1>, to the east in the
                                                  corner between the south <hi1 rend="italic"
                                                  >avant-corps</hi1> and the elliptical wall.
                                                  <hi1 rend="italic">Fistula c</hi1> must have
                                                  flowed into <hi1 rend="italic">p2</hi1> (Lugli,
                                                  cols. 553 and 582). No trace of it remains.
                                                </cell>
                                            </row>
                                            <row>
                                                <cell>3. </cell>
                                                <cell>Lugli also mentions a hole (for clean water?)
                                                  in front of the north <hi1 rend="italic"
                                                  >avant-corps</hi1> (Lugli, col. 553). No
                                                  trace of it remains. </cell>
                                            </row>
                                        </table>
                                    </cell>
                                </row>
                                <row>
                                    <cell>
                                        <hi1 rend="italic">q)</hi1>
                                    </cell>
                                    <cell>Drain conduit in masonry; took the outflow from building
                                        53 and presumably continued until it joined up with the main
                                        conduit <hi1 rend="italic">i</hi1>. Lugli remarks that this
                                        conduit was covered <hi1 rend="italic">a cappuccina</hi1>
                                        (Lugli, col. 549, n1, letter <hi1 rend="italic">p</hi1> of
                                        his attached plan. There are, however, errors in the
                                        attribution of the letters). </cell>
                                </row>
                                <row>
                                    <cell>
                                        <hi1 rend="italic">r)</hi1>
                                    </cell>
                                    <cell>Recess for a conduit, presumably a <hi1 rend="italic"
                                            >fistula</hi1>, which runs on the outside of the north
                                        side of building 53. It is difficult to establish whether it
                                        is a water-supply pipe or a drainpipe. </cell>
                                </row>
                                <row>
                                    <cell>
                                        <hi1 rend="italic">s)</hi1>
                                    </cell>
                                    <cell>Small channel bringing water for room 34 (see Camaiani et
                                        al., <ptr target="div4_c09.5.3.2" type="txt" n="C.5.2.1"/>,
                                        activity 19). </cell>
                                </row>
                                <row>
                                    <cell>
                                        <hi1 rend="italic">t)</hi1>
                                    </cell>
                                    <cell>Fragment of <hi1 rend="italic">fistula</hi1> relating to
                                        the system for bringing water to basin 37 (see Camaiani et
                                        al., <ptr target="div4_c09.5.3.2" type="txt" n="C.5.2.1"/>,
                                        activity 11, SU 457). Perhaps connected to the fragment
                                        further west (SU 347; but cf. also <hi1 rend="italic"
                                        >u</hi1>). </cell>
                                </row>
                                <row>
                                    <cell>
                                        <hi1 rend="italic">u)</hi1>
                                    </cell>
                                    <cell>Stretch of lead <hi1 rend="italic">fistula</hi1> (VH 085,
                                        086, 087; inv. SAL 114587, 114588, 114589) composed of three
                                        separate elements soldered together for a total length of
                                        ca. 5.20 m. One of the tubes has a joint for another
                                        emission channel (see Camaiani et al., <ptr
                                            target="div4_c09.5.5.2" type="txt" n="C.5.4.1"/>,
                                        activity 34, SU 241). We cannot exclude the possibility that
                                        the fragment of SU 347 should be attributed to this conduit,
                                        and not to t. </cell>
                                </row>
                                <row>
                                    <cell>
                                        <hi1 rend="italic">v)</hi1>
                                    </cell>
                                    <cell>Stretch of lead <hi1 rend="italic">fistula</hi1> (VH 121,
                                        122, 207, 208, 209, 210; inv. SAL 114585, 114590, 114591,
                                        114546, 114547, 114548) composed of five parts soldered
                                        together, plus fragments, for a total length of more than 6
                                        m (see Camaiani et al., <ptr target="div4_C09.5.3.2"
                                            type="txt" n="c.5.2.1"/>, activity 12, SU 331 and 240,
                                        and <ptr target="div3_c09.5.8" type="txt" n="C.5.7"/>, SU
                                        355). There are on all five identical inscriptions (C -
                                        IULIUS - PRISCUS - F), after one of which is the indication
                                        III. </cell>
                                </row>
                                <row>
                                    <cell>
                                        <hi1 rend="italic">w)</hi1>
                                    </cell>
                                    <cell>Marble paver, with central outflow hole in the form of
                                        stylized petals. </cell>
                                </row>
                                <row>
                                    <cell>
                                        <hi1 rend="italic">x)</hi1>
                                    </cell>
                                    <cell>Hypothetical conduit, which crosses the east <hi1
                                            rend="italic">avant-corps</hi1> of room 33 and joins the
                                        main drain <hi1 rend="italic">i</hi1>. Perhaps connected
                                        with the passage of a <hi1 rend="italic">fistula</hi1> along
                                        the east side of room 33, attested by the offset along the
                                        east wall, and by a protected passage in the east embrasure
                                        of the apse. </cell>
                                </row>
                                <row>
                                    <cell>
                                        <hi1 rend="italic">y)</hi1>
                                    </cell>
                                    <cell>Stretch of lead <hi1 rend="italic">fistula</hi1>, <hi1
                                            rend="italic">in situ</hi1>, under the mosaic floor of
                                        room 16. </cell>
                                </row>
                                <row>
                                    <cell>
                                        <hi1 rend="italic">z)</hi1>
                                    </cell>
                                    <cell>Fragment of lead <hi1 rend="italic">fistula</hi1>, <hi1
                                            rend="italic">in situ</hi1>, preserved under the wall
                                        MSU 10019 and set into a stone block, probably a threshold
                                        slab. Perhaps to be attributed to conduit u coming from the
                                        north. </cell>
                                </row>
                                <row>
                                    <cell>
                                        <hi1 rend="italic">α) </hi1>
                                    </cell>
                                    <cell>Fragment of lead, <hi1 rend="italic">in situ</hi1>,
                                        partially covered by <hi1 rend="italic">cocciopesto</hi1>,
                                        beside a drain conduit; southeast corner of room 34, flowing
                                        into <hi1 rend="italic">i</hi1>. </cell>
                                </row>
                            </table></p>
                    </div4>
                    <div4 id="div4_c10.1.3.8" type="section">
                        <head>
                            <bibl type="title">D.1.3.7. The identification of the phases </bibl>
                        </head>
                        <p id="p_528" n="528">Like any architectural complex, the so-called Horace’s
                            Villa underwent a series of transformations through the ages, with
                            additions and rebuilding of what already existed. The scant masonry
                            remains and the modern reconstructive restorations severely limit our
                            ability to reach an interpretation that explains in detail the sequence
                            of these changes. In spite of that, we have attempted to develop a plan
                            that shows the principal phases of activity on the site, even if it is
                            not always possible to relate all the diverse elements to one another.
                            The following observations are based on the stratigraphical data, where
                            available, as well as on structural and functional considerations. We
                            also refer to all earlier analyses, both of the documentary material and
                            of the physical remains, in an effort to offer a synthesis of the
                            conclusions reached. </p>
                        <p id="p_529" n="529"> The occupation of the site in antiquity is attested
                            from the fourth and third centuries B.C., as some residual material from
                            the lower strata of the excavation in Sector IV.2 demonstrates. It is
                            possible that these finds were washed into this particular zone. The
                            site rises on the saddle of a hill and is characterized by various
                            differences in level: a predominant and constant slope that descends
                            from north to south; a slope that slants gradually from east to west;
                            and a more accentuated slope from west to east. The point at which these
                            last two join, on an east-west axis, constitutes the natural meeting
                            point for the draining of surface water and coincides almost exactly
                            with the west side of the quadriporticus. This difference in level
                            diminishes to the south. </p>
                        <p>
                            <hi1 rend="bold">Period I </hi1>
                        </p>
                        <p id="p_530" n="530">At the site, the first constructions that we have any
                            knowledge of can be classified in three distinct groups, which, in their
                            present state, appear to have no relationship to each other. It is
                            difficult to give an overall picture of the first phase of the life of
                            the building, which cannot even be described as such, and therefore the
                            structures in question are here indicated generally as “pre-existences”
                                (<hi1 rend="bold">fig. 21</hi1>). We lack further deep excavation
                            data, especially under the residential block as it is visible today,
                            which could supply valuable clues as to the design of the first
                            building. We can recognize, however, that the elements identified point
                            to a commitment to build a structure of substance. Referring to the plan
                            we can see these features marked and can address some of them in detail.
                                <table border="0">
                                <row>
                                    <cell>&bullet;</cell>
                                    <cell>The long wall in <hi1 rend="italic">opus incertum</hi1>
                                        (MSU 10068 and 10080), of which only a few centimeters
                                        survive, later was reused and in part overbuilt with an
                                        analogous wall in <hi1 rend="italic">opus reticulatum</hi1>.
                                        In the first phase of settlement, it could only have served
                                        as an enclosing wall, as there is no data to enable us to
                                        relate it to porticoed structures. </cell>
                                </row>
                                <row>
                                    <cell>&bullet;</cell>
                                    <cell>The remains found underneath room 12 and belonging to a
                                        basin that was adapted to the natural slope, as the
                                        terracing at that point had not yet been created. </cell>
                                </row>
                                <row>
                                    <cell>&bullet;</cell>
                                    <cell>The group of structures to the west that were subsequently
                                        incorporated into the thermal buildings; in addition to the
                                        Republican <hi1 rend="italic">atrium</hi1>, we must note
                                        other structures in <hi1 rend="italic">opus incertum
                                        </hi1>(MSU 10004 and MSU 10006, cf. <hi1 rend="bold">figs.
                                            56-58</hi1> and <hi1 rend="bold">42-43</hi1>), which can
                                        hardly be attributed to the later interventions. Also to be
                                        considered as “pre-existences” are the fragment of flooring
                                        in <hi1 rend="italic">opus spicatum</hi1> to the east of MSU
                                        10004 and the threshold slab subsequently obliterated by the
                                        later MSU 10019. </cell>
                                </row>
                            </table></p>
                        <p id="p_531" n="531">For all of these structures, which were not
                            necessarily built at the same time, an indicative chronological span,
                            which runs from the end of the second century B.C. through the entire
                            first century B.C., can be proposed. </p>
                        <p>
                            <hi1 rend="bold">Period II</hi1>
                        </p>
                        <p id="p_532" n="532">The phase that received most attention during the
                            excavations of 1911-1914 was undoubtedly the one regarded as being
                            Horatian, a simplification due to the presence of masonry in <hi1
                                rend="italic">opus reticulatum</hi1>. Because of the modern
                            demolitions and reconstructions, however, the first feature identifiable
                            in its entirety is the large elongated rectangle created by the
                            construction of the residential block and of the quadriporticus that
                            surrounds the garden (<hi1 rend="bold">fig. 22</hi1>). It should be
                            recalled that its image, too, is partly altered in view of the now
                            certain extension of the masonry walls northward. There was considerable
                            building activity at this time, correcting the slope on the side to the
                            north and thereby creating the terrace of the living quarters. In the
                            garden and in the quadriporticus, levels were raised as well. In the
                            garden the large pool 25 was created, which, while not datable, can
                            plausibly be included in this phase. </p>
                        <p id="p_533" n="533">At this time, it is probable that Area 8 of the
                            residential zone had a peristyle, with an arrangement of the spaces
                            different from what we see today (<hi1 rend="bold">fig. 23</hi1>).<ptr
                                target="nt_c10.1.n69" n="69"/> The living quarters must have already
                            had a drain, which was linked to the main system, emerging on the
                            outside of the perimeter near room 21. It is probable that the residence
                            had an upper floor. The location of the entrance is not known, but it
                            could have been either on the north side, of which we know nothing, or
                            more likely, near the present northeast corner, by rooms 26 and 27. In
                            this case, there would be two visual axes and circulation routes set at
                            right angles, a feature that is well-attested to in other complexes
                                (<hi1 rend="bold">fig. 24</hi1>).<ptr target="nt_c10.1.n70" n="70"/>
                            The fact that these rooms (26-27), which presumably served as an
                            entrance, jut out in relation to the compact and regular rectangle, is
                            not an obstacle to such an interpretation, especially if we take into
                            account the fact that there may have been a modification during the
                            construction. More problematic is the fact that we know very little
                            about these original masonry structures; even if we accept the
                            indications of the restoration and of the mosaic floors <hi1
                                rend="italic">in situ</hi1>, we still must use great caution in
                            formulating such a hypothesis about the entrance in this phase. The
                            dating of this work can only be tentative, as there is absolutely no
                            stratigraphic data, and can therefore only be guardedly attributed to a
                            chronological span that extends from the Augustan age through the end
                            first century A.D. </p>
                        <p>
                            <hi1 rend="bold">Period III</hi1>
                        </p>
                        <p id="p_534" n="534">The intervention that immediately followed consists of
                            the addition of the first thermal complex with rooms 32-34 (<hi1
                                rend="bold">fig. 25</hi1>) and the consequent adaptations to the
                            inside of the residential rectangle (definition of the rooms 19-21?;
                            deviation of the drainage conduit; creation of portico 35). The later
                            date of the structures 32-34 in relation to the living quarters is not
                            proven by the building techniques used, but by the stratigraphic
                            relationships, the planimetric arrangement, and the hypothetical
                            presence of other features from the same phase as the residential block.
                            The use of brick by itself is not a sufficient indicator of a distinct
                            phase, whereas the determining factor is the stratigraphic relationship
                            between walls. In fact, the east wall of the <hi1 rend="italic"
                                >calidarium</hi1> 33 (MSU 10002, in trimmed roof-tile brickwork) was
                            built right up against the west perimeter wall of the villa. This
                            additional wall covers not only the facing, but also the foundation of
                            the perimeter wall, because in order to build room 33, the level had to
                            be lowered to accommodate the hypocaust system. Exposed foundations, in
                            fact, very often indicate a different phase or a change in the planned
                            project <hi1 rend="italic">post operam</hi1>. </p>
                        <p id="p_535" n="535">Furthermore, we cannot ignore the very position of the
                            group of buildings that undoubtedly project forward from the compact
                            block created by the quadriporticus and residence. Prime consideration
                            must also be given to the arch that opened in the foundation of the west
                            perimeter wall (cf. fig. 10 and <ptr target="div4_c10.1.2.3" type="txt"
                                n="D.1.2.2"/>, no. 8). This was the point where the drain conduit
                            first exited the quadriporticus-residence rectangle, running alongside
                            the wall for its whole length. The incorporation of rooms 32-34, with
                            the required lowering of the level, made it necessary to re-route the
                            drain to the inside for some distance. It then exited immediately to the
                            south of room 34. The constant and almost exclusive use of roof-tiles in
                            the brick facings of this period is indicative of a dating no later than
                            the middle of the first century A.D.<ptr target="nt_c10.1.n71" n="71"/>
                        </p>
                        <p id="p_536" n="536">Perhaps the great <hi1 rend="italic">frigidarium</hi1>
                            (37-40) was built only shortly afterwards, as an addition to the first
                            thermal complex, exploiting the pre-existing structure of the Republican
                                <hi1 rend="italic">atrium</hi1>, with a considerable raising of the
                            level. It is impossible to say whether the other important works were
                            carried out at the villa at the same time; in the absence of reciprocal
                            relationships, they can only be considered as belonging to one period,
                            without division into sub-phases, that extends from the middle of the
                            first century A.D. to the middle of the second century A.D. </p>
                        <p id="p_537" n="537">There was then (phase IIIB?, <hi1 rend="bold">fig.
                            26</hi1>) a further extension of the thermal complex to the south, with
                            an arrangement of heated chambers, architecturally notable (cf. the <hi1
                                rend="italic">laconicum</hi1>).<ptr target="nt_c10.1.n72" n="72"/>
                            At this point, there were two complete thermal complexes, which could
                            have functioned simultaneously and independently.<ptr
                                target="nt_c10.1.n73" n="73"/> The higher level of the suspended
                            floors, required by the additions to the bath complex, produced another
                            terrace on the west, more or less at the same level as the residential
                            block. </p>
                        <p id="p_538" n="538">At this time, the residence was altered by the
                            addition, in Area 8, of a monumental fountain <hi1 rend="italic">da
                                centro</hi1>, which completely changed the appearance of this zone.
                            The features built in the east wing of the quadiporticus are also to be
                            attributed to this period, probably for structural reasons and not just
                            aesthetic ones, with the addition of a fountain (or some scenographic
                            setting), whose center is perfectly aligned with the axis of the <hi1
                                rend="italic">piscina</hi1> of the garden. </p>
                        <p>
                            <hi1 rend="bold">Period IV</hi1>
                        </p>
                        <p id="p_539" n="539">The last phases of the life of the villa cannot be
                            analyzed in detail, except where the stratigraphy is preserved (see
                            Camaiani et al., <ptr target="div4_c09.5.4.1" type="txt" n="C.5.3"/>,
                            their Periods III-V). New construction becomes less frequent (<hi1
                                rend="bold">fig. 27</hi1>), and there is almost always an attempt to
                            readapt an existing building according to the needs of the moment.
                            Materials from the earlier structures are reused, the thermal complexes
                            fall into disuse, and the suspended floors are wholly or partly
                            dismantled, resulting in the creation of new rooms on new foundations.
                            The modern partial demolitions, undertaken in order to uncover the
                            presumed Horatian phase, render the layout and the stratigraphic
                            sequence of these new phases of the life of the villa almost
                            unidentifiable. As it is now, the residential area does not offer any
                            elements attributable to these later stages, when some parts were even
                            used for burials (from the fourth century onward). The <hi1
                                rend="italic">laconicum</hi1>, which after a period of abandonment
                            was perhaps the most serviceable building remaining, was probably reused
                            as a small church, in which was created a crypt, designed for burials
                            and reached by way of the old service corridor of the hypocaust.<ptr
                                target="nt_c10.1.n74" n="74"/>
                        </p>
                        <p>
                            <hi1 rend="bold">Conclusions</hi1>
                        </p>
                        <p id="p_540" n="540">In spite of the minuscule quantity of the remains it
                            is still possible to attempt to sketch some outlines of the plan, at
                            least for the first phase of an architectural complex that can be
                            evaluated as a single unit.<ptr target="nt_c10.1.n75" n="75"/> If we
                            include in our calculations its north side, that of the so-called
                            veranda, the quadriporticus forms a rectangle of ca. 290 x 145 Roman
                            feet; the proportion of 2 to 1, between the length and the width of the
                            porticoed rectangle around the garden, is evident and the garden is
                            therefore formed of two squares.<ptr target="nt_c10.1.n76" n="76"/> In
                            reality, the proportions of the quadriporticus were slightly modified
                            during the carrying out of the project; the south wing is 3 meters
                            shorter than its northern counterpart. This situation was evidently
                            created by the deviation of the east wing, which was almost certainly
                            caused by the terrain that required the modification of the plan in the
                            course of building. </p>
                        <p id="p_541" n="541">The module of the “two squares” also constitutes a
                            guideline for the incorporation of the large pool 25. The south wall of
                            the <hi1 rend="italic">piscina</hi1> is set along the median latitudinal
                            axis of the quadriporticus. A visual axis is also identifiable on the
                            east-west median of the <hi1 rend="italic">piscina</hi1>, which
                            coincides perfectly with that of the fountain incorporated into the east
                            wing of the quadriporticus. It is more difficult to establish the
                            internal relationships for the living quarters, because, as we have
                            seen, we do not know for certain the extent of the space it occupied. We
                            could perhaps hypothesize that it occupied the module of one square
                            (namely, ca. 145 x 145 Roman feet).<ptr target="nt_c10.1.n77" n="77"/>
                        </p>
                    </div4>
                </div3>
                <div3 id="div3_c10.1.4" type="section">
                    <head>
                        <bibl type="title">D.1.4. Appendix 1. Typology of Masonry Attested to on the
                            Site </bibl>
                    </head>
                    <p id="p_542" n="542">The variety of building techniques adopted at the Licenza
                        villa, as elsewhere, cannot be taken as evidence of the structure’s
                        different building phases, nor can it in itself be a necessary and
                        sufficient basis upon which to establish an absolute chronology. A prominent
                        factor in the choice of a building technique is determined by the function
                        of the structure to be built, especially where some building materials, such
                        as brick, cost more than the stone that is locally available. Hence, outside
                        of the city of Rome brick is not used as nonchalantly and indiscriminately
                        as it might be, without economic consequence, in the <hi1 rend="italic"
                        >Urbs</hi1> itself. On the contrary, in situations where there are no
                        particular requirements, it is often the quality of the material more easily
                        available that determines the choice of masonry type. Another important
                        factor is the technical skill of the craftsmen and how up-to-date they are
                        with their craft. </p>
                    <p id="p_543" n="543">In our case, the materials used most frequently are the
                        local limestone and the stone called <hi1 rend="italic"
                            >cardellino</hi1>.<ptr target="nt_c10.1.n78" n="78"/> Bricks appear in
                        smaller quantities, evidently employed for particular structures. This is
                        indirectly confirmed by the walls that have different facings on their two
                        sides, which were built in this way to respond both to functional
                        requirements and to the need to contain costs. The tufa used at the villa
                        merits separate treatment. It was particularly friable and therefore is
                        poorly preserved, but it is attested to in various parts of the <hi1
                            rend="italic">opus reticulatum</hi1> structures.<ptr
                            target="nt_c10.1.n79" n="79"/> Moreover, as is seen elsewhere, in the
                        case of sites that have a long and continuous occupation and are subject to
                        dramatic remodeling, material becomes available from demolitions, and this
                        material, even if it is not always of high quality, is nevertheless reused
                        when necessary.<ptr target="nt_c10.1.n80" n="80"/>
                    </p>
                    <p id="p_544" n="544">The foundations, where they can be analyzed, prove to have
                        been built directly against the baulk of the construction trench,<ptr
                            target="nt_c10.1.n81" n="81"/> generally with stones of small and medium
                        size set in mortar, earth, clay, or lime. Usually they conformed to the
                        natural slope (e.g., MSU 4215); sometimes they are stepped (e.g., the
                        foundation of MSU 10008). In the residential block, in at least one case,
                        the foundations were built above ground, from a certain level upward, with a
                        facing of stones of medium and large size. The slight declivity was
                        regularized by using a fill to level it.<ptr target="nt_c10.1.n82" n="82"/>
                    </p>
                    <p id="p_545" n="545">In the Licenza villa, <hi1 rend="italic">opus
                        reticulatum</hi1> has been read by previous scholars as a clear indication
                        of a Horatian date, but it is necessary to stress that this is a
                        simplification. This technique is often assigned exclusively to the Augustan
                        age, but it must be remembered that it was in use at least from the end of
                        the second century B.C. to the second century A.D., varying in chronology
                        and intensity of use from one geographical area to another. In the case at
                        hand, we find ourselves in a region where the technique was widely used.<ptr
                            target="nt_c10.1.n83" n="83"/>
                    </p>
                    <p id="p_546" n="546">There is no doubt that the various types of building
                        techniques can be broad dating elements,<ptr target="nt_c10.1.n84" n="84"/>
                        but since each was used over a relatively long period of time, they cannot
                        offer the kind of precise dating needed to establish an absolute chronology.
                        This can only be obtained in the cases in which archaeological stratigraphy
                        has furnished reliable evidence.<ptr target="nt_c10.1.n85" n="85"/> In
                        addition, the presence of different techniques does not indicate
                        unequivocally distinct phases, because the choice of technique might have
                        been dictated by structural and functional considerations. It is important,
                        therefore, to seek to identify precisely which conditions have led to the
                        adoption of a particular building technique and how they have affected the
                        life of the building. Unfortunately, in the case of Horace’s Villa, as we
                        have already seen, the masonry remains, destroyed and then heavily
                        supplemented by restorations, rarely permit such readings. </p>
                    <p id="p_547" n="547">A relative chronology and an approximate absolute
                        chronology can only be based on a method that combines stratigraphy,
                        building techniques, architectural planning solutions, functional
                        necessities, architectonic features, fittings, and installations. It would
                        be methodologically unsound to derive a date from data provided by only one
                        of these approaches. </p>
                    <p id="p_548" n="548">Thus, the typology that follows is not intended as a
                        chronological sequence; its purpose is simply to demonstrate the variety of
                        solutions used and the close association of some of them with various
                        structural and functional requirements. In some cases, of course, a
                        difference in building technique does coincide with a difference in building
                        phase. </p>
                    <p id="p_549" n="549">Finally, it should be emphasized that only in a very few
                        instances has it been possible to examine the tops and sections of
                        structures, because they were generally covered during restoration with a
                        protective coping. </p>
                    <p>
                        <hi1 rend="bold">1.</hi1>
                        <hi1 rend="bolditalic">Opus Incertum</hi1>
                    </p>
                    <p id="p_550" n="550">The use of this technique is encountered in several parts
                        of the site: on two of the perimeter walls of the villa; in rooms 38-39-40;
                        in fragments of walls in the area of the bath complex; in a foundation
                        structure built above ground with a facing; and on the small walls of a
                        basin. The last two examples, strictly speaking, should not in fact be
                        included in this category, because they are generally built with stone and
                        mortar, which could better be simply described as <hi1 rend="italic">opus
                            caementicium</hi1>. For rooms 38-39-40 it is possible to hypothesize, at
                        least tentatively, that the structures were built in <hi1 rend="italic">opus
                            incertum</hi1> only up to a certain quota and that the upper part of the
                        elevation was made in a perishable material (e.g., wood and clay). </p>
                    <p>
                        <hi1 rend="bold">1.1.</hi1>
                        <hi1 rend="bolditalic">Opus Incertum</hi1>
                        <hi1 rend="bold">with Limestone Facing</hi1>
                    </p>
                    <p id="p_551" n="551">
                        <list>
                            <item>MSU 10068=4007; 4202 (<hi1 rend="bold">figs. 28</hi1> and <hi1
                                    rend="bold">29</hi1>)</item>
                            <item>Areas 23, 36. Sectors IV.1 and IV.2</item>
                            <item>Maximum visible height: ca. 0.65 m; thickness: 0.55 m</item>
                        </list> This is the lower portion of the long external wall of the western
                        arm of the quadriporticus, running north-south. The east face is almost
                        completely hidden below the present surface level and obliterated by another
                        foundational structure (MSU 4203, at least from what can be inferred from
                        the excavation of Sector IV.2); only in the northern section is a part
                        preserved that is still visible, on which remain some tracts of red plaster.
                        In contrast, the west face is uncovered. The stones are small (6-11 x 8-16
                        cm) and are made of local limestone. They were carefully chosen or hewn in
                        the form of a wedge, and laid with a certain regularity, inclined and on
                        edge. One can observe that close attention was devoted to the joins, which
                        were given a special finish after installation, being smoothed over with a
                        whitish mortar and concave (at least in the area that preserves them, i.e.,
                        Sector IV.2). This was apparently done to improve the quality of the wall,
                        filling in voids and presumably facilitating the adhesion of the plaster. </p>
                    <p id="p_552" n="552">The wall follows the sloping course of foundation 4215 and
                        it is overbuilt by MSU 10056. Its western face is abutted by the buttress
                        piers (10061, <hi1 rend="italic">vel sim</hi1>.). </p>
                    <p id="p_553" n="553">Mortar of good quality (CM 99/29, 35, 60). </p>
                    <p id="p_554" n="554">The construction is datable on the basis of stratigraphic
                        data to not before the first century B.C. </p>
                    <p id="p_555" n="555">Other MSU: 10080 (cf. <hi1 rend="bold">fig. 14</hi1>);
                        10006 (cf. <hi1 rend="bold">figs. 42-43</hi1>); and cf. 10004 (type 5.1,
                            <hi1 rend="bold">figs. 56-58</hi1>). </p>
                    <p>
                        <hi1 rend="bold">1.2.</hi1>
                        <hi1 rend="bolditalic">Opus Incertum</hi1>
                        <hi1 rend="bold">in Limestone with Some Facing Blocks of</hi1>
                        <hi1 rend="bolditalic">Opus Reticulatum</hi1>
                    </p>
                    <p id="p_556" n="556"><list>
                            <item>MSU 10014 (=620), 10016 (=420, 802), 10017 (=623, 652), 10045
                                (=845) (<hi1 rend="bold">figs. 30</hi1> and <hi1 rend="bold"
                                >31</hi1>)</item>
                            <item>Rooms 38-39-40. Sectors I.3, I.4, I.5, I.6, I.7</item>
                            <item>Maximum visible height: 0.35-0.90 m; thickness: 0.60 m</item>
                        </list> For MSU 10014 and 10017, only the face toward the interior of the
                        room can be analyzed. These are structures in <hi1 rend="italic">opus
                            incertum</hi1> made of limestone chunks that are of small and medium
                        dimensions (7-12 cm x 15-20 cm), installed more or less in horizontal
                        courses and perhaps consisting in part of reused material. Small rectangular
                        parallelepiped blocks (8-11 cm x 20-24 cm) are also found. Characteristic of
                        the walls is the fact that they have a band of reticulate facing blocks
                        (7-10 cm x 7-10 cm) laid horizontally, to signal the point at which the wall
                        elevation begins. MSU 10017 is an exception. It limits the room on the east
                        and does not exhibit this feature, although it was built at the same time as
                        the other walls. But in this case, too, the stones of the first course have
                        been set horizontally, and one shows signs of having been cut on site rather
                        than in the quarry (<hi1 rend="bold">fig. 32</hi1>). The foundation of MSU
                        10016, the only one that could be analyzed (MSU 878), consists of small
                        chips of limestone. It reveals the imprint of the planks, at least in one
                        place, which demonstrate the presence of a form within the construction
                        trench (<hi1 rend="bold">fig. 33</hi1>). The binding agent used was of poor
                        quality and has an earthy (clayey?) matrix, so that it is perhaps incorrect
                        to call it mortar. </p>
                    <p id="p_557" n="557">The walls delimit a room with a central <hi1 rend="italic"
                            >impluvium</hi1> with piers (cf. MSU 10041), the construction of which
                        is datable on the basis of stratigraphy to the late Republican period. </p>
                    <p id="p_558" n="558">The structures present an elevation in small blocks of
                        limestone and <hi1 rend="italic">cardellino</hi1> that can be associated
                        with various building phases and are only partly attributable to restoration
                        interventions. </p>
                    <p>
                        <hi1 rend="bold">1.3. </hi1>
                        <hi1 rend="bolditalic">Opus Incertum</hi1>
                        <hi1 rend="bold">with Medium to Large Stones of Limestone and</hi1>
                        <hi1 rend="bolditalic">Cardellino</hi1>
                    </p>
                    <p id="p_559" n="559"><list>
                            <item>MSU 10078 (=3125) (<hi1 rend="bold">fig. 34</hi1>)</item>
                            <item>Room 12. Sector III.12</item>
                            <item>Maximum visible height: 0.70 m; maximum visible length 1.86 m;
                                thickness: not determinable. Only the northern face has been
                                analyzed.</item>
                        </list>This is a foundation structure, partially faced, resting on a
                        foundation built directly against the baulk of the construction trench (MSU
                        3127). MSU 10078 (=3125) is composed of selected stones, not worked, of
                        medium to large size (10-15 cm x 15-20 cm; 40-45 cm x 15-22 cm), positioned
                        quite irregularly. The binding is a yellowish eroded mortar of poor quality.
                        Many small shims are present, and in the interface with the foundation
                        footing a roof-tile fragment is visible. This structure, at present heavily
                        restored (CM 01/09), was presumably meant to be buried, serving to level the
                        slope as part of the terracing of the residence block. In the absence of
                        stratigraphic data it is impossible to confirm with certainty that it did
                        not have an independent phase as a free-standing, raised wall, which was
                        later reused as a foundation structure. From the point of view of relative
                        chronology, it falls after the structures MSU 10074 and 10075. </p>
                    <p>
                        <hi1 rend="bold">1.4. </hi1>
                        <hi1 rend="bolditalic">Opus Incertum</hi1>
                        <hi1 rend="bold"> (?) in Stone and Mortar</hi1>
                    </p>
                    <p id="p_560" n="560"><list>
                            <item>MSU 10074 (=3107), 10075 (=3123) (<hi1 rend="bold">fig. 35</hi1>)</item>
                            <item>Room 12. Sector III.12</item>
                            <item>Maximum visible height: 0.79 m; maximum visible length: 2.08 m;
                                thickness: 0.39 m</item>
                        </list>One side having been built against the baulk of the construction
                        trench (<hi1 rend="italic">controterra</hi1>), it is not possible to analyze
                        the only facing of these walls, because it is coated with <hi1 rend="italic"
                            >cocciopesto</hi1>. Thus, it is possible that they are simply <hi1
                            rend="italic">opus caementicium</hi1> walls, without any kind of proper
                        facing. </p>
                    <p id="p_561" n="561">These two small walls, only partially visible, belong to a
                        basin. From the top and from the gaps in the <hi1 rend="italic"
                        >cocciopesto</hi1> one can identify a non-regular facing. The stones (small
                        to medium dimensions) are irregular and do not present evidence of having
                        been worked. They prove to have been flattened more or less into horizontal
                        layers in a mortar that is thick, grayish and fairly strong (CM 01/05). </p>
                    <p id="p_562" n="562">These walls constitute one of the first known structures
                        on the site, dating to the late Republican period and later obliterated by
                            <hi1 rend="italic">opus reticulatum</hi1> structures. Structure 10075
                        seems to have been already subjected to restoration in antiquity (CM 01/12). </p>
                    <p>
                        <hi1 rend="bold">2.</hi1>
                        <hi1 rend="bolditalic">Opus Reticulatum</hi1>
                    </p>
                    <p id="p_563" n="563">This technique appears to have been broadly used in the
                        villa, at least to judge from the large quantity of facing blocks found
                        during the first excavations. We have seen how these were freely used in
                        Pasqui’s restorations, which were at times based only on foundation remains.
                        Nevertheless, it is obvious that <hi1 rend="italic">opus reticulatum</hi1>
                        must have played an important role in one phase of the life of the villa, in
                        connection with a remodeling or large-scale monumentalization. <hi1
                            rend="italic">Opus reticulatum</hi1> was employed in the residence and
                        in the quadriporticus. The coigning, when present, was in small blocks of
                        limestone. It is likely that some of the limestone <hi1 rend="italic"
                            >tesserae</hi1> (truncated pyramids) and the blocks of the coigning were
                        reused, sometimes in conjunction with other techniques (cf. type 5.3 below). </p>
                    <p>
                        <hi1 rend="bold">2.1. Limestone Facing Blocks</hi1>
                    </p>
                    <p id="p_564" n="564"><list>
                            <item>MSU 10072 (= 3117) (<hi1 rend="bold">figs. 36</hi1> and <hi1
                                    rend="bold">37</hi1>)</item>
                            <item>Room 12. Sector III.12</item>
                            <item>Maximum visible height: 0.28 m; maximum visible length: 3.25 m;
                                thickness: 0.48 m</item>
                        </list> This wall segment in the residence is made with truncated pyramids
                        of limestone with the quadrangular base exposed, 8-9 cm per side, arranged
                        at a 45-degree angle with ca. 1-2 cm mortar beds. The yellowish mortar has
                        only a modest binding capacity (CM 99/51). </p>
                    <p id="p_565" n="565">The structure must be associated with the phase in which
                        the site underwent a thorough reworking, with the regularization of the
                        natural slope and the creation of a terrace for the residence block. </p>
                    <p id="p_566" n="566">Cf. MSU 10056 (=4005, 4211); MSU 10073 (=4220) with
                        coigning in small limestone blocks. </p>
                    <p>
                        <hi1 rend="bold">2.2. Facing Blocks in Limestone and Tufa</hi1>
                    </p>
                    <p id="p_567" n="567"><list>
                            <item>MSU 10003 (<hi1 rend="bold">figs. 38</hi1> and <hi1 rend="bold"
                                >39</hi1>)</item>
                            <item>Room 34</item>
                            <item>Maximum visible height: 0.30 m; maximum visible length: 1.82
                                (west), 2.51 (east); thickness: ca. 0.74 m</item>
                        </list> The west face emerges from the ground at ca. 2.10 m higher than does
                        the east face, because the wall up to that level was built directly against
                        the baulk of the construction trench. The east face, originally coated by a
                        layer of <hi1 rend="italic">cocciopesto</hi1>, has undergone extensive
                        refacing in the recent past. The few remaining original segments have facing
                        blocks of limestone and two blocks in terracotta (cf. MSU 10001). The west
                        face preserves a course of tufa facing blocks and has a weakly cohesive
                        yellowish mortar (CM 99/57). The use of tufa <hi1 rend="italic"
                        >tesserae</hi1> was also encountered in other wall tracts (rooms 1, 5, 13,
                        17). The structure, perhaps added as a second thought during the
                        construction phase, is later than the terracing system of the residence in
                        terms of design and construction. </p>

                    <p>
                        <hi1 rend="bold">2.3. Facing Blocks in Limestone and Cotto
                        (Terracotta)</hi1>
                    </p>
                    <p id="p_568" n="568"><list>
                            <item>MSU 10001</item>
                            <item>Rooms 33-34</item>
                        </list> For this very particular type, refer to 5.3.3 below. </p>

                    <p>
                        <hi1 rend="bold">3.</hi1>
                        <hi1 rend="bolditalic">Opus Vittatum</hi1>
                    </p>
                    <p id="p_569" n="569">This technique was employed at the villa both by itself
                        and with others (<hi1 rend="italic">opus mixtum</hi1>). We discovered that
                        the structures made only in small blocks of limestone (3.1) are associated
                        exclusively with the phase in which there is extensive use of <hi1
                            rend="italic">opus reticulatum</hi1>. However, the use of small blocks,
                        even with heterogeneous materials, is attested to over a very long stretch
                        of time. This is because of the ease of laying the blocks and the ready
                        supply of stone (coming in part from demolitions). With the exception of the
                        type with a brick socle (3.4.3), these are generally isolated interventions,
                        the purpose of which was to add new features or to modify existing rooms. </p>
                    <p><hi1 rend="bold">3.1. Small Blocks of Limeston</hi1>e </p>
                    <p id="p_570" n="570"><list>
                            <item>MSU 10061 (<hi1 rend="bold">figs. 40</hi1> and <hi1 rend="bold"
                                >41</hi1>)</item>
                            <item>Area 36</item>
                            <item>Maximum visible height: 0.82 m; maximum visible length: 1.20 m;
                                thickness: ca. 0.60 m</item>
                        </list> This is one of the buttresses set at right angles (<hi1
                            rend="italic">a pettine</hi1>) abutting the exterior of the west and
                        south wings of the quadriporticus, built at regular intervals of 2.95 m
                        (though different for the southern wing) and in a homogeneous manner (only
                        those to the north can be analyzed in elevation). The blocks are regularly
                        squared (18-25 cm x 7-11 cm) and laid in regular courses, with joins of
                        1.5-2.0 cm. The mortar (CM 99/39) is poor (<hi1 rend="italic">macra</hi1>),
                        yellow/light-beige in color, compact, with small river-borne inclusions
                        (sand and river gravel). </p>
                    <p id="p_571" n="571">The buttresses, in the original portions, are preserved to
                        a height that reaches the level from which the <hi1 rend="italic">opus
                            reticulatum</hi1> wall (10056) begins, and therefore they abut only the
                        structure in <hi1 rend="italic">opus incertum</hi1> (10068). They presumably
                        rest on a bed of limestone fragments, which delimits the sewer to the east.
                        The building of the series of buttresses must be associated with the time
                        when the <hi1 rend="italic">opus reticulatum</hi1> wall (10056) was built
                        and thus to the arrangement of the quadriporticus as visible today. </p>
                    <p id="p_572" n="572">The coigning in <hi1 rend="italic">opus reticulatum</hi1>
                        and the stairs of room 34 were also built in small limestone blocks. </p>
                    <p id="p_573" n="573">Owing to the extensive restorations, it is difficult to
                        give an opinion regarding the structures of the northwest zone of the villa
                        (rooms 27-30). </p>
                    <p>
                        <hi1 rend="bold">3.2. Small Blocks of</hi1>
                        <hi1 rend="bolditalic">Cardellino</hi1>
                    </p>
                    <p id="p_574" n="574"><list>
                            <item>MSU 10037</item>
                            <item>Room 52</item>
                            <item>Maximum visible height: 0.30 m: maximum visible length: 7.90 m;
                                thickness: ca. 0.60 m</item>
                        </list> A structure that runs in an east-west direction, built in small
                        blocks of <hi1 rend="italic">cardellino</hi1> laid in horizontal courses,
                        regularly bedded, is preserved to a maximum height of three courses (but the
                        archival photographs show clearly that it was preserved to a greater height
                        when discovered). The wall is joined to the analogous structure 10036
                        (thickness: 0.90 m). The mortar was not detectable. </p>
                    <p id="p_575" n="575">The construction can be interpreted as a stairwell; it
                        dates to after the construction of the southwest thermal rooms, but no more
                        precise chronology is possible. </p>
                    <p id="p_576" n="576">Other structures in small <hi1 rend="italic"
                        >cardellino</hi1> blocks include: MSU 10018 (rooms 44 and 45; only the south
                        face of the latter can be analyzed, but it seems to rest on another
                        structure in <hi1 rend="italic">opus incertum</hi1>); MSU 10050 (room 33, at
                        the closure of the small southern room); MSU 10060 (room 33, at the partial
                        closure of the apse); and MSU 10066 (Area 36). </p>
                    <p>
                        <hi1 rend="bold">3.3. Small Blocks of</hi1>
                        <hi1 rend="bolditalic">Cardellino</hi1>
                        <hi1 rend="bold">, Limestone, and Bricks</hi1>
                    </p>
                    <p id="p_577" n="577"><list>
                            <item>MSU 10007 (<hi1 rend="bold">figs. 42</hi1>, <hi1 rend="bold"
                                >43</hi1> and <hi1 rend="bold">44</hi1>)</item>
                            <item>Room 44</item>
                            <item>Maximum visible height: 1.02 m; maximum visible length: 1.60 m;
                                thickness: ca. 0.60 m</item>
                        </list> This masonry structure is built of small blocks of limestone and
                            <hi1 rend="italic">cardellino</hi1>, with occasional use of brick shims.
                        It stands against MSU 1007, to which it is bonded by a series of masonry
                        mortise joints. The stones are arranged fairly regularly, but their lack of
                        formal homogeneity shows that they are reused (cf. type 7 below). </p>
                    <p id="p_578" n="578">The structure covers two pre-existing wall segments
                        (10005, <hi1 rend="italic">opus testaceum</hi1>, presumably belonging to a
                        small wall of a <hi1 rend="italic">praefurnium</hi1> used for room 51; and
                        10006, <hi1 rend="italic">opus incertum</hi1>, visible only on the east
                        surface). </p>
                    <p id="p_579" n="579">This activity is associated with a later use of the
                        thermal rooms, which at that point were no longer functioning as a bath.
                        Other analogous structures (10015; 10019; 10063) also attest to a
                        construction phase later than the thermal rooms, which are either modified
                        or obliterated by them. </p>
                    <p>
                        <hi1 rend="bold">3.4. With Brick Courses</hi1>
                    </p>
                    <p>
                        <hi1 rend="bold">3.4.1. With the first course in brick</hi1>
                    </p>
                    <p id="p_580" n="580"><list>
                            <item>MSU 10042 = 810 (<hi1 rend="bold">figs. 45</hi1> and <hi1
                                    rend="bold">46</hi1>)</item>
                            <item>Room 38</item>
                            <item>Maximum visible height: 0.42 m; dimensions: 0.61 m x 0.57 m</item>
                        </list> A pier nearly square at its base is constructed in small blocks of
                            <hi1 rend="italic">cardellino</hi1> (preserved for a maximum of four
                        courses), regularly arranged with joints between 1 and 3 cm and beds of 2
                        cm. The first course of the wall consists of brick (halved <hi1
                            rend="italic">bessales</hi1>), cut in triangles for the central part of
                        the pier and in rectangles at the corners; the core is made of irregular
                        pieces of bricks and stones. It is impossible to ascertain whether the
                        elevation was completely in small blocks, or if it had other courses of
                        brick, or was even completely different. The analogous pier 10044 was
                        covered by a column base (SU 612, see Camaiani et al., <ptr
                            target="div4_c09.5.2.2" type="txt" n="C.5.1.1"/>). The excavation data
                        place the intervention between the second and the first century B.C. The
                        presence of bricks compels us to be cautious, and to lower the date to the
                        first century B.C. (but cf. type 4 for this question). </p>
                    <p id="p_581" n="581">This pier, with other analogous piers 10041 (=1001), 10043
                        (=614), 10044 (=653), must have carried the compluviate roof of the <hi1
                            rend="italic">atrium</hi1> (see Camaiani, et al., <ptr
                            target="div4_c09.5.2.2" type="txt" n="C.5.1.1"/>). </p>
                    <p>
                        <hi1 rend="bold">3.4.2. With double courses of brick (trimmed
                        roof-tiles)</hi1>
                    </p>
                    <p id="p_582" n="582"><list>
                            <item>MSU 10057 (<hi1 rend="bold">fig. 47</hi1>)</item>
                            <item>Room 32</item>
                        </list> This type only appears for the coigning of MSU 10057 (junction with
                        10054 and coigning by the two <hi1 rend="italic">praefurnia</hi1>), for
                        which see type 5.3.1 below. </p>
                    <p>
                        <hi1 rend="bold">3.4.3. With socle made of bricks</hi1>
                    </p>
                    <p id="p_583" n="583"><list>
                            <item>MSU 10009=299=300=301=302 (<hi1 rend="bold">figs. 48</hi1> and
                                    <hi1 rend="bold">49</hi1>)</item>
                            <item>Room 51</item>
                            <item>Maximum visible height: 0.85 m; maximum visible length: 2.93 m;
                                thickness: not detectable. Only the north facing could be
                            analyzed.</item>
                        </list> The wall structure, running east-west, consists of a very shallow
                        apse built with mixed facing: a brick socle (six courses) and <hi1
                            rend="italic">opus vittatum</hi1> with small blocks of <hi1
                            rend="italic">cardellino</hi1>. </p>
                    <p id="p_584" n="584">An analogous situation is encountered for MSU 10023,
                        which, with its apse, forms the south side of room 51. Bricks and blocks are
                        laid regularly, in horizontal courses. Shims are used. The dimensions of the
                        materials are not homogeneous (bricks vary from 17 to 27 cm in length, from
                        3 to 5 cm in height; the blocks range from 16 to 30 cm in length, and from 6
                        to 10 cm in height). Compact mortar (CM 99/50) is pale yellow in color, with
                        lime, sand, and volcanic elements (black grains). </p>
                    <p id="p_585" n="585">We exclude in this case more than one phase for room 51,
                        but it seems obvious that here the material was used in a manner that was
                        functional and economical. MSU 10009, whose south face can unfortunately not
                        be analyzed, joins MSU 10020. The latter, in its original section, is faced
                        in brick to a higher level than the socle of MSU 10009; this must be because
                        it was more exposed to heat (a <hi1 rend="italic">praefurnium</hi1>, heavily
                        restored, opens in the wall). </p>
                    <p id="p_586" n="586">We suppose, conversely, that the interior of room 51 was
                        completely constructed in brick, and that we therefore ought to assign this
                        structure to the type described at 5.2 below. </p>
                    <p id="p_587" n="587">MSU 10058 is also to be attributed to the same phase and
                        to the same technique. </p>
                    <p id="p_588" n="588">See also MSU 10004, north face; MSU 10029, east face; and
                        MSU 10030, south face. </p>
                    <p>
                        <hi1 rend="bold">4.</hi1>
                        <hi1 rend="bolditalic">Opus Testaceum</hi1>
                    </p>
                    <p id="p_589" n="589">We can affirm without hesitation that opus testaceum was
                        used on this site with a parsimony typical of localities not very close to
                        the city of Rome. In the economics of construction, brick is found only
                        where a functional need requires it. At the villa the only structure known
                        to have been completely built in brick is the <hi1 rend="italic"
                        >laconicum</hi1> (room 53), an original construction of notable
                        architectural quality with its own special requirements (cf. <ptr
                            target="div4_c10.1.3.6" type="txt" n="D.1.3.5"/>). Otherwise, recourse
                        was made to brick coverings or socles (cf. type 3.4 above), and more often
                        to masonry constructions with walls having various facings (cf. type 5
                        below). This no doubt optimized the use of building materials, but it also
                        meant a compromise in construction quality, since the different materials
                        responded differently to stress. </p>
                    <p id="p_590" n="590">Despite the fact that brick was used infrequently on the
                        site, we have examples of the most common types. Roof-tiles (<hi1
                            rend="italic">tegulae</hi1>), found in large quantities in the course of
                        the excavations, were used not only for covering the roofs, but also as wall
                        facing; for the subfloors of the rooms with hypocaust systems (as in room
                        33); in the coverings <hi1 rend="italic">a cappuccina</hi1> (drain conduits,
                        niches for the heating conduits of building 53, the tomb in room 40); and on
                        the bottom of the drain conduits. Cover-tiles (<hi1 rend="italic"
                        >imbrices</hi1>) were evidently used for roof covering, but also employed in
                        pairs so as to form foot-holes in the sump of the <hi1 rend="italic"
                        >piscina</hi1>; they were also recycled in the covering of the tomb in room
                        40. Bricks <hi1 rend="italic">bipedales</hi1> and <hi1 rend="italic"
                            >sesquipedales</hi1> were used whole or as <hi1 rend="italic"
                            >semilateres</hi1> in the arched lintels (foundation of MSU 10008 and
                        building 53); in the subfloors of the rooms with hypocaust systems (rooms
                        47, 48, 53); and on the bottom of the drain conduits. Bricks <hi1
                            rend="italic">bessales</hi1> (<hi1 rend="italic">laterculi</hi1>, <hi1
                            rend="italic">bessales</hi1>) were used whole in the piers that
                        supported the floor in the rooms with hypocausts, or were cut as triangles
                        for the masonry facing. Some half-bricks (<hi1 rend="italic"
                        >semilateres</hi1>) from <hi1 rend="italic">bessales</hi1> were also found,
                        cut in rectangles (VH 224, with incisions). Note in particular that VH 225,
                        a piece of a brick <hi1 rend="italic">bessalis</hi1>, is of a clay mixture
                        very similar to that of the fragments of roof-tile that carry the stamp of
                        M’ NAEVIUS (VH 035, VH 125, VH 135, VH 185, VH 189, VH 201), and may well
                        have come from the same workshop. This data could be important as a
                        chronological reference for the use of brick at this site (for the brick
                        stamps, see Filippi, <ptr target="div3_c10.4.1" type="txt" n="D.4"/>). In
                        the archaeological literature, the first examples of facings made of baked
                        brick in Roman architecture were traditionally dated to the Augustan age or
                        at the earliest to that of Caesar. At that time, however, it is likely that
                        only broken roof-tiles were used. The normalization in the use and of the
                        dimensions of real bricks (<hi1 rend="italic">tegulae=lateres cocti</hi1>),
                        not made out of roof-tiles, began with Tiberius and became widespread during
                        the first century A.D. However, for specific purposes (small piers and
                        floors for hypocausts), baked bricks were already in use by about the middle
                        of the first century B.C., in sizes that later became canonical (cf. Vitr.
                        X, 5); it is therefore possible that, in exceptional cases, they were also
                        used in masonry at that time (cf. type 3.4.1 above). The question of the use
                        of baked brick in the Republican period has recently been re-opened by
                            Coarelli<ptr target="nt_c10.1.n87" n="87"/>; he documents the use of
                        this material at Fregellae (roof-tiles) for masonry structures that are
                        datable on a stratigraphic basis to around 300 B.C. The author provides a
                        reinterpretation of literary sources and of some monuments, which
                        demonstrate an earlier use of baked brick (<hi1 rend="italic">tegulae</hi1>
                        and <hi1 rend="italic">lateres cocti</hi1> in <hi1 rend="italic">opus
                            testaceum</hi1>) than that traditionally accepted. In this perspective,
                        the data from the “Villa of Horace”, in particular those from the structure
                        discussed in type 3.4.1 above, can contribute to the question. </p>
                    <p id="p_591" n="591">Among the particular fictile items found during our
                        excavations, note the fragments of small tubes (<hi1 rend="italic"
                        >tubuli</hi1>) of rectangular section, for the heating system; the bricks
                        shaped like the arc of a circle, for the masonry columns; the small bricks
                        for the herringbone flooring (<hi1 rend="italic">opus spicatum</hi1>, a
                        fragment of which is visible <hi1 rend="italic">in situ </hi1>in Area 44);
                        some small squares for rustic flooring (from the garden, cf. Gleason, <ptr
                            target="div4_c09.3.4.3" type="txt" n="C.3.4.2"/>, activity 3); and the
                        architectonic terracotta elements (see Strazzulla, <ptr
                            target="div3_c10.5.1" type="txt" n="D.5"/>). </p>
                    <p id="p_592" n="592">Lugli also mentions four fragments of “fusiform tubes for
                        the ribbing of small vaults” (col. 568) and documents the use of roof-tiles,
                        with nails for spacing and fastening, as wall facing revetments that created
                        a hollow space in-between. In fact, he refers to the finding of a “fragment
                        of roof-tile, with a hole toward one end, in which was found inserted a long
                        iron nail, with T-shaped head,” emphasizing that “it was used for the lining
                        of the <hi1 rend="italic">calidarium</hi1>.” He notes the presence of other
                        T-shaped nails as well (col. 567). </p>
                    <p>
                        <hi1 rend="bold">4.1. In Roof-tiles</hi1>
                    </p>
                    <p id="p_593" n="593"><list>
                            <item>MSU 10002 (<hi1 rend="bold">figs. 50</hi1> and <hi1 rend="bold"
                                >51</hi1>)</item>
                            <item>Room 33</item>
                            <item>Maximum visible height: 1.40 m; maximum visible length: 10.65 m;
                                thickness: 0.39 m</item>
                        </list> The structure runs north-south and is made of trimmed roof-tiles. It
                        is built against a stretch of the wall in <hi1 rend="italic">opus
                            reticulatum</hi1> (10056) that constitutes the west side of the
                        residence and the quadriporticus. Two successive stages of restoration can
                        be distinguished on the wall. The more recent of these, in modern brick,
                        closes the opening in the foundation of 10056 (cf. the commentary on AAR
                        2721, <ptr target="div4_c10.1.2.3" type="txt" n="D.1.2.2"/>, no. 8). The
                        wall has an offset, also made of roof-tiles, which protrudes for 7 cm and is
                        32 cm higher than the level of the subfloor (also paved with roof-tiles) of
                        the hypocaust system. The offset, which probably provided partial support
                        for a pipe, consists of, and is highlighted by, a course of roof-tile
                        fragments with their rims forming the facing. Eight courses above the offset
                        there is another course of untrimmed roof-tiles. This can be interpreted as
                        the string-course of the pavement suspended on the small pillars (<hi1
                            rend="italic">suspensurae</hi1>). I do not maintain that this course
                        must be taken as being in the “fashion” of the age of Domitian, as does
                        Lugli (col. 545, n1); the levels and the elements of an analogous course
                        found on the wall in front (MSU 10057, cf. type 5.3.1 below) point rather to
                        a building-site indication for the correct installation of the suspended
                        floor. Lugli reports that during the excavations, fragments of pavement were
                        discovered lined with <hi1 rend="italic">bipedales</hi1> bricks above and
                        below. </p>
                    <p id="p_594" n="594">As far as could be determined, the fragments of roof-tiles
                        have a roughly rectangular shape and are employed regularly, but they vary
                        considerably in length, being generally divisible into three sizes: shims
                        between 8 and 12 cm; medium ones between 17 and 22 cm; and exceptionally
                        large ones, between 25 and 30 cm. The thickness is constant, between 3.0 and
                        3.5 cm. The thickness of the rims ranges from 5 to 7 cm. The binder is made
                        of a friable mortar (CM 99/53), beige/light-gray in color, composed of lime
                        and sand with volcanic elements, and especially fine gravel. The only M’
                        NAEVIVS brickstamp found <hi1 rend="italic">in situ</hi1> was discovered in
                        this wall during restoration work in 2005 (Frischer’s personal
                        communication). Filippi (see <ptr target="div3_c10.4.1" type="txt" n="D.4"
                        />, table 2) dates M’ NAEVIUS’ production to the first century B.C. It is
                        not sufficient evidence, however, to offer a reliable chronology for the
                        wall since roof-tiles may easily have been reused. </p>
                    <p id="p_595" n="595">This wall (MSU 10002) provides a solid brick reinforcement
                        for the wall behind it. This was evidently necessary for the functioning of
                        room 33, which is interpreted as a <hi1 rend="italic">calidarium</hi1>.
                        Analogous are the two <hi1 rend="italic">avant-corps</hi1> 10051 and 10052,
                        which make up the rectangular niche to the south of room 33, and which were
                        also made of trimmed roof-tiles. </p>
                    <p id="p_596" n="596">To the same building phase we also ascribe MSU 10057,
                        10054, and 10055, which attest a construction decision once again dictated
                        by considerations of economics (cf. type 5.3.1 below). </p>
                    <p id="p_597" n="597"><list>
                            <item>MSU 10076=3111</item>
                            <item>Room 12, Sector III.12</item>
                            <item>Maximum visible height: 0.70 m; diameter: 0.48 m</item>
                        </list> Another totally different example of <hi1 rend="italic">opus
                            testaceum</hi1> made of roof-tile fragments is a column found beneath
                        room 12. This element is not completely circular in shape, and is made of
                        pieces of roof-tiles laid irregularly in horizontal courses, in an abundant
                        whitish, adhesive mortar, and coated with a thin layer of <hi1 rend="italic"
                            >cocciopesto</hi1> (see De Simone, <ptr target="div3_c09.2.1" type="txt"
                            n="C.2.1"/>). </p>
                    <p id="p_598" n="598">This can be attributed to the earliest phase of
                        construction on the site (from the second to the first century B.C.). </p>
                    <p>
                        <hi1 rend="bold">4.2. In Brick</hi1>
                    </p>
                    <p id="p_599" n="599"><list>
                            <item>Room 53 (<hi1 rend="bold">figs. 52-55</hi1>)</item>
                        </list>This is the only building known from this site that is entirely
                        constructed in <hi1 rend="italic">opus testaceum</hi1>, as is the wall that
                        joins it to the buildings immediately to the north (MSU 10025, room 49). It
                        is likely that the surrounding rooms, which belong to the thermal complex,
                        were built with the same technique. This is what MSU 10027 (rooms 44-48)
                        would suggest, but the situation may be analogous to that of room 51 (socle
                        and facing in brick only where made necessary by dampness or heat; cf. type
                        3.4.3 above and type 5.2 below). It is impossible to make a single
                        conjecture for all those structures, of which not more than four or five
                        courses survive (for instance, MSU 10008, rooms 47, 48, and 52). </p>
                    <p id="p_600" n="600">The building that we identify as a <hi1 rend="italic"
                            >laconicum</hi1> (or <hi1 rend="italic">sudatorium</hi1>) has a fairly
                        homogeneous facing in bricks in its original parts. These bricks, positioned
                        as usual, are cut into triangular shapes (16-26 cm long, with the majority
                        23-25 cm; 3-3.5 cm thick; mortar beds and joints 1-1.5 cm). The floor
                        fragments (of the upper floor and of the hypocaust construction) are made of
                        bricks <hi1 rend="italic">sesquipedales</hi1>, as are the arched lintels of
                        the <hi1 rend="italic">praefurnium</hi1>, whose bricks taper slightly at the
                        bottom. The only original parts not in <hi1 rend="italic">opus
                        testaceum</hi1>, but in <hi1 rend="italic">cardellino</hi1> blocks, are on
                        the outside of the building, that is, on the north wall (below the entrance
                        door) and in the outer part of the <hi1 rend="italic">praefurnium</hi1>
                        corridor; this finding indicates, also in this case, a desire to limit the
                        use of the expensive brick material. Inside, however, the only elements in
                        heterogeneous material (i.e., limestone and <hi1 rend="italic"
                        >cardellino</hi1>) are the alterations made later, when the hypocaust was
                        remodeled as a hypogean chamber. </p>
                    <p id="p_601" n="601">Room 53 has undergone restoration, refacing and
                        repointing, all of which preclude the analysis of its ancient binding, short
                        of destroying what remains of the building. </p>
                    <p id="p_602" n="602">Lugli suggests a span of time between the Flavian period
                        and that of Hadrian for the building of this structure (col. 557). Another
                        indication of the date, to be used with all due caution, may be provided by
                        the lead <hi1 rend="italic">fistula</hi1> found “within the east wall” and
                        bearing the inscription C IULIUS PRISCUS F.<ptr target="nt_c10.1.n88" n="88"
                        /> In all probability, this pipe belonged to the same conduit of which
                        lengths were found in Area 50 during the excavations of 1999 and 2000 (cf.
                        fig. 20, <hi1 rend="italic">v</hi1>). The <hi1 rend="italic">fistula</hi1>
                        with the inscription TI CLAUDIUS BURRUS presumably comes from this building
                        as well.<ptr target="nt_c10.1.n89" n="89"/>
                    </p>
                    <p id="p_603" n="603">In the absence of stratigraphic data, it is absolutely
                        impossible to give an exact dating, but the building must be placed
                        somewhere in the period between the end of the first century and the first
                        half of the second century A.D., as the architectural structure would also
                        suggest (cf. <ptr target="div4_c10.1.3.6" type="txt" n="D.1.3.5"/>). </p>
                    <p id="p_604" n="604">Other MSU in <hi1 rend="italic">opus testaceum</hi1>:
                        10005 (cf. <hi1 rend="bold">figs. 42 </hi1>and <hi1 rend="bold">43</hi1>);
                        10067=1233; MSU 1235 (faced foundations for piers). </p>
                    <p>
                        <hi1 rend="bold">5. Structures with Facing in</hi1>
                        <hi1 rend="bolditalic">Opus Testaceum</hi1>
                        <hi1 rend="bold">on One Side Only</hi1>
                    </p>
                    <p id="p_605" n="605">Brick was used with care in this site, and only where
                        necessary, which resulted in structures with different facings. This choice
                        may in part be attributed to the reuse of material that was available as
                        result of demolitions. In those cases, however, in which it was possible to
                        reuse a whole wall easily, the wall, or that part of it exposed to humidity
                        or heat, was protected by means of a further structure (cf. type 4.1 above,
                        MSU 10002). The wall MSU 10004 (cf. type 5.1 below) represents just such an
                        example. Obviously, construction of this kind is to be found in those rooms
                        that were, at least at some stage, part of the bath complex. No such
                        speculation can be advanced for the rooms of the residence, because the
                        scanty remains, having been completely reconstructed in <hi1 rend="italic"
                            >opus reticulatum</hi1>, leave no room for such an interpretation. Rooms
                        19, 20, and 21 are an exception to this; while preserving traces of
                        successive restructurings,<ptr target="nt_c10.1.n90" n="90"/> they offer no
                        certain indications as to building technique, in that the dividing walls (in
                        bricks and small <hi1 rend="italic">cardellino</hi1> blocks) have been
                        substantially recreated by modern restoration. </p>
                    <p id="p_606" n="606">It must be stressed that in the structures with different
                        facings on the two sides one is always in brick; no exception to this has
                        been found. This shows that brick was only used when necessary; therefore,
                        it was not a case of the builder’s caprice, nor simply the employment of
                        recycled materials.<ptr target="nt_c10.1.n91" n="91"/>
                    </p>
                    <p id="p_607" n="607">Because we wish to concentrate on the material used rather
                        than the exterior appearance of the facing, we are also including in this
                        section MSU 10001 (type 5.3.3 = 2.3), which is undoubtedly very rare and
                        must have been the result of the whim of its builder. </p>
                    <p>
                        <hi1 rend="bold">5.1. Other Side in</hi1>
                        <hi1 rend="bolditalic">Opus Incertum</hi1>
                    </p>
                    <p id="p_608" n="608"><list>
                            <item>MSU 10004 (<hi1 rend="bold">figs. 56</hi1>, <hi1 rend="bold"
                                >57</hi1> and <hi1 rend="bold">58</hi1>)</item>
                            <item>Rooms 42-44</item>
                            <item>Maximum visible height: 0.65 m (south wall), 0.49 m (north wall);
                                maximum visible length 3.15 m; thickness 0.64 m</item>
                        </list> The south wall of the masonry structure, which is aligned east-west,
                        is in <hi1 rend="italic">opus incertum</hi1> of local limestone, mainly made
                        with selected stones, but also with some roughly shaped stones (10-12 x
                        11-13 cm, up to a maximum of 17 x 11 cm). The facing still preserves traces
                        of a <hi1 rend="italic">cocciopesto</hi1> layer. It has not been possible to
                        determine the level from which the wall began (<hi1 rend="italic"
                        >spiccato</hi1>) because of the modern flooring. </p>
                    <p id="p_609" n="609">The north wall is faced with triangular bricks, probably
                        made from <hi1 rend="italic">bessales</hi1> (26 cm long, 3.5 cm thick). The
                        revetment on this side must have been of marble panels. There is no way to
                        analyze the binding (in the facing there is virtually nothing other than
                        earth and modern mortar). The wall is the south side of room 42, which is
                        identifiable as a small basin. </p>
                    <p id="p_610" n="610">It is not possible to affirm with certainty that this is a
                        single wall, and not a wall in <hi1 rend="italic">opus incertum</hi1>, which
                        was protected on one side with a brick structure, since the top of it cannot
                        be analyzed and its thickness is not decisive on its own. Moreover, there is
                        an addition to the height in small <hi1 rend="italic">cardellino</hi1>
                        blocks, the result of restoration. It is perfectly possible that the <hi1
                            rend="italic">cardellino</hi1> blocks were found at the moment of
                        excavation, in which case it cannot now be established whether they derive
                        from a later arrangement or whether they are connected to structures like
                        type 3.4.3 above. Although the restoration works make it impossible to
                        define the stratigraphic relationships with certainty, if we hypothesize an
                            <hi1 rend="italic">opus incertum</hi1> wall, only later protected by a
                        brick structure, it could be related to the walls that bound the square room
                        38-39-40 (the Republican <hi1 rend="italic">atrium</hi1>).<ptr
                            target="nt_c10.1.n92" n="92"/>
                    </p>
                    <p>
                        <hi1 rend="bold">5.2. Other Side in</hi1>
                        <hi1 rend="bolditalic">Opus Vittatum</hi1>
                    </p>
                    <p id="p_611" n="611"><list>
                            <item>MSU 10029</item>
                            <item>Rooms 44-46</item>
                            <item>Maximum visible height: 0.45 m (east face); maximum visible
                                length: 2.50 m (east face); thickness: 0.56 m</item>
                        </list> The masonry structure is aligned north-south. The east wall is in
                            <hi1 rend="italic">opus testaceum</hi1>, with bricks cut into triangles;
                        the facing of the west wall is in small <hi1 rend="italic">cardellino</hi1>
                        blocks. It joins the analogous MSU 10030 (with its south facing in brick; on
                        the north face only a course of <hi1 rend="italic">cardellino</hi1> blocks
                        is visible, which is restoration work). </p>
                    <p id="p_612" n="612">MSU 10029 is in fact largely restored and it is impossible
                        to state with certainty that the west wall was in fact built in <hi1
                            rend="italic">opus vittatum</hi1> in <hi1 rend="italic">cardellino</hi1>
                        blocks (repair work done with modern mortar prevents us from determining the
                        actual antiquity of the masonry). Moreover, its northward extension (by room
                        45) has small <hi1 rend="italic">cardellino</hi1> blocks on its east face as
                        well. </p>
                    <p id="p_613" n="613">There may well have been an <hi1 rend="italic">opus
                            testaceum</hi1> socle in this structure also, at least on the east side
                        (see type 3.4.3 above). </p>
                    <p>
                        <hi1 rend="bold">5.3. Other Side in</hi1>
                        <hi1 rend="bolditalic">Opus Reticulatum</hi1>
                        <hi1 rend="bold">with Coigning in Blocks (Limestone)</hi1>
                    </p>
                    <p id="p_614" n="614">This is the most common type among those structures that
                        have a different facing on each side. It is difficult to explain why,
                        however. We could suggest the chronological proximity to the other walls in
                            <hi1 rend="italic">opus reticulatum</hi1>, but it might be just as valid
                        to speculate that these structures were built at a time when there were
                        large quantities of <hi1 rend="italic">opus reticulatum tessera</hi1>e
                        available as result of demolitions. </p>
                    <p>
                        <hi1 rend="bold">5.3.1.</hi1>
                        <hi1 rend="bolditalic">Opus testaceum</hi1>
                        <hi1 rend="bold">in roof-tiles</hi1>
                    </p>
                    <p id="p_615" n="615"><list>
                            <item>MSU 10057 (<hi1 rend="bold">figs. 59</hi1>, <hi1 rend="bold"
                                >60</hi1> and <hi1 rend="bold">61</hi1>)</item>
                            <item>Rooms 32 and 33</item>
                            <item>Maximum visible height: 1.50 m (east face), 2.10 m (west face,
                                heavily restored); maximum visible length 11.30 m (west face), 10.65
                                m (east face); thickness: 0.73 m</item>
                        </list>The masonry structure, aligned north-south, is the west side of the
                        large apsidal room 33, and has two openings covered with arches (<hi1
                            rend="italic">praefurnia</hi1>) joining corridor 32. </p>
                    <p id="p_616" n="616">The east side is faced in <hi1 rend="italic">opus
                            testaceum</hi1> of trimmed roof-tiles, analogous to 10002 (cf. type 4.1
                        above). In the southern portion (from the south <hi1 rend="italic"
                            >praefurnium</hi1> as far as the <hi1 rend="italic">avant-corps</hi1>
                        10052), the twelfth course from the bottom (from the level of the subfloor
                        roof-tiles) is composed of untrimmed roof-tiles, placed with their rims
                        forming the facing. This course respects the <hi1 rend="italic"
                        >praefurnium</hi1> (it is only just above it) and evidently serves as the
                        string-course, analogous to that of MSU 10002 (cf. type 4.1 above). Its
                        absence in the remaining part is easily explained, in that the two <hi1
                            rend="italic">praefurnia</hi1> would have been enough of an indication
                        for setting the level of the floor. There is another partial course of
                        untrimmed roof-tiles below the previous one, separated by two regular rows. </p>
                    <p id="p_617" n="617">On both sides, the arched lintels of the two much-restored
                            <hi1 rend="italic">praefurnia</hi1> are built of rims of roof-tiles cut
                        in rectangles (ca. 5-6 x 8-10 cm), in a manner analogous to those elements
                        employed in MSU 10001 (cf. type 5.3.3 below). </p>
                    <p id="p_618" n="618">The west side is faced with <hi1 rend="italic">opus
                            reticulatum</hi1> in limestone (regular blocks, with sides of 8-9 cm,
                        set at a 45-degree angle). Occasionally <hi1 rend="italic">cotto</hi1>
                        elements appear, made from roof-tiles (such as those used in 10001; cf. type
                        5.3.3 below). </p>
                    <p id="p_619" n="619">The <hi1 rend="italic">praefurnia</hi1> and the juncture
                        of the apse MSU 10054 have coigns in blocks of limestone and brick (one
                        course of limestone alternating with two courses of brick; cf. type 3.4.2,
                        above, and <hi1 rend="bold">fig. 47</hi1>). </p>
                    <p><hi1 rend="bold">5.3.2.</hi1>
                        <hi1 rend="bolditalic">Opus testaceum</hi1>
                        <hi1 rend="bold">in roof-tiles and brick</hi1>s </p>
                    <p id="p_620" n="620"><list>
                            <item>MSU 10054 (<hi1 rend="bold">fig. 62</hi1>)</item>
                            <item>Room 33</item>
                            <item>Maximum visible height: 1.40 m (south face); width of the opening
                                (span) 4.42 m; height at keystone ca. 1.95 m; thickness 0.55
                            m</item>
                        </list>The shallow apse (the proportion in Roman feet is 15 of span to 7 of
                        height at the keystone) forms the northern side of room 33. The internal
                        face (south) is in <hi1 rend="italic">opus testaceum</hi1> of bricks and
                        trimmed roof-tiles (heavily restored), while the north face (external) is
                        faced in limestone <hi1 rend="italic">opus reticulatum</hi1>. It joins both
                        the analogous structure on the east (MSU 10055) and the lateral walls of
                        room 33 (MSU 10002 and 10057). In the more eastern part, the internal facing
                        has a course of broken roof-tiles, positioned with the rims showing, to
                        serve as the string-course; this is similar to what was found at MSU 10002
                        (type 4.1 above) and 10057 (type 5.3.1 above). </p>
                    <p id="p_621" n="621">The binding is a pale beige-grey mortar, consisting of
                        lime and sand with volcanic elements and, above all, small gravel (CM
                        99/68). </p>
                    <p id="p_622" n="622">On the inside of room 33, there is a fragment, which
                        probably belonged to the suspended floor, which abuts onto the apse at the
                        point where there also survives a portion of <hi1 rend="italic"
                        >cocciopesto</hi1> revetment (<hi1 rend="bold">fig. 63</hi1>). If there had
                        been such a floor actually touching the wall, there could have been no flue
                            (<hi1 rend="italic">intercapedo</hi1>) to allow the circulation of hot
                        air along the walls. </p>
                    <p>
                        <hi1 rend="bold">5.3.3.</hi1>
                        <hi1 rend="bolditalic">Opus reticulatum</hi1>
                        <hi1 rend="bold">in</hi1>
                        <hi1 rend="bolditalic">cotto</hi1>
                        <hi1 rend="bold">(terracotta)</hi1>
                    </p>
                    <p id="p_623" n="623"><list>
                            <item>MSU 10001 (<hi1 rend="bold">figs. 64</hi1> and <hi1 rend="bold"
                                >65</hi1>)</item>
                            <item>Rooms 33 and 34</item>
                            <item>Maximum visible height: 1.20 m (north face), 0.30 m (south face,
                                restored at the ridge); maximum visible length: 2.95 m (north face);
                                thickness: 0.46 m</item>
                        </list>The south side preserves a tiny portion of the original facing, in
                        limestone <hi1 rend="italic">opus reticulatum</hi1> (<hi1 rend="italic"
                            >tesserae</hi1> 8 x 8 cm). The residual binding is mortar in very poor
                        condition, yellowish in color and very insubstantial. </p>
                    <p id="p_624" n="624">Because its northern face is so unusual, this structure is
                        a very rare example of <hi1 rend="italic">opus reticulatum</hi1> in <hi1
                            rend="italic">cotto</hi1>, built using the rims of roof-tiles cut so as
                        to give an L-shaped element. The exposed rim facing (6.5-7 x 7-8 cm) looks
                        very similar to the stone <hi1 rend="italic">tesserae</hi1>. The upright of
                        the L is inserted into the core of the masonry like the point of a pyramidal
                        small block. Structurally, however, there is a certain lack of homogeneity,
                        and the quantity of mortar is increased in order to fill the gap behind the
                            “<hi1 rend="italic">tessera</hi1>” in <hi1 rend="italic">cotto</hi1>.
                        These elements, which are made from roof-tiles in such a way as to resemble
                        the <hi1 rend="italic">tesserae</hi1> of <hi1 rend="italic">opus
                        reticulatum</hi1>, are used only in this masonry and in the lintels of the
                        small arches of the <hi1 rend="italic">praefurnia</hi1> of MSU 10057. They
                        otherwise appear sporadically (three or four examples) in MSU 10003 (east
                        face), 10053 (east face), 10057 (west face), and therefore only in
                        connection with the group of rooms 32, 33 and 34. </p>
                    <p id="p_625" n="625">The structure joins the <hi1 rend="italic"
                        >avant-corps</hi1> in <hi1 rend="italic">opus testaceum</hi1> (MSU 10051 and
                        10052). Lugli had already stressed the rarity of this technique, which is
                        essentially a faux <hi1 rend="italic">opus reticulatum</hi1> in <hi1
                            rend="italic">cotto</hi1>, finding a single <hi1 rend="italic"
                            >comparandum</hi1> in the temples (<hi1 rend="italic">Tempietti</hi1>)
                        of Chieti, where, however, the <hi1 rend="italic">tesserae</hi1> are made of
                        brick fragments. Another example can be found in Pompeii, IX, 13, 4-5, near
                        the House of Iulius Polybius.<ptr target="nt_c10.1.n93" n="93"/>
                    </p>
                    <p>
                        <hi1 rend="bold">5.3.4.</hi1>
                        <hi1 rend="bolditalic">Opus testaceum</hi1>
                        <hi1 rend="bold">in bricks</hi1>
                    </p>
                    <p id="p_626" n="626">
                        <list>
                            <item>MSU 10010=280, 296, 446 (<hi1 rend="bold">figs. 66</hi1>, <hi1
                                    rend="bold">67</hi1> and <hi1 rend="bold">68</hi1>)</item>
                            <item>Room 37</item>
                            <item>Maximum visible height: 0.72 m (south face, external), 1.20 m
                                (south face, internal); span 4.33 m; height at keystone ca. 2.02 m;
                                thickness 0.76 m. South part analyzed.</item>
                        </list>This is an apse, with a central rectangular niche. At its ends, the
                        apse joins two more rectangular niches and forms the basin of a thermal room
                        (certainly a <hi1 rend="italic">frigidarium</hi1>). At about 1.15 m from the
                        floor level, the thickness of the wall diminished, thereby creating a sort
                        of platform or bench. </p>
                    <p id="p_627" n="627">On the outside, the building is faced with a rectangular
                        patch of <hi1 rend="italic">opus reticulatum</hi1>, immediately above the
                        offset of the foundation, and blocks of <hi1 rend="italic">cardellino</hi1>
                        and limestone (<hi1 rend="italic">tesserae</hi1> 8 x 8 cm; small blocks
                        20-22 x 9-10 cm; exceptional ones 30-40 x 9-10 cm; joints and beds in mortar
                        2.5-4 cm). It adjusts to the slope; there is a difference in height of 42 cm
                        between west and east. </p>
                    <p id="p_628" n="628">The internal part is entirely constructed in bricks cut
                        into triangles, probably made from <hi1 rend="italic">bessales</hi1> (18-26
                        cm; thickness 3.5-4-5 cm; mortar beds 2.5-3 cm; mortar joints 0.5-1 cm).
                        There are still traces of revetment on this wall: a layer of <hi1
                            rend="italic">cocciopesto</hi1>, crumbled brick for attaching the marble
                        panels, some fragments of these same panels and marble chips sunk in <hi1
                            rend="italic">cocciopesto</hi1> for anchoring the bronze clips. The
                        floor of the basin is at a lower level than the foundation offset of the
                        external wall. </p>
                    <p id="p_629" n="629">The binding is a compact mortar, grey-beige in color,
                        composed of lime, sand and volcanic elements (crumbled tufa or black <hi1
                            rend="italic">pozzolana</hi1>?; CM 99/45 and 99/49). </p>
                    <p><hi1 rend="bold">6. Structures Set Against Earth (</hi1><hi1
                            rend="bolditalic">Controterra</hi1>, <hi1 rend="bold">with Only One Side
                            Faced)</hi1>
                    </p>
                    <p id="p_630" n="630">All the structures that are affected by differences in
                        level between two areas, more or less accentuated, are constructed in this
                        manner. In general, the builders would go below ground level to build
                        hypogean spaces (e.g. room 32) or semi-hypogean (e.g. room 34), or simply
                        channels for fountains or basins. In the first case, the wall is completely
                        built against one side of the construction trench. In the case of the
                        semi-hypogean rooms, however, building against earth is only up to a certain
                        level, from which the wall then rises, with both faces exposed; the
                        retaining wall for the residential block belongs to this second type, and
                        creates the terrace above the garden. </p>
                    <p>
                        <hi1 rend="bold">6.1.</hi1>
                        <hi1 rend="bolditalic">Opus Reticulatum</hi1>
                    </p>
                    <p id="p_631" n="631"><list>
                            <item>MSU 10053</item>
                            <item>Room 32</item>
                            <item>Maximum visible height: 1.60 m (original, east face); length:
                                12.95 m; thickness: 0.76 m; apse: span 4.49 m; height to the
                                keystone ca. 0.95 m</item>
                        </list> The masonry structure, aligned north-south, has a very shallow apse
                        about half way along (cf. <hi1 rend="bold">fig. 16</hi1>). The east side is
                        faced in limestone <hi1 rend="italic">opus reticulatum</hi1> (<hi1
                            rend="italic">tesserae</hi1> 8-9 cm), with coigning in blocks of the
                        same material (ca. 23 x 8 cm). At the point where the apse springs, the
                        blocks are shaped in such a way as to follow its form. <hi1 rend="italic"
                            >Tesserae</hi1> of <hi1 rend="italic">opus reticulatum</hi1> in tufa and
                            <hi1 rend="italic">cotto</hi1> (rims of roof-tiles, cf. type 5.3.3
                        above) appear from time to time. The west side of the wall, on the other
                        hand, is evidently constructed against earth (<hi1 rend="italic"
                        >controterra</hi1>), with slivers of limestone and mortar. The binding is an
                        insubstantial mortar, yellowish in color. </p>
                    <p id="p_632" n="632">The wall, which created a hypogean corridor accessible
                        from the north, should be considered as a retaining structure, without an
                        elevation above the floor level. The apse was built for two reasons, both
                        exclusively functional: to withstand the thrust of the earth behind it and
                        to increase the space for maneuvering near the <hi1 rend="italic"
                        >praefurnia</hi1> (cf. <hi1 rend="bold">fig. 15</hi1>). </p>
                    <p id="p_633" n="633">Comparable are MSU 10062, 10047 and 10003 (the last two,
                        however, are constructed <hi1 rend="italic">controterra</hi1> up to the
                        floor level only; from there upward, they have an elevation). MSU 10047 is
                        built against a wall, while the elevation of MSU 10003 above the floor level
                        is regularly faced on both sides. Here, note in particular the presence of
                        tufa <hi1 rend="italic">tesserae</hi1> together with limestone ones. </p>
                    <p id="p_634" n="634">The wall that separates the residential block from the
                        garden area must also have been built <hi1 rend="italic">controterra</hi1>
                        up to a certain level. The slight natural slope was corrected in order to
                        produce a small terrace, sustained by the wall in question, which was
                        probably supplied with a <hi1 rend="italic">vespaio</hi1> (a loose stone
                        structure to facilitate natural water drainage). </p>
                    <p>
                        <hi1 rend="bold">6.2.</hi1>
                        <hi1 rend="bolditalic">Opus Testaceum</hi1>
                    </p>
                    <p id="p_635" n="635"><list>
                            <item>MSU 10064 – Fountain (<hi1 rend="bold">fig. 69</hi1>)</item>
                            <item>Area 8</item>
                            <item>Space occupied by the fountain 10.35 x 9.51 m</item>
                        </list>On the north side the fountain structure breaks through and goes
                        beyond the so-called perimeter wall. MSU 10064 relates to the south,
                        exterior, wall of the fountain, which is analysed in its entirety. </p>
                    <p id="p_636" n="636">The structure consists of three masonry rectangles, set
                        one inside the other. The outermost one is formed of a wall (ca. 40 cm
                        thick) with brick facing on one side only, while the other side of the wall
                        is built against earth (<hi1 rend="italic">controterra</hi1>), out of rough
                        calcareous stones. The north side is completely reconstructed, and it is by
                        no means sure that the work was done as originally; at the moment of its
                        discovery, it would appear that there was no more than a trace on the
                        ground. The intermediate wall is 30 cm thick and faced on both sides. The
                        space between these two walls forms a channel 70 cm wide, which is ca. 50 cm
                        deep in relation to the present soil level. The innermost wall (30 cm thick)
                        is only faced on one side, while its other side, which fronts on the center
                        of the structure, is built <hi1 rend="italic">controterra</hi1>. It is
                        arranged with four small semicircular niches (radius 75 cm), one in the
                        center of each side of the rectangle. Between the innermost wall and the
                        intermediate one there is a small gap (<hi1 rend="italic">intercapedo</hi1>)
                        barely 5 cm wide. </p>
                    <p id="p_637" n="637">The <hi1 rend="italic">opus testaceum</hi1> facings are
                        composed of bricks cut into triangles, set in regular courses. Due to the
                        restorations, it is difficult to analyze the mortar beds and joins, and also
                        the quality of the binding agent. The walls preserve faint traces of a
                        protective coating of <hi1 rend="italic">cocciopesto</hi1>. Two holes,
                        through which passed a conduit, open in the southwest corner of the
                        structure, one in the outermost wall, the other in the intermediate one. </p>
                    <p id="p_638" n="638">Structure 10011 (=8007, 8008, 8020, 8032, 8033; Area 55;
                            <hi1 rend="bold">figs. 70</hi1> and <hi1 rend="bold">71</hi1>) is
                        constructed in an analogous manner; this can be interpreted as being a
                        fountain basin, arranged with oval and rectangular niches, even if no water
                        system was found during the recent excavation. </p>
                    <p>
                        <hi1 rend="bold">7. Heterogeneous Masonry Structures Built of Recycled
                            Materials</hi1>
                    </p>
                    <p id="p_639" n="639">These structures are only preserved now in the western
                        zone of the villa and in part of the eastern wing of the quadriporticus.
                        This is principally due to two causes. First, the depth of the earth
                        covering the ruins diminished in the area of the residential block (a track
                        passed that way and bits of mosaics had come to the surface). To the west,
                        however, a deeper layer of earth permitted better preservation of the
                        structures, where some rise from subfloor levels. Second, during the
                        1911-1914 excavations, many of the structures identified as “late” were
                        demolished. </p>
                    <p id="p_640" n="640">It is obviously impossible to provide accurate
                        chronological indications for these walls on the sole basis of their
                        construction technique, which is mainly irregular <hi1 rend="italic">opus
                            vittatum</hi1>. The only indisputable fact is that they date to a period
                        after the constructions that they altered. These are always works that were
                        aimed at readapting pre-existing structures, with the creation of new rooms
                        and a redistribution of the spaces. There was a marked preference for blocks
                        of limestone and <hi1 rend="italic">cardellino</hi1> among the recycled
                        materials, as they could be used with the greatest ease. Recycled brick was
                        used to adjust the courses and as shims. The <hi1 rend="italic"
                        >tesserae</hi1> of <hi1 rend="italic">opus reticulatum</hi1> were also
                        occasionally reused flat and not at 45-degree angle. </p>
                    <p id="p_641" n="641">
                        <list>
                            <item>MSU 10015a=461 demolished (<hi1 rend="bold">fig. 72</hi1>); cf.
                                type 3.3</item>
                            <item>Maximum visible height: ca. 0.30 m; length: ca. 5.90 m; thickness:
                                0.75 m; north-south alignment </item>
                            <item>MSU 10015b=850</item>
                            <item>Maximum visible height: ca. 0.35 m; length: c. 9.60 m; thickness:
                                0.66 m; east-west alignment</item>
                            <item>MSU 10040=843 </item>
                            <item>Maximum visible height: ca. 0.25 m; length: ca. 4.45 m; thickness:
                                0.57 m; north-south alignment</item>
                            <item>Rooms 37-40</item>
                        </list> These structures were restored in the course of the excavations in
                        the 1970s, when their tops were identified. The walls, constructed
                        contemporaneously with one another, were built to re-divide the spaces,
                        making use of pre-existing structures, at a time when the basin (room 37)
                        must have already been out of use and buried. </p>
                    <p id="p_642" n="642">The poorly preserved facings show irregular reuse of
                        blocks of <hi1 rend="italic">cardellino</hi1> and limestone (17-21 x 8-9 cm)
                        and of bricks (20-27 cm, 3-3.5 cm thick). The better-preserved bricks were
                        chosen for use in courses (the north face of 10015b and west face of 10040);
                        broken ones were used as shims. The mortar (CM 99/40, 99/52), where it can
                        be traced, is compact, reddish-brown in color, composed of lime and sand,
                        earthy, with volcanic elements and a small amount of fine gravel. The
                        partially uncovered foundations were built in an irregular way, with stones,
                        at times large, pebbles and recycled material. In MSU 422 (foundation of the
                        wall 10015a=461) a fragment of a sculpture was also found (VH 179; inv. SAL
                        114451). </p>
                    <p id="p_643" n="643"><list>
                            <item>MSU 10059</item>
                            <item>Maximum visible height: ca. 0.25 m; length: ca. 3.35 m; thickness:
                                0.50 m; north-south alignment. Also analogous are MSU 10065 and
                                10069.</item>
                            <item>Room 33</item>
                        </list> The much-restored masonry structure was built directly onto a
                        roof-tile floor, which constituted the subfloor of the hypocaust; it seems
                        highly probable that it was therefore a foundation structure, built, with
                        others, in order to be able to divide room 33 into several smaller rooms. </p>
                    <p id="p_644" n="644">The materials used are certainly recycled, set irregularly
                        and of various sizes; small blocks and chips of limestone, small blocks of
                            <hi1 rend="italic">cardellino</hi1>, limestone <hi1 rend="italic">opus
                            reticulatum tesserae</hi1> (placed horizontally), and brick chunks. The
                        binding (CM 99/69) is a very friable mortar, grey-beige in color, composed
                        of lime and, above all, of sand. </p>
                    <p id="p_645" n="645">The wall is set against MSU 10050 and in all probability
                        is joined to 10065, but this cannot be verified on account of the coping
                        added during restoration. </p>
                    <p id="p_646" n="646">It is possible to see from archival photographs (SAL E
                        729; see <ptr target="div4_c10.1.2.3" type="txt" n="D.1.2.2"/>, no. 2) that
                        at the moment of excavation these structures survived to a greater height.
                        It is also relevant to note that from a certain level upward they displayed
                        a fairly regular facing in small blocks (<hi1 rend="italic">opus
                        vittatum</hi1>); this would confirm the hypothesis that the remains visible
                        today originally served as foundations. </p>
                    <p id="p_647" n="647">The two walls that support the architrave inside building
                        53, and the architrave itself, consist of recycled materials, set
                        irregularly. The presence of corner stones is characteristic, as is the
                        absence of regular horizontal courses. </p>
                    <p>
                        <hi1 rend="bold">8. Specialized</hi1>
                        <hi1 rend="bolditalic">Opus Caementicium</hi1>
                        <hi1 rend="bold">with No Distinction between Core and Facing</hi1>
                    </p>
                    <p id="p_648" n="648"><list>
                            <item>MSU 10079=5003, 5004 (<hi1 rend="bold">fig. 73</hi1>)</item>
                            <item>Area 25 - <hi1 rend="italic">piscina</hi1></item>
                            <item>Space occupied: ca. 24.50 x 12.90 m; depth in relation to the
                                level of the surrounding terrain: ca. 2.00 m</item>
                        </list> The structure was analyzed in relation to the recent excavation, in
                        its northwest corner (Sector V). </p>
                    <p id="p_649" n="649">The large rectangular structure that occupies the center
                        (not geometrical) of the garden is constructed entirely in <hi1
                            rend="italic">opus signinum</hi1>, both in the raised part and on the
                        paved bottom.<ptr target="nt_c10.1.n94" n="94"/> There are four rectangular
                        external structures, two on each long side (north and south), partially
                        buried and destroyed. The central part of the south wall has completely
                        disappeared; the stretch of north wall between the two rectangular
                        structures has become detached and has slid some forty centimeters
                        southward. There is an aperture in the west wall, low down, at ca. 4.20 m
                        from the north corner, which joins to the drain conduit, regulated by a sump
                        abutting onto the outside (1.20 x 1.80 m). The sump is accessible by way of
                        two sets of foot-holes; each foot-hole is made of two cover-tiles (<hi1
                            rend="italic">imbrices</hi1>). </p>
                    <p id="p_650" n="650">The masonry consists of a mixture of mortar and fine
                        limestone rubble, laid thickly without any regularity and with no
                        distinction between core and facing. </p>
                    <p id="p_651" n="651">This type of masonry is used when a homogeneous and
                        waterproof structure is needed, because of its very compactness, which is
                        obtained by pounding the materials. The complete absence of traces of other
                        coating should not surprise us at all. This way of building was in fact
                        adequate for the purpose the structure was to serve (i.e., storage of
                        water), and so there was no need for further protection on the walls or
                        bottom.</p>
                </div3>
                <div3 id="div3_c10.1.5" type="section">
                    <head>
                        <bibl type="title">D.1.5. Appendix 2. Sampling of the Mortar<ptr
                                target="nt_c10.1.n95" n="95"/>
                        </bibl>
                    </head>
                    <p id="p_652" n="652">The considerable extent of the modern restoration of the
                        ancient structures is now certain, but at the beginning of our analysis, a
                        few areas presented some difficulties. Gathering samples of the mortar aided
                        in establishing what was really ancient from what was due to recent
                        reconstruction. Comparison of mortar samples has made it possible to
                        determine the antiquity of a structure, or at least of part of it. </p>
                    <p id="p_653" n="653">At present, the tops of the walls of the monument are
                        protected by a rounded coping of grit and cement. This was part of the
                        improvement works of the 1970s, which also refurbished those parts of
                        masonry that were by then dilapidated, with additions of cement mortar.<ptr
                            target="nt_c10.1.n96" n="96"/> The extensive, large-scale reconstruction
                        works were undertaken during Pasqui’s excavations (1911-1914), when they
                        used a mortar that did not contain cement. For this reason, it is not
                        immediately distinguishable from the original mortar, which was similarly
                        based on a mixture of lime and sand, or lime and <hi1 rend="italic"
                            >pozzolana</hi1>. The materials used for the reconstruction (bricks,
                        small blocks and truncated pyramidal <hi1 rend="italic">tesserae</hi1> of
                        limestone) are on the whole the ancient ones (with the exception of a few
                        bricks) and at times the restored portion does not present any setback in
                        the line of the facing. During subsequent work undertaken to protect the
                        structures, some walls were given a wash with a very watery mixture,
                        presumably cement-based. For this reason it is extremely difficult to find
                        the undoubtedly ancient and unadulterated mortar on the facings. </p>
                    <p id="p_654" n="654">Samples collected from walls that were doubtlessly
                        original (those discovered during our excavations) and from parts
                        attributable with certainty to restoration, made it possible to improve our
                        understanding of some previously suspect masonry sections.<ptr
                            target="nt_c10.1.n97" n="97"/>
                    </p>
                    <p id="p_655" n="655">Comparison of the samples has also proved to be useful in
                        the recognition of macroscopic differences in the ancient mortars,
                        pertaining either to different construction phases or to the specific
                        purpose(s) that a structure may have served. Although we do not believe that
                        a slight variation of the blend can in any way signify a different building
                        phase, it is nevertheless evident that the same materials were generally in
                        use at the same time, but this assumption does not hold when mortar of a
                        particular quality was required. </p>
                    <p id="p_656" n="656">The collection has collated about 170 samples; only half
                        of these have been judged fit for classification, in that they are
                        unadulterated. Physico-chemical analyses have not been carried out on them;
                        rather, we have limited ourselves to recording the macroscopic
                        characteristics, that is to say, the color, the assimilated material, any
                        inert elements present in the core of the masonry, and the granulometry. On
                        the basis of such evidence, we have attempted a division into groups. </p>
                    <p id="p_657" n="657">We found that most of the mortar samples display a slight
                        binding capacity and are very insubstantial, because there is little lime
                        present (<hi1 rend="italic">materia macra</hi1>). The mortar often appears
                        much deteriorated, evidently because of the acidic nature of the earth at
                        the site and because of the invasiveness of plants, which have impoverished
                        it considerably. In some cases, the binding identified has turned out to be
                        simply clay mixed with sand. </p>
                    <p id="p_658" n="658">In this rather depressing picture, the exception is
                        provided by the structures MSU 10068 (=4007 and 4202), its foundation MSU
                        4215, and all the specialized mortars (i.e., <hi1 rend="italic"
                        >cocciopesto</hi1>, and/or preparation for plastering). The walls in <hi1
                            rend="italic">opus reticulatum</hi1> are on the whole built with a
                        yellowish mortar, friable and not very cohesive; this is more or less the
                        same as that found in the walls of room 33, which have one side in brick. On
                        the other hand, the mortar of the basin of room 37 is different; it is
                        greyish in color and has a base similar to the blend of the coating in <hi1
                            rend="italic">cocciopesto</hi1>, and therefore is of good quality. It is
                        difficult to give an opinion on building 53, in which the modern binding has
                        completely taken the place of the ancient mortar on the facing. </p>
                    <p id="p_659" n="659">In addition to the presence of river sand in the mixtures,
                        there is a volcanic component (which does not seem to be <hi1 rend="italic"
                            >pozzolana</hi1>, however, a material that is here only used in the <hi1
                            rend="italic">cocciopesto</hi1>). Probably this component can be
                        identified as the so-called “<hi1 rend="italic">pozzolanella</hi1>,” a kind
                        of sand recovered from the uppermost strata of tufaceous deposits. </p>
                </div3>
            </div2>
            <div2 id="div2_c10.2" type="section" status="hidden">
                <head>
                    <bibl type="title">D.2. Pottery</bibl>
                </head>
                <p>
                    <hi1 rend="bold">By Claudia Angelelli</hi1>
                </p>
                <div3 id="div3_c10.2.1" type="section">
                    <head>
                        <bibl type="title">[text]</bibl>
                    </head>
                    <p>
                        <hi1 rend="italic">Editor’s Note: The text of this contribution was
                            submitted in 2000 and has not been changed to reflect publications that
                            appeared between 2001 and 2006.</hi1>
                    </p>
                    <p id="p_660" n="660">Before presenting the pottery material uncovered in the
                        1997-1999 excavation seasons at the Villa of Horace, it is important to note
                        a few general considerations which conditioned this study and affected,
                        sometimes significantly, the possibility of identification, classification
                        and dating of the finds. </p>
                    <p id="p_661" n="661">The first observation concerns the deposition and the
                        state of conservation of the pottery finds under examination. Primary
                        deposition can only be ascertained in the uppermost levels, namely in the
                        strata of late antiquity and the early Middle Ages. For example, in SU 450
                        and 1005, to cite the most striking cases, whole, or almost whole, items or
                        ones which could be largely recomposed were found. The degree of
                        fragmentation of the ceramic finds in most of the material from the other
                        strata, however, is very clear proof of the secondary nature of their
                        deposition. These fragments were often no bigger than 1-2 sq cm, so the
                        diameter of the rims and bases could not be reconstructed in 80 percent of
                        the cases. In addition, over half of the finds analyzed have surfaces that
                        are washed and rubbed away or corroded (because of the high acidity of the
                        soil), or else encrusted, thereby notably reducing the possibility of
                        identification. </p>
                    <p id="p_662" n="662">The second observation concerns the composition of the
                        ceramic contexts. Most of the strata (about two thirds of the total) have
                        been disturbed by excavation or by pillaging since antiquity (for instance,
                        Sector I, Period IV, activity 37), or by modern trenches and/or earthworks
                        that are connected with restoration or maintenance of the archaeological
                        site (such as Sector I, Period VI, activities 47-48). This fact and the
                        small extent of the area so far explored obviously impose considerable
                        constraints on the elaboration and interpretation of the
                        statistical-quantitative data, as the pottery sample analyzed cannot be
                        considered wholly trustworthy. This research still serves a purpose,
                        however, because knowledge of the stratigraphic sequence of the site will
                        enhance the strategy and timing of future archaeological excavations. </p>
                    <p id="p_663" n="663">The logical consequence of the situation at “Horace’s
                        Villa” is that the majority of the ceramic finds analyzed can be categorized
                        as “residual material” (namely, finds positioned in a stratum significantly
                        later than their date of production and circulation);<ptr
                            target="nt_c10.2.n1" n="1"/> the percentage of effective dating material
                        is thus reduced to 5-10 percent of the total. Thus it is evident that, in
                        this situation more than elsewhere, the typological analysis and
                        classification is of pieces that are wholly useless on their own.
                        Consequently, the resulting chronological extrapolations have been made with
                        these excavation data in mind, with the aim of reaching the most correct
                        interpretation possible by way of the overall assessment of the contexts. </p>
                    <p id="p_664" n="664">As noted above, only a small part of the excavated SU was
                        undisturbed, or at least stratigraphically trustworthy (activities 1-26, in
                        Sector I). Here the analysis of the pottery finds presents the diametric
                        opposite of that just described. A very low, or at least fairly low,
                        percentage of residual fragments is present, which makes reliable
                        chronological definition more feasible. This last observation concerns the
                        presence of certain ceramic classes. It now seems clear that the occupation
                        of the villa continued and developed (in ways and rhythms that could be
                        still better determined through further archaeological investigation) for
                        the whole of late antiquity and the early Middle Ages. This affirmation is
                        based on the attested classes of pottery, which delineate a chronological
                        span from the fourth to the ninth centuries. </p>
                    <p id="p_665" n="665">We must here consider more closely (not only
                        typologically) the evidence from materials such as the Forum ware
                        production, whose characteristics are wholly analogous with those of the
                        contemporary output in Rome and Lazio. These are not only a sure
                        chronological indicator but also an economic indicator, as they have so far
                        been found only in high-quality deposits, attributable to a fairly
                        high-class clientele.<ptr target="nt_c10.2.n2" n="2"/>
                    </p>
                    <p id="p_666" n="666">Another significant finding is the presence in some
                        quantity of amphora material from the sixth to the seventh centuries (from
                        Keay LII to various fragments of <hi1 rend="italic">spathia</hi1>, of a type
                        not identifiable, but generically assignable to this period). This seems to
                        indicate some sort of commercial traffic, spread over a long period of time,
                        and in part unexpected. </p>
                    <p id="p_667" n="667">Based on the data so far gathered, it is clear that this
                        line of research should be followed up, in an attempt to reconstruct not
                        only the history of the abandonment of the site but also of its
                        reoccupation. The broader topographical framework, including links with the
                        road system and other settlements of late antiquity and the early Middle
                        Ages in the area, should be explored as well. </p>
                    <p id="p_668" n="668">A further direction for this study stems from the evidence
                        of various ceramic fragments that can be dated to the middle and late
                        Republican period. These fragments, which come from Sector IV.2, SU
                        4217-4222 (as residues) and from Sector IV.1, SU 4013 (<hi1 rend="italic"
                            >VH-CC/12-13</hi1>: <hi1 rend="bold">fig. 3</hi1>), document with
                        certainty the use of the site in that period. </p>
                    <p id="p_669" n="669">Before proceeding with detailed illustration of the
                        material, we must emphasize a problem of which we were aware during this
                        research; that of trusting wholly to pottery for providing an absolute
                        chronology for the SU levels, when the wall structures have undergone heavy
                        restoration. For this reason, the study of the material has been carried out
                        bearing in mind the overall characteristics of the contexts and the physical
                        relationships between the strata, using the pottery to reconstruct an
                        absolute chronological sequence with caution. This is all to avoid the risks
                        deriving from an optimistic and misleading reading of the pottery data,
                        which only permits us to establish a <hi1 rend="italic">terminus post
                        quem</hi1>, with greater or lesser approximation. </p>
                </div3>
                <div3 id="div3_c10.2.2" type="section" status="hidden">
                    <head>
                        <bibl type="title">D.2.1. Thermal Zone (Sector I) </bibl>
                    </head>
                    <div4 id="div3_c10.2.2.1" type="section">
                        <head>
                            <bibl type="title">D.2.1.1. Period I </bibl>
                        </head>
                        <p id="p_670" n="670">
                            <table border="0">
                                <row>
                                    <cell><hi1 rend="italic">Activity 1</hi1>: </cell>
                                    <cell>Republican strata in room 38 <p>The stratigraphy
                                            associated with this phase provides little ceramic
                                            material; it is chronologically homogenous and
                                            attributable to the late Republican age (second to first
                                            centuries B.C.). </p>
                                        <p>SU 874: There are fragments of a black-glazed pottery
                                            base, Morel 300 type, belonging to an unidentified open
                                            shape, generically datable between the third and second
                                            centuries B.C., and an example of <hi1 rend="italic"
                                                >Sutri</hi1> A60 <hi1 rend="italic">olla</hi1>,<ptr
                                                target="nt_c10.2.n3" n="3"/> dating to the first
                                            century B.C. </p>
                                        <p>SU 875: The only recognizable fragment is that of an <hi1
                                                rend="italic">olla</hi1> with almond-shaped rim,
                                            typical of the late Republican period.<ptr
                                                target="nt_c10.2.n4" n="4"/>
                                        </p></cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 2</hi1>: </cell>
                                    <cell>Construction of the quadrangle (<hi1 rend="italic"
                                        >atrium</hi1> with <hi1 rend="italic">impluvium</hi1>)
                                            <p>Little significant ceramic material emerged from the
                                            strata pertaining to this activity, just a very few
                                            fragments of common pottery sides, which are not
                                            attributable to specific shapes or types. We have more
                                            evidence as far as the stratigraphy of the <hi1
                                                rend="italic">impluvium</hi1> construction is
                                            concerned, in particular from SU 644, which has produced
                                            a fragment of cup foot of Italic terra sigillata, of
                                            unidentified type. </p></cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 3</hi1>: </cell>
                                    <cell>The drain construction <p>The SU connected with this work
                                            did not produce ceramic material. </p></cell>
                                </row>
                            </table>
                        </p>
                    </div4>
                    <div4 id="div4_c10.2.2.2" type="section">
                        <head>
                            <bibl type="title">D.2.1.2. Period II </bibl>
                        </head>
                        <p id="p_671" n="671">
                            <table border="0">
                                <row>
                                    <cell>
                                        <hi1 rend="italic">Activity 4</hi1>
                                    </cell>
                                    <cell>: Preparation of the floor surface of the <hi1
                                            rend="italic">atrium</hi1>
                                        <p>The extremely sparse ceramic material produced from the
                                            stratigraphy here is largely unidentifiable. Only SU 873
                                            yielded some thin-walled ceramic fragments,
                                            unfortunately not attributable to specific shapes or
                                            types. </p></cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 5</hi1>: </cell>
                                    <cell>Strata of material raising the level of the quadrangle
                                            <p>The strata connected with this activity yielded a
                                            certain amount of ceramic material, datable mainly
                                            between the Augustan and Flavian periods, with a small
                                            nucleus of residual material (consisting mainly of
                                            black-glazed pottery), dating to the late Republican
                                            period. </p><p>SU 629: The pottery material is both very
                                            scarce and in a very poor state of preservation. The
                                            surfaces have been washed away and therefore it is not
                                            identifiable. </p>
                                        <p>SU 646: The only identifiable fragment is an example of
                                            an <hi1 rend="italic">Albintimilium 109</hi1>-type pan
                                            with rim <hi1 rend="italic">a tesa</hi1>, dating from
                                            the Augustan period,<ptr target="nt_c10.2.n5" n="5"/>
                                            together with a fragment of a thin-walled cup, which has
                                            no decoration and is therefore chronologically
                                            unidentifiable. In the stratum, among the residues,
                                            there is also a fragment of a black-glazed ceramic cup
                                            rim, Morel 2615 type. </p>
                                        <p>SU 631: No important material was found (only pot walls).
                                            The single recognizable fragment belongs to a
                                            thin-walled ceramic cup. </p>
                                        <p>SU 860: One of the few identifiable fragments is the rim
                                            of a common kitchenware <hi1 rend="italic"
                                                >olla</hi1><ptr target="nt_c10.2.n6" n="6"/> to
                                            which can be added a rim and wall belonging to a
                                            thin-walled cup, decorated <hi1 rend="italic">à la
                                                barbotine</hi1>, of the <hi1 rend="italic">Atlante
                                                1/39</hi1> type,<ptr target="nt_c10.2.n7" n="7"/>
                                            dating from the Augustan Age. In this level, as in the
                                            preceding one, the residual materials include some
                                            black-glazed pottery fragments, among which is the rim
                                            of a Morel 2900-type cup. </p>
                                        <p>SU 865: The material is generally attributable to the
                                            early imperial period (Italic <hi1 rend="italic">terra
                                                sigillata</hi1>, thin-walled ware, etc.). In
                                            particular, some fragments of everyday kitchenware, such
                                            as the <hi1 rend="italic">Curia 101</hi1> pot and the
                                                <hi1 rend="italic">Curia 189 olla</hi1>, can be
                                            attributed to the Flavian period.<ptr
                                                target="nt_c10.2.n8" n="8"/>This chronology was also
                                            suggested by a fragment of the wall of a vessel of
                                            African red slip “A” ware, from a piece of unfortunately
                                            undetermined shape. </p>
                                        <p>SU 870: There is one fragment of a plate of <hi1
                                                rend="italic">Atlante XIX</hi1>-type Italic <hi1
                                                rend="italic">terra sigillata</hi1>,<ptr
                                                target="nt_c10.2.n9" n="9"/> datable to the first
                                            decades of the first century A.D., and a fragment of a
                                                <hi1 rend="italic">Curia 101</hi1>-type pot rim,
                                            found also in SU 865 (see above). </p>
                                        <p>SU 1006: No identifiable material was found, just some
                                            common pottery wall fragments and fragments of common
                                            kitchenware. </p>
                                        <p>The presence of joins between fragments from different
                                            strata and their typological and chronological
                                            homogeneity confirms the uniformity of the intervention
                                            and the rapid superimposing of the various levels of
                                            earthing-over (necessary for the creation of the mosaic
                                            floor of the <hi1 rend="italic">frigidarium</hi1>; cf.
                                            activity 6) in a fairly short span of time, perhaps to
                                            be placed in the first half of the second century A.D.
                                        </p></cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 6</hi1>: </cell>
                                    <cell>Creation of the <hi1 rend="italic">frigidarium</hi1>
                                        mosaic <p>The only stratum with identifiable ceramic
                                            material (SU 604) yielded just one important fragment,
                                            belonging to a <hi1 rend="italic">Curia 72
                                                olla</hi1><ptr target="nt_c10.2.n10" n="10"/> of the
                                            Flavian period, which is therefore to be considered the
                                                <hi1 rend="italic">terminus post</hi1> or <hi1
                                                rend="italic">ad quem</hi1> for the dating of the
                                            activity. The other pottery and non-pottery material
                                            does not give us any further chronological indications.
                                        </p></cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 7</hi1>: </cell>
                                    <cell>The SU connected with this intervention did not produce
                                        ceramic material.</cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 8</hi1>: </cell>
                                    <cell>Material raising the floor level of room 50 <p>SU 288: The
                                            most recent material is a cup of African red slip “A”
                                            ware, together with fragments of amphorae of the Dressel
                                            2-4 and 9 types. Fragments of Italic <hi1 rend="italic"
                                                >terra sigillata</hi1> were also found, including
                                            the rim of a <hi1 rend="italic">Conspectus
                                            34.1</hi1>-type cup, dating to between the Tiberian and
                                            Flavian periods, and an unidentifiable foot fragment,
                                            with a seal in <hi1 rend="italic">planta pedis</hi1>: MA
                                            [---] (VH 076, <hi1 rend="bold">fig. 23</hi1>). </p>
                                        <p>SU 316: This layer contains common table- and kitchenware
                                            from the second half of the first century A.D.,
                                            presumably from the Flavian period. Among these are a
                                                <hi1 rend="italic">Curia 63</hi1>-type bottle,<ptr
                                                target="nt_c10.2.n11" n="11"/> cups of the <hi1
                                                rend="italic">Albintimilium 303</hi1>, <hi1
                                                rend="italic">315</hi1>, <hi1 rend="italic"
                                                >32</hi1>-type,<ptr target="nt_c10.2.n12" n="12"/>
                                            and <hi1 rend="italic">Curia 105</hi1> and <hi1
                                                rend="italic">148</hi1>-type <hi1 rend="italic"
                                                >ollae</hi1>.<ptr target="nt_c10.2.n13" n="13"/> The
                                            residual material is scarce, particularly the
                                            thin-walled and Italic <hi1 rend="italic">terra
                                                sigillata</hi1> pottery, of which one fragment (VH
                                            079) bears the seal C […]. </p>
                                        <p>SU 319: This stratum unfortunately does not contain
                                            diagnostic material (only fragments of pot sides). A
                                                <hi1 rend="italic">terminus post quem</hi1> is
                                            established, however, by the presence of some fragments
                                            of plastering dating from the Augustan age (see Mols,
                                                <ptr target="div3_c10.9.1" type="txt" n="D.9"/>). </p>
                                        <p>SU 327: It contains three fragments of rims and a wall
                                            belonging to a single example of Iberian amphora,
                                            Beltran II A type (cf. SU 333, activity 12), together
                                            with one fragment of Italic <hi1 rend="italic">terra
                                                sigillata</hi1> wall. Among the marble fragments
                                            from this level, the presence of several relating to
                                            some small fragments of <hi1 rend="italic"
                                            >bardiglio</hi1> is probably datable to the first
                                            century A.D. This marble is generally not used after
                                            this period, although it is occasionally recycled. </p>
                                        <p>SU 337: There are two fragments of Italic <hi1
                                                rend="italic">terra sigillata</hi1> wall, which
                                            because of their fabric and glazing are perhaps datable
                                            to the period of Augustus or Tiberius. The same
                                            chronology seems to be confirmed by the other pottery
                                            elements found in this level, in particular some
                                            fragments of <hi1 rend="italic">Albintimilium 37
                                            </hi1>and <hi1 rend="italic">41</hi1>-type <hi1
                                                rend="italic">ollae</hi1> attributable to the late
                                            Republican period.<ptr target="nt_c10.2.n14" n="14"/>
                                        </p></cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 9</hi1>: </cell>
                                    <cell>The construction of the basin (37) <p>The SU relating to
                                            this work did not produce ceramic material. </p></cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 10</hi1>: </cell>
                                    <cell> The construction of the apse in room 51 <p>Various
                                            ceramic fragments were recovered from the excavation of
                                            the fill (SU 313) of the trench in the foundations of
                                            the apse (SU 312). The material dates to the period
                                            between the third quarter of the first century and the
                                            first decades of the second century A.D. Fairly
                                            characteristic of this period are the <hi1 rend="italic"
                                                >Curia 105</hi1>-type saucepan,<ptr
                                                target="nt_c10.2.n15" n="15"/> the <hi1
                                                rend="italic">Albintimilium 175</hi1>-type lid,<ptr
                                                target="nt_c10.2.n16" n="16"/> and the <hi1
                                                rend="italic">olla</hi1>, probably of local
                                            production, of the type <hi1 rend="italic"
                                            >VH-CM/14-15</hi1> (<hi1 rend="bold">fig. 14</hi1>); for
                                            the dating, cf. activity 15). The stratum also contains
                                            some pieces datable to late antiquity and the early
                                            Middle Ages, such as the <hi1 rend="italic"
                                                >Albintimilium 80-82</hi1>-type <hi1 rend="italic"
                                                >olla</hi1> and the <hi1 rend="italic">Albintimilium
                                                305</hi1>-type small cup.<ptr target="nt_c10.2.n17"
                                                n="17"/>These last are certainly adulterating
                                            elements, having ended up in the soil through the
                                            upheavals of the numerous excavations in the twentieth
                                            century. </p></cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 11</hi1>: </cell>
                                    <cell>The installation of a lead <hi1 rend="italic"
                                        >fistula</hi1> in room 37 <p>The SU relating to this work
                                            did not produce ceramic material. </p></cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 12</hi1>: </cell>
                                    <cell>The installation of a lead <hi1 rend="italic"
                                        >fistula</hi1> in room 50 <p>SU 318: Among the few pottery
                                            elements were found a fragment of Italic <hi1
                                                rend="italic">terra sigillata</hi1> cup rim of the
                                                <hi1 rend="italic">Atlante XXV</hi1>, <hi1
                                                rend="italic">7</hi1> type, datable to the
                                            Augustan/Tiberian period; three fragments of thin-walled
                                            pottery cup, of an unidentified type; and one fragment
                                            of Italic production amphora neck (perhaps to be
                                            attributed to the Tyrrhenian area, because of the
                                            characteristics of the clay). </p>
                                        <p>SU 333: There are two joining fragments of Beltran II
                                            A-type amphora rim (late Augustan Age – second century
                                            A.D., cf. SU 337), and one fragment of an amphora handle
                                            of African production, which cannot date from before the
                                            early imperial age on account of its morphological
                                            characteristics. </p></cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 13</hi1>: </cell>
                                    <cell>Construction of the walls of room 50 <p>The one stratum
                                            containing pottery material (SU 266) offers only walls
                                            of amphorae of medium-large dimensions, probably
                                            produced in Africa and generically attributable to the
                                            early imperial age. </p></cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 14</hi1>: </cell>
                                    <cell>Construction of the mosaic and of the plastering of the
                                            <hi1 rend="italic">frigidarium</hi1> wall. <p>The only
                                            chronological evidence comes from the excavation of SU
                                            834. Here was found a fragment of amphora, which,
                                            because of the characteristics of its fabric, is
                                            classifiable as Iberian production of the second half of
                                            the first-second century. A <hi1 rend="italic">terminus
                                                post quem</hi1>, which at first sight would seem to
                                            confirm this dating, is the presence in the stratum of
                                            some elements of a <hi1 rend="italic">sectile</hi1>
                                            pavement, triangles in slate and white marble, probably
                                            coming from the demolition of a floor of the early
                                            imperial period (see below). </p></cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 15</hi1>: </cell>
                                    <cell>Construction of the floor level in room 50 <p>SU 261:
                                            Notable among the ceramic material are two fragments of
                                            Beltran II A-type amphora rim (of which one joins
                                            another fragment from SU 327: see above); one fragment
                                            of <hi1 rend="italic">Curia 97</hi1>-type <hi1
                                                rend="italic">olla</hi1>; and one fragment of <hi1
                                                rend="italic">Albintimilium 175</hi1>-type lid. </p>
                                        <p>SU 274: Among the important fragments are the rim of an
                                                <hi1 rend="italic">olla</hi1> with out-turned and
                                            slightly thickened rim, short neck and shoulder marked
                                            by two parallel grooves; it is the <hi1 rend="italic"
                                                >VH-CC/1</hi1> type (fig. 2), datable from analogous
                                            pieces to the first century A.D.<ptr
                                                target="nt_c10.2.n18" n="18"/> There are also two
                                            examples of rims of <hi1 rend="italic">ollae</hi1> of
                                            common pottery of the <hi1 rend="italic"
                                            >VH-CM/14-15</hi1> type (<hi1 rend="bold">fig.
                                            14</hi1>). This shape, characterized by a rounded rim,
                                            tapering on the upper side, short neck, shoulder marked
                                            by a small listel, and cylindrical body, has been
                                            attributed to late antiquity on the basis of very few
                                                comparisons.<ptr target="nt_c10.2.n19" n="19"/> Its
                                            presence in strata linked to activities datable to the
                                            first decades of the second century allows us to put
                                            back considerably the chronology thus far accepted.<ptr
                                                target="nt_c10.2.n20" n="20"/>
                                        </p>
                                        <p>SU 321: Among the everyday kitchen-ware are some forms
                                            characteristic of the early imperial period, in
                                            particular one fragment of a saucepan, with rim <hi1
                                                rend="italic">a tesa</hi1>, of the <hi1
                                                rend="italic">Albimintilium 109</hi1> type,<ptr
                                                target="nt_c10.2.n21" n="21"/> from a stratum dating
                                            to the early Augustan Age, and one fragment of <hi1
                                                rend="italic">Albimintilium 175</hi1>-type lid, a
                                            shape somewhat characteristic of the Flavian period.<ptr
                                                target="nt_c10.2.n22" n="22"/> The residual material
                                            includes one fragment of black-glazed pottery and
                                            several fragments of Graeco-Italic amphora. Among the
                                            marble finds, note the prevalence of types typical of
                                            the early imperial period, such as white Luni marble and
                                                <hi1 rend="italic">bardiglio</hi1>. </p>
                                        <p>The presence of joins with fragments from SU 327 (cf.
                                            activity 8, above) provides the archaeological proof
                                            that the various activities belong to a single building
                                            phase. </p></cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 16</hi1>: </cell>
                                    <cell> Strata of material used to raise the level of room 50
                                            <p>SU 211: This has yielded one single example of
                                            pottery, a cooking-bowl rim attributable to the early
                                            imperial period.<ptr target="nt_c10.2.n23" n="23"/>
                                        </p>
                                        <p>SU 229: Among the few identifiable pottery fragments are
                                            two rims of pottery cooking lids, with raised edges
                                                (<hi1 rend="italic">VH-CC/51</hi1> and <hi1
                                                rend="italic">CC/56</hi1> type: <hi1 rend="bold"
                                                >fig. 11</hi1>), characterized by a shape typical of
                                            the early imperial age, and particularly of the Flavian
                                                period.<ptr target="nt_c10.2.n24" n="24"/> The rim
                                            of an Italic <hi1 rend="italic">terra sigillata</hi1>
                                            cup of the <hi1 rend="italic">Atlante XXV </hi1>type,
                                            datable to between the first decades of the first
                                            century B.C. and the Tiberian period, points to the same
                                            chronology, as does a fragment of a thin-walled cup of
                                            an unidentified type, decorated <hi1 rend="italic">à la
                                                barbotine</hi1>. </p></cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activities 17-21</hi1>: </cell>
                                    <cell>No significant pottery elements were found. </cell>
                                </row>
                            </table>
                        </p>
                    </div4>
                    <div4 id="div4_c10.2.2.3" type="section">
                        <head>
                            <bibl type="title">D.2.1.3. Period III </bibl>
                        </head>
                        <p id="p_672" n="672">
                            <table border="0">
                                <row>
                                    <cell><hi1 rend="italic">Activity 22</hi1>: </cell>
                                    <cell>No significant pottery elements were found. </cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 23</hi1>: </cell>
                                    <cell>Construction of a series of walls inside room 40. <p>The
                                            pottery material was all recovered in the excavation
                                            carried out in the foundation trench SU 647. Among the
                                            identifiable elements are an example of a Dressel
                                            2-4-type amphora; two joining rims of Dressel 1-type
                                            amphorae; several fragments of Italic <hi1 rend="italic"
                                                >terra sigillata</hi1>; and a handle and two pot
                                            walls belonging to a single example of a thin-walled cup
                                            of unidentified type. The early imperial chronology of
                                            this group of elements leads us to hypothesize that the
                                            foundation trench was filled with the excavated earth
                                            itself. </p></cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 24</hi1>: </cell>
                                    <cell>No significant pottery elements were found. </cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 25</hi1>: </cell>
                                    <cell>Strata of rubble inside room 50. <p>The SU levels relating
                                            to this work are strata of material used to raise the
                                            level of the floor. These consist of soil, probably
                                            taken from the vicinity of the villa, unloaded in
                                            various heaps close to one another, as is shown by the
                                            various joins found between ceramic fragments coming
                                            from stratigraphically distinct units. </p>
                                        <p>SU 211: The only identifiable fragment is a sample of
                                            bowl rim, attributable to the early imperial age. <ptr
                                                target="nt_c10.2.n25" n="25"/></p>
                                        <p>SU 255: This level contains a fragment of the rim of a
                                            pottery cooking-vessel (<hi1 rend="italic"
                                            >VH-AC/2</hi1>: <hi1 rend="bold">fig. 21</hi1>), whose
                                            shape is not exactly analogous to the common categories
                                            of local production but is quite near to that of the
                                            examples of African red slip “D” ware.<ptr
                                                target="nt_c10.2.n26" n="26"/> Note also the <hi1
                                                rend="italic">VH-AC/3</hi1> type (<hi1 rend="bold"
                                                >fig. 21</hi1>), whose shape recalls that of the
                                                <hi1 rend="italic">Ostia 216</hi1> type and is
                                            similar to an example from Lugnano.<ptr
                                                target="nt_c10.2.n27" n="27"/> There are also
                                            examples of African production among the kitchenware,
                                            with one fragment of a Hayes 196-type saucepan (end of
                                            the second to the fifth century). Together with this
                                            body of later material, there is also a nucleus of
                                            residual elements, including thin-walled pottery (some
                                            with decoration <hi1 rend="italic">à la barbotine</hi1>)
                                            and numerous fragments of kitchenware. Significant among
                                            these are some rims of pans <hi1 rend="italic">a
                                            tesa</hi1>, typical of the early imperial age; the <hi1
                                                rend="italic">VH-CC/41</hi1>-type vessel (<hi1
                                                rend="bold">fig. 8</hi1>); a type of <hi1
                                                rend="italic">olla</hi1> with rim thickened and
                                            slightly out-turning (<hi1 rend="italic">VH-CM/10</hi1>:
                                                <hi1 rend="bold">fig. 13</hi1>); and another, with
                                            its rim thickened and folded outward, flattened on its
                                            upper surface and rounded on its exterior, with
                                            cylindrical body (<hi1 rend="italic">VH-CM/13</hi1>:
                                                <hi1 rend="bold">fig. 13</hi1>). </p>
                                        <p>SU 262: This stratum contains no typologically important
                                            material (a few fragments of amphora walls and handles,
                                            of unidentified production, and some table- and
                                            kitchenware walls). </p>
                                        <p>SU 271: The material is exclusively residual. There are
                                            two exemplars of African red slip ware cup rims (one of
                                            which joins a fragment from SU 272: see below), of the
                                                <hi1 rend="italic">Atlante XXV</hi1> and <hi1
                                                rend="italic">XXVII </hi1>types, datable to between
                                            the first decades of the first century B.C. and the
                                            Tiberian period. Among the common pottery, there are
                                            several examples of bowls, all characterized by the rim,
                                            thickened and rounded on the outside, and by the deep
                                            body (types <hi1 rend="italic">VH-CM/18-20</hi1>: <hi1
                                                rend="bold">figs. 15-16</hi1>). This shape has
                                            precise analogies at Luni<ptr target="nt_c10.2.n28"
                                                n="28"/> and at <hi1 rend="italic"
                                                >Albintimilium</hi1>.<ptr target="nt_c10.2.n29"
                                                n="29"/> Also note the fragment of a pot rim, type
                                                <hi1 rend="italic">VH-CC/41</hi1> (joining a
                                            fragment from SU 255: <hi1 rend="bold">fig. 8</hi1>).
                                            Most of the ceramic material, therefore, can be ascribed
                                            to the period between the end of the first century and
                                            the first decades of the second century A.D. </p>
                                        <p>SU 272: In this stratum only residual elements were
                                            found, dated to the first and second centuries.
                                            Important are one fragment of <hi1 rend="italic">Curia
                                                145</hi1>-type pan rim;<ptr target="nt_c10.2.n30"
                                                n="30"/> one fragment of African kitchenware rim,
                                            Hayes 196 type; and one fragment of Italic <hi1
                                                rend="italic">terra sigillata</hi1> cup rim, <hi1
                                                rend="italic">Atlante XXVII</hi1> type,<ptr
                                                target="nt_c10.2.n31" n="31"/> which joins a
                                            fragment from SU 271 and is datable to the period
                                            between the Augustan Age and the second century A.D. </p>
                                        <p>SU 275: This stratum contains a high degree of residual
                                            elements. It yielded one fragment of Italic <hi1
                                                rend="italic">terra sigillata</hi1> cup, <hi1
                                                rend="italic">Atlante XXV</hi1> type (<hi1
                                                rend="italic">VH-TS/1</hi1>: <hi1 rend="bold">fig.
                                                20</hi1>), datable between the first decades of the
                                            first century B.C. and the Tiberian period, as well as
                                            numerous fragments of thin-walled pottery (perhaps from
                                            the Augustan period) and two amphorae, one of
                                            Graeco-Italic production (<hi1 rend="italic"
                                            >VH-A/2</hi1>: <hi1 rend="bold">fig. 1</hi1>) and one
                                            Dressel 8 (<hi1 rend="italic">VH-A/6</hi1>: <hi1
                                                rend="bold">fig. 1</hi1>). These are to be placed in
                                            a rather broad chronological span, between the second
                                            century B.C. and the first century A.D., along with a
                                            large quantity of walls, some of which probably belong
                                            to examples of Dressel 1 and 2/4. Among the common
                                            pottery, several fragments are attributable to the early
                                            imperial age, such as the Lugnano 83-type <hi1
                                                rend="italic">olla</hi1><ptr target="nt_c10.2.n32"
                                                n="32"/> and the <hi1 rend="italic">Curia
                                            124</hi1>-type lid.<ptr target="nt_c10.2.n33" n="33"/>
                                            The local productions include the VH-CC/4 type (fig. 2),
                                            comparable with examples from Lugnano<ptr
                                                target="nt_c10.2.n34" n="34"/> and Luni<ptr
                                                target="nt_c10.2.n35" n="35"/> datable to the first
                                            century A.D. On the other hand, two fragments with
                                            hollowed rims, which are comparable to the Lugnano 200
                                                type,<ptr target="nt_c10.2.n36" n="36"/>are probably
                                            datable to late antiquity. </p>
                                        <p>SU 283: The class mostly represented is common tableware,
                                            among which figures the <hi1 rend="italic"
                                            >VH-CM/12</hi1>-type cup (<hi1 rend="bold">fig.
                                            13</hi1>), characterized by a rim of four-cornered cross
                                            section and deep central grooving, flattened on top and
                                            slightly hollowed on the inside. This has analogies in
                                                Campania,<ptr target="nt_c10.2.n37" n="37"/> at
                                                Luni,<ptr target="nt_c10.2.n38" n="38"/> and at <hi1
                                                rend="italic">Albintimilium</hi1>,<ptr
                                                target="nt_c10.2.n39" n="39"/> all datable within
                                            the first century A.D. There is also a fragment of <hi1
                                                rend="italic">VH-CM/14-15</hi1>-type <hi1
                                                rend="italic">olla</hi1> (<hi1 rend="bold">fig.
                                            14</hi1>; for the chronology, cf. activity 15). Among
                                            the kitchenware, note the <hi1 rend="italic">Curia
                                            106</hi1>-type pan<ptr target="nt_c10.2.n40" n="40"/>
                                            and the <hi1 rend="italic">VH-CC/28 </hi1>type (<hi1
                                                rend="bold">fig. 6</hi1>), similar to the previous
                                            one, which has analogies with examples from Cosa,<ptr
                                                target="nt_c10.2.n41" n="41"/> Amelia,<ptr
                                                target="nt_c10.2.n42" n="42"/> and Lugnano.<ptr
                                                target="nt_c10.2.n43" n="43"/> There is also a <hi1
                                                rend="italic">VH-CC/26 olla</hi1> (<hi1 rend="bold"
                                                >fig. 6</hi1>), which is comparable to a similar
                                            type from Lugnano.<ptr target="nt_c10.2.n44" n="44"/>
                                            Furthermore, the African red slip ware cup rim of Hayes
                                            8 type is also from the same time period, datable to
                                            between the end of the first and the middle of the
                                            second century. </p>
                                        <p>SU 285: From this stratum we have only material from the
                                            early imperial period, clearly residual. Among these
                                            finds are a fragment of Italic <hi1 rend="italic">terra
                                                sigillata</hi1>, unidentifiable thin walls and
                                            common pottery, and numerous fragments of amphorae,
                                            whose provenance unfortunately cannot be established.
                                            The only significant fragment is an example of <hi1
                                                rend="italic">Albintimilium 109</hi1> pan<ptr
                                                target="nt_c10.2.n45" n="45"/> from the early
                                            Augustan period. </p></cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 26</hi1>: </cell>
                                    <cell>Abandonment of the upper flat level of room 50 <p>SU 209:
                                            Among the few pottery fragments, there is an amphora
                                                (<hi1 rend="italic">VH-A/7</hi1>: <hi1 rend="bold"
                                                >fig. 1</hi1>), a variant of the Dressel 6 A type,
                                            datable to between the second half of the first century
                                            B.C. and the first century A.D. From the same
                                            chronological range are two fragments of basin rim, of
                                            which one is similar to the Hartley 2 type and one with
                                            thickened and molded lip, as the <hi1 rend="italic"
                                                >VH-CM/24</hi1> type (<hi1 rend="bold">fig.
                                            17</hi1>). Dating is established by a bowl rim of common
                                            kitchen pottery, <hi1 rend="italic">VH-CC/45</hi1> type
                                                (<hi1 rend="bold">fig. 9</hi1>), with deep belly,
                                            rounded rim and shoulder marked with grooving. This is
                                            similar to the <hi1 rend="italic">Curia 387</hi1>
                                                type<ptr target="nt_c10.2.n46" n="46"/> and related
                                            to the Hayes 63 type, produced in African red slip ware
                                            between the middle of the fourth century and the middle
                                            of the fifth century. </p>
                                        <p>SU 220: This stratum contains several fragments of
                                            African kitchenware, of which the only identifiable
                                            piece is a Hayes 196-type bowl lid rim, dating to
                                            anywhere in a very long time span. There are two lid rim
                                            fragments of kitchenware, which are unfortunately not
                                            attributable to any particular type, although the
                                            morphology, with thickened and raised rim, would
                                            indicate the early imperial period. </p></cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activities 27-29</hi1>: </cell>
                                    <cell>No significant pottery elements were found. </cell>
                                </row>
                            </table>
                        </p>
                    </div4>
                    <div4 id="div4_c10.2.2.4" type="section">
                        <head>
                            <bibl type="title">D.2.1.4. Period IV </bibl>
                        </head>
                        <p id="p_673" n="673">
                            <table border="0">
                                <row>
                                    <cell><hi1 rend="italic">Activity 30</hi1>:</cell>
                                    <cell>Excavation and refilling of a trench in room 39 <p>SU
                                            1005: This SU contains a considerable quantity of
                                            pottery material, presumably of primary deposition,
                                            attributable overall to late antiquity and the early
                                            Middle Ages. In addition to two fragments of <hi1
                                                rend="italic">spathia</hi1>, fragments of <hi1
                                                rend="italic">ollae</hi1> were found of the
                                            following types: <hi1 rend="italic">Albintimilium
                                            71-74</hi1> (fourth to sixth century), <hi1
                                                rend="italic">202</hi1> (beginning of the fifth to
                                            the seventh century), and <hi1 rend="italic">204</hi1>
                                            (end of the sixth to the seventh century). The common
                                            pottery, probably of local production, seems always to
                                            be of a type of fabric characterized by an extremely
                                            high level of calcareous ingredients. </p></cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activities 31-34</hi1>: </cell>
                                    <cell>No significant pottery elements were found, except some
                                        fragments of Forum ware (SU 1220, activity 31), dating to
                                        the eighth to ninth century. </cell>
                                </row>
                                <row>
                                    <cell>
                                        <hi1 rend="italic">Activity 35</hi1>: </cell>
                                    <cell>
                                        <p>Partial collapse of the <hi1 rend="italic"
                                            >frigidarium</hi1> structures </p>
                                        <p>SU 433: A certain amount of pottery material was found,
                                            consisting of residues dating to the early imperial
                                            period. Among these are a <hi1 rend="italic">Curia
                                            61</hi1>-type bottle rim<ptr target="nt_c10.2.n47"
                                                n="47"/> and the <hi1 rend="italic"
                                            >VH-CC/3</hi1>-type <hi1 rend="italic">olla</hi1> (<hi1
                                                rend="bold">fig. 2</hi1>), comparable to examples
                                            from Settefinestre<ptr target="nt_c10.2.n48" n="48"/>
                                            and from Cosa.<ptr target="nt_c10.2.n49" n="49"
                                            />Confirming the dating are one fragment of a small jug
                                            base of Forum ware of unidentifiable type and several
                                            fragments of bowls of <hi1 rend="italic">VH-CC/34</hi1>
                                                (<hi1 rend="bold">fig. 8</hi1>) and <hi1
                                                rend="italic">VH-CM/27</hi1> type (<hi1 rend="bold"
                                                >fig. 17</hi1>). These are both characterized by
                                            deep hemispherical bellies and rounded rims marked all
                                            the way around with a groove, a characteristic shape of
                                            the common pottery of late antiquity and adopted in the
                                            heavy-glazed production.<ptr target="nt_c10.1.n50"
                                                n="50"/>
                                        </p>
                                    </cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 36</hi1>: </cell>
                                    <cell>No significant pottery elements were found. The only
                                        identifiable find (a fragment of white, monochrome majolica
                                        of the seventeenth-eighteenth centuries) must be considered
                                        to have been interpolated as result of agricultural
                                        activities in the last century. </cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 37</hi1>: </cell>
                                    <cell>Episodes of ransacking and destruction <p>SU 265: The
                                            level contains only pot sides, of which the identifiable
                                            finds are one fragment belonging to a casserole of
                                            African kitchenware, possibly of the Hayes 197 type
                                            (datable to between the end of the second and the end of
                                            the fourth or beginning of the fifth century) and a
                                            fragment of amphora side, whose fabric shows it to be of
                                            the Late Roman 3 production, datable to between the end
                                            of the fourth and the end of the sixth century. </p>
                                        <p>SU 277: Among the recognizable ceramic finds there are
                                            only residual materials, including a fragment of an
                                            Italic <hi1 rend="italic">terra sigillata</hi1> cup,
                                            Dragendorff 24/25 type (dating to between the Tiberian
                                            period and the first quarter of the second century), and
                                            an example of a <hi1 rend="italic">VH-CM/23</hi1>-type
                                            basin, with thickened rim, rounded on the upper side,
                                            vertical lip and truncated ovoid belly (<hi1 rend="bold"
                                                >fig. 17</hi1>). </p>
                                        <p>SU 278: The ceramic material recovered is mostly
                                            residual. This includes one fragment of an olla<ptr
                                                target="nt_c10.1.n51" n="51"/> (<hi1 rend="italic"
                                                >VH-CC/5</hi1>: <hi1 rend="bold">fig. 3</hi1>),
                                            generically attributed to the first century, and one
                                            fragment of thin-walled cup rim of the <hi1
                                                rend="italic">Atlante 1/33</hi1> type, bearing
                                            decorations with beads and petals of the <hi1
                                                rend="italic">Atlante 117</hi1> type, dated between
                                            the time of Tiberius and that of Claudius. Among the
                                            important fragments, there is also, as part of the
                                            common pottery, a group of fragments of <hi1
                                                rend="italic">ollae</hi1>, <hi1 rend="italic"
                                                >VH-CM/14-15</hi1> type (<hi1 rend="bold">fig.
                                            14</hi1>) and basins, <hi1 rend="italic"
                                            >VH-CM/21-22</hi1> (<hi1 rend="bold">fig. 15</hi1>).
                                            Noteworthy kitchenware includes the pan with rim <hi1
                                                rend="italic">a tesa</hi1>, <hi1 rend="italic"
                                                >VH-CC/32</hi1> type (<hi1 rend="bold">fig.
                                            7</hi1>), which has distinct analogies at
                                                Settefinestre,<ptr target="nt_c10.1.n52" n="52"/>
                                            from strata of the first half of the second century,
                                            together with several fragments of <hi1 rend="italic"
                                                >ollae</hi1>, which are datable to the Flavian age
                                            on the basis of comparisons and which are characterized
                                            by a fabric very rich in augite and mica (<hi1
                                                rend="italic">VH-CC/22-23</hi1>, <hi1 rend="italic"
                                                >VH-CC/30-31</hi1>: <hi1 rend="bold">figs. 5</hi1>
                                            and <hi1 rend="bold">7</hi1>). This seems characteristic
                                            of the local ceramic production in the late Republican
                                            and early imperial periods found in this context. Of
                                            uncertain date are one example of an <hi1 rend="italic"
                                                >olla</hi1> with turned-out rim, slightly rounded
                                            lip and short neck (<hi1 rend="italic">VH-CM/2</hi1>:
                                                <hi1 rend="bold">fig. 12</hi1>); an <hi1
                                                rend="italic">olla</hi1> with thickened rim,
                                            flattened on top and bent outwards, separated from the
                                            body by a “throat” (<hi1 rend="italic">VH-CM/11</hi1>,
                                                <hi1 rend="bold">fig. 14</hi1>); and a basin (<hi1
                                                rend="italic">VH-CM/21-22</hi1>, <hi1 rend="bold"
                                                >fig. 15</hi1>). One example of a censer (<hi1
                                                rend="italic">VH-CM/33</hi1>: <hi1 rend="bold">fig.
                                                18</hi1>) can be dated on the basis of comparisons
                                            from between the end of the first to the third century. </p>
                                        <p>SU 287: This stratum, although datable to medieval times,
                                            contains almost only residual material. Finds include a
                                                <hi1 rend="italic">VH-CM/8</hi1>-type <hi1
                                                rend="italic">olla</hi1>, with thickened rim of
                                            quadrangular cross-section, rounded on the upper surface
                                            and slightly hollowed on the inside (<hi1 rend="bold"
                                                >fig. 1</hi1>3), which is comparable to examples
                                            from Amelia,<ptr target="nt_c10.1.n53" n="53"/> and one
                                            with short neck and cylindrical, or cylindrical-ovoid,
                                            body (cf. SU 278, <hi1 rend="italic">VH-CM/14-15</hi1>,
                                                <hi1 rend="bold">fig. 14</hi1>). Of the same period
                                            are some fragments of a pan, with rim <hi1 rend="italic"
                                                >a tesa</hi1>, <hi1 rend="italic">Albimintilium
                                            109</hi1> type (from strata of the early Augustan
                                                Age),<ptr target="nt_c10.1.n54" n="54"/> and some
                                            fragments of Dressel 2-4-type amphorae. Dating to a
                                            later period, presumably the early Middle Ages, is a
                                            fragment of a bowl with the rim simply rounded and
                                            grooving on the lip (<hi1 rend="italic">VH-CM/27</hi1>:
                                                <hi1 rend="bold">fig. 17</hi1>). </p>
                                        <p>SU 414: Among the common kitchenware are three bowl
                                            fragments, <hi1 rend="italic">VH-CC/34</hi1> type (cf.
                                            SU 433, activity 26), and one <hi1 rend="italic"
                                            >olla</hi1> rim (<hi1 rend="italic">VH-CC/2</hi1> and
                                                <hi1 rend="italic">CC/24</hi1>: <hi1 rend="bold"
                                                >fig. 2</hi1>), which is datable to the late
                                            Republican period. Among the coarse ware is a type of
                                            pitcher with rim bent slightly outwards, flattened and
                                            oblique lip, and short neck, on which a wide handle <hi1
                                                rend="italic">a nastro</hi1> is fixed (<hi1
                                                rend="italic">VH-CM/3</hi1>: <hi1 rend="bold">fig.
                                                12</hi1>). Among the residual material of note are
                                            two examples of <hi1 rend="italic">ollae</hi1>, datable
                                            between the late Republican and early imperial period,
                                            and a plate-lid, <hi1 rend="italic">VH-CM/34</hi1> type
                                                (<hi1 rend="bold">fig. 18</hi1>), with rim thickened
                                            and turned outward, rounded lip, and a shallow belly
                                            shaped like a truncated cone. Among the later material,
                                            there is one bowl fragment of African red slip “D” ware,
                                            datable to between the middle of the fourth and the
                                            beginning of the fifth century. The dating is provided
                                            by two joining bowl fragments and one handle, of closed
                                            shape, in Forum ware (<hi1 rend="italic">VH-FW/1</hi1>:
                                                <hi1 rend="bold">fig. 22</hi1>). </p>
                                        <p>SU 434: The residual material yields an example of a rim
                                            of Pélichet 47-type amphora, dating to between the
                                            middle of the first and the third century. Providing the
                                            date are a fragment of common pottery <hi1 rend="italic"
                                                >olla</hi1>, with incised “wave” decoration, similar
                                            to examples found in Rome at the Crypta Balbi, dating to
                                            the seventh century,<ptr target="nt_c10.1.n55" n="55"/>
                                            and a type of small amphora, probably produced locally,
                                            with a slightly thickened rim, grooving on the lip and
                                            separated from the neck by a little “throat,” and with a
                                            wide handle <hi1 rend="italic">a nastro</hi1> (<hi1
                                                rend="italic">VH-CM/6a</hi1>: <hi1 rend="bold">fig.
                                                12</hi1>); this is found also in other versions (cf.
                                            SU 447, below). </p>
                                        <p>SU 447: Here we have the rim of a jug, <hi1 rend="italic"
                                                >VH-CM/1</hi1> (<hi1 rend="bold">fig. 12</hi1>),
                                            comparable to some examples from Ostia<ptr
                                                target="nt_c10.1.n56" n="56"/> dating to the first
                                            century A.D. Among the cooking ware are one Hayes
                                            196-type plate rim and one Hayes 197-type casserole
                                            bottom. Dating is provided by a type of small amphora,
                                            probably produced locally, with slightly enlarged rim,
                                            grooving on the lip and separated from the neck by a
                                            small “throat” (<hi1 rend="italic">VH-CM/6b</hi1>: <hi1
                                                rend="bold">fig. 12</hi1>). </p>
                                        <p>SU 448: Here there is only a fragment of the spout of an
                                            unidentifiable common pottery jug. </p>
                                        <p>SU 450: The dating is provided by heavy-glazed pottery of
                                            the Forum ware type (<hi1 rend="italic">VH-FW/2</hi1>:
                                                <hi1 rend="bold">fig. 22</hi1>), found in large
                                            quantities (91 fragments in all). Among these are one
                                            fragment of base joining other fragments from SU 433 and
                                            SU 451 (<hi1 rend="italic">VH-FW/3</hi1>: <hi1
                                                rend="bold">fig. 22</hi1>), and one cup, almost
                                            completely reassembled (there were 28 fragments: VH 047,
                                                <hi1 rend="bold">fig. 25</hi1>). Among the amphora
                                            material, there are one fragment of Keay LII-type
                                            amphora (<hi1 rend="italic">VH-A/9</hi1>: <hi1
                                                rend="bold">fig. 1</hi1>) and one fragment of
                                            “carrot-shaped” amphora, Crypta Balbi 1 type (<hi1
                                                rend="italic">VH-A/10</hi1>: <hi1 rend="bold">fig.
                                                1</hi1>).<ptr target="nt_c10.1.n57" n="57"/> Among
                                            the African red slip ware there are three fragments of
                                            Hayes 103-type bowl (beginning to the third quarter of
                                            the fifth century) and two joining fragments of Hayes
                                            50-type bowl (third to fourth century). </p>
                                        <p>The fine ware includes a type of small amphora, with a
                                            thickened and rounded rim (<hi1 rend="italic"
                                            >VH-CM/5</hi1>: <hi1 rend="bold">fig. 12</hi1>), while
                                            among the coarse ware were found: one fragment of
                                            Lugnano 126-type <hi1 rend="italic">olla</hi1>;<ptr
                                                target="nt_c10.1.n58" n="58"/> one fragment of Curia
                                            387-type bowl (from early medieval strata); two
                                            fragments of carinate bowls (<hi1 rend="italic"
                                                >VH-CC/47-48</hi1>: <hi1 rend="bold">fig. 10</hi1>);
                                            and two other fragments of the same type, but of an
                                            unusual shape (deriving from Hayes 61B?), possibly
                                            datable to the middle fifth to the sixth century (<hi1
                                                rend="italic">VH-CC/43-44</hi1>: <hi1 rend="bold"
                                                >fig. 8</hi1>). </p>
                                        <p>SU 451: This level does not contain typologically
                                            important material, but the classes present (including
                                            red-painted pottery and Forum ware: <hi1 rend="italic"
                                                >VH-FW/3</hi1>, <hi1 rend="bold">fig. 22</hi1>) are
                                            consistent with those found in the other SU of the same
                                            activity, particularly SU 450. </p>
                                        <p>SU 822: This stratum includes one fragment of a rim of a
                                            casserole, with straight rim and deep carinate body
                                                (<hi1 rend="italic">VH-CC/1</hi1>: <hi1
                                                rend="italic">fig. 2</hi1>), datable by comparison
                                            to between the end of the fourth and the sixth
                                                century,<ptr target="nt_c10.1.n59" n="59"/> and one
                                            fragment of a common pottery jug (<hi1 rend="italic"
                                                >VH-CC/20</hi1>: <hi1 rend="bold">fig. 4</hi1>),
                                            which has precise analogies with examples from the
                                            seventh century context of the Crypta Balbi.<ptr
                                                target="nt_c10.2.n60" n="60"/>
                                        </p></cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activities 38-40</hi1>: </cell>
                                    <cell>No significant pottery elements were found. </cell>
                                </row>
                            </table>
                        </p>
                    </div4>
                    <div4 id="div4_c10.2.2.5" type="section">
                        <head>
                            <bibl type="title">D.2.1.5. Period V </bibl>
                        </head>
                        <p id="p_674" n="674">
                            <table border="0">
                                <row>
                                    <cell><hi1 rend="italic">Activity 41</hi1>: </cell>
                                    <cell>No significant pottery elements were found. </cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 42</hi1>: </cell>
                                    <cell>Strata of the collapse of the Roman and early medieval
                                        structures <p>SU 428: In addition to a fragment of Hayes
                                            91A-type vase <hi1 rend="italic">a listello</hi1>
                                            (mid-fourth to fifth century), there is a type of small
                                            amphora, with thickened and rounded rim and handle <hi1
                                                rend="italic">a nastro</hi1> attached to the neck
                                                (<hi1 rend="italic">VH-CM/4</hi1>: <hi1 rend="bold"
                                                >fig. 12</hi1>); this too is datable to late
                                            antiquity. </p></cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 43</hi1>: </cell>
                                    <cell>No significant pottery elements were found. </cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 44</hi1>: </cell>
                                    <cell>Strata of collapse of medieval structures of room 50 <p>SU
                                            269: The only recognizable fragments are one fragment of
                                                <hi1 rend="italic">olla</hi1> (<hi1 rend="italic"
                                                >VH-CC/27</hi1>: <hi1 rend="bold">fig. 6</hi1>) and
                                            a pan rim (<hi1 rend="italic">VH-CC/41</hi1>: <hi1
                                                rend="bold">fig. 8</hi1>), dating to the early
                                            imperial age. </p></cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 46</hi1>: </cell>
                                    <cell>Strata of collapse and abandonment in the level plane of
                                        room 50 <p>SU 202: This stratum yields a few fragments of
                                            African red slip “D” ware (largely pot sides; just one
                                            fragment of plate rim, of <hi1 rend="italic">Hayes
                                            33</hi1> form, can be identified (dating to 200-250
                                            A.D.). Included in the common kitchenware is one
                                            fragment of <hi1 rend="italic">olla</hi1> rim <hi1
                                                rend="italic">a tesa</hi1>, of the Lugnano 83
                                                type,<ptr target="nt_c10.2.n61" n="61"/> found also
                                            in other strata (cf. SU 275). </p></cell>
                                </row>
                            </table>
                        </p>
                    </div4>
                    <div4 id="div4_c10.2.2.6" type="section">
                        <head>
                            <bibl type="title">D.2.1.6. Period VI </bibl>
                        </head>
                        <p id="p_675" n="675">
                            <table border="0">
                                <row>
                                    <cell><hi1 rend="italic">Activity 48</hi1>: </cell>
                                    <cell>Modern archaeological interventions <p>Material uncovered
                                            in the course of the excavation of these strata is
                                            obviously all to be considered residual. Note, however,
                                            some finds which are particularly significant in that
                                            they are evidence of little-documented phases of the
                                            life of the site (especially the late Republican and
                                            early medieval periods). </p>
                                        <p>Among the oldest ceramic material is one fragment of
                                            black-glazed cup base, Morel 320 type, with a central
                                            rosette stamp (SU 231), attributable to the <hi1
                                                rend="italic">atelier des petites estampilles</hi1>. </p>
                                        <p>The <hi1 rend="italic">VH-CM/34</hi1>-type plate-lid
                                                (<hi1 rend="bold">fig. 18</hi1>), with rim thickened
                                            and turned out, vertical lip, shoulder slightly carinate
                                            and shallow body, is datable to the early imperial
                                            period. </p>
                                        <p>Notable among the material from late antiquity are an
                                            example of <hi1 rend="italic">olla</hi1>, with
                                            turned-out rim, short neck, and carinate shoulder, with
                                            “wave” decoration incised before firing (<hi1
                                                rend="italic">VH-CM/16</hi1>: <hi1 rend="bold">fig.
                                                14</hi1>), as well as a small jug (<hi1
                                                rend="italic">VH-CC/19</hi1>: <hi1 rend="bold">fig.
                                                4</hi1>), which has exact analogies with examples
                                            from Carminiello ai Mannesi.<ptr target="nt_c10.2.n62"
                                                n="62"/>
                                        </p>
                                        <p>The only evidence of the medieval period is the fragment
                                            of a handle <hi1 rend="italic">a nastro</hi1> belonging
                                            to a glazed pottery jug (SU 205, <hi1 rend="italic"
                                                >VH-FW/4</hi1>: <hi1 rend="bold">fig. 22</hi1>). It
                                            is difficult to attribute the fragment to the
                                            sparse-glazed “A” production or to the Forum ware
                                            production, as it is precisely at the handle, as at the
                                            bottom or on the rim, that there is most commonly
                                            attenuation of the coating, not always intentional.
                                            However, the characteristics of the clay seem to assign
                                            the fragment examined to a fairly late production phase
                                            (end of the tenth to the first half of the eleventh
                                            century), during which the Forum ware and the
                                            sparse-glazed productions still coexisted.<ptr
                                                target="nt_c10.2.n63" n="63"/>
                                        </p></cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 49</hi1>: </cell>
                                    <cell>Formation of strata of humus <p>SU 1000: This layer does
                                            not produce much pottery material (amphorae, common
                                            kitchen- and tableware, African cooking ware), and
                                            contains also one fragment of earthenware, building
                                            material and modern nails. Note the presence of an
                                            African red slip ware plate, Hayes 105 type (one
                                            fragment of rim and another fragment, which join),
                                            datable to the end of the sixth to the middle of the
                                            seventh century. This piece, in fact, although coming
                                            from the most superficial stratum, is one of the very
                                            few pieces of pottery found in the area of the villa
                                            which can be definitely attributed to this period. </p>
                                        <p>SU 1200: Among the important pieces are a fragment of a
                                            thin-walled cup, <hi1 rend="italic">Atlante 2/408</hi1>
                                            type, and a fragment of <hi1 rend="italic">olla</hi1>,
                                                <hi1 rend="italic">VH-CM/9</hi1> type (<hi1
                                                rend="bold">fig. 13</hi1>), with cylindrical-ovoid
                                            body, thickened and rounded rim, and shoulder marked
                                            with grooving. The latter has analogies with examples
                                            from Luni<ptr target="nt_c10.2.n64" n="64"/> and <hi1
                                                rend="italic">Albintimilium</hi1><ptr
                                                target="nt_c10.2.n65" n="65"/> that are datable to
                                            the early imperial age (between the first and the third
                                            century) and were fairly widespread in Flavian times.
                                            Among the early medieval elements, note the <hi1
                                                rend="italic">olla</hi1> with triangular
                                            cross-section rim and vertical lip with “wave”
                                            decoration incised before firing (<hi1 rend="italic"
                                                >VH-CM/17</hi1>: <hi1 rend="bold">fig. 15</hi1>).
                                        </p></cell>
                                </row>
                            </table>
                        </p>
                    </div4>
                </div3>
                <div3 id="div3_c10.2.3" type="section">
                    <head>
                        <bibl type="title">D.2.2. The Quadriporticus, Sector IV. 2 </bibl>
                    </head>
                    <p id="p_676" n="676">SU 4217 and 4222: These strata have yielded several
                        fragments of thin-walled pottery, one fragment of the common kitchenware lid
                        rim, <hi1 rend="italic">Albintimilium 172</hi1> type,<ptr
                            target="nt_c10.2.n66" n="66"/> and some fragments with almond-shaped
                        rims, characteristic of the second to first century B.C.<ptr
                            target="nt_c10.2.n67" n="67"/> There are also present some amphora
                        fragments of the “Punic tradition,” van der Werff 1 type (<hi1 rend="italic"
                            >VH-A/1</hi1>: <hi1 rend="bold">fig. 1</hi1>), datable to between the
                        middle of the second and the first century B.C.<ptr target="nt_c10.2.n68"
                            n="68"/> Among the residual material, note a certain quantity of
                        black-glazed pottery (Morel 2700 and 2900-type cups), two joining fragments
                        of a carinate bowl of grey bucchero, and one parallelepiped-shaped loom
                        weight (VH 173). </p>
                    <p id="p_677" n="677">SU 4213: This level includes one fragment of rim of a
                        “Punic tradition” amphora, van der Werff 1 type (for chronology, cf. SU 4217
                        and 4222), and one fragment of <hi1 rend="italic">Amelia 105</hi1>-type <hi1
                            rend="italic">olla</hi1>,<ptr target="nt_c10.2.n69" n="69"/> datable to
                        between the second half of the second and the middle of the first century
                        B.C. Among the residual material, there is one fragment of rim of a
                        black-glazed cup, Morel 2784 type, datable to the middle of the third
                        century B.C. </p>
                    <p id="p_678" n="678">SU 4209: The important elements are a fragment of <hi1
                            rend="italic">Albimintilium 21</hi1>-type <hi1 rend="italic"
                            >olla</hi1><ptr target="nt_c10.2.n70" n="70"/> and one fragment of <hi1
                            rend="italic">Albimintilium</hi1> 109-type saucepan,<ptr
                            target="nt_c10.2.n71" n="71"/> which are both datable to the early
                        Augustan age, and one fragment of a thin-walled cup, <hi1 rend="italic"
                            >Atlante</hi1> 1/19 type. </p>
                    <p id="p_679" n="679">SU 4208 and SU 4206: No significant pottery elements were
                        found. </p>
                    <p id="p_680" n="680">SU 4201: Among the material providing dating are one
                        fragment of <hi1 rend="italic">Albintimilium 85</hi1>-type <hi1
                            rend="italic">olla</hi1><ptr target="nt_c10.2.n72" n="72"/> and one
                        fragment of an amphora with ring foot (not documented before the middle
                        imperial period). </p>
                </div3>
                <div3 id="div3_c10.2.4" type="section">
                    <head>
                        <bibl type="title">D.2.3. Sector VI: Central Area of the Garden </bibl>
                    </head>
                    <p id="p_681" n="681">SU 6010: This stratum is the layer of humus that formed
                        after the excavations of the twentieth century. It contains a very little
                        ceramic material, of which the only recognizable bit is a fragment of
                        African kitchenware, of undetermined date. </p>
                    <p id="p_682" n="682">SU 6014: No significant fragments were found. The only
                        identifiable finds belong to thin-walled pottery vessels, of types that
                        cannot be definitely determined. </p>
                    <p id="p_683" n="683">SU 6016: This stratum produced a certain quantity of
                        pottery, almost exclusively for everyday use. Among these can be identified
                        one fragment of an <hi1 rend="italic">olla</hi1> with out-turned rim, dating
                        to between the end of the second century B.C. and the beginning of the first
                        century A.D.,<ptr target="nt_c10.2.n73" n="73"/> as well as one fragment of
                        lid with thickened rim, analogous to examples from Rome<ptr
                            target="nt_c10.2.n74" n="74"/> and from Amelia,<ptr
                            target="nt_c10.2.n75" n="75"/> dating to the last decades of the first
                        century. </p>
                    <p id="p_684" n="684">SU 6013: In the material from this stratum, which probably
                        represents the cultivated soil of the garden in antiquity, there are some
                        important fragments of thin-walled and Italic <hi1 rend="italic">terra
                            sigillata</hi1>, generally datable to the early imperial period. </p>
                    <p id="p_685" n="685">SU 6017: This stratum produced little material, but
                        identifiable is one fragment of the rim of a jug of common tableware; the
                        rim is triangular in cross-section and slightly out-turned, dating to
                        between the second half of the first century B.C. and the first century
                            A.D.<ptr target="nt_c10.2.n76" n="76"/> Among the kitchenware is one
                        fragment of lid with rim rounded and slightly raised outwards, of a type
                        fairly widespread in contexts in the central Italic area, dating from the
                        second century B.C. to the first century A.D.<ptr target="nt_c10.2.n77"
                            n="77"/>
                    </p>
                    <p id="p_686" n="686">SU 6019: This SU contains no significant ceramic material.
                    </p>
                </div3>
                <div3 id="div3_c10.2.5" type="section" status="hidden">
                    <head>
                        <bibl type="title">D.2.4. Sector VII: North Area of the Garden </bibl>
                    </head>
                    <div4 id="div4_c10.2.5.1" type="section">
                        <head>
                            <bibl type="title">D.2.4.1. Period I: the early garden </bibl>
                        </head>

                        <p id="p_687" n="687">
                            <table border="0">
                                <row>
                                    <cell><hi1 rend="italic">Activity 1</hi1>: </cell>
                                    <cell>The strata relating to this phase did not produce any
                                        ceramic material of importance. </cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 2</hi1>: </cell>
                                    <cell>SU 7042: Relating to the activity, there are some
                                        fragments of common pottery, among which is an <hi1
                                            rend="italic">olla</hi1> of Dyson type PD 126,<ptr
                                            target="nt_c10.2.n78" n="78"/> and a rim belonging to an
                                            <hi1 rend="italic">olla</hi1> of the <hi1 rend="italic"
                                            >Luni</hi1> type XXX,<ptr target="nt_c10.2.n79" n="79"/>
                                        both datable to the late Republican period. </cell>
                                </row>
                            </table>
                        </p>
                    </div4>
                    <div4 id="div4_c10.2.5.2" type="section">
                        <head>
                            <bibl type="title">D.2.4.2. Period II: the Flavian garden </bibl>
                        </head>
                        <p id="p_688" n="688">
                            <table border="0">
                                <row>
                                    <cell><hi1 rend="italic">Activity 3</hi1>: </cell>
                                    <cell>SU 7021: The only recognizable fragments are those of a
                                        cup in common tableware (<hi1 rend="italic">VH-CM/28</hi1>:
                                        fig. 18), characterized by a thickened and rounded rim and
                                        shallow body, comparable to an example from Lugnano,<ptr
                                            target="nt_c10.2.n80" n="80"/> and an <hi1 rend="italic"
                                            >olla</hi1> with rim thickened and triangular in
                                        cross-section (<hi1 rend="italic">VH-CC/16</hi1>: <hi1
                                            rend="bold">fig. 4</hi1>), which has analogies in
                                        examples from Cosa.<ptr target="nt_c10.2.n81" n="81"/>
                                        <p>SU 7022: This layer contains material on the whole
                                            unimportant, except for the rim of a van der Werff-type
                                            amphora, of “Punic tradition” (<hi1 rend="italic"
                                            >VH-A/1</hi1>: <hi1 rend="bold">fig. 1</hi1>), datable
                                            to between the second century and the beginning of the
                                            first century B.C.<ptr target="nt_c10.2.n82" n="82"/>
                                        </p>
                                        <p>SU 7027: This SU produces some fragments of a small
                                            thin-walled pitcher, <hi1 rend="italic">Atlante</hi1>
                                            1/102 type, three fragments of an <hi1 rend="italic"
                                                >olletta</hi1> with rounded rim,<ptr
                                                target="nt_c10.2.n83" n="83"/> a fragment of Olcese
                                            37-type <hi1 rend="italic">olla</hi1> with out-turned
                                            and hollowed rim,<ptr target="nt_c10.2.n84" n="84"/> and
                                            some walls from amphorae of African production (probably
                                            of “Punic tradition”).<ptr target="nt_c10.2.n85" n="85"
                                            />
                                        </p></cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 4</hi1>: </cell>
                                    <cell>The strata relating to this phase yield no significant
                                        pottery material. </cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 5</hi1>: </cell>
                                    <cell>SU 7019: The only identifiable fragments belong to a cup
                                        with thin “egg-shell” walls, decorated with a wheeled motif
                                            (<hi1 rend="italic">VH-PS/2</hi1>: <hi1 rend="bold">fig.
                                            19</hi1>), analogous to the <hi1 rend="italic"
                                        >Atlante</hi1> II type XXX,<ptr target="nt_c10.2.n86" n="86"
                                        /> datable to the period between the Flavians and Hadrian.
                                            <p>SU 7026: The ceramic finds are mostly residual. Among
                                            them are one fragment of a small jug, with thickened and
                                            slightly out-turned rim,<ptr target="nt_c10.2.n87"
                                                n="87"/> and a fragment of an <hi1 rend="italic"
                                                >olletta</hi1> with rounded rim;<ptr
                                                target="nt_c10.2.n88" n="88"/> both are datable to
                                            the period between the second and first century B.C. </p>
                                        <p>SU 7040: This stratum contains a large quantity of
                                            fragments belonging to a single example of an amphora of
                                            small dimensions, of an unidentified type, perhaps
                                            attributable to Italic production on the basis of the
                                                <hi1 rend="italic">impasto</hi1>. The rest of the
                                            ceramic material (particularly the thin-walled ware)
                                            also points to a similar dating. An <hi1 rend="italic"
                                                >olletta</hi1> (VH 148, <hi1 rend="bold">fig.
                                            24</hi1>; see also Macaulay, <ptr
                                                target="div4_c10.3.1.2" type="txt" n="D.3.1.1"/>),
                                            cylindrical-ovoidal in shape, reused as a flower-pot,
                                            finds fairly close analogies in late Republican and
                                            early imperial contexts.<ptr target="nt_c10.2.n89"
                                                n="89"/> In addition there is a certain quantity of
                                            residual material (common and black-glazed pottery)
                                            datable to the late Republican period. </p>
                                        <p>SU 7041: This SU contains a small quantity of ceramic
                                            material, including some walls of Iberian-production
                                            amphorae (probably of the Beltran II type, already
                                            attested in other locations at the site) and a fragment
                                            of a lamp with volutes, generically datable to the
                                            Julio-Claudian period. </p></cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activities 6-9</hi1>: </cell>
                                    <cell> These strata do not contain significant ceramic material.
                                    </cell>
                                </row>
                                <row>
                                    <cell/>
                                    <cell/>
                                </row>
                            </table>
                        </p>
                    </div4>
                    <div4 id="div4_c10.2.5.3" type="section">
                        <head>
                            <bibl type="title">D.2.4.3. Period III: decline of the villa </bibl>
                        </head>
                        <p id="p_689" n="689">
                            <table border="0">
                                <row>
                                    <cell><hi1 rend="italic">Activity 10</hi1>: </cell>
                                    <cell>SU 7037: The only identifiable piece is a rim fragment of
                                        African kitchenware, of the Hayes 182 type, datable to
                                        between the middle of the second and the middle of the third
                                        century. <p>SU 7038: Among the significant pieces are some
                                            rims of pans of African kitchenware of the Hayes 181
                                            type (second half of the second to the middle of the
                                            third century) and of the 197 type (late second to the
                                            middle of the third century). The presence in the
                                            stratum of the coin VH 144, however, would lead to the
                                            lowering of the dating to the late fourth to fifth
                                            century (see Buttrey, <ptr target="div4_c10.11.3.2"
                                                type="txt" n="D.11.3.2"/>, no. 12). </p>
                                        <p>SU 7039: The pottery present in this stratum is all
                                            residual. Among the identifiable sherds there is one
                                            fragment of a lamp with volutes and one of an <hi1
                                                rend="italic">olla</hi1> with thickened and slightly
                                            turned-out rim, <hi1 rend="italic">Sutri</hi1> F20, A12
                                            type, both dating to the early imperial age. There is,
                                            however, a <hi1 rend="italic">follis</hi1> of
                                            Constantius Chlorus dating to 297-298 A.D. (VH 123; see
                                            Buttrey, <ptr target="div4_c10.11.3.2" type="txt"
                                                n="D.11.3.2"/>, no. 4), an element which would lower
                                            by about a century the dating provided by the pottery.
                                        </p></cell>
                                </row>
                            </table>
                        </p>
                    </div4>
                    <div4 id="div4_c10.2.5.4" type="section">
                        <head>
                            <bibl type="title">D.2.4.4. Period IV: Medieval reoccupation </bibl>
                        </head>
                        <p id="p_690" n="690">
                            <table border="0">
                                <row>
                                    <cell><hi1 rend="italic">Activity 11</hi1>: </cell>
                                    <cell>SU 7004: the dating material is a handle of glazed Forum
                                        ware; among the residues is to be noted one fragment of pan
                                        rim, of Hayes 196-type African kitchenware. <p>SU 7010: The
                                            stratum yields exclusively residual ceramic material,
                                            including some examples of African red slip ware (of the
                                            Hayes 8 and 27 types, datable to between the last
                                            decades of the first and the second century), and a pot
                                            rim in African kitchenware (or an imitation of it),
                                            Hayes 197 type, dating to between the second and the
                                            fifth century. Among the common kitchenware is attested
                                            a type of pan with rim <hi1 rend="italic">a tesa</hi1>
                                                (<hi1 rend="italic">VH-CC/27</hi1>: <hi1 rend="bold"
                                                >fig. 6</hi1>), which finds an exact analogy in
                                            examples from Lugnano<ptr target="nt_c10.2.n90" n="90"/>
                                            and <hi1 rend="italic">Albintimilium</hi1>,<ptr
                                                target="nt_c10.2.n91" n="91"/> both datable to the
                                            Augustan Age; an <hi1 rend="italic">olla</hi1> with
                                            thickened rim of triangular cross-section (<hi1
                                                rend="italic">VH-CC/17</hi1>: <hi1 rend="bold">fig.
                                                4</hi1>);<ptr target="nt_c10.2.n92" n="92"/> and an
                                            example of an <hi1 rend="italic">olletta</hi1> with
                                            out-turned rim (<hi1 rend="italic">VH-CC/6</hi1>: <hi1
                                                rend="bold">fig. 3</hi1>), analogous to the type
                                                <hi1 rend="italic">Luni II</hi1> CM 6943;<ptr
                                                target="nt_c10.2.n93" n="93"/> and a type of pan
                                            with banded rim and parallel grooving, slightly hollowed
                                            on the inside and with hemispherical body (<hi1
                                                rend="italic">VH-CC/46</hi1>: <hi1 rend="bold">fig.
                                                9</hi1>).<ptr target="nt_c10.2.n94" n="94"/> Notable
                                            among the common tableware are two examples of cups
                                                (<hi1 rend="italic">VH-CM/25-2</hi1>6: <hi1
                                                rend="bold">fig. 17</hi1>), characterized by a
                                            thickened, banded and molded rim and hemispherical body,
                                            comparable with the <hi1 rend="italic">Luni II</hi1>
                                            type CM 2302.<ptr target="nt_c10.2.n95" n="95"/>
                                        </p>
                                        <p>SU 7035: There is a certain amount of residual pottery of
                                            the late Republican and early imperial age. The dating
                                            material consists of some fragments of common pottery,
                                            among which are a fragment of an <hi1 rend="italic"
                                            >olla</hi1> with flattened rim and globular <hi1
                                                rend="italic">Curia</hi1> 317-type body;<ptr
                                                target="nt_c10.2.n96" n="96"/> two fragments
                                            characterized by a rim hollowed on the inside;<ptr
                                                target="nt_c10.2.n97" n="97"/> a fragment of pan
                                            rim, thickened and slightly out-turned;<ptr
                                                target="nt_c10.2.n98" n="98"/> and a fragment of
                                            pan, with rim thickened and flattened on the upper
                                                side,<ptr target="nt_c10.2.n99" n="99"/> all datable
                                            to between the end of the fourth and the sixth century.
                                            Especially noteworthy are two fragments of pan with
                                            fillet under the rim, an imitation of the Hayes 91D
                                            form. There is also one fragment of a small cup in
                                            glazed pottery, whose state of preservation does not
                                            permit certain identification. The late antique
                                            chronology is confirmed, however, by two small coins
                                            datable to the fourth century (VH 092-093; see Buttrey,
                                                <ptr target="div4_c10.11.3.2" type="txt"
                                                n="D.11.3.2"/>, nos. 6 and 11). </p>
                                        <p>SU 7036: The stratum contains only residual material,
                                            including one fragment of a bowl of Hayes 185-type XXX
                                            (datable between the last two decades of the first and
                                            second century); one fragment of Dressel-Lamboglia 16
                                            lamp; and one handle of Dressel 2-4 amphora. These last
                                            are attributable to the Julio-Claudian period.
                                    </p></cell>
                                </row>
                                <row>
                                    <cell><hi1 rend="italic">Activity 12</hi1>: </cell>
                                    <cell>SU 7017: The stratum contains exclusively residual and
                                        mostly unidentifiable ceramic material, except for the
                                        bottom of a late Italic <hi1 rend="italic">terra
                                        sigillata</hi1> cup, with relief decoration, portraying a
                                        dog racing rightward.<ptr target="nt_c10.2.n100" n="100"/>
                                        <p>SU 7033: This SU yields material that for the most part
                                            is not identifiable, except for the wall of a Forum ware
                                            vessel, datable to the early medieval period (eighth to
                                            ninth century). </p>
                                        <p>SU 7034: This stratum contains material that is mostly
                                            unimportant and residual, among which are some fragments
                                            of <hi1 rend="italic">ollae</hi1> of common kitchenware,
                                            of the types <hi1 rend="italic">Settefinestre</hi1> 28,
                                            14 and 29, 20-22, generally attributable to between the
                                            first and the second century. </p></cell>
                                </row>
                                <row>
                                    <cell/>
                                    <cell/>
                                </row>
                                <row>
                                    <cell/>
                                    <cell/>
                                </row>
                            </table>
                        </p>
                    </div4>
                    <div4 id="div4_c10.2.5.5" type="section">
                        <head>
                            <bibl type="title">D.2.4.5. Period VI </bibl>
                        </head>
                        <p id="p_691" n="691">
                            <table border="0">
                                <row>
                                    <cell><hi1 rend="italic">Activity 13</hi1>: </cell>
                                    <cell>SU 7001: The SU contains some fragments of earthenware and
                                        glazed kitchenware. Among the residual material, to be noted
                                        are a rim of a black-glazed, Morel 2286-type cup, and a
                                        fragment of a bowl of Italic <hi1 rend="italic">terra
                                            sigillata</hi1> (VH-TS/2: <hi1 rend="bold">fig.
                                        20</hi1>), attributable to the <hi1 rend="italic">Atlante
                                        II</hi1>, form XIX, 13 type.</cell>
                                </row>
                            </table>
                        </p>
                    </div4>
                </div3>
            </div2>
            <div2 id="div2_c10.3" type="section" status="hidden">
                <head>
                    <bibl type="title">D.3. Garden Material</bibl>
                </head>
                <p>
                    <hi1 rend="bold">By Elizabeth R. Macaulay</hi1>
                </p>
                <div3 id="div3_c10.3.1" type="section" status="hidden">
                    <head>
                        <bibl type="title">D.3.1. <hi1 rend="bolditalic">Ollae perforatae</hi1>
                            (planting pots) </bibl>
                    </head>
                    <div4 id="div4_c10.3.1.1" type="section">
                        <head>
                            <bibl type="title">[text]</bibl>
                        </head>
                        <p id="p_692" n="692">During the excavations of “Horace’s Villa” at Licenza
                            undertaken from 1999 to 2000, three <hi1 rend="italic">ollae
                            perforatae</hi1>, or planting pots, were found in the garden area in
                            front of the central staircase of the residence (Area 24). There is
                            another pot known from the site, which is housed in the museum in
                            Licenza. It apparently comes from one of the earlier excavations in the
                            twentieth century. All four <hi1 rend="italic">ollae perforatae</hi1>
                            will be discussed in this section. </p>
                    </div4>
                    <div4 id="div4_c10.3.1.2" type="section">
                        <head>
                            <bibl type="title">D.3.1.1. Nearly whole flower pot: VH 148=SAL 114528
                            </bibl>
                        </head>
                        <p id="p_693" n="693">Sector VII.1, Area 24, SU 7040 </p>
                        <p id="p_694" n="694">This pot is almost entirely preserved, missing only a
                            small section of its rim (<hi1 rend="bold">figs. 1-3</hi1>). The pot
                            measures 14 cm in height. Its diameter measurements are: rim, 11 cm;
                            mouth, 9.2 cm; base, 5.2 cm; and base hole, 2.5 cm. There are no side
                            holes. It is red in color (Munsell 5 YR 6/6) and is made of porous,
                            moderately coarse clay. In the fabric, there are black and white
                            inclusions, as well as small bits of grog (less than 1 mm). The pot
                            appears to have been fully fired, as the red color remains constant and
                            uniform throughout the wall of the vessel. </p>
                        <p id="p_695" n="695">The pot is slender in form with a small flared rim.
                            This slender form is similar to pots that have been found at
                                Pompeii.<ptr target="nt_c10.3.n1" n="1"/> It is clear that the pot
                            was wheel-made, as smooth wheel-run ridges are present on both the
                            interior and exterior. The pot has a single hole in its base. Extra
                            material located just inside the hole in the base of the pot indicates
                            that the hole was placed before firing. The potter took little care when
                            making this pot; although the pot can stand up and does not wobble, it
                            is lopsided. Additionally, extra material on the side of the base was
                            not smoothed out before firing. The pot was not broken before it was
                            placed in the ground; it was found intact. The flower pot dates to the
                            last third of the first century A.D., which accords well with the
                            Flavian garden context in which it was found. For the context, see
                            Gleason, <ptr target="div4_c09.3.4.3" type="txt" n="C.3.4.2"/>. </p>
                    </div4>
                    <div4 id="div4_c10.3.1.3" type="section">
                        <head>
                            <bibl type="title">D.3.1.2. Flower pot base fragment: VH 187=SAL 114531
                            </bibl>
                        </head>
                        <p id="p_696" n="696">Sector VII.1, Area 24, SU 7051 </p>
                        <p id="p_697" n="697">This fragment of a flower pot base (<hi1 rend="bold"
                                >figs. 4-5</hi1>) was found in the rubble level above the ancient
                            garden soil in SU 7051. It was identified as a flower pot base because
                            it is clear that there was a purpose-made hole in the base. The fragment
                            of the base measures 1.2 cm across. Based on a comparison with VH 148,
                            the diameter of the base can be estimated to have been about 4.2 to 4.7
                            cm. The base hole was placed before firing, as extra material is present
                            on the interior of the hole. The fabric of this pot is similar to the
                            fabric of VH 148, though it is slightly lighter in color (Munsell 5 YR
                            6/8). The fabric, like that of VH 148, contains grog, small black
                            inclusions and small light inclusions, and it is slightly porous. It
                            cannot be determined whether or not there were other holes in the side
                            of the pot. Because the two pots are of such similar fabric, it may be
                            that VH 187 also resembled VH 148 in design and had only one hole in the
                            base. Likewise, VH 187 may perhaps also date to the Flavian period. But
                            a date cannot be assigned with absolute certainty, as this fragment was
                            discovered in the rubble level. </p>
                    </div4>
                    <div4 id="div4_c10.3.1.4" type="section">
                        <head>
                            <bibl type="title">D.3.1.3. Flower pot base fragment: VH 203= SAL 114529
                            </bibl>
                        </head>
                        <p id="p_698" n="698">Sector VII.1, Area 24, SU 7067 </p>
                        <p id="p_699" n="699">The diameter of the base is 3.5 cm (<hi1 rend="bold"
                                >figs. 6-7</hi1>); the base hole, 1.9 cm; and each of the two side
                            holes, ca. 1.5 cm. The base is roughly made. The fabric is neither as
                            coarse nor as porous as the fabric of VH 187 and VH 148. Its color is
                            yellow-buff (Munsell 2.5 Y 8/2), and it is fully fired. There are at
                            least three holes in this pot: one in the base and at least two on the
                            side. One of the side holes is only partly preserved. There were
                            probably at least three holes on the side of the pot, for in general
                            flower pots that have multiple holes on the side have three holes.<ptr
                                target="nt_c10.3.n2" n="2"/> The extra material inside the base hole
                            suggests that the hole was placed before firing. The holes on the sides
                            also appear to have been placed pre-firing. Moreover, there are no known
                            cases of side holes being placed on the side of a pot after firing.
                            Generally, side holes are placed before firing,<ptr target="nt_c10.3.n3"
                                n="3"/> and this seems likely with VH 203. The form of the pot and
                            the base is generally that of an inverted bottleneck. This pot was found
                            turned upside down in the top level of the Flavian garden context to the
                            right of the entrance from the <hi1 rend="italic">atrium</hi1> into the
                            garden, on axis with the complete flower pot (VH 148). The pot dates to
                            the last third of the first century A.D. </p>
                    </div4>
                    <div4 id="div4_c10.3.1.5" type="section">
                        <head>
                            <bibl type="title">D.3.1.4. Flower pot in the Museum of Licenza: SAL
                                39344 </bibl>
                        </head>
                        <p id="p_700" n="700">This flower pot (<hi1 rend="bold">figs. 8-11</hi1>)
                            was probably found during earlier excavations, although there is no
                            mention of it in the surviving documentation of the 1911-14 and 1930-31
                            excavations. It is impossible for us to know when and where the pot was
                            found. It is 15 cm in height; the rim diameter at its widest point is
                            10.9 cm, and the mouth is 9.6 cm. The base is misshapen; as a result,
                            the base diameter ranges from 3.5 cm to 3.7 cm. The base hole is also
                            misshapen, and its diameter ranges from 1.7 cm to 2.1 cm. The size of
                            the side holes range from 1.2 to 1.5 cm. </p>
                        <p id="p_701" n="701">The design of this flower pot does not exactly match
                            that of any of the other pots found at Horace’s Villa. This pot has four
                            holes, three on its side and one in its base. The fabric is neither
                            porous nor micaceous, but it has a few black inclusions and bits of grog
                            (no bigger than 1 mm). It appears to be completely fired. The color is
                            an orange-red (Munsell 5 YR 5/8). The body of the pot is slender, like
                            many flower pots from Italy. Owing to the potter’s carelessness, it is
                            slightly fuller on one side, and it wobbles when standing up. A similar
                            slender form has been observed at Pompeii.<ptr target="nt_c10.3.n4"
                                n="4"/>The pot has a noticeably long neck (2.5 cm) and an
                            upright-collar rim. While the rim thickens outward to 3 cm, it remains
                            straight on the inside. All of the holes were placed before firing. The
                            side holes are placed about half-way up the vessel. It has light wheel
                            ridges on both the inside and outside. The pot appears to have broken on
                            the top quarter and was restored from fragments. </p>
                    </div4>
                    <div4 id="div4_c10.3.1.6" type="section">
                        <head>
                            <bibl type="title">D.3.1.5. Conclusions </bibl>
                        </head>
                        <p id="p_702" n="702">The flower pots from the new excavations are on axis
                            with a planting pit and with an amphora reused as a planting pot. It is
                            common to find planting pots and reused amphora together in a Roman
                            garden context; reused amphorae and planting pots, for example, have
                            been found together along the Canopus at Hadrian’s Villa.<ptr
                                target="nt_c10.3.n5" n="5"/> The variation in vessel types probably
                            indicates that they contained different types of plants, or plants
                            brought from different nurseries. The pots run parallel to the stairs
                            and path in the Flavian garden. Though the base fragment came up in
                            rubble levels, it was also found on axis with the <hi1 rend="italic"
                                >ollae perforatae</hi1>, a planting pit, and half of a reused
                            amphora. As the <hi1 rend="italic">olla perforata</hi1> VH 203 was also
                            found turned upside down, it is possible that the tilling of soil during
                            the medieval period upturned pot VH 203 and destroyed pot VH 187. </p>
                        <p id="p_703" n="703">The three <hi1 rend="italic">ollae perforatae</hi1>
                            found at Horace’s Villa in 1999-2000 are typical of the range of forms
                            of planting pots found in Italy. The flower pot in the museum of Licenza
                            (SAL 39344) is very similar in form to those found at Pompeii; its body
                            is slender, and its side holes are smaller (1.4 cm) and cleanly made.
                            However, its fabric does not match the typical micaceous Pompeian
                            fabrics. The slender body and flared rim of pot VH 148 is also similar
                            in form to the flower pots that have been found at the House of the Ship
                            Europa and other locations at Pompeii, and at Boscoreale.<ptr
                                target="nt_c10.3.n6" n="6"/> But again the fabric of VH 148 does not
                            match the typical Pompeian fabric. </p>
                        <p id="p_704" n="704">It seems probable that <hi1 rend="italic">olla
                                perforata</hi1> VH 148 was not a pot used for aerial layering,
                            because it lacks side holes to provide drainage and air for the new
                            roots. Rather, it probably housed a sapling or plant that was brought
                            from a nursery.<ptr target="nt_c10.3.n7" n="7"/> However, the planting
                            pot in the museum and the buff base fragment may have been used for
                            layering and then planting, because they have side holes. The side holes
                            enabled air to reach the plants’ roots when being layered and planted. </p>
                        <p id="p_705" n="705">Nothing can be said about the place of manufacture of
                            these pots. The range of fabrics found at Horace’s villa is unusual, as
                            compared to the ensembles of flower pots found at sites such as Pompeii,
                                <hi1 rend="italic">Herculaneum</hi1>, and Prima Porta. The rule of
                            homogeneity is not surprising: Italian <hi1 rend="italic">ollae
                                perforatae</hi1> were generally made locally and used locally or at
                            most regionally. There is no ancient kiln yet known from the Licenza
                            area. The range of fabrics from Horace’s Villa may mean that these
                            pots—and the plant materials contained inside them—came from nurseries
                            in different locations throughout the region, or it could indicate that
                            they came from the same nursery at different times. At the moment, the
                            question must be left a <hi1 rend="italic">non liquet</hi1>. One way of
                            addressing the matter in the future could be through new excavations of
                            the garden and other nearby villas and their gardens; perhaps the
                            heterogeneity found thus far is deceptive and with more data, the
                            Licenza site, too, will revert to the norm of homogeneity. </p>
                    </div4>
                </div3>
                <div3 id="div3_c10.3.2" type="section">
                    <head>
                        <bibl type="title">D.3.2. The Sundial Fragment from “Horace’s Villa” </bibl>
                    </head>
                    <p id="p_706" n="706">Sundials (<hi1 rend="italic">solarium</hi1> or <hi1
                            rend="italic">horologium</hi1>, sing.) are known from ancient sources
                        and archaeological evidence. Ancient sundials marked twelve hours of
                        daylight and were designed with respect to latitude. Vitruvius describes the
                        major types of sundials and their geometric principles (Vitr. 1.6.6;
                        9.7.1-7; 9.8.1). Rome’s first sundial, located at the temple of Quirinus,
                        dated to 291 B.C. (Pliny <hi1 rend="italic">NH</hi1> 7.213). Romans placed
                        sundials in many public and private contexts across the empire. Beginning in
                        the second century B.C., the wealthy included sundials in their homes.<ptr
                            target="nt_c10.3.n8" n="8"/> Sundials, a common feature in both elegant
                        and modest homes of Pompeii, were often found in the garden (<hi1
                            rend="bold">fig. 12</hi1>).<ptr target="nt_c10.3.n9" n="9"/>
                    </p>
                    <p id="p_707" n="707">A single fragment of a sundial was found during the Pasqui
                        excavations (1911-1914) at the villa of Horace (<hi1 rend="bold">fig.
                            13</hi1>).<ptr target="nt_c10.3.n10" n="10"/> The exact find spot of the
                        sundial is unknown, although Pasqui did excavate in the garden area,
                        including the <hi1 rend="italic">piscina</hi1>. </p>
                    <p id="p_708" n="708">The sundial fragment is a piece of white marble of a fine
                        grain with two intersecting lines inscribed on it. The use of marble
                        suggests a sundial of higher quality than many of those found in simpler
                        garden contexts at Pompeii. The more expensive sundial is consistent with
                        other evidence for luxurious building during the Flavian phase of the
                            villa.<ptr target="nt_c10.3.n11" n="11"/>
                    </p>
                    <p id="p_709" n="709">An incised hour line (10 cm) and a fragmentary day line
                        (3.2 cm) are visible on the fragment (<hi1 rend="bold">fig. 14</hi1>). At
                        the top of the piece, the two lines intersect at a right angle. The surface
                        to the upper left of the intersection has been chipped away, so that it is
                        unclear whether the day line continues in this direction; normally, however,
                        day lines ran across the entire face of a sundial. The hour line continues
                        unintersected. When comparing the incised lines of the fragment to sundials
                        from the villa of Poppaea at <hi1 rend="italic">Oplontis</hi1><ptr
                            target="nt_c10.3.n12" n="12"/> and from the villa of San Marco at <hi1
                            rend="italic">Stabiae</hi1>, the fragment appears to be from an area
                        closer to the base than to the gnomon; the day line seen here was probably
                        the second of three horizontal lines on the surface of the sundial. The
                        curve of the fragment is steep at the top, but declines into a more gradual
                        slope, which also suggests that the fragment was located near the base of
                        the sundial (<hi1 rend="bold">fig. 15</hi1>). </p>
                    <p id="p_710" n="710">The right angle of the day and hour lines also indicates
                        that the vertical incised line on the surface was the meridian, or central
                        hour line, of the sundial. Vitruvius’ explanation of the geometry of
                        sundials shows that the meridian could only intersect the day lines at a
                        90-degree angle (Vitr. 9.7.2-6). The meridians of sundials known from <hi1
                            rend="italic">Oplontis</hi1><ptr target="nt_c10.3.n13" n="13"/> and <hi1
                            rend="italic">Stabiae</hi1> intersect the day lines at 90 degrees, thus
                        following Vitruvius’ precepts (<hi1 rend="bold">fig. 16</hi1>). </p>
                    <p id="p_711" n="711">The back of the sundial from Horace’s Villa is flat and
                        triangular in shape. Because of the small size of the fragment, it is
                        difficult to identify the original shape of the sundial with total
                        certainty. The curvature of the fragment, however, allows the hypothesis
                        that the sundial was spherical, one of the most common sundial forms.<ptr
                            target="nt_c10.3.n14" n="14"/> A clean cut along the side of the
                        fragment suggests that the sundial was reused in antiquity. On the opposite
                        side, it also appears to have been picked through in two places. </p>
                    <p id="p_712" n="712">Based on the placement of sundials in Pompeian gardens and
                        taking into account the areas excavated by Pasqui, the sundial was probably
                        located to the north-east of the <hi1 rend="italic">piscina</hi1>. The
                        shadow study done by M. Murata, which tracks the positions of the sun in the
                        garden throughout the year, supports this theory; the best position for the
                        sundial would have been along the central axis of the garden, northeast of
                        the <hi1 rend="italic">piscina</hi1> where Pasqui excavated (cf. Gleason,
                            <ptr target="div3_c09.3.1" type="txt" n="C.3"/> and fig. 32). </p>
                </div3>
            </div2>
            <div2 id="div2_c10.4" type="section" status="hidden">
                <head>
                    <bibl type="title">D.4. The “Horace’s Villa” Brickstamps and the Brick
                        Production of the Central Anio River Valley</bibl>
                </head>
                <p>
                    <hi1 rend="bold">By Giorgio Filippi</hi1>
                </p>
                <div3 id="div3_c10.4.1" type="section">
                    <head>
                        <bibl type="title">D.4.1. Introduction </bibl>
                    </head>
                    <p id="p_713" n="713">With the notable exception of “Horace’s Villa,” our
                        knowledge of the stamped brick and tile production of the central Anio
                        valley is still filled with too many gaps to permit anything more than a
                        preliminary account. </p>
                    <p id="p_714" n="714">The lack of a valid interpretative model for all stamped
                        bricks that have survived from antiquity and the numerous unanswered
                            questions<ptr target="nt_c10.4.n1" n="1"/> draw our attention to two
                        essential aspects of this kind of source material. We must bear both aspects
                        in mind, if we are to use stamped bricks and tiles correctly for a
                        historical reconstruction of archaeological sites and of the territory: the
                        stamp’s meaning as well as its location and date of production. </p>
                    <p>
                        <hi1 rend="italic">The meaning of the stamp and the partial nature of the
                            written text</hi1>
                    </p>
                    <p id="p_715" n="715">The stamped brick or tile attests the ownership of the
                        object at the moment of its production. From the beginning, the epigraphic
                        text was partial, because—for obvious limitations of space—it necessitated a
                        choice of how much to communicate to the person who was supposed to read it.
                        Scholars have offered various explanations for the meaning and custom of
                        stamping bricks.<ptr target="nt_c10.4.n2" n="2"/> In particular, some
                        consider it unlikely that products exclusively destined for one’s own
                        everyday use were marked in this way. If this were the case, the stamp by
                        itself would not be sufficient to identify the owner of the villa where it
                        was found.<ptr target="nt_c10.4.n3" n="3"/> In contrast, other scholars
                        claim that the stamps—both of a public character as well as those made for
                        the producer’s own use—can indicate “the ownership of the object being
                        built, referring to the building to which the bricks belong and for which
                        they were made.” <ptr target="nt_c10.4.n4" n="4"/>
                    </p>
                    <p>
                        <hi1 rend="italic">The place and date of production and of use</hi1>
                    </p>
                    <p id="p_716" n="716">Since we have few data relative to the place and time in
                        which stamped bricks were made, sold, and used, the study of the context in
                        which the stamps were found can contribute the most to their proper
                        interpretation. Therefore, a serious historical analysis must be based on an
                        ensemble of documentary sources (literary, archaeological, and
                        topographical). </p>
                </div3>
                <div3 id="div3_c10.4.2" type="section">
                    <head>
                        <bibl type="title">D.4.2. History of the Finds </bibl>
                    </head>
                    <p>
                        <hi1 rend="italic">Publication of the first brickstamp from Horace’s Villa
                            (CIL XIV.4092.13=CIL XV, 1972a)</hi1>
                    </p>
                    <p id="p_717" n="717">In 1887 Hermann Dessau published in <hi1 rend="italic"
                        >CIL</hi1> XIV a rectangular stamp, with letters in relief, carrying the
                        text [---] <hi1 rend="italic">Naevi</hi1>, preserved by the German Latin
                        philologist Alexander Riese (1840-1922). The entry gave the provenance as
                        the ruins which were thought to belong to the Sabine villa of Horace near
                        Roccagiovine. </p>
                    <p id="p_718" n="718">In 1891, the same stamp was inserted by Heinrich Dressel
                        into the fifth chapter of <hi1 rend="italic">CIL</hi1> XV, among the
                        fragmentary or poorly interpreted lateres urbani. The entry recorded two
                        stamps, both with a lacuna at the beginning of the text and both carrying
                        the same text, NAEVI. The first (1972a) was discovered near Licenza at
                        “Horace’s Villa” and was taken by Riese to Frankfurt. The second (1972b=<hi1
                            rend="italic">CIL</hi1> XIV.4090.73), described by Stevenson, came from
                        the territory of Grottaferrata and was kept in the museum of the monastery
                        there. </p>
                    <p id="p_719" n="719">Regarding the first stamp, since the name of the site of
                        Horace’s Villa at Licenza is “Vigne di S. Pietro,”<ptr target="nt_c10.4.n5"
                            n="5"/>it is necessary to clarify the reason for the different toponym
                        reported in <hi1 rend="italic">CIL</hi1>, which gives the find spot as the
                            <hi1 rend="italic">colle del poetello</hi1>. </p>
                    <p id="p_720" n="720">In 1857 Wilhelm Henzen and Pietro Rosa hypothesized that
                        Horace’s Villa was located in a place called “Colle del Poetello” near
                            Roccagiovine,<ptr target="nt_c10.4.n6" n="6"/> where there are remains
                        of a Roman villa.<ptr target="nt_c10.4.n7" n="7"/> Their argument was based
                        on the alleged derivation of “poetello” from the Latin <hi1 rend="italic"
                            >poeta</hi1>. In 1886 this hypothesis was demolished by Tito Berti, who
                        pointed out that “poetello” in the local dialect simply meant “hillock”
                        (“poggierello” in standard Italian).<ptr target="nt_c10.4.n8" n="8"/></p>
                    <p id="p_721" n="721">To solve the long-debated question about the exact
                        location of Horace’s Villa, archaeological excavations were undertaken from
                        1911 to 1914 on the Vigne di S. Pietro site in Licenza.<ptr
                            target="nt_c10.4.n9" n="9"/>The connection of Horace’s property with
                        both Roccagiovine and Licenza can be explained by the fact that it was
                        situated quite close to these two towns. </p>
                    <p id="p_722" n="722">Although a certain amount of confusion remains about the
                        exact find spot of the brickstamp, the available evidence strongly suggests
                        that it must have been the villa in the Vigne di S. Pietro at Licenza. </p>
                    <p id="p_723" n="723">The supplementation of the text—i.e., the addition of the
                            <hi1 rend="italic">praenomen</hi1> Manius to the edition of <hi1
                            rend="italic">CIL</hi1>, which reports a lacuna—has been made possible
                        by Pasqui’s excavations of 1911-14,<ptr target="nt_c10.4.n10" n="10"/> whose
                        finds are housed in the Museo Oraziano in the Orsini Palace at Licenza (<hi1
                            rend="bold">fig. 1</hi1>). Now, for the first time in the 90 years since
                        the conclusion of Pasqui’s work, our epigraphical knowledge is extended. </p>
                    <p id="p_724" n="724">In 1926 Giuseppe Lugli published the excavation results
                        from the villa, utilizing the unpublished catalogue compiled by Pasqui.
                        However, Lugli’s entries do not agree with the Pasqui manuscript and are the
                        result of an erroneous interpretation of the data.<ptr target="nt_c10.4.n11"
                            n="11"/></p>
                    <p id="p_725" n="725">Pasqui’s catalogue, published for the first time in this
                        report by Frischer (see <ptr target="div4_c13.1.12.1" type="txt" n="G.1.12"
                        />), includes (in <hi1 rend="italic">Category F: Construction
                        Material</hi1>) 12 brickstamps that were housed in the museum at the
                        conclusion of the excavations (<hi1 rend="bold">fig. 1</hi1>).<ptr
                            target="nt_c10.4.n12" n="12"/></p>

                    <p id="p_726" n="726">A direct study of the material, which is presently
                        preserved in the storehouse of the Soprintendenza Archeologica per il
                            Lazio,<ptr target="nt_c10.4.n13" n="13"/> has permitted us to verify
                        that, of the four examples cited by Lugli as certain identifications of the
                        stamp in <hi1 rend="italic">CIL</hi1> XV, three are erroneous. Moreover, of
                        the remaining six stamps recorded by Lugli as having a rectangular form and
                        as unpublished, one has a semi-circular form, another is circular with a
                        central disk and three can be identified from <hi1 rend="italic">CIL</hi1>
                            XV.<ptr target="nt_c10.4.n14" n="14"/></p>

                    <p id="p_727" n="727">The recent excavations conducted by the American Academy
                        (1997-2001) have brought to light seven brickstamps belonging to two types
                        that had been discovered earlier (indicated on <hi1 rend="bold">table
                        1</hi1> with the abbreviation VH).<ptr target="nt_c10.4.n15" n="15"/>
                        Altogether, 27 stamps are known from Horace’s Villa. Of these, we have
                        performed autopsy on 26. They belong to ten distinct types, of which four
                        were hitherto unpublished (<hi1 rend="bold">table 1</hi1>). </p>
                    <p id="p_728" n="728">Because of the rarity of the <hi1 rend="italic">CIL</hi1>
                        XV 1972 a <hi1 rend="italic">compl</hi1>. type and the limited area in which
                        it has been found, we added to our catalogue two examples of the same type
                        that are preserved in the Ashby Collection at the American Academy in Rome
                        and in the monastery of San Cosimato at Vicovaro. </p>
                    <p id="p_729" n="729">The first was arbitrarily attributed by J. C. Anderson,
                        author of the catalogue of the Ashby Collection, to the “Tomba della Medusa”
                        situated on the Via Tiburtina just outside the Porta Chiusa, on the basis of
                        a presumably erroneous identification of Ashby.<ptr target="nt_c10.4.n16"
                            n="16"/> But in fact, we have to do not with one of the two stamps (<hi1
                            rend="italic">CIL</hi1> XV.1051.10 and <hi1 rend="italic">CIL</hi1>
                        XV.2031.4) discovered in that monument in 1839 and erroneously sought by
                        Anderson in the Ashby Collection. Given the rarity and thus far otherwise
                        unique provenance of the stamp, it is much more likely that it should be
                        assigned to Horace’s Villa, which Ashby is known to have visited.<ptr
                            target="nt_c10.4.n17" n="17"/> The second is incised on a roof-tile
                        fragment that comes from the archaeological area of San Cosimato.<ptr
                            target="nt_c10.4.n18" n="18"/>
                    </p>
                </div3>
                <div3 id="div3_c10.4.3" type="section" status="hidden">
                    <head>
                        <bibl type="title">D.4.3. Catalogue </bibl>
                    </head>
                    <div4 id="div4_c10.4.3.1" type="section">
                        <head>
                            <bibl type="title">D.4.3.1. Terminology and criterion of the publication
                                of the stamps </bibl>
                        </head>
                        <p id="p_730" n="730"><hi1 rend="bold">Figure 2</hi1> shows the system for
                            classification of bricks and roof-tiles. After the typological naming of
                            the object and the codification of the fragment, the words “+ cut” mean
                            that the piece (brick or tile) has a side that is sawed and may
                            therefore have been used in a brick facing. The dimensions are given in
                            the following order: height x width x thickness. In the case of
                            fragmentary pieces, a portion of an original side that is preserved is
                            considered as the width of the object for the purposes of measuring. The
                            shape of the stamp follows: rectangular, horseshoe (semicircular with
                            disc partially set in), and orbicular (circular with large, medium or
                            small-sized disc, an <hi1 rend="italic">orbiculus</hi1>, set in). For
                            the rectangular and horseshoe stamps the first measure is the height,
                            the second the length; for the orbicular stamps, the diameter of the
                            stamp is given first, and then that of the orbiculus. The height of the
                            letters follows, and then the number of auxiliary lines which delimit
                            the lines of the text, beginning from the outside. The number which
                            precedes the transcription of the text refers to <hi1 rend="italic"
                            >CIL</hi1> XV; in the case of the unpublished pieces, “N.” indicates the
                            place where the unpublished piece would have appeared in the <hi1
                                rend="italic">CIL</hi1>. The term “<hi1 rend="italic">compl</hi1>.”
                            explains that the fragmentary or badly preserved text of the stamp as
                            given in <hi1 rend="italic">CIL</hi1> XV or N has been completed. </p>
                    </div4>
                    <div4 id="div4_c10.4.3.2" type="section">
                        <head>
                            <bibl type="title">D.4.3.2. “Horace’s Villa” </bibl>
                        </head>
                        <p id="p_731" n="731">
                            <list>
                                <item><hi1 rend="bold">1.</hi1> (LP2)</item>
                                <item>
                                    <hi1 rend="bold">fig. 3.</hi1> Fragment (E) of brick, cm. 15.6 x
                                    10.5 x 4-3.8. Orbicular stamp, cm. 7.5?: disc 3.6; letters 1.1,
                                    0.9; aux. lines 2, 2.1.</item>
                                <item>
                                    <hi1 rend="italic">CIL</hi1> XV.129</item>
                                <item> Tert(ius) D(omitiae) L(ucillae) [ex f(iglinis) Can(inianis)
                                    op(us) dol(iare) fe(cit)]</item>
                                <item> Tit(iano) [et Gall(icano)co(n)s(ulibus)] </item>
                                <item>[((ramus palmae))] </item>
                            </list>
                        </p>
                        <p id="p_732" n="732">
                            <list>
                                <item><hi1 rend="bold">2.</hi1> (LP1)</item>
                                <item><hi1 rend="bold">fig. 4.</hi1> Fragment of brick (?+ cut), cm.
                                    21 x 23.8 x 4.6. Orbicular stamp, cm. 9.3; disc 3.6; letters
                                    1.1, 0.9; aux. lines 2, 2.1.</item>
                                <item><hi1 rend="italic">CIL</hi1> XV.129</item>
                                <item>Te[rt(ius) D(omitiae L(ucillae) ex] f(iglinis) Can(inianis)
                                    op(us) dol(iare) fe(cit)</item>
                                <item>Ti[t(iano) et] Gall(icano) co(n)s(ulibus)</item>
                                <item>((ramus palmae))</item>
                            </list>
                        </p>
                        <p id="p_733" n="733">
                            <list>
                                <item><hi1 rend="bold">3.</hi1> (LP6)</item>
                                <item><hi1 rend="bold">fig. 5.</hi1> Fragment (H) of tile?, cm. 19.6
                                    x 15.8 x 3. Horseshoe stamp, cm. 7.4, 3.5; disc 3.2; letters 0.8
                                    – 1.3.</item>
                                <item>N. 890/1</item>
                                <item>L(uci) Braeti</item>
                            </list>
                        </p>
                        <p id="p_734" n="734">
                            <list>
                                <item><hi1 rend="bold">4.</hi1> (LP3)</item>
                                <item><hi1 rend="bold">fig. 6.</hi1> Fragment (E) of tile?, cm. 10 x
                                    6 x 2.7. Horseshoe stamp, cm. 6.7?, 2.8?; disc 2.5?; letters 1.1
                                    – 1.3?</item>
                                <item>N. 890/1</item>
                                <item>L(uci) Braeti</item>
                            </list>
                        </p>
                        <p id="p_735" n="735">
                            <list>
                                <item><hi1 rend="bold">5.</hi1> (LP5)</item>
                                <item><hi1 rend="bold">fig. 7.</hi1> Fragment (E) of tile?, cm. 25.5
                                    x 19.5 x 2.5. Rectangular stamp, cm. 7.3?, 3.3; letters 1, 0.9.</item>
                                <item>N.933/4</item>
                                <item>Claud[iae]</item>
                                <item>Epich[aris]</item>
                            </list>
                        </p>
                        <p id="p_736" n="736">
                            <list>
                                <item><hi1 rend="bold">6.</hi1> (L10R)</item>
                                <item><hi1 rend="bold">fig. 8.</hi1> Fragment (E) of tile?, cm 15.8
                                    x 12.4 x 2.2. Rectangular stamp, cm. 3.6?, 3.4; letters 1, 0.9.</item>
                                <item>N.933/4</item>
                                <item>[Claud]iae</item>
                                <item>[Epich]aris</item>
                            </list>
                        </p>
                        <p id="p_737" n="737">
                            <list>
                                <item><hi1 rend="bold">7.</hi1> (VH 204)</item>
                                <item><hi1 rend="bold">fig. 9.</hi1> Fragment (G) of tile, formed of
                                    two parts joined together, cm. 37.9 x 33.8 x 2.5-2.8.
                                    Rectangular stamp, cm. 8.9?, 3.3; letters 1, 0.9.</item>
                                <item>N. 933/4</item>
                                <item>Claudiae</item>
                                <item>Epicharis</item>
                            </list>
                        </p>
                        <p id="p_738" n="738">
                            <list>
                                <item><hi1 rend="bold">8.</hi1> (L4R)</item>
                                <item><hi1 rend="bold">fig. 10.</hi1> Fragment (E) of brick, cm.
                                    19.5 x 16 x 4.9-4.2. Orbicular stamp, cm. 10; disc 5.1; letters
                                    1.1, 1.1; aux. lines 1, 2, 2.</item>
                                <item><hi1 rend="italic">CIL</hi1> XV.1033</item>
                                <item>[Op(us) d(oliare) Doryph]or(i) Domit(iae) P(ubli) f(iliae)
                                    Lucill(ae)</item>
                                <item>[Paet(ino) et A]pro(niano) c[o(n)s(ulibus)</item>
                            </list>
                        </p>
                        <p id="p_739" n="739">
                            <list>
                                <item><hi1 rend="bold">9.</hi1> (L3R)</item>
                                <item>
                                    <hi1 rend="bold">fig. 11.</hi1> Fragment (E) of brick, cm. 18.2
                                    x 13.6 x 4. Orbicular stamp, cm. 9.8; orb. 4; letters 1.1-1.3,
                                    1; aux. lines 1, 2, 2.</item>
                                <item><hi1 rend="italic">CIL</hi1> XV.1210</item>
                                <item>C(ai) Comin(i) Proc(uli) [dol(iare) ex p]r(aedis) Iuli
                                    Step(hani)</item>
                                <item>Titian(o) et Squil(la) co(n)s(ulibus)</item>
                            </list>
                        </p>
                        <p id="p_740" n="740">
                            <list>
                                <item><hi1 rend="bold">10.</hi1> (LP4)</item>
                                <item><hi1 rend="bold">fig. 12.</hi1> Fragment (E) of brick, cm.
                                    16.4 x 8.5 x 4.1. Rectangular stamp, cm. 6.3+, 3.7-4; letters
                                    1.3, 1.1.</item>
                                <item><hi1 rend="italic">CIL</hi1> XV.1211</item>
                                <item>C(ai) Comin(i) [Proc(uli)]</item>
                                <item>fec(it ) Feli(x Caric(us)]</item>
                            </list>
                        </p>
                        <p id="p_741" n="741">
                            <list>
                                <item><hi1 rend="bold">11.</hi1> (L1R)</item>
                                <item><hi1 rend="bold">fig. 13.</hi1> Fragment of brick (<hi1
                                        rend="italic">bipedalis</hi1> or <hi1 rend="italic"
                                        >sesquipedalis</hi1>), cm. 29.3 x 34.2 x 4.5. Rectangular
                                    stamp, cm. 11+, 3.9; letters 1.3, 1.1.</item>
                                <item><hi1 rend="italic">CIL</hi1> XV.1211</item>
                                <item>[C(ai) Com]in(i) Proc(uli)</item>
                                <item>fec(it) Felix Caric(us)</item>
                            </list>
                        </p>
                        <p id="p_742" n="742">
                            <list>
                                <item><hi1 rend="bold">12.</hi1> (L2R)</item>
                                <item><hi1 rend="bold">fig. 14.</hi1> Fragment of brick, cm. 29.3 x
                                    14.6 x 5-4.8. Rectangular stamp, cm. 7.1+, 2.4; letters 1.8.</item>
                                <item>[---]ILLI.</item>
                            </list>
                        </p>
                        <p id="p_743" n="743">Two identifications can be proposed. In the first
                            case, we may have to do with the stamp <hi1 rend="italic">CIL</hi1>
                            XV.1340a [<hi1 rend="italic">L. Ope</hi1>]<hi1 rend="italic">illi</hi1>
                            on the basis of the letters and the rectangular form with one line of
                                text;<ptr target="nt_c10.4.n19" n="19"/> the use of the dipthong
                                <hi1 rend="italic">ei</hi1> for <hi1 rend="italic">i</hi1> (=<hi1
                                rend="italic">Opilli</hi1>) is frequent in the Republican
                                period.<ptr target="nt_c10.4.n20" n="20"/> The second integration
                            derives from <hi1 rend="italic">CIL</hi1> XV.2381b=XIV.4092.8 [C. <hi1
                                rend="italic">Caecili Bathy</hi1>]<hi1 rend="italic">ylli</hi1>, and
                            is based solely on the interpretation Y of the first preserved letter
                            (of which only the lower part of the straight stroke remains), since the
                            form of the only reference copy is not transmitted.<ptr
                                target="nt_c10.4.n21" n="21"/>
                        </p>
                        <p id="p_744" n="744">
                            <list>
                                <item><hi1 rend="bold">13.</hi1> (LP7) </item>
                                <item><hi1 rend="bold">fig. 15.</hi1> Fragment of brick, cm. 17.2 x
                                    23 x 3.2. Rectangular stamp, cm. 8.4, 3.6; letters 3.2-2.7.</item>
                                <item>N. 1370/1-1371</item>
                                <item>L(uci) Pomp(---)</item>
                            </list>
                        </p>
                        <p id="p_745" n="745">
                            <list>
                                <item>
                                    <hi1 rend="bold">14.</hi1>
                                </item>
                                <item><hi1 rend="bold">fig. 16.</hi1> Rectangular stamp </item>
                                <item><hi1 rend="italic">CIL</hi1> XV, 1972 a <hi1 rend="italic"
                                        >compl</hi1>.</item>
                                <item>[M(ani)] Naevi</item>
                            </list>
                        </p>
                        <p id="p_746" n="746">
                            <list>
                                <item><hi1 rend="bold">15.</hi1> (LP8)</item>
                                <item><hi1 rend="bold">fig. 17.</hi1> Fragment (C) of tile, cm. 21 x
                                    34 x 3.1-2.9. Rectangular stamp, cm. 15.7, 2.5: letters 2-1. </item>
                                <item><hi1 rend="italic">CIL</hi1> XV, 1972 a <hi1 rend="italic"
                                        >compl</hi1>.</item>
                                <item>M(ani) Naevi</item>
                            </list>
                        </p>
                        <p id="p_747" n="747">
                            <list>
                                <item><hi1 rend="bold">16.</hi1> (L7R)</item>
                                <item>f<hi1 rend="bold">ig. 18.</hi1> Fragment (H) of tile, cm. 17.3
                                    x 14.5 x 3-2.5. Rectangular stamp, cm. 15+, 2.5; letters 2-1.</item>
                                <item><hi1 rend="italic">CIL</hi1> XV, 1972 a <hi1 rend="italic"
                                        >compl</hi1>.</item>
                                <item>M(ani) Naevi</item>
                            </list>
                        </p>
                        <p id="p_748" n="748">
                            <list>
                                <item><hi1 rend="bold">17.</hi1> (L6R)</item>
                                <item><hi1 rend="bold">fig. 19.</hi1> Fragment (H) of tile cm. 14.1
                                    x 14.5 x 3.2. Rectangular stamp, cm. 12.2+, 2.6; letters 2-1.5. </item>
                                <item><hi1 rend="italic">CIL</hi1> XV, 1972 a <hi1 rend="italic"
                                        >compl</hi1>.</item>
                                <item>M(ani) Naevi</item>
                            </list>
                        </p>
                        <p id="p_749" n="749">
                            <list>
                                <item>
                                    <hi1 rend="bold">18.</hi1> (L8R)</item>
                                <item><hi1 rend="bold">fig. 20.</hi1> Fragment (H) of tile cm. 14.3
                                    x 11.7 x 2.9-2.7. Rectangular stamp, cm. 13+, 2.6; letters
                                    2-1.7.</item>
                                <item><hi1 rend="italic">CIL</hi1> XV, 1972 a <hi1 rend="italic"
                                        >compl</hi1>.</item>
                                <item>M(ani) Naevi</item>
                            </list>
                        </p>
                        <p id="p_750" n="750">
                            <list>
                                <item><hi1 rend="bold">19.</hi1> (L5R)</item>
                                <item><hi1 rend="bold">fig. 21.</hi1> Fragment (H) of tile cm. 17.5
                                    x 24.4 x 3.1. Rectangular stamp, cm. 13+, 2.5; letters 2.2-1.7.</item>
                                <item><hi1 rend="italic">CIL</hi1> XV, 1972 a <hi1 rend="italic"
                                        >compl</hi1>.</item>
                                <item>M(ani) Naevi</item>
                            </list>
                        </p>
                        <p id="p_751" n="751">
                            <list>
                                <item><hi1 rend="bold">20.</hi1> (L9R)</item>
                                <item><hi1 rend="bold">fig. 22.</hi1> Fragment (H) of tile cm. 15.8
                                    x 8.6 x 3-2.8. Rectangular stamp, cm. 7.5+, 2.2+; letters 2.2.</item>
                                <item><hi1 rend="italic">CIL</hi1> XV, 1972 a <hi1 rend="italic"
                                        >compl</hi1>.</item>
                                <item>M(ani) N[aevi]</item>
                            </list>
                        </p>
                        <p id="p_752" n="752">
                            <list>
                                <item><hi1 rend="bold">21.</hi1> (VH 125)</item>
                                <item>
                                    <hi1 rend="bold">fig. 23.</hi1> Fragment (H) of tile cm. 22 x
                                    17.2 x 3-2.6. Rectangular stamp, cm. 15.5, 2.6-2.4; letters
                                    1.7-1.5. </item>
                                <item>CIL XV, 1972 a <hi1 rend="italic">compl</hi1>. </item>
                                <item>M(ani) Naevi </item>
                            </list>
                        </p>
                        <p id="p_753" n="753">
                            <list>
                                <item><hi1 rend="bold">22.</hi1> (VH 185)</item>
                                <item>
                                    <hi1 rend="bold">fig. 24.</hi1> Fragment (H) of tile cm. 9 x
                                    13.5 x 3.4-3. Rectangular stamp, cm. 8.7+, 2.5; letters 2-1.7. </item>
                                <item><hi1 rend="italic">CIL</hi1> XV, 1972 a <hi1 rend="italic"
                                        >compl</hi1>. </item>
                                <item>[M(ani)] Naevi </item>
                            </list>
                        </p>
                        <p id="p_754" n="754">
                            <list>
                                <item><hi1 rend="bold">23.</hi1> (VH 201) </item>
                                <item><hi1 rend="bold">fig. 25.</hi1> Fragment (H) of tile cm. 10 x
                                    12 x 3. Rectangular stamp, cm. 5.3+, 2+; letters 1.7. </item>
                                <item><hi1 rend="italic">CIL</hi1> XV, 1972 a <hi1 rend="italic"
                                        >compl</hi1>. </item>
                                <item>[M(ani) Na]evi </item>
                            </list>
                        </p>
                        <p id="p_755" n="755">
                            <list>
                                <item><hi1 rend="bold">24.</hi1> (VH 136) </item>
                                <item><hi1 rend="bold">fig. 26.</hi1> Fragment (H) of tile cm. 22.6
                                    x 13.5 x 3-3.2. Rectangular stamp, cm. 6.8+, 2.6; letters ?</item>
                                <item><hi1 rend="italic">CIL</hi1> XV, 1972 a <hi1 rend="italic"
                                        >compl</hi1>. </item>
                                <item>[M(ani) Na]evi </item>
                            </list>
                        </p>
                        <p id="p_756" n="756">
                            <list>
                                <item><hi1 rend="bold">25.</hi1> (VH 035)</item>
                                <item>
                                    <hi1 rend="bold">fig. 27.</hi1> Fragment (H) of tile cm. 12.5 x
                                    14.2 x 3.5. Rectangular stamp, cm. 6.5+, 2.6; letters 2. </item>
                                <item><hi1 rend="italic">CIL</hi1> XV, 1972 a <hi1 rend="italic"
                                        >compl</hi1>.</item>
                                <item>M(ani) N[aevi] </item>
                            </list>
                        </p>
                        <p id="p_757" n="757">
                            <list>
                                <item><hi1 rend="bold">26.</hi1> (VH 189) </item>
                                <item><hi1 rend="bold">fig. 28.</hi1> Fragment (H) of tile cm. 14 x
                                    9.2 x 3. Rectangular stamp, cm. 6.5+, 2.6; letters 1.8. </item>
                                <item><hi1 rend="italic">CIL</hi1> XV, 1972 a <hi1 rend="italic"
                                        >compl</hi1>.</item>
                                <item>[M(ani) Na]ev[i] </item>
                            </list>
                        </p>
                        <p id="p_758" n="758">
                            <list>
                                <item>
                                    <hi1 rend="bold">27.</hi1>
                                </item>
                                <item><hi1 rend="bold">fig. 29.</hi1> Fragment of <hi1 rend="italic"
                                        >dolium</hi1> cm. 22 x 36 x 11.5; height of lip 8, width
                                    19.5. Two separate rectangular stamps: </item>
                                <item>a) cm. 3.2 x 12.5; letters 2.1-1.6 </item>
                                <item>b) cm. 3.5 x 12.6+; letters 2-1.7</item>
                                <item>N. 2437/8 </item>
                                <item>Favoniae C(aii) f(iliae) ((<hi1 rend="italic">palma
                                    ds.</hi1>)) Q(uinti) Fabrici Fel[icis]</item>
                            </list>
                        </p>
                    </div4>
                    <div4 id="div4_c10.4.3.3" type="section">
                        <head>
                            <bibl type="title">D.4.3.3. The Ashby Collection at the American Academy
                                in Rome </bibl>
                        </head>
                        <p id="p_759" n="759">
                            <list>
                                <item><hi1 rend="bold">28.</hi1> (AAR 5142)</item>
                                <item><hi1 rend="bold">fig. 30.</hi1> Fragment (H) of tile cm. 14 x
                                    9.2 x 3. Rectangular stamp, cm. 9.5+, 2.5; letters 1.9-1.8. </item>
                                <item><hi1 rend="italic">CIL</hi1> XV, 1972 a <hi1 rend="italic"
                                        >compl</hi1>.</item>
                                <item>[M(ani) Na]ev[i]</item>
                            </list>
                        </p>
                    </div4>
                    <div4 id="div4_c10.4.3.4" type="section">
                        <head>
                            <bibl type="title">D.4.3.4. Convent of San Cosimato (Vicovaro, ROMA)
                            </bibl>
                        </head>
                        <p id="p_760" n="760">
                            <list>
                                <item>
                                    <hi1 rend="bold">29.</hi1>
                                </item>
                                <item><hi1 rend="bold">fig. 31</hi1>. Fragment (H) of tile cm. 14 x
                                    9.2 x 3. Rectangular stamp, cm. 15.6, 2.5; letters 2-1.</item>
                                <item><hi1 rend="italic">CIL</hi1> XV, 1972 a <hi1 rend="italic"
                                        >compl</hi1>.</item>
                                <item>M(ani) Naevi</item>
                            </list>
                        </p>
                    </div4>
                </div3>
                <div3 id="div3_c10.4.4" type="section">
                    <head>
                        <bibl type="title">D.4.4. Typology of the Brick Material </bibl>
                    </head>
                    <p id="p_761" n="761">Most of the stamped material consists of <hi1
                            rend="italic">tegulae</hi1> which, in addition to being used for
                        covering, were often cut up and used for the construction of walls. The
                        typological inclusion of some not easily identifiable brick fragments in
                        this class is determined by a series of assessments (thickness, presence of
                        one side partially surviving, <hi1 rend="italic">impasto</hi1>, and
                        comparison among fragments). </p>
                    <p id="p_762" n="762">Some unstamped <hi1 rend="italic">lateres</hi1> used in
                        the villa, which include <hi1 rend="italic">bipedales</hi1>, <hi1
                            rend="italic">sesquipedales</hi1> and <hi1 rend="italic">laterculi
                            bessales</hi1>, when examined directly (macroscopically) and then
                        confirmed by laboratory analysis, are in an <hi1 rend="italic">impasto</hi1>
                        very similar to that of the stamped tiles of the <hi1 rend="italic"
                        >Naevius</hi1> production.<ptr target="nt_c10.4.n22" n="22"/>
                    </p>
                    <p id="p_763" n="763">In one wall, the fragment of the rim of a <hi1
                            rend="italic">dolium</hi1> was even found.<ptr target="nt_c10.4.n23"
                            n="23"/>
                    </p>
                </div3>
                <div3 id="div3_c10.4.5" type="section">
                    <head>
                        <bibl type="title">D.4.5. Typology of the Stamps, Palaeography, and
                            Epigraphical Form </bibl>
                    </head>
                    <p id="p_764" n="764">The forms attested are rectangular (six types),<ptr
                            target="nt_c10.4.n24" n="24"/> horseshoe (one type),<ptr
                            target="nt_c10.4.n25" n="25"/> and orbicular (three types).<ptr
                            target="nt_c10.4.n26" n="26"/> See <hi1 rend="bold">fig. 2</hi1> for the
                        schematic representation of these forms. The arrangement of the words is on
                        one or more parallel lines (straight or curvilinear). Guidelines only appear
                        in the orbicular types. The letters are in relief and are made with an
                        incised wooden matrix. The writing is left to right. </p>
                    <p id="p_765" n="765">Among the older stamps, that of <hi1 rend="italic"
                        >Naevius</hi1> has distinctive palaeographic characters, such as
                        obliqueness, variations in height, irregular appearance of the lines and the
                        divaricate form of some of the letters (M, N, V). The circular dividing sign
                        can be felt by touch, because of the way in which the inscription was
                        prepared on the matrix, that is, “in negative.” </p>
                    <p id="p_766" n="766">As for the form of the texts, they can be grouped into two
                        categories, on the basis of length and content: <list>
                            <item>A – <hi1 rend="italic">Brickstamps of private producers</hi1>.
                                This is the most numerous group, consisting of a simple onomastic
                                formula in the genitive.<ptr target="nt_c10.4.n27" n="27"/> The <hi1
                                    rend="italic">dolium</hi1> [Cat. 27] carries two separate and
                                complementary stamps.<ptr target="nt_c10.4.n28" n="28"/>
                            </item>
                            <item>B – <hi1 rend="italic">Brickstamps of figlinae</hi1> (workshops of
                                which the name appears). These bear a more complex and evolved text,
                                typical of the Tiber area, with the generic denomination of the
                                brick product (<hi1 rend="italic">opus doliare</hi1>), of the <hi1
                                    rend="italic">officinator</hi1>, of the proprietor (<hi1
                                    rend="italic">dominus</hi1>), of the places of production (<hi1
                                    rend="italic">figlinae</hi1>), and the consular date.<ptr
                                    target="nt_c10.4.n29" n="29"/> To this type can also be
                                attributed the simpler text of a stamp that contains the onomastic
                                formula of an already well-known <hi1 rend="italic"
                                >officinator</hi1>, followed by the <hi1 rend="italic">nomen
                                servile</hi1> of his own slave responsible for the production.<ptr
                                    target="nt_c10.2.n30" n="30"/></item>
                        </list></p>
                </div3>
                <div3 id="div3_c10.4.6" type="section">
                    <head>
                        <bibl type="title">D.4.6. Prosopography of the Producers: <hi1
                                rend="bolditalic">Gentes</hi1> Active in the Production of the
                            Bricks (<hi1 rend="bolditalic">domini</hi1> and <hi1 rend="bolditalic"
                                >officinatores</hi1>) </bibl>
                    </head>
                    <p id="p_767" n="767">A comparison of the family names (<hi1 rend="italic"
                            >nomina</hi1>) occuring on the bricks and tiles—which sometimes document
                        the existence of individuals and families not attested by other sources—with
                        those of other inscriptions (on stone, etc.) permits us to verify the
                        diffusion of the <hi1 rend="italic">gentes</hi1> active in the brick
                        industry and can contribute to the topographical identification of the
                        places of production (<hi1 rend="italic">figlinae</hi1>). </p>
                    <p id="p_768" n="768">Moreover, such a correlation makes it possible to
                        formulate a hypothesis about the origin, mobility and rank of the
                        individuals involved. We can also determine their economic interests in the
                        region, both those resulting from what can properly be called “industrial”
                        activity directed toward a relatively large marketing territory, and those
                        primarily tied to serving the needs of their own <hi1 rend="italic"
                        >fundi</hi1>. For reasons of manpower or management, many <hi1 rend="italic"
                            >officinatores</hi1> and <hi1 rend="italic">domini</hi1> could belong to
                            <hi1 rend="italic">gentes</hi1> dwelling in the region only in the
                        period when bricks and tiles were produced. </p>
                    <p id="p_769" n="769">In the present investigation, special attention has been
                        given to the stamps produced locally (products which, up to now, have not
                        been found in the city of Rome) and the areas covered are the Augustan
                        regions I-VIII (<hi1 rend="bold">table 3</hi1>). </p>
                    <p id="p_770" n="770">
                        <list>
                            <item>
                                <hi1 rend="bold">BRAETII</hi1>
                            </item>
                            <item>
                                <hi1 rend="italic">L. Braetius</hi1>
                            </item>
                            <item>Owner of a production facility whose bricks have been found until
                                now only at Horace’s Villa.</item>
                            <item>The status of the individual cannot be given with certainty (see
                                    <ptr target="div3_c10.4.7" type="txt" n="D.4.7"/>).</item>
                            <item>The family name is rare, attested for the first time in <hi1
                                    rend="italic">Regio</hi1> I, with the exception of Rome, where
                                it is present two times (see <hi1 rend="bold">table 3</hi1>);<ptr
                                    target="nt_c10.2.n31" n="31"/> it can perhaps be related to the
                                    <hi1 rend="italic">Braetii</hi1> of <hi1 rend="italic"
                                >Regio</hi1> VI. </item>
                            <item>The uniqueness of the stamp and its close connection to the
                                building history of the villa suggests the possibility that the <hi1
                                    rend="italic">figlina</hi1> belonged to the owner of the <hi1
                                    rend="italic">fundus</hi1> where the tiles were used.<ptr
                                    target="nt_c10.2.n32" n="32"/></item>
                        </list>
                    </p>
                    <p id="p_771" n="771">
                        <list>
                            <item>
                                <hi1 rend="bold">CLAUDII</hi1>
                            </item>
                            <item>
                                <hi1 rend="italic">Claudia Epicharis</hi1>
                            </item>
                            <item>Owner of a production facility of bricks found to date only at
                                Horace’s Villa.</item>
                            <item>This family name is extremely common in Rome and Italy, while in
                                Etruria and Umbria it generally takes the form <hi1 rend="italic"
                                    >Clodius</hi1>. It owes its enormous diffusion to the time of
                                Claudius and Nero, who gave this name to their freedmen, from which
                                it passed to their descendants.</item>
                            <item>The name <hi1 rend="italic">Claudia Epicharis</hi1> reflects a
                                freedman origin and is the same as that of the woman who took part
                                in the Pisonian conspiracy against Nero in 65 A.D., as described by
                                Tacitus. But such facts are not sufficient in themselves for
                                identifying the woman.<ptr target="nt_c10.2.n33" n="33"/></item>
                            <item>Women with the same name are otherwise attested at Rome in three
                                funerary inscriptions (<hi1 rend="italic">CIL</hi1> VI.8411; <hi1
                                    rend="italic">CIL</hi1> VI.29062; <hi1 rend="italic">CIL</hi1>
                                VI.29081), but the onomastic comparisons do not furnish the basis
                                for even a speculative identification (see Rudich, <ptr
                                    target="div2_c11.2" type="txt" n="E.2"/>). </item>
                            <item>Numerous males and females belonging to this <hi1 rend="italic"
                                    >gens</hi1> appear on the stamps of the first and second
                                centuries A.D.<ptr target="nt_c10.2.n34" n="34"/> Among these can be
                                noted the production of <hi1 rend="italic">Claudia Prima</hi1>,
                                whose name appears inside a rectangular stamp (<hi1 rend="italic"
                                    >CIL</hi1> XIV.4091.31=XV.2318), which was found in the
                                territory of <hi1 rend="italic">Praeneste</hi1> and <hi1
                                    rend="italic">Tusculum</hi1>.</item>
                            <item>On the basis of the uniqueness of the stamp and its close
                                connection to the building history of Horace’s Villa, it is possible
                                that the <hi1 rend="italic">figlina</hi1> belonged to the owner of
                                the <hi1 rend="italic">praedium</hi1> where the tiles were used.<ptr
                                    target="nt_c10.2.n35" n="35"/></item>
                        </list>
                    </p>
                    <p id="p_772" n="772">
                        <list>
                            <item>
                                <hi1 rend="bold">COMINII</hi1>
                            </item>
                            <item>
                                <hi1 rend="italic">C. Cominius Proculus</hi1>
                            </item>
                            <item>This individual is mentioned on three stamps (<hi1 rend="italic"
                                    >CIL</hi1> XV.1051, <hi1 rend="italic">CIL</hi1> XV.1210 and
                                    <hi1 rend="italic">CIL</hi1> XV.1211), the last two of which
                                were found at Horace’s Villa. <hi1 rend="italic">Domini</hi1> are
                                    <hi1 rend="italic">Domitia Lucilla</hi1> in the first and <hi1
                                    rend="italic">Iulius Step(hanus)</hi1> in the second, which
                                dates to 127 A.D. The third bears only the name of <hi1
                                    rend="italic">Felix Caric(us)</hi1>, slave of <hi1 rend="italic"
                                    >C. Cominius Proculus</hi1>.<ptr target="nt_c10.2.n36" n="36"/></item>
                            <item>For the diffusion of the family, see <hi1 rend="bold">table
                                3</hi1>.</item>
                            <item><hi1 rend="italic">C. Cominius Proculus</hi1> was undoubtedly the
                                    <hi1 rend="italic">officinator</hi1> on the estates of the two
                                    <hi1 rend="italic">domini</hi1> mentioned above.</item>
                            <item>The two stamps <hi1 rend="italic">CIL</hi1> XV.1210 and 1211 are
                                mainly distributed in <hi1 rend="italic">Latium</hi1>. The presence
                                in the <hi1 rend="italic">ager Statoniensis</hi1> of <hi1
                                    rend="italic">CIL</hi1> XV.1051 together with a product of <hi1
                                    rend="italic">C. Iulius Stephanus</hi1><ptr
                                    target="nt_c10.2.n37" n="37"/> makes it highly likely that the
                                    <hi1 rend="italic">praedia</hi1> of the latter were near the
                                    <hi1 rend="italic">figlinae</hi1> of the <hi1 rend="italic"
                                    >Domitii</hi1>, to which the <hi1 rend="italic">officinator C.
                                    Cominius Proculus</hi1> and his slave <hi1 rend="italic">Felix
                                    Caricus</hi1> transferred between 127 and 135 A.D.<ptr
                                    target="nt_c10.2.n38" n="38"/></item>
                        </list>
                    </p>
                    <p id="p_773" n="773">
                        <list>
                            <item>
                                <hi1 rend="bold">DOMITII</hi1>
                            </item>
                            <item>
                                <hi1 rend="italic">Domitia P. f. Lucilla</hi1>
                            </item>
                            <item>Daughter of <hi1 rend="italic">Domitia Cn(aei) f(ilia)
                                Lucilla</hi1>, she married M. Annius Verus and had two children,
                                Annia Cornificia Faustina and the future emperor Marcus Aurelius.</item>
                            <item>The <hi1 rend="italic">gens Domitia</hi1> is attested everywhere
                                and is especially tied to <hi1 rend="italic">Regio</hi1> VII because
                                of vast possessions (including <hi1 rend="italic">figlinae</hi1>),
                                which later passed into imperial hands. The first individual of note
                                in this sector was <hi1 rend="italic">Cn. Domitius Afer</hi1>, who
                                came to Rome from <hi1 rend="italic">Gallia Narbonensis</hi1>, and
                                who invested substantial earnings from oratorical activity in some
                                brick and tile factories.<ptr target="nt_c10.2.n39" n="39"/></item>
                            <item>The family’s practically omnipresent bricks constitute the
                                foundation for the dating of many buildings in Rome and the
                                surrounding area, starting from the time of Claudius.<ptr
                                    target="nt_c10.4.n40" n="40"/>At Licenza, two stamps from the
                                    <hi1 rend="italic">figlinae</hi1> of <hi1 rend="italic">Domitia
                                    Lucilla</hi1> (the younger) are attested: <hi1 rend="italic"
                                >CIL</hi1> XV.129, dating to the year 127 A.D., and 1033 from the
                                year 123 A.D.<ptr target="nt_c10.4.n41" n="41"/></item>
                            <item>In the Tiber valley, some facilities have been identified in the
                                    <hi1 rend="italic">ager Statoniensis</hi1>, on the basis of some
                                kiln waste and a wide range of products of the <hi1 rend="italic"
                                    >Domitii</hi1> and of the <hi1 rend="italic">figlinae
                                    Domitianae</hi1>.<ptr target="nt_c10.4.n42" n="42"/> The <hi1
                                    rend="italic">figlinae Caninianae</hi1> can be situated in the
                                same area on the basis of the find of two stamps, <hi1 rend="italic"
                                    >CIL</hi1> XV.118b, S.41.<ptr target="nt_c10.4.n43" n="43"/> The
                                    <hi1 rend="italic">figlinae Caninianae</hi1> also supplied
                                Horace’s Villa with the bricks bearing the name <hi1 rend="italic"
                                    >Tertius</hi1>, a slave <hi1 rend="italic">officinator</hi1> of
                                    <hi1 rend="italic">Domitia Lucilla</hi1> (<hi1 rend="italic"
                                >CIL</hi1> XV.129).<ptr target="nt_c10.4.n44" n="44"/></item>
                            <item>With regard to the provenance of manufacture of <hi1 rend="italic"
                                    >CIL</hi1> XV.1033, linked to the name <hi1 rend="italic"
                                    >Doryphorus</hi1>, likewise a slave <hi1 rend="italic"
                                    >officinator</hi1> of <hi1 rend="italic">Domitia Lucilla</hi1>,
                                the marketing territory must have comprised Rome and the territory
                                of the Roman Campagna from <hi1 rend="italic">Tibur</hi1> to the
                                Alban hills. The most northerly example in the Tiber valley was
                                found in the territory of <hi1 rend="italic">Capena</hi1>.<ptr
                                    target="nt_c10.4.n45" n="45"/></item>
                        </list>
                    </p>
                    <p id="p_774" n="774">
                        <list>
                            <item>
                                <hi1 rend="bold">FABRICII</hi1>
                            </item>
                            <item>
                                <hi1 rend="italic">Q. Fabricius Fel[ix]</hi1>
                            </item>
                            <item>This individual is mentioned in the second stamp on a <hi1
                                    rend="italic">dolium</hi1> found at Horace’s Villa (see <ptr
                                    target="div4_c10.4.3.1" type="txt" n="D.4.3"/>, cat. no. 27). He
                                may be identified with <hi1 rend="italic">Q. Fabricius Felix</hi1>
                                known from the <hi1 rend="italic">dolium</hi1> stamp <hi1
                                    rend="italic">CIL</hi1> XV.2437 (with a different matrix) from
                                Rome.</item>
                            <item>One may infer a freedman origin and the role of <hi1 rend="italic"
                                    >officinator</hi1> in a <hi1 rend="italic">figlina</hi1> of the
                                    <hi1 rend="italic">gens Favonia</hi1> mentioned in the first
                                stamp.</item>
                            <item>The family name, attested only once in connection with brick and
                                tile production and in the sector of the <hi1 rend="italic"
                                >dolia</hi1>, is documented in <hi1 rend="italic">Latium</hi1>, <hi1
                                    rend="italic">Umbria</hi1>, and <hi1 rend="italic">Etruria</hi1>
                                (see <hi1 rend="bold">table 3</hi1>).</item>
                        </list>
                    </p>
                    <p id="p_775" n="775">
                        <list>
                            <item>
                                <hi1 rend="bold">FAVONII</hi1>
                            </item>
                            <item>
                                <hi1 rend="italic">Favonia C. f.</hi1>
                            </item>
                            <item>This individual is mentioned in the first of two stamps of a <hi1
                                    rend="italic">dolium</hi1> found at Horace’s Villa; the stamp
                                had the function of indicating the <hi1 rend="italic">dominus</hi1>
                                and the <hi1 rend="italic">officinator</hi1> attached to the
                                production (see <ptr target="div4_c10.4.3.1" type="txt" n="D.4.3"/>,
                                cat. no. 27).</item>
                            <item>The family name is attested for the first time in the context of
                                the producers of bricks and is unknown (except for Rome) in <hi1
                                    rend="italic">Latium</hi1>, <hi1 rend="italic">Umbria</hi1>, and
                                    <hi1 rend="italic">Sabina</hi1>. It is present twice in <hi1
                                    rend="italic">Etruria</hi1>, at <hi1 rend="italic">Veii</hi1>
                                and <hi1 rend="italic">Capena</hi1><ptr target="nt_c10.4.n46" n="46"
                                /> (see <hi1 rend="bold">table 3</hi1>). According to Dressel, the
                                    <hi1 rend="italic">figlinae Faun(ianae)</hi1>, a brickstamp from
                                which has been found in the interior of the <hi1 rend="italic">ager
                                    Capenas</hi1>, may be connected to the same <hi1 rend="italic"
                                    >gentilicium</hi1> and interpreted as <hi1 rend="italic"
                                    >figlinae Fav(o)n(ianae)</hi1> (<hi1 rend="italic">CIL</hi1>
                                XV.211).</item>
                            <item>The lack of the <hi1 rend="italic">cognomen</hi1> of the woman
                                could perhaps be interpreted as a sign of her fame in a local
                                context.</item>
                        </list>
                    </p>
                    <p id="p_776" n="776">
                        <list>
                            <item>
                                <hi1 rend="bold">IULII</hi1>
                            </item>
                            <item>
                                <hi1 rend="italic">C. Iulius Stephanus</hi1>
                            </item>
                            <item>This individual is mentioned on eight stamps of the years 123-132
                                    A.D.,<ptr target="nt_c10.4.n47" n="47"/> one of which was found
                                at Horace’s Villa (<hi1 rend="italic">CIL</hi1> XV.1210, with the
                                consular date 127 A.D.). The family name is imperial and was
                                widespread from the time of Caesar, Augustus, Tiberius, and
                                Caligula. <ptr target="nt_c10.4.n48" n="48"/></item>
                            <item>Probably of freedman origin,<ptr target="nt_c10.4.n49" n="49"/>
                                <hi1 rend="italic">Iulius Stephanus</hi1> was <hi1 rend="italic"
                                    >dominus</hi1> of <hi1 rend="italic">praedia</hi1> with an
                                associated facility for the production of bricks and tiles, in which
                                five <hi1 rend="italic">officinatores</hi1> are known to have been
                                active, including <hi1 rend="italic">C. Cominius Proculus</hi1> and
                                his slave <hi1 rend="italic">Felix Caricus</hi1> (<hi1 rend="italic"
                                    >CIL</hi1> XV.1211; see above on <hi1 rend="italic"
                                >Cominii</hi1>), who both appear in the stamps of Licenza. <ptr
                                    target="nt_c10.4.n50" n="50"/></item>
                            <item>The marketing area of the bricks of <hi1 rend="italic">Iulius
                                    Stephanus</hi1> is well documented in <hi1 rend="italic"
                                >Latium</hi1>, but the find of another of his stamps on a product in
                                the central Tiber valley makes it very likely that the <hi1
                                    rend="italic">praedia</hi1> were near the <hi1 rend="italic"
                                    >figlinae</hi1> of the <hi1 rend="italic">Domitii</hi1>.<ptr
                                    target="nt_c10.4.n51" n="51"/></item>
                        </list>
                    </p>
                    <p id="p_777" n="777">
                        <list>
                            <item>
                                <hi1 rend="bold">NAEVII</hi1>
                            </item>
                            <item>
                                <hi1 rend="italic">M’. Naevius</hi1>
                            </item>
                            <item>Owner of a production facility of bricks known up to now only from
                                Horace’s Villa and San Cosimato. All the examples known of this
                                stamp, whose rubbings coincide perfectly when overlapped, seem to
                                come from the same matrix.</item>
                            <item>The social status of this individual cannot be determined with
                                certainty since his name is incompletely transmitted (see <ptr
                                    target="div3_c10.4.7" type="txt" n="D.4.7"/>).</item>
                            <item>The family name <hi1 rend="italic">Naevius</hi1> united with the
                                    <hi1 rend="italic">praenomen M(anius)</hi1> is not found in
                                other stamps.<ptr target="nt_c10.4.n52" n="52"/></item>
                            <item>If the <hi1 rend="italic">figlinae</hi1> where bricks with the
                                name <hi1 rend="italic">Naevius</hi1> were produced are the same as
                                those operating in modern times in the locality called <hi1
                                    rend="italic">Le Moglie</hi1> (see <ptr target="div4_c10.4.9.1"
                                    type="txt" n="D.4.9"/>) and those that were located on the <hi1
                                    rend="italic">praedium</hi1> of Horace’s Villa, this could
                                corroborate the hypothesis that <hi1 rend="italic">Naevius</hi1> was
                                a late Republican owner of the property at Horace’s Villa,
                                especially considering the fact that the products of <hi1
                                    rend="italic">M’. Naevius</hi1> were distributed in a very small
                                    area.<ptr target="nt_c10.4.n53" n="53"/></item>
                            <item>The <hi1 rend="italic">gens Naevia</hi1> was rather widely
                                distributed in various zones of ancient Italy (see <hi1 rend="bold"
                                    >table 3</hi1>) in which brick production is known, especially
                                in the late Republican and early imperial periods. The most
                                important are situated in the Cispadane region (Emilia Romagna),
                                between Parma, Piacenza, and <hi1 rend="italic">Veleia</hi1> (<hi1
                                    rend="italic">C. Naevi, L. Naevi</hi1>) and in the area of <hi1
                                    rend="italic">Latium</hi1>.<ptr target="nt_c10.4.n54" n="54"/></item>
                            <item>The production of Rome and its suburbs, already noted by
                                    Marini,<ptr target="nt_c10.4.n55" n="55"/> was classified by
                                Dressel in <hi1 rend="italic">CIL</hi1> XV (1891) in the following
                                way: <list>
                                    <item>&bullet;&nbsp;&nbsp;&nbsp;&nbsp; 22
                                        types (for a total of 32 varieties) of the <hi1
                                            rend="italic">Caii</hi1>, <hi1 rend="italic"
                                        >Lucii</hi1>, and <hi1 rend="italic">Publii Naevii</hi1> are
                                        found in the alphabetic section of the <hi1 rend="italic"
                                            >privati domini</hi1>, with the following introductory
                                        note: “I have examined all the tiles of the <hi1
                                            rend="italic">Naevii</hi1>, though they might seem to
                                        belong exclusively to the <hi1 rend="italic">ager
                                        Tusculanus</hi1> and <hi1 rend="italic">Albanus</hi1>,
                                        because they often appear in buildings in Rome” ;<ptr
                                            target="nt_c10.4.n56" n="56"/></item>
                                    <item>&bullet;&nbsp;&nbsp;&nbsp;&nbsp; 7
                                        types (corresponding to 8 varieties) are inserted in the
                                        section of the stamps that are fragmentary or poorly
                                            transcribed;<ptr target="nt_c10.4.n57" n="57"/></item>
                                    <item>&bullet;&nbsp;&nbsp;&nbsp;&nbsp; 4
                                        types, on the basis of the word <hi1 rend="italic"
                                        >Naeviana</hi1> contained in the text, identify the <hi1
                                            rend="italic">figlinae Naevianae</hi1>.<ptr
                                            target="nt_c10.4.n58" n="58"/></item>
                                </list>
                            </item>
                            <item>In 1947, M. E. Blake emphasized the importance of these
                                productions, mainly distributed in the <hi1 rend="italic">ager
                                    Tusculanus</hi1> and exported to Rome. The tiles of various
                                freedmen of the <hi1 rend="italic">Naevii</hi1> extended through the
                                first half of the first century, although some stamps are late
                                Republican or Augustan, to judge by the form of the letters.<ptr
                                    target="nt_c10.4.n59" n="59"/></item>
                            <item>In 1974, E. M. Steinby considered it probable, “even if it could
                                not be demonstrated with certainty,” that the stamps of the <hi1
                                    rend="italic">Naevii</hi1> came from the <hi1 rend="italic"
                                    >figlinae Naevianae</hi1> and she attributed the Augustan group
                                of stamps to these.<ptr target="nt_c10.4.n60" n="60"/></item>
                            <item>Based on the documentation <hi1 rend="italic">CIL</hi1>/post-<hi1
                                    rend="italic">CIL</hi1>, the stamps belonging to the various
                                productions of the <hi1 rend="italic">Naevii</hi1> in the area of
                                    <hi1 rend="italic">Latium</hi1> can be summarized as is seen on
                                    <hi1 rend="bold">table 4</hi1>.</item>
                            <item>Some <hi1 rend="italic">Caii Naevii</hi1> (<hi1 rend="italic"
                                    >domini</hi1> or <hi1 rend="italic">officinatores</hi1>) have
                                the same <hi1 rend="italic">cognomina</hi1>–<hi1 rend="italic"
                                    >Alexander</hi1>, <hi1 rend="italic">Dama</hi1>, <hi1
                                    rend="italic">Demetrius</hi1> and <hi1 rend="italic"
                                >Philomusus</hi1>–as people living in the same period who are
                                attested on burial inscriptions from Rome.<ptr target="nt_c10.4.n61"
                                    n="61"/> An identification of the first with the latter ones, or
                                at least the existence of family ties, may thus be presumed.</item>
                            <item>The production of <hi1 rend="italic">M(anius) Naevius</hi1> seems
                                to be unrelated to that of other members of the family in the nearby
                                area of <hi1 rend="italic">Tusculum</hi1>-<hi1 rend="italic"
                                    >Praeneste</hi1>.</item>
                            <item>From a preliminary analysis, based on the published data, the
                                marketing area of these products was the Roman Campagna, from the
                                lower Anio valley to the Alban hills, and this fact suggests that
                                the workshops were in a more or less central position and that the
                                distribution occurred by land. An interesting hypothesis of Felice
                                Grossi Gondi associates this production with the <hi1 rend="italic"
                                    >fundi Naevianus et Calpurnianus</hi1> mentioned in an
                                inscription from the villa of Casal Morena in the <hi1 rend="italic"
                                    >ager</hi1> of <hi1 rend="italic">Bovillae</hi1> (<hi1
                                    rend="bold">fig. 35</hi1>).<ptr target="nt_c10.4.n62" n="62"/></item>
                            <item>Some still unpublished examples recorded in the central Tiber
                                valley and in the inner Cassia and Flaminia areas suggest a more
                                complex and articulated situation regarding the topographical
                                location of facilities, which includes the territory north of
                                    Rome.<ptr target="nt_c10.4.n63" n="63"/> Indeed, as brick
                                distribution along the river valley occurred downstream, failing
                                further evidence, the place of discovery may become important for
                                the location of kilns.</item>
                        </list>
                    </p>
                    <p id="p_778" n="778">
                        <list>
                            <item>
                                <hi1 rend="bold">POMP-</hi1>
                            </item>
                            <item>
                                <hi1 rend="italic">L. Pomp( )</hi1>
                            </item>
                            <item>Owner of a production facility of bricks documented up to now only
                                at Horace’s Villa and in the urban area of <hi1 rend="italic"
                                    >Trebula Suffenas</hi1> (Ciciliano).<ptr target="nt_c10.4.n64"
                                    n="64"/> The social status of this individual cannot be
                                determined with certainty because his name is incompletely preserved
                                (see <ptr target="div3_c10.4.7" type="txt" n="D.4.7"/>).</item>
                            <item>The family name, rendered in abbreviated fashion, offers various
                                possible supplements, among which <hi1 rend="italic"
                                >Pomp(eius)</hi1> and <hi1 rend="italic">Pomp(onius)</hi1> are
                                attested at <hi1 rend="italic">Trebula</hi1> and <hi1 rend="italic"
                                    >Tibur</hi1>.<ptr target="nt_c10.4.n65" n="65"/></item>
                        </list>
                    </p>
                </div3>
                <div3 id="div3_c10.4.7" type="section">
                    <head>
                        <bibl type="title"> D.4.7. Social Status, Role of Persons and Condition of
                            Ownership of the Workshops </bibl>
                    </head>
                    <p id="p_779" n="779">The use of the “onomastic formula” in the <hi1
                            rend="italic">instrumentum</hi1> does not on the whole correspond to the
                        evolution evidenced in other epigraphic sources; the absence, therefore, of
                        other elements, such as the <hi1 rend="italic">cognomen</hi1> and the
                        patronymic/name of owner, does not constitute an indicator of social status
                        and cannot be used as a chronological criterion. </p>
                    <p id="p_780" n="780">Free men and freedmen, as well as slaves, were employed in
                        the production of bricks, so it is not easy to establish the juridical
                        status of these last on the basis of their <hi1 rend="italic"
                        >gentilicium</hi1> only. </p>
                    <p id="p_781" n="781">In the group of stamps in category A, in which just one
                        person is mentioned, it is not possible to establish either the conditions
                        of ownership or possession (<hi1 rend="italic">dominus</hi1> or <hi1
                            rend="italic">officinator</hi1>) of the factories, nor the social class
                        to which the person belonged. It seems highly likely, however, that the
                        one-name onomastic formula in the genitive (<hi1 rend="italic"
                        >praenomen</hi1> + <hi1 rend="italic">gentilicium</hi1>, or <hi1
                            rend="italic">gentilicium</hi1> + <hi1 rend="italic">cognomen</hi1>)
                        refers in many cases to the <hi1 rend="italic">dominus</hi1>. It is
                        possible, furthermore, that some people are not just freeborn, but that they
                        also belonged to the upper-middle classes and were involved politically in
                        the life of the <hi1 rend="italic">municipium</hi1> and the <hi1
                            rend="italic">ager</hi1>, as in the case of <hi1 rend="italic">C.
                            Biculeius Priscus</hi1>, owner of a brick facility at <hi1 rend="italic"
                            >Trebula Suffenas</hi1>, who made the <hi1 rend="italic"
                        >municipium</hi1> of <hi1 rend="italic">Tibur</hi1> the heir of his
                            property.<ptr target="nt_c10.4.n66" n="66"/> The <hi1 rend="italic"
                            >cognomina</hi1> of Greek origin are normally to be attributed to <hi1
                            rend="italic">officinatores</hi1>. Of particular interest is the
                        presence of a woman, <hi1 rend="italic">Claudia Epicharis</hi1>. </p>
                    <p id="p_782" n="782">In the group of stamps in category B, several persons are
                        mentioned, among whom it is not always possible to establish a clear
                        relationship (e.g., the <hi1 rend="italic">officinator</hi1> produces for
                        the <hi1 rend="italic">dominus</hi1>, either as contractor or as employee of
                        the <hi1 rend="italic">dominus</hi1>). Note the following examples: </p>
                    <p id="p_783" n="783"><hi1 rend="italic">CIL</hi1> XV.129 bears the name of the
                            <hi1 rend="italic">officinator</hi1> (a slave of <hi1 rend="italic"
                            >Domitia Lucilla</hi1>) + the name of the <hi1 rend="italic">figlinae
                            Can(inianae)</hi1> + the generic name of the production (<hi1
                            rend="italic">opus doliare</hi1>) + the verbal form (<hi1 rend="italic"
                            >fecit</hi1>) and the consular date (=127 A.D.). </p>
                    <p id="p_784" n="784"><hi1 rend="italic">CIL</hi1> XV.1033 bears the generic
                        name of the production <hi1 rend="italic">Op(us) d(oliare)</hi1> + the name
                        of the <hi1 rend="italic">officinator</hi1> (a slave of <hi1 rend="italic"
                            >Domitia Lucilla minor</hi1>) + the consular date (=123 A.D.). </p>
                    <p id="p_785" n="785"><hi1 rend="italic">CIL</hi1> XV.1210 bears the generic
                        name of production <hi1 rend="italic">Dol(iare)</hi1> + the name of the <hi1
                            rend="italic">officinator</hi1> (<hi1 rend="italic">C. Cominius
                        Proculus</hi1>) + the name of the owner of the <hi1 rend="italic"
                        >praedium</hi1> (<hi1 rend="italic">Iulius Stephanus</hi1>) and the consular
                        date (=127 A. D.). </p>
                    <p id="p_786" n="786"><hi1 rend="italic">CIL</hi1> XV.1211 bears the name of the
                        slave (<hi1 rend="italic">Felix Caricus</hi1>) of the <hi1 rend="italic"
                            >officinator</hi1> (<hi1 rend="italic">C. Cominius Proculus</hi1>) who
                        actually made the product. </p>
                </div3>
                <div3 id="div3_c10.4.8" type="section">
                    <head>
                        <bibl type="title">D.4.8. Chronological Framework </bibl>
                    </head>
                    <p id="p_787" n="787">The chronology of the stamps from “Horace’s Villa” spans
                        the first century B.C. to the second century A.D. (<hi1 rend="bold">table
                        2</hi1>). </p>
                    <p id="p_788" n="788">Four stamps have consular dating (<hi1 rend="italic"
                        >CIL</hi1> XV.129=Cat. nos. 1-2; <hi1 rend="italic">CIL</hi1> XV.1033=Cat.
                        no. 8; <hi1 rend="italic">CIL</hi1> XV.1210=Cat. no. 9). For the others, the
                        chronology must be established by comparison of internal elements, such as
                        the onomastic formula, the palaeography and the shape.<ptr
                            target="nt_c10.4.n67" n="67"/> This is because no precise excavation
                        context is known. Hence, these stamps cannot be associated with dateable
                        masonry structures or other finds, or compared with examples of the same
                        type from dated contexts. </p>
                    <p id="p_789" n="789">In our present state of knowledge, however, the
                        contribution of palaeographic dating of brickstamps is rather limited;
                        because of a lack of specific studies, it is difficult to attribute the
                        inscriptions to well-defined styles or to reconstruct the evolution of a
                        graphic scheme. However, it is possible to make comparisons between the
                        graphic form on the stamps and that of datable inscriptions on stone, even
                        if these are texts of a profoundly different nature. The palaeographic
                        characters of the earliest stamps find analogies in Republican epigraphy,
                        and with those bearing so-called “big and beautiful” letters typical of the
                        Augustan period. The stamps with consular dating and those with a definite
                        prosopographic reference also allow the graphic forms to be fixed within
                        limited chronological periods. </p>
                    <p id="p_790" n="790">The diffusion of a particular surname can also help to fix
                        the dating within a brief span of time. For the dating of the stamp of <hi1
                            rend="italic">Claudia Epicharis</hi1> between the middle of the first
                        century and the beginning of the second century (Nero-Trajan), the key is
                        not the rectangular shape and the simple onomastic formula, which generally
                        persist in city areas in all periods. Rather it is the <hi1 rend="italic"
                            >cognomen</hi1> of Greek origin, which does not survive long in Latin
                        and Greek onomastics in Rome.<ptr target="nt_c10.4.n68" n="68"/>
                    </p>
                    <p id="p_791" n="791">It is generally considered among scholars that in Rome and
                        in the Tiber valley there was a typological evolution in the shape of the
                        epigraphic design, and that the dating of the semicircular stamps (see N.
                        890/1, cat. nos. 3-4) should be placed between the reigns of Tiberius and
                            Nero.<ptr target="nt_c10.4.n69" n="69"/> The evidence offered now,
                        however, by comparing three semicircular, horseshoe shaped stamps from the
                        valley of the Anio, does not confirm this hypothesis (see <ptr
                            target="div4_c10.4.9.3" type="txt" n="D.4.9.3"/>). </p>
                    <p id="p_792" n="792">The chronology of “production” of the brickstamps does not
                        necessarily coincide with that of “use.” Therefore, the limits of the
                        chronological indications supplied by the stamped bricks are borne in mind
                        whenever conclusions or general historical considerations are drawn.<ptr
                            target="nt_c10.4.n70" n="70"/>
                    </p>
                </div3>
                <div3 id="div3_c10.4.9" type="section" status="hidden">
                    <head>
                        <bibl type="title">D.4.9. Production and Circulation of the Stamped Bricks
                        </bibl>
                    </head>
                    <div4 id="div4_c10.4.9.1" type="section">
                        <head>
                            <bibl type="title">D.4.9.1. Market areas </bibl>
                        </head>
                        <p id="p_793" n="793">On the basis of the lesser or greater area of
                            diffusion of the products, it is possible to identify a local market,
                            the so-called municipal market. This includes productions of <hi1
                                rend="italic">privati domini</hi1> and smaller <hi1 rend="italic"
                                >figlinae</hi1>, which were distributed over a limited radius, and
                            which rarely reached Rome. This market is to be distinguished from the
                            wider “urban” market, of Rome and Ostia, the largest centers for the
                            arrival and distribution of goods in the middle Tyrrhenian area in Roman
                            times (<hi1 rend="bold">fig. 35</hi1>).<ptr target="nt_c10.4.n71" n="71"
                            />
                        </p>
                        <p id="p_794" n="794">The brickstamps, for the most part,<ptr
                                target="nt_c10.4.n72" n="72"/> distinguish in a fairly detailed way
                            the commercial activity of individuals linked by economic interests at a
                            specific time and place of production; thus, our primary objective is
                            the investigation of the workshops and the contextualization of the
                            stamps with reference to the territory in which these workshops occur. </p>
                        <p id="p_795" n="795">Previous studies on Rome and Lazio have been
                            complicated by the ambiguity caused by the contrived grouping of the
                            texts gathered in <hi1 rend="italic">CIL</hi1> XV, published in 1891.
                            The large number of finds in Rome, resulting from excavations and
                            systematic searching in the second half of the nineteenth century, in
                            comparison with <hi1 rend="italic">Latium vetus</hi1> and the
                            surrounding regions, has resulted in the use of the term “urban” <hi1
                                rend="italic">opus doliare</hi1> to indicate not only that the place
                            of finding was in the city, but also that they may have been produced
                            there. </p>
                        <p id="p_796" n="796">Recently, however, the investigation of the stamped
                            bricks and their topographical distribution in the valley of the Tiber
                            has shown that the greater part of “urban” production took place along
                            the valley at a distance sometimes more than one hundred kilometers
                            north of Rome. The finding of one or more brickstamps in an area further
                            away than any previous finds provided two important results: one, it
                            demonstrated that the market extended at least for a radius as wide as
                            that evidenced by these localities; and two, it enabled scholars to
                            localize some of the factories.<ptr target="nt_c10.4.n73" n="73"/>
                        </p>
                        <p id="p_797" n="797">It must be noted that if the presence of a stamped
                            brick at a particular site is not sufficient on its own to localize the
                            factory, being a product of the “industrial” type with the stamp of an
                            activity aimed at a fairly extensive market,<ptr target="nt_c10.4.n74"
                                n="74"/> the absence of such a brick is not proof of the contrary. </p>
                        <p id="p_798" n="798">The fact that the brickstamps, which allow the
                            identification of the producer/owner, the place, and/or the period of
                            production, come from known factories gives the inscriptions their
                            importance, both in support of and against accepted theories.<ptr
                                target="nt_c10.4.n75" n="75"/> In some cases the name of the
                            producer/owner corresponds with the <hi1 rend="italic">dominus</hi1> of
                            the villa where the brick was found. </p>
                        <p id="p_799" n="799">The topographical location of the workshops and kilns,
                            therefore, is fundamental for a clearer understanding of the production
                            and the commerce of the bricks, for our knowledge of the <hi1
                                rend="italic">gentes</hi1> active in making them, and for better use
                            of the epigraphical data. </p>
                    </div4>
                    <div4 id="div4_c10.4.9.2" type="section">
                        <head>
                            <bibl type="title">D.4.9.2 Production workshops </bibl>
                        </head>
                        <p id="p_800" n="800">As is well known, the brick industry is closely linked
                            to the natural components of the territory (raw materials, watercourses,
                            wood), and to the human resources available (including the economy of
                            the <hi1 rend="italic">fundi</hi1>, manpower, industrial and marketing
                            activities, roads, and transport).<ptr target="nt_c10.4.n76" n="76"/>
                            Any villa was, by and large, in a position to produce tiles, for which
                            highly specialized manpower was not necessary; <hi1 rend="italic"
                                >bipedales</hi1> and <hi1 rend="italic">dolia</hi1>, on the other
                            hand, were usually produced in the larger workshops. From an economic
                            point of view, if a piece of land (<hi1 rend="italic">praedium</hi1>)
                            was available, even a small one, as long as it had a bed of clay under
                            it and a plentiful supply of water, the plant would have no expenses
                            other than wood and manpower. </p>
                        <p id="p_801" n="801">Since brick products are heavy, transporting them over
                            land could markedly increase their price in comparison with the lower
                            cost and greater speed of water transport. Thus, it has been observed
                            that in the Tiber valley, kilns were generally positioned upstream and
                            near the principal watercourse or one of its subsidiaries, in order to
                            transport the bricks downstream. Downstream river transport was easier
                            than upstream animal haulage, which was very expensive for heavy loads.
                        </p>
                    </div4>
                    <div4 id="div4_c10.4.9.3" type="section">
                        <head>
                            <bibl type="title">D.4.9.3 The Anio River Valley </bibl>
                        </head>
                        <p>
                            <hi1 rend="italic">Natural resources and environment</hi1>
                        </p>
                        <p id="p_802" n="802">Clay material adequate for satisfying the demands of a
                            principally local market is available more or less everywhere in the
                            middle Anio valley, from Tivoli to Subiaco, even if in limited
                            quantities. These small deposits were occasionally used by local kilns
                            even up to the beginning of the last century.<ptr target="nt_c10.4.n77"
                                n="77"/> The abundant forests of the area provided the necessary
                            quantities of fuel for baking the bricks. However, the clay deposits
                            were not sufficiently large to be exploited economically for industrial
                                purposes.<ptr target="nt_c10.4.n78" n="78"/>
                        </p>
                        <p id="p_803" n="803">Unlike those in the valley of the Tiber, the clay
                            deposits of the Anio valley are often in logistically difficult areas
                            and are not suitable for high-quantity production and commerce. In fact,
                            the morphology of the territory in the area is characterized by rough
                            and tortuous paths, leading down to the via Valeria, which in Roman
                            times was well maintained,<ptr target="nt_c10.4.n79" n="79"/> but whose
                            use for the heavy transportation of bricks was expensive. Water
                            transport was not a possibility, because above <hi1 rend="italic"
                            >Tibur</hi1>, the watercourses, consisting of the Anio and its
                            tributaries, were not navigable because of the small volume of water,
                            which was mostly in the form of torrents.<ptr target="nt_c10.4.n80"
                                n="80"/>
                        </p>
                        <p id="p_804" n="804">The production of bricks took place, therefore, where
                            there were deposits at hand sufficient for meeting a purely local
                            market. This is shown by the positioning of the kilns, which was linked
                            to the vicinity of the settlement (<hi1 rend="italic">villa</hi1>, <hi1
                                rend="italic">vicus</hi1> or <hi1 rend="italic">castrum</hi1>). </p>
                        <p>
                            <hi1 rend="italic">Territory and documentary sources</hi1>
                        </p>
                        <p id="p_805" n="805">The geographical area in which “Horace’s Villa” lies
                            is the valley of Licenza (<hi1 rend="italic">vallis Digentiae</hi1>, a
                            tributary of the middle Anio valley). Licenza belonged administratively
                            to the territory of <hi1 rend="italic">Varia</hi1>,<ptr
                                target="nt_c10.4.n81" n="81"/> situated between <hi1 rend="italic"
                                >Tibur</hi1>, <hi1 rend="italic">Carsioli</hi1> and <hi1
                                rend="italic">Trebula Suffenas</hi1>, through which passed the via
                            Valeria. Considering the vastness of the area under consideration – the
                            Anio valley from Castel Madama to Subiaco – the number of samples of
                            stamps in relation to the number of unmarked bricks present in the
                            territory seems very small. In fact, there have been very few finds
                            other than those of “Horace’s Villa.” Some of these finds follow. </p>
                        <p id="p_806" n="806">From S. Maria dei Morti near Marano Equo, on the left
                            bank of the Anio, halfway between Vicovaro and Subiaco, comes a fragment
                            of tile with an unprecedented brickstamp, <hi1 rend="italic">C(ai)
                                Aufili</hi1> (<hi1 rend="bold">fig. 32</hi1>).<ptr
                                target="nt_c10.4.n82" n="82"/> The <hi1 rend="italic">gentilicium
                                Aufilius</hi1>, which has no precedents locally and originates in
                            the central Italian area, appears in an inscription from <hi1
                                rend="italic">Hadria</hi1> (Atri, Teramo) and in the variants <hi1
                                rend="italic">Aufillius</hi1> from <hi1 rend="italic"
                            >Corfinium</hi1> and <hi1 rend="italic">Afilius</hi1> from <hi1
                                rend="italic">Praeneste</hi1>, all from the Republican age.<ptr
                                target="nt_c10.4.n83" n="83"/> The palaeography and the onomastic
                            formula indicate dating to the middle of the first century B.C. The
                            formula is typical of the “one-name” stamps of private producers. </p>
                        <p id="p_807" n="807">The territory of Anticoli Corrado, from which come
                            some important Latin inscriptions,<ptr target="nt_c10.4.n84" n="84"/>
                            has yielded the <hi1 rend="italic">dolium</hi1> stamp <hi1 rend="italic"
                                >DEFRV</hi1>.<ptr target="nt_c10.4.n85" n="85"/>
                        </p>
                        <p id="p_808" n="808">Nero’s villa in Subiaco has not produced any stamped
                            bricks so far.<ptr target="nt_c10.4.n86" n="86"/> We also have little
                            knowledge about the brick production in areas adjacent to the one under
                            consideration, with the exception of the <hi1 rend="italic">ager
                                Tiburtinus</hi1>. </p>
                        <p id="p_809" n="809">From Trajan’s villa in the upper Anio valley at
                            Arcinazzo, which is outside the territory under consideration but part
                            of the district of Subiaco, products have been found from the age of
                            Trajan also known in Rome, Grottaferrata and the <hi1 rend="italic">ager
                                Praenestinus</hi1>.<ptr target="nt_c10.4.n87" n="87"/> From a
                            geographical point of view, this area was better linked to <hi1
                                rend="italic">Praeneste</hi1> and <hi1 rend="italic">Labicum</hi1>
                            in Roman times. </p>
                        <p id="p_810" n="810">In the <hi1 rend="italic">ager</hi1> of <hi1
                                rend="italic">Trebula Suffenas</hi1>, bordering on our area and very
                            similar from a geomorphological point of view, several brick facilities
                            and two <hi1 rend="italic">dolium</hi1> stamps are known.<ptr
                                target="nt_c10.4.n88" n="88"/> Relevant in this regard are the <hi1
                                rend="italic">figlinae</hi1> owned by <hi1 rend="italic">C.
                                Biculeius Priscus</hi1>, a member of the ruling class in <hi1
                                rend="italic">Tibur</hi1>.<ptr target="nt_c10.4.n89" n="89"/> Two
                            kilns have also been identified in the territory. The first, identified
                            by C. F. Giuliani about 500 meters to the east of Ponte di S. Cecilia,
                            was attributed by him to the <hi1 rend="italic">gens Caecilia</hi1> (as
                            is known, the present-day town of Ciciliano derives from the <hi1
                                rend="italic">fundus Caecilianus</hi1>), whose products reached
                            Castel Madama.<ptr target="nt_c10.4.n90" n="90"/> No stamped products
                            have been found at the second, discovered by F. Sciarretta near the
                            Fontana dell’Acquaone.<ptr target="nt_c10.4.n91" n="91"/>
                        </p>
                        <p id="p_811" n="811">In the territory of <hi1 rend="italic">Carsioli</hi1>,
                                <hi1 rend="italic">CIL</hi1> IX (1883) records 13 “urban”
                            brickstamps of uncertain provenance, preserved at Arsoli, as well as two
                            local productions.<ptr target="nt_c10.4.n92" n="92"/>
                        </p>
                        <p id="p_812" n="812">The <hi1 rend="italic">ager Tiburtinus</hi1>,
                            including Hadrian’s Villa, can be considered a peripheral area for the
                            “urban” brick market. The products found here were used locally but also
                            formed part of the great Tiberine transportation and supply system that
                            provisioned the city of Rome. The area was easily accessible because of
                            particular topographical conditions such as the navigability of the Anio
                            and its direct link with the Tiber, as well as good road connections. </p>
                        <p id="p_813" n="813">Our stamps, even if quantitatively few, are
                            representative for the research and topographical reconstruction of the
                            kilns of the territory. Since we lack a systematic study of the
                            brickstamps, and because little adequate archaeological research has
                            been conducted, the absence from the territory of a certain product
                            cannot be considered decisive for excluding the possibility that it
                            originated here. </p>
                        <p id="p_814" n="814">The first Roman kiln in the area was identified by Z.
                            Mari, on the basis of much brick waste, blackish and over-baked, near
                            the confluence of the Roscio stream and the Licenza river, in the
                            locality known as <hi1 rend="italic">Piani a Otto</hi1>, a site
                            previously noted by Lugli.<ptr target="nt_c10.4.n93" n="93"/>
                        </p>
                        <p id="p_815" n="815">The stamps of <hi1 rend="italic">Manius Naevius</hi1>
                            are of strictly local production, distinct from the contemporaneous
                            products of the <hi1 rend="italic">Naevii</hi1> of the areas of <hi1
                                rend="italic">Tusculum</hi1> and <hi1 rend="italic">Praeneste</hi1>.
                            Many unstamped <hi1 rend="italic">lateres</hi1>, found in the masonry of
                            “Horace’s Villa,” are of an <hi1 rend="italic">impasto</hi1> similar to
                            that of the production of <hi1 rend="italic">Naevius</hi1>. On the basis
                            of the very limited radius of distribution for the products, the kiln
                            could have been in the Licenza valley. In this connection, it is worth
                            noting that, at the beginning of the twentieth century, near the spring
                            in the locality known as Le Moglie, very near “Horace’s Villa,” there
                            was a functioning kiln for the production of bricks, in which vitrified
                            waste materials of baking have been found. This kiln (<hi1 rend="bold"
                                >fig. 33</hi1>) could have been active in antiquity<ptr
                                target="nt_c10.4.n94" n="94"/> and may have belonged to the same
                                <hi1 rend="italic">fundus</hi1> of the nearby Villa of Horace,
                            making it likely that the kiln was prepared and used for the specific
                            needs of one or more owners of the villa.<ptr target="nt_c10.4.n95"
                                n="95"/>
                        </p>
                        <p id="p_816" n="816">Another possible production site has been identified
                            on the other side of the valley, near the top of Colle Franco, in the
                            locality known as I Limiti. There a bed of clay is visible on the
                            surface and a large quantity of tiles and <hi1 rend="italic">coppi</hi1>
                            (semicircular cover-tiles), concentrated in a very small area, has come
                            to light in the course of agricultural work.<ptr target="nt_c10.4.n96"
                                n="96"/>
                        </p>
                        <p id="p_817" n="817">The evidence of three stamps examined in our study
                            helps us to narrow down the chronology of the semicircular form.<ptr
                                target="nt_c10.4.n97" n="97"/> The production of <hi1 rend="italic"
                                >C. Aufilius</hi1>, on the basis of onomastic and of palaeographic
                            arguments, takes the use of the horseshoe design back to the Republican
                            age and locates its occurrence outside the area of Rome. Mari’s
                            convincing identification of <hi1 rend="italic">Erasinus Aug(usti)
                                l(ibertus)</hi1>, mentioned in the stamp of the Arcinazzo villa,
                            with Trajan’s imperial freedman known from a funerary inscription on the
                            via Appia, demonstrates the continued use of the semicircular form of
                            stamp in the age of Trajan (98-117).<ptr target="nt_c10.4.n98" n="98"/>
                            On the basis of these considerations, the stamp of <hi1 rend="italic">L.
                                Braetius</hi1> should be placed between the first and the early
                            second century A.D. </p>
                        <p id="p_818" n="818">From the first quarter of the second century A.D.,
                            there is evidence at Licenza of a change in the provisioning of bricks.
                            The owner of the property seems no longer to use local products, or the
                            kiln on the grounds of the <hi1 rend="italic">fundus</hi1>, but turns to
                            the market supplied by bricks produced at industrial levels like those
                            of <hi1 rend="italic">Iulius Stephanus</hi1> and of the <hi1
                                rend="italic">Domitii</hi1>, located in the central Tiber
                                valley.<ptr target="nt_c10.4.n99" n="99"/> Since these goods came
                            from a distance and would have incurred transport costs, the choice of
                            such a product must have depended on their higher quality and lower
                            price when compared with the local products. </p>
                        <p id="p_819" n="819">The paucity of the samples available so far does not
                            allow us to establish whether such a purchase of bricks involved only
                            one class of <hi1 rend="italic">opus doliare</hi1>, as, for instance,
                            the <hi1 rend="italic">bipedales</hi1>, which must have been well
                            manufactured to be used in the brick work, nor whether it was related to
                            a crisis in the local “artisan” workshops as a result of competition
                            from the “industrial” workshops in quality and price. </p>
                        <p id="p_820" n="820">Certainly, the small local formations of clay were
                            enough to satisfy the local market even in modern times, as is shown,
                            for example, by the brick kiln <hi1 rend="italic">C(asa) M(assimo)
                                Arsoli</hi1>, halfway between Vicovaro and Subiaco, set up by
                            Clement X in 1670 and active until the end of the nineteenth century
                                (<hi1 rend="bold">fig. 34</hi1>).<ptr target=" nt_c10.4.n100"
                                n="100"/>
                        </p>
                    </div4>
                </div3>
            </div2>
            <div2 id="div2_c10.5" type="section" status="hidden">
                <head>
                    <bibl type="title">D.5. The Architectural Terracottas</bibl>
                </head>
                <p>
                    <hi1 rend="bold">By Maria José Strazzulla</hi1>
                </p>
                <div3 id="div3_c10.5.1" type="section">
                    <head>
                        <bibl type="title">[text]</bibl>
                    </head>
                    <p id="p_821" n="821">The fragments of architectonic terracottas found in the
                        excavations of “Horace’s Villa” at Licenza can be traced back to a single
                        model plaque that functioned as a crowning <hi1 rend="italic">sima</hi1>.
                        Reproduced in several variants, it was characterized by a motif in which
                        palmettes alternated with small columns. </p>
                    <p id="p_822" n="822">The pieces were mainly found in secondary deposits, in the
                        vicinity of the colonnade of Area 35, to the west of the first pier, between
                        the water channel (<hi1 rend="italic">s</hi1>) and the northern wall of the
                            <hi1 rend="italic">frigidarium</hi1> 37-40. They were together with
                        plaques of marble belonging to a phase of production that occurred “after
                        the last quarter of the first century A.D.” (see Camaiani et al., <ptr
                            target="div4_c09.5.3.2" type="txt" n="C.5.2.1"/>, activity 18) and
                        therefore have to be considered earlier than this date. Fragment no. 12 was
                        found inside the pool of the <hi1 rend="italic">frigidarium</hi1> (37), in a
                        stratum of abandonment datable to the early Middle Ages (see Camaiani et
                        al., <ptr target="div4_c09.5.6.2" type="txt" n="C.5.5.1"/>, SU 428, activity
                        42). </p>
                    <p id="p_823" n="823">Some fragments of <hi1 rend="italic">simae</hi1> of this
                        sort were also found in the excavations of the villa conducted by Pasqui
                        from 1911-1914. The excavation inventories, found by Frischer (see <ptr
                            target="div4_c13.1.12.1" type="txt" n="G.1.12"/>) in the archive of the
                        Archaeological Superintendency of Lazio, register the find of a fragment on
                        land belonging to Angeletti (parcel 1214 in the cadaster) and of six other
                        fragments on land belonging to Caponetti (parcel 1213 in the cadaster), but
                        do not give an exact location for the find-spots (for property lines in the
                        early 1900s, see Frischer, <ptr target="div2_c11.4" type="txt" n="E.4"/>).
                        These fragments were mentioned by Lugli, without notice of the land
                            parcels.<ptr target="nt_c10.5.n1" n="1"/> Two photographs found by
                        Frischer in the archive of the Archaeological Superintendency of Lazio (SAL
                        10075-76; see Frischer, <ptr target="div4_c13.2.5.1" type="txt" n="G.2.5"/>)
                        give a view of these fragments from the old excavation. This is fortunate,
                        since the fragments themselves are no longer traceable. The photographs
                        reveal that the fragments are characterized by a central motif of rampant
                        panthers at the two sides of a kantharos and by the presence of a stamp
                        MAMAT ISIDOR (M. Amat[ius] Isidor[us].<ptr target="nt_c10.5.n2" n="2"/>
                        Since the Caponetti and Angeletti properties correspond to the bath complex,
                        the quadriporticus and the garden, it is possible that the fragments in
                        question were found, like all those from the 1997-2001 excavation, in the
                        bath complex. But it should be stressed that, given the poor documentation
                        of the Pasqui excavations, this is merely a possibility. </p>
                    <p id="p_824" n="824">Also studied and included in this report are two fragments
                        whose archeological context is uncertain (even the date of their discovery
                        is unknown); these are presently stored in the Santuario di Ercole Vincitore
                        in Tivoli, where the Archaeological Superintendency of Lazio has its
                        warehouse (see below <ptr target="div3_c10.5.2" type="txt" n="D.5.1"/>, nos.
                        9 and 13). </p>
                    <p id="p_825" n="825">The plaques from the 1997-2001 excavation belong to five
                        different types, distinguishable on the basis of the form of the palmette,
                        of the upper termination, and, especially, on the basis of the central motif
                        with the figure of an Eros, which ends below in shoots. </p>
                    <p id="p_826" n="826">In all the fragments that have come to light, the lack of
                        attachment holes permits us to exclude the possibility that they functioned
                        as revetment plaques, while the documentation furnished by nos. 7, 8, and
                        12, which preserve the attachment of the lower-, or base-tile, clarifies
                        that the form was beyond any doubt a <hi1 rend="italic">sima</hi1>. Such a
                        function remains the most probable for the other fragments as well, where,
                        however, the loss of the lower elements has made it impossible to verify the
                        presence of holes in the bases. </p>
                    <p id="p_827" n="827">Furthermore, in the case of Type I, the upper termination
                        does not present the customary groove for the insertion of a crowning plaque
                        above, a fact which suggests that the pieces functioned as the terminal
                        decoration of a system of roof sheathing that was rather plain. A fairly
                        close comparandum for this kind of arrangement is offered by the villa of
                        Settefinestre in the territory of Cosa, where plaques analogous to those of
                        Licenza (decorated with gorgon protomes, with lionheads alternating with
                        palmettes, and also with a simple motif of palmettes under a denticular
                        cornice) were found, mostly around the <hi1 rend="italic">basis
                        villae</hi1>, near the southwest corner of the portico.<ptr
                            target="nt_c10.5.n3" n="3"/> In the case of Settefinestre, however, the
                        contextual presence of antefixes and the lack, in the plaques, of a joint on
                        the back of the tile have resulted in the reconstruction of a sheathing
                        system that is more articulated. Here the plaques could have been immured
                        for revetting the architrave, while the slope of the portico’s roof was
                        decorated only with antefixes. In our case the absence of finds relating to
                        antefixes and the secure identification of at least one type of plaque as a
                            <hi1 rend="italic">sima</hi1> permit its hypothetical reconstruction as
                        the final element of a roof, most likely of a portico, in which the water
                        drainage occurred on the two ends. </p>
                    <p id="p_828" n="828">The pattern of palmettes alternating with small columns
                        having a figural motif in the center is a well-known feature of a series of
                        architectural terracottas, mainly <hi1 rend="italic">simae</hi1> but also
                        including crowning plaques, whose chronology has been the subject of debate.
                        Distinguished, even if sporadically, by the presence of manufacturers’
                        stamps directly incised in the mold,<ptr target="nt_c10.5.n4" n="4"/> in the
                        fundamental publication of von Rohden and Winnefeld, they are considered the
                        predecessors of genuine Campana plaques produced at Rome and dated “to the
                        last half century of the Republic.”<ptr target="nt_c10.5.n5" n="5"/>
                        However, prosopographical, functional, and compositional considerations led
                        me to propose that the dating of these <hi1 rend="italic">simae</hi1> should
                        be radically revised and moved down to the period between the second half of
                        the first and the beginning of the second century A.D.<ptr
                            target="nt_c10.5.n6" n="6"/> The drastic reduction of figural themes
                        known earlier in the tradition of architectonic coroplastic corresponds in
                        this period to a structural simplification that limited the use of
                        decorative terracottas to the roof alone. </p>
                    <p id="p_829" n="829">In recent years new finds have enriched the corpus of
                        plaques that have palmettes and small columns, particularly with regard to
                        the most common type, which has in the center two rampant panthers with
                        thyrsos, at the two sides of a kantharos. New pieces of evidence, coming
                        from well-defined contexts and in some cases assignable to fairly precise
                        building phases, appear to offer good confirmation of the hypothesis of the
                        late chronology that I have previously proposed. It will thus not be
                        inopportune to reexamine briefly the data we possess relating to the
                        attestation of the type of <hi1 rend="italic">sima</hi1> with palmettes and
                        small columns with a view to verifying their diffusion and chronology. </p>
                    <p id="p_830" n="830">Besides being attested by numerous examples in
                            collections,<ptr target="nt_c10.5.n7" n="7"/> the type of plaque with
                        palmettes alternating with small columns has been found in some sporadic
                        discoveries in the territory of Rome and Lazio; rarely, however, are these
                        part of well-defined stratigraphic contexts. </p>
                    <p id="p_831" n="831">A plaque with rampant panthers and kantharos between
                        palmettes and small columns, with a stamp [MA]AMAT [ISI]DOR, similar to that
                        on one of the fragments from Licenza, was found among the remains of a villa
                        identified in Rome on the Via Trionfale in the locality of Insugherata,
                        together with bricks with stamps of [FLAM]MA/[ANNI]AE ARES(cusae).<ptr
                            target="nt_c10.5.n8" n="8"/> It would be extremely interesting to be
                        able to relate this last stamp to a small funerary plaque of a certain <hi1
                            rend="italic">Annia Arescusa</hi1> (<hi1 rend="italic">CIL</hi1>
                        VI.4517) found in the second columbarium of Vigna Codini on the Via Appia.
                        The tomb was in use starting from 10 A.D. and in general has been recognized
                        as belonging to the <hi1 rend="italic">familia</hi1> of Marcella.<ptr
                            target="nt_c10.5.n9" n="9"/> Inside the columbarium another find of
                        plaques with panthers, palmettes and small columns is attested.<ptr
                            target="nt_c10.5.n10" n="10"/> On the other hand, it is not so easy to
                        determine the date of M. Amatius Isidorus, whose name is rendered with
                        letters in relief and without margins, analogously to other stamps that are
                        found on Campana plaques.<ptr target="nt_c10.5.n11" n="11"/> The <hi1
                            rend="italic">gentilicium</hi1>, which was not very common, appears in
                        some inscriptions from Rome pertaining mainly to freedmen, some of whom
                        engaged in artigianal activities;<ptr target="nt_c10.5.n12" n="12"/>
                        lacking, however, is any connection with the manufacture of <hi1
                            rend="italic">opus doliare</hi1>. </p>
                    <p id="p_832" n="832">In the context of the city of Rome, a first point of
                        chronological reference arises from the use of a plaque of this type as the
                        front of a small sarcophagus to which the inscription <hi1 rend="italic"
                            >Epaphra puer capsa(rius</hi1>) (<hi1 rend="italic">CIL</hi1> VI.6245)
                        was affixed on a small slab of marble. The sarcophagus comes from the
                        columbarium of the <hi1 rend="italic">gens Statilia</hi1> (room N), which
                        was probably abandoned in 53 A.D. as the result of the suicide of the owner,
                        Statilius Taurus.<ptr target="nt_c10.5.n13" n="13"/>
                    </p>
                    <p id="p_833" n="833">Plaques with palmettes and small columns have also been
                        found in the Villa of Livia at Prima Porta.<ptr target="nt_c10.5.n14" n="14"
                        /> Some of these were reused as material for the subfloor of a pavement in
                            <hi1 rend="italic">opus sectile</hi1> in room 3, which the excavators
                        date approximately to the early years of the Julio-Claudian period but after
                            Augustus.<ptr target="nt_c10.5.n15" n="15"/>
                    </p>
                    <p id="p_834" n="834">Unpublished examples in the Museo Nazionale Romano come
                        from the Tiber (inv. nos. 15285-15298), from Via S. Stefano Rotondo, from
                        Via Portuense, and from the Catacombs of Domitilla.<ptr
                            target="nt_c10.5.n16" n="16"/> More important is the presence of this
                        kind of plaque in a group of architectural terracottas related, when it was
                        found, to the <hi1 rend="italic">aedes Quirini</hi1> on the Quirinale.<ptr
                            target="nt_c10.5.n17" n="17"/> The stamp on it, (C. CALPETANUS) FAVOR,
                        offers a secure chronological reference to the Domitianic period, thereby
                        documenting the circulation of the type at the end of the first century
                            A.D.<ptr target="nt_c10.5.n18" n="18"/>
                    </p>
                    <p id="p_835" n="835">Other plaques have been found together with sporadic
                        material from a necropolis along the Via Latina at <hi1 rend="italic"
                            >Bovillae</hi1>;<ptr target="nt_c10.5.n19" n="19"/> still others have
                        come to light at S. Maria in Galeria, Via Clodia, and Ponte della
                            Bufala,<ptr target="nt_c10.5.n20" n="20"/> together with Campana plaques
                        of various types. Fragments have been found at a villa in the locality of
                        Monna Felice (Civitavecchia), the context of which is not datable with
                            certainty.<ptr target="nt_c10.5.n21" n="21"/>
                    </p>
                    <p id="p_836" n="836"><hi1 rend="italic">Simae</hi1> of this type have also
                        appeared in the rich residential contexts of the Alban Hills, including
                        Marino in the so-called Villa of Voconius Pollio<ptr target="nt_c10.5.n22"
                            n="22"/> and in the <hi1 rend="italic">Albanum Pompei</hi1>, the villa
                        considered to have originally been the property of Pompey, which then passed
                        into the imperial <hi1 rend="italic">fiscus</hi1>. This villa was the object
                        of a series of phases of remodeling, dated to between the end of the first
                        century B.C. and the end of the first century A.D.<ptr target="nt_c10.5.n23"
                            n="23"/> The site has yielded both the usual type with palmettes and
                        small columns, as well as a type of crowning plaque on which the palmettes
                        alternate with six-pointed stars.<ptr target="nt_c10.5.n24" n="24"/>
                    </p>
                    <p id="p_837" n="837">Ouside Lazio, plaques with palmettes and small columns
                        paired with the motif of the panthers and thyrsoi have been found in the
                        villa excavated on the island of Giannutri.<ptr target="nt_c10.5.n25" n="25"
                        /> There, they were used to support the dating of one of the building phases
                        to the late Republican period. In reality, the remains of the villa that are
                        currently visible belong to an organic phase of architectural design
                        assignable to the late first or early second century A.D.,<ptr
                            target="nt_c10.5.n26" n="26"/> and there is no reason to suppose that
                        the terracottas found here should be dated to an earlier building phase not
                        otherwise attested. </p>
                    <p id="p_838" n="838">A more precisely datable piece of evidence comes from <hi1
                            rend="italic">Luni</hi1>,<ptr target="nt_c10.5.n27" n="27"/> where <hi1
                            rend="italic">simae</hi1> with palmettes and small columns were found in
                        the Casa degli Affreschi and in the zone to the south of the forum (CM III
                        stratum A). The contexts to which the <hi1 rend="italic">simae</hi1> belong
                        have been securely assigned on stratigraphical grounds to the period between
                        50 and 70 A.D.<ptr target="nt_c10.5.n28" n="28"/>
                    </p>
                    <p id="p_839" n="839">Finally, the presence of the type in Gallia Cisalpina at
                        Faenza must be noted. Examples have been found in Via Cavour and under
                        Palazzo Costa, where the excavation data appear to indicate a date in the
                        second half of the first century A.D.<ptr target="nt_c10.5.n29" n="29"/> At
                        Pediano, near Imola, a local variant was found that regularizes and tends to
                        improve the often rather vague design of the terracottas produced in the
                        city of Rome.<ptr target="nt_c10.5.n30" n="30"/>
                    </p>
                    <p id="p_840" n="840">In light of these comparanda, the case of Settefinestre
                        can now be revisited. When the examples of the type from Settefinestre were
                        published by M. G. Celuzza in 1985, there was understandable uncertainty
                        about whether to date them to the late Republic on stylistic grounds
                        (following the old theory of von Rohden and Winnefeld), or to put them at
                        the beginning of the second century A.D. as part of the important building
                        phase that affected the villa at this time.<ptr target="nt_c10.5.n31" n="31"
                        /> We can now resolve Celuzza’s doubts in favor of the latter dating. </p>
                    <p id="p_841" n="841">In fact, all the plaques with palmettes and small
                        columns—if rather second-rate, from a stylistic point of view—present a
                        revival of motifs appropriated from the earlier repertory of the
                        Hellenistically inspired Campana plaques. The panthers with the thyrsos at
                        the sides of a kantharos,<ptr target="nt_c10.5.n32" n="32"/> the
                            centaurs,<ptr target="nt_c10.5.n33" n="33"/> and the winged figure
                        riding a panther<ptr target="nt_c10.5.n34" n="34"/> are all very similar to
                        our examples in the treatment of the small columns and the slender
                        proportions of the figure. </p>
                    <p id="p_842" n="842">In particular, the <hi1 rend="italic">simae</hi1> of
                        Licenza revive, in a form that is rather tired and cursory, a model present
                        in Campania from late Republican <hi1 rend="italic">Capua</hi1><ptr
                            target="nt_c10.5.n35" n="35"/> and well known in the Campana plaques
                        from the early Augustan age.<ptr target="nt_c10.5.n36" n="36"/>
                    </p>
                    <p id="p_843" n="843">To conclude, it must be noted that, evidently, the <hi1
                            rend="italic">simae</hi1> of this type continued to be used in the early
                        imperial period as functional sheathing elements. They were inexpensive and
                        at the same time showed minimal interest in iconography. It is thus
                        surprising that we encounter the type especially in villas of great prestige
                        such as those at Licenza, Prima Porta, Marino, Giannutri, etc., although it
                        should be remembered that the excavation data for all these sites do not
                        permit us to say with certainty in what sorts of buildings and architectural
                        contexts they were used. Analogous to what is found with some exceptional
                        Campana plaques,<ptr target="nt_c10.5.n37" n="37"/> the use of our type is
                        not infrequent in funerary contexts such as the columbarium of Vigna Codini
                        or that of the <hi1 rend="italic">gens Statilia</hi1>. In the latter case,
                        it appears in the form of a small sarcophagus, where it was doubtless the
                        Dionysiac imagery that was decisive for its adoption. </p>
                </div3>
                <div3 id="div3_c10.5.2" type="section">
                    <head>
                        <bibl type="title">D.5.1. Catalogue </bibl>
                    </head>
                    <p>
                        <hi1 rend="bold">Type I</hi1>
                    </p>
                    <p id="p_844" n="844"><hi1 rend="italic">Sima</hi1> decorated in the center with
                        a nude, winged masculine figure (Eros), set almost in a three-quarter view.
                        The arms, positioned symmetrically, are expanded to support some shoots. The
                        lower limbs are wide apart, probably ending in vegetal shoots that
                        culminated with an elongated flower. The head is slightly turned toward the
                        right and shows hair that is short and wind-swept. To the sides is a motif
                        of palmettes and small columns. The palmettes have seven fronds, of which
                        the central one is rigid and the side ones have coiled leaves turned
                        outward. </p>
                    <p id="p_845" n="845">The upper termination is composed of a flat fillet,
                        projecting and somewhat irregular (height 2.5 cm); the lower, preserved in
                        two small fragments, also consists of a fillet that is slightly rounded (see
                        nos. 7 and 8). </p>
                    <p id="p_846" n="846">In contrast with the <hi1 rend="italic">simae</hi1> known
                        from elsewhere, the upper rim does not have the usual groove for the
                        crowning plaque. This suggests that the <hi1 rend="italic">sima</hi1> also
                        functioned as the terminal decoration. </p>
                    <p id="p_847" n="847">
                        <hi1 rend="bold">1) Plaque (crowning </hi1>
                        <hi1 rend="bolditalic">sima</hi1>
                        <hi1 rend="bold">)</hi1>
                        <list>
                            <item>
                                <hi1 rend="bold">fig. 1</hi1>
                            </item>
                            <item>Present width: 73 cm </item>
                            <item>Present height: 20 cm </item>
                            <item>Thickness: 2.5 cm </item>
                            <item>Reconstructed width: 90 cm </item>
                            <item>Clay: rose-colored with large reddish inclusions, porous (plaques
                                of Rome) </item>
                            <item>State of preservation: five fragments joined of the upper right
                                part with the central figure of Eros, two pairs of small columns and
                                palmettes to the right and a column-palmette pair to the left </item>
                            <item>Excavation data: SU 1242, Sector I.7, Area 35; VH 166 </item>
                        </list>
                    </p>
                    <p id="p_848" n="848">
                        <hi1 rend="bold">2) Plaque (crowning</hi1>
                        <hi1 rend="bolditalic">sima</hi1>
                        <hi1 rend="bold">)</hi1>
                        <list>
                            <item>
                                <hi1 rend="bold">fig. 2</hi1>
                            </item>
                            <item>Present width: 24.5 cm </item>
                            <item>Present height: 18 cm </item>
                            <item>Thickness: 2.8 cm </item>
                            <item>Clay: as above, but with smaller and more regular inclusions </item>
                            <item>State of preservation: a fragment of the middle part remains with
                                the winged figure, part of the lower shoot and of the right small
                                column </item>
                            <item>Excavation data: as above; VH 215 </item>
                            <item>Description: same mold as the preceding piece </item>
                        </list>
                    </p>
                    <p id="p_849" n="849">
                        <hi1 rend="bold">3) Plaque (crowning</hi1>
                        <hi1 rend="bolditalic">sima</hi1>
                        <hi1 rend="bold">)</hi1>
                        <list>
                            <item>
                                <hi1 rend="bold">fig. 3</hi1>
                            </item>
                            <item>Present width: 13.5 cm </item>
                            <item>Present height: 16.5 cm </item>
                            <item>Thickness: 2.6 cm </item>
                            <item>Clay: as no. 1 </item>
                            <item>State of preservation: a fragment of the edge of the right side,
                                with half the terminal palmette </item>
                            <item>Excavation data: as above; VH 214 </item>
                            <item>Description: same mold as the preceding piece </item>
                        </list>
                    </p>
                    <p id="p_850" n="850">
                        <hi1 rend="bold">4) Plaque (crowning</hi1>
                        <hi1 rend="bolditalic">sima</hi1>
                        <hi1 rend="bold">)</hi1>
                        <list>
                            <item>
                                <hi1 rend="bold">fig. 4</hi1>
                            </item>
                            <item>Present width: 11 cm </item>
                            <item>Present height: 15 cm </item>
                            <item>Thickness: 2.8 cm </item>
                            <item>Clay: as no. 1 </item>
                            <item>State of preservation: a fragment of the upper part remains with a
                                small column and the coiled leaf of a palmette </item>
                            <item>Excavation data: as above; VH 216 </item>
                            <item>Description: same mold as the preceding piece </item>
                        </list>
                    </p>
                    <p id="p_851" n="851">
                        <hi1 rend="bold">5) Plaque (crowning</hi1>
                        <hi1 rend="bolditalic">sima</hi1>
                        <hi1 rend="bold">)</hi1>
                        <list>
                            <item>
                                <hi1 rend="bold">fig. 5</hi1>
                            </item>
                            <item>Present width: 7 cm </item>
                            <item>Present height: 5 cm </item>
                            <item>Thickness: 2.5 cm </item>
                            <item>Clay: as above </item>
                            <item>State of preservation: a small fragment with an everted frond of a
                                palmette </item>
                            <item>Excavation data: as above; VH 218 </item>
                            <item>Description: same mold as the preceding piece </item>
                        </list>
                    </p>
                    <p id="p_852" n="852">
                        <hi1 rend="bold">6) Plaque (crowning</hi1>
                        <hi1 rend="bolditalic">sima</hi1>
                        <hi1 rend="bold">)</hi1>
                        <list>
                            <item>
                                <hi1 rend="bold">fig. 6</hi1>
                            </item>
                            <item>Present width: 5.5 cm </item>
                            <item>Present height: 8 cm </item>
                            <item>Thickness: 2.5 cm </item>
                            <item>Clay: as above </item>
                            <item>State of preservation: a small fragment remains with traces of an
                                elongated frond of a palmette </item>
                            <item>Excavation data: as above; VH 219 </item>
                            <item>Description: same mold as the preceding piece </item>
                        </list>
                    </p>
                    <p id="p_853" n="853">
                        <hi1 rend="bold">7) Plaque (crowning</hi1>
                        <hi1 rend="bolditalic">sima</hi1>
                        <hi1 rend="bold">)</hi1>
                        <list>
                            <item>
                                <hi1 rend="bold">fig. 7a</hi1>
                            </item>
                            <item>Present width: 8 cm </item>
                            <item>Present height: 7.3 cm </item>
                            <item>Tile thickness at the base: 4 cm; thickness of the plaque, 3 cm </item>
                            <item>Clay: as above, but with smaller and more regular inclusions, some
                                micaceous </item>
                            <item>State of preservation: the fragment of the lower part remains with
                                the rounded bottom fillet (height 2.5 cm) and part of the the lower
                                shoot belonging to the central figure </item>
                            <item>Excavation data: as above; VH 220a </item>
                            <item>Description: same mold as the preceding piece (?) </item>
                        </list>
                    </p>
                    <p id="p_854" n="854">
                        <hi1 rend="bold">8) Plaque (crowning</hi1>
                        <hi1 rend="bolditalic">sima</hi1>
                        <hi1 rend="bold">)</hi1>
                        <list>
                            <item>
                                <hi1 rend="bold">fig. 7b</hi1>
                            </item>
                            <item>Present width: 11.5 cm </item>
                            <item>Present height: 3.5 cm </item>
                            <item>Thickness: 2.5 cm </item>
                            <item>Clay: as no. 7 </item>
                            <item>State of preservation: a fragment of the lower part remains with
                                the bottom fillet </item>
                            <item>Excavation data: as above; VH 220b </item>
                            <item>Description: same mold as the preceding piece (?) </item>
                            <item> </item>
                        </list>
                    </p>
                    <p>
                        <hi1 rend="bold">Type II</hi1>
                    </p>
                    <p id="p_855" n="855">The fragment belongs to a plaque deriving from a mold that
                        was different from that used for all the preceding pieces. The main
                        difference is the form of the palmette, here with nine fronds that extend
                        parallel to each other from a wide, molded base. </p>
                    <p id="p_856" n="856">
                        <hi1 rend="bold">9) Plaque (crowning</hi1>
                        <hi1 rend="bolditalic">sima</hi1>
                        <hi1 rend="bold">)</hi1>
                        <list>
                            <item>Present width: 25 cm </item>
                            <item>Present height: 14 cm </item>
                            <item>Thickness: 2.8 cm </item>
                            <item>Tile depth: 14 cm </item>
                            <item>Clay: rose, rather compact </item>
                            <item>State of preservation: a fragment with the right end and part of
                                the tile remains </item>
                            <item>Excavation data: from archaeological interventions after 1914 and
                                before 1997; preserved at Santuario di Ercole Vincitore, Tivoli, in
                                Cassetta UZ 1990.253, L24 </item>
                        </list>
                    </p>
                    <p>
                        <hi1 rend="bold">Type III</hi1>
                    </p>
                    <p id="p_857" n="857">The upper termination is decorated, not with a fillet, but
                        a motif of wide and rounded dentils above a small cornice with a concave
                        profile. </p>
                    <p id="p_858" n="858">
                        <hi1 rend="bold">10) Plaque (crowning</hi1>
                        <hi1 rend="bolditalic">sima</hi1>
                        <hi1 rend="bold">)</hi1>
                        <list>
                            <item>
                                <hi1 rend="bold">fig. 8</hi1>
                            </item>
                            <item>Present width: 5.6 cm </item>
                            <item>Present height: 12 cm </item>
                            <item>Thickness: 2.7 cm </item>
                            <item>Clay: as above, with small and regular inclusions </item>
                            <item>State of preservation: a fragment of the upper part remains, with
                                a rounded dentil and the lower fillet. Below can be seen the pointed
                                termination of the central frond of the palmette </item>
                            <item>Excavation data: SU 1242, Sector I.7, Area 35; VH 221 </item>
                        </list>
                    </p>
                    <p id="p_859" n="859">
                        <hi1 rend="bold">11) Plaque (crowning</hi1>
                        <hi1 rend="bolditalic">sima</hi1>
                        <hi1 rend="bold">)</hi1>
                        <list>
                            <item>
                                <hi1 rend="bold">fig. 9</hi1>
                            </item>
                            <item>Present width: 5.5 cm </item>
                            <item>Present height: 18 cm </item>
                            <item>Thickness: 2.5 cm </item>
                            <item>Clay: as above, with small and regular inclusions </item>
                            <item>State of preservation: a fragment of the upper part remains with
                                traces of the motif of rounded dentils, part of the small cornice
                                with concave profile, and part of three right everted fronds of a
                                palmette </item>
                            <item>Excavation data: as above; VH 222 </item>
                            <item>Description: same mold as the preceding piece </item>
                            <item> </item>
                        </list>
                    </p>
                    <p>
                        <hi1 rend="bold">Type IV</hi1>
                    </p>
                    <p id="p_860" n="860">The fragment appears to belong to a sima analogous to
                        those of the preceding types, from which it differs in the size of all its
                        decorative elements, which are proportionately larger than those found in
                        the preceding types. </p>
                    <p id="p_861" n="861">
                        <hi1 rend="bold">12) Plaque (crowning</hi1>
                        <hi1 rend="bolditalic">sima</hi1>
                        <hi1 rend="bold">)</hi1>
                        <list>
                            <item>
                                <hi1 rend="bold">fig. 10</hi1>
                            </item>
                            <item>Present width: 11 cm </item>
                            <item>Present height: 13 cm </item>
                            <item>Thickness: 3 cm </item>
                            <item>Clay: rosey, fairly compact, with reddish inclusions of various
                                sizes </item>
                            <item>State of preservation: the fragment of the middle part with a
                                palmette remains; the central frond is preserved as are two pairs of
                                everted fronds on the side </item>
                            <item>Excavation data: SU 428, Sector I.3 Area 37; VH 013 </item>
                            <item> </item>
                        </list>
                    </p>
                    <p>
                        <hi1 rend="bold">Type V</hi1>
                    </p>
                    <p id="p_862" n="862">A small fragment remains with a small column and part of a
                        palmette to its left, with three rigid and oblique fronds, which grow out of
                        a rectilinear base. </p>
                    <p id="p_863" n="863">
                        <hi1 rend="bold">13) Plaque (crowning</hi1>
                        <hi1 rend="bolditalic">sima</hi1>
                        <hi1 rend="bold">)</hi1>
                        <list>
                            <item>Present width: 11 cm </item>
                            <item>Present height: 10 cm </item>
                            <item>Thickness: 9 cm </item>
                            <item>Clay: rose </item>
                            <item>Excavation data: from archaeological interventions after 1914 and
                                before 1997; stored in Santuario di Ercole Vincitore, Tivoli,
                                Cassetta UZ 1990.253, L18 </item>
                            <item> </item>
                        </list>
                    </p>
                    <p>
                        <hi1 rend="bold">Not Classifiable</hi1>
                    </p>
                    <p id="p_864" n="864">
                        <hi1 rend="bold">14)</hi1>
                        <hi1 rend="bolditalic">Sima</hi1>
                        <list>
                            <item>Present width: 9.6 cm </item>
                            <item>Present height: 6 cm </item>
                            <item>Tile thickness at the base: 2.7 cm </item>
                            <item>Clay: yellowish, porous and friable with large reddish inclusions </item>
                            <item>State of preservation: a fragment of the base tile remains with
                                the attachment to the plaque above; it is illegible, but its
                                pronounced projection excludes a classification with any of the
                                preceding types </item>
                            <item>Excavation data: SU 1242, Sector I.7, Area 35; VH 217 </item>
                        </list>
                    </p>
                </div3>
            </div2>
            <div2 id="div2_c10.6" type="section" status="hidden">
                <head>
                    <bibl type="title">D.6. Marbles</bibl>
                </head>
                <p>
                    <hi1 rend="bold">By Claudia Angelelli</hi1>
                </p>
                <div3 id="div3_c10.6.1" type="section" status="hidden">
                    <head>
                        <bibl type="title">D.6.1. Parietal <hi1 rend="bolditalic">opus</hi1> sectile
                        </bibl>
                    </head>
                    <div4 id="div4_c10.6.1.1" type="section">
                        <head>
                            <bibl type="title">[text]</bibl>
                        </head>
                        <p id="p_865" n="865">The revetment of walls using slabs of marble or other
                            colored stone material (<hi1 rend="italic">crustae</hi1>: <hi1
                                rend="italic">CIL</hi1> VI.10237; Sen. <hi1 rend="italic"
                            >Benef</hi1>. 4.6.2, <hi1 rend="italic">Dial</hi1>. 1.6.4, <hi1
                                rend="italic">Epist</hi1>. 86.6; Plin. <hi1 rend="italic">NH</hi1>
                            35.3, 36.48; Ps. Quint. <hi1 rend="italic">Decl</hi1>. 9.17), often of
                            varied sorts and arranged so as to form geometric shapes or complex
                            figured motifs, was known as <hi1 rend="italic">incrustatio</hi1> in
                            antiquity; this we know from numerous literary sources (Varro <hi1
                                rend="italic">Men</hi1>. 533; Proc. <hi1 rend="italic">Dig</hi1>.
                            8.2.13.1; Paul. <hi1 rend="italic">Dig</hi1>. 50.16.79.2) and
                            inscriptions (<hi1 rend="italic">CIL</hi1> III.6671, IX.451, XII.935).
                            Today, however, the expression commonly used is “parietal <hi1
                                rend="italic">opus sectile</hi1>.”<ptr target="nt_c10.6.n1" n="1"/>
                        </p>
                        <p id="p_866" n="866">The custom of lining walls with slabs of marble,
                            already widespread in the Hellenistic world from the second century B.C.
                            (Plin. <hi1 rend="italic">NH</hi1> 36.47), is documented in Rome from at
                            least the first century B.C., as again attested by Pliny (<hi1
                                rend="italic">NH</hi1> 36.48: <hi1 rend="italic">Primum Romae
                                parietes crusta marmoris operuisse totas domus suae in Caelio monte
                                Cornelius Nepos tradit Mamurram</hi1>). Since what Pliny writes of
                            here probably took place at the end of the Gallic Wars (51 B.C.), when
                            Mamurra, <hi1 rend="italic">praefectus fabrum</hi1> and friend of
                            Caesar, was very greatly enriched, we may date the introduction to Rome
                            of the technique of parietal revetment in marble to around the middle of
                            the first century B.C.<ptr target="nt_c10.6.n2" n="2"/>This dating seems
                            to be confirmed by a passage in the Menippean satire of Varro, written
                            between 45-43 B.C. (Varro <hi1 rend="italic">Men</hi1>. 533). It is in
                            this period, therefore, that panels began to take the place of the
                            painted socles typical of pictorial styles I and II, often executed in
                            imitation of the more costly polychrome marble revetments. </p>
                        <p id="p_867" n="867">A profound change came about, probably in the Augustan
                            age, with the massive exploitation of marble quarries (above all <hi1
                                rend="italic">lunense</hi1>, but also <hi1 rend="italic">giallo
                                antico</hi1>, <hi1 rend="italic">pavonazzetto</hi1> and <hi1
                                rend="italic">africano</hi1>, which appear abundantly in the great
                            monuments of Rome, such as the Forum of Augustus). It is unfortunately
                            rare to find the most ancient remains of wall revetment in simple slabs,
                            because marble was a readily recyclable material, rarely surviving the
                            sacking that inevitably followed abandonment. However, several extant
                            Augustan monuments (in addition to the Forum of Augustus with the temple
                            of Mars Ultor, mention must also be made of the Temple of Concord)
                            attest the widespread use of marble wall revetment in plain panels
                            during in that period, although it was primarily employed for the
                            decoration of monumental public buildings. </p>
                        <p id="p_868" n="868">The increasing diffusion of marbles between the
                            Augustan and Flavian ages led to the wider use of marble revetments, not
                            just for most walls but also for floors, which had previously been
                            created with other stones or in mixed materials. Probably in this period
                            the use of wall decorations in simple marble slabs became widespread in
                            private homes as well, even in “middle class” houses, as seen in
                            numerous examples in the Vesuvius area (among these note the House of
                            the Relief of Telephus at <hi1 rend="italic">Herculaneum</hi1>).<ptr
                                target="nt_c10.6.n3" n="3"/>
                        </p>
                        <p id="p_869" n="869">Revetments consisting of simple slabs become ever more
                            elaborate from the second century onwards: evidence of this are great
                            monuments such as the Pantheon and, in private architecture, the Villa
                            Adriana at Tivoli.<ptr target="nt_c10.6.n4" n="4"/> In these examples it
                            is already evident that the panels are better delimited and the internal
                            arrangement is enlivened with geometrical intarsia, or by moldings or
                            simple raised edging. </p>
                        <p id="p_870" n="870">Simple slabs continued to be used in parietal
                            revetments until late antiquity, but ever more frequently alternating
                            with a type of intarsia with complex motifs. These could be geometrical
                            or with animal and human figurations, in accordance with a taste whose
                            expression reaches its zenith in the last decades of the fourth and the
                            fifth century A.D., with the extraordinary examples of the Basilica of
                            Junius Bassus on the Esquiline and that of the so-called “Building
                            outside Porta Marina” at Ostia.<ptr target="nt_c10.6.n5" n="5"/> In
                            these, the figured compositions, in arrangements that are also
                            symbolically complex, predominate over the smooth parts or the simple
                            geometric sections. </p>
                        <p id="p_871" n="871">In the excavation of an ancient building, it is very
                            rare to find <hi1 rend="italic">in situ</hi1> marble wall coverings
                            surviving whole. This is chiefly due to the depredations in the periods
                            following the abandonment of the monument, but is sometimes the result
                            of collapse due to factors such as lack of maintenance (bear in mind the
                            weight of the marble slabs themselves, positioned vertically) or to
                            natural disasters (fires, earthquakes, etc.). </p>
                        <p id="p_872" n="872">It is much more usual, therefore, that the presence of
                            marble wall revetments in an archaeological excavation is documented
                            indirectly or must be reconstructed on the basis of clues. The traces
                            left by the slabs in the mortar in which they were set and the holes of
                            the metal clips used to anchor the slabs to the walls, as well as the
                            numerous fragments and splinters of the slabs themselves, frequently
                            found in the excavated soil, mark the presence of revetment panels.
                            These fragments, however, although sometimes present in the excavated
                            stratigraphies in quantities much greater than other more “canonical”
                            classes of material (such as pottery, metal items, glass, etc.), are on
                            the whole ignored. Even if they are recorded in the publication of an
                            excavation, they are normally included in very broad categories, such as
                            that of “non-sculptural marble elements,” or even more generically as
                            “construction materials.” It is obvious that in this way further study
                            of the overall corpus is hampered; not only is direct information on the
                            decoration lost, but also indirect information on the function and the
                            qualitative level of the rooms. </p>
                        <p id="p_873" n="873">Such an example is the Villa of Horace. The fragments
                            of small stone <hi1 rend="italic">crustae</hi1>–marble and
                            non-marble–presented here are only a minuscule quantity compared with
                            the exceedingly abundant material recovered in the course of Pasqui’s
                            excavations of 1911-14. Those finds, at the moment of excavation (or,
                            rather, of unearthing), were included among the construction materials
                            or mixed up indiscriminately (and then stored) with the simpler
                            architectonic or sculptural elements, together with the shapeless
                            splinters, large slabs, steps, brackets etc. </p>
                        <p id="p_874" n="874">The only information on these materials is supplied by
                            Lugli, who, in the rapid listing of the finds from the excavations of
                            the villa, also mentions “many <hi1 rend="italic">crustae</hi1> of
                            colored marbles for the covering of socles and many fragments of
                            moldings in <hi1 rend="italic">rosso antico</hi1>, <hi1 rend="italic"
                                >giallo antico</hi1>, <hi1 rend="italic">bardiglio</hi1> and in
                            various marbles.”<ptr target="nt_c10.6.n6" n="6"/> Some of this material
                            was put together by Pasqui on four panels and displayed in the old
                            Antiquarium in Licenza, without even a generic mention of their
                            provenance. </p>
                        <p id="p_875" n="875">Principally for this reason and because of the
                            impossibility of reconstructing the stratigraphies to which they
                            belonged, we have preferred to forego detailed analysis of this
                            material. It has only recently been divided up, classified and stored in
                            some thirty boxes, today held inside the storehouse of the
                            Soprintendenza Archeologica per il Lazio at the Santuario di Ercole
                            Vincitore in Tivoli (<hi1 rend="bold">fig. 1</hi1>). </p>
                        <p id="p_876" n="876">In the present study, therefore, only the material
                            coming from the 1997-99 excavation seasons is discussed, with the
                            exception of some fragments of capitals from pilasters and slabs with
                            relief decoration from the excavations of Pasqui, now displayed in the
                            Museum at Licenza (<hi1 rend="bold">figs. 2-4</hi1>). These fragments,
                            taken together, lead us to conclude that there was a decorative program
                            of considerable value at the villa. </p>
                        <p id="p_877" n="877">In the catalogue that follows, all those elements
                            presumed to belong to parietal coverings are analyzed, namely molded
                            slabs or those with relief decoration, pilasters, and moldings, but also
                            simple slabs. This term is taken to cover all the whole or fragmentary
                            marble elements worked simply, in such a way as to have one or more flat
                                faces.<ptr target="nt_c10.6.n7" n="7"/>
                        </p>
                        <p id="p_878" n="878">In addition to specific information about the
                                find-spots,<ptr target="nt_c10.6.n8" n="8"/> the pieces under
                            discussion are supplied with details of measurements (thickness, maximum
                            and minimum dimensions, weight); type of marble (with complete
                            identification in the case of the colored ones, and more generically in
                            the case of the grey and white ones); and relative disposition and
                            treatment of the flat surfaces (principal faces, edges). The dimensions
                            are expressed in centimeters in the case of linear dimensions and are to
                            be taken as indicative, except in the case of the thickness, which is
                            always taken to the nearest millimeter, even for the thinnest <hi1
                                rend="italic">crustae</hi1>. The weight, where measurable,<ptr
                                target="nt_c10.6.n9" n="9"/> is expressed in grams, and taken to the
                            nearest 10 gr, except for the smallest <hi1 rend="italic">crustae</hi1>.
                        </p>
                    </div4>
                    <div4 id="div4_c10.6.1.2" type="section">
                        <head>
                            <bibl type="title">D.6.1.1. Catalogue </bibl>
                        </head>
                        <p>
                            <hi1 rend="bold">Capitals (Ca)</hi1>
                        </p>
                        <p id="p_879" n="879">
                            <hi1 rend="italic">Greco scritto</hi1>
                            <list>
                                <item><hi1 rend="bold">Ca-1.</hi1> Inv. 75230 </item>
                                <item>Pilaster capital of Corinthian inspiration </item>
                                <item>Chipped along the edges. Broken on the two upper corners, just
                                    above the volutes. Back of the panel polished, edges finished
                                    with fine-ended chisel. </item>
                                <item>Dimensions: 29 x 25.5 x 2.3 </item>
                                <item> </item>
                                <item><hi1 rend="bold">Ca-2.</hi1> Inv. 75231 </item>
                                <item>Pilaster capital, of Corinthian inspiration </item>
                                <item>Whole example, slightly chipped along the edges. Back of the
                                    slab polished, borders finished with fine-ended chisel. </item>
                                <item>Dimensions: 29 x 23-24 x 2.3 </item>
                                <item> </item>
                                <item><hi1 rend="bold">Ca-3.</hi1> Inv. 62976 </item>
                                <item>Pilaster capital, of Corinthian inspiration </item>
                                <item>Example in three fragments, reassembled. Back of the slab
                                    polished, borders finished with fine-ended chisel. </item>
                                <item>Dimensions: 30 x 20 x 1.4 </item>
                            </list>
                        </p>
                        <p id="p_880" n="880">
                            <hi1 rend="italic">Grey, medium-grained marble</hi1>
                            <list>
                                <item><hi1 rend="bold">Ca-4.</hi1> Inv. 62973 </item>
                                <item>Pilaster capital, of Corinthian inspiration </item>
                                <item>Whole example, slightly chipped along the edges </item>
                                <item>Back of the panel polished, borders finished with fine-ended
                                    chisel. </item>
                                <item>Dimensions: 29.5 x 20-28 x 2 </item>
                            </list>
                        </p>
                        <p id="p_881" n="881">The examples <hi1 rend="bold">Ca-1/4</hi1>, probably
                            to be attributed to the decoration of a single room, unfortunately not
                            identified, were summarily published by Lugli, who included a photograph
                            of them.<ptr target="nt_c10.6.n10" n="10"/> The same pieces have
                            recently been reexamined, also rather rapidly, by Reggiani.<ptr
                                target="nt_c10.6.n11" n="11"/>
                        </p>
                        <p id="p_882" n="882">Analogous capitals, with central calyx and lateral
                            leaves serving as volutes, are attested at Ostia and datable to the last
                            years of the first and the first decades of the second century.<ptr
                                target="nt_c10.6.n12" n="12"/> There are also rather precise
                            analogies with an example from the Museo Nazionale Romano,<ptr
                                target="nt_c10.6.n13" n="13"/> datable to the age of Hadrian; in
                            this example, the morphology of the central calyx, which has expanded
                            extremities, is similar to that of the present ones. The type of relief
                            and the structural characteristics are different, however; they are
                            rather more simplified in the Licenza example. </p>
                        <p id="p_883" n="883">On the basis of analogies, dating to between the last
                            decades of the first and the first years of the second century seems
                            plausible. </p>
                        <p>
                            <hi1 rend="bold">Pilasters (Le)</hi1>
                        </p>
                        <p id="p_884" n="884">
                            <hi1 rend="italic">White, fine-grained marble, with greenish veining
                                (Pentelic?)</hi1>
                            <list>
                                <item><hi1 rend="bold">Le-1.</hi1> Sector VII.1, Area 24, SU 7001 </item>
                                <item>Broken on all sides. One face seems to preserve traces of
                                    molding. The tool marks are no longer recognizable because of
                                    the corrosion of the surface. </item>
                                <item>Dimensions: 4.4 x 2.2 x 0.7; weight: 20 </item>
                                <item> </item>
                            </list>
                        </p>
                        <p id="p_885" n="885">
                            <hi1 rend="italic">White, medium-grained marble</hi1>
                            <list>
                                <item><hi1 rend="bold">Le-2.</hi1> Sector I.3, Area 37, SU 428 (<hi1
                                        rend="bold">fig. 11</hi1>) </item>
                                <item>Broken on all sides. The surface is molded, with the form of a
                                    segment of circle (diameter 4.8) and fillets (width 1), and is
                                    polished; the back face (in contact with the wall) is smoothed. </item>
                                <item>Dimensions: 7.3 x 7.3 x 1.5; weight: 380 </item>
                                <item> </item>
                                <item><hi1 rend="bold">Le-3.</hi1> Sector I.3, Area 37, SU 414 </item>
                                <item>Broken on all sides. Two matching fragments, similar to the
                                    preceding ones. Molded polished surface, reverse face smoothed. </item>
                                <item>Dimensions: 16 x 6.2 x 1.2; weight: 575 </item>
                                <item> </item>
                                <item><hi1 rend="bold">Le-4.</hi1> Sector I.3, Area 37, SU 414 </item>
                                <item>Broken on all sides. Similar to the preceding ones. Surface
                                    molded and polished; reverse face smoothed. </item>
                                <item>Dimensions: 7.4 x 7.2 x 13; weight: 190 </item>
                                <item> </item>
                            </list>
                        </p>
                        <p>
                            <hi1 rend="bold">Slabs molded and/or with relief decoration (Lm)</hi1>
                        </p>
                        <p id="p_886" n="886">
                            <hi1 rend="italic">White, fine-grained marble</hi1>
                            <list>
                                <item><hi1 rend="bold">Lm-1.</hi1> Sector I.2, Area 50, SU 220, VH
                                    019 (<hi1 rend="bold">figs. 5 and 11</hi1>) </item>
                                <item>Broken on two sides. Two flat and smoothed faces, of which the
                                    one at the back still shows the raised bit left by the saw cut
                                    and traces of the mortar used to fasten the slab to the wall.
                                    Upper edge polished, in which there are two holes for metal
                                    clips (diameter 0.5 and depth 1.1; diameter 0.7 and depth
                                    2.2).The different dimensions and the closeness of the two holes
                                    probably indicate maintenance work on the wall covering, or else
                                    reuse of this slab. </item>
                                <item>Dimensions: 10.8 x 7.6 x 3.6 (max)–1.9 (min); weight: 640 </item>
                                <item> </item>
                                <item><hi1 rend="bold">Lm-2.</hi1> Sector I.2, Area 50, SU 220 (<hi1
                                        rend="bold">fig. 11</hi1>) </item>
                                <item>Broken on four sides. Upper edge polished, one face molded
                                    with two <hi1 rend="italic">cymae reversae</hi1> and smoothed. </item>
                                <item>Dimensions: 8 x 3.7 x 2.2; weight: 170 </item>
                                <item> </item>
                                <item><hi1 rend="bold">Lm-3.</hi1> Sector I.2, Area 50, SU 220, VH
                                    019 (<hi1 rend="bold">figs. 5 and 11</hi1>) </item>
                                <item>Broken on four sides. One face flat and smoothed; upper edge
                                    with traces of fine-ended chisel (perhaps indicating a reworking
                                    of the artifact). The face, molded with fillet and <hi1
                                        rend="italic">cyma reversa</hi1>, is polished. </item>
                                <item>Dimensions: 11.6 x 9 x 2.5; weight: 450 </item>
                                <item> </item>
                                <item><hi1 rend="bold">Lm-4.</hi1> Sector I.7, Area 35, SU 1200
                                        (<hi1 rend="bold">fig. 11</hi1>) </item>
                                <item>Broken on two sides. Two of the original edges remain, both
                                    vertical and finished, one with a gradine and the other
                                    smoothed. Two flat faces, of which one is smoothed and decorated
                                    with rectangular panelling, bordered with a double molding
                                    (fillet, <hi1 rend="italic">cyma reversa</hi1>). The back face,
                                    smoothed, preserves traces of the mortar (grey with volcanic
                                    elements in it) used to fasten the slab to the wall. </item>
                                <item>Dimensions: 11.5 x 10.5 x 2.5; weight: 1830 </item>
                                <item> </item>
                            </list>
                        </p>
                        <p id="p_887" n="887">
                            <hi1 rend="italic">White, medium-grained marble</hi1>
                            <list>
                                <item><hi1 rend="bold">Lm-5.</hi1> Sector IV.2, Area 23, SU 4201
                                        (<hi1 rend="bold">fig. 12</hi1>) </item>
                                <item>Broken on two sides. Two flat faces, of which one is polished
                                    and molded (with fillet and <hi1 rend="italic">cyma
                                    reversa</hi1>) and the other smoothed. </item>
                                <item>Dimensions: 17.5 x 5.9 x 2.2; weight: 1120 </item>
                                <item> </item>
                            </list>
                        </p>
                        <p id="p_888" n="888">
                            <hi1 rend="italic">Greco scritto</hi1>
                            <list>
                                <item><hi1 rend="bold">Lm-6.</hi1> Sector I.5, Area 38, SU 822, VH
                                    072 (<hi1 rend="bold">figs. 6 and 12</hi1>) </item>
                                <item>Broken on three sides. A curvilinear border worked with
                                    marteline. Two flat faces, of which one is polished and the
                                    other smoothed. On the right margin is still visible part of a
                                    circular motif, cut with the chisel. </item>
                                <item>Dimensions: 9.6 x 7.4 x 1.5; weight: 380 </item>
                                <item> </item>
                                <item><hi1 rend="bold">Lm-7.</hi1> Sector I.3, Area 37, SU 424, VH
                                    021 (<hi1 rend="bold">figs. 7 and 12</hi1>) </item>
                                <item>Broken on all sides. Two flat faces, of which one is decorated
                                    with three curvilinear concentric grooves, and the opposite one
                                    is polished. </item>
                                <item>Dimensions: 10.5 x 6.9 x 1.2; weight: 190 </item>
                                <item> </item>

                                <item><hi1 rend="bold">Lm-8.</hi1> “Surface find” (<hi1 rend="bold"
                                        >fig. 12</hi1>) </item>
                                <item>Broken on all sides, surface very corroded. Two flat faces, of
                                    which one is decorated with two straight grooves, of different
                                    widths (0.1 and 0.7), and a curvilinear groove (width 0.5); the
                                    opposite face is polished. </item>
                                <item>Dimensions: 9.8 x 5.5 x 2.1; weight: 240 </item>
                                <item> </item>
                                <item><hi1 rend="bold">Lm-9.</hi1> Sector I.2, Area 50, SU 285, VH
                                    073 (<hi1 rend="bold">figs. 8 and 12</hi1>) </item>
                                <item>Broken on all sides. Two flat faces, of which one is polished
                                    and decorated with a rectangular panel, of which one corner
                                    survives, bordered by a molding (fillet and <hi1 rend="italic"
                                        >cyma reversa</hi1>). The back face is just rough-hewn. </item>
                                <item>Dimensions: 10.5 x 9 x 1.8; weight: 285 </item>
                                <item> </item>
                                <item><hi1 rend="bold">Lm-10.</hi1> Sector I.3, Area 37, SU 448, VH
                                    069 (<hi1 rend="bold">figs. 9 and 13</hi1>) </item>
                                <item>Broken on all sides. Two flat faces, of which one is polished
                                    and decorated with lozenge-shaped concentric panels, bordered by
                                    simple grooves of varying widths (0.3–0.7). The back face is
                                    just rough-hewn. </item>
                                <item>Dimensions: 8 x 9.2 x 1.5; weight: 280 </item>
                                <item> </item>
                                <item><hi1 rend="bold">Lm-11.</hi1> Sector I.3, Area 37, SU 400
                                        (<hi1 rend="bold">fig. 13</hi1>) </item>
                                <item>Broken on three sides; only a border is left, bevelled and
                                    finished with chiselling. Two flat faces, of which one is
                                    polished and decorated with straight and parallel grooving; the
                                    opposite face is smoothed. Traces of mortar on the decorated
                                    surface and the type of workmanship observed on the only
                                    surviving border indicate reuse of the slab of which it was a
                                    part. </item>
                                <item>Dimensions: 8.5 x 6.6 x 1.1; weight: 86 </item>
                                <item> </item>
                                <item><hi1 rend="bold">Lm-12.</hi1> Inv. 75227 </item>
                                <item>Slab in two fragments, recomposed, broken on all sides. Two
                                    flat faces, of which the back one is smoothed and the front one
                                    has relief decoration. The decorated area seems to have been
                                    divided into metopes (of dimensions which cannot be
                                    reconstructed), delimited by an astragal (height 1.1); the only
                                    surviving metope is decorated with two crossed shields and
                                    bordered at the bottom with a pelta. </item>
                                <item>Dimensions: 24 x 29 x 1.5 </item>
                                <item> </item>
                                <item><hi1 rend="bold">Lm-13.</hi1> Inv. 75228 </item>
                                <item>Slab in two fragments, recomposed, broken on three sides. Only
                                    one of the original borders is left, worked with the chisel. Two
                                    flat faces, of which the back one is smoothed and the front one
                                    has relief decoration. The decorative area, bordered at the
                                    bottom with an astragal (height 1.1), is divided into
                                    rectangular metopes of various sizes (28.5 x 22.5, 13.5 x 22.5),
                                    decorated respectively with a shield and hexagon with inflexed
                                    sides. </item>
                                <item>Dimensions: 52 x 35 x 1.8 </item>
                                <item> </item>
                                <item><hi1 rend="bold">Lm-14.</hi1> Inv. 75229 </item>
                                <item>Broken on all sides. One face flat and one moulded, both
                                    polished. On the vertical side of the slab, from bottom to top:
                                        <hi1 rend="italic">cyma reversa</hi1>, astragal, strip,
                                    astragal with <hi1 rend="italic">cyma recta</hi1>. Part of a
                                    slab molding, decorated with panels. </item>
                                <item>Dimensions: 20 x 22.5 x 2.1 </item>
                                <item> </item>
                            </list>
                        </p>
                        <p id="p_889" n="889">The examples <hi1 rend="bold">Lm-5/14</hi1> belong to
                            a typology of parietal revetment panels that was fairly widespread in
                            imperial Roman times, but has not so far been the subject of an overall
                            study. The scarcity of attestations of elements <hi1 rend="italic">in
                                situ</hi1> or of finds associated with datable stratigraphies has
                            meant that such items have been attributed to a very wide chronological
                            span, ranging from the early imperial age all the way to the
                            paleo-Christian period, as we shall see. </p>
                        <p id="p_890" n="890">If we analyze the data in our possession in
                            chronological order, we observe that slabs similar to those presented
                            here are still visible <hi1 rend="italic">in situ</hi1> at Pompeii, in
                            the base of the <hi1 rend="italic">lararium</hi1> of the House of
                            Caecilius Iucundus.<ptr target="nt_c10.6.n14" n="14"/> At Ostia,
                            numerous fragments of slabs of <hi1 rend="italic">greco scritto</hi1>
                            with decoration in rectangular panels and inscribed lozenges with
                            inflexed sides come from the late first century strata of the of the
                            Thermae of the Swimmer.<ptr target="nt_c10.6.n15" n="15"/> Other
                            examples are known in Rome, in the <hi1 rend="italic">domus</hi1> over
                            the Sette Sale<ptr target="nt_c10.6.n16" n="16"/> and at the Villa dei
                            Quintili (unpublished example displayed in the <hi1 rend="italic"
                                >antiquarium</hi1>), at Luni,<ptr target="nt_c10.6.n17" n="17"/> and
                            at the Villa di S. Vincenzino near Cecina.<ptr target="nt_c10.6.n18"
                                n="18"/> From these data it seems clear that the artifacts under
                            examination were already widespread at the beginning of the imperial
                            period, perhaps as early as the first half of the first century. Similar
                            dating is also suggested by the marble revetment, so far unpublished, of
                            some public buildings of the forum of <hi1 rend="italic">Carsulae</hi1>,
                            in Umbria (consisting of two different series of <hi1 rend="italic"
                                >bardiglio</hi1> slabs with decoration very analogous to those
                            above), whose dating seems no later than the Flavian period.<ptr
                                target="nt_c10.6.n19" n="19"/>
                        </p>
                        <p id="p_891" n="891">Another indication of the antiquity of these slabs is
                            their very frequent presence in parietal revetments of late antiquity,
                            where they are clearly recycled. Note, for instance, the <hi1
                                rend="italic">domus</hi1> of the Nymphaeum of Ostia, where the
                            fountain is lined with slabs decorated with simple rectangular panels in
                                <hi1 rend="italic">greco scritto</hi1>, visibly cut and adapted to
                            new use.<ptr target="nt_c10.6.n20" n="20"/> Also at Ostia, in the
                            Nymphaeum of the Erotes, there is a slab of <hi1 rend="italic">greco
                                scritto</hi1> decorated with a lozenge, inserted almost as an emblem
                            in the very homogeneous parietal revetment in white and grey marbles,
                            underneath the apsed niche of the wall at the back.<ptr
                                target="nt_c10.6.n21" n="21"/>
                        </p>
                        <p id="p_892" n="892">Numerous whole or fragmentary examples of such
                            artifacts, perfectly analogous to those just described, are found reused
                            in the catacombs and other paleo-Christian buildings. These have been
                            published in various volumes of the <hi1 rend="italic">Corpus della
                                Scultura Altomedievale</hi1>.<ptr target="nt_c10.6.n22" n="22"/>
                            They are generally interpreted as <hi1 rend="italic">plutei</hi1> and
                            dated to the first half of the sixth century on stylistic grounds, on
                            the basis of presumed analogies with the decorative motifs found on the
                            slabs of the presbytery enclosures from Constantinople surviving in many
                            Roman churches, in particular at S. Clemente.<ptr target="nt_c10.6.n23"
                                n="23"/>
                        </p>
                        <p id="p_893" n="893">The proposed chronology can be contested for a number
                            of reasons. First, the moldings that frame the slabs are of classic
                            type, completely different from those found on artifacts of Byzantine
                            provenance or tradition, which have a characteristic band sloping
                            obliquely outwards,<ptr target="nt_c10.6.n24" n="24"/> unknown in Roman
                            architectonic sculpture. The dimensions of the slabs, too, in particular
                            the height (between 25 and 95 cm) and the thickness (mostly of 2-3 cm,
                            but also of 0.5 cm), seem too reduced to belong to <hi1 rend="italic"
                                >plutei</hi1> (see, for a comparison, the dimensions of the series
                            of S. Clemente, of a homogeneous thickness between 5.5 and 7 cm and
                            heights varying between 113.5 and 117 cm).<ptr target="nt_c10.6.n25"
                                n="25"/> Furthermore, some details of the decoration, for instance
                            the <hi1 rend="italic">urceus</hi1> which appears on a panel from S.
                            Lorenzo fuori le mura,<ptr target="nt_c10.6.n26" n="26"/> or the <hi1
                                rend="italic">peltae</hi1> on a fragment from SS. Giovanni e
                                Paolo,<ptr target="nt_c10.6.n27" n="27"/> do not belong to the
                            Byzantine iconographic repertoire, as the authors of the volumes of the
                                <hi1 rend="italic">Corpus</hi1> themselves observe. On the other
                            hand, the Byzantine slabs have some decorative elements that are wholly
                            absent in those examined here, in particular the fleur-de-lys endings to
                            the corners of the lozenges and the constant presence of an internal
                                motif.<ptr target="nt_c10.6.n28" n="28"/>
                        </p>
                        <p id="p_894" n="894">It seems evident at this point that the chronology of
                            the fifth to the sixth century proposed in the <hi1 rend="italic"
                            >Corpus</hi1> must perhaps be taken as that of the reuse of the pieces.
                            We cannot exclude the possibility, in fact, that the widespread reuse of
                            these slabs in paleo-Christian architectural complexes was in some way
                            encouraged by the contemporary diffusion of the Byzantine slabs, which
                            have in common with ours the taste for the geometric division of the
                            surface and the simplicity of the ornamentation.<ptr
                                target="nt_c10.6.n29" n="29"/>
                        </p>
                        <p id="p_895" n="895">Another issue to be resolved is the use of the slabs
                            with relief decoration in parietal revetment.<ptr target="nt_c10.6.n30"
                                n="30"/> A primary classification seems possible on the basis of the
                            dimensions. Slabs up to 40 cm high, varying in length (cf. for instance
                            our <hi1 rend="bold">Lm-12/14</hi1>) and between ca. 1.5 and 2 cm thick
                            (such as <hi1 rend="bold">Lm-5/14</hi1>), were probably used as a fascia
                            for dividing horizontally, above the socle,<ptr target="nt_c10.6.n31"
                                n="31"/> or else as a fascia running along the top. The same spatial
                            arrangement survives, much later, in the highly refined decoration in
                                <hi1 rend="italic">opus sectile</hi1> of the “Building outside Porta
                            Marina” at Ostia. Here the slabs with incised decoration are substituted
                            by complex marble intarsia, in which the motif of the horizontal band
                            decorated with <hi1 rend="italic">peltae</hi1>, lozenges or discs is
                            repeated twice in its entirety.<ptr target="nt_c10.6.n32" n="32"/>
                            Another possible use for slabs of these dimensions is for revetting
                            architraves or jambs (in particular for the fragments with a decoration
                            of rectangles linked together in a series, although this is not attested
                            at Licenza). </p>
                        <p id="p_896" n="896">Larger slabs (one meter or more in height and 2.2-2.5
                            cm thick, such as <hi1 rend="bold">Lm-1/5</hi1>) may have been used in
                            the lower or central part of the wall. These would be set next to each
                            other (particularly when more complex sculpted architectural elements,
                            such as capitals, are present in addition to the panelling), or they
                            would alternate with pilasters. </p>
                        <p>
                            <hi1 rend="bold">Moldings (C)</hi1>
                        </p>
                        <p id="p_897" n="897">
                            <hi1 rend="italic">Bardiglio</hi1>
                            <list>
                                <item><hi1 rend="bold">C-1.</hi1> Sector I.2, Area 50, SU 288 </item>
                                <item>Broken on two sides. One face is polished and molded with <hi1
                                        rend="italic">cyma reversa</hi1>, the upper and lower bases
                                    and the back face are smoothed. </item>
                                <item>Dimensions: 11 x 3.3 x 2.8-2.4; weight: 220 </item>
                                <item> </item>
                            </list>
                        </p>
                        <p id="p_898" n="898">
                            <hi1 rend="italic">White fine-grained marble</hi1>
                            <list>
                                <item><hi1 rend="bold">C-2.</hi1> Sector VI.1, Area 24, SU 6007 </item>
                                <item>Broken on two sides. One face is molded, with two <hi1
                                        rend="italic">cymae reversae</hi1>. The considerable
                                    corrosion of the surfaces prevents analysis of the tool marks. </item>
                                <item>Dimensions: 8.1 x 2.2 x 1.3-2.2; weight: 170 </item>
                                <item> </item>
                                <item><hi1 rend="bold">C-3.</hi1> Sector VI.1, Area 24, SU 6007 </item>
                                <item>Broken on two sides. One face is polished and molded with <hi1
                                        rend="italic">cyma reversa</hi1>, the upper and lower bases
                                    are smoothed. The back face does not survive. </item>
                                <item>Dimensions: 5 x 3.2 x 2.3; weight: 87 </item>
                                <item> </item>
                            </list>
                        </p>
                        <p id="p_899" n="899">
                            <hi1 rend="italic">Giallo antico</hi1>
                            <list>
                                <item><hi1 rend="bold">C-4.</hi1> Sector I.7, Area 35, SU 1242 (<hi1
                                        rend="bold">fig. 13</hi1>) </item>
                                <item>Broken on two sides. The molded face (with two <hi1
                                        rend="italic">cymae reversae</hi1>) and the opposite one are
                                    polished, the upper and lower bases are smoothed. </item>
                                <item>Dimensions: 10.7 x 3.2 x 2.8; weight: 380 </item>
                                <item> </item>
                                <item><hi1 rend="bold">C-5.</hi1> Sector I.7, Area 35, SU 1242 (<hi1
                                        rend="bold">fig. 13</hi1>) </item>
                                <item>Broken on two sides. The molded face (with two <hi1
                                        rend="italic">cymae reversae</hi1>) and the opposite one are
                                    polished, the upper and lower bases are smoothed. The back face
                                    still has the raised bit left by the saw cut and traces of
                                    mortar used to fix the molding to the wall. It is not
                                    perpendicular to the lower edge of the molding, but slightly
                                    inclined, forming an acute angle with it. </item>
                                <item>Dimensions: 4.7 x 3.2 x 1.6-2.1; weight: 87 </item>
                                <item> </item>
                                <item><hi1 rend="bold">C-6.</hi1> Sector I.7, Area 35, SU 1242 (<hi1
                                        rend="bold">fig. 13</hi1>) </item>
                                <item>Broken on two sides. The molded face (with two <hi1
                                        rend="italic">cymae reversae</hi1>) and the upper base are
                                    polished, the lower base and the back face are smoothed. This
                                    last, which still shows the raised bit left by the saw cut, is
                                    not perpendicular to the lower edge of the molding, but slightly
                                    inclined, forming an acute angle with it. </item>
                                <item>Dimensions: 5.2 x 2.6 x 1.9-2.4; weight: 65 </item>
                                <item> </item>
                                <item><hi1 rend="bold">C-7.</hi1> Sector VII.1, Area 25, SU 7001
                                        (<hi1 rend="bold">fig. 13</hi1>) </item>
                                <item>Broken on two sides. All the faces, including the molded one
                                    (with two <hi1 rend="italic">cymae reversae</hi1>), are
                                    smoothed; the back face, furthermore, is not perpendicular to
                                    the lower edge of the molding, but slightly inclined, forming an
                                    acute angle with it. On the upper edge there is a circular hole
                                    (diameter 0.45, depth 1.3) for the insertion of a metal clip. </item>
                                <item>Dimensions: 17.5 x 4.2 x 2.5; weight: 480 </item>
                                <item> </item>
                            </list>
                        </p>
                        <p id="p_900" n="900">
                            <hi1 rend="italic">Rosso antico</hi1>
                            <list>
                                <item><hi1 rend="bold">C-8.</hi1> Sector I.7, Area 35, SU 1200 (<hi1
                                        rend="bold">fig. 13</hi1>) </item>
                                <item>Broken on two sides. The molded face (with two <hi1
                                        rend="italic">cymae reversae</hi1>) is polished, the upper
                                    and lower bases are smoothed. The back face does not survive. </item>
                                <item>Dimensions: 4.7 x 3.4 x 1.05-2.1; weight: 52 </item>
                                <item> </item>
                                <item><hi1 rend="bold">C-9.</hi1> Sector I.3, Area 37, SU 400 (<hi1
                                        rend="bold">fig. 13</hi1>) </item>
                                <item>Broken on two sides. The molded face (with two <hi1
                                        rend="italic">cymae reversae</hi1>) is polished, the upper
                                    and lower bases are smoothed. The back face does not survive. On
                                    the upper base there is a circular hole (diameter 0.5, depth
                                    1.2) for the insertion of a metal clip. </item>
                                <item>Dimensions: 5.4 x 2.8 x 1.2-2.1; weight: 72 </item>
                                <item> </item>
                                <item><hi1 rend="bold">C-10.</hi1> Sector I.2, Area 50, SU 200 </item>
                                <item>Broken on two sides. The molded face (with two <hi1
                                        rend="italic">cymae reversae</hi1>) and the lower base are
                                    smoothed, while the upper one shows traces of being worked with
                                    a gradine. </item>
                                <item>Dimensions: 11.5 x 3 x 4; weight: 420 </item>
                                <item> </item>
                                <item><hi1 rend="bold">C-11.</hi1> Sector I.7, Area 35, SU 1220 </item>
                                <item>Broken on two sides. The molded face (with two <hi1
                                        rend="italic">cymae reversae</hi1>) and the upper base are
                                    polished, the back face and the lower base are smoothed. </item>
                                <item>Dimensions: 7.5 x 3.5 x 2.9; weight: 170 </item>
                            </list>
                        </p>
                        <p id="p_901" n="901">The moldings, which served to divide the marble
                            revetment into horizontal panels, are always characterized here by the
                            most thorough workmanship; the two bases are smoothed or polished, and
                            the external face molded with fillet and <hi1 rend="italic">cyma
                            reversa</hi1>. The back face is generally smoothed but may be just
                            rough-hewn, vertical or slightly oblique (in some cases, even sharply
                            inclined), probably with the intention of helping the layer of mortar
                            behind to adhere better. In some cases (cf. <hi1 rend="bold">C-5</hi1>)
                            there is a raised bit, due to the saw cut; this shows clearly that these
                            elements were cut from slabs of great thickness. Among the examples
                            presented here, the moldings in <hi1 rend="italic">giallo antico</hi1>
                                (<hi1 rend="bold">C-4/7</hi1>) and <hi1 rend="italic">rosso
                            antico</hi1> marble (<hi1 rend="bold">C-8/11</hi1>) predominate; rarer
                            are those in white marble or <hi1 rend="italic">bardiglio</hi1> (<hi1
                                rend="bold">C-1/3</hi1>). It must be emphasized that <hi1
                                rend="italic">giallo antico</hi1> and <hi1 rend="italic">rosso
                                antico</hi1>, which are generally the materials most frequently used
                            for making such artifacts,<ptr target="nt_c10.6.n33" n="33"/> are found
                            in almost canonical association with slabs of white or veined marble,
                            and, respectively, with <hi1 rend="italic">cipollino</hi1> or <hi1
                                rend="italic">giallo antico</hi1>,<ptr target="nt_c10.6.n34" n="34"
                            /> which are also those most often found at “Horace’s villa” (see
                            below). </p>
                        <p>
                            <hi1 rend="bold">Fillets (Li)</hi1>
                        </p>
                        <p id="p_902" n="902">
                            <hi1 rend="italic">Palombino</hi1>
                            <list>
                                <item><hi1 rend="bold">Li-1.</hi1> Sector VII.1, Area 24, SU 7001 </item>
                                <item>Broken on two sides: one side is flat and polished. Two edges
                                    are ground and slightly bevelled. </item>
                                <item>Dimensions: 4.5 x 0.4 x 0.6; weight: 12 </item>
                                <item> </item>
                            </list>
                        </p>
                        <p id="p_903" n="903">
                            <hi1 rend="italic">Giallo antico</hi1>
                            <list>
                                <item><hi1 rend="bold">Li-2.</hi1> Sector VII.1, Area 24, SU 7001 </item>
                                <item>Broken on two sides. Two flat faces, of which one is polished.
                                    Two smoothed edges, worked with fine-ended chisel but not
                                    ground, slightly bevelled. </item>
                                <item>Dimensions: 2.3 x 1.5 x 0.9; weight: 26 </item>
                                <item> </item>
                                <item><hi1 rend="bold">Li-3, 4.</hi1> Sector VII.1, Area 24, SU 7001 </item>
                                <item>Two similar fragments. Broken on two sides. Two flat faces, of
                                    which one is polished. Two smoothed edges, worked with
                                    fine-ended chisel, but not ground, slightly bevelled. Made from
                                    a pre-existing small panel (or fillet), because the visible
                                    surface of the panel—indicated by the inclination of the
                                    edges—is smoothed, while the reverse is polished. </item>
                                <item>Dimensions: a) 2.2 x 1.4 x 0.6; weight: 18; b) 4.3 x 6.1 x
                                    0.7; weight: 86 </item>
                                <item> </item>
                                <item><hi1 rend="bold">Li–5.</hi1> Sector I.7, Area 35, SU 1218 </item>
                                <item>Broken on two sides, two original edges survive, ground and
                                    slightly bevelled. </item>
                                <item>Dimensions: 5.2 x 1.7 x 0.7; weight: 25 </item>
                                <item> </item>
                            </list>
                        </p>
                        <p id="p_904" n="904">
                            <hi1 rend="italic">Pavonazzetto</hi1>
                            <list>
                                <item><hi1 rend="bold">Li–6.</hi1> Sector VII.1, Area 24, SU 7001
                                        (<hi1 rend="bold">fig. 14</hi1>) </item>
                                <item>Broken on two sides. Two flat faces, of which one is polished.
                                    One edge is ground and slightly bevelled and one is worked with
                                    marteline and finished with fine-ended chisel where it joins
                                    with the adjacent element. The different type of working of the
                                    two opposite edges indicates that the fillet was created by
                                    working a larger slab, of which one of the original borders was
                                    retained. </item>
                                <item>Dimensions: 2 x 5.4 x 0.8 ; weight: 43 </item>
                                <item> </item>
                                <item><hi1 rend="bold">Li-7.</hi1> Sector VII.1, Area 24, SU 7001 </item>
                                <item>Broken on two sides. Two flat faces, of which one is polished.
                                    One edge is ground and slightly bevelled and one worked with
                                    marteline and finished with fine-ended chisel where it joins the
                                    adjacent element. Like the previous fragment (<hi1 rend="bold"
                                        >Li-6</hi1>), it was probably reworked from a pre-existing
                                    slab. </item>
                                <item>Dimensions: 3.6 x 2.8 x 0.6 ; weight: 32 </item>
                                <item> </item>
                            </list>
                        </p>
                        <p id="p_905" n="905">
                            <hi1 rend="italic">Rosso antico</hi1>
                            <list>
                                <item><hi1 rend="bold">Li-8.</hi1> Sector VII.1, Area 24, SU 7001 </item>
                                <item>Broken at the two ends. Two flat faces, of which one is
                                    polished. The edges are ground and slightly bevelled. </item>
                                <item>Dimensions: 1.5 x 0.3 x 0.4; weight: 6 </item>
                                <item> </item>
                            </list>
                        </p>
                        <p>
                            <hi1 rend="bold">Elements for parietal intarsia (T)</hi1>
                        </p>
                        <p id="p_906" n="906">
                            <hi1 rend="italic">Pavonazzetto</hi1>
                            <list>
                                <item><hi1 rend="bold">T-1.</hi1> Sector VII.1, Area 24, SU 7001
                                        (<hi1 rend="bold">fig. 14</hi1>) </item>
                                <item>Broken on two sides. Two flat faces, of which one is smoothed
                                    and one polished. Edges slightly bevelled and finished with
                                    fine-ended chisel. Belongs to a <hi1 rend="italic">crusta</hi1>
                                    originally triangular or rhomboid in form. </item>
                                <item>Dimensions: 1.7 1.3 x 0.6; weight: 10 </item>
                                <item> </item>
                            </list>
                        </p>
                        <p id="p_907" n="907">
                            <hi1 rend="italic">Giallo antico</hi1>
                            <list>
                                <item><hi1 rend="bold">T-2.</hi1> Sector VII.1, Area 24, SU
                                        7001(<hi1 rend="bold">fig. 14</hi1>) </item>
                                <item>Broken on two sides. Two flat faces, of which one is smoothed
                                    and one polished. Edges slightly bevelled and finished with
                                    fine-ended chisel. The <hi1 rend="italic">crusta</hi1>,
                                    irregularly triangular in shape, has one (or possibly two) sides
                                    curvilinear in line and a third side approximately straight. </item>
                                <item>Dimensions: 2.3 x 2.5 x 0.4; weight: 8 </item>
                                <item> </item>
                                <item><hi1 rend="bold">T-3.</hi1> Sector VII.1, Area 24, SU 7001
                                        (<hi1 rend="bold">fig. 14</hi1>) </item>
                                <item>Irregular edges, which are not enough to determine the overall
                                    shape of the <hi1 rend="italic">crusta</hi1>. Two flat faces, of
                                    which one is smoothed and one polished. Edges slightly bevelled
                                    and finished with fine-ended chisel. Fairly regularly triangular
                                    in shape, with two sides slightly inflexed. </item>
                                <item>Dimensions: 2.9 x 2.6 x 0.35; weight: 7 </item>
                                <item> </item>
                                <item><hi1 rend="bold">T-4.</hi1> Sector VII.1, Area 24, SU 7001
                                        (<hi1 rend="bold">fig. 14</hi1>) </item>
                                <item>Broken at one end. Two faces flat, of which one is smoothed
                                    and one polished. Edges slightly bevelled and finished with
                                    fine-ended chisel. The small <hi1 rend="italic">crusta</hi1>,
                                    irregular in shape, has one straight side, one slightly
                                    curvilinear and one sinusoidal. </item>
                                <item>Dimensions: 3 x 1.2-1.9 x 0.41; weight: 9 </item>
                            </list>
                        </p>
                        <p id="p_908" n="908">It is difficult to determine whether the <hi1
                                rend="italic">crustae</hi1>
                            <hi1 rend="bold">T-1/4</hi1>, characterized by their particular shape
                            and extreme thinness (between 0.35 and 0.6), can be attributed to
                            decoration in complex-motif <hi1 rend="italic">opus sectile</hi1> or to
                                <hi1 rend="italic">interraso marmore</hi1>.<ptr
                                target="nt_c10.6.n35" n="35"/> However this may be, the thickness,
                            while not a definitive proof,<ptr target="nt_c10.6.n36" n="36"/> is an
                            important indication for assigning such fragments to parietal
                            decoration. </p>
                        <p>
                            <hi1 rend="bold">Slabs (La)</hi1>
                        </p>
                        <p id="p_909" n="909">
                            <hi1 rend="italic">Bardiglio</hi1>
                            <list>
                                <item><hi1 rend="bold">La-1.</hi1> Sector I.2, Area 50, SU 231 </item>
                                <item>Broken on all sides. Two flat faces, of which one is polished
                                    and one smoothed. </item>
                                <item>Dimensions: 5.9 x 3.5 x 1.2; weight: 40 </item>
                                <item> </item>
                            </list>
                        </p>
                        <p id="p_910" n="910">
                            <hi1 rend="italic">Breccia corallina</hi1>
                            <list>
                                <item><hi1 rend="bold">La-2.</hi1> Sector I.2, Area 50, SU 231 </item>
                                <item>Broken on three sides. Two flat faces, of which one is
                                    smoothed and one is rough-hewn; the latter still has the raised
                                    bit left by the saw cut. </item>
                                <item>Dimensions: 9 x 6 x 2.1; weight: 170 </item>
                                <item> </item>
                                <item><hi1 rend="bold">La-3.</hi1> Sector VII.1, Area 24, SU 7001 </item>
                                <item>Broken on three sides. Two flat faces, with no identifiable
                                    tool marks on account of the wear of the surfaces. One edge
                                    survives, ground and slightly bevelled. </item>
                                <item>Dimensions: 3.2 x 2.5 x 0.4; weight: 20 </item>
                                <item> </item>
                            </list>
                        </p>
                        <p id="p_911" n="911">
                            <hi1 rend="italic">Cipollino</hi1>
                            <list>
                                <item><hi1 rend="bold">La-4.</hi1> Sector I.7, Area 35, SU 1218 </item>
                                <item>Broken on three sides. Two flat faces, of which one is
                                    polished and one smoothed; one edge, worked with marteline and
                                    bevelled, survives. </item>
                                <item>Dimensions: 4.5 x 8 x 1.5; weight: 170 </item>
                                <item> </item>
                                <item><hi1 rend="bold">La-5.</hi1> Sector I.7, Area 35, SU 1218 </item>
                                <item>Broken on two sides. Two flat faces, of which one is polished
                                    and one smoothed; two borders, worked with marteline, finished
                                    with fine-ended chisel and slightly bevelled, survive. </item>
                                <item>Dimensions: 6.1 x 7.6 x 1.1; weight: 150 </item>
                                <item> </item>
                                <item><hi1 rend="bold">La-6.</hi1> Sector I.7, Area 35, SU 1218 </item>
                                <item>Three fragments, broken on all sides, belonging to the same
                                    slab. Two flat faces, of which one is polished and one smoothed;
                                    no original edge survives. </item>
                                <item>Dimensions: a) 2.1 x 4 x 1; weight: 70; b) : 5.5 x 4.1 x 1;
                                    weight: 80; c) 5.2 x 1.5 x 0.9; weight: 70 </item>
                                <item> </item>
                            </list>
                        </p>
                        <p id="p_912" n="912">
                            <hi1 rend="italic">Giallo antico</hi1>
                            <list>
                                <item><hi1 rend="bold">La-7.</hi1> Sector I.2, Area 50, SU 231 </item>
                                <item>Broken on all sides. Two flat faces, of which one is polished
                                    and one smoothed. </item>
                                <item>Dimensions: 5.5 x 4 x 1.3; weight: 43 </item>
                                <item> </item>
                                <item><hi1 rend="bold">La-8.</hi1> Sector I.2, Area 50, SU 288 </item>
                                <item>Broken on three sides. Two flat faces, of which one is
                                    polished and one smoothed. Only one original edge survives,
                                    ground and slightly bevelled. </item>
                                <item>Dimensions: 3.5 x 1.7 x 0.65; weight: 25 </item>
                                <item> </item>
                                <item><hi1 rend="bold">La-9.</hi1> Sector VII.1, Area 24, SU 7001 </item>
                                <item>Nine fragments with two flat faces, of which one is smoothed
                                    and one polished; no original edges survive. </item>
                                <item>Dimensions: 0.45-0.9; weight: 340. </item>
                                <item> </item>
                                <item><hi1 rend="bold">La-10.</hi1> Sector I.7, Area 35, SU 1218 </item>
                                <item>Two flat faces, of which one is smoothed and one polished; no
                                    edge surviving. </item>
                                <item>Dimensions: 3.4 x 2.5 x 0.45; weight: 35 </item>
                                <item> </item>
                                <item><hi1 rend="bold">La-11.</hi1> Sector I.7, Area 35, SU 1218 </item>
                                <item>Two flat faces, of which one is smoothed and one polished; two
                                    original edges survive, worked with chisel and slightly
                                    bevelled. </item>
                                <item>Dimensions: 1.8 x 3.3 x 0.7; weight: 40 </item>
                                <item> </item>
                            </list>
                        </p>
                        <p id="p_913" n="913">
                            <hi1 rend="italic">Greco scritto</hi1>
                            <list>
                                <item><hi1 rend="bold">La-12.</hi1> Sector I.7, Area 35, SU 1218 </item>
                                <item>Broken on all sides. Two flat faces, of which one is smoothed
                                    and one polished; none of the original edges survive. </item>
                                <item>Dimensions: 13.5 x 11.5 x 1.6; weight: 430 </item>
                                <item> </item>
                                <item><hi1 rend="bold">La-13.</hi1> Sector I.7, Area 35, SU 1218 </item>
                                <item>Broken on all sides. Two flat faces, of which one is smoothed
                                    and one polished; none of the original edges survive. </item>
                                <item>Dimensions: 4.3 x 2.2 x 1.25; weight: 80 </item>
                                <item> </item>
                                <item><hi1 rend="bold">La-14.</hi1> Sector I.7, Area 35, SU 1218 </item>
                                <item>Broken on two sides. Two flat faces, of which one is smoothed
                                    an the other rough-hewn; two original edges survive,
                                    right-angled one to the other, ground and slightly bevelled.
                                    Corner of a revetment slab. </item>
                                <item>Dimensions: 3.9 x 4.8 x 1.1; weight: 90 </item>
                                <item> </item>
                                <item>
                                    <hi1 rend="bold">La-15.</hi1>
                                </item>
                                <item> Sector I.7, Area 35, SU 1218 </item>
                                <item>Broken on all sides. Two flat faces, one of which is smoothed
                                    and one rough-hewn; none of the original edges survive. </item>
                                <item>Dimensions: 3.7 x 4.5 x 1.1; weight: 50 </item>
                                <item> </item>
                            </list>
                        </p>
                        <p id="p_914" n="914">
                            <hi1 rend="italic">White medium-grained marble</hi1>
                            <list>
                                <item><hi1 rend="bold">La-16.</hi1> Sector I.2, Area 50, SU 231 </item>
                                <item>Broken on all sides. Two flat faces, of which one is smoothed,
                                    with traces of whitewash, and one is polished, with remains of
                                    grey-beige mortar containing <hi1 rend="italic">pozzolana</hi1>
                                    elements. </item>
                                <item>Dimensions: 9.2 x 6.2 x 1.4; weight: 120 </item>
                                <item> </item>
                                <item><hi1 rend="bold">La-17.</hi1> Sector I.3, Area 37, SU 412
                                        (<hi1 rend="bold">fig. 14</hi1>) </item>
                                <item>Broken on two sides; two original edges survive. One edge is
                                    ground, slightly bevelled; the other edge has a regular undulate
                                    profile, worked first with marteline and subsequently ground on
                                    its upper half, nearer to the exposed face. Two flat faces, of
                                    which one is smoothed and one polished, both with traces of
                                    mortar, perhaps indicating reuse of the slab. </item>
                                <item>Dimensions: 22.4 x 3.8 x 1.7; weight: 340 </item>
                                <item> </item>
                                <item><hi1 rend="bold">La-18.</hi1> Sector I.2, Area 50, SU 231 </item>
                                <item>Broken on three sides, one edge surviving, curvilinear and
                                    worked with marteline. Two flat faces, of which one is polished,
                                    with conspicuous traces of grey-beige mortar containing <hi1
                                        rend="italic">pozzolana</hi1> elements and ferrous oxide
                                    sediment (probably due to the presence of fastening clips). The
                                    other face, smoothed, has traces of whitewash painted on with a
                                    brush (the brush-strokes are evident); in some areas, small
                                    patches of violet pigment are present. </item>
                                <item>Dimensions: 18 x 15 x 1.8; weight: 520 </item>
                                <item> </item>
                                <item><hi1 rend="bold">La-19.</hi1> Sector I.2, Area 50, SU 231 </item>
                                <item>Broken on all sides. Two flat faces, of which one is smoothed
                                    and one polished. </item>
                                <item>Dimensions: 19.7 x 7 x 1.8; weight: 480 </item>
                                <item> </item>
                                <item><hi1 rend="bold">La-20.</hi1> Sector I.3, Area 37, SU 412 </item>
                                <item>Broken on all sides. Two flat faces, of which one is smoothed
                                    and one simply rough-hewn, on which can be seen traces of
                                    grey-beige mortar containing <hi1 rend="italic">pozzolana</hi1>
                                    elements. </item>
                                <item>Dimensions: 18.5 x 10 x 1.4; weight: 260 </item>
                                <item> </item>
                                <item><hi1 rend="bold">La-21.</hi1> Sector I.3, Area 37, SU 412 </item>
                                <item>Thirty-five fragments belonging to a single slab. Two flat
                                    faces, of which one is smoothed and one polished. Edges worked
                                    with marteline and finished with flat-ended chisel, only in the
                                    upper half nearest to the exposed face. </item>
                                <item>Dimensions: max. 16.5 x 15 x 3.3; min. 1 x 1 x 2.5; weight:
                                    3450 </item>
                                <item> </item>
                                <item><hi1 rend="bold">La-22.</hi1> Sector I.2, Area 50, SU 320 </item>
                                <item>Broken on two sides. Two flat faces, of which one is smoothed
                                    and one polished. One original edge survives, ground and
                                    slightly bevelled. </item>
                                <item>Dimensions: 7.5 x 8 x 2.5; weight: 220 </item>
                                <item> </item>
                                <item><hi1 rend="bold">La-23.</hi1> Sector I.2, Area 50, SU 261 </item>
                                <item>Three slab fragments. Two flat faces, of which one is smoothed
                                    and one rough-hewn; no edge survives. </item>
                                <item>Dimensions: a) 4.5 x 4 x 1.9; b) 2.8 x 2.9 x 1; c) 7.2 x 6 x
                                    2.9; weight: 670 </item>
                                <item> </item>
                                <item><hi1 rend="bold">La-24.</hi1> Sector I.2, Area 50, SU 288 </item>
                                <item>Broken on one side. Two flat faces, of which one is smoothed
                                    and one polished. Two original edges survive, of which one is
                                    ground and slightly bevelled, and the other is smoothed with
                                    fine-ended chisel. </item>
                                <item>Dimensions: 7.1 x 4.2 x 2; weight: 150 </item>
                                <item> </item>
                                <item><hi1 rend="bold">La-25.</hi1> Sector I.2, Area 50, SU 261 </item>
                                <item>Two flat faces, of which one is smoothed and one rough-hewn;
                                    no edge survives. </item>
                                <item>Dimensions: 8 x 6.3 x 1.4; weight: 340 </item>
                                <item> </item>
                                <item><hi1 rend="bold">La-26.</hi1> Sector I.2, Area 50, SU 261 </item>
                                <item>Two flat faces, of which one is smoothed and one rough-hewn.
                                    Broken on two sides; only one original edge survives, worked
                                    with fine-ended chisel. </item>
                                <item>Dimensions: 8 x 6.2 x 1.3; weight: 310 </item>
                                <item> </item>
                                <item><hi1 rend="bold">La-27.</hi1> Sector I.3, Area 37, SU 412 </item>
                                <item>Two flat faces, of which one is smoothed and one rough-hewn;
                                    no edge survives. </item>
                                <item>Dimensions: 14 x 6 x 1.1; weight: 132 </item>
                                <item> </item>
                                <item><hi1 rend="bold">La-28.</hi1> Sector I.2, Area 50, SU 320 </item>
                                <item>Two flat faces, of which one is smoothed and one polished.
                                    Broken on two sides; two of the original edges survive, of which
                                    one is worked with marteline and one is worked with fine-ended
                                    chisel. </item>
                                <item>Dimensions: 12.6 x 9.7 x 2; weight: 310 </item>
                                <item> </item>
                                <item><hi1 rend="bold">La-29.</hi1> Sector I.7, Area 35, SU 1218 </item>
                                <item>Two flat faces, of which one is smoothed and one polished.
                                    Broken on three sides; only one edge survives, worked with
                                    marteline and finished with flat-ended chisel. </item>
                                <item>Dimensions: 5.4 x 4 x 1; weight: 240 </item>
                                <item> </item>
                                <item><hi1 rend="bold">La-30.</hi1> Sector I.7, Area 35, SU 1218 </item>
                                <item>Two flat faces, of which one is smoothed and one polished.
                                    Broken on two sides; two edges, worked with marteline, survive
                                    at right angles to each other, on which are visible traces of
                                    mortar. </item>
                                <item>Dimensions: 11.6 x 10 x 1.4; weight: 410 </item>
                                <item> </item>
                            </list>
                        </p>
                        <p id="p_915" n="915">
                            <hi1 rend="italic">Pavonazzetto</hi1>
                            <list>
                                <item><hi1 rend="bold">La-31.</hi1> Sector VII.1, Area 24, SU 7001 </item>
                                <item>Two fragments belonging to the same slab but not joining.
                                    Broken on three sides. Two flat faces of which one is polished
                                    and one smoothed. One edge survives, first worked with a
                                    marteline and then half-ground, towards the visible face of the
                                    slab, to permit better adhesion to the next slab. </item>
                                <item>Dimensions: a) 8.5 x 6.9 x 0.8; b) 7.3 x 5.8 x 0.8; weight:
                                    360 </item>
                                <item> </item>
                                <item><hi1 rend="bold">La-32.</hi1> Sector VII.1, Area 24, SU 7001 </item>
                                <item>Broken on all sides; no original edge survives. Two flat
                                    faces, of which one is smoothed and one polished. </item>
                                <item>Dimensions: 3.4 x 2.3 x 0.7; weight: 19 </item>
                                <item> </item>
                                <item><hi1 rend="bold">La-33.</hi1> Sector I.2, Area 50, SU 320 </item>
                                <item>Two flat faces, of which one is smoothed and the other
                                    polished. Broken on three sides; only one original edge
                                    survives, ground and slightly bevelled. </item>
                                <item>Dimensions: 9.6 x 5.4 x 1.05; weight: 110 </item>
                                <item> </item>
                                <item><hi1 rend="bold">La-34.</hi1> Sector I.7, Area 35, SU 1218 </item>
                                <item>Broken on all sides, no original edge surviving. Two flat
                                    faces, of which one is smoothed and one polished. </item>
                                <item>Dimensions: 5.4 x 3 x 1.6; weight: 120 </item>
                                <item> </item>
                            </list>
                        </p>
                        <p id="p_916" n="916">
                            <hi1 rend="italic">Portasanta</hi1>
                            <list>
                                <item><hi1 rend="bold">La-35.</hi1> Sector VII.1, Area 24, SU 7001 </item>
                                <item>Two flat faces, one of which is polished, with many traces of
                                    mortar (perhaps indicating reuse of the fragment) and one is
                                    smoothed; no edge survives. </item>
                                <item>Dimensions: 5 x 5.7 x 1.2; weight: 67 </item>
                                <item> </item>
                            </list>
                        </p>
                        <p id="p_917" n="917">
                            <hi1 rend="italic">Rosso antico</hi1>
                            <list>
                                <item><hi1 rend="bold">La-36.</hi1> Sector VII.1, Area 24, SU 7001 </item>
                                <item>Broken on all sides, no edge surviving. Two flat faces, on
                                    which no traces of tool marks can be identified due to the worn
                                    condition of the surfaces. </item>
                                <item>Dimensions: 1.6 x 2.5 x 0.4; weight: 12 </item>
                                <item> </item>
                            </list>
                        </p>
                    </div4>
                    <div4 id="div4_c10.6.1.3" type="section">
                        <head>
                            <bibl type="title">D.6.1.2. Conclusions </bibl>
                        </head>
                        <p id="p_918" n="918">On the basis of the marble types here present, the
                            principal observation is that the variety is rather limited; there is in
                            fact a prevalence of white or veined marbles (particularly <hi1
                                rend="italic">Lunense</hi1>), grey (<hi1 rend="italic"
                            >bardiglio</hi1>) and colored of the commonest types (<hi1 rend="italic"
                                >giallo antico</hi1>, <hi1 rend="italic">pavonazzetto</hi1>, <hi1
                                rend="italic">cipollino</hi1>, etc.). </p>
                        <p id="p_919" n="919">Among the white marbles, fine-grained ones that may
                            come from Carrara, and medium-grained ones, which are on the whole
                            imported from the Aegeo-Anatolian area, are especially predominant.
                            Among the latter, fragments characteristic of Proconnesian and Parian
                            marble have been frequently identified as well. </p>
                        <p id="p_920" n="920">Of the commonest colored types, absolutely the most
                            abundant are the <hi1 rend="italic">giallo antico</hi1>, <hi1
                                rend="italic">pavonazzetto</hi1>, and <hi1 rend="italic"
                            >cipollino</hi1>, which are among those most widespread and most often
                            used in revetments from the earliest years of the empire, and the “<hi1
                                rend="italic">greco scritto</hi1>” marble, with white or grey
                            ground, of the type from Tunisia that was introduced slightly after the
                            beginning of the imperial age. Another marble found at the villa, but
                            not in abundance, is <hi1 rend="italic">breccia corallina</hi1>.
                            Surprisingly rare, however, is <hi1 rend="italic">portasanta</hi1>, one
                            of the most widespread marbles from the early imperial age onwards. </p>
                        <p id="p_921" n="921">The complete absence of Egyptian red porphyry and
                            Greek green porphyry (used with a certain lavishness from the last
                            decades of the first century) must be noted, as well as the so-called
                                <hi1 rend="italic">breccia</hi1> “<hi1 rend="italic">verde antico di
                                Tessaglia</hi1>,” which was exported only from the time of Hadrian
                            onwards, of the “<hi1 rend="italic">broccatello di Tortosa</hi1>” and of
                            the “<hi1 rend="italic">fior di pesco</hi1>” marbles, which were also
                            mostly used in late imperial times. </p>
                        <p id="p_922" n="922">As for the working techniques, the slabs are mostly
                            characterized by having one face polished, which was intended to be
                            visible. The opposite face sometimes shows the same treatment; more
                            frequently, it is simply smoothed or left rough, with clear signs of the
                            wire-saw cutting. The marks left by this instrument are easily
                            recognizable: there is a series, more or less serried, of parallel
                            lines, slightly oblique or curvilinear. On some slabs a raised bit, more
                            or less thin, can be seen; this indicates the furthest point reached by
                            the saw. To break off a slab, it was enough to reach 0.5-1 cm from the
                            lower end of the block (2-3 cm for the thicker slabs), in order that the
                            cut part could be separated with relative ease; this would leave a sort
                            of listel with an irregular surface at the base. </p>
                        <p id="p_923" n="923">Most of the fragments have clean cuts, with edges
                            polished and slightly bevelled; in at least one case an undulate edge
                            was found. The use of undulate joints is certainly not new in Roman
                            architecture; note those of the granite columns of the Pantheon, of the
                            Temple of Venus and Rome or of the Basilica Ulpia,<ptr
                                target="nt_c10.6.n37" n="37"/> or the columns revetted with marble
                                <hi1 rend="italic">crustae</hi1> of irregular undulate shapes, such
                            as found in the <hi1 rend="italic">Fossa Traiana</hi1> of Ostia.<ptr
                                target="nt_c10.6.n38" n="38"/> Examples such as these attest the
                            very high specialization of Roman craftsmen in the cutting and working
                            of these materials. The aim of this technical artifice was to make the
                            join of two differently patterned elements as pleasing to the eye as
                            possible. Such manipulation was often necessary after some technical
                            problem had occurred, such as breaking during transport or mounting, or
                            in those cases in which only reused and/or waste (i.e., not homogeneous)
                            marble was available. Undulate joints in wall or floor revetments,
                            particularly for the joining of slabs of homogeneous colour and type,
                            seems so far to be little documented. They have been found particularly
                            at Brescia, in the floor of the left cell of the <hi1 rend="italic"
                                >Capitolium</hi1><ptr target="nt_c10.6.n39" n="39"/> and at <hi1
                                rend="italic">Capua</hi1>, in the floor of a <hi1 rend="italic"
                                >domus</hi1> of late antiquity that is largely made up of recycled
                                material.<ptr target="nt_c10.6.n40" n="40"/> Again at Brescia, they
                            are found in the parietal revetments, still unpublished and under study
                            by the present author, of the Roman theater, probably to be attributed
                            to a decorative phase of the Flavian period, contemporary with that of
                            the <hi1 rend="italic">Capitolium</hi1> already mentioned. </p>
                        <p id="p_924" n="924">Overall, the chronology of the slab fragments we have
                            presented would seem, in synthesis, not to go beyond the middle of the
                            second century and may perhaps be earlier by several decades (i.e.,
                            belonging to the Flavian period), given the absence of the inserts of
                            porphyry and the presence of other technical characteristics, such as
                            the typology of the cuts, which are always very clean.</p>
                    </div4>
                </div3>
                <div3 id="div3_c10.6.2" type="section" status="hidden">
                    <head>
                        <bibl type="title">D.6.2. Pavements in <hi1 rend="bolditalic">opus
                            sectile</hi1>
                        </bibl>
                    </head>
                    <div4 id="div4_c10.6.2.1" type="section">
                        <head>
                            <bibl type="title">[text]</bibl>
                        </head>
                        <p id="p_925" n="925">Whereas many of the rooms in the so-called Villa of
                            Horace show obvious traces of mosaic pavement, the remains of <hi1
                                rend="italic">sectilia pavimenta</hi1> are quite scarce. As is well
                            known, this kind of flooring came into use as early as the first century
                            B.C., when marble was not yet employed and when the patterns were
                                small.<ptr target="nt_c10.6.n41" n="41"/> Its use continued until
                            late antiquity with the development of more or less complex decorative
                            patterns and with the employment of various kinds of marble.<ptr
                                target="nt_c10.6.n42" n="42"/>
                        </p>
                    </div4>
                    <div4 id="div4_c10.6.2.2" type="section">
                        <head>
                            <bibl type="title">D.6.2.1. Pasqui excavations, 1911-1914 </bibl>
                        </head>
                        <p id="p_926" n="926">In the case of the earlier excavations at the Villa of
                            Horace, the only relevant published notice is given by Lugli, who
                            mentions a fragmentary pavement “with slabs of <hi1 rend="italic"
                                >palombino</hi1> and white marble, combined in a cross pattern”
                            originating in “atrium A” (i.e., Area 8) and “from room B1,” (i.e., room
                            7). These were subsequently detached and reintegrated by Pasqui on a
                            panel that was long stored in the Licenza museum.<ptr
                                target="nt_c10.6.n43" n="43"/> Following the reorganization and
                            remodeling of the old Antiquarium at Licenza, in the early 1990s,<ptr
                                target="nt_c10.6.n44" n="44"/> this panel—together with a great deal
                            of other material found in the Villa of Horace—was transferred to the
                            storehouse of the Archaeological Superintendency of Lazio at the
                            Santuario di Ercole Vincitore in Tivoli, where it is found today. </p>
                        <p id="p_927" n="927">The panel (<hi1 rend="bold">fig. 10</hi1>) measures
                            40.5 cm x 42.0 cm and contains a fragment of pavement in small format,
                            consisting of squared tiles, 14.5 cm per side, set into the pavement
                            with an axis of rotation of 45° in accordance with a design generally
                            denoted <hi1 rend="italic">Q</hi1>.<ptr target="nt_c10.6.n45" n="45"/>
                            Due to the limited space afforded by the panel, only five complete tiles
                            are preserved, of which the central one is <hi1 rend="italic"
                            >palombino</hi1> and four are made of a fine-grained white marble with
                            blue veining. Each side of the central tile is contiguous to one of the
                            sides of the tiles in white marble. </p>
                        <p id="p_928" n="928">This ensemble was the original nucleus of the
                            pavement, which repeated the same pattern over most of the surface of
                            the floor. When the panel was created and the tiles were repositioned
                            (set on a bed of plaster), the empty spaces and frame were filled in
                            with eight foreign triangular pieces, of which four are made of a
                            white-veined marble, two of <hi1 rend="italic">palombino</hi1> and two
                            of <hi1 rend="italic">greco scritto</hi1>. These eight tiles were
                            disposed without respect for what can be assumed to have been the
                            floor’s original pattern. </p>
                        <p id="p_929" n="929">The decorative motif of this pavement is the simplest
                            of all known motifs. It is at the very boundary of the definition of the
                            term <hi1 rend="italic">opus sectile</hi1> as it is commonly
                                understood,<ptr target="nt_c10.6.n46" n="46"/> since it is made of
                            materials that are essentially the same color. </p>
                        <p id="p_930" n="930">We do not know whether the pavement has been correctly
                            reintegrated. In any event, such a <hi1 rend="italic">sectile</hi1> can
                            be easily associated with the checkerboard pattern well known in the
                            late Republic, especially in versions that are not entirely made of
                            marble (e.g., slate and <hi1 rend="italic">palombino</hi1> in sharp
                            chromatic contrast). Such versions are documented in the famous frescoed
                            triclinium of the Villa of the Mysteries<ptr target="nt_c10.6.n47"
                                n="47"/> and in the house of Holconius Rufus in Pompeii.<ptr
                                target="nt_c10.6.n48" n="48"/> At Rome, it is found in the House of
                            Augustus on the Palatine<ptr target="nt_c10.6.n49" n="49"/> and in the
                                <hi1 rend="italic">Domus Pactumeiorum</hi1>.<ptr
                                target="nt_c10.6.n50" n="50"/> At Tivoli, it is found in the <hi1
                                rend="italic">mensa ponderaria</hi1>.<ptr target="nt_c10.6.n51"
                                n="51"/>
                        </p>
                        <p id="p_931" n="931">The association of <hi1 rend="italic">palombino</hi1>
                            with white marble is rather interesting and could furnish evidence for
                            dating the pavement. The presence of marble with non-marble materials in
                            the context of a pavement laid at one time in a single phase sets the
                            date back to somewhere between the Augustan age and the later
                            Julio-Claudian period.<ptr target="nt_c10.6.n52" n="52"/>
                        </p>
                        <p id="p_932" n="932">Also noteworthy is the fact that the association of
                                <hi1 rend="italic">palombino</hi1> with marbles of soft colors, such
                            as white or dull gray, might seem unusual because of the lack of
                            contrast that results from the juxtaposition of the two materials. But
                            in fact this occurs with some regularity in several pavements datable to
                            the last decades of the first century B.C. and to the first decades of
                            the first century A.D. Among the examples that may be cited, there is a
                                <hi1 rend="italic">sectile</hi1> from the Caserma di Via Anicia in
                            Rome, with the exact same checkerboard design as the Licenza fragment,
                            mainly executed with white marbles.<ptr target="nt_c10.6.n53" n="53"/>
                            At Ostia, there is the pavement from the <hi1 rend="italic"
                            >tablinum</hi1> of House C of the Casette Repubblicane, with a central
                            rectangle surrounded by triangles of <hi1 rend="italic">palombino</hi1>
                            and “gray-veined” marble.<ptr target="nt_c10.6.n54" n="54"/> From <hi1
                                rend="italic">Herculaneum</hi1> comes the <hi1 rend="italic"
                            >sectile</hi1> of <hi1 rend="italic">tablinum</hi1> 5 of the Casa
                            dell’Atrio a Mosaico, with hexagons in <hi1 rend="italic"
                            >palombino</hi1> and <hi1 rend="italic">pavonazzetto</hi1>.<ptr
                                target="nt_c10.6.n55" n="55"/> At Pompeii there are two examples:
                            the pavements (now lost) of <hi1 rend="italic">tablinum h</hi1> and of
                            the <hi1 rend="italic">ala</hi1> of the Casa Anonima (R.VI.XV.14), and
                            that of room <hi1 rend="italic">h</hi1> in the Casa di Cornelio
                            Diadumeno. All these floors have hexagons of <hi1 rend="italic"
                                >palombino</hi1> with triangles in <hi1 rend="italic"
                                >bardiglio</hi1>.<ptr target="nt_c10.6.n56" n="56"/>
                        </p>
                        <p id="p_933" n="933">Bernard Frischer, in a personal communication, notes
                            that there is a contradiction about the findspot of the <hi1
                                rend="italic">sectile</hi1> fragment from “Horace’s Villa.” As
                            mentioned above, Lugli put the findspot in Areas 7-8. But in Pasqui’s
                            catalogue of the finds (see Frischer, <ptr target="div4_c13.1.12.1"
                                type="txt" n="G.1.12"/>), preserved in the archive of the
                            Archaeological Superintendency of Lazio, the same panel (“quadro con
                            campione di pavimento a riquadri di palombino e di marmo bianco
                            combinati a croce,” i.e., “panel with sample of pavement with squares of
                                <hi1 rend="italic">palombino</hi1> and of white marble combined to
                            form a cross”) is assigned to the property of Caponetti, parcel 1213 in
                            the 1910 cadaster. But parcel 1213 does not overlap the residential part
                            of the site where Areas 7-8 are located (see Frischer, <ptr
                                target="div3_c08.1.10" type="txt" n="B.1.9"/>). Instead, it
                            corresponds to the quadriporticus, garden and part of the bath complex.
                            Adding to the spatial ambiguity is the fact that, as with all the finds
                            from the Pasqui excavation, we have no information whatsoever about the
                            exact location and depth, let alone the stratigraphic context of the
                            findspot. Nor can we tell whether the fragments were found <hi1
                                rend="italic">in situ</hi1> or not. In other instances where there
                            is a contradiction between Lugli’s report and the documentation of
                            Pasqui’s excavation, it has always turned out that Lugli was in error.
                            In this case, that would exclude the residence as the findspot. Hence
                            all we may safely conclude is that the villa had this flooring somewhere
                            in the bath complex or quadriporticus sometime during the period 30 B.C.
                            to 80 A.D. </p>
                    </div4>
                    <div4 id="div4_c10.6.2.3" type="section">
                        <head>
                            <bibl type="title">D.6.2.2. Excavations 1997-2001 </bibl>
                        </head>
                        <p id="p_934" n="934">In the recent investigations, the areas excavated have
                            not yielded remains of <hi1 rend="italic">sectilia pavimenta</hi1> nor
                            of tile impressions. From the excavated stratigraphy, however, there are
                            several interesting finds worth mentioning, including fragments of <hi1
                                rend="italic">palombino</hi1> tiles whose shape cannot be
                            reconstructed (Sector VII.1, Area 24, SU 7034) and triangles of slate
                            (Sector I.5, Area 38, SU 834) which, judging from their thickness (1.5
                            cm to 2.0 cm), belonged to a floor rather than a wall revetment. These
                            fragments might allow us to hypothesize the presence of other <hi1
                                rend="italic">opus sectile </hi1>pavements made entirely or
                            partially of non-marble elements and, presumably, dating between the
                            second quarter of the first century B.C. and the Augustan age.<ptr
                                target="nt_c10.6.n57" n="57"/>
                        </p>
                        <p id="p_935" n="935">Finally, several fragments of triangles of <hi1
                                rend="italic">giallo antico</hi1> (Sector I.7, Area 35, SU 1218) and
                            of fine-grained white marble (Sector I.5, Area 38, SU 834) have been
                            found. These are difficult to interpret because the fragmentation does
                            not allow us to identify their type and dimensions and, as a result,
                            their purpose. One cannot, in fact, establish with certainty whether
                            these were used in a lost <hi1 rend="italic">sectile</hi1> pavement or
                            whether they were used as inserts in a black and white mosaic such as
                            those present all over the site. </p>
                    </div4>
                </div3>
            </div2>
            <div2 id="div2_c10.7" type="section" status="hidden">
                <head>
                    <bibl type="title">D.7. The “Horace’s Villa” Database of Architectural
                    Fragments</bibl>
                </head>
                <p>
                    <hi1 rend="bold"> By Philip Stinson</hi1>
                </p>
                <div3 id="div3_c10.7.1" type="section">
                    <head>
                        <bibl type="title">D.7.1. Introduction </bibl>
                    </head>
                    <p id="p_936" n="936">The primary aim of this project is to record and archive
                        the various architectural fragments that remain on the site of “Horace’s
                        Villa.” These fragments have never been published; most do not have any
                        recorded archaeological context whatsoever, and risk being completely
                        forgotten over time. Secondly, the database and this report aim to assess
                        the significance of the pieces individually and, if possible, to posit
                        hypothetical locations for them in the structure of the residence and its
                        associated outbuildings. </p>
                </div3>
                <div3 id="div3_c10.7.2" type="section">
                    <head>
                        <bibl type="title">D.7.2. Overview of the Objects in the Database </bibl>
                    </head>
                    <p id="p_937" n="937">The contents of the database (see volume 2) mainly include
                        architectural fragments stored on the site, but also include fragments on
                        display in the local museum at Licenza and in the Superintendency’s
                        storehouse at the Santuario di Ercole Vincitore in Tivoli—58 pieces in
                        total. The fragments that are currently stored on the grounds of the
                        archaeological park fall into several categories by function and include:
                        door thresholds (11); engaged columns (3); columns (15); capitals (2);
                        cornices (1); drains (1); miscellaneous ashlar blocks (2); and
                        unidentifiable fragments (2). The pieces in the museum at Licenza include:
                        marble Corinthian pilaster capitals (4); marble wall revetment with
                        geometric patterns in relief (3); and one ornate marble coffer or wall
                        plaque. The third group is a selection of previously unpublished material
                        from the Tivoli storehouse; notable pieces are a fragmentary white marble
                        Corinthian capital, small columns of brechiated marble, roof-tiles, marble
                        table legs, and other miscellaneous architectural moldings. </p>
                </div3>
                <div3 id="div3_c10.7.3" type="section">
                    <head>
                        <bibl type="title">D.7.3. Discussion of Provenance </bibl>
                    </head>
                    <p id="p_938" n="938">The fragments currently located on the site and in the
                        local museum have the highest probability of coming from the structure of
                        the villa and its associated outbuildings. In particular, the marble wall
                        revetments in the museum are similar in material and style to fragments of
                        wall revetments excavated in 1999 (see Angelelli, <ptr
                            target="div4_c10.6.1.1" type="txt" n="D.6.1"/>). </p>
                    <p id="p_939" n="939">Much of the architectonic material located on the site was
                        probably found during the excavation of the large drain of the villa running
                        along the west side of the quadriporticus. As Frischer notes (see <ptr
                            target="div2_c11.4" type="txt" n="E.4"/>), properties 1215a (Foschi
                        Rocco) and 1214 (Angeletti) had a disproportionate share of the finds of
                        architectural fragments, and the large drain runs through these properties.
                        At some point before the Pasqui excavations, the architectural material must
                        have been dumped there in a general cleanup of the site. Therefore, most of
                        the fragments were found out of context. </p>
                    <p id="p_940" n="940">Furthermore, none of fragments currently on the site are
                        listed in the catalogue created by Pasqui and published by Lugli (see
                        Frischer, <ptr target="div4_c13.1.12.1" type="txt" n="G.1.12"/>). Pasqui’s
                        catalogue is organized by find-class (sculpture, pottery, inscriptions,
                        etc.) and by the names of the people on whose property each item was found.
                        The purpose of the list seems mainly to have been to compensate the property
                        owners—hence, a lira value is always given for the items. The fact that most
                        of the fragments that still remain on the site are utilitarian in
                        function—and not marble—probably explains why they do not appear in Pasqui’s
                        original catalogue; they simply had no monetary value to the property
                        owners. But they obviously held little or no value to Pasqui either;
                        otherwise they would have been taken to the old antiquarium in Licenza along
                        with the marble pieces. </p>
                    <p id="p_941" n="941">The provenance of the fragments from the Tivoli storehouse
                        is solely established through a traditional association with the Pasqui
                        excavations. </p>
                </div3>
                <div3 id="div3_c10.7.4" type="section">
                    <head>
                        <bibl type="title">D.7.4. The Architectural Fragments in Their Architectural
                            Contexts </bibl>
                    </head>
                    <p id="p_942" n="942">The fragments stored on the site are difficult to
                        reconstruct in an architectural context (<hi1 rend="bold">fig. 1</hi1>).
                        Only the three engaged column fragments (VHA 10, 19 and 36) have any special
                        architectural significance. Tentatively, these fragments belong to columns
                        that were placed at regular intervals along the interior walls surrounding
                        the quadriporticus garden. Their flat sides abutted the shallow protrusions
                        from the wall that are extant and repeat at regular intervals. These are
                        still visible today along the north and south interior walls of the
                        quadriporticus. </p>
                </div3>
                <div3 id="div3_c10.7.5" type="section">
                    <head>
                        <bibl type="title">D.7.5. Photographs and Drawings </bibl>
                    </head>
                    <p id="p_943" n="943">One significant drawing of lost architectural pieces was
                        recently discovered by Frischer and deserves comment here. The pencil on
                        paper drawing resides in the SAR Archives in the Palazzo Altemps in Rome
                        (fig. 2).<ptr target="nt_c10.7.n1" n="1"/> The drawing is dated May 11,
                        1911, just three days after Pasqui’s excavations had begun on the 8th. At
                        this time Pasqui’s team was excavating in the area of the so-called <hi1
                            rend="italic">vivarium</hi1> (structure 53). The drawing shows two,
                        possibly three separate pieces. The upper two drawings are two views, a plan
                        and elevation, of a column with one flat side. The note in the middle
                        states, “11 May 1911 - column drum of local stone.” The lower left drawing
                        might be the front elevation of this column, or another element. The two
                        drawings at the top clearly depict an engaged column similar to the three
                        engaged column fragments mentioned above. The section and dimensions nearly
                        match, and therefore it seems reasonable to posit that the work is a
                        legitimate field drawing made by Pasqui’s excavation team working at the
                        villa site; it may have been drawn by his <hi1 rend="italic"
                        >disegnatore</hi1>, E. Gatti.<ptr target="nt_c10.7.n2" n="2"/>
                    </p>
                    <p id="p_944" n="944">The dimensioned sketch in the lower right corner of the
                        sheet depicts a fragment of a Doric frieze. The triglyph and two <hi1
                            rend="italic">guttae</hi1> are clearly discernible, and half of a
                        rosette carved in relief in the metope is preserved. The fragment can
                        confidently be attributed to a large temple tomb at Colle Prioni, a hill
                        about 2 km to the east of the villa site.<ptr target="nt_c10.7.n3" n="3"/>
                        It is not surprising to see the drawing on the same sheet with the engaged
                        column from the villa, since we know that Pasqui was sending out teams to
                        survey the ancient monuments of the surrounding area. Many plaster casts of
                        this tomb’s Doric frieze were made by Pasqui’s team and were on display in
                        the local museum until its reorganization in 1993; they are now in the SAL
                        storehouse in Tivoli (<hi1 rend="bold">fig. 3</hi1>).<ptr
                            target="nt_c10.7.n4" n="4"/>
                    </p>
                    <p id="p_945" n="945">Several photographs of loose architectural fragments in
                        the town exist in the archives of the Superintendency for Lazio. These
                        photographs date to the time of Pasqui. The elements probably come from the
                        monumental tombs in the area (<hi1 rend="bold">figs. 4 and 5</hi1>). </p>
                </div3>
            </div2>
            <div2 id="div2_c10.8" type="section" status="hidden">
                <head>
                    <bibl type="title">D.8. The Mosaics</bibl>
                </head>
                <p>
                    <hi1 rend="bold">By Klaus Werner</hi1>
                </p>
                <div3 id="div3_c10.8.1" type="section">
                    <head>
                        <bibl type="title">D.8.1. The Mosaics in the Descriptions of the First
                            Visitors </bibl>
                    </head>
                    <p id="p_946" n="946">Since their discovery in the eighteenth century, the
                        mosaics of the so-called Villa of Horace have always aroused a certain
                        interest on the part of scholars, especially because they were the only
                        viewable witness of the villa ascribed to the famous poet before the main
                        excavations of the site by Pasqui, in 1911-1914. Thus it is not surprising
                        that a long list of visitors attests to having seen remains of mosaics, if
                        nothing else, when they came to the site in Licenza. </p>
                    <p id="p_947" n="947">As early as the eighteenth century, De Chaupy mentioned
                        the presence on the site of <hi1 rend="italic">tesserae</hi1> of <hi1
                            rend="italic">pasta vitrea</hi1>, predominantly blue in color, that may
                        have come from a mosaic which probably decorated a wall.<ptr
                            target="nt_c10.8.n1" n="1"/> In the 1997-2001 campaigns, more such <hi1
                            rend="italic">tesserae</hi1> were found. Several small fragments of one
                        or more <hi1 rend="italic">pasta vitrea</hi1> mosaics are housed in the
                        Archaeological Superintendency’s storehouse in Tivoli, where there is also a
                        fragment that was recomposed by Pasqui (Inv. SAL 00403250, <hi1 rend="bold"
                            >fig. 1</hi1>).<ptr target="nt_c10.8.n2" n="2"/>
                    </p>
                    <p id="p_948" n="948">The first time that a mosaic was observed and described in
                        its architectural context was in a treatise of the Scottish painter Allan
                        Ramsay, begun in the 1770s, left unfinished upon Ramsay’s death in 1784, and
                        recently published by B. Frischer.<ptr target="nt_c10.8.n3" n="3"/> The
                        meander-pattern mosaic comes from Room 4, where it is still to be found
                        today. The same mosaic was published by Ramsay’s acquaintance Jacob Philipp
                        Hackert in 1780.<ptr target="nt_c10.8.n4" n="4"/> It became fairly well
                        known in the nineteenth century because Filippo Alessandro Sebastiani
                        recorded it in a description of a trip he took to Licenza in 1828.<ptr
                            target="nt_c10.8.n5" n="5"/>
                    </p>
                    <p id="p_949" n="949">In the nineteenth century two mosaics were reported that
                        no longer exist. The first is a black and white geometric mosaic mentioned
                        in 1819 by Antonio Nibby.<ptr target="nt_c10.8.n6" n="6"/> The second was
                        described in 1834 by Sir William Gell as a monochrome pavement whose border
                        was decorated with animals.<ptr target="nt_c10.8.n7" n="7"/> He is said to
                        have identified the animals as griffins.<ptr target="nt_c10.8.n8" n="8"/> At
                        any rate, like the floor noted by Nibby, this mosaic no longer exists. It
                        was last described in 1912 by Webster Merrifield.<ptr target="nt_c10.8.n9"
                            n="9"/>
                    </p>
                </div3>
                <div3 id="div3_c10.8.2" type="section">
                    <head>
                        <bibl type="title">D.8.2. The Mosaics Today: the Difficulties of Analysis
                        </bibl>
                    </head>
                    <p id="p_950" n="950">For various reasons discussed by B. Frischer (see <ptr
                            target="div3_c08.4.1" type="txt" n="B.4.1"/>), the restoration effected
                        by Pasqui was guided more by “political correctness” than by the desire to
                        recover the surviving remains. In several parts of the villa the walls in
                            <hi1 rend="italic">opus reticulatum</hi1> are in large part the work of
                        Pasqui’s restorations/recreations (see De Simone, <ptr
                            target="div4_c10.1.2.1" type="txt" n="D.1.2"/>). For this reason it is
                        not possible to date the mosaics according to the type of masonry used in
                        the room they decorated. Worse still, the excavations undertaken in the
                        villa prior to 1997 were not stratigraphic, which would at least have
                        permitted a relative dating of the villa and its various phases. Therefore
                        the analysis of the mosaics of the so-called Villa of Horace has to be based
                        primarily on their style and motifs. </p>
                    <p id="p_951" n="951">Unfortunately, various restorations made in the twentieth
                        century have compromised the original compositions. Moreover, at various
                        times fragments of mosaics have been found, isolated, and removed for
                        storage without any record having been made of their find spot. Finally,
                        some remains of mosaics mentioned by Lugli have completely disappeared both
                        from the site and from the storehouse of the Superintendency. A great part
                        of the following discussion will therefore have to remain tentative. </p>
                </div3>
                <div3 id="div3_c10.8.3" type="section" status="hidden">
                    <head>
                        <bibl type="title">D.8.3. The Individual Pavements </bibl>
                    </head>
                    <div4 id="div4_c10.8.3.1" type="section">
                        <head>
                            <bibl type="title">D.8.3.1. Rooms 1 (Lugli G<hi1 rend="sup">3</hi1>), 4
                                (Lugli G<hi1 rend="sup">1</hi1>), and 11 (Lugli I<hi1 rend="sup"
                                >2</hi1>) </bibl>
                        </head>
                        <p id="p_952" n="952">The mosaics in these rooms are distinguished by their
                            rich geometric decoration.<ptr target="nt_c10.8.n10" n="10"/> All show
                            signs of good workmanship, using, like all the mosaics, <hi1
                                rend="italic">palombino</hi1> and tufa for the white and black. That
                            the three mosaics are contemporary is suggested both by the style and by
                            the fact that they share the same module of 28 rows per Roman palm. </p>
                        <p>
                            <hi1 rend="bold">Room 1</hi1>
                        </p>
                        <p id="p_953" n="953">The pavement covers an area that is 5.4 m x 3.5 m
                                (<hi1 rend="bold">fig. 2</hi1>). Large parts have been restored in
                            cement, which, however, does not make it impossible to reconstruct the
                            overall design. As Lugli already correctly inferred, we have to do here
                            with the decoration of a <hi1 rend="italic">cubiculum</hi1>, divided
                            into two sectors by a strip of black triangles. The first sector is
                            bigger and is based on an orthogonal composition of stars made of eight
                            lozenges (<hi1 rend="bold">fig. 3</hi1>), with black ground, forming
                            small squares with a white ground in the middle of the lozenges and on
                            the diagonal. The second, smaller part of the mosaic consists of circles
                            intersecting in such a way as to give the effect of a quatrefoil (<hi1
                                rend="bold">fig. 4</hi1>). Around both parts are borders made of
                            simple black monochrome bands. The division of the two parts is marked
                            by a strip of black triangles laid out apex to base in two series
                            running in opposite directions that meet in the middle, where two bases
                            touch and form a diamond (<hi1 rend="bold">fig. 5</hi1>). </p>
                        <p id="p_954" n="954">The pavement pattern with a star formed by eight
                            lozenges with a black ground is first attested in the Republican period.
                            Only in the Augustan age do we find a white ground, and the motif itself
                            becomes more linear in manner. The motif is then taken up again, in its
                            original form with a black ground, from the second half of the second
                            century A.D., but in such a way that the black fields do not have the
                            same value as before.<ptr target="nt_c10.8.n11" n="11"/> The older
                            examples, of the Second Style, are thus far known from the House of
                            Ceres at Pompeii, with a single star as the central motif of the <hi1
                                rend="italic">tablinum</hi1>,<ptr target="nt_c10.8.n12" n="12"/> and
                            from the House of the Cryptoporticus, where the motif is used in a
                            pattern of divided fields.<ptr target="nt_c10.8.n13" n="13"/> In a
                            pavement of the early imperial period, now in the Museo Nazionale
                            Romano, the square fields are lightened with other motifs.<ptr
                                target="nt_c10.8.n14" n="14"/>
                        </p>
                        <p id="p_955" n="955">It is important to note that in these examples the
                            motif of the star made of lozenges functions only as the fill of a
                            field—be it the central field or part of a bigger division—but not as a
                            general pattern. This is encountered for the first time on a pavement
                            from <hi1 rend="italic">Lucus Feroniae</hi1>, which for various reasons
                            (including historical) is datable between 10 B.C. and 20 A.D., and which
                            has the lozenges on a white ground.<ptr target="nt_c10.8.n15" n="15"/> A
                            second example, dating to the middle of the first century A.D., comes
                            from Pompeii VII 5.16. Notwithstanding the fact that here, too, the
                            lozenges are still on a black ground, we begin to sense a linearization
                            of the design.<ptr target="nt_c10.8.n16" n="16"/> This tendency is even
                            stronger in the threshold of the <hi1 rend="italic">tablinum</hi1> of
                            the House of L. Caecilius Iucundus, where the lozenges, the resulting
                            squares, and the rhombi inscribed between the lozenges are rendered in a
                            linear manner. The pavement is dated to the last phase of the city.<ptr
                                target="nt_c10.8.n17" n="17"/> Two pavements from Barcola that date
                            to the third quarter of the first century A.D. continue this tendency
                            toward a linearization of the pattern, though keeping the edges of the
                            squares and of the lozenges filled with black.<ptr target="nt_c10.8.n18"
                                n="18"/>
                        </p>
                        <p id="p_956" n="956">The original three-dimensional design of the pavement
                            with star lozenges was then completely modified in a pavement from Russi
                            from the beginning of the second century A.D. This mosaic introduces the
                            motif of the braid accompanying—or, better, separating—the lozenges and
                            the squares.<ptr target="nt_c10.8.n19" n="19"/> Another floor with
                            lozenges filled with black was found at the so-called Porto Fluviale of
                            S. Paolo (Rome), which from its context can be dated into the Hadrianic
                            period. Here, however, the fill is much lighter than what we find in the
                            Republican period.<ptr target="nt_c10.8.n20" n="20"/> Even lighter, and
                            without fill, is the pavement from the Insula delle Muse at Ostia,
                            datable to the 120s A.D.<ptr target="nt_c10.8.n21" n="21"/> Finally, one
                            of the floors of the so-called Hospitalia at Hadrian’s Villa near Tivoli
                            presents the design in an extremely linear manner.<ptr
                                target="nt_c10.8.n22" n="22"/>
                        </p>
                        <p id="p_957" n="957">The strip of black triangles, which is used here to
                            divide the two parts of Room 1 at Horace’s Villa, is also encountered in
                            the floor of Room 4 for the fill of the swastikas. A simple row of
                            triangles used as a dividing band is, on the other hand, found at
                            Fregene in a pavement of the early imperial period and, added to the
                            floor itself, at Aquileia in a floor dating to the second century
                                A.D.<ptr target="nt_c10.8.n23" n="23"/>
                        </p>
                        <p id="p_958" n="958">In the second part of Room 1, the motif of
                            interlinking white circles on a black ground arises from the
                            superimposition of the circles with their centers shifted. It has
                            comparanda from the end of the Republican period to the end of the first
                            century A.D., but the late examples tend to invert the colors.<ptr
                                target="nt_c10.8.n24" n="24"/> Similar examples can be found in
                            pavements from Pompeii of the late Second and early Third Styles. In the
                            late Second Style Casa delle Nozze d’Argento at Pompeii, the motif of
                            intersecting circles is used on the pavement of an <hi1 rend="italic"
                                >oecus</hi1>.<ptr target="nt_c10.8.n25" n="25"/> In the strip of one
                            of the rooms around the <hi1 rend="italic">atrium</hi1> of the Casa del
                            Citarista, which is probably also an example of the Second Style, we
                            find flowers made of four <hi1 rend="italic">tesserae</hi1> inserted in
                            the fields.<ptr target="nt_c10.8.n26" n="26"/> The motif is also used on
                            the threshold of the <hi1 rend="italic">atrium</hi1> of the Casa dei
                            Gladiatori (late Second or early Third Style),<ptr target="nt_c10.8.n27"
                                n="27"/> and, with small squares in concave fields, and with the
                            colors already inverted, on a pavement of the Casa del Marinaio
                            (transition between the Second and Third Styles).<ptr
                                target="nt_c10.8.n28" n="28"/> An example from the end of the first
                            century B.C. is found in the Casa di Championnet, where the motif is
                            rotated by 45 degrees, as seen in the Casa delle Nozze d’Argento.<ptr
                                target="nt_c10.8.n29" n="29"/> The motif is taken up again in the
                            third quarter of the first century A.D. in a <hi1 rend="italic"
                                >cubiculum</hi1> at Cividale. Here, too, we have a strip used in a
                            way similar to that found at Licenza.<ptr target="nt_c10.8.n30" n="30"/>
                            From the last quarter of the century we have an example from Este, with
                            inverted colors,<ptr target="nt_c10.8.n31" n="31"/> and at Altino there
                            is a pavement dating to the late first or early second century A.D. that
                            likewise has inverted colors but also other motifs inserted in the
                            resulting spaces.<ptr target="nt_c10.8.n32" n="32"/> Finally,
                            intersecting circles on a black ground are found as the center of a
                            threshold in Ostia which is datable to ca. 130 A.D.<ptr
                                target="nt_c10.8.n33" n="33"/>
                        </p>
                        <p id="p_959" n="959">For the date of the mosaic in Room 1, see below, <ptr
                                target="div4_c10.8.3.2" type="txt" n="D.8.3.2"/>. </p>
                        <p>
                            <hi1 rend="bold">Room 4</hi1>
                        </p>
                        <p id="p_960" n="960">The floor of Room 4 (Lugli G<hi1 rend="sup">1</hi1>)
                            covers a space that is ca. 8.30 m x 5.40 m (<hi1 rend="bold">fig.
                            6</hi1>). Approximately half has been restored in cement.<ptr
                                target="nt_c10.8.n34" n="34"/> The absence of a dividing strip such
                            as is found in Room 1 and the greater size of the room are more
                            appropriate to an <hi1 rend="italic">oecus</hi1> than to a <hi1
                                rend="italic">cubiculum</hi1>. The pavement presents the motif of a
                            simple meander with squares (<hi1 rend="bold">fig. 7</hi1>), constructed
                            on a black line that is accompanied by a strip of black triangles laid
                            out point to base. The margin is made of a strip of wolves’ teeth,
                            beyond which are two black bands that run around a broad marginal band
                            that is also black (<hi1 rend="bold">fig. 8</hi1>). </p>
                        <p id="p_961" n="961">Whereas in the Republican period the motif of the
                            meander (accompanied by, or consisting of, a series of triangles) is
                            used as a threshold, etc., it is only in the imperial period that the
                            motif is extended over the entire pavement as the basis of the overall
                                design.<ptr target="nt_c10.8.n35" n="35"/> The first example comes
                            from an excavation of Guglielmo Gatti on the Via Aventina (Rome),
                            discovered during the so-called reorganization (“sistemazione”) of 1931.
                            The design of meanders and squares accompanied by a strip of black
                            triangles is also found employed here for a small strip opposite the
                                pavement.<ptr target="nt_c10.8.n36" n="36"/> The confirmation of a
                            dating to the end of the Republican period—already suggested by the
                            masonry in <hi1 rend="italic">opus quasi reticulatum</hi1>—came from a
                            second pavement of the same complex that in turn corresponds to the
                            well-known mosaic <hi1 rend="italic">a cassettoni</hi1> of the Villa
                            Casali, whose creation in turn is dated to the end of the Republican
                                period.<ptr target="nt_c10.8.n37" n="37"/> The meander covers the
                            entire pavement only in the <hi1 rend="italic">tablinum</hi1> of the
                            House of Livia, discovered in the excavations of Pietro Rosa in 1869,
                            but there it is composed of a strip of white triangles on a black
                            ground, accompanied by a second band made of black rhombi on a white
                                ground.<ptr target="nt_c10.8.n38" n="38"/> Unfortunately, a pavement
                            in the Casa del Peristilio in Agrigento is inadequately published and is
                            dated only in a broad way to the first century A.D. on the basis of the
                            surrounding structures. Here for the first time we glimpse a
                            linearization of the design; as at Licenza, the meander itself is
                            composed of a simple black line, and the strip of white triangles on a
                            black ground accompanies only this pattern.<ptr target="nt_c10.8.n39"
                                n="39"/> A similar pavement at Barcola, dated to the third quarter
                            of the first century A.D., uses the motif of a pair of triangles
                            arranged base to apex in place of the simple triangles. They are also
                            white on black.<ptr target="nt_c10.8.n40" n="40"/> Yet another example
                            comes from the Roman house under the baptistery of S. Giovanni in
                            Florence, dated by the excavator to the first century A.D. This date is
                            confirmed by its style, which is still more linear, with three black
                            bands accompanied by white triangles on a black ground, and by the
                            “Stars of David” that are inscribed in the squares.<ptr
                                target="nt_c10.8.n41" n="41"/> A similar pavement in the Maison de
                            la Cascade at <hi1 rend="italic">Utica</hi1> (in Tunisia) dates to the
                            end of the first or beginning of the second century A.D. Here a wide
                            polychrome marginal band has been added.<ptr target="nt_c10.8.n42"
                                n="42"/>
                        </p>
                        <p id="p_962" n="962">The motif of the wolf’s tooth as the border<ptr
                                target="nt_c10.8.n43" n="43"/> of a central rosette appears for the
                            first time in Republican and late-Republican pavements at Pompeii.<ptr
                                target="nt_c10.8.n44" n="44"/> Only later, in the first century
                            A.D., did it become common to use the motif as the border of a large
                                pavement.<ptr target="nt_c10.8.n45" n="45"/> The first example at
                            Rome is a pavement from the <hi1 rend="italic">Ludus Magnus</hi1>.<ptr
                                target="nt_c10.8.n46" n="46"/>
                        </p>
                        <p>
                            <hi1 rend="bold">Room 11</hi1>
                        </p>
                        <p id="p_963" n="963">The pavement in Room 11 (Lugli I<hi1 rend="sup"
                            >2</hi1>, mistakenly given as G<hi1 rend="sup">2</hi1> at Lugli 1926,
                            col. 547 fig. 31) covers an area that is 5.40 m x 2.80 m (<hi1
                                rend="bold">fig. 9</hi1>). Only a part of the northwest corner is
                            preserved (<hi1 rend="bold">fig. 10</hi1>); the rest of the floor has
                            been restored in cement. As in the case of Room 1, this room was
                            probably a <hi1 rend="italic">cubiculum</hi1>.<ptr target="nt_c10.8.n47"
                                n="47"/> It is unclear why Lugli could say that “perhaps because of
                            the use for which the room was destined, its workmanship was rather
                            shoddy.” This could be due to Lugli’s confusion of the mosaic’s
                            provenance, since in his text he erroneously assigned it to Room 9
                            (Lugli G<hi1 rend="sup">2</hi1>), which he described as “perhaps just a
                            branch of a corridor.”<ptr target="nt_c10.8.n48" n="48"/> Of course, it
                            is possible that Lugli was not confused but that the mosaic, having been
                            found in Room 9, was erroneously reset in Room 11 after restoration.
                            This, however, is quite unlikely, since the drawing that Lugli published
                            of the mosaic correctly gives it a width of ca. 2.80 meters, a size that
                            could not fit into the narrow corridor between Room 1 and Room 4.<ptr
                                target="nt_c10.8.n49" n="49"/>
                        </p>
                        <p id="p_964" n="964">The decoration of this pavement is made of a network
                            of monochrome strips in black <hi1 rend="italic">tesserae</hi1> set
                            obliquely, with white squares in the points of intersection. The border
                            consists of a simple black band. </p>
                        <p id="p_965" n="965">This motif, too, begins as a fill in a threshold or a
                            field. It is used as the decoration of an entire pavement only in the
                            imperial period.<ptr target="nt_c10.8.n50" n="50"/> The first example of
                            the motif comes from the entrance threshold of Pompei VIII 2.3 (Third
                            Style), where the bichromy is inverted, and the center of each rhombus
                            is decorated with a quatrefoil.<ptr target="nt_c10.8.n51" n="51"/> In
                            the Casa del Poeta Tragico (Pompeii), the motif occurs as a smaller part
                            of a larger orthogonal scheme. Inside the rhombi are inscribed swatiskas
                            or ivy leaves. The floor is dated to the middle of the first century
                                A.D.<ptr target="nt_c10.8.n52" n="52"/> In the Casa del Centenario
                            (Pompeii), the motif is found on a threshold; in the resulting fields
                            are inscribed squares and rhombi. The floor dates to the first century
                            A.D. (Third-Fourth Style?<ptr target="nt_c10.8.n53" n="53"/>). As a
                            pattern extended over the entire pavement—and not simply as the insert
                            within a field—the motif had been known thus far only from the example
                            at the so-called Ponte di Caligola (Palatine, Rome), datable to the
                            Domitianic period.<ptr target="nt_c10.8.n54" n="54"/> Afterwards, it is
                            quite common in the Hadrianic age, found, for example, in one of the
                            rooms of the so-called Hospitalia of the Villa Adriana;<ptr
                                target="nt_c10.8.n55" n="55"/> at Ostia, in the porticus of the
                            Insula delle Muse, dated to 130 A.D.;<ptr target="nt_c10.8.n56" n="56"/>
                            and in the Insula delle Volte Dipinte, dated to ca. 120 A.D., with
                            concave inserts in the rhombi.<ptr target="nt_c10.8.n57" n="57"/>
                        </p>
                    </div4>
                    <div4 id="div4_c10.8.3.2" type="section">
                        <head>
                            <bibl type="title">D.8.3.2. New dating of the pavements of Rooms 1, 4,
                                and 11 to the second half of the first century A.D. </bibl>
                        </head>
                        <p id="p_966" n="966">As Blake and Salies have recognized, all three
                            pavements are of the same manufacture and were created at the same time
                            and thus cannot be dated separately.<ptr target="nt_c10.8.n58" n="58"/>
                            Blake attempts to retain the traditional “Horatian” dating for the
                            group, although she certainly recognized the difficulties and reported
                            that Miss Van Deman dated the reticulate structures in which the mosaics
                            are located to a period later than Horace’s.<ptr target="nt_c10.8.n59"
                                n="59"/> It should by now be clear that the mosaics of Rooms 1, 4,
                            and 11 cannot be dated earlier than the second half of the first century
                                A.D.<ptr target="nt_c10.8.n60" n="60"/> In favor of this new dating,
                            which can loosely be called “Flavian” (with the understanding that the
                            actual date may be anywhere in the period ranging from Claudius to
                            Trajan), the following arguments can be adduced: <table border="0">
                                <row>
                                    <cell>1. </cell>
                                    <cell>The motif of the star made of lozenges, which is found in
                                        Room 1, is found for the first time as the pattern of an
                                        entire pavement only at <hi1 rend="italic">Lucus
                                        Feroniae</hi1> (10/20 A.D.), where the ground of the corners
                                        is already white. The reprise of the dark ground (as in the
                                        first Republican examples) is encountered only starting from
                                        the middle of the first century A.D. </cell>
                                </row>
                                <row>
                                    <cell>2. </cell>
                                    <cell>The motif of the meander with a band of triangles is found
                                        as a pattern structuring a full room only in the early
                                        imperial period in the pavement (to be sure greatly damaged)
                                        of the House of Livia. Here, however, we catch a glimpse of
                                        the three dimensional feature that is typical of the
                                        Republican mosaics, which is still retained by means of a
                                        second band of rhombi and squares. The kind of linearization
                                        of the pattern such as is found at Licenza is seen only in
                                        later examples, e.g., in a pavement from Agrigento of the
                                        first century A.D. </cell>
                                </row>
                                <row>
                                    <cell>3. </cell>
                                    <cell>Finally, the motif of Room 11 is first encountered as the
                                        decorative pattern of an entire room only in the so-called
                                        Ponte di Caligola, which dates to the age of Domitian.
                                    </cell>
                                </row>
                            </table></p>
                        <p id="p_967" n="967">Thus at Licenza we do not have to do with precious
                            “Horatian”-era mosaics but rather with pavements in every way typical of
                            the second half of the first century A.D., when several Republican
                            motifs had been transformed into proper organizational patterns and when
                            certain features of the Republican mosaics (e.g., the black ground) had
                            been taken up again in a classicizing manner. </p>
                    </div4>
                    <div4 id="div4_c10.8.3.3" type="section">
                        <head>
                            <bibl type="title">D.8.3.3. The second “Flavian” group: Rooms 16, 17,
                                26, and 27 </bibl>
                        </head>
                        <p id="p_968" n="968">Another large group of pavements, which were
                            apparently executed at the same time, are the mosaics to be found in
                            Rooms 16, 17, 26, and 27. This conclusion is also supported by a
                            technical observation: all the mosaics have a module of 18 lines on the
                            Roman palm (22.4 cm). </p>
                        <p>
                            <hi1 rend="bold">Room 16: Intersecting diagonals (“Rautengitter”)</hi1>
                        </p>
                        <p id="p_969" n="969">The pavement of Room 16 (Lugli C<hi1 rend="sup"
                            >1</hi1>) covered a room that was ca. 5.30 m x 3.90 m in size (<hi1
                                rend="bold">fig. 11</hi1>). There are some modern restorations in
                                cement.<ptr target="nt_c10.8.n61" n="61"/> Once again, Lugli
                            confused the numeration of the rooms. He speaks of “other crude mosaics
                            with black and white bands, dating to after Horace, which are found in
                            rooms I<hi1 rend="sup">2</hi1> (Room 11) and C<hi1 rend="sup">1</hi1>
                            (Room 16), this last probably a medieval work of the Convento di S.
                                Pietro.”<ptr target="nt_c10.8.n62" n="62"/> Lugli clearly neglected
                            to check his written report against observations made at the site. </p>
                        <p id="p_970" n="970">The motif of intersecting diagonal lines found in Room
                            16 is composed of a rhomboid network in black on a white ground, framed
                            by two simple monochrome black bands (<hi1 rend="bold">fig. 12</hi1>).
                            Such patterns are often found from the Sullan period to the early
                            Augustan age, and were revived in the second century A.D. in the time of
                            Hadrian and Antoninus Pius.<ptr target="nt_c10.8.n63" n="63"/>
                        </p>
                        <p id="p_971" n="971">One of the earliest examples comes from the House of
                            the Griffins on the Palatine, which dates to the Sullan period. Here the
                            network is accompanied by a border in red, white, and black.<ptr
                                target="nt_c10.8.n64" n="64"/> Other examples come from the
                            contemporary Republican “Domus under S. Pietro in Vincoli”;<ptr
                                target="nt_c10.8.n65" n="65"/> from Barcola, where a late-Republican
                            or early Augustan mosaic has the rare feature of using squares instead
                            of rhombi;<ptr target="nt_c10.8.n66" n="66"/> from Cremona, where the
                            pattern of the network has a meander as its frame, which is partly
                            rendered in color and where the floor itself is dated to ca. the third
                            quarter of the first century B.C.;<ptr target="nt_c10.8.n67" n="67"/>
                            from Imola, with a so-called wolf’s tooth border;<ptr
                                target="nt_c10.8.n68" n="68"/> from Reggio Emilia, with a meander as
                            border and a late-Republican date;<ptr target="nt_c10.8.n69" n="69"/>
                            from San Severino Marche (undated);<ptr target="nt_c10.8.n70" n="70"/>
                            and from a house in Solunto (Second Style).<ptr target="nt_c10.8.n71"
                                n="71"/> There are also many examples from Pompeii, including the
                            Casa del Labirinto (Second Style);<ptr target="nt_c10.8.n72" n="72"/>
                            one of the <hi1 rend="italic">cubicula</hi1> of the Casa delle Nozze
                            d’Argento (late Second Style);<ptr target="nt_c10.8.n73" n="73"/> the
                            Casa dell’Ancora (Second Style);<ptr target="nt_c10.8.n74" n="74"/> the
                            entrance of VIII 2.16 (Second Style);<ptr target="nt_c10.8.n75" n="75"/>
                            and a <hi1 rend="italic">cubiculum</hi1> in the house VIII 2.34 (Third
                                Style).<ptr target="nt_c10.8.n76" n="76"/>
                        </p>
                        <p id="p_972" n="972">In the Hadrianic period there was a revival of the
                            motif, as is attested, for example, in the decoration of one of the
                            rooms of the so-called Hospitalia of the Villa Adriana.<ptr
                                target="nt_c10.8.n77" n="77"/> A mosaic from the the “Domus under
                            the Baths of Caracalla” dates to the end of the second century A.D.
                            Here, one of the two lines of the networking runs parallel to one of the
                            walls. A small white <hi1 rend="italic">tessera</hi1> denotes the point
                            where the lines cross.<ptr target="nt_c10.8.n78" n="78"/> Finally, from
                            late antiquity we have at least one further example: a fourth century
                            A.D. pavement, with typical large <hi1 rend="italic">tesserae</hi1>,
                            from the “Domus under S. Teodoro.”<ptr target="nt_c10.8.n79" n="79"/>
                        </p>
                        <p>
                            <hi1 rend="bold">Room 17</hi1>
                        </p>
                        <p id="p_973" n="973">Only a fraction of the floor of Room 17 (Lugli C<hi1
                                rend="sup">2</hi1>, C<hi1 rend="sup">3</hi1>) is preserved: a small
                            piece of white mosaic found near the wall on the south side (<hi1
                                rend="bold">fig. 13</hi1>). This suffices, however, to establish a
                            correspondence in technique between this pavement and those of the
                            nearby rooms to the west (Rooms 26 [Lugli C<hi1 rend="sup">4</hi1>] and
                            27 [Lugli α]) and to the south (Room 16). The fragment in Room 17 is in
                            urgent need of conservation before it totally disappears. For the date,
                            see below under Room 27. </p>
                        <p>
                            <hi1 rend="bold">Room 26</hi1>
                        </p>
                        <p id="p_974" n="974">The pavement of Room 26 (Lugli C<hi1 rend="sup"
                            >4</hi1>), which, like the following Room 27 (Lugli α), sits atop
                            earlier structures, was not published by Lugli. Only the southern part
                            of a much bigger room was found and preserved. The exact dimensions of
                            the room are not known. The pavement has been heavily restored in
                            cement. The remaining mosaic has a white ground and is decorated with a
                            simple pattern of rows of black crosses of four <hi1 rend="italic"
                                >tesserae</hi1> diagonally arranged (<hi1 rend="bold">fig.
                            14</hi1>). Two black monochrome bands function as a border. The motif of
                            black crosses on a white ground is attested from the late Republican
                            period until the second century A.D.<ptr target="nt_c10.8.n80" n="80"/>
                            The examples begin with a pavement in the Casa dei Grifi, on the
                            Palatine, which dates to the Sullan period,<ptr target="nt_c10.8.n81"
                                n="81"/> and another Republican example comes from the “Domus under
                            S. Pietro in Vincoli.”<ptr target="nt_c10.8.n82" n="82"/> A late
                            Republican example is known from the house on the Palatine flanking the
                            Scalae Caci found by Carettoni.<ptr target="nt_c10.8.n83" n="83"/> From
                            the last third of the first century B.C. comes a pavement from
                                Brescia,<ptr target="nt_c10.8.n84" n="84"/> and from the last
                            quarter an example from Este.<ptr target="nt_c10.8.n85" n="85"/> The
                            Pompeian floors with this motif are generally later, dating to the first
                            half of the first century A.D.<ptr target="nt_c10.8.n86" n="86"/> Some
                            examples from the last third of the first century A.D. were discovered
                            in Brescia,<ptr target="nt_c10.8.n87" n="87"/> to which can be added the
                            pavement of the corridor of the so-called Hospitalia of the Villa
                                Adriana.<ptr target="nt_c10.8.n88" n="88"/>
                        </p>
                        <p>
                            <hi1 rend="bold">Room 27</hi1>
                        </p>
                        <p id="p_975" n="975">The room (Lugli α) measures 3.10 m x 2.60 m, and the
                            pavement has been heavily restored with cement. The mosaic reverses what
                            is seen in Room 26. Here we find a black ground with crosses made of
                            four white <hi1 rend="italic">tesserae</hi1>. A simple white band makes
                            up the border (<hi1 rend="bold">fig. 15</hi1>). </p>
                        <p id="p_976" n="976">The pattern of white crosses made of four tesserae on
                            a black ground is known from the late Republic to the second century
                            A.D. One of the earliest examples, from Barcola, dates to the late
                            Republican or Augustan period.<ptr target="nt_c10.8.n89" n="89"/> Two
                            pavements from Cremona can also be dated to the first century B.C.<ptr
                                target="nt_c10.8.n90" n="90"/> A similar floor from Val Catena dates
                            to the late first century A.D.,<ptr target="nt_c10.8.n91" n="91"/>
                            whereas two other examples from Aquileia date to the early second
                            century A.D.<ptr target="nt_c10.8.n92" n="92"/> The collapse of the
                            building it decorated dates a mosaic from Trieste to sometime before the
                            middle of the second century A.D.<ptr target="nt_c10.8.n93" n="93"/>
                            Another floor from Padova can only be broadly dated to the second
                                century.<ptr target="nt_c10.8.n94" n="94"/>
                        </p>
                    </div4>
                    <div4 id="div4_c10.8.3.4" type="section">
                        <head>
                            <bibl type="title">D.8.3.4. Dating of Rooms 16, 17, 26, 27 </bibl>
                        </head>
                        <p id="p_977" n="977">Given that Rooms 26 and 27 are clearly the result of a
                            later building activity, which changed the original organization of the
                            spaces they occupy, the entire group of pavements from Rooms 16, 17, 26,
                            and 27 can only be ascribed to the end of the first or to the beginning
                            of the second century A.D., when some motifs (particularly the
                            networking pattern of Room 16) were revived. A dating this late is also
                            in accordance with the presence of two versions of the same motif, that
                            of the crosses, in rooms 26 and 27. </p>
                    </div4>
                    <div4 id="div4_c10.8.3.5" type="section">
                        <head>
                            <bibl type="title">D.8.3.5. Mosaics in the Bath Complex area (Rooms 37,
                                40, 41 and 42) </bibl>
                        </head>
                        <p>
                            <hi1 rend="bold">Room 37</hi1>
                        </p>
                        <p id="p_978" n="978">This area (not known to Lugli, since it was first
                            excavated in 1997-99) is the apsidal basin of the <hi1 rend="italic"
                                >frigidarium</hi1> consisting of Rooms 37-40. Only small parts of
                            the mosaic floor of the basin are preserved—just the areas in contact
                            with the original marble revetment of the side walls (<hi1 rend="bold"
                                >fig. 16</hi1>). The individual <hi1 rend="italic">tesserae</hi1> of
                            this simple white pavement have been set in an irregular manner. They
                            are relatively small; there are 22-25 lines per Roman palm. The nature
                            of this kind of floor resists a stylistic dating, which can in any case
                            be determined for the basin itself from the stratigraphic excavations of
                            1997-99 (see Camaiani et al., <ptr target="div4_c09.5.3.1" type="txt"
                                n="C.5.2"/>, activities 6 and 9). It may be postulated that the
                            floor might have been laid independently of the other surviving
                            pavements, since its workmanship is not otherwise encountered in the
                            villa. </p>
                        <p>
                            <hi1 rend="bold">Room 40</hi1>
                        </p>
                        <p id="p_979" n="979">In the case of Room 40 (incompletely known to Lugli,
                            who labels it and the neighboring room 39 as γ) we have a mosaic with
                                <hi1 rend="italic">tesserae</hi1> that are bigger than normal (13-14
                            lines per Roman palm) and in which are inserted, in regular rows, white
                            marble chips that are triangular in shape. The border was formed of two
                            white bands. Only two sections of the mosaic are preserved along the
                            southern wall (<hi1 rend="bold">figs. 17-18</hi1>). </p>
                        <p id="p_980" n="980">Mosaics with inserts of marble fragments on a black
                            ground are found on floors dating to the first centuries B.C. and A.D.
                            Regularized chips appear only at the end of the Second Style, and their
                            arrangement in a regular pattern is also encountered only in the Second
                                Style.<ptr target="nt_c10.8.n95" n="95"/> Irregular chips are found
                            at the end of the second century B.C. in the so-called Casette
                            Repubblicane at Ostia;<ptr target="nt_c10.8.n96" n="96"/> in the
                            structures found in the foundations of the Domus Augustana from the end
                            of the second or beginning of the first century B.C.;<ptr
                                target="nt_c10.8.n97" n="97"/> in the Republican “Domus under S.
                                Pudenziana”;<ptr target="nt_c10.8.n98" n="98"/> in the Casa dei
                            Grifi of the Sullan period,<ptr target="nt_c10.8.n99" n="99"/> and
                            finally in the House of Livia dated to the early Augustan age.<ptr
                                target="nt_c10.8.n100" n="100"/> Chips of marble together with
                            pottery fragments are seen in a pavement in Barcola from the late
                            Republican period or the early Augustan age.<ptr target="nt_c10.8.n101"
                                n="101"/> Set with some regularity, these irregularly shaped chips
                            are also found in the Republican late Second Style remains under the
                            Ludus Magnus.<ptr target="nt_c10.8.n102" n="102"/> The same situation
                            occurred in Pompeii; the chips were at first set in an irregular
                                way,<ptr target="nt_c10.8.n103" n="103"/> and then in a regular way
                            during the Third Style.<ptr target="nt_c10.8.n104" n="104"/> At Pompeii,
                            however, we lack examples of a regular organization of the pattern. This
                            indeed appears to have occurred only in the late first century A.D., for
                            example on a pavement from Val Bandon.<ptr target="nt_c10.8.n105"
                                n="105"/>
                        </p>
                        <p id="p_981" n="981">As for the date of the example from Horace’s Villa,
                            the large size of the <hi1 rend="italic">tesserae</hi1> is not a dating
                            element. <hi1 rend="italic">Tessera</hi1> size is known to depend on
                            room function, and mosaics with <hi1 rend="italic">tesserae</hi1> of
                            different sizes in the same house can date from the same time. On the
                            other hand, the regular setting of the marble chips does appear to be a
                            reliable dating element, suggesting that the Licenza mosaic falls into
                            the first century A.D. </p>
                        <p>
                            <hi1 rend="bold">Room 41</hi1>
                        </p>
                        <p id="p_982" n="982">This rooms measures 5.90 m x 2.01 m and was not known
                            to Lugli. A small trace of a mosaic with two simple black bands can now
                            be seen (<hi1 rend="bold">fig. 19</hi1>). The rest of the surface of the
                            room has been restored in cement. The <hi1 rend="italic">tesserae</hi1>
                            are rather small, measuring 20-21 lines per Roman palm. </p>
                        <p>
                            <hi1 rend="bold">Room 42</hi1>
                        </p>
                        <p id="p_983" n="983">This room, 2.40 m x 2.50 m in size, was also not known
                            to Lugli. The ancient remains consist of a simple white mosaic with
                            16-17 lines per Roman palm (<hi1 rend="bold">fig. 20</hi1>). The <hi1
                                rend="italic">tesserae</hi1> are accordingly of average fineness.
                        </p>
                    </div4>
                    <div4 id="div4_c10.8.3.6" type="section">
                        <head>
                            <bibl type="title">D.8.3.6. Mosaics in the storehouse of the
                                Archaeological Superintendency for Lazio in the Santuario di Ercole
                                Vincitore, Tivoli </bibl>
                        </head>
                        <p id="p_984" n="984">Some of the mosaics found at Licenza were removed for
                            restoration and were stored first in the museum in the Orsini Palace in
                            Licenza and then in the storehouse of the Archaeological Superintendency
                            in Tivoli. </p>
                        <p>
                            <hi1 rend="bold">Mosaic with stars. Rooms 14-15 (?)</hi1>
                        </p>
                        <p id="p_985" n="985">Lugli reported in passing a “panel with mosaic having
                            black starry polygons on a white ground,” which he said came from Room
                                H.<ptr target="nt_c10.8.n106" n="106"/> On his plan, there is no
                            such room, but he may have meant rooms 14 and 15, which he denotes as
                                H<hi1 rend="sup">1</hi1> and H<hi1 rend="sup">2</hi1> respectively.
                            The location of this mosaic today is uncertain. </p>
                        <p>
                            <hi1 rend="bold">Mosaic with stripes</hi1>
                        </p>
                        <p id="p_986" n="986">Doubtful, too, is the provenance of another mosaic
                            fragment that has been assembled and mounted on a panel (<hi1
                                rend="bold">fig. 21</hi1>). It has rather crude parallel stripes of
                            white and black. Lugli explains that “other crude mosaics with black and
                            white bands, from a period after Horace, are found in rooms I<hi1
                                rend="sup">2</hi1> and C<hi1 rend="sup">1</hi1>, this last probably
                            a medieval production of the convent of S. Pietro.”<ptr
                                target="nt_c10.8.n107" n="107"/> But later he states that the
                            provenance of the mosaic was “predominantly [<hi1 rend="italic"
                            >sic</hi1>] from rooms C<hi1 rend="sup">1</hi1> and C<hi1 rend="sup"
                                >2</hi1>.”<ptr target="nt_c10.8.n108" n="108"/> The mosaic of Room
                            11 (Lugli I<hi1 rend="sup">2</hi1>) is the pavement described above
                                (<ptr target="div4_c10.8.3.1" type="txt" n="D.8.3.1"/>) with a
                            network of monochrome strips in black <hi1 rend="italic">tesserae</hi1>
                            set obliquely, with white squares in the points of intersection. The
                            border is made up of a simple black band. It is true that only a small
                            fragment of this survives, but what we have is incompatible in style and
                            design with the framed fragment in Tivoli. The floor of C<hi1 rend="sup"
                                >1</hi1> (Room 16) also survives, and it is largely intact. The
                            framed fragment in Tivoli cannot be from this room either. As noted
                            above, from C<hi1 rend="sup">2</hi1> (Room 17) we have only a small
                            fragment of a white mosaic, but given the fact that this mosaic belongs
                            to the group consisting of Rooms 16, 17, 26, and 27, we may doubt that
                            the framed fragment in Tivoli comes from C<hi1 rend="sup">2</hi1>. The
                            provenance of the material assembled on the panel in Tivoli thus remains
                            unclear. </p>
                        <p id="p_987" n="987">If the find spot is doubtful, then so, too, is the
                            date. There is a complete lack of comparanda from the corpus of Roman
                            mosaics of the imperial period. We might think of a late date, given
                            Lugli’s suggestion that it was created in the time of the hypothetical
                            medieval convent of S. Pietro; however, even for so late a date we lack
                            supporting evidence and comparanda.<ptr target="nt_c10.8.n109" n="109"/>
                            Nor does the fact that the <hi1 rend="italic">tesserae</hi1> themselves
                            are of good craftmanship favor a late date, unless we imagine the reuse
                            of the <hi1 rend="italic">tesserae</hi1> of an earlier floor. </p>
                        <p>
                            <hi1 rend="bold">Fragments of wall mosaics in</hi1>
                            <hi1 rend="bolditalic">pasta vitrea</hi1>
                        </p>
                        <p id="p_988" n="988"><hi1 rend="italic">Tesserae</hi1> of <hi1
                                rend="italic">pasta vitrea</hi1> (glazed <hi1 rend="italic"
                            >tesserae</hi1>) are found on another panel in the storehouse in Tivoli.
                            Here again, Lugli does not furnish a provenance and indeed states that
                            they have “various provenances.”<ptr target="nt_c10.8.n110" n="110"/>The
                            panel has a blue ground decorated with circles made of glazed <hi1
                                rend="italic">tesserae</hi1> that are black, light blue and green in
                            which have been inserted concave stars of six points made of light blue
                            glaze. In the resulting spaces are found small crosses composed of five
                            orange <hi1 rend="italic">tesserae</hi1> (<hi1 rend="bold">fig.
                            1</hi1>). The lack of curvature, which, to be sure, might have been lost
                            during the fragment’s reassembly on the panel, excludes an original
                            location in a niche or vault. It ought rather to have decorated a wall
                            surface, but for the existence and position of such a decoration
                            somewhere in the villa we lack any clues. </p>
                        <p id="p_989" n="989">Similar fragments which are much smaller were found on
                            the site in the early 1970s. They may perhaps have belonged to the same
                            original location as the large fragment on the panel in the SAL
                            storehouse. Some of the materials are similar (glazed <hi1 rend="italic"
                                >tesserae</hi1> in blue, light blue, and green) but we also find
                            seashells, as well as <hi1 rend="italic">tesserae</hi1> in dark blue,
                            light green, yellow, ochre, white, and red (<hi1 rend="bold">fig.
                            22</hi1>). The only recognizable designs have a floral pattern. These
                            fragments were found in a vaguely identified “thermal room” to the north
                            of the <hi1 rend="italic">frigidarium</hi1>, but probably not <hi1
                                rend="italic">in situ</hi1>. The excavators indeed preferred the
                            idea that the fragments had simply been deposited here and that they
                            came from another room that was much more ornate and thus suitable for
                            such a decoration.<ptr target="nt_c10.8.n111" n="111"/> In any case,
                            their colors—especially the blue—and the presence of seashells favor a
                            location in the bath complex of the villa. Their surface, too, is flat
                            and thus does not permit a reconstruction on a curved object like a
                            vault or niche. This is another sign that they belong with the larger
                            fragment reconstructed by Pasqui on the panel now in the storehouse in
                            Tivoli. </p>
                        <p id="p_990" n="990">This lack of good archaeological context forces us,
                            once again, to give only a general date, which in this case is to the
                            late first or early second century A.D. Comparanda are found at Pompeii
                            in the Casa di Giulia Felice and in the Stabian Baths, which, moreover,
                            are the first known examples of wall mosaics applied in bath complexes.
                            Very similar fragments come from the baths at Aquileia as well.<ptr
                                target="nt_c10.8.n112" n="112"/>
                        </p>
                        <p id="p_991" n="991">Finally, mention should be made of six small fragments
                            of black and white mosaic of good quality and of various provenances. In
                            them we can recognize several geometric decorative patterns, but it is
                            not possible to be certain of their original location in the villa,
                            their design, and whether any might have belonged to the same pavement.
                        </p>
                    </div4>
                </div3>
            </div2>
            <div2 id="div2_c10.9" type="section" status="hidden">
                <head>
                    <bibl type="title">D.9. Fragments of Wall Painting from “Horace’s Villa”</bibl>
                </head>
                <p>
                    <hi1 rend="bold">By Stephen T.A.M. Mols</hi1>
                </p>
                <div3 id="div3_c10.9.1" type="section">
                    <head>
                        <bibl type="title">D.9.1. Background </bibl>
                    </head>
                    <p id="p_992" n="992">During the 1998 and 1999 campaigns of the recent
                        excavations at Horace’s Villa in Licenza, many fragments of wall painting
                        were found. With one notable exception, all of them were found in
                        destruction contexts and not in their original location. The purpose of this
                        chapter is to publish the new fragments and to relate them to the fragments
                        found in the excavations undertaken from 1911 to 1914 by Angelo Pasqui. As
                        will be seen, the importance of the new excavations is that they throw much
                        needed light on the material discovered earlier in the twentieth century.
                    </p>
                </div3>
                <div3 id="div3_c10.9.2" type="section">
                    <head>
                        <bibl type="title">D.9.2. Fresco Fragments Found from 1911 to 1914 </bibl>
                    </head>
                    <p id="p_993" n="993">The Pasqui excavations of 1911-14 brought to light a large
                        number of fresco fragments, which were subsequently mounted on 38 square
                        panels and put into the Antiquarium in the Orsini Palace in Licenza.<ptr
                            target="nt_c10.9.n1" n="1"/> In the early 1990s, these were divided into
                        two groups: a larger group of twenty-eight panels was installed in the new
                        museum in Licenza (<hi1 rend="bold">fig. 1</hi1>);<ptr target="nt_c10.9.n2"
                            n="2"/> a smaller group of the remaining panels was put in the
                        storehouse of the Archaeological Superintendency for Lazio at the Santuario
                        di Ercole Vincitore, in Tivoli (<hi1 rend="bold">fig. 2</hi1>). </p>
                    <p id="p_994" n="994">The scholarship on the frescoes found in 1911-14 is not
                        extensive. In his publication of Pasqui’s results, Lugli’s treatment is
                        purely descriptive.<ptr target="nt_c10.9.n3" n="3"/> He assigns the
                        fragments to the same period on the basis of style, but he does not assign a
                        date, probably in no small measure owing to the alleged lack of
                        documentation on find-spots, which made it impossible to associate the
                        fragments with an architectural context.<ptr target="nt_c10.9.n4" n="4"/>
                        But, as Frischer shows (see <ptr target="div2_c11.4" type="txt" n="E.4"/>
                        and <ptr target="div4_c13.1.12.1" type="txt" n="G.1.12"/>), Pasqui’s
                        unpublished catalogues of the finds securely locates the find-spot to the
                        “grande Calidario” (i.e., room 33). Room 33 is dated by De Simone to her
                        Period III (<ptr target="div4_c10.1.3.8" type="txt" n="D.1.3.7"/>) and by
                        Frischer (see <ptr target="div2_c12.1" type="txt" n="F"/>) to his
                        corresponding Period IIA of ca. 75/110 A.D. </p>
                    <p id="p_995" n="995">M. Borda, in his brief comments on this material, agreed
                        with Lugli but assigned a date in the late first century or early second
                        century A.D.<ptr target="nt_c10.9.n5" n="5"/> In equally brief statements
                        reported by B. Frischer, V. Strocka and I. Bragantini agreed with Borda.<ptr
                            target="nt_c10.9.n6" n="6"/> In the most detailed study of the Pasqui
                        fragments to date, R. Cappelli divided them into two groups: a smaller group
                        datable to the early Augustan period; and a larger group assignable to the
                        period of the Fourth Pompeian Style.<ptr target="nt_c10.9.n7" n="7"/> It is
                        our contention, however, that Lugli, Borda, Strocka, and Bragantini were
                        correct: the fragments are stylistically and chronologically homogeneous and
                        belong to the period of ca. 60-110 A.D. Since, as Frischer notes (<ptr
                            target="div2_c11.4" type="txt" n="E.4"/> and <ptr target="div2_c12.1"
                            type="txt" n="F"/>), we know nothing about the context in which the
                        fragments were found in room 33, we cannot securely narrow down this
                        potential time frame to a specific moment. If, as Cappelli has rightly
                        noted, two groups can be distinguished, it is indicative not of a difference
                        in date but of craftsmanship; the fragments in Cappelli’s first group are of
                        higher quality. Many details in both groups are comparable. </p>
                    <p id="p_996" n="996">The two paintings (or perhaps parts of one painting) that
                        Cappelli attributes to the Augustan period are the <hi1 rend="italic"
                            >aediculae</hi1> with <hi1 rend="italic">acroteria</hi1>, one with
                        griffins and the other with seated grotesque, partly female, partly
                        monstrous or floral figures.<ptr target="nt_c10.9.n8" n="8"/> She rightly
                        states that griffins appear in Roman paintings of the Second Style. As <hi1
                            rend="italic">acroteria</hi1> they are not very common in Second and
                        Third Style paintings, but they do occur much more frequently during the
                        Fourth Style. The Licenza griffins (<hi1 rend="bold">fig. 3</hi1>) differ
                        from the late Second Style griffins in that they are very slender and have
                        long legs. They are much more closely related to Fourth Style examples.<ptr
                            target="nt_c10.9.n9" n="9"/> Moreover, in the blue <hi1 rend="italic"
                            >triclinium</hi1> or <hi1 rend="italic">oecus</hi1> of the Casa
                        dell’Atrio a Mosaico in <hi1 rend="italic">Herculaneum</hi1> they appear as
                            <hi1 rend="italic">acroteria</hi1>, together with <hi1 rend="italic"
                            >acroteria</hi1> in the form of half naked and half monstrous grotesque
                        figures, variants of the grotesque figures in the Licenza paintings.<ptr
                            target="nt_c10.9.n10" n="10"/> In their high quality, these paintings
                        from <hi1 rend="italic">Herculaneum</hi1> are also comparable to the Licenza
                        examples. As Cappelli states, it is true that grotesque figures do appear in
                        Second Style paintings. However, they rarely occur as <hi1 rend="italic"
                            >acroteria</hi1>, but are mostly seen in separate frames, as in the Casa
                        di Livia in Rome. As <hi1 rend="italic">acroteria</hi1> they appear
                        frequently in Fourth Style paintings, and it is therefore in this period of
                        Roman wall painting that we must place the Licenza examples. </p>
                    <p id="p_997" n="997">To the helpful comparisons Cappelli gives for the
                        paintings from Licenza that she dates in the Flavian period, we can add
                        recently published and sometimes strikingly similar examples from the Villa
                        San Marco at Castellammare.<ptr target="nt_c10.9.n11" n="11"/> As for the
                        dating of the Licenza examples in the light of these comparanda (and,
                        especially, in view of the examples from Castellammare), two hypotheses are
                        possible: either (1) the Licenza paintings date to roughly the same period
                        (i.e., the 70s-80s of the Flavian age); or else (2) the Licenza paintings
                        are earlier, dating to the period 60-69, in which case they could be cited
                        as further examples of the way in which Campania lagged behind the Rome area
                        in the development of the Fourth Style. </p>
                </div3>
                <div3 id="div3_c10.9.3" type="section" status="hidden">
                    <head>
                        <bibl type="title">D.9.3. Finds of 1998-1999 </bibl>
                    </head>
                    <div4 id="div4_c10.9.3.1" type="section">
                        <head>
                            <bibl type="title">[text]</bibl>
                        </head>
                        <p id="p_998" n="998">The new excavations are interesting to scholars of
                            Roman wall painting for several reasons. For the first time we have
                            information about find contexts for fresco fragments from Horace’s
                            Villa. The motifs in the newly discovered fragments are in many cases
                            the same as those found earlier, so the new finds can suggest something
                            about the context of the 1911-14 fragments. Moreover, the fact that the
                            new fragments were found through stratigraphic excavation has given us
                            information that helps to resolve the debate about periodization of the
                            frescoes from Horace’s Villa. The new fragments are discussed in order
                            of the area in which they were found. </p>
                    </div4>
                    <div4 id="div4_c10.9.3.2" type="section">
                        <head>
                            <bibl type="title">D.9.3.1. Area 23 </bibl>
                        </head>
                        <p id="p_999" n="999">In 1998, three pieces of wall painting still <hi1
                                rend="italic">in situ</hi1> were found very close to each other in
                            Area 23 (Sector IV.1) not far from the foot of the western staircase
                            leading from the western corridor of the quadriporticus to the residence
                                (<hi1 rend="bold">fig. 4</hi1>). These three fragments are
                            exceptional in that they are the only bits of wall painting still in
                            their original location in the villa. The surface of the three fragments
                            is painted with red ground without any design. The find spot is
                            interesting: they are on a wall in <hi1 rend="italic">opus
                            incertum</hi1> (MSU 4007) at a quota level below the floor constructed
                            in connection with the installation of the long drain (SU 4015; for
                            details see De Simone et al., <ptr target="div3_c09.4.3" type="txt"
                                n="C.4.3"/>). This drain runs from the residential fountain of Area
                            8 to the main drain of the villa, which runs north-south just to the
                            west of the quadriporticus. These fresco fragments were preserved
                            because they were tightly packed by the material brought in to raise the
                            surface for the new floor above the drain. The fragments thus belong to
                            the first phase of the wall in Area 23, a phase the excavators date to
                            no later than the first century B.C. </p>
                        <p id="p_1000" n="1000">Also found in Area 23, farther south along the
                            corridor, were eleven groups of fragments that fitted together. They
                            come from a single context (Sector IV.2, SU 4208; see <hi1 rend="bold"
                                >figs. 5</hi1> and <hi1 rend="bold">6</hi1>) and were found face
                            down, broken into fragments that can easily be joined.<ptr
                                target="nt_c10.9.n12" n="12"/> There is, however, almost no sign of
                            any decoration left, probably because of the acidity of the soil.<ptr
                                target="nt_c10.9.n13" n="13"/> The fragments have a creamy white
                            ground color and are all remarkably thin. They lack the preparatory
                            layer, which makes it impossible to determine whether they come from the
                            ceiling or the walls of the corridor in which they were found.<ptr
                                target="nt_c10.9.n14" n="14"/> A precise dating, too, is difficult,
                            but the thinness of the plaster points to a date in the second or even
                            third century A.D. </p>
                    </div4>
                    <div4 id="div4_c10.9.3.3" type="section">
                        <head>
                            <bibl type="title">D.9.3.2. Areas 37-40 </bibl>
                        </head>
                        <p id="p_1001" n="1001">Areas 37-40 (Sector I.3-6) are architecturally
                            related and thus will be treated together here. The fresco fragments can
                            be divided into two groups: a large collection of mostly monochrome
                            fragments reused as fill to raise the floor level in Area 38; and some
                            randomly found fragments with decorative patterns. </p>
                        <p id="p_1002" n="1002"><hi1 rend="bolditalic">Group I</hi1>. Five cassettes
                            full of fresco fragments were collected from Area 38 (SU 860). The
                            fragments are small; most have a monochrome red surface, but some are in
                            monochrome yellow. The few decorated pieces are seen in <hi1 rend="bold"
                                >fig. 7</hi1>. Some have chord lines, impressed in the chalk while
                            it was still wet. Curls and vegetal elements in white and cream are also
                            seen, some of which have white lines. The pieces with both red and
                            yellow have a white dividing line. One fragment shows the depiction of a
                            ceiling coffer. </p>
                        <p id="p_1003" n="1003">The wear seen on the surface indicates that the
                            fragments were reused in antiquity, and the excavators indeed interpret
                            SU 860 as a fill layer designed to raise the level of the floor in area
                            38 (see Camaiani et al., <ptr target="div4_c09.5.3.2" type="txt"
                                n="C.5.2.1"/>, activity 5, dated to the late first or early second
                            century A.D.). This gives us a <hi1 rend="italic">terminus ante
                            quem</hi1> for the fresco of ca. 70/110 A.D. On grounds of style, we
                            would assign these fragments to a somewhat earlier date than the other
                            Fourth Style paintings from Horace’s Villa. Most probable is a date in
                            the period 60-75 A.D., although it should be emphasized that we still
                            have no definite original context. Possibly the frescoes may have
                            decorated the walls of Areas 38-40, which before activity 5 was a single
                                <hi1 rend="italic">atrium</hi1>-like space (see Camaiani et al.,
                                <ptr target="div4_c09.5.2.1" type="txt" n="C.5.1"/>). Certainly, the
                            raising of the level of the floor of the room and its repurposing as the
                                <hi1 rend="italic">frigidarium</hi1> of a bath complex would have
                            necessitated a new treatment of the walls, and the earlier plaster may
                            have been stripped off both to make way for new plaster on the walls and
                            for use as floor fill in the same room. </p>
                        <p id="p_1004" n="1004"><hi1 rend="bolditalic">Group II</hi1>. A second
                            group consists of random fresco fragments with decorations that were
                            found throughout Areas 37-40. From Area 37 (SU 411) come two fragments
                            of a garland in red, black, and cream on a white surface (<hi1
                                rend="bold">fig. 8</hi1>). The black flowers were painted quickly as
                            a point above a V-form with curved sides; they resemble similar ones
                            found in the 1911-14 excavations.<ptr target="nt_c10.9.n15" n="15"/>
                            Another fragment with white ground, from the same location, shows a
                            stylized flower in dark red, ochre, and cream, which originates at the
                            point of a wavy band (<hi1 rend="bold">fig. 9</hi1>). Three examples of
                            a similar motif from the 1911-14 excavations have been published by
                                Cappelli.<ptr target="nt_c10.9.n16" n="16"/> Other examples are to
                            be found on a panel in the storehouse in the Santuario di Ercole
                            Vincitore in Tivoli. </p>
                        <p id="p_1005" n="1005">In Area 38, two fragments from the same decorative
                            program were found. They show very worn remains of green, yellow, and
                            red paint. One of the pieces is slightly angled, not flat, which may
                            indicate that it joined with the projecting stucco molding on the wall. </p>
                        <p id="p_1006" n="1006">Sixteen pieces come from Area 39. They have yellow
                            and violet plant motifs on a red surface, a palmette, and part of a
                            garland (<hi1 rend="bold">fig. 10</hi1>). Nothing similar was found from
                            1911 to 1914, but in concept and design they clearly belong to the same
                            period as the fragments found in Pasqui’s excavations. </p>
                        <p id="p_1007" n="1007">Not strictly speaking fresco fragments, but of
                            interest to students of Roman wall painting nonetheless, are two color
                            balls, one in blue and one in brown, from Areas 38 and 40 (<hi1
                                rend="bold">fig. 11</hi1>). They are probably unused pigments used
                            in painting frescoes. </p>
                    </div4>
                    <div4 id="div4_c10.9.3.4" type="section">
                        <head>
                            <bibl type="title">D.9.3.3. Area 35 </bibl>
                        </head>
                        <p id="p_1008" n="1008">Most of the fragments with painted decoration found
                            in 1998-99 came from Area 35 (Sector I.7), the colonnade running
                            north-south to the west of the baths. Seven fragments of painted stucco
                            relief (SU 1242), with alternating volutes and palmettes colored in red
                            and black, come from the same decorative program as a group of fragments
                            published by Cappelli.<ptr target="nt_c10.9.n17" n="17"/> From the same
                            deposit come two fragments with a yellow background and traces of white
                            stucco, as well as a piece with flesh-pink that probably belonged to the
                            representation of the nude legs of a person (<hi1 rend="bold">fig.
                            12</hi1>). These almost certainly belong to the decorative program
                            present in many finds of the 1911-14 excavations in which we see the
                            figures of poets and philosophers in the center of yellow panels.<ptr
                                target="nt_c10.9.n18" n="18"/> Finally, there are three fragments
                            with parallel lines in red, black, and yellow, black and white. </p>
                        <p id="p_1009" n="1009">SU 1242 is a rich context that also contains
                            fragments of marbles and of decorative terracotta plaques. The
                            excavators interpret it as a fill connected with raising and leveling of
                            the surface (see Camaiani et al., <ptr target="div4_c09.5.3.2"
                                type="txt" n="C.5.2.1"/>, activity 18) immediately prior to the
                            construction of the colonnade in Area 35 (activity 21). The fragments
                            from Area 35, found in a floor fill, were no longer in their original
                            context. Nevertheless, the new information gleaned from the campaigns of
                            1998 and 1999 offers useful confirmation of the find spot of a number of
                            Pasqui fragments, including fragments on panels 75-234, 75-235, 75-237,
                            75-238, 75-249, 75-250, and 75-297. As noted above, these (along with
                            all the other fragments, for which the 1998-1999 excavations did not
                            happen to bring to light any parallels) were reportedly found in room 33
                            of the baths (see Frischer, <ptr target="div2_c11.4" type="txt" n="E.4"
                            />). </p>
                        <p id="p_1010" n="1010">SU 1239, which the excavators link closely in date
                            and function to SU 1242, yielded three fragments decorated with a red
                            line and a parallel band. Also found here was a fragment (<hi1
                                rend="bold">fig. 13</hi1>) with the same embroidery pattern as is
                            seen on a piece published by Cappelli; the only difference is that the
                            new fragment is a mirror image of the old one.<ptr target="nt_c10.9.n19"
                                n="19"/>
                        </p>
                        <p id="p_1011" n="1011">SU 1220 produced five white-ground fragments. One
                            shows a column in yellow. The other four show floral motifs and lines.
                            One fragment may have a wing decoration. A comparable wing is seen on a
                            piece from SU 1225. This SU (also associated with the construction phase
                            of the colonnade in Area 35) includes other fragments with floral motifs
                            on a yellow ground (<hi1 rend="bold">fig. 14</hi1>). </p>
                        <p id="p_1012" n="1012">Fragments from SU 1213 have architectonic elements
                            on a white surface within parallel lines and small bands. The sequence
                            of colors is as follows: white, dark red line, yellow band with
                            protrusions, green line, red band, dark red line, and white. A few
                            pieces join and show a roughly painted <hi1 rend="italic"
                            >aedicula</hi1>. An architectonic motif, not easily recognizable given
                            the poor state of preservation, is also seen on a fragment from SU 1200.
                            The same layer has yielded a fragment with a white plant on a black
                            surface. It has traces of pink, red, yellow, and blue. </p>
                    </div4>
                </div3>
                <div3 id="div3_c10.9.4" type="section">
                    <head>
                        <bibl type="title">D.9.4. Conclusion </bibl>
                    </head>
                    <p id="p_1013" n="1013">Most of the fresco fragments found at Horace’s Villa in
                        the excavations of 1911-14 and of 1998-99 have their best parallels in
                        Fourth Style paintings of the early Flavian period (i.e., before A.D. 79).
                        This includes the fragments dated to the Augustan period by Cappelli.<ptr
                            target="nt_c10.9.n20" n="20"/> The material from SU 860 (Area 38) also
                        exemplifies the Fourth Style but is somewhat older than the rest of the
                        material studied. It is possible that the fragments found in the
                        quadriporticus were part of a redecoration of the walls in the second or
                        third century A.D. </p>
                    <p id="p_1014" n="1014">The new finds help us to understand the provenance in
                        the villa of the fresco fragments brought to light in 1911-14. As noted, no
                        record of their exact find-spot appears in Lugli’s publication of 1926.
                        Frischer discovered in an unpublished document of the 1911-14 excavations
                        that they had been found in room 33. At least, now we know that several
                        motifs found on fragments from the 1911-14 excavations are similar to those
                        coming from definite find-spots in the 1998-99 group (<hi1 rend="bold">table
                            1</hi1>). As this table shows, the bulk of the finds of 1998-1999 that
                        are similar to those found in 1911-1914 come from Area 35, which is just to
                        the west of room 33. </p>
                    <p id="p_1015" n="1015">This data can be interpreted in one of two ways: either
                        the 1911-14 finds were from the same location as the corresponding finds of
                        1998-99; or (since the 1998-99 material is all found in secondary contexts)
                        some, if not all, of the 1911-14 material may have come from the primary
                        ancient context. Unfortunately, it is impossible to decide this matter
                        without new documentation about the 1911-14 excavations. </p>
                    <p id="p_1016" n="1016">Thus far the villa has not yielded any fragment of
                        decorated wall or ceiling fresco painting dating to the period in which
                        Horace lived. But as already noted, not everything at the Licenza site
                        postdates Horace: in area 23 were found three fragments of simple red ground
                        fresco on an <hi1 rend="italic">opus incertum</hi1> wall that the excavators
                        report is datable to the first century B.C. </p>
                </div3>
            </div2>
            <div2 id="div2_c10.10" type="section" status="hidden">
                <head>
                    <bibl type="title">D.10. Miniature Marble Sculptures</bibl>
                </head>
                <p>
                    <hi1 rend="bold">By Steven Lattimore</hi1>
                </p>
                <div3 id="div3_c10.10.1" type="section">
                    <head>
                        <bibl type="title">[text]</bibl>
                    </head>
                    <p id="p_1017" n="1017">The three unpublished works of sculpture briefly
                        presented here were discovered in 1998, during the course of excavations
                        conducted at Horace’s Villa under the direction of Bernard Frischer. Their
                        context was an early medieval robber pit within the Villa’s <hi1
                            rend="italic">frigidarium</hi1>, which has been dated to the Flavian
                        period (<hi1 rend="bold">figs. 1-2</hi1>; for the context, see Camaiani et
                        al., <ptr target="div4_c09.5.5.2" type="txt" n="C.5.4.1"/>, activity
                            37).<ptr target="nt_c10.10.n1" n="1"/>
                    </p>
                </div3>
                <div3 id="div3_c10.10.2" type="section">
                    <head>
                        <bibl type="title">D.10.1. Youthful Male Torso </bibl>
                    </head>
                    <p id="p_1018" n="1018">VH 041 = SAL 114580 (<hi1 rend="bold">figs. 3-7</hi1>) </p>
                    <p id="p_1019" n="1019">Maximum preserved height 41.5 cm, width across shoulders
                        20 cm, distance from the elbow of the right arm to the tip of the middle
                        finger 18 cm, width across hips 14 cm, width of neck at base 7 cm. Shiny
                        crystalline white marble tinged with gray: certainly Greek, probably
                            Thasian.<ptr target="nt_c10.10.n2" n="2"/>
                    </p>
                    <p id="p_1020" n="1020">The head is broken off irregularly close to the base of
                        the neck. The left arm (maximum preserved thickness 5.8 cm), extending
                        straight down from the shoulder, ends midway to the elbow in a somewhat
                        irregular surface with gouging to receive cement; it has two holes whose
                        diameters are 0.6 cm (towards the front) and 0.5 cm. The right leg ends at
                        the top of the knee in a flat surface (maximum preserved width 5.8 cm) with
                        gouging to receive cement; in the center is an iron dowel (thickness 0.8
                        cm). The supporting left leg is broken irregularly across the knee; the
                        broken surface contains a projecting iron dowel. The right arm, intact but
                        with a small crack in the upper arm, is bent at the shoulder and extends
                        downward diagonally across the chest; there is a right-angle bend at the
                        elbow, and the right hand rests flat on the left shoulder. On the left side,
                        there is no trace of the attachment of the left arm or anything else. Near
                        the top of the left hip, however, is a hole (diameter ca 0.8 cm) with the
                        remains of an iron dowel. The penis, now missing, was a separate piece
                        inserted into a hole 0.6 cm in diameter. The separation of the arms from the
                        torso is cursory, as is the separation of the legs. The preserved hand is
                        very flat, its fingers formless. The abdomen is round and protruding. The
                        modeling of the back is very cursory, with the spine barely indicated. </p>
                    <p id="p_1021" n="1021">The figure stood approximately 60 cm in height. The
                        undeveloped musculature and protruding belly, accentuated by the deep
                        curvature of the spine, show that the male figure is at most adolescent. The
                        position of the right arm suggests the type of adolescent or pre-adolescent
                        Eros, standing partly supported by a reversed torch, usually at his left
                            side.<ptr target="nt_c10.10.n3" n="3"/> This Eros apparently comes at or
                        near the end of a sequence beginning with the creation of the reclining
                        sleeping Eros in the Praxitelean circle of the 330s B.C.;<ptr
                            target="nt_c10.10.n4" n="4"/> the standing sleeping Eros may have
                        developed almost as early.<ptr target="nt_c10.10.n5" n="5"/> Neither type
                        was exclusively or even primarily funerary, but in the Roman period the
                        reversed torch was added to the standing type, now not invariably
                            sleeping.<ptr target="nt_c10.10.n6" n="6"/> Despite the skepticism of
                        Hermary, the reversed torch is usually a symbol of extinguished life.<ptr
                            target="nt_c10.10.n7" n="7"/> The funerary Eros <hi1 rend="italic">par
                            excellence</hi1>, the Eros with reversed torch, is especially popular in
                        Italy, although examples also occur in Greece.<ptr target="nt_c10.10.n8"
                            n="8"/>
                    </p>
                    <p id="p_1022" n="1022">The Eros with reversed torch, like its predecessors,
                        usually turns to the left, as does the Licenza statuette (although not
                        enough of the neck is preserved to indicate the direction the head was
                        turned). The legs are usually crossed, but our copy is one of a considerable
                        number of exceptions, since the left leg is the supporting one. Most
                        examples are winged, but again there are exceptions, including free-standing
                            figures;<ptr target="nt_c10.10.n9" n="9"/> the Licenza statuette shows
                        no trace of wings. </p>
                    <p id="p_1023" n="1023">The most anomalous feature of the Licenza figure is the
                        missing torch. Two similar statues, the Eros from <hi1 rend="italic"
                            >Herculaneum</hi1> and another in Budapest (<hi1 rend="bold">figs.
                            8-11</hi1>),<ptr target="nt_c10.10.n10" n="10"/> show that the torch was
                        not close to the left side,<ptr target="nt_c10.10.n11" n="11"/> as is usual
                        in reliefs, but some distance away, connected by a massive strut. The dowel
                        at the top of the left hip of the Licenza statuette, unlike the others, does
                        not seem readily explained in terms of ancient repairs and may be part of a
                        very unusual way of connecting the attribute. It is also possible that the
                        figure was an adaptation of the funerary Eros (e.g., for the decoration of a
                        house or garden)<ptr target="nt_c10.10.n12" n="12"/> and did not follow the
                        usual format. In a personal communication, Frischer has noted that the
                        closest parallel for the position of the right hand does not belong to a
                        funerary Eros but to a bronze bust of Mars in Munich.<ptr
                            target="nt_c10.10.n13" n="13"/> It is also possible that the figure was
                        carved as an Eros and later reworked. </p>
                    <p id="p_1024" n="1024">The use of Thasian marble (if rightly identified here)
                        in Italy (if the statuette was made there) might date to any period from the
                        late Hellenistic onward.<ptr target="nt_c10.10.n14" n="14"/> I can suggest
                        no stylistic or iconographical criteria for a closer dating. </p>
                </div3>
                <div3 id="div3_c10.10.3" type="section">
                    <head>
                        <bibl type="title">D.10.2. Nude Female Torso </bibl>
                    </head>
                    <p id="p_1025" n="1025">VH 042 = SAL 114578 (<hi1 rend="bold">figs. 12-15</hi1>) </p>
                    <p id="p_1026" n="1026">Maximum preserved height 37.5 cm, maximum width across
                        hips 14.8 cm, maximum thickness (at hips) 11 cm. </p>
                    <p id="p_1027" n="1027">Shiny crystalline white marble tinged with gray:
                        certainly Greek, probably Thasian.<ptr target="nt_c10.10.n15" n="15"/>
                    </p>
                    <p id="p_1028" n="1028">The head is broken off at the base of the neck. The
                        right arm is almost completely broken off; the left is broken off along with
                        part of the torso. Both legs are broken off at same level above the knees.
                        The breasts are almost completely broken away. The buttocks are damaged,
                        especially the right. A hairline crack starting just right of the neck forms
                        a complete loop, passing under the right armpit. The surface is much abraded
                        and the breaks at the neck and right arm are extremely worn. The work is
                        very cursory. The torso is narrow with almost parallel sides, resulting in a
                        tubular appearance. The swelling of the hips is somewhat tentative. The
                        navel is formed by a drill hole, but apparently some attempt was made to
                        show the fold of flesh above it. Hard incisions mark the pubic triangle, the
                        separation of the legs at front and back, and the division of the buttocks.
                        The division of the buttocks is continued upward by two short diagonal
                        grooves, forming a “y.” At the back, just below the neck, is a slightly
                        raised flat worked surface, roughly square (3 cm). </p>
                    <p id="p_1029" n="1029">The figure stood approximately 80 cm in height and
                        supported the weight on the left leg. The shoulders bend slightly forward,
                        and perhaps as a consequence the breasts are close together and slightly
                        pendulous. The right arm was extended forward. These features suggest a
                        miniature replica of the Capitoline Aphrodite, of which Felletti Maj
                        recorded 101 copies;<ptr target="nt_c10.10.n16" n="16"/> the Capitoline type
                        is not always easy to distinguish from the Medici Aphrodite, another work
                        very popular among Roman patrons.<ptr target="nt_c10.10.n17" n="17"/> As an
                        alternate possible source for the Licenza statuette, Frischer has mentioned
                        another type of nude Aphrodite without the <hi1 rend="italic">pudica</hi1>
                            gesture.<ptr target="nt_c10.10.n18" n="18"/>
                    </p>
                    <p id="p_1030" n="1030">On the basis of my description of the small worked
                        surface on the back, Pollini compared a small Aphrodite torso (approximately
                        half life-size) of the Knidia type in Baltimore, tentatively dated to the
                        first century A.D. Here, judging from the published description and
                        illustration, the projection was once more substantial than that of the
                        Licenza statuette, but is now broken off.<ptr target="nt_c10.10.n19" n="19"
                        /> Reeder takes the projection to be a remnant of hair “gathered into a
                        short, thick mass,” noting this as a variant from the original, but Pollini
                        convincingly identifies the feature as a type of neck support occurring on
                        portraits of the imperial period.<ptr target="nt_c10.10.n20" n="20"/> This
                        may ultimately prove a useful criterion for dating the Licenza Aphrodite.
                        Aside from the marble,<ptr target="nt_c10.10.n21" n="21"/> I can suggest no
                        other. </p>
                </div3>
                <div3 id="div3_c10.10.4" type="section">
                    <head>
                        <bibl type="title">D.10.3. Youthful Male Head </bibl>
                    </head>
                    <p id="p_1031" n="1031">VH 044 = SAL 114579 (<hi1 rend="bold">figs. 16-19</hi1>) </p>
                    <p id="p_1032" n="1032">Maximum preserved height 12.5 cm, maximum width 7.5 cm,
                        maximum thickness ca 11 cm, distance between outer corners of eyes 5 cm,
                        thickness of neck ca 7.3 cm. Shiny crystalline white marble tinged with
                        gray: certainly Greek, probably Thasian.<ptr target="nt_c10.10.n22" n="22"/>
                    </p>
                    <p id="p_1033" n="1033">The head is broken off at the top of the neck. The face
                        is intact, but part of the head is missing on the right side, including the
                        ear, where a vertical break starts at the jaw hinge and temple. There are
                        many small cracks at the top of the head and damage to the front of the
                        chin, tip of the nose, the left lower lip, and the left side of the upper
                        lip. The face has some small abrasions. </p>
                    <p id="p_1034" n="1034">The hair is in short curls, now very worn but also
                        cursory work, containing some drill holes. In addition, at the beginning of
                        the hairline, many small drill holes form two rows running down to the top
                        of the preserved (left) ear. Similar drill holes are prominent at the inner
                        corners of eyes, and a small hole below the nose, just left of center, also
                        appears drilled. The nostrils are formed by larger drill holes. There is,
                        however, no drilling at the corners of the mouth. </p>
                    <p id="p_1035" n="1035">The left ear is very flat, almost certainly
                        intentionally. The surface of the eyes is rounded, and the outer corners are
                        overlapped by the eyebrow muscles. The lips are parted with a “breathing”
                        expression. The forehead is fairly flat but with some projection of the
                        lower part, especially just over the eyes; there is a slight indentation at
                        the bridge of the nose. </p>
                    <p id="p_1036" n="1036">The figure stood approximately 75 cm in height and
                        evidently wore a wreath; the two rows of holes, although extremely shallow
                        (partly because of the abraded surface), seem intended for its
                            attachment.<ptr target="nt_c10.10.n23" n="23"/> While metal attachments
                        are fairly common in Greek sculpture, the Roman preference was to “render
                        even difficult details in marble.”<ptr target="nt_c10.10.n24" n="24"/> There
                        are, however, exceptions, such as an Athena head in the Vatican storerooms
                        with drill holes for attaching decoration to the helmet, including a
                            wreath.<ptr target="nt_c10.10.n25" n="25"/> The Licenza head is cursory
                        work, and the sculptor’s willingness to forego carving a wreath may have
                        been specifically motivated by the difficulty of carving such details in
                        Thasian marble.<ptr target="nt_c10.10.n26" n="26"/>
                    </p>
                    <p id="p_1037" n="1037">The head’s massive depth, overshadowed eyes, and
                        “breathing” mouth combine to recall fragments of the pedimental sculpture
                        from the Temple of Athena Alea at Tegea, whose architect was the
                        fourth-century sculptor Skopas.<ptr target="nt_c10.10.n27" n="27"/> The
                        Tegea heads have usually served as the basis for further attributions to
                        Skopas. Ridgway, however, has argued that Skopas himself would have had
                        little time to spare for the pedimental sculpture while engaged in
                        fashioning the two cult statues and at the same time attending to overall
                        architectural supervision. A local workshop must have been responsible for
                        the style as well as the actual carving of these heads;<ptr
                            target="nt_c10.10.n28" n="28"/> while some traits of the heads appear
                        earlier in the fourth century, the Tegea heads “remain stylistically
                            unique.”<ptr target="nt_c10.10.n29" n="29"/> It is rather arbitrary,
                        however, to suppose that the sculptor-architect devoted his attention to
                        other architectural details (the temple is admittedly both very large and
                        very elaborate, as well as innovative) to the complete exclusion of the
                        architectural sculpture, and it is more likely that Skopas gave his
                        assistants some stylistic guidelines.<ptr target="nt_c10.10.n30" n="30"/> It
                        must be admitted, however, that the style of the Tegea heads has proved a
                        very uncertain criterion for identifying copies of originals by Skopas; the
                        closest parallels have been isolated heads,<ptr target="nt_c10.10.n31"
                            n="31"/> and the Licenza head might be added to these—whether as an
                        athlete (wreath, cauliflower ear) or as Herakles, the tutelary divinity of
                        athletes, who often assumed their attributes. </p>
                    <p id="p_1038" n="1038">The Licenza statuette may be a version of the popular
                        Herakles Lenbach, sometimes attributed to Lysippos<ptr
                            target="nt_c10.10.n32" n="32"/> and certainly of fourth-century origins.
                        This Herakles type has a wide stance with the weight heavily shifted to the
                        left leg, rests the lowered right hand on the upright club, and usually
                        wears a wreath (carved in the marble examples). </p>
                    <p id="p_1039" n="1039">The use of the drill on the Licenza head suggests a date
                        in the late first or early second century A.D. </p>
                </div3>
            </div2>
            <div2 id="div2_c10.11" type="section" status="hidden">
                <head>
                    <bibl type="title">D.11. Coins</bibl>
                </head>
                <p>
                    <hi1 rend="bold">By Theodore Buttrey</hi1>
                </p>
                <div3 id="div3_c10.11.1" type="section" status="hidden">
                    <head>
                        <bibl type="title">D.11.1. The Material </bibl>
                    </head>
                    <div4 id="div4_c10.11.1.1" type="section">
                        <head>
                            <bibl type="title">[text]</bibl>
                        </head>
                        <p id="p_1040" n="1040">Two groups of coins constitute the numismatic
                            material discovered in the excavations of the Villa of Horace, with
                            possibly a third. The first (A) comprises the 82 pieces recovered in
                            1911-1916, the second (B) contains the 16 pieces found in 1997-1999. A
                            third group (C) is the collection of 12 pieces currently on display in
                            the museum of Licenza. Their provenience is unstated and they might
                            simply be scattered local finds, although they are displayed along with
                            material from the Villa proper and are chronologically consistent with
                            Groups A and B. </p>
                    </div4>
                    <div4 id="div4_c10.11.1.2" type="section">
                        <head>
                            <bibl type="title">D.11.1.1. Group A: coins found 1911-1916 </bibl>
                        </head>
                        <p id="p_1041" n="1041">These were identified by Pasqui and published by
                                Lugli.<ptr target="nt_c10.11.n1" n="1"/> They can no longer be
                            found; it is reported that they were stolen from the old Antiquarium of
                            Licenza in the early 1990s. A photographic record of the coins had been
                            made in the 1970s (see Frischer, <ptr target="div4_c13.1.16.17"
                                type="txt" n="G.1.16.17.1-1.16.17.2"/>) but it cannot be used now.
                            Not only is the quality so poor as to compromise the identification of
                            some of the coins, but in all cases the coins are photographed on only
                            one side, making confirmation of anyone’s attribution impossible. For
                            this group one must rely on the manuscripts and the printed record. </p>
                        <p id="p_1042" n="1042">According to the manuscript catalogue (see Frischer,
                                <ptr target="div4_c13.1.12.3" type="txt" n="G.1.12.3"/>) there were
                            82 coins all told, of which three were silver <hi1 rend="italic"
                            >denarii</hi1>, the rest bronze of various denominations. </p>
                        <p id="p_1043" n="1043">One detail is striking: all of the coins were
                            legible to some degree, and most to the point of being identifiable in
                            the 19th-century catalogue of Cohen.<ptr target="nt_c10.11.n2" n="2"/>
                            This is in complete contrast to the difficult legibility of Groups B and
                            C. It seems likely that more coins than these were actually found, but
                            only these were sufficiently helpful to the excavator; the rest were
                            ignored (or not recognized as coins). In fact, the records indicate that
                            such was the case. Our information on the coins of Group A derives from
                            three sources: <table>
                                <row>
                                    <cell>1. </cell>
                                    <cell>The handwritten <hi1 rend="italic">Giornale</hi1> of the
                                        excavations, 1912-1916 (see Frischer, <ptr
                                            target="div4_c13.1.12.1" type="txt" n="G.1.12.1"/>).
                                        These are the field-notes written up by Nicola De Rossi,
                                        which include references to the date and locus of finds,
                                        including the coins. The excavations actually lasted from
                                        May 20, 1911 to October 1, 1914, but the <hi1 rend="italic"
                                            >Giornale</hi1> for 1911 is missing. De Rossi continued
                                        to note surface finds after the digging stopped in 1914.
                                    </cell>
                                </row>
                                <row>
                                    <cell>2. </cell>
                                    <cell><hi1 rend="italic">Categoria Q. Monete antiche</hi1>, the
                                        separate handwritten catalogue of the coins, with individual
                                        descriptions (see Frischer, <ptr target="div4_c13.1.12.3"
                                            type="txt" n="G.1.12.3"/>); it is anonymous, but
                                        presumably by Pasqui (not by De Rossi; it is written in a
                                        different hand). A few emendations, e.g. to Cohen numbers
                                        (hereafter C.), are by a second hand. </cell>
                                </row>
                                <row>
                                    <cell>3. </cell>
                                    <cell>The publication of the coins by Lugli. </cell>
                                </row>
                            </table></p>
                        <p id="p_1044" n="1044">Each of these requires comment. </p>
                        <p>
                            <hi1 rend="bold">1) The </hi1>
                            <hi1 rend="bolditalic">Giornale</hi1>
                        </p>
                        <p id="p_1045" n="1045">
                            <list>
                                <item>a] The total number of coins found cannot be extracted
                                    exactly, if only because of one entry, for 27 April 1912, which
                                    reads “<hi1 rend="italic">Le monete</hi1>” unquantified.
                                    However, a total of something over 105, which would include
                                    completely illegible examples, fits well enough with the total
                                    of 82 identified in (2) and in (3) (see below). Thirty of the
                                    finds were originally noted but not described in the <hi1
                                        rend="italic">Giornale</hi1>, or noted as illegible (e.g.,
                                    17 July 1912, “<hi1 rend="italic">Nº 5 monete tutte
                                    illegibili</hi1>”). Either these were later found to be
                                    partially identifiable, or other, more legible coins, which had
                                    not been noted in the <hi1 rend="italic">Giornale</hi1>, have
                                    found their way into the manuscript catalogue (2). </item>
                                <item>b] This then raises the question, to what extent do the coins
                                    of (1) and of (2) represent the same finds? It is probable that
                                    they do, and best practice would be to accept the readings of
                                    (2), which were done after study, over those of (1), which were
                                    made on the site and perhaps before cleaning. Still, these
                                    problems remain: <list>
                                        <item>{i} Two pieces identified in the <hi1 rend="italic"
                                                >Giornale</hi1> are certainly not in (2), or are not
                                            so described: a find of 4 July 1915, said to be of
                                            Julian (later reattributed?); and even more clearly,
                                            that of 29 May 1913, a <hi1 rend="italic"
                                            >sestertius</hi1> of Hadrian with a three-figure
                                            reverse. </item>
                                        <item>{ii} Twenty-five pieces described in the <hi1
                                                rend="italic">Giornale</hi1> can be more or less
                                            identified with entries in (2), at various levels of
                                            plausibility. This means that something over
                                            three-fourths of the coins whose discovery is noted in
                                            the <hi1 rend="italic">Giornale</hi1> remain
                                            unidentified on the basis of that notation. Many were
                                            re-read, and subsequently included in (2), to a total of
                                            82, but there is no way now to connect the two documents
                                            throughout piece by piece. </item>
                                    </list></item>
                                <item>c] The <hi1 rend="italic">Giornale</hi1> gives the locus, in
                                    terms of land ownership, for the finds of 1912-13, but not for
                                    those of 1915-16 (with one exception). Insofar as ownership is
                                    noted, the coins derived from the properties of Angeletti, M.
                                    Foschi and R. Foschi (with the occasional overlap of the
                                    Foschis; on the properties, see Frischer, <ptr
                                        target="div2_c11.4" type="txt" n="E.4"/>). </item>
                            </list>
                        </p>
                        <p>
                            <hi1 rend="bold">2) The manuscript catalogue</hi1>
                        </p>
                        <p id="p_1046" n="1046">The handwritten catalogue proper of 82 coins, <hi1
                                rend="italic">Categoria Q. Monete antiche</hi1>, is written in a
                            single hand and arranged in a single chronological order by emperor,
                            without regard to the archaeological time or place of find. Or rather,
                            this holds for nos. 1-71; the last 11 pieces presumably came to light
                            subsequently, since they were added to the catalogue, by the same hand,
                            in no obvious order. The descriptions of type and legend are very full
                            through no. 66, but from there to the end, including the additional 11
                            pieces, they tend to abbreviation with some carelessness: e.g., for no.
                            69, the obverse legend is given as MAXENTIVS <hi1 rend="italic">tout
                                court</hi1>; for no. 70 we find MASSENTIVS (inscriptional Italian
                            rather than Latin); and reverse types are mostly omitted. <list>
                                <item>a] The catalogue provides a column for <hi1 rend="italic"
                                        >Provenienza</hi1> for each coin, but this has gone unused
                                    for all but five pieces: nos. 36, 42, 45, 47, and 49. Of these,
                                    the last, a coin of Gallienus found on Angeletti’s property,
                                    does not match any legible or semi-legible piece reported in
                                    (1), though it could of course have been part of an illegible
                                    group, such as the eight which came to light on 11 July 1912.
                                    More important, the other four pieces are noted as “<hi1
                                        rend="italic">dal terreno Caponetti</hi1>,” but the <hi1
                                        rend="italic">Giornale</hi1> includes no mention at all of
                                    digging in that holding, for the simple reason that the
                                    Caponetti land was dug in 1911, the records for which are
                                    missing from the <hi1 rend="italic">Giornale</hi1>. Again,
                                    either something has gone wrong in (2), or the coins of (1) and
                                    (2) are not altogether the same body of material. </item>
                                <item>b] The many numbers jotted otherwise in the <hi1 rend="italic"
                                        >Provenienza</hi1> column, by a later hand, form a running
                                    total from page to page. They are an estimate of the market
                                    value in lire of each coin, as given in Cohen, totaling an
                                    appraisal of L. 210 for the whole. (Cohen’s valuations are in
                                    gold francs, but at the time of publication both France and the
                                    Kingdom of Italy adhered to the Latin Monetary Union, an
                                    association of nations bound by a single currency. Thus, his
                                    valuations were equivalent to contemporary gold lire.) </item>
                                <item>c] The last 11 coins, added rather helter-skelter after the
                                    original chronological arrangement, are all noted as “<hi1
                                        rend="italic">monete trovate in gruppo</hi1>” without any
                                    indication of a find-spot. However, Lugli assigned them to the
                                    complex of rooms “S” (=rooms 44, 47, 48 and 49). </item>
                            </list></p>
                        <p>
                            <hi1 rend="bold">3) Lugli’s publication</hi1>
                        </p>
                        <p id="p_1047" n="1047">Lugli’s published list<ptr target="nt_c10.11.n3"
                                n="3"/> is derived basically from (2), except that he has made a
                            rearrangement after his no. 23 so that he could include in order the
                            last (un-ordered) 11 coins of (2). However, he must have seen the coins,
                            or have had access to further information about them, since at no. 27 he
                            was able to provide a more detailed description of the <hi1
                                rend="italic">sestertius</hi1> of Trajan than had been given in (2)
                            no.24, and to attribute it correctly to C. 444. <list>
                                <item>a] A few errors can be dealt with, most notably the assertion
                                    in the text that 83 coins were listed, while his list runs only
                                    to 82.<ptr target="nt_c10.11.n4" n="4"/>
                                </item>
                                <item>b] More seriously, there are several problems of citation: <list>
                                        <item>{i} No. 7, clearly described in (2) as a coin of Titus
                                            reproducing (“restoring”) a coin of Tiberius (for the
                                            deified Augustus), is included by Lugli under Augustus.
                                            This actually follows the unhistorical arrangement of
                                            Cohen, but confuses the chronology of the coin itself. </item>
                                        <item>{ii} No. 13, a bronze coin of Galba, was referenced in
                                            (2) as “cf. Cohen 349”, an <hi1 rend="italic"
                                            >aureus</hi1>, simply to indicate an analogous reverse
                                            type of military standards. This was reported by Lugli
                                            no. 13 as straight “Cohen 349,” but no gold was found at
                                            the Villa. </item>
                                        <item>{iii} No. 25 in (2) (=Lugli no. 24), a bronze of
                                            Trajan, is referenced by Lugli as “Cohen 62 (?),” also a
                                            gold coin. He apparently miscopied the correct reference
                                            from (2), Cohen 625. </item>
                                    </list></item>
                                <item>c] Finally, Lugli usually gives only the imperial name and the
                                    Cohen reference, leaving it to the reader to go back to Cohen to
                                    discover what issue or type is actually to hand. However, for
                                    four pieces not given a Cohen reference in (2), he provides a
                                    more generous description: three “G.B.” (i.e. <hi1 rend="italic"
                                        >sestertii</hi1>) of Trajan and Gallienus, and one “M.B.”
                                    (i.e. a <hi1 rend="italic">dupondius</hi1> or an <hi1
                                        rend="italic">as</hi1>) of Gordian III. Only two of these
                                    can be correct: <list>
                                        <item>&bullet; no. 27, “G.B.” of Trajan, given as “G.B.”
                                            also in (2) no. 24, is assigned by Lugli correctly to C.
                                            444. </item>
                                        <item>&bullet; no. 60, “G.B.” of Gallienus, is given as
                                            “G.B” also in (2) no. 49, wrongly. The type described,
                                            emperor sacrificing at tripod, does not occur as a <hi1
                                                rend="italic">sestertius</hi1>, but as an <hi1
                                                rend="italic">antoninianus</hi1>, <hi1 rend="italic"
                                                >RIC</hi1> 5<hi1 rend="sup">1</hi1>.186.618.<ptr
                                                target="nt_c10.11.n5" n="5"/>
                                        </item>
                                        <item>&bullet; no. 61, “G.B.” of Gallienus, is given
                                            correctly as “P.B.” in (2) no. 50, i.e. an <hi1
                                                rend="italic">antoninianus</hi1> with reverse type
                                            Pegasus, <hi1 rend="italic">RIC</hi1> 5<hi1 rend="sup"
                                            >1</hi1>.155.282. </item>
                                        <item>&bullet; no. 50 is indeed an as of Gordian, <hi1
                                                rend="italic">RIC</hi1> 4<hi1 rend="sup"
                                                >3</hi1>.43.256b.<ptr target="nt_c10.11.n6" n="6"/>
                                        </item>
                                    </list></item>
                            </list></p>
                        <p id="p_1048" n="1048">All of the above indicates that a precise
                            description of all of the individual coins of Group A cannot be
                            recovered today. But there seems no reason to question either the
                            general run of attributions or the identification of the individual
                            emperors, although it must be noted that there are some generalizations
                            (e.g., “CONST...” covers Constantine and his sons). </p>
                    </div4>
                    <div4 id="div4_c10.11.1.3" type="section">
                        <head>
                            <bibl type="title">D.11.1.2. Group B: coins from the excavations of
                                1997-1999 </bibl>
                        </head>
                        <p id="p_1049" n="1049">The sixteen coins of the most recent excavations,
                            1997-1999, are as a whole in poor condition. Ancient wear in circulation
                            is taken for granted for all find coins anywhere; subsequent corrosion
                            or deformation in the soil is normal; and the excavators have to clean
                            the material properly for it to be read. That is all straightforward.
                            The particular problem with the coins from the villa of Horace is the
                            acidity of the soil. All of the ancient coins are of bronze (two coins
                            are modern), and have been so deeply corroded that not only have the
                            legends almost entirely vanished, but on most of the coins whole types
                            have vanished, leaving in some cases only shadowy traces or nothing at
                            all of the original impression. There is no way to recover what is lost,
                            and few of the coins in Groups B or C below can be exactly identified. </p>
                        <p id="p_1050" n="1050">Unlike Groups A and C, among the ancient and
                            assignable coins of Group B there is a relatively high proportion (9 out
                            of 12) struck in the late third-fourth century A.D. This enlarges the
                            scattered finds of late coins reported earlier. </p>
                        <p id="p_1051" n="1051">For the catalogue, see below. </p>
                    </div4>
                    <div4 id="div4_c10.11.1.4" type="section">
                        <head>
                            <bibl type="title">D.11.1.3. Group C: coins in the museum of Licenza
                            </bibl>
                        </head>
                        <p id="p_1052" n="1052">These 12 coins do not correspond to those listed in
                            Group A, and must be separate, presumably later, finds. Their relatively
                            high level of legibility, compared to those of Group B, also suggests
                            that coins in worse condition might not have been recognized as coins,
                            or might have been discarded as useless. </p>
                        <p id="p_1053" n="1053">One is an ancient imitation of a silver <hi1
                                rend="italic">denarius</hi1> (plated); the rest are bronze, badly
                            corroded. Ten of the 12 can be dated to the first-second century A.D.
                            Thus in scope they fall in the earlier part of the range of coin finds
                            already established at the Villa in the <hi1 rend="italic"
                            >Giornale</hi1> (1) and in the handwritten catalogue (2). </p>
                        <p id="p_1054" n="1054">This lot is unlabelled in the display case as to
                            provenience, and might be local Licenza finds without any specific
                            connection to the Villa. </p>
                        <p id="p_1055" n="1055">For the catalogue, see below. </p>
                    </div4>
                    <div4 id="div4_c10.11.1.5" type="section">
                        <head>
                            <bibl type="title">D.11.1.4. The excavations </bibl>
                        </head>
                        <p id="p_1056" n="1056">Group A, 1912-1916. To work backwards from (3),
                            Lugli must have used the handwritten catalogue of coins, but he did not
                            have access to Pasqui’s excavation notes, which he believed to have been
                            lost (col. 461). </p>
                        <p id="p_1057" n="1057">He mentions the coin finds in an excavation context
                            only once and in a general way (col. 557 and n1): <q1>
                                <p>
                                    <hi1 rend="italic">In base a questi elementi possiamo datare
                                        l’edificio </hi1>[53] <hi1 rend="italic">e in generale tutte
                                        le costruzioni di questo periodo, all’ età tra i Flavi e
                                        Adriano, vale a dire alla fine del I sec., o agli inizi del
                                        II sec. d. Cr. </hi1>
                                    <hi1 rend="sup">1</hi1>
                                </p>
                                <p>
                                    <q1>
                                        <p>
                                            <hi1 rend="italic">1. Si noti che nello scavo si sono
                                                rinvenute con eccezionale abbondanza monete di
                                                Vespasiano, Domiziano e anche Traiano, coincidenza
                                                che non è certo casuale. </hi1>
                                        </p>
                                    </q1>
                                </p>
                            </q1>
                        </p>
                        <p id="p_1058" n="1058">From a numismatic point of view this is perhaps an
                            overstatement. To be sure, there were ten Flavian coins (including the
                            restoration of Tiberius [Augustus] by Titus), and four of Trajan. But
                            the second century produced another 17 pieces. </p>
                        <p id="p_1059" n="1059">Lacking the specific find-spots, Lugli was not able
                            to assign the individual coins to more specific loci, except for a group
                            of 11 (“12”) pieces which came out of the rooms marked “S” (=rooms 44,
                            47, 48 and 49). </p>
                        <p id="p_1060" n="1060">The <hi1 rend="italic">Giornale</hi1> (1) and the
                            coin list (2) are now to hand, and provide better information on the
                            precise find-spots, although as indicated above they are only partially
                            useful, because they are incomplete or inconsistent in themselves.
                            However, these are the pieces which can be assigned a find-spot from
                            documents (1) and (2); the numbers are those of <hi1 rend="italic"
                                >Categoria Q</hi1> (2) / Lugli (3): </p>
                        <p>
                            <hi1 rend="bold">[a] Angeletti property</hi1>
                        </p>
                        <p id="p_1061" n="1061">
                            <table border="0">
                                <row>
                                    <cell> nos.</cell>
                                    <cell> - / - </cell>
                                    <cell colspan="2">Hadrian with three-figure reverse (reported
                                        find, 29 May 1913)</cell>
                                </row>
                                <row>
                                    <cell/>
                                    <cell>80/39 </cell>
                                    <cell>Marcus Aurelius </cell>
                                    <cell>@</cell>
                                </row>
                                <row>
                                    <cell/>
                                    <cell>74/45 </cell>
                                    <cell>Caracalla</cell>
                                    <cell> @</cell>
                                </row>
                                <row>
                                    <cell/>
                                    <cell>75/46 </cell>
                                    <cell>Julia Mamaea </cell>
                                    <cell>@</cell>
                                </row>
                                <row>
                                    <cell/>
                                    <cell>47/54 </cell>
                                    <cell>Otacilia </cell>
                                    <cell>@</cell>
                                </row>
                                <row>
                                    <cell/>
                                    <cell>53/63 </cell>
                                    <cell>Claudius II</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell/>
                                    <cell>56/66 </cell>
                                    <cell>Severina </cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell/>
                                    <cell>57/67 </cell>
                                    <cell>Diocletian </cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell/>
                                    <cell>59/69 </cell>
                                    <cell>Maximian </cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell/>
                                    <cell>65/75 </cell>
                                    <cell>Constantine </cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell/>
                                    <cell>68/78 </cell>
                                    <cell>Constantine </cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell/>
                                    <cell>69 or 70/80 </cell>
                                    <cell>Maxentius </cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell/>
                                    <cell colspan="2"> + not identifiable 40 pieces </cell>
                                    <cell/>
                                </row>
                            </table>
                        </p>
                        <p id="p_1062" n="1062">These coins are mostly later third and fourth
                            century; there is nothing from the first century, and only two pieces of
                            the second century. </p>
                        <p id="p_1063" n="1063">For the four pieces marked with the symbol @, see
                            below under [b]. </p>
                        <p>
                            <hi1 rend="bold">[b] Caponetti property</hi1>
                        </p>
                        <p id="p_1064" n="1064">As noted above, the surviving portion of the <hi1
                                rend="italic">Giornale</hi1> does not mention digging in this area.
                            However, four coins are tagged in the manuscript catalogue as discovered
                                “<hi1 rend="italic">in terreno Caponetti</hi1>,” namely </p>
                        <p id="p_1065" n="1065">
                            <table border="0">
                                <row>
                                    <cell>nos. </cell>
                                    <cell>36/40 </cell>
                                    <cell>Faustina II</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell/>
                                    <cell>42/50 </cell>
                                    <cell>Gordian III </cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell/>
                                    <cell>45/51 </cell>
                                    <cell>Maximus </cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell/>
                                    <cell>47/54 </cell>
                                    <cell>Otacilia </cell>
                                    <cell>@ </cell>
                                </row>
                            </table>
                        </p>
                        <p id="p_1066" n="1066">Moreover, the final 11 coins in (2), nos. 72-82,
                            appear to come from the same area. This is not stated in the handwritten
                            catalogue, where they are noted only as “<hi1 rend="italic">monete
                                trovate in gruppo</hi1>.” But in the introduction to his listing of
                            the coin finds (3), Lugli localizes them in <hi1 rend="italic">un gruppo
                                rinvenuto tutt’insieme nell’ultimo scavo in una delle stanze S,
                                quasi al piano</hi1>, to wit (again with Categoria Q/Lugli numbers):
                                <table border="0">
                                <row>
                                    <cell>nos. </cell>
                                    <cell>79/29 </cell>
                                    <cell>Hadrian </cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell/>
                                    <cell>72/33 </cell>
                                    <cell>Faustina I </cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell/>
                                    <cell>80/34 </cell>
                                    <cell>Marcus Aurelius</cell>
                                    <cell>@ </cell>
                                </row>
                                <row>
                                    <cell/>
                                    <cell>73/36 </cell>
                                    <cell>Marcus Aurelius</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell/>
                                    <cell>74/45 </cell>
                                    <cell>Caracalla</cell>
                                    <cell>@</cell>
                                </row>
                                <row>
                                    <cell/>
                                    <cell>75/46 </cell>
                                    <cell>Julia Mamaea</cell>
                                    <cell>@</cell>
                                </row>
                                <row>
                                    <cell/>
                                    <cell>77/52 </cell>
                                    <cell>Philip I </cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell/>
                                    <cell>76/56 </cell>
                                    <cell>Aemilian</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell/>
                                    <cell>78/57 </cell>
                                    <cell>Valerian</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell/>
                                    <cell>[78/58 </cell>
                                    <cell>Valerian] (apparently Lugli’s dittography of 78/57)</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell/>
                                    <cell>82/79 </cell>
                                    <cell>Constantine</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell/>
                                    <cell>81/83 </cell>
                                    <cell>Constantine II </cell>
                                    <cell/>
                                </row>
                            </table></p>
                        <p id="p_1067" n="1067">To judge from the site plan, these rooms (Lugli
                            S=44, 47, 48 and 49) should fall within the Caponetti property. But
                            these coins are plainly not the same material as the coins noted in (2)
                            as found “<hi1 rend="italic">in terreno Caponetti</hi1>,” although they
                            accord with them in time-scale. </p>
                        <p id="p_1068" n="1068">There is, however, an insoluble confusion. The finds
                            from [b] include four pieces, marked @ above, which appear to be
                            attested in the <hi1 rend="italic">Giornale</hi1> as independent finds
                            from holding [a], while the handwritten catalogue assigns three of them
                            to the <hi1 rend="italic">gruppo</hi1> which, according to Lugli, was
                            found in rooms S (=44, 47, 48 and 49), therefore property [b]. Thus the
                                <hi1 rend="italic">Giornale</hi1> for 12 June 1913 reports the
                            single discovery of a coin of Marcus Aurelius with reverse type Salus
                            (i.e., it was legible on site), in property [a] Angeletti; but an entry
                            for such a type appears in the catalogue (2) only at no. 80 in the <hi1
                                rend="italic">gruppo</hi1>. It is of course conceivable that two
                            different coins of similar description could be found, though it is
                            difficult to understand why a piece identifiable at the site should be
                            less legible after study.<ptr target="nt_c10.11.n7" n="7"/> And it is
                            hardly likely that this would happen four times. Absent the original
                            find-spots, there is no way of disentangling this dual confusion, i.e.,
                            whether the coins were or were not found together, and whether they were
                            found in property [a] or [b]. </p>
                        <p id="p_1069" n="1069">Note too that whatever the term “<hi1 rend="italic"
                                >gruppo</hi1>” intends here archaeologically, the batch of 11 coins
                            cannot have been a hoard or any coherent lot. They are too disparate,
                            and were struck over too long a period, to have circulated together, and
                            must be treated as individual losses. </p>
                        <p>
                            <hi1 rend="bold">[c] Rocco Foschi property</hi1>
                        </p>
                        <p id="p_1070" n="1070">
                            <table>
                                <row>
                                    <cell>nos.</cell>
                                    <cell>1/1</cell>
                                    <cell>Republican <hi1 rend="italic">aes grave,
                                    triens</hi1></cell>
                                </row>
                                <row>
                                    <cell/>
                                    <cell> 15etc/15etc</cell>
                                    <cell>Vespasian</cell>
                                </row>
                                <row>
                                    <cell/>
                                    <cell>41etc/47etc</cell>
                                    <cell>Gordian III</cell>
                                </row>
                                <row>
                                    <cell/>
                                    <cell>43/48</cell>
                                    <cell>Gordian III </cell>
                                </row>
                                <row>
                                    <cell/>
                                    <cell> 49etc/59etc</cell>
                                    <cell>Gallienus</cell>
                                </row>
                                <row>
                                    <cell/>
                                    <cell>50-51/59etc</cell>
                                    <cell>Gallienus</cell>
                                </row>
                                <row>
                                    <cell/>
                                    <cell>55?/65</cell>
                                    <cell>Claudius II </cell>
                                </row>
                                <row>
                                    <cell/>
                                    <cell>64etc/74etc</cell>
                                    <cell>Constantine</cell>
                                </row>
                                <row>
                                    <cell/>
                                    <cell>64etc/74etc</cell>
                                    <cell>Constantine</cell>
                                </row>
                                <row>
                                    <cell/>
                                    <cell colspan="2">+ not identifiable 14 pieces</cell>
                                </row>
                            </table>
                        </p>
                        <p id="p_1071" n="1071">The <hi1 rend="italic">aes grave</hi1> is obviously
                            out of step with the rest of the coins chronologically, but there is no
                            reason why it should not have circulated in this area in the third
                            century B.C. Otherwise, save for one the coins are all of the third and
                            fourth centuries A.D. </p>
                        <p>
                            <hi1 rend="bold">[d] Mariassunta Foschi property</hi1>
                        </p>
                        <p id="p_1072" n="1072">
                            <table>
                                <row>
                                    <cell>nos.</cell>
                                    <cell>14/14</cell>
                                    <cell>Vespasian</cell>
                                </row>
                                <row>
                                    <cell/>
                                    <cell>18/18</cell>
                                    <cell>Domitian</cell>
                                </row>
                                <row>
                                    <cell/>
                                    <cell>34/35</cell>
                                    <cell>Marcus Aurelius</cell>
                                </row>
                                <row>
                                    <cell/>
                                    <cell colspan="2">+ not identifiable 4 pieces</cell>
                                </row>
                            </table>
                        </p>
                        <p>
                            <hi1 rend="bold">[e] Rocco and Mariassunta Foschi property</hi1>
                        </p>
                        <p id="p_1073" n="1073">(A joint holding, or excavator’s uncertainty as to
                            the property line?) <table>
                                <row>
                                    <cell>no. </cell>
                                    <cell>6?/6 </cell>
                                    <cell>Augustus</cell>
                                </row>
                                <row>
                                    <cell/>
                                    <cell colspan="2">+ not identifiable 1 piece</cell>
                                </row>
                            </table></p>
                        <p>
                            <hi1 rend="bold">[f] find-spot not given</hi1>
                        </p>
                        <p id="p_1074" n="1074">
                            <table>
                                <row>
                                    <cell>nos. </cell>
                                    <cell>-/-</cell>
                                    <cell>“Giuliano” (found 4 July 1915)</cell>
                                </row>
                                <row>
                                    <cell/>
                                    <cell> -/74-79, 81-82</cell>
                                    <cell>“CONSTAN...” (found 25 August 1915)</cell>
                                </row>
                                <row>
                                    <cell/>
                                    <cell colspan="2"> + not identifiable 2 pieces </cell>
                                </row>
                            </table>
                        </p>
                    </div4>
                </div3>
                <div3 id="div3_c10.11.2" type="section">
                    <head>
                        <bibl type="title">D.11.2. Conclusions </bibl>
                    </head>
                    <p id="p_1075" n="1075">It is not possible to assign most of the identified
                        coins to the individual property, nor to coordinate the distribution by
                        property in Group A with the finds of Group B, which are cited only as from
                        various sectors. But the overall numismatic results for the entire site
                        exhibit a chronological continuity, although B supplies a firmer picture of
                        the fourth century than does A. This confirms what appears to be the case
                        from the other evidence as well: a late Republican habitation,<ptr
                            target="nt_c10.11.n8" n="8"/> occupied continuously at least until late
                        in the fourth century A.D., with, numismatically, a weak period in the very
                        late second and early third century. It is interesting that the still later
                        ancient and the medieval occupations of the site have produced only one
                        coin, a <hi1 rend="italic">minim</hi1>, most probably of the fifth century.
                        It is of course possible that the more fragile medieval coins were simply
                        devoured by the unfriendly soil. </p>
                </div3>
                <div3 id="div3_c10.11.3" type="section" status="hidden">
                    <head>
                        <bibl type="title">D.11.3. Catalogues by Group </bibl>
                    </head>
                    <div4 id="div4_c10.11.3.1" type="section">
                        <head>
                            <bibl type="title">D.11.3.1. Group A: coins found 1912-1916 </bibl>
                        </head>
                        <p id="p_1076" n="1076">Catalogued and described in manuscript (2),
                            reproduced summarily by Lugli in (3).<ptr target="nt_c10.11.n9" n="9"/>
                        </p>
                    </div4>
                    <div4 id="div4_c10.11.3.2" type="section">
                        <head>
                            <bibl type="title">D.11.3.2. Group B: coins from the excavations
                                1997-1999 </bibl>
                        </head>
                        <p id="p_1077" n="1077">
                            <table border="0">
                                <row>
                                    <cell>1.</cell>
                                    <cell colspan="2"> bronze</cell>
                                    <cell colspan="2"> probably third century B.C. or later
                                        Hellenistic</cell>
                                    <cell>
                                        <hi1 rend="bold">fig. 1</hi1>
                                    </cell>
                                </row>
                                <row>
                                    <cell colspan="6">&nbsp;</cell>
                                </row>
                                <row>
                                    <cell>&nbsp;&nbsp;</cell>
                                    <cell> obv. </cell>
                                    <cell colspan="4"> --</cell>
                                </row>
                                <row>
                                    <cell>&nbsp;</cell>
                                    <cell colspan="5"> rev. </cell>
                                </row>
                                <row>
                                    <cell/>
                                    <cell> Sector</cell>
                                    <cell> Area</cell>
                                    <cell> SU</cell>
                                    <cell> Find no.</cell>
                                    <cell> Inv. no.</cell>
                                </row>
                                <row>
                                    <cell/>
                                    <cell> IV.1</cell>
                                    <cell> 23</cell>
                                    <cell> 4030</cell>
                                    <cell>2</cell>
                                    <cell> VH 059=SAL 114509</cell>
                                </row>
                                <row>
                                    <cell colspan="6">14 mm, with a thickish flan.</cell>
                                </row>
                                <row>
                                    <cell colspan="6">&nbsp;</cell>
                                </row>
                                <row>
                                    <cell>2.</cell>
                                    <cell colspan="2">
                                        <hi1 rend="italic">as</hi1> (halved)</cell>
                                    <cell colspan="2"> first third of first century A.D.</cell>
                                    <cell>
                                        <hi1 rend="bold">fig. 1</hi1>
                                    </cell>
                                </row>
                                <row>
                                    <cell colspan="6">&nbsp;</cell>
                                </row>
                                <row>
                                    <cell>&nbsp;&nbsp;</cell>
                                    <cell> obv. </cell>
                                    <cell colspan="4">head of Augustus or Tiberius</cell>
                                </row>
                                <row>
                                    <cell>&nbsp;&nbsp;</cell>
                                    <cell> rev. </cell>
                                    <cell colspan="4">--</cell>
                                </row>
                                <row>
                                    <cell> </cell>
                                    <cell> Sector</cell>
                                    <cell> Area</cell>
                                    <cell> SU</cell>
                                    <cell> Find no.</cell>
                                    <cell> Inv. no.</cell>
                                </row>
                                <row>
                                    <cell/>
                                    <cell> VII.1</cell>
                                    <cell> 24</cell>
                                    <cell> 7038</cell>
                                    <cell>3</cell>
                                    <cell> VH 145=SAL 114515</cell>
                                </row>
                                <row>
                                    <cell colspan="6">24.5 mm on the cut. Both faces are worn smooth
                                        from ancient circulation. The flan identifies the general
                                        period of issue. Halved asses of Augustan and Tiberian
                                        striking have been found in very large quantities along the
                                        German frontier, and to a certain extent in northern Italy,
                                        but not commonly in central Italy as here.</cell>
                                </row>
                                <row>
                                    <cell colspan="6">&nbsp;</cell>
                                </row>
                                <row>
                                    <cell> 3.</cell>
                                    <cell colspan="2">
                                        <hi1 rend="italic">as</hi1>
                                    </cell>
                                    <cell colspan="2"> 119-138 A.D.</cell>
                                    <cell>
                                        <hi1 rend="bold">figs. 2-3</hi1>
                                    </cell>
                                </row>
                                <row>
                                    <cell colspan="6">&nbsp;</cell>
                                </row>
                                <row>
                                    <cell>&nbsp;&nbsp; </cell>
                                    <cell> obv.</cell>
                                    <cell colspan="4">head of Hadrian Hadrianvs] AV[gvstvs</cell>
                                </row>
                                <row>
                                    <cell> </cell>
                                    <cell> rev. </cell>
                                    <cell colspan="4">standing figure </cell>
                                </row>
                                <row>
                                    <cell> </cell>
                                    <cell colspan="5"><hi1 rend="italic">BMCRE</hi1> 3.437-486, mint
                                        of Rome</cell>
                                </row>
                                <row>
                                    <cell/>
                                    <cell> Sector</cell>
                                    <cell> Area</cell>
                                    <cell> SU</cell>
                                    <cell> Find no.</cell>
                                    <cell> Inv. no.</cell>
                                </row>
                                <row>
                                    <cell> </cell>
                                    <cell> I.2</cell>
                                    <cell> 50</cell>
                                    <cell> 261</cell>
                                    <cell> 1</cell>
                                    <cell> VH 055=SAL 114508</cell>
                                </row>
                                <row>
                                    <cell colspan="6">&nbsp;</cell>
                                </row>
                                <row>
                                    <cell> 4.</cell>
                                    <cell colspan="2">
                                        <hi1 rend="italic">follis</hi1>
                                    </cell>
                                    <cell colspan="2"> 297-298 A.D.</cell>
                                    <cell>
                                        <hi1 rend="bold">figs. 4-5</hi1>
                                    </cell>
                                </row>
                                <row>
                                    <cell colspan="6">&nbsp;</cell>
                                </row>
                                <row>
                                    <cell>&nbsp;&nbsp;</cell>
                                    <cell> obv. </cell>
                                    <cell colspan="4">head of Constantius I r. CONSTANTIVS NOB [c or
                                        caes]</cell>
                                </row>
                                <row>
                                    <cell> </cell>
                                    <cell> rev. </cell>
                                    <cell colspan="4">VOT / XX / Θ</cell>
                                </row>
                                <row>
                                    <cell> </cell>
                                    <cell colspan="5"><hi1 rend="italic">RIC</hi1> 6.360.88a or 89a,
                                        mint of Rome</cell>
                                </row>
                                <row>
                                    <cell> </cell>
                                    <cell> Sector</cell>
                                    <cell> Area</cell>
                                    <cell> SU</cell>
                                    <cell> Find no.</cell>
                                    <cell> Inv. no.</cell>
                                </row>
                                <row>
                                    <cell> </cell>
                                    <cell> VII.1</cell>
                                    <cell> 24</cell>
                                    <cell> 7039</cell>
                                    <cell> 1</cell>
                                    <cell> VH 123=SAL 114513</cell>
                                </row>
                                <row>
                                    <cell colspan="6">&nbsp;</cell>
                                </row>
                                <row>
                                    <cell> 5.</cell>
                                    <cell colspan="2">
                                        <hi1 rend="italic">follis</hi1>
                                    </cell>
                                    <cell colspan="2"> probably late third-fourth century A.D</cell>
                                    <cell>
                                        <hi1 rend="bold">fig. 1</hi1>
                                    </cell>
                                </row>
                                <row>
                                    <cell colspan="6">&nbsp;</cell>
                                </row>
                                <row>
                                    <cell>&nbsp;&nbsp; </cell>
                                    <cell> obv. </cell>
                                    <cell colspan="4">--</cell>
                                </row>
                                <row>
                                    <cell> </cell>
                                    <cell> rev. </cell>
                                    <cell colspan="4">--</cell>
                                </row>
                                <row>
                                    <cell> </cell>
                                    <cell> Sector</cell>
                                    <cell> Area</cell>
                                    <cell> SU</cell>
                                    <cell> Find no.</cell>
                                    <cell> Inv. no.</cell>
                                </row>
                                <row>
                                    <cell> </cell>
                                    <cell> 1.5</cell>
                                    <cell> 38</cell>
                                    <cell> 832</cell>
                                    <cell>1</cell>
                                    <cell> VH 058=SAL 114537</cell>
                                </row>
                                <row>
                                    <cell colspan="6">thin flan, illegible.</cell>
                                </row>
                                <row>
                                    <cell colspan="6">&nbsp;</cell>
                                </row>
                                <row>
                                    <cell> 6.</cell>
                                    <cell colspan="2">
                                        <hi1 rend="italic">follis</hi1>
                                    </cell>
                                    <cell colspan="2"> 347-348 A.D.</cell>
                                    <cell>
                                        <hi1 rend="bold">fig. 6</hi1>
                                    </cell>
                                </row>
                                <row>
                                    <cell colspan="6">&nbsp;</cell>
                                </row>
                                <row>
                                    <cell>&nbsp;&nbsp;</cell>
                                    <cell> obv. </cell>
                                    <cell colspan="4">head of Constans CONSTANS P F AVG</cell>
                                </row>
                                <row>
                                    <cell> </cell>
                                    <cell> rev.</cell>
                                    <cell colspan="4">probably two Victories</cell>
                                </row>
                                <row>
                                    <cell> </cell>
                                    <cell colspan="5">e.g. <hi1 rend="italic">RIC</hi1> 8.253-255.78
                                        etc.</cell>
                                </row>
                                <row>
                                    <cell> </cell>
                                    <cell> Sector</cell>
                                    <cell> Area</cell>
                                    <cell> SU</cell>
                                    <cell> Find no.</cell>
                                    <cell> Inv. no.</cell>
                                </row>
                                <row>
                                    <cell> </cell>
                                    <cell> VII.1</cell>
                                    <cell> 24</cell>
                                    <cell> 7035</cell>
                                    <cell> 1</cell>
                                    <cell> VH 092=SAL 114510</cell>
                                </row>
                                <row>
                                    <cell colspan="6">&nbsp;</cell>
                                </row>
                                <row>
                                    <cell> 7.</cell>
                                    <cell colspan="2">
                                        <hi1 rend="italic">follis</hi1>
                                    </cell>
                                    <cell colspan="2"> 347-348 A.D.</cell>
                                    <cell>
                                        <hi1 rend="bold">figs. 7-8</hi1>
                                    </cell>
                                </row>
                                <row>
                                    <cell colspan="6">&nbsp;</cell>
                                </row>
                                <row>
                                    <cell>&nbsp;&nbsp;</cell>
                                    <cell> obv. </cell>
                                    <cell colspan="4">head of Constantius II. d n constan]TIVS P F
                                        AVG</cell>
                                </row>
                                <row>
                                    <cell> </cell>
                                    <cell> rev. </cell>
                                    <cell colspan="4">VOT / XX / MVLT / XXX</cell>
                                </row>
                                <row>
                                    <cell> </cell>
                                    <cell colspan="5">Eastern mint, e.g. <hi1 rend="italic"
                                        >RIC</hi1> 8.433.45 (Heraclea)</cell>
                                </row>
                                <row>
                                    <cell> </cell>
                                    <cell> Sector</cell>
                                    <cell> Area</cell>
                                    <cell> SU</cell>
                                    <cell> Find no.</cell>
                                    <cell> Inv. no.</cell>
                                </row>
                                <row>
                                    <cell> </cell>
                                    <cell> I.4</cell>
                                    <cell> 40</cell>
                                    <cell> 615</cell>
                                    <cell> 3</cell>
                                    <cell> VH 057=SAL 114536</cell>
                                </row>
                                <row>
                                    <cell colspan="6">&nbsp;</cell>
                                </row>
                                <row>
                                    <cell> 8.</cell>
                                    <cell colspan="2"> AE 3</cell>
                                    <cell colspan="2"> 348-361 A.D.</cell>
                                    <cell>
                                        <hi1 rend="bold">fig. 9</hi1>
                                    </cell>
                                </row>
                                <row>
                                    <cell colspan="6">&nbsp;</cell>
                                </row>
                                <row>
                                    <cell>&nbsp;&nbsp; </cell>
                                    <cell> obv. </cell>
                                    <cell colspan="4">head of Constantius II, Gallus or
                                    Julian</cell>
                                </row>
                                <row>
                                    <cell> </cell>
                                    <cell>rev.</cell>
                                    <cell colspan="4">falling horseman</cell>
                                </row>
                                <row>
                                    <cell> </cell>
                                    <cell> Sector</cell>
                                    <cell> Area</cell>
                                    <cell> SU</cell>
                                    <cell> Find no.</cell>
                                    <cell> Inv. no.</cell>
                                </row>
                                <row>
                                    <cell> </cell>
                                    <cell> I.3</cell>
                                    <cell> 37</cell>
                                    <cell> 429</cell>
                                    <cell> 1</cell>
                                    <cell> VH 014=SAL 114505</cell>
                                </row>
                                <row>
                                    <cell colspan="6">&nbsp;</cell>
                                </row>
                                <row>
                                    <cell> 9.</cell>
                                    <cell colspan="2">
                                        <hi1 rend="italic">follis</hi1>
                                    </cell>
                                    <cell colspan="2"> fourth century A.D.</cell>
                                    <cell>
                                        <hi1 rend="bold">fig. 1</hi1>
                                    </cell>
                                </row>
                                <row>
                                    <cell colspan="6">&nbsp;</cell>
                                </row>
                                <row>
                                    <cell>&nbsp;&nbsp; </cell>
                                    <cell> obv. </cell>
                                    <cell colspan="4">head r.</cell>
                                </row>
                                <row>
                                    <cell> </cell>
                                    <cell> rev. </cell>
                                    <cell colspan="4">--</cell>
                                </row>
                                <row>
                                    <cell> </cell>
                                    <cell> Sector</cell>
                                    <cell> Area</cell>
                                    <cell> SU</cell>
                                    <cell> Find no.</cell>
                                    <cell> Inv. no.</cell>
                                </row>
                                <row>
                                    <cell> </cell>
                                    <cell> I.5</cell>
                                    <cell> 38</cell>
                                    <cell> 800</cell>
                                    <cell> 2</cell>
                                    <cell> VH 038=SAL 114506</cell>
                                </row>
                                <row>
                                    <cell colspan="6">&nbsp;</cell>
                                </row>
                                <row>
                                    <cell> 10.</cell>
                                    <cell colspan="2">
                                        <hi1 rend="italic">follis</hi1>
                                    </cell>
                                    <cell colspan="2"> later fourth century A.D.</cell>
                                    <cell>
                                        <hi1 rend="bold">fig. 10</hi1>
                                    </cell>
                                </row>
                                <row>
                                    <cell colspan="6">&nbsp;</cell>
                                </row>
                                <row>
                                    <cell>&nbsp;&nbsp; </cell>
                                    <cell> obv. </cell>
                                    <cell colspan="4">young head r.</cell>
                                </row>
                                <row>
                                    <cell> </cell>
                                    <cell> rev. </cell>
                                    <cell colspan="4">--</cell>
                                </row>
                                <row>
                                    <cell> </cell>
                                    <cell> Sector</cell>
                                    <cell> Area</cell>
                                    <cell> SU</cell>
                                    <cell> Find no.</cell>
                                    <cell> Inv. no.</cell>
                                </row>
                                <row>
                                    <cell> </cell>
                                    <cell> I.3</cell>
                                    <cell> 37</cell>
                                    <cell> 448</cell>
                                    <cell> 2</cell>
                                    <cell> VH 049=SAL 114507</cell>
                                </row>
                                <row>
                                    <cell colspan="6">&nbsp;</cell>
                                </row>
                                <row>
                                    <cell> 11.</cell>
                                    <cell colspan="2"> bronze fragment</cell>
                                    <cell colspan="2"> probably fourth century A.D.</cell>
                                    <cell>
                                        <hi1 rend="bold">fig. 1</hi1>
                                    </cell>
                                </row>
                                <row>
                                    <cell colspan="6">&nbsp;</cell>
                                </row>
                                <row>
                                    <cell>&nbsp;&nbsp; </cell>
                                    <cell> obv. </cell>
                                    <cell colspan="4">--</cell>
                                </row>
                                <row>
                                    <cell> </cell>
                                    <cell> rev. </cell>
                                    <cell colspan="4">--</cell>
                                </row>
                                <row>
                                    <cell> </cell>
                                    <cell> Sector</cell>
                                    <cell> Area</cell>
                                    <cell> SU</cell>
                                    <cell> Find no.</cell>
                                    <cell> Inv. no.</cell>
                                </row>
                                <row>
                                    <cell> </cell>
                                    <cell> VII.1</cell>
                                    <cell> 24</cell>
                                    <cell> 7035</cell>
                                    <cell> 2</cell>
                                    <cell> VH 093=SAL 114511</cell>
                                </row>
                                <row>
                                    <cell colspan="6">&nbsp;</cell>
                                </row>
                                <row>
                                    <cell> 12.</cell>
                                    <cell colspan="2">
                                        <hi1 rend="italic">minim</hi1>
                                    </cell>
                                    <cell colspan="2"> late fourth/fifth century A.D.</cell>
                                    <cell>
                                        <hi1 rend="bold">fig. 1</hi1>
                                    </cell>
                                </row>
                                <row>
                                    <cell colspan="6">&nbsp;</cell>
                                </row>
                                <row>
                                    <cell>&nbsp;&nbsp; </cell>
                                    <cell> obv. </cell>
                                    <cell colspan="4">--</cell>
                                </row>
                                <row>
                                    <cell> </cell>
                                    <cell> rev. </cell>
                                    <cell colspan="4">--</cell>
                                </row>
                                <row>
                                    <cell> </cell>
                                    <cell> Sector</cell>
                                    <cell> Area</cell>
                                    <cell> SU</cell>
                                    <cell> Find no.</cell>
                                    <cell> Inv. no.</cell>
                                </row>
                                <row>
                                    <cell> </cell>
                                    <cell> VII.1</cell>
                                    <cell> 24</cell>
                                    <cell> 7038</cell>
                                    <cell> 2</cell>
                                    <cell> VH 144=SAL 114514</cell>
                                </row>
                                <row>
                                    <cell colspan="6">&nbsp;</cell>
                                </row>
                                <row>
                                    <cell> 13.</cell>
                                    <cell colspan="2"> 20 centesimi</cell>
                                    <cell colspan="2"> 1921</cell>
                                    <cell> </cell>
                                </row>
                                <row>
                                    <cell colspan="6">&nbsp;</cell>
                                </row>
                                <row>
                                    <cell> &nbsp;&nbsp; </cell>
                                    <cell> obv. </cell>
                                    <cell colspan="4">Italia head l.</cell>
                                </row>
                                <row>
                                    <cell> </cell>
                                    <cell> rev.</cell>
                                    <cell colspan="4">flying figure of Liberty</cell>
                                </row>
                                <row>
                                    <cell> </cell>
                                    <cell colspan="5">mint of Rome</cell>
                                </row>
                                <row>
                                    <cell> </cell>
                                    <cell> Sector</cell>
                                    <cell> Area</cell>
                                    <cell> SU</cell>
                                    <cell> Find no.</cell>
                                    <cell> Inv. no.</cell>
                                </row>
                                <row>
                                    <cell> </cell>
                                    <cell> X.1</cell>
                                    <cell> -</cell>
                                    <cell> 9001</cell>
                                    <cell> 1</cell>
                                    <cell> VH 060=SAL 114538</cell>
                                </row>
                                <row>
                                    <cell colspan="6">&nbsp;</cell>
                                </row>
                                <row>
                                    <cell> 14.</cell>
                                    <cell colspan="2"> 10 centesimi</cell>
                                    <cell colspan="2"> 1942/XX</cell>
                                    <cell> </cell>
                                </row>
                                <row>
                                    <cell colspan="6">&nbsp;</cell>
                                </row>
                                <row>
                                    <cell>&nbsp;&nbsp; </cell>
                                    <cell> obv.</cell>
                                    <cell colspan="4">head of Victor Emmanuel III</cell>
                                </row>
                                <row>
                                    <cell> </cell>
                                    <cell> rev. </cell>
                                    <cell colspan="4">fasces etc.</cell>
                                </row>
                                <row>
                                    <cell> </cell>
                                    <cell colspan="5">mint of Rome</cell>
                                </row>
                                <row>
                                    <cell> </cell>
                                    <cell> Sector</cell>
                                    <cell> Area</cell>
                                    <cell> SU</cell>
                                    <cell> Find no.</cell>
                                    <cell> Inv. no.</cell>
                                </row>
                                <row>
                                    <cell> </cell>
                                    <cell> IX.1</cell>
                                    <cell> -</cell>
                                    <cell> 9001</cell>
                                    <cell> 2</cell>
                                    <cell> VH 061=SAL 114539</cell>
                                </row>
                                <row>
                                    <cell colspan="6">&nbsp;</cell>
                                </row>
                                <row>
                                    <cell> 15.</cell>
                                    <cell colspan="2"> bronze illegible</cell>
                                    <cell colspan="2"/>
                                    <cell>
                                        <hi1 rend="bold">fig. 1</hi1>
                                    </cell>
                                </row>
                                <row>
                                    <cell colspan="6">&nbsp;</cell>
                                </row>
                                <row>
                                    <cell>&nbsp;&nbsp; </cell>
                                    <cell colspan="5"> obv.</cell>
                                </row>
                                <row>
                                    <cell> </cell>
                                    <cell colspan="5"> rev. </cell>
                                </row>
                                <row>
                                    <cell> </cell>
                                    <cell> Sector</cell>
                                    <cell> Area</cell>
                                    <cell> SU</cell>
                                    <cell> Find no.</cell>
                                    <cell> Inv. no.</cell>
                                </row>
                                <row>
                                    <cell> </cell>
                                    <cell> I.4</cell>
                                    <cell> 40</cell>
                                    <cell> 632</cell>
                                    <cell> 1</cell>
                                    <cell> VH 068=SAL 114540</cell>
                                </row>
                                <row>
                                    <cell colspan="6">&nbsp;</cell>
                                </row>
                                <row>
                                    <cell> 16.</cell>
                                    <cell colspan="2"> illegible</cell>
                                    <cell colspan="2"> </cell>
                                    <cell>
                                        <hi1 rend="bold">fig. 1</hi1>
                                    </cell>
                                </row>
                                <row>
                                    <cell colspan="6">&nbsp;</cell>
                                </row>
                                <row>
                                    <cell>&nbsp;&nbsp; </cell>
                                    <cell colspan="5"> obv.</cell>
                                </row>
                                <row>
                                    <cell> </cell>
                                    <cell colspan="5"> rev. </cell>
                                </row>
                                <row>
                                    <cell> </cell>
                                    <cell> Sector</cell>
                                    <cell> Area</cell>
                                    <cell> SU</cell>
                                    <cell> Find no.</cell>
                                    <cell> Inv. no.</cell>
                                </row>
                                <row>
                                    <cell> </cell>
                                    <cell> VII.1</cell>
                                    <cell> 24</cell>
                                    <cell> 7034</cell>
                                    <cell> 1</cell>
                                    <cell> VH 102=SAL 114512</cell>
                                </row>
                            </table>
                        </p>

                        <p id="p_1078" n="1078">
                            <hi1 rend="bold">Index by Sector</hi1>
                            <table border="0">
                                <row>
                                    <cell><hi1 rend="und">Cat</hi1>.</cell>
                                    <cell>
                                        <hi1 rend="und">Sector</hi1>
                                    </cell>
                                    <cell>
                                        <hi1 rend="und">Area</hi1>
                                    </cell>
                                    <cell>
                                        <hi1 rend="und">SU</hi1>
                                    </cell>
                                    <cell><hi1 rend="und">Find no</hi1>.</cell>
                                    <cell>Inv. no.</cell>
                                </row>
                                <row>
                                    <cell>3</cell>
                                    <cell>I.2</cell>
                                    <cell>50</cell>
                                    <cell>261</cell>
                                    <cell>1</cell>
                                    <cell>VH 055</cell>
                                </row>
                                <row>
                                    <cell>8</cell>
                                    <cell>I.3</cell>
                                    <cell>37</cell>
                                    <cell>429</cell>
                                    <cell>1</cell>
                                    <cell>VH 014</cell>
                                </row>
                                <row>
                                    <cell>10</cell>
                                    <cell>I.3</cell>
                                    <cell>37</cell>
                                    <cell>448</cell>
                                    <cell>2</cell>
                                    <cell>VH 049</cell>
                                </row>
                                <row>
                                    <cell>7</cell>
                                    <cell>I.4</cell>
                                    <cell>40</cell>
                                    <cell>615</cell>
                                    <cell>3</cell>
                                    <cell>VH 057</cell>
                                </row>
                                <row>
                                    <cell>15</cell>
                                    <cell>I.4</cell>
                                    <cell>40</cell>
                                    <cell>632</cell>
                                    <cell>1</cell>
                                    <cell>VH 068</cell>
                                </row>
                                <row>
                                    <cell>9</cell>
                                    <cell>I.5</cell>
                                    <cell>38</cell>
                                    <cell>800</cell>
                                    <cell>2</cell>
                                    <cell>VH 038</cell>
                                </row>
                                <row>
                                    <cell>5</cell>
                                    <cell>I.5</cell>
                                    <cell>38</cell>
                                    <cell>832</cell>
                                    <cell>1</cell>
                                    <cell>VH 058</cell>
                                </row>
                                <row>
                                    <cell>1</cell>
                                    <cell>IV.1</cell>
                                    <cell>23</cell>
                                    <cell>4030</cell>
                                    <cell>2</cell>
                                    <cell>VH 059</cell>
                                </row>
                                <row>
                                    <cell>16</cell>
                                    <cell>VII.1</cell>
                                    <cell>24</cell>
                                    <cell>7034</cell>
                                    <cell>1</cell>
                                    <cell>VH 102</cell>
                                </row>
                                <row>
                                    <cell>6</cell>
                                    <cell>VII.1</cell>
                                    <cell>24</cell>
                                    <cell>7035</cell>
                                    <cell>1</cell>
                                    <cell>VH 092</cell>
                                </row>
                                <row>
                                    <cell>11</cell>
                                    <cell>VII.1</cell>
                                    <cell>24</cell>
                                    <cell>7035</cell>
                                    <cell>2</cell>
                                    <cell>VH 093</cell>
                                </row>
                                <row>
                                    <cell>12</cell>
                                    <cell>VII.1</cell>
                                    <cell>24</cell>
                                    <cell>7038</cell>
                                    <cell>2</cell>
                                    <cell>VH 144</cell>
                                </row>
                                <row>
                                    <cell>2</cell>
                                    <cell>VII.1</cell>
                                    <cell>24</cell>
                                    <cell>7038</cell>
                                    <cell>3</cell>
                                    <cell>VH 145</cell>
                                </row>
                                <row>
                                    <cell>4</cell>
                                    <cell>VII.1</cell>
                                    <cell>24</cell>
                                    <cell>7039</cell>
                                    <cell>1</cell>
                                    <cell>VH 123</cell>
                                </row>
                                <row>
                                    <cell>13</cell>
                                    <cell>IX.1</cell>
                                    <cell>-</cell>
                                    <cell>9001</cell>
                                    <cell>1</cell>
                                    <cell>VH 060 </cell>
                                </row>
                                <row>
                                    <cell>14</cell>
                                    <cell>IX.1</cell>
                                    <cell>-</cell>
                                    <cell>9001</cell>
                                    <cell>2 </cell>
                                    <cell>VH 061</cell>
                                </row>
                            </table>
                        </p>
                        <p id="p_1079" n="1079">
                            <hi1 rend="bold">Index by Inventory Number</hi1>
                            <table border="0">
                                <row>
                                    <cell><hi1 rend="und">Cat</hi1>.</cell>
                                    <cell>
                                        <hi1 rend="und">Sector</hi1>
                                    </cell>
                                    <cell>
                                        <hi1 rend="und">Area</hi1>
                                    </cell>
                                    <cell>
                                        <hi1 rend="und">SU</hi1>
                                    </cell>
                                    <cell><hi1 rend="und">Find no</hi1>.</cell>
                                    <cell><hi1 rend="und">Inv. no</hi1>.</cell>
                                </row>
                                <row>
                                    <cell>8</cell>
                                    <cell>I.3</cell>
                                    <cell>37</cell>
                                    <cell>429</cell>
                                    <cell>1</cell>
                                    <cell>VH 014</cell>
                                </row>
                                <row>
                                    <cell>9</cell>
                                    <cell>I.5</cell>
                                    <cell>38</cell>
                                    <cell>800</cell>
                                    <cell>2</cell>
                                    <cell>VH 038</cell>
                                </row>
                                <row>
                                    <cell>10</cell>
                                    <cell>I.3</cell>
                                    <cell>37</cell>
                                    <cell>448</cell>
                                    <cell>2</cell>
                                    <cell>VH 049</cell>
                                </row>
                                <row>
                                    <cell>3</cell>
                                    <cell>I.2</cell>
                                    <cell>50</cell>
                                    <cell>261</cell>
                                    <cell>1</cell>
                                    <cell>VH 055</cell>
                                </row>
                                <row>
                                    <cell>7</cell>
                                    <cell>I.4</cell>
                                    <cell>40</cell>
                                    <cell>615</cell>
                                    <cell>3</cell>
                                    <cell>VH 057</cell>
                                </row>
                                <row>
                                    <cell>5</cell>
                                    <cell>I.5</cell>
                                    <cell>38</cell>
                                    <cell>832</cell>
                                    <cell>1</cell>
                                    <cell>VH 058</cell>
                                </row>
                                <row>
                                    <cell>1</cell>
                                    <cell>IV.1</cell>
                                    <cell>23</cell>
                                    <cell>4030</cell>
                                    <cell>2</cell>
                                    <cell>VH 059</cell>
                                </row>
                                <row>
                                    <cell>13</cell>
                                    <cell>IX.1</cell>
                                    <cell>-</cell>
                                    <cell>9001</cell>
                                    <cell>1</cell>
                                    <cell>VH 060</cell>
                                </row>
                                <row>
                                    <cell>14</cell>
                                    <cell>IX.1</cell>
                                    <cell>-</cell>
                                    <cell>9001</cell>
                                    <cell>2</cell>
                                    <cell>VH 061</cell>
                                </row>
                                <row>
                                    <cell>15</cell>
                                    <cell>I.4</cell>
                                    <cell>40</cell>
                                    <cell>632</cell>
                                    <cell>1</cell>
                                    <cell>VH 068</cell>
                                </row>
                                <row>
                                    <cell>6</cell>
                                    <cell>VII.1</cell>
                                    <cell>24</cell>
                                    <cell>7035</cell>
                                    <cell>1</cell>
                                    <cell>VH 092</cell>
                                </row>
                                <row>
                                    <cell>11</cell>
                                    <cell>VII.1</cell>
                                    <cell>24</cell>
                                    <cell>7035</cell>
                                    <cell>2</cell>
                                    <cell>VH 093</cell>
                                </row>
                                <row>
                                    <cell>16</cell>
                                    <cell>VII.1</cell>
                                    <cell>24</cell>
                                    <cell>7034</cell>
                                    <cell>1</cell>
                                    <cell>VH 102</cell>
                                </row>
                                <row>
                                    <cell>4</cell>
                                    <cell>VII.1</cell>
                                    <cell>24</cell>
                                    <cell>7039</cell>
                                    <cell>1</cell>
                                    <cell>VH 123</cell>
                                </row>
                                <row>
                                    <cell>12</cell>
                                    <cell>VII.1</cell>
                                    <cell>24</cell>
                                    <cell>7038</cell>
                                    <cell>2</cell>
                                    <cell>VH 144</cell>
                                </row>
                                <row>
                                    <cell>2</cell>
                                    <cell>VII.1</cell>
                                    <cell>24</cell>
                                    <cell>7038</cell>
                                    <cell>3</cell>
                                    <cell>VH 145</cell>
                                </row>
                            </table>
                        </p>
                    </div4>
                    <div4 id="div4_c10.11.3.3" type="section">
                        <head>
                            <bibl type="title">D.11.3.3. Group C: coins in the museum of Licenza
                            </bibl>
                        </head>
                        <p id="p_1080" n="1080">All coins from the mint of Rome </p>
                        <p id="p_1081" n="1081">
                            <table border="0">
                                <row>
                                    <cell> 1.</cell>
                                    <cell> probably <hi1 rend="italic">dupondius</hi1></cell>
                                    <cell> probably earlier first century A.D.</cell>
                                </row>
                                <row>
                                    <cell colspan="3">&nbsp;</cell>
                                </row>
                                <row>
                                    <cell>&nbsp;&nbsp; </cell>
                                    <cell> obv. </cell>
                                    <cell> head l., probably Julio-Claudian (brassy flan)</cell>
                                </row>
                                <row>
                                    <cell> </cell>
                                    <cell> rev. </cell>
                                    <cell> --</cell>
                                </row>
                                <row>
                                    <cell> </cell>
                                    <cell> inv. </cell>
                                    <cell> 62945</cell>
                                </row>
                                <row>
                                    <cell colspan="3">&nbsp;</cell>
                                </row>
                                <row>
                                    <cell> 2.</cell>
                                    <cell>
                                        <hi1 rend="italic">dupondius</hi1>
                                    </cell>
                                    <cell>71-79 A.D.</cell>
                                </row>
                                <row>
                                    <cell colspan="3">&nbsp;</cell>
                                </row>
                                <row>
                                    <cell>&nbsp;&nbsp; </cell>
                                    <cell> obv. </cell>
                                    <cell>radiate head of Vespasian or Titus r.</cell>
                                </row>
                                <row>
                                    <cell> </cell>
                                    <cell> rev. </cell>
                                    <cell>f]ELICIT[as pvblica</cell>
                                </row>
                                <row>
                                    <cell> </cell>
                                    <cell colspan="2">e.g. <hi1 rend="italic">BMCRE</hi1> 2.160.696,
                                        74 A.D.</cell>
                                </row>
                                <row>
                                    <cell> </cell>
                                    <cell> inv.</cell>
                                    <cell> 62941</cell>
                                </row>
                                <row>
                                    <cell colspan="3">&nbsp;</cell>
                                </row>
                                <row>
                                    <cell> 3.</cell>
                                    <cell>
                                        <hi1 rend="italic">as</hi1>
                                    </cell>
                                    <cell> 81 A.D.</cell>
                                </row>
                                <row>
                                    <cell colspan="3">&nbsp;</cell>
                                </row>
                                <row>
                                    <cell>&nbsp;&nbsp; </cell>
                                    <cell> obv. </cell>
                                    <cell> head of Domitian r.</cell>
                                </row>
                                <row>
                                    <cell> </cell>
                                    <cell> rev. </cell>
                                    <cell> Minerva striking r. trp cos vii] DES VIII PP </cell>
                                </row>
                                <row>
                                    <cell> </cell>
                                    <cell colspan="2"><hi1 rend="italic">BMCRE</hi1>
                                    2.355.268</cell>
                                </row>
                                <row>
                                    <cell> </cell>
                                    <cell colspan="2">inv. 62947</cell>
                                </row>
                                <row>
                                    <cell colspan="3">&nbsp;</cell>
                                </row>
                                <row>
                                    <cell> 4.</cell>
                                    <cell>
                                        <hi1 rend="italic">dupondius</hi1> or <hi1 rend="italic"
                                        >as</hi1></cell>
                                    <cell> first-second century A.D.</cell>
                                </row>
                                <row>
                                    <cell colspan="3">&nbsp;</cell>
                                </row>
                                <row>
                                    <cell>&nbsp;&nbsp; </cell>
                                    <cell> obv. </cell>
                                    <cell> --</cell>
                                </row>
                                <row>
                                    <cell> </cell>
                                    <cell> rev. </cell>
                                    <cell> --</cell>
                                </row>
                                <row>
                                    <cell> </cell>
                                    <cell colspan="2">inv. 62940</cell>
                                </row>
                                <row>
                                    <cell colspan="3">&nbsp;</cell>
                                </row>
                                <row>
                                    <cell> 5.</cell>
                                    <cell>
                                        <hi1 rend="italic">as</hi1>
                                    </cell>
                                    <cell> 98-117 A.D.</cell>
                                </row>
                                <row>
                                    <cell colspan="3">&nbsp;</cell>
                                </row>
                                <row>
                                    <cell>&nbsp;&nbsp; </cell>
                                    <cell> obv. </cell>
                                    <cell> head of Trajan r.</cell>
                                </row>
                                <row>
                                    <cell> </cell>
                                    <cell> rev. </cell>
                                    <cell> --</cell>
                                </row>
                                <row>
                                    <cell> </cell>
                                    <cell colspan="2"><hi1 rend="italic">BMCRE</hi1>
                                        3.150-225.724-1055</cell>
                                </row>
                                <row>
                                    <cell> </cell>
                                    <cell colspan="2">inv. 62942</cell>
                                </row>
                                <row>
                                    <cell colspan="3">&nbsp;</cell>
                                </row>
                                <row>
                                    <cell> 6.</cell>
                                    <cell>
                                        <hi1 rend="italic">as</hi1>
                                    </cell>
                                    <cell> 119 A.D.</cell>
                                </row>
                                <row>
                                    <cell colspan="3">&nbsp;</cell>
                                </row>
                                <row>
                                    <cell>&nbsp;&nbsp; </cell>
                                    <cell> obv. </cell>
                                    <cell> head of Hadrian r. imp caesar] TRAIANVS HADRIANVS
                                    [avg</cell>
                                </row>
                                <row>
                                    <cell> </cell>
                                    <cell> rev. </cell>
                                    <cell> Aeternitas r. PONT MAX TR POT COS III </cell>
                                </row>
                                <row>
                                    <cell> </cell>
                                    <cell colspan="2"><hi1 rend="italic">BMCRE</hi1>
                                    3.411.1172</cell>
                                </row>
                                <row>
                                    <cell> </cell>
                                    <cell colspan="2">inv. 62944</cell>
                                </row>
                                <row>
                                    <cell colspan="3">&nbsp;</cell>
                                </row>
                                <row>
                                    <cell> 7.</cell>
                                    <cell>
                                        <hi1 rend="italic">sestertius</hi1>
                                    </cell>
                                    <cell> 119-121 A.D.</cell>
                                </row>
                                <row>
                                    <cell colspan="3">&nbsp;</cell>
                                </row>
                                <row>
                                    <cell>&nbsp;&nbsp; </cell>
                                    <cell> obv. </cell>
                                    <cell> head of Hadrian r.</cell>
                                </row>
                                <row>
                                    <cell> </cell>
                                    <cell> rev. </cell>
                                    <cell> Pietas standing r., altar before</cell>
                                </row>
                                <row>
                                    <cell> </cell>
                                    <cell colspan="2"><hi1 rend="italic">BMCRE</hi1>
                                    3.416.1198-1202</cell>
                                </row>
                                <row>
                                    <cell> </cell>
                                    <cell colspan="2">inv. 62943</cell>
                                </row>
                                <row>
                                    <cell colspan="3">&nbsp;</cell>
                                </row>
                                <row>
                                    <cell> 8.</cell>
                                    <cell>
                                        <hi1 rend="italic">denarius</hi1> (ancient plated forgery)</cell>
                                    <cell> original issue 125-128 A.D.</cell>
                                </row>
                                <row>
                                    <cell colspan="3">&nbsp;</cell>
                                </row>
                                <row>
                                    <cell>&nbsp;&nbsp; </cell>
                                    <cell> obv. </cell>
                                    <cell>head of Hadrian r.</cell>
                                </row>
                                <row>
                                    <cell> </cell>
                                    <cell> rev. </cell>
                                    <cell>Spes l.</cell>
                                </row>
                                <row>
                                    <cell> </cell>
                                    <cell colspan="2"> for the original issue, <hi1 rend="italic"
                                            >BMCRE</hi1> 3.292.417-420</cell>
                                </row>
                                <row>
                                    <cell> </cell>
                                    <cell colspan="2">inv. 62936</cell>
                                </row>
                                <row>
                                    <cell colspan="3">&nbsp;</cell>
                                </row>
                                <row>
                                    <cell> 9.</cell>
                                    <cell>
                                        <hi1 rend="italic">as</hi1>
                                    </cell>
                                    <cell> 163-178 A.D.</cell>
                                </row>
                                <row>
                                    <cell colspan="3">&nbsp;</cell>
                                </row>
                                <row>
                                    <cell>&nbsp;&nbsp; </cell>
                                    <cell> obv. </cell>
                                    <cell>head of Marcus Aurelius or Commodus r.</cell>
                                </row>
                                <row>
                                    <cell> </cell>
                                    <cell> rev. </cell>
                                    <cell>Victory moving l. with wreath and palm</cell>
                                </row>
                                <row>
                                    <cell> </cell>
                                    <cell colspan="2">e.g. <hi1 rend="italic">BMCRE</hi1>
                                        4.559.1085; etc.</cell>
                                </row>
                                <row>
                                    <cell> </cell>
                                    <cell colspan="2">inv. 62938</cell>
                                </row>
                                <row>
                                    <cell colspan="3">&nbsp;</cell>
                                </row>
                                <row>
                                    <cell> 10.</cell>
                                    <cell>
                                        <hi1 rend="italic">as</hi1>
                                    </cell>
                                    <cell>second century A.D.</cell>
                                </row>
                                <row>
                                    <cell colspan="3">&nbsp;</cell>
                                </row>
                                <row>
                                    <cell>&nbsp;&nbsp; </cell>
                                    <cell> obv. </cell>
                                    <cell>Hadrian? r.</cell>
                                </row>
                                <row>
                                    <cell> </cell>
                                    <cell> rev. </cell>
                                    <cell>divinity seated l. holding cornucopiae</cell>
                                </row>
                                <row>
                                    <cell> </cell>
                                    <cell colspan="2">inv. 62939</cell>
                                </row>
                                <row>
                                    <cell colspan="3">&nbsp;</cell>
                                </row>
                                <row>
                                    <cell> 11.</cell>
                                    <cell> radiate fraction</cell>
                                    <cell> 297-298 A.D. </cell>
                                </row>
                                <row>
                                    <cell colspan="3">&nbsp;</cell>
                                </row>
                                <row>
                                    <cell>&nbsp;&nbsp; </cell>
                                    <cell> obv. </cell>
                                    <cell> bust of Maximian, Constantius or Galerius (*) r.</cell>
                                </row>
                                <row>
                                    <cell> </cell>
                                    <cell> rev. </cell>
                                    <cell> VOT / XX / A in wreath</cell>
                                </row>
                                <row>
                                    <cell> </cell>
                                    <cell colspan="2"><hi1 rend="italic">RIC</hi1> 6.359-60.75
                                    etc.</cell>
                                </row>
                                <row>
                                    <cell> </cell>
                                    <cell colspan="2">inv. 62946</cell>
                                </row>
                                <row>
                                    <cell colspan="3">(*) officina A is not attested for Diocletian
                                        in this issue.</cell>
                                </row>
                                <row>
                                    <cell colspan="3">&nbsp;</cell>
                                </row>
                                <row>
                                    <cell> 12.</cell>
                                    <cell> radiate fraction</cell>
                                    <cell>297-298 A.D.</cell>
                                </row>
                                <row>
                                    <cell colspan="3">&nbsp;</cell>
                                </row>
                                <row>
                                    <cell>&nbsp;&nbsp; </cell>
                                    <cell> obv. </cell>
                                    <cell>bust of Diocletian, Maximian, Constantius or Galerius
                                    r.</cell>
                                </row>
                                <row>
                                    <cell> </cell>
                                    <cell> rev. </cell>
                                    <cell>VOT / XX / [ ] in wreath</cell>
                                </row>
                                <row>
                                    <cell> </cell>
                                    <cell colspan="2">
                                        <hi1 rend="italic">RIC</hi1> 6.359-60.75 etc.</cell>
                                </row>
                                <row>
                                    <cell> </cell>
                                    <cell colspan="2">inv. 62937</cell>
                                </row>
                            </table>
                        </p>
                        <p id="p_1082" n="1082">
                            <hi1 rend="bold">Index by Inventory Number</hi1>
                            <table border="0">
                                <row>
                                    <cell>Inv. no.</cell>
                                    <cell>Cat. no.</cell>
                                    <cell>Inv. no.</cell>
                                    <cell>Cat. no.</cell>
                                    <cell>Inv. no.</cell>
                                    <cell>Cat. no.</cell>
                                </row>
                                <row>
                                    <cell>62936</cell>
                                    <cell>8</cell>
                                    <cell>62940</cell>
                                    <cell>4</cell>
                                    <cell>62944</cell>
                                    <cell>6</cell>
                                </row>
                                <row>
                                    <cell>62937</cell>
                                    <cell>12</cell>
                                    <cell>62941</cell>
                                    <cell>2</cell>
                                    <cell>62945</cell>
                                    <cell>1</cell>
                                </row>
                                <row>
                                    <cell>62938</cell>
                                    <cell>9</cell>
                                    <cell>62942</cell>
                                    <cell>5</cell>
                                    <cell>62946</cell>
                                    <cell>11</cell>
                                </row>
                                <row>
                                    <cell>62939</cell>
                                    <cell>10</cell>
                                    <cell>62943</cell>
                                    <cell>7</cell>
                                    <cell>62947</cell>
                                    <cell>3</cell>
                                </row>
                            </table>
                        </p>
                    </div4>
                    <div4 id="div4_c10.11.3.4" type="section">
                        <head>
                            <bibl type="title">D.11.3.4. Synoptic list of Villa of Horace coin finds
                            </bibl>
                        </head>
                        <p id="p_1083" n="1083">
                            <list>
                                <item> A. 1911-1916, with Lugli number and find-spots (as
                                    recoverable from the <hi1 rend="italic">Giornale</hi1>). <list>
                                        <item>a] Angeletti property </item>
                                        <item>b] Caponetti property </item>
                                        <item>c] Rocco Foschi property </item>
                                        <item>d] Mariassunta Foschi property </item>
                                        <item>e] Rocco and Mariassunta Foschi property </item>
                                    </list></item>
                                <item>B. excavations of 1997-1999 </item>
                                <item>C. museum of Licenza as of June 2000</item>
                            </list>
                        </p>
                        <p id="p_1084" n="1084">
                            <table>
                                <row>
                                    <cell> 1</cell>
                                    <cell> Roman Republic <hi1 rend="italic">aes grave</hi1></cell>
                                    <cell> A1 [c] </cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 2</cell>
                                    <cell> Greek third-second century B.C.</cell>
                                    <cell> </cell>
                                    <cell> | </cell>
                                    <cell>B</cell>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 3</cell>
                                    <cell> Republican bronze</cell>
                                    <cell> A2</cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 4</cell>
                                    <cell> Republican bronze </cell>
                                    <cell> A3</cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 5</cell>
                                    <cell> Republican bronze </cell>
                                    <cell> A4</cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 6</cell>
                                    <cell> Octavian and Caesar </cell>
                                    <cell> A5</cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 7</cell>
                                    <cell> Augustus </cell>
                                    <cell> A6 [e]</cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 8</cell>
                                    <cell> Augustus or Tiberius </cell>
                                    <cell> </cell>
                                    <cell> |</cell>
                                    <cell>B</cell>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 9</cell>
                                    <cell> (Gaius) Agrippa </cell>
                                    <cell> A8</cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 10</cell>
                                    <cell> Claudius</cell>
                                    <cell> A9</cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 11</cell>
                                    <cell> Claudius</cell>
                                    <cell> A10</cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 12</cell>
                                    <cell> Claudius</cell>
                                    <cell> A11</cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 13</cell>
                                    <cell> probably earlier first century </cell>
                                    <cell> </cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell>[C]</cell>
                                </row>
                                <row>
                                    <cell> 14</cell>
                                    <cell> Galba</cell>
                                    <cell> A12</cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 15</cell>
                                    <cell> Galba</cell>
                                    <cell> A13</cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 16</cell>
                                    <cell> Vespasian</cell>
                                    <cell> A15-17 [c]</cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 17</cell>
                                    <cell> Vespasian</cell>
                                    <cell> A14 [d]</cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 18</cell>
                                    <cell> Vespasian </cell>
                                    <cell> A15-17</cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 19</cell>
                                    <cell> Vespasian</cell>
                                    <cell> A15-17</cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 20</cell>
                                    <cell> Vespasian or Titus</cell>
                                    <cell> </cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell>[C]</cell>
                                </row>
                                <row>
                                    <cell> 21</cell>
                                    <cell> Titus</cell>
                                    <cell> A7</cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 22</cell>
                                    <cell> Domitian</cell>
                                    <cell> A18-22 [d]</cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 23</cell>
                                    <cell> Domitian</cell>
                                    <cell> A18-22</cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 24</cell>
                                    <cell> Domitian</cell>
                                    <cell> A18-22</cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 25</cell>
                                    <cell> Domitian</cell>
                                    <cell> A18-22</cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 26</cell>
                                    <cell> Domitian </cell>
                                    <cell> A18-22</cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 27</cell>
                                    <cell> Domitian</cell>
                                    <cell> </cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell>[C]</cell>
                                </row>
                                <row>
                                    <cell> 28</cell>
                                    <cell> Nerva</cell>
                                    <cell> A23</cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 29</cell>
                                    <cell> first-second century</cell>
                                    <cell> </cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell>[C]</cell>
                                </row>
                                <row>
                                    <cell> 30</cell>
                                    <cell> Trajan</cell>
                                    <cell> A24</cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 31</cell>
                                    <cell> Trajan</cell>
                                    <cell> A25</cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 32</cell>
                                    <cell> Trajan AR <hi1 rend="italic">denarius</hi1></cell>
                                    <cell> A26</cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 33</cell>
                                    <cell> Trajan</cell>
                                    <cell> A27</cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 34</cell>
                                    <cell> Trajan</cell>
                                    <cell> </cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell>[C]</cell>
                                </row>
                                <row>
                                    <cell> 35</cell>
                                    <cell> * Hadrian</cell>
                                    <cell> A-- [a]</cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 36</cell>
                                    <cell> Hadrian</cell>
                                    <cell> A29 [b]</cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 37</cell>
                                    <cell> Hadrian </cell>
                                    <cell> A28</cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 38</cell>
                                    <cell> Hadrian</cell>
                                    <cell> </cell>
                                    <cell> |</cell>
                                    <cell>B</cell>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 39</cell>
                                    <cell> Hadrian AR <hi1 rend="italic">denarius</hi1> (plated)</cell>
                                    <cell> </cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell>[C]</cell>
                                </row>
                                <row>
                                    <cell> 40</cell>
                                    <cell> Hadrian</cell>
                                    <cell> </cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell>[C]</cell>
                                </row>
                                <row>
                                    <cell> 41</cell>
                                    <cell> Hadrian </cell>
                                    <cell> </cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell>[C]</cell>
                                </row>
                                <row>
                                    <cell> 42</cell>
                                    <cell> Antoninus Pius </cell>
                                    <cell> A30</cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 43</cell>
                                    <cell> Antoninus Pius</cell>
                                    <cell> A31</cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 44</cell>
                                    <cell> Faustina I AR <hi1 rend="italic">denarius</hi1></cell>
                                    <cell> A33 [b]</cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 45</cell>
                                    <cell> Faustina I</cell>
                                    <cell> A32</cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 46</cell>
                                    <cell> Marcus Aurelius </cell>
                                    <cell> A39 [a] or [b]</cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 47</cell>
                                    <cell> Marcus Aurelius </cell>
                                    <cell> A36 [b]</cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 48</cell>
                                    <cell> Marcus Aurelius</cell>
                                    <cell> A35 [d]</cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 49</cell>
                                    <cell> Marcus Aurelius</cell>
                                    <cell> A34, 37-38</cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 50</cell>
                                    <cell> Marcus Aurelius </cell>
                                    <cell> A34, 37-38</cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 51</cell>
                                    <cell> Marcus Aurelius</cell>
                                    <cell> A34, 37-38</cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 52</cell>
                                    <cell> Marcus Aurelius or Commodus</cell>
                                    <cell> </cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell>[C]</cell>
                                </row>
                                <row>
                                    <cell> 53</cell>
                                    <cell> Faustina II</cell>
                                    <cell> A40 [b] </cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 54</cell>
                                    <cell> Faustina II</cell>
                                    <cell> A41</cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 55</cell>
                                    <cell> Lucius Verus</cell>
                                    <cell> A42</cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 56</cell>
                                    <cell> Commodus</cell>
                                    <cell> A43</cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 57</cell>
                                    <cell> Commodus AR <hi1 rend="italic">denarius</hi1></cell>
                                    <cell> A44</cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 58</cell>
                                    <cell> second century </cell>
                                    <cell> </cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell>[C]</cell>
                                </row>
                                <row>
                                    <cell> 59</cell>
                                    <cell> Caracalla</cell>
                                    <cell> A45 [a] or [b]</cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 60</cell>
                                    <cell> Julia Mamaea</cell>
                                    <cell> A46 [a] or [b]</cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 61</cell>
                                    <cell> Gordian III</cell>
                                    <cell> A50 [b]</cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 62</cell>
                                    <cell> Gordian III</cell>
                                    <cell> A48 [c]</cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 63</cell>
                                    <cell> Gordian III</cell>
                                    <cell> A47 or 49 [c]</cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 64</cell>
                                    <cell> Gordian III</cell>
                                    <cell> A47 or 49</cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 65</cell>
                                    <cell> Maximus</cell>
                                    <cell> A51 [b]</cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 66</cell>
                                    <cell> Philip I </cell>
                                    <cell> A52 [b]</cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 67</cell>
                                    <cell> Otacilia</cell>
                                    <cell> A54 [a] or [b]</cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 68</cell>
                                    <cell> Otacilia </cell>
                                    <cell> A53</cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 69</cell>
                                    <cell> Trajan Decius</cell>
                                    <cell> A55</cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 70</cell>
                                    <cell> Aemilian</cell>
                                    <cell> A56 [b]</cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 71</cell>
                                    <cell> ** Valerian </cell>
                                    <cell> A57 [b]</cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 72</cell>
                                    <cell> Gallienus </cell>
                                    <cell> A59-61 [c]</cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 73</cell>
                                    <cell> Gallienus</cell>
                                    <cell> A59-61 [c]</cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 74</cell>
                                    <cell> Gallienus</cell>
                                    <cell> A59-61</cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 75</cell>
                                    <cell> Salonina</cell>
                                    <cell> A62</cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 76</cell>
                                    <cell> Claudius II </cell>
                                    <cell> A65 [a]</cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 77</cell>
                                    <cell> Claudius II, posthumous third century</cell>
                                    <cell> A63 [c]</cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 78</cell>
                                    <cell> Severina </cell>
                                    <cell> A66 [a]</cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 79</cell>
                                    <cell> Diocletian </cell>
                                    <cell> A67 [a]</cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 80</cell>
                                    <cell> Diocletian or colleague</cell>
                                    <cell> </cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell>[C]</cell>
                                </row>
                                <row>
                                    <cell> 81</cell>
                                    <cell> Maximian</cell>
                                    <cell> A68-73 [a] </cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 82</cell>
                                    <cell> Maximian</cell>
                                    <cell> A68-73</cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 83</cell>
                                    <cell> Maximian</cell>
                                    <cell> A68-73 </cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 84</cell>
                                    <cell> Maximian</cell>
                                    <cell> A68-73</cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 85</cell>
                                    <cell> Maximian</cell>
                                    <cell> A68-73</cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 86</cell>
                                    <cell> Maximian </cell>
                                    <cell> A68-73</cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 87</cell>
                                    <cell> Maximian or colleague</cell>
                                    <cell> </cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell>[C]</cell>
                                </row>
                                <row>
                                    <cell> 88</cell>
                                    <cell> Constantius I </cell>
                                    <cell> </cell>
                                    <cell> |</cell>
                                    <cell>B</cell>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 89</cell>
                                    <cell> probably late third-fourth century</cell>
                                    <cell> </cell>
                                    <cell> |</cell>
                                    <cell>B</cell>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 90</cell>
                                    <cell> Maxentius</cell>
                                    <cell> A80a [a]</cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 91</cell>
                                    <cell> Maxentius</cell>
                                    <cell> A80b</cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 92</cell>
                                    <cell> Constantine</cell>
                                    <cell> A76-77 [a]</cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 93</cell>
                                    <cell> Constantine</cell>
                                    <cell> A74-78 [a]</cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 94</cell>
                                    <cell> Constantine</cell>
                                    <cell> A79 [b]</cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 95</cell>
                                    <cell> Constantine</cell>
                                    <cell> A74-78 [c]</cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 96</cell>
                                    <cell> Constantine </cell>
                                    <cell> A74-78 [c]</cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 97</cell>
                                    <cell> Constantine</cell>
                                    <cell> A74-78</cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 98</cell>
                                    <cell> Claudius II, posthumous fourth century</cell>
                                    <cell> A64</cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 99</cell>
                                    <cell> Constantine II Caesar</cell>
                                    <cell> A81 [b]</cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 100</cell>
                                    <cell> Constans Aug</cell>
                                    <cell> </cell>
                                    <cell> |</cell>
                                    <cell>B</cell>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 101</cell>
                                    <cell> Constans Aug</cell>
                                    <cell> </cell>
                                    <cell> |</cell>
                                    <cell>B</cell>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 102</cell>
                                    <cell> Constantius II Aug</cell>
                                    <cell> A82</cell>
                                    <cell> |</cell>
                                    <cell/>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 103</cell>
                                    <cell> Constantius II Aug, Gallus or Julian</cell>
                                    <cell> </cell>
                                    <cell> |</cell>
                                    <cell>B</cell>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 104</cell>
                                    <cell> fourth century</cell>
                                    <cell> </cell>
                                    <cell> |</cell>
                                    <cell>B</cell>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 105</cell>
                                    <cell> later fourth century</cell>
                                    <cell> </cell>
                                    <cell> |</cell>
                                    <cell>B</cell>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 106</cell>
                                    <cell> probably fourth century</cell>
                                    <cell> </cell>
                                    <cell> |</cell>
                                    <cell>B</cell>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 107</cell>
                                    <cell> late fourth-fifth century</cell>
                                    <cell> </cell>
                                    <cell> |</cell>
                                    <cell>B</cell>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 108</cell>
                                    <cell> twentieth century</cell>
                                    <cell> </cell>
                                    <cell> |</cell>
                                    <cell>B</cell>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                                <row>
                                    <cell> 109</cell>
                                    <cell> twentieth century</cell>
                                    <cell> </cell>
                                    <cell> |</cell>
                                    <cell>B</cell>
                                    <cell> |</cell>
                                    <cell/>
                                </row>
                            </table>
                        </p>
                        <p id="p_1085" n="1085">* find reported in the <hi1 rend="italic"
                            >Giornale</hi1> for 29 May 1913, but not recorded in either the
                            manuscript catalogue nor Lugli. </p>
                        <p id="p_1086" n="1086">** omitting Lugli 58 as a dittography of his no. 57.
                        </p>
                    </div4>
                </div3>
            </div2>
            <div2 id="div2_c10.12" type="section" status="hidden">
                <head>
                    <bibl type="title">D.12. Small Metal Objects from Recent Excavations
                    (1997-2001)</bibl>
                </head>
                <p>
                    <hi1 rend="bold">By Archer Martin</hi1>
                </p>
                <div3 id="div3_c10.12.1" type="section">
                    <head>
                        <bibl type="title">[text]</bibl>
                    </head>
                    <p id="p_1087" n="1087">These small finds from the excavations at Horace’s Villa
                        represent a selection of items retained by the excavators and thus do not
                        form a characteristic assemblage. For example, nails usually make up a
                        significant portion of small finds, with iron nails normally outnumbering
                        copper alloy ones, but only one example (a copper alloy nail fragment) is
                        included here. On the other hand, this selection contains some unusual
                        pieces, such as a button. These are seldom found in Roman contexts. It is
                        particularly intriguing to find a lead slingshot missile, a decidedly
                        military item, in a villa in Italy, in a context of the first to second
                        century A.D. </p>
                </div3>
                <div3 id="div3_c10.12.2" type="section">
                    <head>
                        <bibl type="title">D.12.1. Jewelry </bibl>
                    </head>
                    <p id="p_1088" n="1088">Finger rings were made of various materials in the Roman
                        world, with shapes of varying articulation. Two finger rings of copper alloy
                        were found at Horace’s Villa. </p>
                    <p>
                        <hi1 rend="bold">Finger ring 1</hi1>
                    </p>
                    <p id="p_1089" n="1089">The simpler one fits into Henkel’s group I.3.A.IV.ι
                        (i.e. metal rings, in which the metal is bronze, without a stone and with a
                        plate, which is raised above the hoop) or Beckmann’s Type 20.<ptr
                            target="nt_c10.12.n1" n="1"/> This is essentially a first-century type,
                        although some divergence is possible. The piece lacks most of the hoop. The
                        plate bears an incision that is perhaps a stylized plant, possibly used as a
                        seal (<hi1 rend="bold">fig. 1</hi1>). </p>
                    <p id="p_1090" n="1090">Sector I.2, Area 50, SU 259, Inv. VH 054 (=SAL 114412),
                        diam. of plate 1 cm. </p>
                    <p>
                        <hi1 rend="bold">Finger ring 2</hi1>
                    </p>
                    <p id="p_1091" n="1091">The other ring belongs to Henkel’s group I.3.C.II.a.2.α
                        (i.e. metal rings, in which the metal is bronze, with a stone or glass
                        insertion, of decidedly Roman shape, in which the hoop is round, the section
                        is flattened inside, the stone is convex) or Beckmann’s Type 21.<ptr
                            target="nt_c10.12.n1" n="2"/> Rings of this type date essentially to the
                        second century, although once again there is some possible divergence. The
                        ring is complete in three pieces, a major one including the insertion and
                        two smaller ones from the lower part of the hoop. The insertion appears to
                        be glass (<hi1 rend="bold">fig. 2</hi1>). </p>
                    <p id="p_1092" n="1092">Sector III.12, Area 12, SU 3135, Inv. VH 213 (=SAL
                        114413), diam. 2 cm. </p>
                </div3>
                <div3 id="div3_c10.12.3" type="section">
                    <head>
                        <bibl type="title">D.12.2. Clothing Accessory </bibl>
                    </head>
                    <p>
                        <hi1 rend="bold">Button</hi1>
                    </p>
                    <p id="p_1093" n="1093">Although Roman clothing involved much less tailoring
                        than ours, buttons of various sorts are known from antiquity, including
                        buttons with a flat loop for sewing on, as well as ones with a shank for
                        attachment, and the stud type.<ptr target="nt_c10.12.n3" n="3"/>
                    </p>
                    <p id="p_1094" n="1094">A copper alloy button with a flat loop on the underside
                        was found in a context of the second half of the first century (<hi1
                            rend="bold">figs. 3 and 4</hi1>). </p>
                    <p id="p_1095" n="1095">Sector I.2, Area 50, SU 316, Inv. VH 077 (=SAL 114417),
                        diam. 1.3 cm. </p>
                </div3>
                <div3 type="section" id="div3_c10.12.4">
                    <head>
                        <bibl type="title">D.12.3. Tools </bibl>
                    </head>
                    <p>
                        <hi1 rend="bold">Knife</hi1>
                    </p>
                    <p id="p_1096" n="1096">Knives can be satisfactorily identified typologically
                        only when they are completely preserved. This is not the case with the
                        example from Horace’s Villa, which has lost its tip. However, the surviving
                        features allow some considerations to be made: the back is in a straight
                        line with the handle tang, and the edge is approximately parallel to it.
                        Thus, it most likely belongs to Manning’s Types 1-4.<ptr
                            target="nt_c10.12.n4" n="4"/> These are essentially first-century types,
                        passing out of use in the second century. Many were probably used as razors. </p>
                    <p id="p_1097" n="1097">Sector III.12, Area 12, SU 3144, preserved length 7.5
                        cm. </p>
                    <p>
                        <hi1 rend="bold">Axe or Adze</hi1>
                    </p>
                    <p id="p_1098" n="1098">The distinction between axes and adzes and the possible
                        typological subdivision of the two depends on the observation of the
                        relation of the cutting edge to the entire implement.<ptr
                            target="nt_c10.12.n5" n="5"/> Therefore it is impossible to classify an
                        iron fragment preserving the cutting edge and the immediately adjacent part
                        of the tool that was found in an early medieval context (<hi1 rend="bold"
                            >fig. 5</hi1>). </p>
                    <p id="p_1099" n="1099">Sector I.4, Area 40, SU 607, Inv. VH 053 (=SAL 114432).
                    </p>
                </div3>
                <div3 type="section" id="div3_c10.12.5">
                    <head>
                        <bibl type="title">D.12.4. Weapon </bibl>
                    </head>
                    <p>
                        <hi1 rend="bold">Slingshot missile</hi1>
                    </p>
                    <p id="p_1100" n="1100">Slingshots were a normal part of the Roman military
                        armament from Republican times.<ptr target="nt_c10.12.n6" n="6"/> Most
                        missiles were made of lead in molds and present an oblong form coming to a
                        point on either end. The weights are reported to range from 34 gr. to
                        somewhat more than 47 gr.; this is the only discrepancy with the piece from
                        Horaces’s Villa, which is significantly heavier. In the nineteenth century
                        slingshot missiles attracted a great deal of scholarly attention because
                        some carried inscriptions (e.g., the name of the commander, invectives,
                        etc.). Most, however, are uninscribed, as is this one (<hi1 rend="bold">fig.
                            6</hi1>). </p>
                    <p id="p_1101" n="1101">Sector VII.1, Area 24, SU 7026, Inv. VH 082 (= SAL
                        114418), length (max.) 5.2 cm, weight 79 gr. </p>
                </div3>
                <div3 type="section" id="div3_c10.12.6">
                    <head>
                        <bibl type="title">D.12.5. Structural Fittings </bibl>
                    </head>
                    <p>
                        <hi1 rend="bold">Nail</hi1>
                    </p>
                    <p id="p_1102" n="1102">Various typologies for nails have been proposed,
                        generally with length playing an important role.<ptr target="nt_c10.12.n7"
                            n="7"/>Thus, they are not useful for fragmentary specimens, such as the
                        copper alloy one found in a layer dated between the Flavian period and the
                        early decades of the second century A.D., the only nail retained by the
                        excavators. Given its massiveness, one could suppose that it was used for
                        heavy carpentry, although it is normally iron nails that appear in this
                        function (<hi1 rend="bold">fig. 7</hi1>). </p>
                    <p id="p_1103" n="1103">Sector I.2, Area 50, SU 313, Inv. VH 075 (=SAL 114416),
                        diam. of head 2.6 cm, thickness of stem at attachment to head 1.1 cm. </p>
                    <p>
                        <hi1 rend="bold">Marble clips (?)</hi1>
                    </p>
                    <p id="p_1104" n="1104">Two long slender pieces from a first century A.D.
                        context have a flat rectangular section: the first tapering to a rounded
                        hook at each end, the other with such a hook at one end and broken at the
                        other. It has been suggested that similar items may be clips for securing
                        thin slabs of marble veneer.<ptr target="nt_c10.12.n8" n="8"/> Marble
                        cladding in Roman architecture was indeed normally fixed to the wall by
                        means of mortar and clips of bronze or possibly copper, which, however,
                        typically present a T-shape in order to hold two slabs at once.<ptr
                            target="nt_c10.12.n9" n="9"/> Even where they form a simple angle, clips
                        are illustrated as much more substantial than these pieces.<ptr
                            target="nt_c10.12.n10" n="10"/> Therefore, the attribution must be
                        considered somewhat doubtful (<hi1 rend="bold">fig. 8</hi1>). </p>
                    <p id="p_1105" n="1105">Sector I.7, Area 35, SU 1279, Inv. VH 146 (=SAL 114421),
                        length 11.5 cm (bent at about 2/3 from one end). Sector I.7, Area 35, SU
                        1279, Inv. VH 147 (=SAL 114422), length 9.5 cm (nearly straight). </p>
                </div3>
                <div3 type="section" id="div3_c10.12.7">
                    <head>
                        <bibl type="title">D.12.6. Miscellaneous Objects </bibl>
                    </head>
                    <p>
                        <hi1 rend="bold">Ring</hi1>
                    </p>
                    <p id="p_1106" n="1106">In the case of simple copper alloy rings made of a bent
                        piece of wire with the two ends soldered together, it is impossible to
                        establish whether they were worn on fingers as inexpensive jewelry or used
                        for some more utilitarian purpose.<ptr target="nt_c10.12.n11" n="11"/> The
                        relatively early date, the late Republican period, for a copper alloy ring
                        at Horace’s Villa could be an indication that it was used for the latter, as
                        finger rings became common only during the imperial age.<ptr
                            target="nt_c10.12.n12" n="12"/> On the other hand, it is of a size and
                        shape (slightly oval) suitable for a finger ring. </p>
                    <p id="p_1107" n="1107">Sector IV.1, Area 23, SU 4030, Inv. VH 056 (=SAL
                        114411), width 2.0-2.2 cm. </p>
                    <p>
                        <hi1 rend="bold">Unidentifiable object</hi1>
                    </p>
                    <p id="p_1108" n="1108">Some objects are difficult to recognize in spite of
                        their relatively good state of preservation. One copper alloy piece from an
                        early medieval context falls into this category. It is flat, tapering from a
                        wider, rounded end to a pointed one. It is not clear whether that was the
                        original termination. The piece is at present curled, although that may not
                        have been its original form. </p>
                    <p id="p_1109" n="1109">Sector I.3, Area 37, SU 448, Inv. VH 048 (=SAL 114431),
                        length 5.8 cm. </p>
                    <p>
                        <hi1 rend="bold">Fragmentary objects</hi1>
                    </p>
                    <p id="p_1110" n="1110">Other objects are impossible to identify because of
                        their poor preservation. This is the case of three pieces from datable
                        contexts. </p>
                    <p id="p_1111" n="1111">The first piece, from a layer of the late first or early
                        second century A.D., is a slightly curving shaft of lead with an
                        approximately rectangular section. It could be part of a rivet for the
                        repair of a large ceramic vessel.<ptr target="nt_c10.12.n13" n="13"/>
                    </p>
                    <p id="p_1112" n="1112">Sector VI.2, Areas 24-25, SU 6013, Inv. VH 117 (=SAL
                        114420), length 4.5 cm. </p>
                    <p id="p_1113" n="1113">Another piece, made of copper alloy, presents two
                        parallel arms joined by a crosspiece at one end. One arm is thickened in its
                        final portion, before a probable break. The other is shorter but appears to
                        be folded back on itself. The piece was found in a context of the second
                        half of the first century A.D. </p>
                    <p id="p_1114" n="1114"> Sector I.5, Area 38, SU 865, Inv. VH 090 (=SAL 114419),
                        length (max.) 4.1 cm. </p>
                    <p id="p_1115" n="1115">The third piece is a highly corroded small fragment of
                        copper alloy that has disintegrated in storage. It comes from a fourth or
                        fifth century A.D. layer. </p>
                    <p id="p_1116" n="1116">Sector VII.1, Area 24, SU 7035, Inv. VH 094 (=SAL
                        114433). </p>
                </div3>
            </div2>
            <div2 id="div2_c10.13" type="section" status="hidden">
                <head>
                    <bibl type="title">D.13. Inscriptions on Lead Pipes</bibl>
                </head>
                <p>
                    <hi1 rend="bold">By Christer Bruun</hi1>
                </p>
                <div3 id="div3_c10.13.1" type="section">
                    <head>
                        <bibl type="title">D.13.1. Epigraphical and Historical Commentary </bibl>
                    </head>
                    <p id="p_1117" n="1117">There have been notices of water conduits at or near the
                        site of the villa at Licenza for over two centuries. As early as 1761,
                        Domenico De Sanctis, a lawyer and antiquarian from nearby Tivoli, mentioned
                        “some traces of a small conduit that carried the waters of the spring to the
                            villa.”<ptr target="nt_c10.13.n1" n="1"/> The material of that conduit
                        is not known, but it was quite likely of lead. There are other reports of
                        inscribed lead pipes having been found on the site during the eighteenth and
                        nineteenth centuries, but they have long since disappeared and will
                        therefore not be treated in this paper.<ptr target="nt_c10.13.n2" n="2"/>
                    </p>
                    <p id="p_1118" n="1118">Lead pipes, to be sure, were discovered during the
                        excavations of 1911-1914, but although they were published by Lugli in
                            1926,<ptr target="nt_c10.13.n3" n="3"/> the stamps they carry have
                        remained practically unknown to the scholarly world. The texts are indeed
                        valuable, as one stamp gives the name of a one-time owner of the villa, yet
                        these sources have suffered complete neglect ever since Lugli’s
                            publication.<ptr target="nt_c10.13.n4" n="4"/> Together with more
                        spectacular archaeological material from the excavation site, the lead pipes
                        were carried up to the little town of Licenza and placed in the old
                        antiquarium situated in the medieval Rocca degli Orsini.<ptr
                            target="nt_c10.13.n5" n="5"/>
                    </p>
                    <p id="p_1119" n="1119">In the present museum in Licenza, a handful of
                        well-exhibited <hi1 rend="italic">fistulae</hi1> can still be studied today.
                        None is complete (a single unit of pipe was often ten Roman feet,<ptr
                            target="nt_c10.13.n6" n="6"/> about three meters, in length), and some
                        have been reduced to fragments. Two inscriptions can nevertheless be read
                        without difficulty: one reads <hi1 rend="italic">C. Iulius Priscus
                        f(ecit)</hi1>; the other P. Ostili Firmini. For the technical details, see
                        De Simone, <ptr target="div4_c10.1.3.3" type="txt" n="D.1.3.2"/>. </p>
                    <p id="p_1120" n="1120">The pipes carrying these stamps were, according to
                        Lugli, not found together; however, there are some inaccuracies in his
                            description.<ptr target="nt_c10.13.n7" n="7"/> Nevertheless, the sizes
                        of the <hi1 rend="italic">fistulae</hi1> make it possible that the pipes
                        belong to the same manufacturing process. If this is so, we have one name in
                        the nominative and one in the genitive on the same conduit and we are surely
                        dealing with a manufacturer of pipes (a <hi1 rend="italic">plumbarius</hi1>)
                        called C. Iulius Priscus, and with one P. (H)ostilius Firminus, who must
                        have been the customer commissioning the work. That the latter was a
                        sometime owner of the villa is, however, to be assumed even if the pipes did
                        not belong together.<ptr target="nt_c10.13.n8" n="8"/>
                    </p>
                    <p id="p_1121" n="1121">The name C. Iulius Priscus is of little help for dating
                        and identification purposes. No <hi1 rend="italic">plumbarius</hi1> by that
                        name is known from other sources.<ptr target="nt_c10.13.n9" n="9"/>
                        Moreover, C. Iulius Priscus is a very common name; in Rome alone, at least
                        nine C. Iulii Prisci and two Iulii Prisci (without a <hi1 rend="italic"
                            >praenomen</hi1>, although they could in principle have been called
                        Gaius, too) are known from inscriptions.<ptr target="nt_c10.13.n10" n="10"/>
                        Nothing indicates that we might be dealing with any of these persons,
                        although it cannot be excluded. </p>
                    <p id="p_1122" n="1122">The <hi1 rend="italic">tria nomina</hi1> C. Iulius
                        Priscus also occurs among members of the senatorial and equestrian orders,
                        but in these cases an identification is impossible.<ptr
                            target="nt_c10.13.n11" n="11"/>
                    </p>
                    <p id="p_1123" n="1123">The situation is rather more rewarding regarding P.
                        Hostilius Firminus. A senator called Hostilius Firminus is known from the
                        correspondence of Pliny the Younger.<ptr target="nt_c10.13.n12" n="12"/> In
                        100 A.D., the Roman Senate gave a verdict in a case of extortion of
                        provincials involving the proconsul of Africa, Marius Priscus. Priscus was
                        condemned and the Senate proceeded to deal with the three senatorial
                        assistants, the <hi1 rend="italic">legati</hi1> of the proconsul.<ptr
                            target="nt_c10.13.n13" n="13"/> One of these was named Hostilius
                        Firminus, and Pliny mentions him twice in his correspondence (<hi1
                            rend="italic">Epist</hi1>. 2.11.23f. and 2.12.1-5).<ptr
                            target="nt_c10.13.n14" n="14"/> Unfortunately, the only thing we hear
                        about Hostilius Firminus is that he was found guilty of extortion and made
                        to forfeit his eligibility to govern a province. </p>
                    <p id="p_1124" n="1124">The <hi1 rend="italic">fistulae</hi1> from Licenza may
                        now shed welcome new light on the vicissitudes of Hostilius Firminus, the
                        corrupt <hi1 rend="italic">legatus</hi1>. Until the discovery at Licenza,
                        this man was the only known bearer of the name combination Hostilius
                            Firminus.<ptr target="nt_c10.13.n15" n="15"/> It is therefore very
                        tempting to identify the onetime <hi1 rend="italic">legatus</hi1> in the
                        province of Africa with the man from Licenza. Indeed one could claim that
                        there is a good chance that this identification is correct, were it not for
                        the fact that homonymity, the use of identical names, was common in the
                        Roman aristocracy. We do not know the <hi1 rend="italic">praenomen</hi1> of
                        the Hostilius Firminus mentioned by Pliny, and he may not have been called
                        P(ublius). It is therefore prudent to remember that at Licenza we might be
                        dealing with a close relative, such as the father, a brother, son or even
                        cousin of Hostilius Firminus the <hi1 rend="italic">legatus</hi1>. </p>
                    <p id="p_1125" n="1125">In any case, the existence of a Roman praetor named
                        Hostilius Firminus in 100 A.D., and the lead pipe stamped <hi1 rend="italic"
                            >P. Ostili Firmini</hi1>, establish firm ground for suggesting that at
                        some point around 100 A.D. (perhaps roughly 75-125 A.D.), the owner of the
                        villa at Licenza was named P. Hostilius Firminus, and that he was a member
                        of the senatorial order. </p>
                    <p id="p_1126" n="1126">A name is thus attested for an owner of the so-called
                        Villa of Horace.<ptr target="nt_c10.13.n16" n="16"/> It is not Horace’s
                        name, but this does not mean that the traditional identification is wrong.
                        The lead pipe belongs to a period about a century after Horace’s death, and
                        real property could change hands as frequently in the Roman world as it does
                        today. The only thing that needs explaining, if one wants to maintain that
                        the villa at Licenza was Horace’s, is how a farm that had passed into the
                        emperor Augustus’ ownership<ptr target="nt_c10.13.n16" n="17"/> had been
                        returned to a private owner (see Rudich, <ptr target="div2_c11.2" type="txt"
                            n="E.2"/>). There is, however, nothing strange about this, for we have
                        information that emperors from Claudius onward did give up imperial
                        property. The sources mention the returning of property that had been
                        acquired from condemned persons, but conceivably property acquired in other
                        ways could be disposed of as well. Indeed, the emperor Trajan took to
                        selling off imperial property, some of which had fallen into disuse.<ptr
                            target="nt_c10.13.n18" n="18"/>
                    </p>
                    <p id="p_1127" n="1127">One might even imagine that it was under Trajan that
                        Hostilius Firminus had acquired the villa and that one of the first actions
                        of the new owner was to install proper plumbing.<ptr target="nt_c10.13.n19"
                            n="19"/>
                    </p>
                    <p id="p_1128" n="1128">A third lead pipe stamp was discovered in the early
                        twentieth-century excavations and presented by Lugli as <hi1 rend="italic"
                            >Caesernius Lucernio fec</hi1>.<ptr target="nt_c10.13.n20" n="20"/> Its
                        present whereabouts are unknown. Lugli described the circumstances of the
                        find in the following way: “A large sheet of lead that bears the inscription
                        of a certain <hi1 rend="italic">Caesernius Lucernio</hi1> was discovered in
                        a bad state of preservation near the <hi1 rend="italic">calidarium</hi1> and
                        was probably used as a division of some tank or cistern.”<ptr
                            target="nt_c10.13.n21" n="21"/> The find-spot was near the sewer
                        labelled “l”, about one meter below the level of what Lugli calls the <hi1
                            rend="italic">calidarium</hi1> (rooms S1-3= rooms 44, 47, and 48).<ptr
                            target="nt_c10.13.n22" n="22"/>
                    </p>
                    <p id="p_1129" n="1129">The name Caesernius Lucernio is not known from any other
                            source.<ptr target="nt_c10.13.n23" n="23"/> There was an aristocratic
                        family of Caesernii that originated from <hi1 rend="italic">Aquileia</hi1>,
                        but there is no reason to assume a connection.<ptr target="nt_c10.13.n24"
                            n="24"/> About a hundred Caesernii of lesser status are known from
                        inscriptions, especially in northern Italy and the northern Balkans (13 are
                        from Rome, however), but there is no Caesernius Lucernio among them.<ptr
                            target="nt_c10.13.n25" n="25"/>
                    </p>
                </div3>
                <div3 id="div3_c10.13.2" type="section" status="hidden">
                    <head>
                        <bibl type="title">D.13.2. Technical Information </bibl>
                    </head>
                    <div4 id="div4_c10.13.2.1" type="section">
                        <head>
                            <bibl type="title">D.13.2.1. Inscribed lead pipes in the museum at
                                    Licenza<ptr target="nt_c10.13.n26" n="26"/>
                            </bibl>
                        </head>
                        <p id="p_1130" n="1130">The <hi1 rend="italic">fistulae</hi1> were
                            manufactured according to the usual method; molten lead was poured out
                            onto an even surface to form sheets, which were then bent to form a
                            tube, pear- or drop-shaped in circumference.<ptr target="nt_c10.13.n27"
                                n="27"/> More lead was poured over the joint where the two ends of
                            the lead sheet met to form a seam in the form of a “bridge,” ca. 2.5 cm
                            wide and 1.0 cm high, running along what was to be the upper part of the
                                <hi1 rend="italic">fistula</hi1> when properly laid.<ptr
                                target="nt_c10.13.n28" n="28"/>
                        </p>
                        <p id="p_1131" n="1131">The pipes have been squeezed by the pressure of the
                            earth in which they were laid to the point that it is difficult to
                            ascertain the interior diameter. The inscriptions were all applied just
                            beneath the seam, with the text to be read from the side, i.e., the tops
                            of the letters are next to the seam. </p>
                        <p id="p_1132" n="1132">The <hi1 rend="italic">fistulae</hi1> in the museum
                            at Licenza are exhibited in four rows, and are here presented in the
                            same order, beginning from the top (<hi1 rend="bold">fig. 1</hi1>). </p>

                        <p>
                            <hi1 rend="bold">1. inv. no. 00403243</hi1>
                        </p>
                        <p id="p_1133" n="1133">
                            <list>
                                <item>C IVIIVS PRISCVS F </item>
                                <item>
                                    <hi1 rend="italic">C. Iulius Priscus f(ecit)</hi1>
                                </item>
                                <item>Length of the lead pipe, broken at both ends: 50 cm </item>
                                <item>Length of the inscription, with the letters in relief and no
                                    borders along the area carrying the inscription: 22 cm </item>
                                <item>Height of the letters: 2.2-2.3 cm </item>
                                <item>Minimum and maximum internal diameter:<ptr
                                        target="nt_c10.13.n29" n="29"/> 4.8 cm x 8.5 cm </item>
                                <item>Internal circumference: 22 cm </item>
                            </list>
                        </p>
                        <p>
                            <hi1 rend="bold">2. inv. no. 09(?)403243 (the reading is not
                            certain)</hi1>
                        </p>
                        <p id="p_1134" n="1134">
                            <list>
                                <item>P OSTILI FIR[- </item>
                                <item>
                                    <hi1 rend="italic">P. &lt;H&gt;ostili Fir[mini]</hi1>
                                </item>
                                <item>This piece of conduit, broken at both ends, is made of two
                                    pipes that have been joined. The reinforcement of the joint,
                                    made with molten lead, covers the end of the inscription. </item>
                                <item>Overall length: 107 cm </item>
                                <item>Length of the <hi1 rend="italic">P. Ostili</hi1> part of the
                                    inscription: 11.6 cm (corresponding text in no. 3: 11.7 cm) </item>
                                <item>Height of the letters: 2.6-3.0 cm (but the letter O has been
                                    elongated due to the deformation of the pipe) </item>
                                <item>Minimum and maximum internal diameter: 6.0 cm x 7.2 cm </item>
                                <item>Internal circumference: ca. 21 cm </item>
                            </list>
                        </p>
                        <p>
                            <hi1 rend="bold">3. inv. no. 00403242</hi1>
                        </p>
                        <p id="p_1135" n="1135">
                            <list>
                                <item>P OSTILI FIRMINI </item>
                                <item>
                                    <hi1 rend="italic">P. &lt;H&gt;ostili Firmini</hi1>
                                </item>
                                <item>Length of the pipe, broken at both ends: 66 cm </item>
                                <item>Length of the inscription (form as for no. 1): 23.7 cm </item>
                                <item>Height of the letters: 2.5-2.7 cm </item>
                                <item>Minimum and maximum internal diameter: 5.6 cm x 7.5 cm </item>
                                <item>Internal circumference: 22 cm </item>
                            </list>
                        </p>
                        <p>
                            <hi1 rend="bold">4. inv. no. 06(?)03241 (the reading is not
                            certain)</hi1>
                        </p>
                        <p id="p_1136" n="1136">
                            <list>
                                <item>C IVLIIS PRISCVS F </item>
                                <item>
                                    <hi1 rend="italic">C. Iulius Priscus f(ecit)</hi1>
                                </item>
                                <item>Length of the inscription (form as for no. 1): 22.8 cm (taking
                                    into account that the middle part of the first letter C is
                                    missing) </item>
                                <item>Height of the letters: 2.3-2.5 cm </item>
                                <item>Minimum and maximum internal diameter: 4.5 cm x 12 cm </item>
                                <item>Internal circumference: 31 cm </item>
                            </list>
                        </p>
                    </div4>
                    <div4 id="div4_c10.13.2.2" type="section">
                        <head>
                            <bibl type="title">D.13.2.2. Inscribed lead pipes from the 1997-2000
                                excavations </bibl>
                        </head>
                        <p>
                            <hi1 rend="bold">5. inv. VH 121, Sector I.2, Area 50 (SAL 114590) fig.
                            2</hi1>
                        </p>
                        <p id="p_1137" n="1137">
                            <list>
                                <item>C IVLIVS PRISCVS F </item>
                                <item>
                                    <hi1 rend="italic">C. Iulius Priscus f(ecit)</hi1>
                                </item>
                                <item>Length of the pipe: 113 cm </item>
                                <item>Length of the inscription, with the letters in relief and no
                                    borders along the area carrying the inscription: 22.8 cm </item>
                                <item>Height of the letters: ca. 2.3 cm </item>
                                <item>Minimum and maximum internal diameter: 6.5 cm x 10.5 cm </item>
                                <item>Internal circumference: 27 cm </item>
                                <item>Width of the seam: 2.5-3.5 cm </item>
                                <item>Height of the seam: 1.0 cm </item>
                            </list>
                        </p>
                        <p>
                            <hi1 rend="bold">6. inv. VH 122, Sector I.2, Area 50 (SAL 114585) figs.
                                3a and 3b</hi1>
                        </p>
                        <p id="p_1138" n="1138">
                            <list>
                                <item>C IVLIVS PRISCVS F III </item>
                                <item><hi1 rend="italic">C. Iulius Priscus f(ecit)</hi1> III (the
                                    number 3, of uncertain significance)<ptr target="nt_c10.13.n30"
                                        n="30"/>
                                </item>
                                <item>This piece of conduit consists of a long pipe, 2.45 m, joined
                                    to another piece ca. 32 cm in length. The inscriptions are on
                                    the long piece. </item>
                                <item>Length of the inscription (form as for no. 5): 22.8 cm </item>
                                <item>Height of the letters of the name: 2.3 cm </item>
                                <item>Height of the number “III”: 7 cm </item>
                                <item>Minimum and maximum internal diameter: 9 cm x 10 cm </item>
                                <item>Internal circumference: 30 cm </item>
                                <item>Width of the seam: 2.5-3 cm </item>
                                <item>Height of the seam: 1.0 cm </item>
                            </list>
                        </p>
                        <p>
                            <hi1 rend="bold">7. inv. VH 207, Sector I.2, Area 50 (SAL 114591) figs.
                                4 and 5</hi1>
                        </p>
                        <p id="p_1139" n="1139">
                            <list>
                                <item>C IVLIVS PRISCVS F </item>
                                <item>
                                    <hi1 rend="italic">C. Iulius Priscus f(ecit)</hi1>
                                </item>
                                <item>Two identical inscriptions on both sides. Other fragments of
                                    the same pipe are VH 208 (SAL 114546), VH 209 (SAL 114547), and
                                    VH 210 (SAL 114548). </item>
                                <item>Length of the pipe: 250 cm (following the curve); 215 cm (if
                                    measured end to end) </item>
                                <item>Length of the inscription (form as for no. 5): 22.8 cm </item>
                                <item>Height of the letters: ca. 2.3 cm </item>
                                <item>Minimum and maximum internal diameter: 8 cm x 11 cm </item>
                                <item>Internal circumference: 28 cm </item>
                                <item>Width of the seam: 2.5-3.5 cm </item>
                                <item>Height of the seam: 1.0 cm </item>
                            </list>
                        </p>
                    </div4>
                </div3>
                <div3 id="div3_c10.13.3" type="section">
                    <head>
                        <bibl type="title">D.13.3. Commentary on the Inscribed <hi1
                                rend="bolditalic">Fistulae</hi1>
                        </bibl>
                    </head>
                    <p id="p_1140" n="1140">A comparison of the inscriptions mentioning C. Iulius
                        Priscus (nos. 1, 4, 5, 6 and 7) shows that they were all done with the same
                        stamp. In each case, the first letter “C” consists of two curved parts that
                        do not quite meet in the middle. In the name Priscus, the foot of the letter
                        “P” is missing in all cases, while throughout the letter “I” lacks the lower
                        half, and the letter “C” the lower half. Therefore, we can conclude that the
                        Iulius Priscus <hi1 rend="italic">fistulae</hi1> found in 1911-1914 and
                        those found in the excavations of 1997-2000 were manufactured at the same
                        time and must belong to the same hydraulic project (see De Simone, <ptr
                            target="div4_c10.1.3.7" type="txt" n="D.1.3.6"/>). </p>
                    <p id="p_1141" n="1141">The letters in the stamp <hi1 rend="italic">P. Ostili
                            Firmini</hi1> seem to be slightly larger than those in the stamp <hi1
                            rend="italic">C. Iulius Priscus f</hi1>. Yet this does by no means rule
                        out the possibility that Hostilius Firminus’ pipes were made at the same
                        time, and indeed by the <hi1 rend="italic">plumbarius</hi1> Iulius Priscus.
                        The stamp mentioning the <hi1 rend="italic">plumbarius</hi1> might have been
                        the standard one used in the workshop, while the stamp for the owner had to
                        be cut specifically for the occasion. </p>
                    <p id="p_1142" n="1142">Of the inscribed <hi1 rend="italic">fistulae</hi1> found
                        in the 1911-1914 excavations, the nearly identical size of pipes nos. 1, 2
                        and 3 makes it possible that they once belonged together.<ptr
                            target="nt_c10.13.n31" n="31"/> This is an important question, because
                        it links the pipes manufactured by Iulius Priscus to those carrying the name
                        of Hostilius Firminus. In the excavations of 1997-2000, only stamps of
                        Iulius Priscus have been found, but this time we have a stratigraphic
                        context for the finds, which thus also might enable us to date the presence
                        of Hostilius Firminus. </p>
                    <p id="p_1143" n="1143">The Iulius Priscus pipe no. 4 is clearly larger in size
                        and more like no. 6, which carries an identical stamp, while no. 5, also
                        naming Iulius Priscus, seems to be between the smaller pipes (nos. 1-3) and
                        the larger ones (nos. 4 and 6) in size. </p>
                </div3>
                <div3 id="div3_c10.13.4" type="section">
                    <head>
                        <bibl type="title">D.13.4. Anepigraphic Lead Pipes from the Excavations of
                            1997-2000 </bibl>
                    </head>
                    <p id="p_1144" n="1144">These pipes were reportedly moved by earlier excavators,
                        and their original find-spots are not known (<hi1 rend="bold">fig. 6</hi1>). </p>
                    <p>
                        <hi1 rend="bold">8. inv. VH 085, Sector I.2, Area 50 (SAL 114587)</hi1>
                    </p>
                    <p id="p_1145" n="1145">
                        <list>
                            <item>Length of the pipe: 121 cm </item>
                            <item>Minimum and maximum internal diameter: 5.5 cm x 12 cm </item>
                            <item>External circumference: 32 cm </item>
                            <item>Width of the seam: 2.2-3.0 cm </item>
                            <item>Height of the seam: 1.0 cm </item>
                        </list>
                    </p>
                    <p>
                        <hi1 rend="bold">9. inv. VH 086, Sector I.2, Area 50 (SAL 114588)</hi1>
                    </p>
                    <p id="p_1146" n="1146">Length of the pipe: 189 cm. Near one end there is a
                        joint, with the two pieces joined at a horizontal angle of some 135°. At a
                        distance of 110 cm from the joint, the conduit shows a hole in the upper
                        part, in line with the seam, having the minimum/maximum diameters of 2.8 and
                        2.9 cm. The hole was perhaps meant for a stopcock, or possibly for a smaller
                        conduit branching off. </p>
                    <p id="p_1147" n="1147">The deformity of the pipe prevented the taking of
                        internal diameter measurements. The external circumference is 33 cm (not
                        including the seam). The seam is 2.5-3.5 cm wide and 1.0 cm high. </p>
                    <p>
                        <hi1 rend="bold">10. inv. VH 087, Sector I.2, Area 50 (SAL 114589)</hi1>
                    </p>
                    <p id="p_1148" n="1148">
                        <list>
                            <item>Length of the pipe: 138 cm. At one end there are traces of a
                                joint. </item>
                            <item>Minimum and maximum internal diameter: 6.5 cm x 11.5 cm </item>
                            <item>External circumference: 29 cm </item>
                            <item>Width of the seam: 2.3-2.9 cm </item>
                            <item>Height of the seam: 1.0 cm </item>
                        </list>
                    </p>
                </div3>
            </div2>
            <div2 id="div2_c10.14" type="section" status="hidden">
                <head>
                    <bibl type="title">D.14. The Archaeobotanical Remains from the Garden</bibl>
                </head>
                <p>
                    <hi1 rend="bold">By Jennifer Ramsay</hi1>
                </p>
                <div3 id="div3_c10.14.1" type="section">
                    <head>
                        <bibl type="title">D.14.1. Introduction </bibl>
                    </head>
                    <p id="p_1149" n="1149">During the 1998 through 2000 excavation seasons at
                        Horace’s Villa, several soil samples, ranging in size from one liter to ten
                        liters, were recovered from the garden area by a team of garden
                        archaeologists led by Prof. Kathryn Gleason of Cornell University. The
                        material recovered was from either medieval rubble deposits or Flavian
                        garden soil. Although preservation was thought to be poor, it was hoped that
                        some carbonized botanical material survived and could be identified. Such
                        material could give indications of the plants in the larger agrarian
                        landscape and of the diet of the inhabitants of the villa. </p>
                    <p id="p_1150" n="1150">Of the soil samples recovered, 19 were chosen for
                        flotation during the summer of 2000. They were thought to have the best
                        potential for yielding plant remains, as they were large enough to provide
                        an adequate sample size and were from areas in or near artifacts with which
                        plant material may have been associated, such as flowerpots and amphorae. It
                        is the material that was recovered from these 19 samples, as well as one
                        sample of charcoal, that provides the basis for this report. </p>
                </div3>
                <div3 id="div3_c10.14.2" type="section">
                    <head>
                        <bibl type="title">D.14.2. Methodology </bibl>
                    </head>
                    <p id="p_1151" n="1151">The 19 soil samples obtained for analysis had been
                        stored in large, sealed plastic bags to avoid contamination until the time
                        of processing (<hi1 rend="bold">table 1</hi1>). Once processing began, each
                        sample was transferred to a labeled bucket, which was filled with water and
                        hydrogen peroxide in order to facilitate the breakdown of the soil matrix.
                        Hydrogen peroxide flotation was adopted because the soil matrix was of a
                        mud/clay consistency, which made recovery difficult. This technique is
                        designed to recover botanical remains by acting as a deflocculant; the
                        oxidizing action of the hydrogen peroxide releases bubbles of gas, which
                        fill the hollow cases of the carbonized seeds and carry them to the
                            surface.<ptr target="nt_c10.14.n1" n="1"/>
                    </p>
                    <p id="p_1152" n="1152">The soil samples were left in a 10% hydrogen peroxide
                        solution for 24 hours and frequently stirred to release trapped seeds. Once
                        a sample had been sufficiently dispersed, the suspended material (flot) was
                        poured through stacked 1mm and 300 µm sieves. These two light fractions
                        (coarse flot and fine flot) were then wet-sieved to remove any remaining
                        woody material or sediment. The residues were then dried and transferred to
                        labeled plastic bags for transportation to the laboratory at Simon Fraser
                        University, Canada. The heavy fraction of each sample, which is the material
                        that sank to the bottom of the bucket, was also wet-sieved through a 1mm
                        mesh screen and sorted. The light fractions, once in the lab, were sorted
                        under a Leica stereoscopic microscope using x15 magnification. All of the
                        material that could be identified as plant fragments was removed for
                        identification. </p>
                    <p id="p_1153" n="1153">The recovered botanical material was identified using an
                        archaeobotanical reference collection in the Department of Archaeology at
                        Simon Fraser University, and through drawings and books from the Department
                        of Archaeology and Prehistory at the University of Sheffield. The seeds and
                        other types of plant remains were identified by comparing the morphological
                        characteristics of the carbonized specimens with the modern material from
                        the reference collection and from pictures in seed atlases.<ptr
                            target="nt_c10.14.n2" n="2"/> Plant remains that did not fit the
                        standard morphological identification criteria, or were too badly fragmented
                        to be placed in an exact category, were assigned to an intermediate group
                        (e.g. cf. <hi1 rend="italic">Pisum sativa</hi1>), placed in an indeterminate
                        class (e.g. Gramineae indet.), or were classified in a species type that was
                        the most similar in morphological appearance (e.g. Geranimaceae type). </p>
                    <p id="p_1154" n="1154">The sample of charcoal (sample number 20 in table 1) was
                        examined using a Zeiss Jena POL compound microscope with magnification up to
                        x100. The identification of the charcoal was accomplished using comparative
                        material from the reference collection at Simon Fraser University and wood
                        anatomy reference books.<ptr target="nt_c10.14.n3" n="3"/>
                    </p>
                </div3>
                <div3 id="div3_c10.14.3" type="section">
                    <head>
                        <bibl type="title">D.14.3. Results </bibl>
                    </head>
                    <p id="p_1155" n="1155">All of the coarse flot material (from the 1mm sieve) was
                        sorted, identified and recorded in <hi1 rend="bold">table 2</hi1>. There
                        were no identifiable botanical remains in samples 5, 11 and 18; sample 10
                        contained only modern plant material (<hi1 rend="italic">Rubus</hi1> L. sp.
                        and <hi1 rend="italic">Chenopodium</hi1> L. sp.). Although it is relatively
                        certain that many other plants were grown and utilized at Horace’s Villa,
                        most would not have come in contact with fire and consequently would only
                        have a small chance of being preserved. </p>
                    <p id="p_1156" n="1156">The heavy fraction remains were also sorted for all but
                        three samples, owing to time constraints and to the fact that little
                        botanical material was recovered in the first 16 samples. Nine of the fine
                        flots (from the 300 µm sieve) were scanned under a stereoscopic microscope,
                        but only minute fragments of charcoal were observed, which indicated that
                        continued scanning would not be productive. The sample of charcoal was
                        identified and is recorded as sample 20 in <hi1 rend="bold">table 2</hi1>.
                        Due to the sparse quantity of material that was recovered from each sample
                        (no more than 10 items), <hi1 rend="bold">table 2</hi1> indicates the
                        presence of a species (+) in each sample and not the raw count. </p>
                    <p id="p_1157" n="1157">The preservation of botanical material is generally
                        quite poor and consequently identification to species level was often
                        unfeasible. For example, while examining crop species, it was not possible
                        to identify the wheat grains recovered to species level; as a result they
                        were grouped in a <hi1 rend="italic">Triticum</hi1> sp. category. Likewise,
                        there were several grains that could be identified as cereal grains, but
                        because of poor preservation it could not be determined if they were wheat
                        or barley. However, domesticated barley (<hi1 rend="italic">Hordeum
                        vulgare</hi1>), characterized by being pointed at both the apex and the
                        embryo, and by being rounded on the ventral surface and angular on the
                        dorsal surface, was positively identified and appears in samples 14 and 17.
                        Other crop species that are represented are legumes, such as grass pea (<hi1
                            rend="italic">Lathyrus sativus</hi1>), common pea (<hi1 rend="italic"
                            >Pisum sativum</hi1>) and horse bean (<hi1 rend="italic">Vicia
                        faba</hi1>). Legumes that could not be identified as to genus or species
                        were grouped in the category Leguminaceae. As for fruit and nut species,
                        only olives (<hi1 rend="italic">Olea</hi1> sp.) and grapes (<hi1
                            rend="italic">Vitis</hi1> sp.) were recovered. </p>
                    <p id="p_1158" n="1158">The majority of the wild plants represent a combination
                        of field or cultivation weeds (including vineyards and possibly olive
                        groves), and weeds that are hydrophilic. This illustrates that most of the
                        wild material preserved was either introduced with the crop species during
                        harvest or deposited in areas that were used for fill. Some of the weeds
                        identified and their ecological habitats are: <hi1 rend="italic">Lolium
                            temulentum</hi1> (darnel), which appears mainly in fields of cereal
                        crops; <hi1 rend="italic">Chenopodium</hi1> sp. (fat hen), a common weed in
                        tilled and irrigated fields, which has been cultivated in the past as a
                        bread plant;<ptr target="nt_c10.14.n4" n="4"/>
                        <hi1 rend="italic">Ranuncules</hi1> sp. (buttercup family), which is
                        associated with cultivated, disturbed or waste grounds; <hi1 rend="italic"
                            >Astragulus</hi1> sp. (milk-vetches), found commonly on cultivated
                        ground; <hi1 rend="italic">Galium</hi1> sp. (bedstraw), associated with
                        grassy habitats, roadsides and olive groves; and <hi1 rend="italic"
                        >Allium</hi1> sp. (onions, garlic, leeks), which are found on cultivated and
                        waste ground, and in vineyards and olive groves. </p>
                    <p id="p_1159" n="1159">In addition, there are several weed and wild species
                        that are associated with wet or moist environments, such as <hi1
                            rend="italic">Scripus</hi1> sp. (bulrush), found in marshes or brackish
                        swamps; <hi1 rend="italic">Carex</hi1> sp. (sedge), which grows in damp or
                        marsh-like environments; <hi1 rend="italic">Rumex</hi1> sp. (dock/sorrel),
                        which lives in swamps and other damp places; and Geranimaceae (e.g.
                        crane’s-bill), a herb that is often grown in gardens and is found in moist
                        or damp soils. </p>
                </div3>
                <div3 id="div3_c10.14.4" type="section">
                    <head>
                        <bibl type="title">D.14.4. Interpretation </bibl>
                    </head>
                    <p id="p_1160" n="1160">The actual plant remains recovered archaeologically
                        represent the material that was not used by the villa, since the material
                        would not have been incorporated in the archaeological record had it been
                        consumed. Moreover, the representation of archaeobotanical remains is biased
                        by a variety of factors that affect the material during all phases of
                        deposition. For example, the carbonization of seeds is not just a process of
                        preservation but also a process of destruction. The final assemblage after
                        charring is determined by the differential preservation rates of each
                        species and it is therefore difficult to ascertain the original composition.
                        Consequently, caution must be used when interpreting fossilized
                            assemblages.<ptr target="nt_c10.14.n5" n="5"/>
                    </p>
                    <p id="p_1161" n="1161">The botanical remains from the garden at Horace’s Villa
                        appear to represent material that was accidentally or intentionally charred
                        in a hearth or parching oven, cleaned out and deposited on the garden to act
                        as a fertilizer. This is the most plausible explanation for several reasons.
                        First, the material that is preserved is charred, which implies that it had
                        to come in contact with fire or high temperature, which would have most
                        likely happened in the villa setting in an oven or hearth. Likewise, the
                        recovery of charred oak suggests that the deposit was removed from a hearth
                        where the wood was used as fuel. Second, most of the plant remains are not
                        reflective of the variety of plants that grew in gardens and therefore they
                        must have come from elsewhere. Third, the incorporation of crop species in
                        the assemblage appears to indicate that the material emanated from an area
                        of food preparation or processing. Finally, the weed species present in the
                        samples must have been separated from the crop species during processing and
                        have been disposed of, possibly by burning in an oven or hearth. </p>
                    <p id="p_1162" n="1162">This data, then, can tell us very little about the
                        plants growing in the garden at the time of occupation, because unless the
                        garden was intentionally burned, there would have been no way for the seeds
                        of the garden plants to carbonize and therefore survive in the
                        archaeological record. On the other hand it may well be possible to find out
                        about the larger agrarian landscape through the variety of species
                        recovered. Although the quantity of the plant remains is sparse, the remains
                        do suggest what was going on in the natural economy of the site and its
                        region, as well as what was being consumed in the villa. For example, wheat
                        was used for flour to make bread, which was a dietary staple in the
                        Mediterranean region. There are indications that the wheat was locally
                        processed, as there are crop by-products in the samples, such as cereal size
                        culm nodes, rachis fragments and weed species that are commonly associated
                        with crop fields. However, without further sampling at the site and at other
                        sites in the region, it cannot be known whether the wheat was grown locally
                        or imported. Similarly, barley was used for flour, feed and perhaps malted
                        for beer, but as there are no indications of the by-products of barley from
                        the villa, it is difficult to ascertain if it was locally grown or imported.
                        Common pea and horse bean, grown as economic crops, could have been grown
                        locally, as they are less labor and land intensive than cereal crops and may
                        even have been a garden crop. It does seem probable that the grapes and
                        olives were cultivated locally, as the villa would have had to have its own
                        supplies. </p>
                </div3>
                <div3 id="div3_c10.14.5" type="section">
                    <head>
                        <bibl type="title">D.14.5. Conclusions </bibl>
                    </head>
                    <p id="p_1163" n="1163">From the information collected during recovery and
                        analysis of plant remains at Horace’s Villa, a flora assemblage has been
                        established for both the cereal/crop items and weed species. The examination
                        of these remains permits us to hypothesize what crop items were being
                        consumed in the villa and from this, a tentative picture of the larger
                        agrarian landscape can be drawn. </p>
                    <p id="p_1164" n="1164">We may conclude that at Horace’s Villa the crop species
                        present were barley, wheats, olives, grapes and legumes, as seen from the
                        carbonized material that remains. Moreover, most of the material recovered
                        appears to indicate waste products that had been cleaned out of a hearth or
                        oven and deposited on the villa’s garden to act as a fertilizer. </p>
                    <p id="p_1165" n="1165">The information acquired from this archaeobotanical
                        investigation is interesting in that it provides insight into the domestic
                        and economic life of the villa and provides important clues about the larger
                        agrarian landscape, including how the villa may have functioned in the
                        agricultural economy. Further recovery and analysis is necessary to increase
                        our knowledge of the economy and environment of the site. </p>
                    <p id="p_1166" n="1166">In this regard, it must be noted that only a small part
                        of the quadriporticus garden was excavated in the 1998-2000 campaigns. The
                        results thus far are very promising and certainly prove that the site is
                        productive of archaeobotanical material. Further studies are definitely
                        warranted. Likewise, analysis of other villa sites would undoubtedly aid in
                        our understanding of both household and regional economies during this
                        period. Only after such studies have been undertaken will it be possible to
                        contextualize the results reported here from Horace’s Villa, putting them
                        into the broader picture of Roman villa life during the imperial period in
                        central Italy. </p>
                </div3>
            </div2>
        </div1>
        <div1 id="div1_c11" type="chapter" status="hidden">
            <head>
                <bibl type="title">E. Miscellaneous Studies</bibl>
            </head>
            <div2 id="div2_c11.1" type="txt" status="hidden">
                <head>
                    <bibl type="title">E.1. Soils and Landscapes of “Horace’s Villa” and Adjacent
                        Areas</bibl>
                </head>
                <p>
                    <hi1 rend="bold">By John E. Foss, Michael E. Essington, Yul Roh, Debra H.
                        Philips</hi1>
                </p>
                <div3 id="div3_c11.1.1" type="section">
                    <head>
                        <bibl type="title">E.1.1. Introduction </bibl>
                    </head>
                    <p id="p_1167" n="1167">Horace’s Villa is located in the Sabine hills in central
                        Italy near the small village of Licenza. The villa is situated in the deeply
                        dissected limestone region with topographic changes from 360-410 meters in
                        the valleys to over 980-1059 meters on the high peaks. The elevation of the
                        villa is approximately 420-430 meters. The steep slopes and generally
                        shallow upland soils limit intensive agriculture in the Licenza area.
                        Present land use in the region is dominated by forests with the limited
                        areas of agricultural crops on the more moderate slopes. Agricultural crops
                        include olives, small gardens, fruit trees, and pasture in alluvial areas. </p>
                    <p id="p_1168" n="1168">As part of an archaeological investigation Horace’s
                        Villa, a soils study was initiated in August 1998 and continued in July and
                        September 1999, and in July 2000. Soil descriptions and evaluations of
                        landscapes were made throughout the villa; this included several gardens, a
                        large bank cut that was excavated previously, and areas undergoing
                        evaluation by archaeologists. A general reconnaissance soil-landscape survey
                        of areas adjacent to the villa was also initiated. Several soils in the
                        villa and in surrounding areas were sampled for laboratory analysis. The
                        finding of lead pipes in the excavations resulted in detailed laboratory
                        analysis of soils within and surrounding the pipes. </p>
                    <p id="p_1169" n="1169">The objectives of the soils study were to: <table
                            border="0">
                            <row>
                                <cell>1. </cell>
                                <cell>Determine the general soil stratigraphy at Horace’s Villa and
                                    surrounding areas. </cell>
                            </row>
                            <row>
                                <cell>2. </cell>
                                <cell>Describe the morphological characteristics of soils in the
                                    villa and evaluate their physical, chemical, and mineralogical
                                    properties. </cell>
                            </row>
                            <row>
                                <cell>3. </cell>
                                <cell>Evaluate soils associated with the lead pipes. </cell>
                            </row>
                            <row>
                                <cell>4. </cell>
                                <cell>Integrate the soils information into the history of the site
                                    and the archaeological data. </cell>
                            </row>
                        </table></p>
                </div3>
                <div3 id="div3_c11.1.2" type="section" status="hidden">
                    <head>
                        <bibl type="title">E.1.2. Methods </bibl>
                    </head>
                    <div4 id="div4_c11.1.2.1" type="section">
                        <head>
                            <bibl type="title">E.1.2.1. Field methods </bibl>
                        </head>
                        <p id="p_1170" n="1170">Soils associated with the archaeological excavations
                            at Horace’s Villa were described and sampled; these evaluations were
                            supplemented by numerous auger borings throughout the study site. A
                            bucket-type auger with a diameter of 8.3 cm was used to determine the
                            stratigraphy. Soils were described throughout the site, but examination
                            at some locations was limited in depth as a result of the large amount
                            of coarse fragments in the soil. The coarse fragments consisted mainly
                            of artifacts; these included bricks, roof-tiles, limestone-marble
                            fragments, and other miscellaneous materials. The most difficult unit to
                            penetrate with the auger was the surficial 1-2 m of disturbed soils
                            resulting from previous excavations or other man-made land modifications
                            in the center of the Villa. <hi1 rend="bold">Fig. 1</hi1> shows the
                            location of the sampling sites in the study area (for sampling in the
                            surrounding areas see <hi1 rend="bold">fig. 21</hi1>). </p>
                        <p id="p_1171" n="1171">The soils were described using standard Natural
                            Resource Conservation Service (NRCS) guidelines of the United States
                            Department of Agriculture (USDA). Soil horizons identified (e.g. A, Bt,
                            C) are also commonly used in profile descriptions prepared by soil
                                scientists.<ptr target="nt_c11.1.n1" n="1"/> The colors recorded in
                            the descriptions were made using the Munsell soil chart. </p>
                        <p id="p_1172" n="1172">Samples were obtained from several of the major
                            soils occurring in the villa. Samples, taken by horizons, were crushed
                            with a rolling pin and then put through a 10-mesh sieve to remove
                            particles &gt;2 mm. All laboratory analysis was made on the
                            &lt;2 mm-sized particles. </p>
                    </div4>
                    <div4 id="div4_c11.1.2.2" type="section">
                        <head>
                            <bibl type="title">E.1.2.2. Laboratory methods </bibl>
                        </head>
                        <p id="p_1173" n="1173">Samples were obtained from soil surrounding the
                            recently excavated lead (Pb) pipes at the villa (<hi1 rend="bold">figs.
                                2 </hi1>and <hi1 rend="bold">3</hi1>). The pipes are approximately
                            12 cm in diameter and 3 m in length. Soil samples were taken from inside
                            the pipes and from the soil surrounding a lead pipe at one location in
                            1-3 cm increments radiating away from it. Additional soil samples were
                            taken from off-site soil excavations to determine background Pb levels.
                            The samples were digested using an aqua regia-HF microwave digestion
                                procedure.<ptr target="nt_c11.1.n2" n="2"/> They were also subjected
                            to weak, double acid extraction using mixed 0.61 M HCl and 0.16 M
                                HNO<hi1 rend="sub">3</hi1>.<ptr target="nt_c11.1.n3" n="3"/> The
                            soil extract and digest were analyzed for Al, As, Ba, Ca, Cd, Co, Cr,
                            Cu, Fe, K, Mg, Mn, Mo, Ni, P, Pb, S, Si, Sr, Ti, Zn, and Zr using a
                            Thermo Jarrell-Ash Model 61 ICAP-AES. The elemental concentrations of
                            Co, Cu, Cr, Ni, Pb, and Zn were examined in detail. </p>
                        <p id="p_1174" n="1174">Bulk soil samples that contained greater than 10 g
                                kg<hi1 rend="sup">-1</hi1> (1%) total Pb, as well as the crust that
                            encased the lead pipe, were subjected to mineralogical analysis using
                            powder mounts and a Siemens D500 x-ray diffractometer operated at 40 kV
                            and 30 mA to produce Ni-filtered, Cu Kα radiation. Selected samples were
                            subjected to particle size fractionation to separate the soil particles
                            into sand (&gt; 50 µm), silt (2-50 µm), and clay (&lt; 2 µm)
                            fractions. The mineralogy of the size separates was also determined
                            using x-ray diffraction (XRD) analysis. A Hanawalt-type search was
                            performed to identify the mineral phases, the presence of which was
                            validated by comparing the soil XRD data to the standard powder
                            diffraction files. In addition to XRD, minerals in the Pb-bearing soils
                            were examined using scanning electron microscopy (SEM) and energy
                            dispersive x-ray analysis (EDXA). The SEM produces morphological
                            information, while EDXA generates chemical information on a
                            particle-specific basis. The one limitation of EDXA is that lighter
                            elements (atomic masses below sodium) are not detectable. Thus, while
                            metals are easily detected by the technique, the common ligands that
                            metals may associate with in the solid phase, such as carbonate,
                            hydroxide, and oxygen, are not detected. </p>
                    </div4>
                </div3>
                <div3 id="div3_c11.1.3" type="section" status="hidden">
                    <head>
                        <bibl type="title">E.1.3. Results and Discussion </bibl>
                    </head>
                    <div4 id="div4_c11.1.3.1" type="section">
                        <head>
                            <bibl type="title">E.1.3.1. Field results </bibl>
                        </head>
                        <p>
                            <hi1 rend="bold">General setting</hi1>
                        </p>
                        <p id="p_1175" n="1175">The general landscape components of the Licenza
                            valley are shown in <hi1 rend="bold">fig. 4</hi1>. Alluvial sediments
                            (water-deposited) form the lower elevations of the valley, with uplands
                            formed mainly on sedimentary rocks. The geologic materials at Horace’s
                            Villa and surrounding areas are mainly sedimentary rocks with limestones
                            and shales dominating. Shale is the major rock type at the villa.
                            Outcrops west of the site are a mixture of shale, limestone, and
                            interbedded shale and limestone (<hi1 rend="bold">fig. 5</hi1>). The
                            geologic setting, with limestone overlying impervious shale, is
                            responsible for the numerous springs located near the study site.
                            Springs develop when water percolates through the limestone and then is
                            impeded in its downward movement by the shale. This causes the water to
                            flow out to the surface. In the dry conditions of July and August, four
                            to six springs are still active in most years. </p>
                        <p id="p_1176" n="1176">In one area west of Roccagiovine, strata were
                            upturned with interbedded shale and limestone beds. In many other areas
                            in the valley, e.g. near Licenza, limestones were the dominant rock
                            type. In the Castagneto, just east of the villa, volcanic tufa was
                            identified as the major geologic formation; an outcrop of this deposit
                            was also identified near the parking lot in the northeastern portion of
                            Horace’s Villa. Small gravel-sized gray to light brownish gray tufa
                            (10YR 6/1-6/2) was noted in several excavations and numerous auger
                            borings. <hi1 rend="bold">Fig. 5</hi1> shows the generalized
                            relationship of the major parent materials for soils occurring at
                            Horace’s Villa and surrounding areas. </p>
                        <p id="p_1177" n="1177">Colluvial deposits of mixed lithology and soil
                            materials were commonly noted at the base of steep slopes throughout the
                            valley. Extensive deposits of alluvium occur along the Licenza river
                            south of the village along the road linking Licenza to Vicovaro. Less
                            extensive alluvial deposits occur along the smaller tributary streams.
                            Several profiles observed along the Licenza river had recent alluvial
                            sediments (80 to 110 cm) overlying a buried surface with occasional
                            artifacts. These recent alluvial sediments were strongly calcareous,
                            dark brown (10YR 3/2 or 7.5YR 3/2), and clayey. </p>
                        <p>
                            <hi1 rend="bold">Horace’s Villa</hi1>
                        </p>
                        <p id="p_1178" n="1178">The soils of Horace’s Villa were developed mainly
                            from shale parent material, but the overlying sediment resulting from
                            erosion or human activities seems to have developed from
                            limestone-derived soils. The occurrence of numerous limestone fragments
                            and the general nature of soils (dark color and strongly calcareous)
                            occurring in the overlying sediment provide evidence that limestone was
                            a major component in the soil matrix. The shale bedrock was
                            yellowish-brown and mainly non-calcareous, but certain profiles had
                            calcareous shale. The shale bedrock had an uneven surface; this was
                            quite evident in several profiles, but especially in Sector VII.1, Area
                            24 (soil profile S98It8). In part of this trench, the shale occurred at
                            1 m and in another at over 1.8 m. This uneven surface may be the result
                            of natural erosion, but also could be the result of land modification of
                            the garden area during construction. </p>
                        <p id="p_1179" n="1179"><hi1 rend="bold">Table 1</hi1> gives the morphologic
                            features of the soils described in the villa. As noted in the
                            descriptions in table 1, most of the soils show numerous discontinuities
                            (indicated by Arabic numerals); this indicates disturbance of soils with
                            sediments being added to previous surfaces. Discontinuities are commonly
                            associated with human-influenced or urban soils. </p>
                        <p>
                            <hi1 rend="bold">Sector VII.1</hi1>
                        </p>
                        <p id="p_1180" n="1180">The profiles described at Sector VII.1 consist of
                            180 cm of calcareous overburden from limestone-derived soils; this
                            material contained many artifacts, limestone fragments (gravel and
                            cobble size), and it had a high content of organic matter. The
                            calcareous overburden is typical for most of the villa, especially north
                            and south of the pool (Area 25). The thickness of the overburden is
                            variable; in most of the central part of the villa, north and south of
                            the pool, the general thickness ranges from 1-3 m. Near the outer walls
                            north and south of the pool, the calcareous overburden is usually
                            &lt;1 m. </p>
                        <p id="p_1181" n="1181">The exact origin of the calcareous overburden is
                            still unknown. This material had definitely been disturbed after the
                            various early occupations and some previous excavations. The high
                            organic matter, calcareous nature, dark color, and presence of limestone
                            fragments indicate that the material originated as surficial soil,
                            possibly as alluvium or colluvium near the site. The sediment had
                            similar characteristics to the deep alluvial soils described on the
                            south end of the villa and also down the valley south of the site. </p>
                        <p id="p_1182" n="1182">The garden soil at Sector VII.1 was developed from
                            shale-derived soil. In both profiles described at this site (S98It8 and
                            S99It8), the buried garden surfaces had dark brown to very dark
                            grayish-brown colors, clay texture, and were non-calcareous. The garden
                            surfaces were underlain by clayey subsoils (Bt) and relatively
                            unweathered clayey and shaley material. This sequence of horizonation of
                            soils developed on shale occurred in other profiles at the study site
                            (e.g., C6, C7 and C14). </p>
                        <p>
                            <hi1 rend="bold">Sector VI.1</hi1>
                        </p>
                        <p id="p_1183" n="1183">The soils at Sector VI.1 (Profile S98It1) consisted
                            of 170 cm of recently deposited silty clay loam, very dark grayish-brown
                            (10YR 3/2), calcareous materials overlying a series of horizons with
                            different textures, and organic matter additions (<hi1 rend="bold">table
                                1</hi1>). Possible buried surfaces were noted at 215-235 cm (4Ab)
                            and at 250-260 cm (5Ab). These surfaces were of short duration based on
                            organic additions, thickness of horizons, and lack of underlying
                            pedogenic development. The mottling occurring below 260 cm indicates
                            water table influence during the soil formation process. Core no. 2
                            (S98It7), taken about 16 m to the south of profile S98It1, had over 100
                            cm of recent sediment overlying the original garden soil. </p>
                        <p>
                            <hi1 rend="bold">Profile C6, S00It4</hi1>
                        </p>
                        <p id="p_1184" n="1184">This profile had a buried surface at 240-275 cm
                            containing artifacts and charcoal. The charcoal fragments were sent for
                            Carbon-14 dating at the Stafford Research Laboratories in Boulder, CO.
                            The sample number is CANS-73447; this number was given at the Lawrence
                            Livermore National Laboratory Center for Accelerator Mass Spectrometry.
                            The sample was dated to 2550 +/- 40 B.P. This date is significant in
                            that this level (240-275 cm) marks the beginning of construction and
                            habitation of the site. Also, the horizons above this zone have
                            developed in the last 2500 years, and large quantities of soil were
                            brought to or moved at the villa site, perhaps to provide a more level
                            garden area. It appears that the drainage way on the south end of the
                            villa extended north along the western edge of the current structures.
                            Thus, fill was needed to provide a more satisfactory landscape for
                            construction. The fill material was composed of shale-derived soil that
                            was readily available on site. </p>
                        <p>
                            <hi1 rend="bold">Bank cut, S98It2.</hi1>
                        </p>
                        <p id="p_1185" n="1185">The soils at the bank cut were derived mainly from
                            colluvial deposits. The profile showed four major discontinuities with
                            three major buried surfaces; these surfaces occur at 48-60 cm (2Ab),
                            88-118 cm (3Ab), and 143-183 cm (4Ab). The surfaces probably did not
                            exist for very long periods of time because of the minimal development
                            in the underlying horizons. The soils data need to be correlated with
                            the archaeological findings to determine the age relationships of this
                            unique profile. Artifacts were noted throughout the profile. Shale
                            parent material was evident at the base of the slope. </p>
                        <p>
                            <hi1 rend="bold">Gardens</hi1>
                        </p>
                        <p id="p_1186" n="1186">Soils of several gardens were studied using an auger
                            to determine the general nature of the sediments. In several of the
                            gardens, the content of coarse fragments limited the soils investigation
                            with the auger. The small peristyle garden (Garden no. 1=Area 8) had
                            about 60 cm of soil overlying shale bedrock, with shale fragments also
                            occurring throughout the profile (<hi1 rend="bold">table 1</hi1>). </p>
                        <p>
                            <hi1 rend="bold">Regional studies</hi1>
                        </p>
                        <p id="p_1187" n="1187"><hi1 rend="bold">Table 2</hi1> shows the general
                            morphological characteristics of soils observed in areas of the Licenza
                            valley near Horace’s Villa, and <hi1 rend="bold">figure 4</hi1> shows
                            the relationships between landscapes and geologic materials. The upland
                            soils near the villa are briefly described at stops 8, 9, 11, and 13.
                            The soils are derived from shale bedrock and are generally shallow
                            (&lt; 1m) except for the soil occurring in the chestnut forest
                            (Castagneto) east of the site. The soil in the forest and exposed on the
                            bank overlooking the parking lot (S98It5), however, was strongly
                            developed (clayey argillic horizon and thick profile), indicating a
                            stable geomorphologic surface for a long period (perhaps 100,000 years
                            or more). The soils in the chestnut forest are derived from volcanic
                            tufa and this material weathers much faster than the surrounding shale
                            or limestone bedrock. </p>
                    </div4>
                    <div4 id="div4_c11.1.3.2" type="section">
                        <head>
                            <bibl type="title">E.1.3.2. Laboratory results </bibl>
                        </head>
                        <p>
                            <hi1 rend="bold">General conditions</hi1>
                        </p>
                        <p id="p_1188" n="1188"><hi1 rend="bold">Table 3</hi1> gives the results of
                            the chemical analysis of several soil profiles at Horace’s Villa. A
                            major characteristic of soils at the villa is the amount of Ca in the
                            upper 2 m of soil; for example, S98It8 (Sector VII.1) had over 26,000
                            mg/kg of Ca from 15 to 210 cm and S98It2 (Bank cut) had over 130,000
                            mg/kg throughout the 2.1 m profile. This characteristic indicates the
                            domination of limestone residuum in the upper several meters of soil at
                            Horace’s Villa. The Castagneto, on the other hand, had Ca values
                            &lt;290 mg/kg throughout the profile; these values indicate the
                            change in parent material to volcanic tufa. Castagneto soils also had
                            differences in Mg, Mn, and Sr as contrasted to soils derived from
                            limestone or shale. The shale parent material below 210 cm in S98It8 had
                            Ca values &lt;7277 mg/kg. Differences in parent material drastically
                            change the chemistry of the soils in the villa. </p>
                        <p>
                            <hi1 rend="bold">Soil Pb concentrations</hi1>
                        </p>
                        <p id="p_1189" n="1189">Soil samples obtained at incremental distances from
                            the lead pipe, as well as from within the pipe, indicate Pb migration
                                (<hi1 rend="bold">table 4</hi1>). The concentration of Pb in the
                            soil samples is a function of the distance from the pipe. Soil within
                            the ~12 cm inside diameter pipe contains 25.4 g kg<hi1 rend="sup"
                            >-1</hi1> Pb. Lead concentrations in the soil surrounding the pipe are
                            30.8 g kg<hi1 rend="sup">-1</hi1> (0-1 cm from pipe), 4.02 g kg<hi1
                                rend="sup">-1</hi1> (1-3 cm), 3.34 g kg<hi1 rend="sup">-1</hi1> (3-6
                            cm), and 1.40 g kg<hi1 rend="sup">-1</hi1> (6-9 cm). The Pb content of a
                            soil sample collected 0.5 m from the pipe (at the same elevation) is 157
                            mg kg<hi1 rend="sup">-1</hi1> (0.157 g kg<hi1 rend="sup">-1</hi1>). The
                            Pb content of a soil sample collected from the buried A-horizon of a
                            profile in the vicinity of the villa (“Background” in <hi1 rend="bold"
                                >table 4</hi1>) is 50 mg kg<hi1 rend="sup">-1</hi1> (0.05 g kg<hi1
                                rend="sup">-1</hi1>). The higher Pb concentrations in the villa
                            control sample, relative to that of the off-site background sample, is a
                            finding consistent with those from other Roman archaeological sites;
                            most notably, soil Pb levels are elevated relative to adjacent and
                            uninhabited areas. The data further indicate that, aside from Pb, no
                            trace element was present at levels above the background. However,
                            concentrations of Cu, Ni, and Zn are clearly elevated in soil samples
                            collected within the pipe relative to concentrations in samples
                            collected 6 to 9 cm from the pipe. Copper and Ni concentrations are also
                            elevated in the 0 to 1 cm sample relative to concentrations in the 6 to
                            9 cm sample. </p>
                        <p>
                            <hi1 rend="bold">Total versus double acid-extractable metals</hi1>
                        </p>
                        <p id="p_1190" n="1190">Lewis et al. promoted the double acid extraction
                            technique as a cost-effective mechanism for assessing the trace element
                            content of soils at archaeological sites.<ptr target="nt_c11.1.n4" n="4"
                            /> With the exception of Cr, the double acid-extractable and total metal
                            content of soils from Italian archaeological sites are highly correlated
                                (<hi1 rend="bold">fig. 6</hi1>). Correlation coefficients (r) are:
                            0.698 (Co), 0.235 (Cr), 0.829 (Cu), 0.520 (Ni), 0.915 (Pb), and 0.977
                            (Zn). All r values are significant at the 0.001 level (except for Cr).
                            In addition, the double acid extraction exhibits a high level of
                            efficiency, particularly for Co, Cu, and Pb, and to a lesser extent for
                            Zn. Regression equations relating total metal content (denoted by T) to
                            double acid extractable metals (denoted by DA) are: TCo = 3.72 + 0.78
                            DACo (r<hi1 rend="sup">2</hi1> = 0.49***), TCu = 41.86 + 1.32 DACu
                                (r<hi1 rend="sup">2</hi1> = 0.68***), TNi = 15.58 + 7.69 DANi (r<hi1
                                rend="sup">2</hi1> = 0.27**), TPb = 86.2 + 0.66 DAPb (r<hi1
                                rend="sup">2</hi1> = 0.66***), and TZn = 51.3 + 1.53 DAZn (r<hi1
                                rend="sup">2</hi1> = 0.51***). As is evidenced by these regression
                            equations, the acid extraction is nearly as effective as total
                            dissolution in assessing the total content of Co, Cu, Pb, and Zn in
                            these soils. Although total and double acid-extractable Ni
                            concentrations are significantly correlated, the relationship between
                            these two elemental Ni concentration parameters is somewhat tenuous.
                            Further, the concentrations of both Ni and Cr in the double acid
                            extracts are not in proportion to their total concentrations. Maximum
                            acid-extractable Cr and Ni are approximately 4 mg kg<hi1 rend="sup"
                            >-1</hi1> and 10 mg kg<hi1 rend="sup">-1</hi1>, respectively, while
                            total concentrations range up to approximately 80 mg kg<hi1 rend="sup"
                                >-1 </hi1>and 180 mg kg<hi1 rend="sup">-1</hi1>, respectively. The
                            lack of significance in the correlations of total and acid-extractable
                            Cr and Ni may be associated with the mineralogical environment in which
                            these elements reside. With the exception of Pb, the trace elements in
                            the Horace’s Villa soils originate as minor inclusions in silicate
                            mineral phases. When released through weathering processes, these
                            elements will form mineral phases that are stable under the prevailing
                            environmental conditions. For the soil conditions at Horace’s Villa
                            (alkaline and free calcium carbonate), Co, Cu, and Zn may precipitate in
                            carbonate and hydroxycarbonate phases. These phases are easily dissolved
                            by the double-acid extractant. On the other hand, Cr and Ni do not
                            appear to weather to acid-soluble phases, either preferring to remain in
                            the silicate framework or to form acid-stable oxide and hydroxide phases
                            when released through weathering. </p>
                        <p>
                            <hi1 rend="bold">Mineralogy of Pb</hi1>
                        </p>
                        <p id="p_1191" n="1191">The crust on the lead pipe is primarily composed of
                            litharge [PbO], with smaller amounts of cerrusite [PbCO3] and quartz
                                (<hi1 rend="bold">fig. 7</hi1>). Metallic Pb was also identified in
                            the crust. Scanning electron microscopy and EDXA of the Pb pipe-soil
                            contact clearly illustrates the presence of Pb-bearing particles that
                            are fibrous (needle-like) and platy (<hi1 rend="bold">figs. 8</hi1> and
                                <hi1 rend="bold">9</hi1>), reflecting the crystal habits of
                            cerrusite and litharge. The occurrence of litharge (a weathering product
                            of metallic Pb) and metallic Pb, coupled with the finding that whole
                            sections of the pipe could be completely dissolved in a pH 5 buffered
                            CH3COO-Na (sodium acetate) solution, indicate that the crust was
                            originally the lead pipe. Energy dispersive x-ray data also indicate the
                            presence of Cu in the Pb-bearing particles found in the pipe crust (<hi1
                                rend="bold">figs. 10-13</hi1>). This observation that Cu occurs in
                            detectable concentrations in Pb precipitates is consistent with the
                            chemical data, which shows elevated Cu levels in soil proximate to the
                            lead pipe. </p>
                        <p id="p_1192" n="1192">The soil within the pipe is predominantly composed
                            of cerrusite and calcite, with a small amount of quartz (<hi1
                                rend="bold">fig. 14</hi1>). X-ray diffraction of the particle-size
                            separates of the soil inside the pipe suggests that cerrusite is
                            concentrated in the smaller-size separates (<hi1 rend="bold">fig.
                            15</hi1>). This conclusion is evidenced by the stronger cerrusite
                            diffraction lines in the silt-size fraction, relative to the cerrusite
                            diffraction lines in the sand-sized fraction. SEM and EDX analysis of
                            silt and sand fractions also showed that calcite is a dominant mineral
                            with minor amounts of quartz, mica, and unknown cylinder-shaped mineral
                            in sand (<hi1 rend="bold">fig. 16</hi1> A, B, C, D) and silt fraction
                                (<hi1 rend="bold">fig. 17</hi1> A, B, C, D). Cerrusite is also
                            present in the clay-sized fraction (<hi1 rend="bold">fig. 18</hi1>). The
                            clay mineralogy of the Pb-affected soil is composed of the clay minerals
                            mica and smectite. In addition to cerrusite, quartz and calcite are also
                            present in the clay fraction. Calcite and smectite are the dominant
                            minerals of the clay mineral assemblage, with minor amounts of mica,
                            cerrusite, and quartz. The mineral assemblage present in the clay
                            fraction of this soil indicates that the soil is young in relative age,
                            having received very little precipitation to hasten weathering
                            processes. </p>
                        <p id="p_1193" n="1193">In the 0-1 cm soil sample near the lead pipe,
                            calcite is the dominate mineral, accompanied by small amounts of quartz
                            and cerrusite (<hi1 rend="bold">fig. 19</hi1>). The mineralogy of the
                            0-1 cm soil sample is similar to that of the soil inside the lead pipe.
                            The XRD results are consistent with the predicted stability of
                            Pb-bearing minerals (<hi1 rend="bold">fig. 20</hi1>). The stability
                            diagram indicates that cerrusite is the most stable Pb-bearing mineral
                            when calcite is present and within the range of CO2 partial pressures
                            that are likely to occur in soils. Although the stability of
                            hydroxypyromorphite and alamosite are a function of Ca<hi1 rend="sup"
                            >2+</hi1>, PO<hi1 rend="sub">4</hi1><hi1 rend="sup">3-</hi1>, and H<hi1
                                rend="sub">4</hi1>SiO<hi1 rend="sub">4</hi1><hi1 rend="sup">0
                            </hi1>activities (controlled by calcite, hydroxyapatite, and am-H<hi1
                                rend="sub">4</hi1>SiO<hi1 rend="sub">4</hi1>, respectively), the
                            direct observation of cerrusite validates the assumptions used to
                            construct <hi1 rend="bold">fig. 20</hi1>, and validates the use of
                            equilibrium solubility concepts to indirectly identify mineral phases.
                        </p>
                    </div4>
                </div3>
                <div3 id="div3_c11.1.4" type="section">
                    <head>
                        <bibl type="title">E.1.4. Summary </bibl>
                    </head>
                    <p id="p_1194" n="1194">The geologic formations in the Licenza valley are
                        dominated by sedimentary rocks, namely shale and limestone. The positioning
                        of the limestone overlying shale has created conditions for developing
                        springs on the hillsides west of the villa. The springs provide water during
                        even the dry months of summer, and thus offered a most favorable location
                        for agriculture as well as human habitation. </p>
                    <p id="p_1195" n="1195">Other geologic formations include the volcanic tufa
                        located on the Castagneto. Soils developed on this formation were deep and
                        clayey. Weathering of tufa usually results in more rapid soil development
                        than the other local rocks because of its porous nature and mixed
                        mineralogy. Alluvial deposits make up the bulk of sediments in valley. Such
                        deposits are common on the southern portion of the villa and also existed on
                        the western side prior to construction activities. The overburden in the
                        central portion of the study site is also probably limestone-derived
                        alluvium. </p>
                    <p id="p_1196" n="1196">Most of the soils described at Horace’s Villa show a
                        great deal of disturbance in the upper meter or more and probably represent
                        past excavation activities and recent land modification. Below this 1-2 m
                        layer, however, the garden soils developed primarily from shale and show
                        dark colors, mostly leached of carbonates, and have clayey textures.
                        Chemical characteristics also indicate wide differences in elemental
                        composition of soils developed on shale, limestone, and volcanic tufa. </p>
                    <p id="p_1197" n="1197">Soil samples were collected from the excavation of
                        Horace’s Villa to examine trace element content, relative to the surrounding
                        environs, and to document the movement of Pb from lead pipes that were
                        emplaced more than 2000 years ago. Of the trace elements examined (Co, Cr,
                        Cu, Ni, Pb, and Zn), only Pb concentrations in soil at the villa were found
                        to exceed background levels, although Cu, Ni, and Zn concentrations were
                        elevated in soil proximate to the lead pipe. Lead concentrations in the pipe
                        and up to 9 cm away from it were highly elevated relative to control levels.
                        The metals content of the soils, as determined using a double acid
                        extraction procedure, was found to mimic the total metals content for Co,
                        Cu, Pb, and Zn. The extraction procedure was less efficient than total
                        dissolution for determining Ni and Cr, although the results from these two
                        procedures were significantly correlated for Ni determinations. The lead
                        pipe was encased by a crust that was composed primarily of litharge, with
                        smaller amounts of cerrusite. This observation, coupled with ancillary
                        information, indicated that the crust embodies the skeletal remains of the
                        pipe, rather than representing an authigenic coating. Soil within the pipe
                        and in close proximity to the pipe contained cerrusite. The direct
                        observation of this mineral was consistent with the predicted stability of
                        Pb-bearing minerals in this environment. </p>
                </div3>
            </div2>
            <div2 id="div2_c11.2" type="section">
                <head>
                    <bibl type="title">E.2. The Ownership of the Licenza Villa</bibl>
                </head>
                <p>
                    <hi1 rend="bold">By Vasily Rudich</hi1>
                </p>
                <p id="p_1198" n="1198">In his recent study of Roman villas, Pappalardo observes:
                    “Over 3,000 Roman villas are known in the West, but hardly any owners’
                        names.”<ptr target="nt_c11.2.n1" n="1"/> Horace’s Villa at Licenza proves a
                    remarkable exception. It is true that at the present stage of its excavation, it
                    is not possible to establish with any certainty whether that villa could have
                    indeed been the one that was owned by Horace and celebrated in his poems. Still,
                    one cannot and should not discard this possibility, supported as it is both by
                    local tradition and considerations of topography. At the same time the findings,
                    including the most recent, offer inscriptions indicating by name several
                    individuals who must have owned this property in the period between the
                    mid-first century B.C. and the early second century A.D. As will be seen, some
                    of those names have important implications for the political history of the
                    early Roman Empire. </p>
                <p id="p_1199" n="1199">In order to elucidate the issue, however, and before any
                    attempt at identifying the villa’s owners is made, it seems imperative to
                    inquire into the economy of the <hi1 rend="italic">fiscus</hi1>, since we know
                    that in his testament Horace left his estate to Augustus (Suet. <hi1
                        rend="italic">Vita Hor</hi1>. 8). Especially important is the movement of
                    properties, in terms of sales and resales, in and out of the imperial domain,
                    during the period under consideration. It goes without saying that at this stage
                    of our knowledge any effort at a plausible reconstruction can be made only in
                    the most tentative sense, and must be based on disparate evidence filled with
                    gaps. </p>
                <p id="p_1200" n="1200">Modern scholarship has long ago established with certainty
                    that the imperial domain could not only increase through inheritance,
                    confiscation and gift, but could also be diminished “by various forms of
                    alienation” on the part of the emperors.<ptr target="nt_c11.2.n2" n="2"/> Egypt
                    is often cited as the standard example to illustrate the practice of the
                    emperors, beginning with Augustus, of bestowing gifts of land on their relatives
                    and associates.<ptr target="nt_c11.2.n3" n="3"/> Scholars have debated whether
                    the owners of all formerly imperial estates in Egypt held these lands as <hi1
                        rend="italic">doreai</hi1> (donations), or as <hi1 rend="italic"
                    >ousiai</hi1>, that is, property acquired on the open market. Given the
                    emperors’ vested interest in Egypt as the main source of grain, and their
                    control of the senatorial movements in that province, the former view seems more
                    plausible. It is also supported by the evidence of <hi1 rend="italic">P.
                    Ryl.</hi1> 171 (56-57 A.D.), which concerns the plot of twenty seven <hi1
                        rend="italic">arouras</hi1> donated by Nero to his favorite freedman,
                    Doryphorus. The document also states that the land had previously belonged to
                    Claudius’ powerful freedman secretary, Narcissus. No doubt similar practices
                    existed elsewhere other than Egypt.<ptr target="nt_c11.2.n4" n="4"/> Moreover,
                    one must also agree with the contention that such and similar gifts of land
                    “often returned to the emperor through inheritance and could be redistributed as
                    he wished amongst a fairly limited circle of associates.”<ptr
                        target="nt_c11.2.n5" n="5"/> As we will see, all of this might have had a
                    direct implication on the fortunes of “Horace’s Villa” after the poet’s death. </p>
                <p id="p_1201" n="1201">We know that, for various reasons and in various periods,
                    the emperors were willing to dispose of their land for profit. Thus, after his
                    accession to power, Galba put Nero’s estates on auction and there was no lack of
                    prospective buyers (Plut. <hi1 rend="italic">Gal</hi1>. 5.5). Nerva was not
                    averse to selling land for quick cash (Dio 68.2.2) and Pliny the Younger
                    commends Trajan for doing the same (<hi1 rend="italic">Paneg</hi1>. 50).<ptr
                        target="nt_c11.2.n6" n="6"/> At least two episodes of considerable fiscal
                    crisis during the Julio-Claudian period are reported, when some portions of the
                    imperial estate might have been sold into private hands on a scale larger than
                    usual, with the object of financial recovery: one in 38 A.D., after Caligula’s
                    first year in power (Suet. <hi1 rend="italic">Cal</hi1>. 37; Dio 59.2) and
                    another, apparently, much more serious, in 64 A.D. under Nero, in the aftermath
                    of the Great Fire (Tac. <hi1 rend="italic">Ann</hi1>. 15.45; cf. 16.3; Dio <hi1
                        rend="italic">Epit</hi1>. 62.18.5; Suet. <hi1 rend="italic">Nero</hi1> 31f,
                    38). Last but not least, one assumes that the throes of Civil War in 68-69 A.D.
                    and the devastation of the Italian countryside would have compelled any of
                    Nero’s successors to allow further sales of their land or properties, perhaps
                    for even lower prices.<ptr target="nt_c11.2.n7" n="7"/> Consequently, we may
                    propose that, under the above circumstances, or for that matter at any other
                    point in the history of the first century A.D., the Licenza villa, if willed by
                    Horace to Augustus, might have passed from the imperial domain back to private
                    ownership. </p>
                <p id="p_1202" n="1202">Most of the names appearing in the stamps on bricks and
                    roof-tiles belong to the persons responsible for producing such items: the <hi1
                        rend="italic">domini</hi1> of the <hi1 rend="italic">figlinae</hi1>, the
                        <hi1 rend="italic">officinatores</hi1>, etc. (see Filippi, <ptr
                        target="div3_c10.4.1" type="txt" n="D.4"/>). Of seven names that seem to
                    indicate the Licenza villa’s owners,<ptr target="nt_c11.2.n8" n="8"/> three
                    cannot be placed in time with any degree of confidence;<ptr target="nt_c11.2.n9"
                        n="9"/> one <hi1 rend="italic">gentilicium</hi1> is extremely rare, and
                    another entirely unknown.<ptr target="nt_c11.2.n10" n="10"/> To these must be
                    added two further inscriptions discovered on the lead water pipes (see below,
                    and see Bruun, <ptr target="div3_c10.13.1" type="txt" n="D.13"/>). </p>
                <p id="p_1203" n="1203">In what follows I will concentrate only on those individuals
                    whose names allow a possibility of identification, or at least are datable,
                    however tentatively. </p>
                <p id="p_1204" n="1204">Thus qualified, the earliest brick stamps bear the name of
                    MANIUS NAEVIUS and are presumably late Republican.<ptr target="nt_c11.2.n11"
                        n="11"/> Under the Republic, the Naevii (this <hi1 rend="italic"
                    >gentilicium</hi1> was apparently common to both senatorial and equestrian
                    clans) had never reached true prominence.<ptr target="nt_c11.2.n12" n="12"/>
                    Apart from the poet Cn. Naevius (certainly not a senator), one can mention
                    perhaps only M. Naevius, <hi1 rend="italic">tribunus plebis</hi1> of 184 B.C.,
                    who might have had a hand in the attempted impeachment of the elder Scipio
                    Africanus (Livy 38.56; 39.52; cf. Val. Max. 3.7.1e)<ptr target="nt_c11.2.n13"
                        n="13"/> and Q. Naevius Matho, praetor of the same year, charged with the
                    investigation of poisonings within and without the city (cf. Livy 38.41;
                        39.32).<ptr target="nt_c11.2.n14" n="14"/> There was indeed a Sex. Naevius
                    who proceeded in court against Cicero’s first client, P. Quinctius, but his
                    social standing (a <hi1 rend="italic">praeco</hi1>) was insignificant.<ptr
                        target="nt_c11.2.n15" n="15"/> It appears that under the Republic none of
                    the Naevii had ever attained the consulate. If our Manius Naevius owned the
                    villa before Horace, the status of his family or clan (nowadays we might call it
                    middle-middle class) accords well with the poet’s description of the place as a
                    relatively modest establishment–that is, before it underwent one of several
                    renovations during the imperial period. He might have lost this property in the
                    turbulence of the Civil Wars, through confiscation or bankruptcy, so that it
                    could have fallen eventually into the hands of Horace.<ptr target="nt_c11.2.n16"
                        n="16"/> Be that as it may, some of the other Naevii seem to have fared a
                    little better under Augustus: two of them–C. Naevius Capella and L. Naevius
                    Surdinus–served as the <hi1 rend="italic">triumviri aere argento auro flando
                        feriundo</hi1>,<ptr target="nt_c11.2.n17" n="17"/> that is, in charge of the
                    imperial coinage, and (perhaps) the latter’s son, another L. Naevius Surdinus
                    (L. filius) was finally made <hi1 rend="italic">consul suffectus</hi1> by
                    Tiberius in 30 A.D. (<hi1 rend="italic">CIL</hi1> X.1233).<ptr
                        target="nt_c11.2.n18" n="18"/> Of the equestrian Naevii the most famous–or
                    infamous–was undoubtedly the praetorian prefect Q. Naevius Cordus Sutorius
                    Macro, as treacherous as his predecessor Sejanus, and the victim of an even
                    superior treachery from his master Caligula.<ptr target="nt_c11.2.n19" n="19"/>
                </p>
                <p id="p_1205" n="1205">Of the villa’s owners whose names are found on the brick
                    stamps and who are datable to the early imperial period, one name catches our
                    immediate attention. It borders on the sensational and may directly relate to
                    the political history of imperial Rome. The name is CLAUDIA EPICHARIS.<ptr
                        target="nt_c11.2.n20" n="20"/> As I will argue, there are strong reasons to
                    believe that this refers to the very remarkable freedwoman whom Tacitus
                    describes (<hi1 rend="italic">Ann</hi1>. 15.51, 57; cf. Dip–Xiph. 62.27.3) as
                    one of the central participants in the Pisonian conspiracy against Nero (65
                        A.D.).<ptr target="nt_c11.2.n21" n="21"/> I have already had an opportunity
                    to discuss her activities in some detail elsewhere.<ptr target="nt_c11.2.n22"
                        n="22"/> Tacitus’ account is dramatic and well known. According to it, <hi1
                        rend="italic">quaedam</hi1> Epicharis (51), <hi1 rend="italic">mulier
                        libertina</hi1> (57), belonged to the intransigent core of the plot aimed at
                    tyrannicide, even though she had never hitherto shown “any concern for what is
                    honorable” (<hi1 rend="italic">neque illi ante ulla rerum honestarum cura
                    fuerat</hi1> – 51). She is said to have become involved on her own initiative,
                    enlisting the cooperation of the commander of the imperial fleet at <hi1
                        rend="italic">Misenum</hi1>, Volusius Proculus, who, however, denounced her
                    to Nero. When arrested and confronted with her accuser, she resolutely denied
                    all his allegations, but was still left in prison (<hi1 rend="italic"
                    >ibid</hi1>.). It was only after the conspiracy began to unravel, owing to a
                    series of treacheries and breakdowns, that the emperor ordered her to be
                    tortured, although in vain. We learn that even on the rack she refused to
                    implicate any other person, but finally managed to commit suicide by strangling
                    herself with her breastband (57). Tacitus, whose work is otherwise fraught with
                    manifestations of deep-rooted social prejudices, chose to honor her with an
                    exceptional epitaph, which proclaims the moral superiority of “a mere
                    freedwoman” over the despicable conduct on the part of Rome’s freeborn senators
                    and knights (<hi1 rend="italic">ibid</hi1>.).<ptr target="nt_c11.2.n23" n="23"/>
                </p>
                <p id="p_1206" n="1206">Tacitus does not mention his heroine’s <hi1 rend="italic"
                        >nomen gentilicium</hi1>, but an assumption that she was indeed an imperial
                        <hi1 rend="italic">liberta</hi1> allows us to resolve several vexing
                    problems related to her record and behavior, including her connections in the
                    senatorial, military and court milieus.<ptr target="nt_c11.2.n24" n="24"/> I
                    will return to this topic later. </p>
                <p id="p_1207" n="1207">In the extant epigraphic corpus, the appearance of the name
                    Epicharis is relatively infrequent. Out of 25 known cases in Rome,<ptr
                        target="nt_c11.2.n25" n="25"/> only two funeral inscriptions erected to
                    their respective husbands by different women, each called CLAUDIA EPICHARIS,
                    might bear on the identity of the villa’s female owner.<ptr
                        target="nt_c11.2.n26" n="26"/> I will start with <hi1 rend="italic"
                    >CIL</hi1> VI.8411, which seems to be of major importance for the present study
                        (<hi1 rend="bold">fig.1</hi1>). It runs: </p>
                <p>
                    <q1>
                        <p>D I S &nbsp;M A N I B U S </p>
                    </q1>
                    <q1>
                        <p>T I &nbsp;C L A U D I </p>
                    </q1>
                    <q1>
                        <p>AUG LABASCANTI </p>
                    </q1>
                    <q1>
                        <p>A R A T I O N I B U S </p>
                    </q1>
                    <q1>
                        <p>V I X &nbsp;A N N &nbsp; X L V </p>
                    </q1>
                    <q1>
                        <p>CLAUDIA EPICHARIS </p>
                    </q1>
                    <q1>
                        <p>U X O R &nbsp;C O N I U G I </p>
                    </q1>
                    <q1>
                        <p>BENE &nbsp;MERENTI &nbsp;F </p>
                    </q1>
                </p>
                <p id="p_1208" n="1208">One immediately observes two features of interest. First is
                    the status of the deceased husband, employed in the department <hi1
                        rend="italic">a rationibus</hi1>. This was one of the three major <hi1
                        rend="italic">officia</hi1>, created by Claudius in an effort to centralize
                    the government of the empire, that were for a period of time controlled by the
                    imperial <hi1 rend="italic">liberti</hi1>.<ptr target="nt_c11.2.n27" n="27"/>
                    Second is the Greek <hi1 rend="italic">cognomen</hi1>, Abascantus. This was a
                    popular name, perhaps because of its apotropaic meaning. There are 216 Abascanti
                    epigraphically attested in Rome, datable to the first and second centuries A.D.
                    (including 17 with the <hi1 rend="italic">gentilicium</hi1> Claudius).<ptr
                        target="nt_c11.2.n28" n="28"/> The most well-known of them all seems to be
                    T. Flavius Abascantus, Domitian’s rich and powerful freedman secretary <hi1
                        rend="italic">ab epistulis</hi1>, who was the addressee of Statius’ poetic
                        <hi1 rend="italic">consolatio</hi1> written in 95 A.D. on the death of his
                    wife Priscilla (<hi1 rend="italic">Silv</hi1>. 5.1).<ptr target="nt_c11.2.n29"
                        n="29"/> It is, however, obvious that he could not have been the husband of
                    the Claudia Epicharis from <hi1 rend="italic">CIL</hi1> VI.8411; the name and
                    the office are different, as well as the name of the wife. Nor does the dating
                    conform; it appears highly probable that our Ti. Claudius Abascantus belonged to
                    the late Julio-Claudian period,<ptr target="nt_c11.2.n30" n="30"/> which must
                    rule out all the other Abascanti from the time of Domitian and the
                        Antonines.<ptr target="nt_c11.2.n31" n="31"/>
                </p>
                <p id="p_1209" n="1209"><hi1 rend="italic">CIL</hi1> VI.8411 states that Ti.
                    Claudius Abascantus, the late husband of a Claudia Epicharis, was the imperial
                    freedman <hi1 rend="italic">a rationibus</hi1>. From this one cannot ascertain,
                    however, whether he was in charge of that department or merely a member of its
                        staff.<ptr target="nt_c11.2.n32" n="32"/> It is known that during Claudius’
                    entire reign this <hi1 rend="italic">officium</hi1> was presided over by the
                    notorious M. Antonius Pallas,<ptr target="nt_c11.2.n33" n="33"/> fired by Nero
                    shortly after the latter’s accession to power (Tac. <hi1 rend="italic"
                    >Ann</hi1>. 13.14). We do not know the names of those who succeeded him, until
                    the emergence under the Flavians of the man known as the “father of Claudius
                    Etruscus” (from Stat. <hi1 rend="italic">Silv</hi1>. 1.5; 3.3; cf. Mart. 6.83;
                        7.40)<ptr target="nt_c11.2.n34" n="34"/> who, like Pallas, held that same
                    office for more than a decade.<ptr target="nt_c11.2.n35" n="35"/> The candidacy
                    of Ti. Claudius Abascantus would have easily filled at least the part of the
                    Neronian gap.<ptr target="nt_c11.2.n36" n="36"/> Given Pallas’ reputation for
                    arrogance and greed, one would expect that his immediate successor would have
                    felt compelled to keep as low a profile as possible,<ptr target="nt_c11.2.n37"
                        n="37"/> which explains the absence of any information about him in the
                    literary sources. This description fits the inconspicuous man commemorated in
                        <hi1 rend="italic">CIL</hi1> VI.8411, and would also account for his modest
                    funeral monument.<ptr target="nt_c11.2.n38" n="38"/> One is almost tempted to
                    say that if the figure of someone like Ti. Claudius Abascantus were not
                    available, it should be invented. </p>
                <p id="p_1210" n="1210">The average age of manumission for an imperial <hi1
                        rend="italic">libertus</hi1> was around 30,<ptr target="nt_c11.2.n39" n="39"
                    /> and this meant that those who continued to hold offices must have acquired
                    the relevant administrative experience while still slaves.<ptr
                        target="nt_c11.2.n40" n="40"/> If our man was manumitted by Claudius, say,
                    in 50 A.D. or even earlier, he could have conceivably qualified for a major post
                    within the <hi1 rend="italic">officia</hi1> five years later and still have a
                    span of up to ten years of service until his death at the age of 45.<ptr
                        target="nt_c11.2.n41" n="41"/> In fact, the present argument does not depend
                    on whether he served as the head of the <hi1 rend="italic">a rationibus</hi1>
                    department or in some subordinate capacity. In the latter event, the scale of
                    his importance and influence would of course have been diminished, but in both
                    cases the post must have been lucrative enough to allow him to acquire a villa
                    from the imperial estate and to leave it to his widow upon his death.<ptr
                        target="nt_c11.2.n42" n="42"/>
                </p>
                <p id="p_1211" n="1211">As for the latter, her name—Claudia Epicharis—strongly
                    suggests that she was also an imperial liberta, manumitted within the same
                    period of time as her husband Claudius Abascantus. It is true that, since her
                    status indication is absent from the inscription (thus relegating her to the
                    category known as <hi1 rend="italic">incertae</hi1>), she could have been,
                    theoretically speaking, a freeborn person, an <hi1 rend="italic"
                        >ingenua</hi1>.<ptr target="nt_c11.2.n43" n="43"/> On the other hand,
                    epigraphical studies have made it clear that a great number of women who were in
                    fact imperial <hi1 rend="italic">libertae</hi1> chose not to indicate their
                    legal status.<ptr target="nt_c11.2.n44" n="44"/> It has also been established
                    that within the imperial household “[a]mong the <hi1 rend="italic">liberti</hi1>
                    the commonest marriage pattern is with wives bearing the same <hi1 rend="italic"
                        >nomen</hi1>.” <ptr target="nt_c11.2.n45" n="45"/>
                </p>
                <p id="p_1212" n="1212">Statistically, 31% of freedmen who possessed the <hi1
                        rend="italic">gentilicium</hi1> Claudius married women who also had that
                        <hi1 rend="italic">nomen</hi1>.<ptr target="nt_c11.2.n46" n="46"/> It would
                    seem preposterous to argue against the view that most, if not all, of them must
                    have belonged to the same social group as their husbands.<ptr
                        target="nt_c11.2.n47" n="47"/>
                </p>
                <p id="p_1213" n="1213">Given the hazards of survival, there is not much evidence
                    for the age of marriage among the imperial freedpersons (many of them must have
                    entered <hi1 rend="italic">contubernium</hi1> or <hi1 rend="italic"
                    >concubinatum</hi1> while still in slavery).<ptr target="nt_c11.2.n48" n="48"/>
                    It appears that for men the average age was around 22, and for women around 19
                    (although it could range from 12 to 32).<ptr target="nt_c11.2.n49" n="49"/> This
                    implies that by the time of Ti. Claudius Abascantus’ death, his wife Claudia
                    Epicharis must have been roughly of the same age (mid-40s) or younger, and
                    presumably, she was a woman not without means. If, as it seems reasonable to
                    assume, their union was proper and recognized as legally valid under the <hi1
                        rend="italic">iustum matrimonium</hi1>, with the concomitant <hi1
                        rend="italic">ius conubii</hi1>,<ptr target="nt_c11.2.n50" n="50"/> she
                    would have been endowed with the right of inheritance. For a Claudia Epicharis
                    to have owned the villa, inheriting it would have been the easiest way to obtain
                    the property; alternatively, she could have purchased it on her own, or have
                    received it from some benefactor, perhaps even imperial, as a <hi1 rend="italic"
                        >donum</hi1>. </p>
                <p id="p_1214" n="1214">It seems now imperative to evaluate the balance of
                    probabilities as to whether Claudia Epicharis, the villa’s owner (E1), Claudia
                    Epicharis from <hi1 rend="italic">CIL</hi1> VI.8411, the wife of Ti. Claudius
                    Abascantus (E2), and Epicharis, the Pisonian conspirator and Tacitus’ heroine
                    (E3) could indeed have been one and the same person. It seems apparent from what
                    so far has been said that, unless valid objections are raised, of which I am at
                    present unaware, there is nothing to contradict this conclusion. </p>
                <p id="p_1215" n="1215">All three women share the same Greek <hi1 rend="italic"
                        >cognomen</hi1>, and two of them (E1 and E2) have the same <hi1
                        rend="italic">nomen gentilicium</hi1>. All three belonged roughly to the
                    same historical period: E1, according to the evidence from archaeology;<ptr
                        target="nt_c11.2.n51" n="51"/> E2, since this is the likeliest dating of her
                    husband, Abascantus; and E3 for the obvious reasons found in Tacitus. The
                    chances are very high that all three were freedwomen in the <hi1 rend="italic"
                        >familia Caesaris</hi1>: E1 and E2 carry the imperial name; E2 was the wife
                    of an imperial freedman, and E3 is called explicitly <hi1 rend="italic">mulier
                        libertina</hi1>.<ptr target="nt_c11.2.n52" n="52"/> Finally, all three must
                    have been persons of certain means and standing: E1, since she owned a
                    comfortable country villa in her own name (an exceptional case for a woman of
                    her origin and social status<ptr target="nt_c11.2.n53" n="53"/>); E2, by virtue
                    of the fact that she was married to an imperial functionary of some importance
                    (even if he was a mere staff member, and not necessarily the head of the <hi1
                        rend="italic">a rationibus</hi1> department; one knows that in a corrupt
                    administration every junior clerk matters<ptr target="nt_c11.2.n54" n="54"/>);
                    E3, as is clear from her network of connections within the imperial
                    establishment, described by Tacitus, and her ability to move and maneuver among
                    its various groups. </p>
                <p id="p_1216" n="1216">To claim that all this is merely an accumulation of
                    coincidences and the evidence discussed pertains to three (or two) separate
                    individuals would require, in my judgment, stretching the notion of the
                    coincidental altogether too far, as well as defying the principle of Occam’s
                    razor. It appears most unlikely that within one relatively short period of time
                    there existed three, or even two, women of the same name, prominent enough, and
                    sharing a whole plethora of identical characteristics. On the other hand, if the
                    proposed identification is accepted, it might help to elucidate a few aspects of
                    the Epicharis narrative in Tacitus, which have hitherto remained obscure. </p>
                <p id="p_1217" n="1217">Although there are no grounds to believe that Tacitus had
                    ever deliberately invented a single fact, it is known that he sometimes tended
                    to omit some facts, even when they were pertinent to the narrative, for
                    dramatic, rhetorical or any other purpose he deemed appropriate.<ptr
                        target="nt_c11.2.n55" n="55"/> In his portrayal of Epicharis, as is made
                    clear by his eulogy of her,<ptr target="nt_c11.2.n56" n="56"/> the historian
                    intended to present a person of exceptional virtue, a woman who was of low
                    origin but was morally superior to the whole group of Roman noblemen. By those
                    standards, any further material on her (such as her identity as an imperial
                        freedwoman,<ptr target="nt_c11.2.n57" n="57"/> her financial circumstances,
                    or her marital status) that did not directly enhance that particular vision was,
                    at best, superfluous and, at worst, undesirable; such information could divert
                    the reader’s interest from the point the author was making and even raise the
                    suspicion that she might have been motivated by some ulterior motive, other than
                        <hi1 rend="italic">rerum honestarum cura</hi1>—“concern for what is
                    honorable.” In fact, Tacitus’ comment that before entering the plot she had
                    shown no political interests at all may imply that, in his view, her pursuits
                    until that time were less than honorable. Given the mores of the Julio-Claudian
                    court milieu, it would have been nothing unusual if, upon the death of her
                    freedman husband (or perhaps even during his lifetime), Epicharis began to
                    dispense her favors to men of standing or wealth and embarked upon the path of a
                    high class courtesan. The late source Polyaenus reports—and I find it by no
                    means implausible—that she became the mistress of the fabulously rich M. Annaeus
                    Mela (<hi1 rend="italic">Strat</hi1>. 8.62), Seneca’s brother and the father of
                    Lucan. Mela might have known about the conspiracy, and Lucan was certainly a
                    part of it. He could have easily been the one who recruited her to join the
                        cause.<ptr target="nt_c11.2.n58" n="58"/> As for her deeper motives (other
                    than those postulated by Tacitus<ptr target="nt_c11.2.n59" n="59"/>), one can
                    only speculate. Elsewhere I proposed<ptr target="nt_c11.2.n60" n="60"/> that she
                    might have fallen victim of some sexual outrage perpetrated by Nero or the
                    members of his inner circle—a guess that seems as good as any. It would have
                    certainly been in accord with such a woman’s proud and independent nature to
                    issue brick stamps with her name as the owner of the villa, irrespective of
                    whether she had purchased it on the market, inherited from her husband, or
                    received it as gift from an admirer. </p>
                <p id="p_1218" n="1218">If one wished to indulge in the play of imagination, one
                    could easily visualize the Pisonian conspirators gathered on those premises
                    (conveniently located at some, but not too long, distance from the capital)
                    debating the methods to get rid of the tyrant, with the hostess Claudia
                    Epicharis prominently present, and in their midst Lucan, drawn into a reverie
                    about the rustic joys sung in the verses by (possibly) one of the villa’s
                    earlier owners, Horace—but this, of course, is the stuff of historical fiction
                    rather than historical scholarship, and we will leave it at that. </p>
                <p id="p_1219" n="1219">Some comment is now in order regarding <hi1 rend="italic"
                        >CIL</hi1> VI.29081, which is also an inscription containing the name
                    CLAUDIA EPICHARIS. It runs: D M P VITELLIO DIADUMENO CLAUDIA EPICHARIS CO[N]IUGI
                    BENE MERENTI. It was found surrounded by numerous other funeral stelae with <hi1
                        rend="italic">gentilicia</hi1> such as <hi1 rend="italic">Ulpia</hi1> and
                        <hi1 rend="italic">Aelia</hi1>,<ptr target="nt_c11.2.n61" n="61"/> which
                    indicate the early Antonine period. Although formally still within the
                    acceptable chronological bounds, this inscription could not possibly be related
                    to the owner of the Licenza villa. The individual whom this text commemorates
                    was clearly undistinguished. There is no reference to the husband’s employment
                    or profession, and the person of the name Vitellius Diadumenus seems otherwise
                        unknown.<ptr target="nt_c11.2.n62" n="62"/> His funeral monument is of the
                    simplest kind; in contrast to some of its neighbors,<ptr target="nt_c11.2.n63"
                        n="63"/> it lacks any decoration whatsoever, suggesting a family without
                    even a pretence of wealth.<ptr target="nt_c11.2.n64" n="64"/>
                </p>
                <p id="p_1220" n="1220">The Licenza villa, on the other hand, had become by this
                    time an establishment on a grand scale, with a luxurious bath complex built at
                    some point under the Flavians or a decade later (see Frischer, <ptr
                        target="div2_c12.1" type="txt" n="F"/>). It must have commanded an
                    exorbitant price, and I will show that among its owners in this period were a
                    senator and a member of one of the richest and most influential freedman
                    families. I find it implausible that humble persons, as Vitellius Diadumenus and
                    his wife Claudia Epicharis must have been, could have ever afforded a property
                    that splendid. </p>
                <p id="p_1221" n="1221">With regard to the names of the villa’s subsequent owners,
                    the state of the evidence, once again, allows an attempt at certain cautious
                    reconstructions. We know that an inscription had been found on one of the lead
                    pipes, later destroyed, bearing the name CLAUDIUS BURRUS (see Bruun, <ptr
                        target="div3_c10.13.1" type="txt" n="D.13"/>). It seems that he is best
                    identified with the child of Domitian’s powerful freedman chamberlain (<hi1
                        rend="italic">cubicularius</hi1>) Ti. Claudius Parthenius.<ptr
                        target="nt_c11.2.n65" n="65"/> Burrus’ fifth birthday had been celebrated by
                    Martial in an epigram of 88 A.D. (4.45; cf. 5.6.6). It is plausible to assume
                    that, in the aftermath of the Pisonian debacle and Epicharis’ suicide, her
                    property was confiscated and the villa taken back by the emperor. In that case,
                    Parthenius could have purchased it from the <hi1 rend="italic">fiscus</hi1> (or
                    received it as a <hi1 rend="italic">donum</hi1>) before or after Nero’s
                    downfall, or at any point in the course of the next two decades. This would
                    confirm the scholarly argument I have earlier referred to, i.e., that certain
                    estates originally belonging to the imperial domain often circulated, at the
                    discretion of the ruling prince, within the narrow circle of his associates.<ptr
                        target="nt_c11.2.n66" n="66"/>
                </p>
                <p id="p_1222" n="1222">It is known that, under Domitian, Parthenius reached the
                    heights of influence and, presumably, amassed considerable wealth.<ptr
                        target="nt_c11.2.n67" n="67"/> We know that he played patron to Martial and
                    was not himself devoid of literary pursuits, but could not indulge in them for
                    lack of time (cf. Mart. 4.45; 78; 5.6; 8.28; 9.49; 11.1; 12.11). The villa would
                    have provided him with an opportunity for a few and rare moments of leisure. </p>
                <p id="p_1223" n="1223">The dramatic irony in the story of the villa’s ownership
                    lies, of course, in the fact that Ti. Claudius Parthenius, in his turn,
                    conspired against the emperor and played a major role in the plot that led to
                    Domitian’s murder on September 18, 96 A.D. (cf. Suet. <hi1 rend="italic"
                    >Dom</hi1>. 16f). So it seems that the Licenza villa, besides its other possible
                    designations, merits carrying the name of the <hi1 rend="italic">Villa degli
                        assassini imperiali</hi1>. Parthenius could have bestowed it as a gift on
                    his teenage son Burrus during his own lifetime, or the latter could have
                    inherited it after his father’s terrible death in 97 A.D. by lynching; Nerva was
                    forced by the praetorian prefect Casperius Aelianus to deliver Domitian’s
                    assassins into the hands of the vengeful soldiers (Dio <hi1 rend="italic"
                    >Epit</hi1>. 67.15.1; 17.1f; <hi1 rend="italic">Epit. de Caes</hi1>. 12.7.8; cf.
                    Plin. <hi1 rend="italic">Paneg</hi1>. 6). It should not surprise us if,
                    shattered by that catastrophe and, presumably, the collapse of the family
                    fortunes, Burrus (or, rather, his guardians<ptr target="nt_c11.2.n68" n="68"/>)
                    would have chosen to dispose of that property by sale. </p>
                <p id="p_1224" n="1224">This brings us to last identifiable owner of the villa,
                    whose name is preserved on a lead water pipe from the bath complex, HOSTILIUS
                    FIRMINUS. This combination of <hi1 rend="italic">gentilicium</hi1> and <hi1
                        rend="italic">cognomen</hi1> is rare, and almost certainly refers to P.
                    Hostilius Firminus.<ptr target="nt_c11.2.n69" n="69"/> He was yet another
                    dubious individual, who was a senator and former legate in Africa, disgraced
                    under Trajan (Plin. <hi1 rend="italic">Epist</hi1>. 2.1.23f; 2.12.1-5). He ran
                    into trouble as an associate of Marius Priscus, the corrupt ex-proconsul of
                    Africa. Priscus was indicted before the Senate <hi1 rend="italic">de
                    repetundis</hi1> by Tacitus and Pliny the Younger and convicted in January 100
                    A.D. He was subsequently expelled from the Senate and from Italy, but maintained
                    his property and civic status (Plin. <hi1 rend="italic">Epist</hi1>. 2.11).
                    Priscus’ legate Firminus, however, suffered only a minor penalty; he was
                    debarred from admission to the lottery designed to distribute appointments among
                    the candidates for provincial offices (<hi1 rend="italic">sortitio
                    provinciae</hi1>: Plin. <hi1 rend="italic">Epist</hi1>. 12.2). Firminus’ guilt
                    seemed to Pliny quite shameful (<hi1 rend="italic">turpissimum</hi1>); it
                    concerned negotiations for a bribe of 200,000 sesterces of which 10,000 were to
                    be paid under the heading “cosmetics” (<hi1 rend="italic">unguentarii</hi1>:
                    Plin. <hi1 rend="italic">Epist</hi1>. 11.23). The lightness of this sentence
                    prompted our author to embark upon a lengthy disquisition on the pros and cons
                    of this or that senatorial punishment and their effects (Plin. <hi1
                        rend="italic">Epist</hi1>. 12.3ff).<ptr target="nt_c11.2.n70" n="70"/>
                </p>
                <p id="p_1225" n="1225">Firminus could have acquired the villa before or after his
                        trial.<ptr target="nt_c11.2.n71" n="71"/> One infers <hi1 rend="italic">ex
                        silentio</hi1> that he was not even made to pay back the bribes he had
                    received in Africa, in contrast to Priscus, who was deprived of his gains of
                    700,000 sesterces by the senatorial verdict (Plin. <hi1 rend="italic"
                    >Epist</hi1>. 11.19). The appearance of his name on the lead pipe suggests that
                    he might have undertaken some of the villa’s reconstruction, at least, by later
                    adding to the luxurious bath complex.<ptr target="nt_c11.2.n72" n="72"/> This
                    would have been in accord with Pliny’s comment that the man showed a penchant
                    for an elegant lifestyle (<hi1 rend="italic">hominis compti semper et
                    pumicati</hi1>: Plin. Epist. 11. 23). Since at this stage of the project it is
                    not possible to ascertain the villa’s layout in the time of Horace, it seems by
                    no means implausible that through the course of more than a century, one or
                    several efforts at its renovation and amplification by different owners could
                    have ultimately transformed the modest establishment portrayed by the poet into
                    the remarkable affair that is at present coming to light. </p>
            </div2>
            <div2 id="div2_c11.3" type="section">
                <head>
                    <bibl type="title">E.3. The Orsini in the Tiburtine Region and in the Licenza
                        Valley (XII-XV centuries)</bibl>
                </head>
                <p>
                    <hi1 rend="bold">By Franca Allegrezza</hi1>
                </p>
                <p id="p_1226" n="1226">On 7 April 1215, Giangaetano and Matteo di Orso di Bobone
                    acquired half of the castle of Civitella from a deputy of their uncle, Giovanni
                    Boveschi, for 300 <hi1 rend="italic">provisini</hi1> of the Roman Senate.<ptr
                        target="nt_c11.3.n1" n="1"/> The acquisition of the castle, which is
                    situated as the crow flies at less than 1 km to the north-west of the castle of
                    Licenza, represents the first evidence of the establishment of the sons of Orso
                    in the valley of the Licenza river. It was not the first time, however, that the
                        <hi1 rend="italic">filii Ursi</hi1> acquired property and rights in the
                    area; at the close of the twelfth century, Pope Celestine III (1192-1198),
                    Giacinto di Pietro Boveschi, had granted to his nephew Orso and to the sons of
                    Orso <hi1 rend="italic">nomine pignoris ab Ecclesia Romana</hi1> the castles of
                    Vicovaro, Cantalupo and Burdella, the last two of which were situated near
                    modern Mandela, where the rivers Anio and Licenza join.<ptr target="nt_c11.3.n2"
                        n="2"/>
                </p>
                <p id="p_1227" n="1227">That concession was probably made in order to place a firm
                    papal hold on a zone characterized in the preceding decades by the persistence
                    of monastic domination. It also probably occurred together with the assignation
                    of property to other Boveschi relatives and was very much part of the
                    territorial policies pursued by the popes, even if not systematically, by the
                    middle of the twelfth century. These policies aimed to allot the territory to
                    secular seigneurs of proven trustworthiness, by way of granting them
                        castles.<ptr target="nt_c11.3.n3" n="3"/>
                </p>
                <p id="p_1228" n="1228">At the beginning of the tenth century, the Roman church
                    constituted the ruling force in the Tivoli-Subiaco area, owning almost the whole
                    region, organized into vast holdings, of which the <hi1 rend="italic">massa
                        Giovenzana</hi1> was the most notable.<ptr target="nt_c11.3.n4" n="4"/>
                </p>
                <p id="p_1229" n="1229">The origins of this institution are unknown because of the
                    lack of documentary sources, but it did undergo radical changes in the middle of
                    the tenth century as result of the policies of the Roman <hi1 rend="italic"
                        >princeps</hi1> Albericus. He inserted the two monasteries positioned at its
                    edges, SS. Cosma e Damiano at Vicovaro and S. Benedetto at Subiaco, into a
                    girdle of monastic bodies, including those of Farfa and S. Andrea del Soratte,
                    which were supposed to protect the territory of Rome.<ptr target="nt_c11.3.n5"
                        n="5"/> Both these monasteries, therefore, saw their power in the region
                    grow at the expense of the papal holdings. </p>
                <p id="p_1230" n="1230">At the insistence of Albericus, the popes themselves
                    dismembered the enormous <hi1 rend="italic">massa Giovenzana</hi1>, granting all
                    the territory between the loop of the Anio and the estates in the basin of the
                    Anio at Subiaco to the monastery of SS. Cosma e Damiano, and to the monastery of
                    Subiaco the remaining southern part of the two valleys and all the part of the
                    Empolitana area belonging to the <hi1 rend="italic">massa</hi1>. Farfa was
                    allowed to expand along the delimiting valley of the Licenza. </p>
                <p id="p_1231" n="1231">The monastery of Subiaco, which during the second half of
                    the tenth century had made determined efforts to return to the ideological and
                    devotional roots of the Benedictine tradition, played a fundamental role in an
                    attempt to reunify the once-divided area to its own advantage. This
                    reunification was effected at the expense of the monastery of SS. Cosma e
                    Damiano of Vicovaro, which was compelled to renounce part of its patrimony, but
                    did not succeed in preventing the expansion of the Abbey of Farfa into the
                    Licenza valley. </p>
                <p id="p_1232" n="1232">In fact, the Abbey of Farfa, supported by the policies of
                    Albericus, also promoted its interests in the northern and eastern parts of the
                    region, in particular in the zone close to the diocesan boundary between Tivoli
                    and the Sabine area, in the part which crosses the Licenza valley. In the middle
                    of the tenth century the boundary between the dioceses passed from Monte Gennaro
                    just to the north of the castle of Percile, and then continued, by way of the
                    Cimata delle Serre, to the boundary stones of the <hi1 rend="italic">campum
                        sacrum</hi1> along the river Turano.<ptr target="nt_c11.3.n6" n="6"/>
                </p>
                <p id="p_1233" n="1233">In the following decades, under the protection of Albericus,
                    the Sabine abbey managed to obtain strips of territory in the valley, on the
                    mountains to the right of which the powerful faction of the Crescenzi from Rome
                    was establishing itself. The first indirect record of the beginning of the
                    process of the fortification of the valley dates from the early years of the
                    eleventh century. A century later, the Abbey of Farfa counted among its
                    possessions <hi1 rend="italic">castra</hi1> situated in the hills to the right
                    of the river (<hi1 rend="italic">Macla</hi1>, <hi1 rend="italic">Petra
                    Demone</hi1>) and to the left (Percile, Castel del Lago), and had itself built
                    the <hi1 rend="italic">podium Burdella</hi1>, in the lower Licenza valley. </p>
                <p id="p_1234" n="1234">The revival of papal activity in the Tivoli-Subiaco area
                    halted the expansion of Farfa and Subiaco towards the end of the century and
                    brought new protagonists into the zone. There were the more easily controlled
                    monastic entities—the Roman monasteries of S. Paolo fuori le mura and S.
                    Sebastiano alle catacombe—and secular seigneurs. One of the fundamental
                    objectives of this reforming papacy was that of imposing its political control
                    on the territory of Lazio. </p>
                <p id="p_1235" n="1235">Halfway through the twelfth century, and particularly during
                    the pontificate of Hadrian IV (1154-1159), the Church had a certain success in
                    imposing its authority on part of Lazio in this way. At the death of this
                    energetic pope, however, the confrontation with the empire and the anti-papal
                    policies of the Comune of Rome resulted in a complete inability to rule on the
                    part of the papacy, even in the areas closest to Rome.<ptr target="nt_c11.3.n7"
                        n="7"/>
                </p>
                <p id="p_1236" n="1236">Only in the last twenty years of the century, and
                    particularly after the peace signed between Clement III (1188-1191) and the
                    Comune of Rome in May 1188, did the popes succeed in restoring, partially, their
                    authority over Rome and Lazio. For much of the thirteenth century the Comune
                    maintained some remnants of autonomy in the face of papal meddling, to the point
                    of being able to make choices unfavorable to the popes. But the ascension to the
                    papal throne of Clement III, Celestine III and Innocent III (1198-1216), all of
                    Roman origin, resulted in Comune policy being much influenced. Particular favor
                    was shown to the families that were linked to those popes by blood, by
                    matrimonial alliances with their families or with the families of the members of
                    the college of cardinals, and by financial interests. </p>
                <p id="p_1237" n="1237">Against this backdrop—the growth of the influence of the
                    pope and cardinals over Rome and Lazio, as well as the growth of the revenues of
                    the Church on account of the powerful push towards centralization between the
                    end of the twelfth and the beginning of the following century—the families of
                    the new urban aristocracy found exactly their role, as had the Boveschi,
                    although they were to be suddenly and utterly replaced in the course of a few
                    decades by their Orsini descendants. </p>
                <p id="p_1238" n="1238">The Roman families such as the Orsini, with the support of
                    the Curia, began occasionally to take over the rights and possessions belonging
                    to ancient monastic holdings from the middle of the twelfth century onwards.
                    They were strongly motivated towards the exploitation, for economic and
                    strategic reasons, of the <hi1 rend="italic">castra</hi1> of Lazio, which
                    produced excellent agricultural yields and revenues. This was accomplished
                    through the control exercised over the inhabitants, who were bound to the <hi1
                        rend="italic">dominus</hi1> by an oath of vassalage and obliged to provide
                    labor for all sorts of works. The <hi1 rend="italic">merum et mixtum
                    imperium</hi1> also belonged to the lord, together with all the revenues
                    deriving from the exaction of fines and the control of the ecclesiastical
                    structures within the castle, by way of the exercise of the right of patronage
                    and the income from levies and tributes. </p>
                <p id="p_1239" n="1239">The castrensian properties of the new Roman aristocracy,
                    while involving all the provinces of the Patrimony of St. Peter, did not develop
                    uniformly into all the surrounding territory, that is, from the city outwards.
                    Rather, for a long time they were confined to restricted areas, conditioned by
                    the pre-existing arrangement of local power and landed estates.<ptr
                        target="nt_c11.3.n8" n="8"/>
                </p>
                <p id="p_1240" n="1240">In brief, therefore, such development in a given zone was
                    initially occasional and subject to factors such as the ability of a pope or an
                    important prelate to exploit the temporary crisis of some monastic institution
                    for the benefit of his own family members, and, indirectly, of the interests of
                    the Holy See. This was the case with the arrival of the Boveschi in the mid-Anio
                    valley from the mid-twelfth century onwards; with the passage of decades, this
                    arrangement evolved into a plan systematically followed and shrewdly managed by
                    the family, now created seigneurs. These are the characteristics of the
                    settlement of the Orsini in the Tivoli area. </p>
                <p id="p_1241" n="1241">Having achieved autonomy from the original stock, the Orsini
                    began a long phase of expansion in the area, both by taking over properties once
                    belonging to the Boveschi and by acquiring new properties in the region, by
                    purchase or by force. </p>
                <p id="p_1242" n="1242">A summary of the possessions that constituted the patrimony
                    accumulated by the family between the end of the thirteenth and the beginning of
                    the fourteenth century will better display the great extent of it. </p>
                <p id="p_1243" n="1243">Following the via Tiburtina-Valeria beyond Tivoli, where the
                    Orsini possessed houses and estates, the first dominating castle of the family
                    we come upon was the <hi1 rend="italic">castrum Sancti Angeli</hi1>, the present
                    Castel Madama, set up on the northern ridge of the Monti Tiburtini and purchased
                    in 1252 by Napoleone di Giangaetano. Behind this and outside the nucleus of the
                    properties, situated in the narrow part of the valley formed where the chains of
                    the Monti Tiburtini and Prenestini join, and guarding the road that climbed from
                    the valley of the Anio towards the gentle Passo della Fortuna, is the <hi1
                        rend="italic">castrum Apolloni</hi1>, granted to the Boveschi in 1159 by the
                    abbot of Subiaco, and now belonging to the Orsini.<ptr target="nt_c11.3.n9"
                        n="9"/> Immediately to the left of the consular road there is another
                    castle, the <hi1 rend="italic">castrum Saccomuri</hi1>, which in 1288 was
                    designated <hi1 rend="italic">castellare</hi1>, but a few years later was in the
                    process of being re-inhabited. A few miles to the east can be seen the most
                    important of the Orsini properties, the fortress castle of Vicovaro, the fulcrum
                    of their settlement along the valley of the Anio. Finally, still on the right
                    side of the river, are the castles of Cantalupo and Burdella, which had been
                    granted to the <hi1 rend="italic">filii Ursi</hi1> by Celestine III. Along with
                    this compact body, the enlargement of their dominions in the Licenza valley,
                    where they owned the castle of Licenza, half of that of Civitella, Percile and
                    the <hi1 rend="italic">villa de Opico</hi1>, spearheaded their potential
                    expansionist interest in the direction of Sabine territory. In the last two
                    decades of the thirteenth century, the Orsini also had a lien on the castle of
                    Poggio Ronci and purchased that of Arsoli from the Boveschi. </p>
                <p id="p_1244" n="1244">The lengthy and complex operations undertaken to get
                    possession of castles situated so as to control the most important communication
                    paths, or those with large numbers of inhabitants and therefore productive and
                    rich, demonstrate clearly the economic importance of castrensian revenues for
                    the Orsini family, as well as for other baronial dynasties.<ptr
                        target="nt_c11.3.n10" n="10"/>
                </p>
                <p id="p_1245" n="1245">Behind this systematic accrual of power over the territory
                    around Rome on the part of these families, and particularly of the Orsini, there
                    always lay the privileged relationship with the Curia. This relationship
                    continued even during the Avignon papacy, and thanks to the particular
                    development of power politics in Rome, made possible the maintenance of control
                    of the territory even after the return of the Popes and the transformations of
                    the papacy in the fifteenth century. </p>
                <p id="p_1246" n="1246">Despite the tenacity with which new parcels of property were
                    patiently added over several generations to those already owned by the Orsini—in
                    1338 Civitella passed entirely into their hands, by way of misappropriation, and
                    in 1351 they bought half of the castle of Roccagiovine from the abbot of the
                    monastery of S. Sebastiano in Rome<ptr target="nt_c11.3.n11" n="11"/>— the
                    borders of their territory had not greatly expanded, and the area controlled by
                    the descendants of Napoleone di Giangaetano remained circumscribed. </p>
                <p id="p_1247" n="1247">Around the middle of the thirteenth century, however, the
                    family seized the opportunity to spread its influence over wider territory,
                    expanding into the kingdom of Sicily to the east of the watershed of the Monti
                    Carseolani by way of the marriage of Giacomo with the daughter and heir of the
                    owner of half the castle of Tagliacozzo.<ptr target="nt_c11.3.n12" n="12"/>
                    Tagliacozzo was the first important fortress on the via Tiburtina-Valeria beyond
                    the border with the kingdom of Sicily. </p>
                <p id="p_1248" n="1248">The crossing of the frontier achieved through this union was
                    ratified by Pope Innocent IV (1243-1254), who exploited the sort of interregnum
                    that followed the death of Frederick II to advance concessions in the frontier
                    royal territories; the province of the Abruzzo itself was filched from Manfredi
                    in September 1254, when he was nominated deputy of the kingdom. Endorsing the
                    establishment of the Orsini at the outpost of Tagliacozzo would have represented
                    a guarantee for the Church. The development of the struggle that was immediately
                    rekindled between the popes and the last of the Swabians showed how false these
                    hopes were. </p>
                <p id="p_1249" n="1249">The established territory of the Orsini was therefore
                    circumscribed, but by no means insignificant from the economic and strategic
                    point of view, since it guaranteed an established presence—Vicovaro, Cantalupo,
                    Burdella, Tagliacozzo—on the axis road that joined Lazio with the Abruzzo.
                    Flocks and goods moved along that road right next to the border with the
                    kingdom, and, in the thirteenth century, in the years of the rivalry between the
                    Swabians and the Angevins, the control of it was militarily significant. As
                    confirmation of the care devoted by the family to this property nucleus between
                    the end of the twelfth and the middle of the fourteenth century, five or six
                    generations of Orsini had succeeded one another in the Tiburtine estates; there
                    had thus occurred various divisions of property among the sons, with a
                    consequent breaking-up of the common inheritance. Several times, however, the
                    family put into play strategies to keep part of the patrimony intact, by
                    dispatching the majority of the males into ecclesiastical life or by maintaining
                    as indivisible the most important and prestigious properties, Vicovaro in
                    particular. They maintained control of the area in the second part of the
                    fourteenth century by means of marriages with the families of the local minor
                    nobility, which strengthened their ties over other castles and led to a more
                    solid attachment to the territory.<ptr target="nt_c11.3.n13" n="13"/>
                </p>
                <p id="p_1250" n="1250">This strategy continued even when the family, which had
                    grown in size, began to see natural social and economic inequalities grow up
                    between its various constituent branches. Up to the end of the fourteenth
                    century, in fact, in spite of the considerable divergence between the Orsini who
                    were lords of Vicovaro and feudatories of the Abruzzo, and their cousins, who
                    were <hi1 rend="italic">domini</hi1> of the castle of Licenza or Pescorocchiano,
                    there was substantial unity in the objectives followed by both. During the wars
                    that troubled the Tiburtine area as result of the papal schism (1376-1417), the
                    small castles of the lateral valleys of the Anio spontaneously sent the forces
                    of Rinaldo Orsini, lord of Vicovaro and Tagliacozzo, as armed help against the
                    troops of the Comune of Rome.<ptr target="nt_c11.3.n14" n="14"/>
                </p>
                <p id="p_1251" n="1251">This strip of territory remained in the hands of the Orsini
                    until well into the fifteenth century, being merged with their domains in the
                    Marsica. </p>
                <p id="p_1252" n="1252">The community of the castle of Licenza has not handed down
                    any medieval statutes, unlike other castles under Orsini domination. In
                    Vicovaro, for example, a statute was drawn up in 1273, and Saccomuro had its
                    statutory charter in 1311.<ptr target="nt_c11.3.n15" n="15"/> The first
                    statutory charter of Licenza was probably that drafted in 1590. </p>
                <p id="p_1253" n="1253">It has been observed that the number of dwellings subject to
                    seigneurial dominion for which we have statutory charters and statutes prior to
                    the first decades of the fourteenth century is so limited, especially in
                    proportion to the global one for the castles that made up the population
                    framework of Lazio in the thirteenth century, that it cannot be attributed
                    simply to the dispersal of the pertinent documentation.<ptr
                        target="nt_c11.3.n16" n="16"/> Only in those communities that had enjoyed a
                    significant level of socio-economic growth, or in cases of repopulation and
                    relaunching of a site to attract new inhabitants, were the <hi1 rend="italic"
                        >consuetudines castri</hi1> hand-transcribed by a notary. In very many cases
                    such transcription was never done. </p>
                <p id="p_1254" n="1254">We do not know how many inhabitants there were in the castle
                    of Licenza in the period under consideration, but it was probably always a
                    castle of modest proportions. In the Salt Registers of the first half of the
                    fifteenth century, the community was taxed for three <hi1 rend="italic"
                    >rubbia</hi1> of salt, while Burdella had to pay five and Vicovaro 20.<ptr
                        target="nt_c11.3.n17" n="17"/>
                </p>
                <p id="p_1255" n="1255">Because it is not possible to draw on direct sources, such
                    as a statute, for the characteristics of life in the community of Licenza in the
                    centuries of domination by the Orsini, we must content ourselves with more
                    generalized observations put forward for other castles in Lazio. </p>
                <p id="p_1256" n="1256">In the twelfth century, when the Orsini were first settling
                    in the region, important changes were occurring in the Anio valley, and in the
                    Tivoli-Subiaco area in general, to which the Licenza valley naturally belongs.
                    The great transformative fortifying of the tenth and eleventh centuries, which
                    had redrawn the countryside by enclosing the people in villages on the peaks and
                    locating the fields in the vicinity of the individual castles, had not left the
                    countryside completely depopulated. Fortified and turreted villages, isolated
                    towers, and cliff top strongholds with the purely military function of guarding
                    the <hi1 rend="italic">castra</hi1>, alternated with the ancient churches, <hi1
                        rend="italic">casalia</hi1>, <hi1 rend="italic">fundi</hi1> and <hi1
                        rend="italic">villae</hi1> that punctuated the territory dependent on the
                        castles.<ptr target="nt_c11.3.n18" n="18"/> In spite of the varied
                    countryside, the castle remained the central and dominating element, both
                    geographically and economically, at that time and for a long time to come. </p>
                <p id="p_1257" n="1257">These changes had redefined the environment, creating an
                    agricultural space in concentric rings of land which became progressively less
                    productive further from the inhabited center. Outside the walls, the land was
                    subjected to intensive cultivation. First were vegetable plots and orchards, or,
                    rather, vegetable plots with orchards pressed in around the walls of the <hi1
                        rend="italic">castrum</hi1>.<ptr target="nt_c11.3.n19" n="19"/> There
                    followed the more specialized, intensive planting areas, <hi1 rend="italic"
                        >ferraginalia</hi1>, destined for the cultivation of barley, spelt and
                    legumes, as well as hemp, which needed systematic irrigation rather than
                    frequent manuring. In the flatter and more recently ploughed-up land, there was
                    extensive cultivation of cereal crops. Areas of natural meadow, alternating with
                    vineyards, both self-supporting and trained onto trees for support, occupied a
                    place between the <hi1 rend="italic">cultum</hi1> and the <hi1 rend="italic"
                        >incultum</hi1>. The woods were used for the raising of pigs in a semi-wild
                    state, and obviously supplied wood for heating, building and for the making of
                    utensils. The woodlands, the pastures, and, during the winter, even parts of the
                    cultivated area itself, served as a huge and varied terrain for hunting, with
                    game both large and small. </p>
                <p id="p_1258" n="1258">The demographic growth in the thirteenth century and the
                    first decades of the fourteenth altered the internal equilibria of the small
                    economies of Lazio; more energy was directed towards the cultivation of
                    vegetables and viticulture, while new fields began to be exploited for
                    cultivation. These fields were created essentially by the appropriation of
                    common lands that had been uncultivated in previous centuries. In Lazio, the
                    cultivation of new land did not definitively transform the characteristics of
                    the uncultivated areas, “thanks to the traditional diffidence of the
                    Mediterranean peasant when faced with integral ploughing up.”<ptr
                        target="nt_c11.3.n20" n="20"/>
                </p>
                <p id="p_1259" n="1259">The countryside, which had remained more or less unchanged
                    for three centuries, entered a long phase of transformation after the
                    demographic crisis of the middle of the fourteenth century. The sharp
                    demographic decline of that century, which was associated in the Tivoli region
                    with the wars that accompanied and followed the eastern schism (1378-1417),
                    depopulated many centers in the area, particularly those that were far from the
                    principal road axes or at very high altitudes. </p>
                <p id="p_1260" n="1260">The most evident and long-lasting consequences of this
                    phenomenon were two: the substitution of wide areas of tilled fields with fields
                    for the rearing of stock, and the systematic planting of trees (primarily
                    chestnuts), which created the first signs of the boundary between cultivated and
                        uncultivated.<ptr target="nt_c11.3.n21" n="21"/> The first met with much
                    support as result of the recovery of the great lay and ecclesiastical estates.
                    The second was linked to the slow abandonment of centers at higher altitudes and
                    the designation of part of the ancient <hi1 rend="italic">tenimentum
                    castri</hi1> as controlled uncultivated land. </p>
                <p id="p_1261" n="1261">The Licenza valley also would have experienced abandonment
                    and transformation of the countryside between the fifteenth and sixteenth
                    century, with an increase in the uncultivated land and the transformation of
                    tilled land into pasture. When the valley centers came into the patrimony of the
                    Borghese family in the seventeenth century, this process, already under way, was
                        accelerated.<ptr target="nt_c11.3.n22" n="22"/>
                </p>
            </div2>
            <div2 id="div2_c11.4" type="section">
                <head>
                    <bibl type="title">E.4. Owners of “Horace’s Villa” at the Time of Pasqui’s
                        Excavation (1911-1914)</bibl>
                </head>
                <p>
                    <hi1 rend="bold">By Bernard Frischer</hi1>
                </p>
                <p id="p_1262" n="1262">With the passing away of the feudal system in central Italy
                    in the nineteenth century, the former peasants who had rented the land from the
                    Orsini and Borghese families became the property owners in the area that was to
                    be excavated by Angelo Pasqui from 1911-1914. </p>
                <p id="p_1263" n="1263">A study of the five owners and their land parcels is of more
                    than academic interest because unpublished catalogues survive in the archive of
                    the Archaeological Superintendency for Lazio that record where the following
                    classes of objects were found during Pasqui’s excavations: A. marble sculpture;
                    B. marble wall revetment; C. wall paintings; D. pavements; E. marble
                    architectonic elements; F. construction materials; G. lead objects; H.
                    terracotta decorative plaques; I. terracotta pottery; K. <hi1 rend="italic"
                        >instrumenta domestica</hi1> and jewelry; L. lead and marble weights,
                    inscriptions; M. marble basins and vases; N. fragments of funerary monuments
                    [from the surrounding area, not from the villa itself]; O. glass; P. medieval
                    marbles; Q. ancient coins (see Frischer, <ptr target="div4_c13.1.12.1"
                        type="txt" n="G.1.12"/>, for a selection of the catalogues). In addition to
                    these catalogues, there are also catalogues of all the finds on each property,
                    so that a “double-entry” bookkeeping system was used. This is valuable because,
                    along with Nicola De Rossi’s sporadic and partially preserved excavation
                    journal, it allows for some cross-checking. </p>
                <p id="p_1264" n="1264">In 1926, Lugli published essentially the same catalogues of
                    objects, not only introducing occasional mistakes (cf., e.g., Buttrey, <ptr
                        target="div4_c10.11.1.1" type="txt" n="D.11"/> and Werner, <ptr
                        target="div3_c10.8.1" type="txt" n="D.8"/>) but also omitting all
                    information about provenance. This fact has led scholars to be understandably
                    pessimistic about the possibility of contextualizing Pasqui’s finds. In fact, as
                    we will see, some evidence does survive from the unpublished Pasqui catalogues
                    that permits us to assign some of the finds, at least in a general way, to
                    specific parts of the villa. </p>
                <p id="p_1265" n="1265">The owners of the properties in question can be traced back
                    to the first cadaster of the Papal States, which dates from 1777, and from the
                    second, dating to 1859.<ptr target="nt_c11.4.n1" n="1"/> In 1911, when Pasqui
                    started work, the properties and owners were as in <hi1 rend="bold">table
                    1</hi1>. </p>
                <p id="p_1266" n="1266">The cadastral map from the time of Pasqui’s excavations
                    survives (see figs. 3 and 17 in Frischer, B). If we superimpose this map over
                    the plan of the villa as it appears today (see fig. 4 in Frischer, B) we can see
                    that the properties correspond fairly nicely to the different parts of the villa
                    (the residence, garden, quadriporticus, and baths). <hi1 rend="bold">Table
                    2</hi1> shows these correspondences. </p>
                <p id="p_1267" n="1267">The division of parcel 1215 into 1215a (Maria Assunta
                    Foschi) and 1215b (Rocco Foschi) is not shown in the cadastral map of the
                    period. It can, however, be determined on the basis of the entry for April 25,
                    1912 in the <hi1 rend="italic">Giornale di Scavo</hi1> (see Frischer, <ptr
                        target="div4_c13.1.12.1" type="txt" n="G.1.12"/>), which speaks of the
                    discovery of “pilastrini di mattoni” on both properties. These correspond to the
                    small columns of bricks holding up the <hi1 rend="italic">suspensurae</hi1> in
                    room 20. Hence, the line dividing 1215a from 1215b must have run through this
                    room, the approximate center of the entire parcel 1215. That 1215a was the
                    section on the right (i.e., east) is clear from the entry in the <hi1
                        rend="italic">Giornale</hi1> for May 9, 1912, which speaks about how the
                    existing road was excavated and on the property of Foschi Mariassunta a mosaic 5
                    x 3.0 meters was discovered. This is the mosaic in room 1. </p>
                <p id="p_1268" n="1268">The study of the Pasqui catalogues is a fertile field for
                    students of “Horace’s Villa.” Here are some examples of the kinds of discoveries
                    that can still be made from these archival documents (in <ptr
                        target="div4_c13.1.12.1" type="txt" n="G.1.12"/>): <table border="0">
                        <row>
                            <cell>1. </cell>
                            <cell>The sculpture was found distributed in a schematic way. Large
                                statues were found almost exclusively on Caponetti property (see
                                Categoria A, nos. 2, 3, 5, 9, 11, 12, 13, 23, 26); small statues on
                                the Angeletti and Foschi-Ricciotti properties. Since the bulk of
                                Caponetti land falls into the garden and western branch of the
                                quadriporticus, this may tell us that the life-size and colossal
                                statues on the property once were located in these parts of the
                                villa. Contrariwise, the smaller statues all come from the areas of
                                the baths (Angeletti, Foschi-Ricciotti: cf. nos. 6, 8, 14, 16, 17,
                                19, 20, 24, 25 [Angeletti]; 18, 21, 27, 30 [Foschi-Ricciotti]; cf.
                                no. 28 [a statuette from under the public road in the area of the
                                residence]). The exceptions are: no. 1 (colossal statue from
                                Angeletti land); no. 29 (female statue, slightly larger than
                                life-size, from Foschi-Ricciotti land).<ptr target="nt_c11.4.n2"
                                    n="2"/>
                            </cell>
                        </row>
                        <row>
                            <cell>2. </cell>
                            <cell>The fragment of a male statue in the Licenza Museum (inv. 62370)
                                does not come from the site of “Horace’s Villa.” </cell>
                        </row>
                        <row>
                            <cell>3. </cell>
                            <cell>The satyr’s mask (see Lugli 1926, fig. 59) came from Angeletti
                                property, i.e., from the western wing of the quadriporticus, as De
                                Rossi’s <hi1 rend="italic">Giornale</hi1> entry of March 30, 1912
                                shows: “[terreno Angeletti Antonio:] Nel seguito del lavoro del
                                gripto portico alla profondità di circa due metri si è trovato un
                                mascherone per ornamento di Fontana in marmo greco, vuoto dalla
                                parte di dietro, misurante centimetri 14 di altezza…”. </cell>
                        </row>
                        <row>
                            <cell>4. </cell>
                            <cell>All the parietal marbles (Categoria B) come from Angeletti land.
                                This might appear consistent with the parietal marbles from in the
                                1997-1999 excavations in the same area of the baths (see Angelelli,
                                D.6.1). But one should compare De Rossi’s <hi1 rend="italic"
                                    >Giornale</hi1> entries for March 26, 1912; April 3, 1912; April
                                6, 1912, and May 1, 1913, where there are reports of the discovery
                                of marbles on Angeletti property including the drains <hi1
                                    rend="italic">i</hi1> and <hi1 rend="italic">m</hi1> as well as
                                the eastern branch of the quadriporticus (23) and the front side of
                                the “veranda” (13): “[26 marzo 1912:] oggi si è incominciato il
                                lavoro di scavo nel terreno di Angeletti Antonio e precisamente nel
                                griptoportico sinistro; attiguo alla fogna principale; ove sono
                                venuti in luce molti frammenti di marmo di varie qualità;” “[3
                                aprile 1912:] nella fine della scala il muro reticolato della parte
                                sinistra seguita; ed il muro della parte destra svolta; ancora a
                                destra viene scoperta una forma di chiusino, quadrato, entro il
                                quale si rinvengono gran quantità di marmi fino alla profondità di
                                circa metri 2;” “[6 aprile 1912:] si lavora sempre nel terreno di
                                Foschi Rocco, dove vengono in luce molti frammenti di marmo di varie
                                qualità e grandezze;” “[1 maggio 1913:] si incomincia il lavoro di
                                espurgo della piccola fogna che dava l’acqua alla piccola vasca da
                                bagno dove vengono in luce molti frammenti di marmo, e musaici
                                diversi.” The context makes it clear that the work in this period
                                was in the general area of the northern end of the western branch of
                                the quadriporticus (23), the drain behind (<hi1 rend="italic"
                                >i</hi1>), and along the front facing of the “veranda” (13). </cell>
                        </row>
                        <row>
                            <cell>5. </cell>
                            <cell>All the fresco fragments (Categoria C) come from “il grande
                                Calidario della prima costruzione delle Terme,” i.e., from room 33.
                                It is true that, under provenance, the catalogue gives “prov.
                                diverse,” so that one might think that the attribution of the
                                fragments to the “Grande Calidario” is simply a conjecture and that
                                they really come from various places on the site. But Pasqui’s
                                published report removes this ambiguity, since in it he clearly
                                states that the provenance of the fragments was the “Grande
                                Calidario” (cf. Pasqui 1916, 12: “da questa grande sala provennero
                                esempi bellissimi d’intonachi dipinti con ornati e figure.” Pasqui’s
                                words are consistent with the finding of additional fresco
                                fragments, with the same or comparable colors and designs, in the
                                1997-1999 excavations of areas 35 (adjacent to 33) and 38 (see Mols,
                                    <ptr target="div4_c10.9.3.3" type="txt" n="D.9.3.2-3"/>). One
                                should also compare De Rossi’s entry for May 4, 1912, in which he
                                writes of the discovery of finding, at a depth of ca. 1.80 meters,
                                “vari frammenti di intonaco” on the land of Rocco Foschi (=1215b,
                                which includes room 33). </cell>
                        </row>
                        <row>
                            <cell>6. </cell>
                            <cell>Unfortunately, no provenance is given in Categoria E (no. 26: the
                                last item listed in this category) for the large, ornate coffer, now
                                in the Licenza Museum (inv. 62969). Given the fact that finds from
                                elsewhere in the Licenza valley are twice put last in these
                                catalogues, we might even wonder whether the coffer is from
                                “Horace’s Villa” (Categoria A, no. 34, “non prov. dalla villa;”
                                Categoria I, no. 9, from Percile). At any rate, the lack of a
                                provenance for this piece is a troubling enigma. </cell>
                        </row>
                        <row>
                            <cell>7. </cell>
                            <cell>A terracotta plaque such as those found in 1997-1999 (see
                                Strazzulla, <ptr target="div3_c10.5.1" type="txt" n="D.5"/>) was
                                found on Angeletti land, i.e., in the central area of the baths (see
                                Categoria H, no. 1). This is the same area where the fragments of
                                plaques were found in 1997-1999. Other fragments were found on
                                Caponetti land in the southern part of the bath complex (Categoria
                                H, nos. 2-7). </cell>
                        </row>
                    </table></p>
                <p id="p_1269" n="1269">Because of some discrepancies between the De Rossi <hi1
                        rend="italic">Giornale di Scavo</hi1> and the Pasqui category catalogues,
                    and between the category and property catalogues, there is reason to doubt that
                    the category catalogues are completely accurate. For example, whereas the
                    catalogue for Category B attributes all the parietal marbles to Angeletti’s
                    parcel 1214, De Rossi’s <hi1 rend="italic">Giornale</hi1> for April 11, 1912
                    records the find of marbles in the drain, <hi1 rend="italic">i</hi1>, on parcel
                    1215a owned by Rocco Foschi. It is not clear where the error is—in De Rossi’s
                        <hi1 rend="italic">Giornale</hi1> or in Pasqui’s catalogue. One might
                    suspect the former, since De Rossi writes on July 17, 1912 about more cleaning
                    of drain <hi1 rend="italic">i</hi1>, which yielded more marbles. But this time
                    he gives the property as that of Angeletti Antonio. </p>
            </div2>
            <div2 id="div2_c11.5" type="section" status="hidden">
                <head>
                    <bibl type="title">E.5. Graphic Documentation of “Horace’s Villa”: Analysis and
                        Revision of the Data Using Modern Surveying Procedures </bibl>
                </head>
                <p>
                    <hi1 rend="bold">By Francesca Colosi, Roberto Gabrielli, Bernard Frischer</hi1>
                </p>
                <div3 id="div3_c11.5.1" type="section">
                    <head>
                        <bibl type="title">E.5.1. Introduction </bibl>
                    </head>
                    <p id="p_1270" n="1270">Over the years “Horace’s Villa” at Licenza has been the
                        object of archaeological study by scholars of various nations. The graphic
                        and photographic documentation regarding the surviving structures and the
                        excavations is abundant, but not always trustworthy. In fact, the earliest
                        surveys of the structures were carried out with rudimentary instruments that
                        could not guarantee the absolute precision of the results. Moreover, the
                        methods and even the very objectives of archaeological research have evolved
                        considerably over the last century. Currently, there are new requirements
                        for exactitude in the gathering of data in the field. </p>
                    <p id="p_1271" n="1271">For these reasons it was necessary to analyze in detail
                        the existing plans of the villa, in order to assess their accuracy and their
                        possible usefulness for our investigation. Such checking was also important
                        in preparation for the creation of a three-dimensional model of the building
                        and for the gathering and managing of data within a Territorial Information
                        System. </p>
                    <p id="p_1272" n="1272">In order to perform this assessment, the plans were
                        geo-referenced in a system of absolute coordinates and were superimposed on
                        each other within a GIS. The work was carried out using a survey method on
                        the ground that involves the integrated use of DGPS (Differential Global
                        Positioning System) and of a Total Station. </p>
                    <p id="p_1273" n="1273">The process of revising the plans, on the one hand,
                        supplied definite numerical data on which to perform the successive phases
                        of treatment and processing, and on the other hand, allowed us to test the
                        validity of the methodology we adopted. Furthermore, the availability of
                        abundant documentation, which covered a long span of time, made it possible
                        to assess the accuracy of the various plans of the villa in relation to the
                        topographical techniques available at the time when they were made. </p>
                </div3>
                <div3 id="div3_c11.5.2" type="section">
                    <head>
                        <bibl type="title">E.5.2. Gathering and Analysis of the Existing
                            Documentation </bibl>
                    </head>
                    <p id="p_1274" n="1274">The first excavations carried out in the locality of the
                        Vigne di S. Pietro near Licenza date to 1760, when a structure in <hi1
                            rend="italic">opus reticulatum</hi1> was discovered on the site of the
                            villa.<ptr target="nt_c11.5.n1" n="1"/> The presence of this building
                        technique was taken as a clear indication for dating the site to the
                        Augustan age and therefore for interpreting it as Horace’s Sabine property.
                        In the 1770s, the Scottish painter Allan Ramsay uncovered some mosaic floors
                        in the same area; these too were dated to the Augustan age.<ptr
                            target="nt_c11.5.n2" n="2"/>
                    </p>
                    <p id="p_1275" n="1275">The first systematic excavations of the monument were
                        begun in 1911 under the direction of Angelo Pasqui, who worked on the Vigne
                        di S. Pietro site until 1914. Pasqui unearthed most of the remains that are
                        visible today over an area of ca. 110 x 60 m. He also undertook extensive
                        restoration works in order to preserve the ruins. The first survey of the
                        structures above ground was carried out by his draughtsman Edoardo Gatti
                            (<hi1 rend="bold">fig. 1</hi1>). Pasqui died in 1915 before being able
                        to publish the results of his research; these were presented in a detailed
                        report published in 1926 by Giuseppe Lugli, who had not taken part in the
                        excavations. Gatti’s plan was published at the same time, and this can be
                        considered the first available survey of the area. </p>
                    <p id="p_1276" n="1276">Excavation was again undertaken in the years 1930-31 by
                        the landscape architect Thomas Price, a Fellow of the American Academy in
                        Rome, and by Giuseppe Lugli, by then a functionary of the Soprintendenza, in
                        an area not previously explored by Pasqui. At the conclusion of the work,
                        Price published not only the excavation report, but also a detailed survey
                        of the structures, along with the first hypothetical reconstruction of the
                        villa (<hi1 rend="bold">fig. 2</hi1>).<ptr target="nt_c11.5.n3" n="3"/>
                    </p>
                    <p id="p_1277" n="1277">Excavation and research on the villa were then totally
                        suspended, except for a few restoration efforts that were carried out on the
                        site by the Soprintendenza Archeologica per il Lazio between 1960 and 1980.
                        In this period, probably, the planimetric survey of the building that was
                        presented by Coarelli in the <hi1 rend="italic">Guida Archeologica del
                        Lazio</hi1> was commissioned.<ptr target="nt_c11.5.n4" n="4"/> The authors
                        of this survey are unknown. </p>
                    <p id="p_1278" n="1278">Even though there were no systematic excavation
                        campaigns, the interpretation and the dating of the structure urgently
                        needed revision. The villa was surveyed in detail in the early 1990s by M.
                        De Simone for her Tesi di Laurea.<ptr target="nt_c11.5.n5" n="5"/> The plan
                        was made using traditional methods, namely with an optical level and tape
                        measure. </p>
                    <p id="p_1279" n="1279">At the same time, the Soprintendenza Archeologica del
                        Lazio carried out a survey of the building directly, due to requirements of
                        documentation and conservation. This survey was done using a diastimeter and
                        was published in 1993.<ptr target="nt_c11.5.n6" n="6"/>
                    </p>
                    <p id="p_1280" n="1280">From 1997 to 2001, the American Academy in Rome, the
                        University of California at Los Angeles and the Soprintendenza Archeologica
                        del Lazio carried out a new and systematic investigation of the site, under
                        the direction of Prof. Bernard Frischer (UCLA).<ptr target="nt_c11.5.n7"
                            n="7"/> The project included the realization of a new plan of the villa
                        by M. Cola using digital equipment (<hi1 rend="bold">fig. 3</hi1>); at the
                        same time the present study of the preceding surveys was undertaken, in
                        collaboration with the National Center for Research (CNR)–Istituto per le
                        Tecnologie Applicate ai Beni Culturali (ITABC) of Rome. </p>
                    <p id="p_1281" n="1281">To sum up, therefore, the plans of the villa at present
                        available are: <table>
                            <row>
                                <cell>1. </cell>
                                <cell>Gatti, ca. 1914 (published by Lugli in 1926), <hi1 rend="bold"
                                        >fig. 1</hi1>.</cell>
                            </row>
                            <row>
                                <cell>2. </cell>
                                <cell>Price, 1930-31 (published in Price 1932), <hi1 rend="bold"
                                        >fig. 2</hi1>. </cell>
                            </row>
                            <row>
                                <cell>3. </cell>
                                <cell>Plan by unknown authors, published by Coarelli 1984. </cell>
                            </row>
                            <row>
                                <cell>4. </cell>
                                <cell>De Simone–De Persis, dissertation for the Laurea in Lettere,
                                    1994. </cell>
                            </row>
                            <row>
                                <cell>5. </cell>
                                <cell>Plan executed by the Soprintendenza Archeologica del Lazio,
                                    using a diastimeter (published in <hi1 rend="italic">In
                                    Sabinis</hi1> 1993). </cell>
                            </row>
                            <row>
                                <cell>6. </cell>
                                <cell>Plan realized by M. Cola with an electronic Total Station for
                                    the Horace’s Villa Project in 1999 (<hi1 rend="bold">fig.
                                    3</hi1>).</cell>
                            </row>
                        </table></p>
                </div3>
                <div3 id="div3_c11.5.3" type="section" status="hidden">
                    <head>
                        <bibl type="title">E.5.3. Survey of the Control Points </bibl>
                    </head>
                    <div4 id="div4_c11.5.3.1" type="section">
                        <head>
                            <bibl type="title">[text]</bibl>
                        </head>
                        <p id="p_1282" n="1282">Visual analysis of these plans quickly made it clear
                            that the various surveys of the villa during the twentieth century
                            contained considerable discrepancies. In order to establish which of
                            these plans might be correct, or which parts of them were rendered with
                            accuracy, it was necessary to survey certain cardinal points on the
                            ground, corresponding to precise parts of the structures, and to relate
                            such points to an absolute system of coordinates. In this way a new map
                            was created, highly schematic and geo-referenced, which served as a
                            basis for the combination and comparison of the historic plans (<hi1
                                rend="bold">fig. 4</hi1>). </p>
                        <p id="p_1283" n="1283">The survey was carried out using an electronic Total
                            Station and a single-frequency DGPS (Differential Global Positioning
                            System) calibrated in centimeters. </p>
                    </div4>
                    <div4 id="div4_c11.5.3.2" type="section">
                        <head>
                            <bibl type="title">E.5.3.1. Topographical positioning with the DGPS
                            </bibl>
                        </head>
                        <p id="p_1284" n="1284">GPS is a system of satellite positioning, which
                            consists of three principal elements: the space sector, namely a
                            constellation of 24 satellites; the control sector, namely the stations
                            on earth with the task of maintaining the space section; and the
                            utilizer section, namely the receivers for the GPS signals. A receiver,
                            in any part of the planet and at any moment, can capture the signals of
                            at least four satellites (<hi1 rend="bold">fig. 5</hi1>). </p>
                        <p id="p_1285" n="1285">In general, the ultra-compact receivers, called PDAs
                            (Personal Digital Assistants), are used for navigation, while the
                            antennae that require the use of stands or backpacks are intended for
                            topographical applications, which demand precision to the centimeter. </p>
                        <p id="p_1286" n="1286">The survey is carried out by measuring the time
                            taken by signals transmitted by several satellites to reach the
                            receiver; this is known as the measure of the pseudo-distance. Even more
                            accurate is phase measurement, performed with the most sophisticated
                            equipment, which consists of determining the number of cycles necessary
                            for the wave carrying the signal to reach the antenna on earth. </p>
                        <p id="p_1287" n="1287">The principal advantage of the GPS method of
                            receiving is that it immediately determines the position of a point on
                            earth, thereby facilitating topographical operations to a great degree. </p>
                        <p id="p_1288" n="1288">Certain errors inherent in the GPS system, due, for
                            instance, to problems of propagating the signal in the atmosphere, to
                            refraction, or to defects of the equipment, can be eliminated by using
                            the DGPS method, by which the coordinates of a point are determined with
                            respect to a reference station. In this way, the imprecision of the data
                            gathered in the territory with a mobile antenna (known as a “rover”) are
                            correlated with those of the data registered by a base antenna (known as
                            a “reference”). </p>
                        <p id="p_1289" n="1289">DGPS can work in various ways, according to the
                            actual needs of the operator. The static method, which must be used when
                            measurements are taken at a great distance, takes between 30 and 90
                            minutes to register the point. The static method for short base lines
                            (known also as “rapid static”) can be used only when the receivers are
                            at a maximum distance of 5 kilometers, and it works more quickly.
                            Finally, the cinematic method and “Stop and Go” are the most innovative
                            aspect of DGPS; these are used when rapid reception of large quantities
                            of data is required. The cinematic system permits rapid movement over
                            the territory while continuously registering the spatial coordinates of
                            the route being taken; “Stop and Go,” although following the same
                            procedures, does not register the actual route covered, but only the
                            stationing points. Both methods are particularly recommended for
                            GIS-type applications, because they allow the rapid surveying of the
                            altimetric development of the terrain over a very wide extent, an
                            indispensable procedure for the 3D reconstruction of the territory. </p>
                        <p id="p_1290" n="1290">At the Vigne di S. Pietro, DGPS was used in static
                                modality<ptr target="nt_c11.5.n8" n="8"/> to obtain the absolute
                            coordinates of a series of points on the outside of the structures of
                            the villa over the whole extension of the site (<hi1 rend="bold">fig.
                            6</hi1>). By linking the various parts of the survey of the building to
                            these reference points, a geo-referenced plan of the complex could be
                            made without constructing a traverse on the ground (<hi1 rend="bold"
                                >fig. 7</hi1>). This operation, given the impermeable vegetation of
                            the site, would have involved topographical procedures of complex and
                            lengthy preparation. </p>
                    </div4>
                    <div4 id="div4_c11.5.3.3" type="section">
                        <head>
                            <bibl type="title">E.5.3.2. Integrated procedures for the execution of
                                the survey </bibl>
                        </head>
                        <p id="p_1291" n="1291">The site of the Vigne di S. Pietro is largely
                            covered with a thick canopy of trees, which hampers the view from the
                            sky and makes the registration of the data by way of the DGPS satellite
                            antenna impossible.<ptr target="nt_c11.5.n9" n="9"/> Although DGPS,
                            therefore, was very useful for establishing absolute reference points on
                            the outsides of the buildings and far from the vegetation canopy, it was
                            inadequate for the direct survey of the masonry structures. For this
                            reason, numerous control points on the walls of the villa were
                            established with an electronic Total Station. Various topographical
                            positionings were made (in <hi1 rend="bold">fig. 7</hi1> defined as
                            “Oi,” in which “i” indicates the number of the bases, or reference
                            points, established). These were not necessarily within sight of one
                            another; they coincided with the origin of a system of Cartesian axes
                            “xy,” in which “y” is not necessarily oriented to the north. By
                            connecting every positioning to two DGPS points (in <hi1 rend="bold"
                                >fig. 7</hi1> called P1 and P2) outside of the vegetation, and by
                            using a roto-transactional matrix, it was possible to iso-orientate the
                            local systems and thereby obtain the absolute geographical coordinates
                            of every element surveyed. The method, simple and very precise, provides
                            in a short time a perfectly geo-referenced survey. </p>
                    </div4>
                </div3>
                <div3 id="div3_c11.5.4" type="section">
                    <head>
                        <bibl type="title">E.5.4. Determining the Accuracy of the Existing Plans:
                            the Methods and the Results. </bibl>
                    </head>
                    <p id="p_1292" n="1292">In order to verify the accuracy of the earlier surveys,
                        the data were handled within a GIS. The plans, available in raster format
                        (nos. 1-5) or vectorial format (no. 6), were geo-referenced on the basis of
                        the feedback from the cardinal points, and then compared one with
                            another.<ptr target="nt_c11.5.n10" n="10"/> The plan executed by M. Cola
                        in 1999 using the total station (no. 6) proved to be very accurate, as is
                        shown by the almost perfect coincidence of the survey with the control
                        points. It therefore served as a most useful comparison for the analysis of
                        all the earlier plans (<hi1 rend="bold">fig. 8</hi1>). </p>
                    <p id="p_1293" n="1293">The following observations were made: <table>
                            <row>
                                <cell>&bullet;</cell>
                                <cell>Gatti’s plan (no. 1) is substantially correct in the
                                    representation of the north part of the villa, while it has a
                                    notable error of orientation in the south part, where the
                                    south-east corner diverges from the cardinal point by 40 cm to
                                    the south (<hi1 rend="bold">fig. 9b</hi1>). This inaccuracy
                                    demonstrates the difficulty the surveyor had in sighting points
                                    that were very far from each other and in correlating the north
                                    and south parts in the drawing. In spite of this, the accuracy
                                    of Gatti’s plan is exceptional, given the instruments available
                                    at that time. Moreover, errors in the rendering of some rooms
                                    could be due to the fact that not all the structures had been
                                    uncovered when the survey was carried out (<hi1 rend="bold">fig.
                                        9a</hi1>). </cell>
                            </row>
                            <row>
                                <cell>&bullet;</cell>
                                <cell>The plan of the architect Thomas Price (no. 2) is not as
                                    accurate, even though it was made twenty years later. All of the
                                    northern part of the villa is out of line by about 20 cm towards
                                    the north-west in relation to the true position, and the area of
                                    the baths is rendered very sketchily. But the most notable
                                    discrepancy relates to the south-east side of the
                                    quadriporticus, where the measurement is off by half a meter
                                        (<hi1 rend="bold">fig. 10</hi1>). </cell>
                            </row>
                            <row>
                                <cell>&bullet;</cell>
                                <cell>There are considerable inexactitudes in the survey published
                                    by Coarelli (no. 3). First, there is a decided problem in the
                                    orientation of the map, whose north corner is considerably
                                    shifted in relation to the cardinal point. There are also
                                    numerous and evident inaccuracies in the representation of the
                                    residential quarters. For example, the recorded dimension of
                                    some rooms is greater than in fact they are, and the fountain on
                                    the inside of the <hi1 rend="italic">atrium</hi1> is misplaced
                                    by many centimetres. Such errors in the representation of
                                    details do not seem due to procedural or technological
                                    shortcomings, but rather are evidence of inadequate precision in
                                    the performance of the work (<hi1 rend="bold">fig. 11</hi1>).
                                </cell>
                            </row>
                            <row>
                                <cell>&bullet;</cell>
                                <cell>The plan of De Simone (no. 4), although drawn with very simple
                                    equipment, is substantially correct, both with regard to the
                                    orientation and the general dimensions of the building, and with
                                    regard to the rendering of the spaces. This goes to show that
                                    the availability of sophisticated instruments does not always
                                    produce the best results; on the contrary, careful and accurate
                                    work on the field can make up for the lack of sophisticated
                                    gadgetry (<hi1 rend="bold">fig. 12</hi1>). </cell>
                            </row>
                            <row>
                                <cell>&bullet;</cell>
                                <cell>The survey carried out by the Soprintendenza Archeologica del
                                    Lazio (no. 5) is rather untrustworthy. There is, in fact an
                                    erroneous measurement on the north front, which is shown as
                                    being 30 cm shorter than it really is. This in turn generates an
                                    error that is repeated over the entire bath complex to the west
                                    of the monument (<hi1 rend="bold">fig. 13a</hi1>). The
                                    orientation of the plan is out of line by several degrees
                                    towards the south-west, as is clear when the long sides of the
                                    quadriporticus and of the south front are checked (<hi1
                                        rend="bold">fig. 13b</hi1>) </cell>
                            </row>
                        </table></p>
                </div3>
                <div3 id="div3_c11.5.5" type="section">
                    <head>
                        <bibl type="title">E.5.5. The Creation of the Three-Dimensional Model of the
                            Terrain </bibl>
                    </head>
                    <p id="p_1294" n="1294">The efficacy of using DGPS for carrying out the
                        morphological survey of areas of small dimensions has been amply
                            demonstrated.<ptr target="nt_c11.5.n11" n="11"/> As noted above, for
                        this type of work cinematic modality DGPS is used, which requires the use of
                        a “rover” antenna on a backpack; this permits the registration of space
                        coordinates while on the move, and with extreme rapidity (ca. 1800
                        points/h). </p>
                    <p id="p_1295" n="1295">By following the cinematic method, a series of points of
                        determined altitude on the terrain of “Horace’s Villa” were established
                        using DGPS. These points were used to create the first digital
                        three-dimensional model of the site (<hi1 rend="bold">fig. 14</hi1>). The
                        DTM (Digital Terrain Model), on which was “spread” the plan of the villa,
                        requires the gathering of further data on the morphology of the zone; above
                        all, it must be enhanced with the three-dimensional rendering of the masonry
                            structures.<ptr target="nt_c11.5.n12" n="12"/> It is evident that the
                        structures adapt perfectly to the lie of the land. The residence is at a
                        higher level, where the north side of the quadriporticus is also situated.
                        From this there is access to the long sides of the quadriporticus by way of
                        two lateral ramps, while a central staircase leads to the uncovered area,
                        kept as garden. The garden and the two long sides of the quadriporticus
                        follow the natural slope from north to south. The east side deviates
                        slightly westwards to adapt to the morphology of the site, coming as far as
                        the limit of the level area, beyond which the terrain rises eastwards. The
                        structure that was created in the east wing of the quadriporticus, a
                        fountain or some ornamental structure, must have also served the purpose of
                        holding up the slope. </p>
                </div3>
                <div3 id="div3_c11.5.6" type="section">
                    <head>
                        <bibl type="title">E.5.6. Conclusions </bibl>
                    </head>
                    <p id="p_1296" n="1296">The difficulty in making different plans of the same
                        site coincide is a problem that scholars often find when reworking
                        excavation data. In the case of “Horace’s Villa,” all the graphic
                        documentation has now been linked to a single topographical grid and
                        analyzed with the help of computers. </p>
                    <p id="p_1297" n="1297">The grid was made using equipment with various
                        functions. DGPS, receiving the data from satellites, requires good
                        visibility in order to function; it cannot be used, for instance, in the
                        midst of heavy vegetation. These characteristics make DGPS ideal for the
                        resolution of specifically topographical problems, such as fixing the points
                        and geo-referencing the elements, while it has certain limitations in the
                        surveying of masonry structures. Conversely, Total Station is characterized
                        by the highest precision, but cannot operate quickly if there are obstacles
                        between the various points. </p>
                    <p id="p_1298" n="1298">On the site of “Horace’s Villa,” the integrated use of
                        these two pieces of equipment greatly simplified the gathering of spatial
                        data and led to the rapid production of a geo-referenced survey, with little
                        expenditure of energy. </p>
                    <p id="p_1299" n="1299">Analysis of the pre-existing plans leads to several
                        observations. It is clear that the survey, carried out at very different
                        times and with very different techniques, produced varying results. The
                        orientation of the map is often not correct, which shows the difficulties
                        the topographers had in linking the parts of the survey; with a smaller
                        number of operations, any errors, of course, had greater consequences. For
                        instance, on some plans there is imprecision in the measurement of the north
                        front of the building; the bulk of these, particularly the older ones, do
                        not resolve the problem of the linkage between the north and south parts of
                        the villa. Only the survey of 1999, carried out with the electronic Total
                        Station, gives a correct representation of the building and positions it
                        precisely in the space. </p>
                    <p id="p_1300" n="1300">In addition to the discrepancies resulting from the
                        limitations of the instruments used, in some surveys inaccuracies are found
                        in the rendering of the particulars. Presumably they depend on errors of
                        measurement made by the operators, who were not always very sensitive to the
                        problems of architectural surveying. </p>
                </div3>
            </div2>
            <div2 id="div2_c11.6" type="section" status="hidden">
                <head>
                    <bibl type="title">E.6. Interpreting Treasure: Oral Tradition, Archaeology and
                        “Horace’s Villa”</bibl>
                </head>
                <p>
                    <hi1 rend="bold">By Luisa Del Giudice</hi1>
                </p>
                <div3 id="div3_c11.6.1" type="section">
                    <head>
                        <bibl type="title">E.6.1. Abstract </bibl>
                    </head>
                    <p id="p_1301" n="1301">This paper<ptr target="nt_c11.6.n1" n="1"/> explores the
                        historic and theoretical intersections of archaeology and folklore and how
                        their disciplinary perspectives diverge and converge around the site of the
                        Villa of Horace today. Treasure serves as a metaphorical tool to explore the
                        various meanings, contexts, and discourses on Horace’s Villa. The contested
                        interpretations of treasure emerge from an analysis of the various types of
                        oral narratives collected in Licenza: treasure tales, meta-archaeological
                        narratives, and finally, stories about Horace and the Villa. An ethnographic
                        sketch of Licenza serves to contextualize these narratives, where issues of
                        peasant worldview, archaeological project, and future economic development
                        and land management emerge. Finally, the paper focuses on former custodian
                        and folk poet of the villa, Giuseppe Rinaldi, a “living treasure,” and
                        considers how he embodies the intersection of oral tradition and
                        archaeological site. </p>
                </div3>
                <div3 id="div3_c11.6.2" type="section">
                    <head>
                        <bibl type="title">E.6.2. Introduction: Folklore and Archaeology </bibl>
                    </head>
                    <p id="p_1302" n="1302">Although in infancy folklore and archaeology shared in
                        their mutual search for antiquities (material artifacts for archaeologists,
                        “popular antiquities” in early folklore parlance),<ptr target="nt_c11.6.n2"
                            n="2"/> the disciplines increasingly parted ways in the nineteenth
                        century, and more definitively by the twentieth. Archaeology aligned itself
                        with the empirical practices of science while folklore converged with
                        anthropology, psychology, and literary studies.<ptr target="nt_c11.6.n3"
                            n="3"/> Popular antiquarians searched for poetic “fragments,” “fast
                        disappearing relics of the past” in imminent danger of being lost. They
                        journeyed to remote rural places and often viewed the folk there as living
                        antiquities themselves, repositories of unbroken, ancient traditions,
                        “untainted” by urban civilization. Here the “authentic” folk’s utterances
                        (songs, tales) might represent purer “survivals” unchanged since ancient
                        times (<hi1 rend="bold">fig. 1</hi1>). This view was shared by
                        archaeologists, antiquarians, folklorists (and landscape painters, see below
                        and Frischer, <ptr target="div4_c13.2.2.1" type="txt" n="G.2.2"/>). The
                        mischief that fallacy of a-historicity played in the lack of civic progress
                        accorded the actual “folk” was significant.<ptr target="nt_c11.6.n4" n="4"/>
                    </p>
                    <p id="p_1303" n="1303">Recent trends in archaeology indicate a rapprochement of
                        the disciplines, as archaeologists are called to explore “complementary
                        landscape histories,”<ptr target="nt_c11.6.n5" n="5"/> to consider “cultural
                            value”<ptr target="nt_c11.6.n6" n="6"/> in their discourse, and to weigh
                        folklore’s potential contributions to interpretive archaeology (i.e., the
                        search for <hi1 rend="italic">meanings</hi1> of the past in the past and in
                        the present). The effort to more fully understand monuments in history, as
                        well as in the societies where they survive, creates fertile ground for
                        interdisciplinary discourse around questions of history, historical accuracy
                        and meaning. Folklore indeed provides alternative images of people’s
                        histories, different systems of meaning and may help us “in understanding
                        not only what happened and when, but how events were experienced by people
                        participating in them and remembered by their descendants.”<ptr
                            target="nt_c11.6.n7" n="7"/>
                    </p>
                    <p id="p_1304" n="1304">This contribution offers a folklorist’s perspective on
                        an archaeological site. It focuses on the cultural meanings and symbolic
                        value of Horace’s Villa in the oral tradition of Licenza. Its aim is to
                        contribute, not quaint “curiosities,” but rather a fuller understanding of
                        the physical and human landscapes contextualizing the archaeological site
                        today. I suspect, however, that folklore’s disciplinary position vis-à-vis
                        archaeology may still be largely viewed as somewhat analogous to the peasant
                        vignettes found in many a Hackert landscape engraving, that is as: <hi1
                            rend="italic">personaggi di contorno</hi1>, decidedly marginal to the
                        canvas. Next to the sweeping, authoritative, Romantic landscape with
                        monument appears the quaint peasant, shepherd, or even brigand; these
                        figures grace the corners, offering a sense of scale and “local color,” as
                        they generally behave in an idealized pastoral mode (riding donkeys, making
                        music, etc.).<ptr target="nt_c11.6.n8" n="8"/> I propose bringing such
                        figures <hi1 rend="italic">in</hi1> from the margins by interrogating them
                        directly and soliciting their personal narratives about the landscape of
                        which they form an integral part. </p>
                    <p id="p_1305" n="1305">Hackert indeed integrated monuments into their natural
                        milieux, where men, monuments, and the physical setting seemed to create a
                        seamless and picturesque harmony.<ptr target="nt_c11.6.n9" n="9"/>
                        Significantly though, he studiously avoided cultivated fields (evidence of
                        peasant work) in favor of wild and natural landscapes (<hi1 rend="italic"
                            >quanto meno un luogo è coltivato, tanto più è pittoresco</hi1>).<ptr
                            target="nt_c11.6.n10" n="10"/> According to Hackert, it is not the
                        specific tree, but its idealized form, which is esthetically pleasing, and
                        the painterly eye must select the most beautiful element of each
                            specimen.<ptr target="nt_c11.6.n11" n="11"/> So, too, must the pastoral
                        human element in such tableaux, represented by quaint, costumed peasants,
                        add an esthetic contribution to the whole. Peasants appear as part of the
                            <hi1 rend="italic">natural</hi1> landscape, as though ancient as the
                        hills, unchanged in time (or at least contemporaneous with the historic
                        monument). The topos is repeated in the archaeological literature by Ramsay: <q1>
                            <p>They seem to be of the same stamp with those who, according to the
                                poets and historians, inhabited that country in the days of Numa
                                Pompilius, with the same laborious manner of living, the same
                                contented poverty, and the same innocence; so that when my wife, my
                                daughter Amelia, and I took our leave of them upon the 28 of June,
                                1777, we did it with much regret.<ptr target="nt_c11.6.n12" n="12"/>
                            </p>
                        </q1>
                    </p>
                    <p id="p_1306" n="1306">and echoed by contemporary local observers: <q1>
                            <p>[…] curvi sotto le fatiche, rudi nel volto, abbronzati dal sole,
                                questi buoni popolani rammentano Orazio come se fosse vissuto ieri
                                in questi luoghi; sognano il colle Meneghella, posta aldilà del
                                Licenza [il fiume] sopra alla Piana di Otto, rammenti il nome di una
                                diletta di Orazio e la raccontano come se lo vedessero su per la
                                strada Oratini… </p>
                        </q1>
                        <q1>
                            <p><hi1 rend="italic">[...] bent under their labors, of coarse face,
                                    browned by the sun, these good peasants remember Horace as
                                    though he lived among them only yesterday; they dream of Colle
                                    Meneghella, just the other side of the Licenza [river] above the
                                    Piana di Otto, which recalls the name of one of Horace’s lovers,
                                    and they tell it as though they were seeing him up by the
                                    Oratini road…</hi1>.<ptr target="nt_c11.6.n13" n="13"/>
                            </p>
                        </q1></p>
                    <p id="p_1307" n="1307">These assertions assume a continuity that may not be
                        borne out by the historic record, and they take little note of the peasant’s
                        actual, and expressed—were one to listen—hardships. Contented and idealized
                        humanity, reassuringly unchanged, was surely one of the attractions for
                        Hackert’s clients (subscribers to his engravings) on the Grand Tour, a tour
                        which was to have included Licenza.<ptr target="nt_c11.6.n14" n="14"/> Here
                        begins our discourse on the divide which historically separates the learned
                        from the unlearned response, the scholar’s from the folk’s meaning, and the
                        esthete’s from the insider’s perspective on Horace’s Villa. </p>
                </div3>
                <div3 id="div3_c11.6.3" type="section">
                    <head>
                        <bibl type="title">E.6.3. Landscape </bibl>
                    </head>
                    <p id="p_1308" n="1308">Since Horace’s day, landscape has been central to any
                        discourse on Licenza, and it remains so today, to archaeologists, to the
                        remaining peasants, and to ecologists and those involved in heritage
                        management, as the villa comes to find itself within the nature conservancy
                        of the Parco Regionale Naturale dei Monti Lucretili. If folklore can indeed
                        be called upon to create a “complementary landscape histor[y]” it seems
                        particularly appropriate to note that it was the very landscape
                        itself—assuming this in fact to be the true site of Horace’s Villa—which
                        gave birth to Horace’s country Villa, inspired much of his poetry, and
                        delighted the poet. His love of the bucolic is a source of local pride, and
                        peaceful rustication has attracted more recent <hi1 rend="italic"
                        >Ausländer</hi1> as well.<ptr target="nt_c11.6.n15" n="15"/> Any future
                        proposal to manage the site might best keep this historic function of the
                        villa in full view. </p>
                    <p id="p_1309" n="1309">Landscape, of course, is central to archaeology, playing
                        its role as a means of site identification according to historic, literary,
                        and pictorial sources. Further, direct observation of the landscape may help
                        in the assessment of how nature, time, and humanity have altered the site’s
                        physical setting. But land is also the very stuff of peasant life. Peasants
                        shape and give human contour to the land by clearing, shoring up, terracing,
                        grazing, plowing, pruning, inheriting, dividing, contesting, and sometimes
                        damaging the historic site through agricultural work.<ptr
                            target="nt_c11.6.n16" n="16"/> Archaeologists and peasants are here
                        bound by the very soil in which they dig. And in this instance at least, the
                        archaeological site <hi1 rend="italic">was</hi1> in fact an agricultural
                        site as well, a <hi1 rend="italic">country</hi1> villa; Horace himself, to
                        the amusement of his laborers, attempted to dig this very soil. </p>
                    <p id="p_1310" n="1310">What binds and divides a folk from an archaeological
                        perspective on land and its uses, and how might they be mutually informing?
                        At times, it may be precisely the peasant’s intimate knowledge of
                        seasonality, topography, local history, and specificity of fauna and flora
                        that informs the archaeologist’s project.<ptr target="nt_c11.6.n17" n="17"/>
                        And in the ordinary work of tilling the soil, peasants have frequently
                        uncovered artifacts directly useful to archaeologists. They may generally be
                        expected to have a keen topographic memory with regard to the land and its
                            boundaries.<ptr target="nt_c11.6.n18" n="18"/>
                    </p>
                    <p id="p_1311" n="1311">Landscape is also important to current economic
                        development strategies, i.e., ecologic conservation. Archaeologists and
                        folklorists stand to make significant contributions to issues of land and
                        heritage management, since archaeologists offer a historic perspective on
                        sites, and folklorists a contemporary <hi1 rend="italic">human</hi1>
                        perspective, one which puts people back in the picture. Might it not be
                        wise, for example, with regard to Horace’s Villa, to insist that agriculture
                        form a significant part of its future development as a heritage site? The
                        villa, that is, could conceivably become something of a <hi1 rend="italic"
                            >living</hi1> museum of ancient <hi1 rend="italic">and</hi1>
                        contemporary pastoral-agricultural life and its technologies—not
                        incompatible with present-day ecologic and commercial concerns.<ptr
                            target="nt_c11.6.n19" n="19"/>While other such Classical sites and <hi1
                            rend="italic">beni culturali</hi1> abound in Italy, how to manage these
                        cultural treasures is frequently also a controversial subject—as is the very
                        interpretation of “treasure.” </p>
                </div3>
                <div3 id="div3_c11.6.4" type="section">
                    <head>
                        <bibl type="title">E.6.4. Treasure as Metaphor </bibl>
                    </head>
                    <p id="p_1312" n="1312">The hunt for treasure is not only a common folk
                        narrative motif but it is also found in the discourse and practice of early
                        folklorists and archaeologists. Folktale and song collections often made
                        reference to “treasure” and “gems” as diamonds in the rough, ruder forms of
                        folk “poetry” (note the hegemonic literary nomenclature), which, when
                        polished through editorial tinkering (standardizing dialect forms and/or
                        regulating metrics) could be made presentable to civilized society (cf. the
                        “cleaned up” peasants in Hackert’s paintings). Treasures brought to light by
                        archaeologists may have proved more lucrative. Nonetheless, semantics as
                        well as some methodological affinities wedded the disciplines, as does the
                        agricultural metaphor of “fieldwork,” which implies spadework in the great
                        outdoors and not from an armchair. Indeed, this metaphor conceals a shared
                        border between archaeology and the work of peasants, which I propose to
                        explore. </p>
                    <p id="p_1313" n="1313">This paper also attempts to interpret the polysemous
                        motif of “treasure” and its various meanings as they merge in the current
                        discourse around Horace’s Villa. “Treasure” has proven surprisingly
                        versatile. Treasure, for instance, may be viewed as ill-gotten booty (e.g.,
                        a pirate’s or a brigand’s treasure chest); as archaeological artifact (e.g.,
                        the “Treasures of Tutankhamen”); as the folk hero’s reward in classic
                        folktales (e.g., buried gold, or magical objects such as tablecloths, pasta
                        pots, etc.)<ptr target="nt_c11.6.n20" n="20"/>; as a living human resource
                        (e.g., “living cultural treasure”=specific, traditional, cultural knowledge,
                        as it is known to folklorists); or a “national treasure,” as known to
                        literate culture (e.g., Horace himself). Finally, treasure may be viewed as
                        public finance and economic development (i.e., the Treasury). Yet many of
                        these discrete categories may merge in consciousness and practice. How many
                        museum artifacts from earlier archaeological expeditions are now considered
                        pirated booty, such as Native American burial artifacts or the Elgin
                        Marbles? How many early archaeological expeditions were thinly-disguised
                        treasure hunts? How often have folktale motifs of dreamed gold prompted
                        contemporary treasure hunters to “seek their fortune” with metal detectors
                        and treasure maps? Lotteries fund public treasuries, as they exploit
                        widespread aspirations to sudden wealth. Given the wealth of interpretive
                        possibilities, treasure talk in this paper will be metaphoric and literal,
                        for it weaves together history and oral memory as well as folk and
                        archaeological narrative. </p>
                    <p id="p_1314" n="1314">Such contested meanings of treasure come to the fore in
                        Licenza, exemplifying how “one man’s treasure is another man’s trash.”<ptr
                            target="nt_c11.6.n21" n="21"/> One archaeologist noted the fundamental
                        disparity between popular expectations of <hi1 rend="italic">il tesoro della
                            villa</hi1>—precious metal (gold), or at least a single object of great
                        value—and the archaeologist’s: “for us it’s the opposite, [it is] the object
                        that allows us to understand the site.”<ptr target="nt_c11.6.n22" n="22"/>
                        Tangible versus intangible treasures concern Licenza’s mayor Romanzi, too,
                        as he cautions against interpreting treasure too literally. Horace’s Villa
                        cannot alone create employment opportunities and thereby solve Licenza’s
                        economic problems, but should be understood as a cultural treasure (<hi1
                            rend="italic">un bene culturale</hi1>) to be “internalized” by the
                        population (see <ptr target="div3_c11.6.8" type="txt" n="E.6.8"/>). Opposing
                        ideas of treasure may especially divide folk from literate worldview. A
                        peasant may willingly hand over <hi1 rend="italic">cubilia</hi1>, since he
                        has little use for stones in his field;<ptr target="nt_c11.6.n23" n="23"/>
                        to the archaeologist these might provide a crucial piece of the puzzle. A
                        treasure hunter might sell them for hard cash, while an antiquities
                        collector instead might display them in his garden or home as <hi1
                            rend="italic">objets d’art</hi1> (see <ptr target="div3_c11.6.13"
                            type="txt" n="E.6.13"/>).<ptr target="nt_c11.6.n24" n="24"/>
                    </p>
                </div3>
                <div3 id="div3_c11.6.5" type="section">
                    <head>
                        <bibl type="title">E.6.5. Archaeology and Oral Tradition </bibl>
                    </head>
                    <p id="p_1315" n="1315">Oral tradition may be relevant to archaeologists in a
                        variety of ways, yet when archaeologists try to use folk materials as clues
                        they find that folklore and archaeological remains rarely match, and that
                        such leads usually prove disappointing, as noted by Gazin-Schwartz and
                            Holtorf.<ptr target="nt_c11.6.n25" n="25"/> As archaeologists,
                        Gazin-Schwartz and Holtorf encourage colleagues to move beyond the question
                        of the historic accuracy of folkloric materials, and they assert that
                        “neither field can be relied upon to tell us about the actual past.”<ptr
                            target="nt_c11.6.n26" n="26"/> It appears to me that it may be the
                        actual assessment of the quality and nature of such “information”
                        (historically accurate or not), which requires a folklorist’s assistance. We
                        ask these critical questions of oral narratives: why are they told; how do
                        they continue to be relevant narratives; and what (and whose) underlying
                        concerns do they express? That is <hi1 rend="italic">not</hi1> “are they or
                        are they not true?” but rather, “<hi1 rend="italic">how</hi1> are they
                        true?” These are not likely to be the sorts of questions archaeologists are
                        accustomed to asking. Folklore materials follow their own internal,
                        traditional logic, style, and genre-specific language, and must be
                        interpreted “from within.” <q1>
                            <p>Origin myths are told in mythological language, which is symbolic and
                                interpretive. They reveal not so much facts about the past as the
                                significance of the past. It is thus more appropriate to look to the
                                stories for meaning than for facts. It is this meaningfulness of the
                                story that ensures its transmission, not its historical
                                    accuracy.<ptr target="nt_c11.6.n27" n="27"/>
                            </p>
                        </q1></p>
                    <p id="p_1316" n="1316">This does not exclude the possibility that these
                        narratives may be embedded with “useful” (factual) cultural and historical
                        information. Furthermore, “what people believe happened is often as
                        important as what actually happened, for people think, act and react in
                        accordance with what they believe to be true.”<ptr target="nt_c11.6.n28"
                            n="28"/> It is therefore “preferable not to dismantle the narratives of
                        folklore, in order to sift vestiges of truth from various kinds of fantasy”
                        but, as Emma Blake argues in her work on ancient towers in Sardinia, to
                        “treat oral traditions holistically.”<ptr target="nt_c11.6.n29" n="29"/>
                    </p>
                    <p id="p_1317" n="1317">My goal was precisely to treat this enquiry
                        holistically, combining traditional bibliographic research and oral
                        interviews with as wide a range of interviewees as possible, who might shed
                        light on Horace and his villa in living oral tradition. This would include,
                        e.g., nomenclature, songs, personal and traditional narrative, oral poetry,
                        etc., their historic functions and their symbolic value in the economy and
                        history of the area. I sought therefore, to explore the various
                        intersections of folk culture, oral tradition and archaeology through
                        Horace’s Villa. </p>
                </div3>
                <div3 id="div3_c11.6.6" type="section">
                    <head>
                        <bibl type="title">E.6.6. Land and Landscapes: Peasants and Archaeologists
                        </bibl>
                    </head>
                    <p id="p_1318" n="1318">Peasants and archaeologists dig dirt, handle stone,
                        build walls. But what makes fieldstone conceptually distinct from artifacts?
                        What place does stone have in the peasant’s worldview? Do ancient,
                        Renaissance, or modern stones differ substantially? Historic lines are in
                        fact frequently blurred when ancient stone is recycled. In folk material
                        culture, furthermore, design and construction methods (e.g., terracing) may
                        not actually have changed in centuries (<hi1 rend="bold">fig. 2</hi1>).
                        Peasants seem to periodize history in distinct ways (e.g., the generic <hi1
                            rend="italic">ai tempi di Nerone</hi1> to indicate great antiquity, <hi1
                            rend="italic">ai tempi dei nonni</hi1> for the recent past), and
                        frequently display an a-historical and non-philologic approach to objects in
                        their domestic spaces. While archaeologists deal in linear chronology, folk
                        culture tends to re-visit, re-mold, and re-embody cultural forms from the
                        past, and while the former tends to move the origins of customs further into
                        the past, folklore draws those customs forward in a continuous updating of
                            tradition.<ptr target="nt_c11.6.n30" n="30"/>
                    </p>
                    <p id="p_1319" n="1319">And yet, part of antiquarian Ramsay’s novelty may have
                        been his willingness to directly consult the local “country people,” showing
                        a certain faith in their “native capacity for comprehension and
                            appreciation.”<ptr target="nt_c11.6.n31" n="31"/> This openness indeed
                        yielded many positive results. It may perhaps be an attitude learned from
                        the elder Ramsay, a member of the Scottish enlightenment, who wrote <hi1
                            rend="italic">The Gentle Shepherd</hi1>, a work in Scots vernacular
                        credited with a “directness of impression and [an] appreciation of country
                        life [which] anticipate the attitude of the school which broke with
                        neo-classical tradition.”<ptr target="nt_c11.6.n32" n="32"/>
                    </p>
                </div3>
                <div3 id="div3_c11.6.7" type="section">
                    <head>
                        <bibl type="title">E.6.7. Licenza and Horace’s Villa: Worlds Divided </bibl>
                    </head>
                    <p id="p_1320" n="1320">Fieldwork in Licenza led to the disappointing
                        realization that Horace and the Villa have actually had little impact on the
                        people of Licenza,<ptr target="nt_c11.6.n33" n="33"/> save for the few who
                        have had direct dealings with the villa, either as laborers or custodians.
                        Of course, there is a greater acquaintance with Horace among the local
                        intelligentsia. As lamented by archaeologists, noted by civic authorities,
                        and admitted by the Licentini themselves, few are curious about or have
                        visited the site, despite its proximity to the village. We might speculate
                        on the reasons for this neglect: general lack of formal education of the
                        population (due to socio-economic factors or the inadequacy of the
                        educational system), or perhaps it is attributable to the assumption that
                        “those who will benefit from economic development [of the site] lie outside
                        the village.”<ptr target="nt_c11.6.n34" n="34"/>
                    </p>
                    <p id="p_1321" n="1321">The villa has historically been associated with
                        “outsiders.” German and English tourists (from the era of the Grand Tour)
                        have been its major enthusiasts. At least one peasant woman remembers that
                        about 70 years ago, groups of young children (<hi1 rend="italic">branchi di
                            ragazzi</hi1>) would flock to the “strada romana” when the English
                        tourists arrived by buses. The children sold them bunches of large violets
                        for a penny (<hi1 rend="italic">un soldo</hi1>). Furthermore, the villa as
                        an archaeological site is associated with foreign academics (e.g., those
                        from the American Academy in Rome working in conjunction with the
                        Archaeological Superintendency for Lazio, <hi1 rend="bold">fig. 3</hi1>).
                        The land in its vicinity is inhabited by the few literal “foreigners”
                        (English, Romans) of Licenza who have purchased land there. When an
                        Englishman, John Rae, built his home just beneath the Ninfeo in the 1960s,
                        locals were both amazed and alarmed that he should consider inhabiting this
                        dangerous wilderness. Much of the land beyond the town may have been
                        considered wild, that is, space beyond civilization; traditionally, even the
                        cultivated lands that were worked during the day were never inhabited by
                        peasants. Instead, the peasants returned each evening to their homes within
                        the town walls, a pattern typical of towns and villages throughout central
                        Italy. Historically, those extra-mural spaces were feared, as being full of
                        dangers both human (bandits)<ptr target="nt_c11.6.n35" n="35"/> and animal
                        (wolves and snakes). Today, of course, “country villas” or <hi1
                            rend="italic">villini</hi1> have sprouted up in many places once deemed
                        uninhabitable, including the vicinity of Horace’s Villa (<hi1 rend="bold"
                            >fig. 4</hi1>). </p>
                    <p id="p_1322" n="1322">The specific history of Licenza, a history made of
                        penury and emigration, goes a long way to explaining why few working in such
                        harsh subsistence reality had the time, resources, or inclination for
                        matters of archaeology. It is considered <hi1 rend="italic">un paese
                            arretrato</hi1> (“a backward town”) by more than one. Yet this
                        disinterest does not seem limited to peasants alone and may be even more
                        marked among the younger adult population, who <hi1 rend="italic">smaniano
                            di andarsene</hi1> (“are restless to leave”) and have little interest
                            <hi1 rend="italic">a sporcarsi le mani </hi1>(“in dirtying their hands”)
                        in any local agricultural labor or the more physical sorts of archaeological
                        work. Class bias against dirtying one’s hands may arise from the little
                        regard with which agricultural work is viewed, and carry over to archaeology
                        (see <ptr target="div3_c11.6.13" type="txt" n="E.6.13"/>). </p>
                    <p id="p_1323" n="1323">The economic history of the Licentini as migrant workers
                        in the fields of the valley (the hinterland around Rome) and in Tivoli goes
                        back to the late nineteenth century and is remembered by elders now in their
                        late 70s and 80s. Historically, men, women, and even children (unmarried
                        girls and boys) were hired out, while married women normally remained in the
                        town. The migrants returned to Licenza only for Christmas, Easter, and
                        Ferragosto, and so a peasant’s oral history of Licenza must take note of
                        these long absences from the village. The steep, inhospitable landscape
                        meant that arable land was scratched out at great cost (<hi1 rend="bold"
                            >figs. 5</hi1> and <hi1 rend="bold">6</hi1>). Only olive trees, hardy
                        spelt (<hi1 rend="italic">farro</hi1>), and a few vineyards seemed to
                        survive, and enough of a plot for kitchen gardens and an animal or two.
                            “<hi1 rend="italic">Non è una bella campagna</hi1>” (“it is not great
                        farming land”), from a peasant’s point of view, for it lacks open fields and
                        can be tilled only by hand. The land therefore could not sustain the
                        population, leaving the Licentini little choice but to emigrate. Local
                        migration was common, while emigration to overseas destinations generally
                        was not.<ptr target="nt_c11.6.n36" n="36"/>
                    </p>
                    <p id="p_1324" n="1324">Remembering the seasonal farmwork of those days as a
                        young girl, a woman in her late 70s stressed that “<hi1 rend="italic"
                            >c’hanno fatto scoppià</hi1>” (“they made us bust a gut”).<ptr
                            target="nt_c11.6.n37" n="37"/> In the post-World War II era, Licenza
                        experienced another mass emigration, for Licentini left for jobs as stone
                        masons, factory workers, doormen, <hi1 rend="italic">bidelli</hi1>
                        (janitors), and other areas of unskilled labor requested by the various
                        government ministries and institutes of Rome. Farming as an economically
                        viable activity was largely abandoned by the 1970s and the wilderness (<hi1
                            rend="italic">la macchia</hi1>) slowly reclaimed the valley. Today there
                        are a few old peasants<ptr target="nt_c11.6.n38" n="38"/> who tend their
                        lands, a few “weekend-farmers,” and a high unemployment rate among young
                        adults. There is a general sense of feeling economically cut off and that
                        the youth must flee Licenza to create their future. There is little tourism
                        (despite the Parco), and the few regular tourists who visit this area have
                        family ties here, returning on weekends or as retirees. A social center for
                        the elderly, recently built, gathers in many returning emigrants as
                        pensioners. </p>
                    <p id="p_1325" n="1325">How have Horace and the villa impacted the culture and
                        economy of Licenza, and what part do local, historic and ethnographic
                        realities play in proposals for, or resistance to, current plans for
                        “marketing Horace”? </p>
                </div3>
                <div3 id="div3_c11.6.8" type="section">
                    <head>
                        <bibl type="title">E.6.8. Cultural and Economic Development: Marketing
                            Horace </bibl>
                    </head>
                    <p id="p_1326" n="1326">Municipal authorities and the local intelligentsia have
                        been consciously developing Horace as a public symbol of Licenza for about
                        50 years, according to mayor Romanzi, and most assiduously since 1993, the
                        year marking the second millennium of Horace’s death. The earliest efforts
                        appear to have come on the heels of Lugli’s publication (in the wake of
                        early excavations of the villa, begun by Pasqui).<ptr target="nt_c11.6.n39"
                            n="39"/> Cultural promotion and public education took various forms in
                        the post-war period. Augusto Onorati, president of the Pro Loco (an
                        organization promoting local tourism and culture) from 1967 to 1975, was
                        directly responsible for having a medallion struck of Horace’s image. He
                        apparently also arranged declamations of Horatian poetry with instrumental
                        accompaniment. Mafalda Corsi Gorini, a teacher at the Middle School
                        remembered with fondness,<ptr target="nt_c11.6.n40" n="40"/> created a
                        school festival on the piazza of Licenza, in which children performed
                        pageants and other “folkloric” events, performing as tarantella dancers in
                        costume, and giving recitations in dialect. She consciously wove references
                        to Horace into the <hi1 rend="italic">Stornellata licentina</hi1>, her song
                        on Licenza.<ptr target="nt_c11.6.n41" n="41"/>
                    </p>
                    <p id="p_1327" n="1327">Since the 1990s, and in conjunction with the creation of
                        the Parco Regionale Naturale dei Monti Lucretili, there has been a flurry of
                        publications aimed at general audiences: a guide to the park for youth (<hi1
                            rend="italic">Camminando per i monti</hi1>); a park map with some
                        interpretive materials (<hi1 rend="bold">fig. 7</hi1>); a tourist guide to
                        the Museo Oraziano. New interpretive panels at the site itself (July, 2001)
                        provide an updated orientation to Horace’s Villa, and new benches encourage
                        more casual enjoyment of the site’s b
